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Posts Tagged ‘Gets’

Hasseblad X1D gets electronic shutter and resizable AF points via firmware update

25 Aug

Swedish medium format camera maker Hasselblad has added electronic shutter and resizable AF points to its X1D mirrorless camera via a new firmware update: Version 1.17.2.

The newly added electronic shutter can operate between 68 minutes and 1/10,000sec—extending the short exposure range of the camera from 1/2000sec. It also takes away the vibrations of a mechanical shutter, which should reduce the risk of shutter shock in moderate exposures, and the silent nature of the electronic shutter makes it possible to shoot without disturbing your subject.

These benefits don’t come without some drawbacks, though.

Hasselblad acknowledges that the 300ms it takes the sensor to read from top to bottom could have an impact on the way moving subjects are recorded, and might lead to banding under flickering light sources. ISO will be limited to 3200, and image quality will be slightly lower than in exposures recorded with the mechanical shutter. Finally, continuous drive mode is disabled when using the electronic shutter, as is flash and the camera’s True Exposure feature (as the lens shutter won’t be in use).

In addition to the electronic shutter, the new firmware also adds resizable AF points to the mirrorless medium format X1D—there are now three AF point sizes selectable instead of the single size of the original firmware. The new points measure 4mm, 2.8mm and 2mm, and there are 35 of the largest, 63 of the mid-sized points and 117 of the smallest available to you.

The new firmware is available to download from the Hasselblad website.

Manufacturer Information

Hasselblad X1D Firmware Update 1.17.2

Firmware release 1.17.2 for the Hasselblad X1D-50c adds two important features that extend the shooting envelope of the camera: resizable autofocus points, and an electronic shutter function.

By popular demand, three sizes may now be selected offering 35, 63 or 117 points by holding down the AF/MF button and pressing the display [] button to cycle through them. The focus point may be reset to center easily by pressing the X button.

The electronic shutter allows for shutter speeds up to 1/10,000s and is silent, allowing use of the X1D-50c under conditions that require absolute discretion or completely zero vibration. It allows the production of images with extremely high quality in situations that might have previously been challenging – both when silence is needed such as during live performances, or when working handheld in extremely low light conditions. Furthermore, this opens up the possibility to produce adapters for an extended range of lenses beyond the already wide range of native Hasselblad XCD and HC offerings should you have an extremely specific requirement.

User Guide version 1.6 for X1D contains further information for these new functions.

Please note that the electronic shutter has some limitations due to the nature of the current generation of medium format sensors: rolling shutter effects may be present during camera or subject motion; sensor read time is 300ms. Furthermore, under phased light sources (fluorescent, LED) some striping may occur at higher shutter speeds as these sources are not truly continuous.

Articles: Digital Photography Review (dpreview.com)

 
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Sony ‘trade up’ program gets you $500 plus trade-in value towards a new a9

15 Aug

Switching brands is a painful and expensive process, but a new “trade up” promotion from Sony is trying to take a little bit of the sting away. For a limited time, people interested in stepping up to a Sony a7 II, Sony a7S II, Sony a7R II, or Sony a9 can get several hundreds of dollars in credit + trade-in value when they hand over their working DSLR or mirrorless camera.

These kinds of trade-in programs are not uncommon in the photo world, but we’re more accustomed to seeing them from brands like Hasselblad and Leica, where the price tag for upgrading from one model to the next is so high that a significant discount for trading in your older camera is a serious boon.

Sony’s promotion isn’t quite as intense, but trading in an eligible DSLR or mirrorless will snag you $ 500 + trade-in value towards a new a9, $ 300 + trade-in value towards an a7R II and a7S II, and $ 100 + trade-in value towards a new a7 II. What’s more, these discounts are being offered in parallel with instant-rebates of up to $ 200 on the same cameras.

If you’re looking for an a9, there is a (long) list of eligible cameras that will earn you that $ 500 bonus; however, if you’re interested in an a7 II, a7S II, or a7R II, “any working digital interchangeable lens camera” is acceptable. To learn more or take advantage of the program, read the press release below or head over to the trade up website at this link.

The ‘trade up’ promotion runs from August 13th through September 30th.

Press Release

Sony Rolls Out Exciting New Nationwide “? TRADE UP” Retail Event

Program offers up to $ 500 bonus offer on trade-in DSLR or mirrorless cameras toward purchase of Sony full-frame cameras, lenses and accessories

San Diego, August 14, 2017, Sony Electronics, a worldwide leader in digital imaging, today announced a new nationwide “? Trade Up” retail event with up to $ 500 bonus offer on top of the trade-in value of a working DSLR or mirrorless camera. The bonus offer can be applied to the purchase of several full-frame Sony cameras including the flagship ?9 as well as the ?7R II, ?7S II and ?7 II models. A variety of ? full-frame lenses and ? accessories are also eligible.

The trade-in and trade-up summertime bonus deal runs now through September 30, 2017, and runs in parallel with instant rebates of up to $ 200 on the same eligible products. Sony is also offering limited time 24-month interest free financing at participating retailers on select Sony imaging products. Combine all offers to maximum savings.

All eligible trade-in products must be in working condition. See below for a list of eligible trade-in products and requirements for eligibility. Customers are restricted to one bonus offer per item they trade-in at participating Sony Authorized Dealers.

Sony ?9 bonus offer of $ 500 on eligible trade-in products

  • Eligible products include the Canon 6D, Canon 6D II, Canon 5D Mark II, Canon 5D Mark III, Canon 5Ds, Canon 5Ds R, Canon 5D Mark IV, Canon 1D Mark IV, Canon 1DX, Canon 1DX II, Nikon D600, Nikon D610, Nikon D800, Nikon D800E, Nikon D810, Nikon D810A, Nikon D750, Nikon D3, Nikon D3s, Nikon D4, Nikon D4s, Nikon D5, Leica M9, Leica M9P, Leica Monochrom, Leica M246, Leica M240, Leica M10, Leica SL, Leica M262, Sony ?7, Sony ?7R, Sony ?7S, Sony ?7 II, Sony ?7S II, Sony ?7R II, Sony?900, Sony ?850, Sony ?99, and Sony ?99 II

Sony ?7 series bonus offers and eligible trade-in products:

  • Sony ?7R ll Full-Frame Mirrorless Camera: Bonus offer of $ 300 on any working digital interchangeable-lens camera
  • Sony ?7S ll Full-Frame Mirrorless Camera: Bonus offer of $ 300 on any working digital interchangeable-lens camera
  • Sony ?7 ll Full-Frame Mirrorless Camera: Bonus offer of $ 100 on any working digital interchangeable-lens camera

FOR MORE INFORMATION: For more information on this promotion, please visit https://alphauniverse.com/tradeup.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram gets Snapchat-style face filters and the transformation is practically complete

17 May

One update after another has given Instagram, the Facebook-owned image sharing app, a look that resembles Snapchat. And here we are, the day we knew was coming: the day that silly augmented reality filters arrive on Instagram. Instagram version 10.21 for iOS and Android enables a set of eight face filters for the front and rear cameras. The ability to adorn photos with hashtag ‘stickers’ is new as well. Like it or not, it’s just a matter of time before you see someone wearing adorable bunny ears in your Instagram feed.

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic GH5 gets 10-bit 4:2:2 1080 video in first of promised firmware updates

19 Apr

When Panasonic introduced the Lumix DC-GH5, it made the bold promise that it would release not one, but two firmware updates that would significantly increase the performance of the camera. The first was to arrive in April and the second a bit later in ‘Summer 2017.’

True to its word, Panasonic has announced firmware v1.1 for the GH5, bringing 4:2:2 10-bit Full HD video capture and a series of enhanced capture options for anamorphic shooters.

The firmware brings 4:2:2 10-bit IPB capture at 100Mbps to 1080/59.97p resolution. Anamorphic shooters also get 10-bit 4:2:2 IPB capture but with the larger, 3328 x 2496 shooting region encoded at 150Mbps. The update also includes two minor bug-fixes.

Higher resolution anamorphic video capture, along with 400Mbps All-I capture for 4K and 200Mbps All-I capture for Full HD will follow in the summer release.


Press Release

DC-GH5 Firmware Update Service Ver.1.1 for Expansion of 4:2:2 10-bit Video Recording Mode

Panasonic is announcing the new firmware update program Ver.1.1 for DC-GH5 to further enhance its performance. The new firmware Ver.1.1 enables 4:2:2 10-bit video recording in either FHD [MP4(LPCM)] / [MOV] and Anamorphic (4:3) mode, in addition to the existing 4K video recording mode.

4:2:2 10-bit FHD [MP4(LPCM)] / [MOV]

Item

System frequency

Size

Frame rate

Bit rate

YUV/bit

Image compression

[FHD/10bit/100M/60p]

59.94Hz

(NTSC)

1920 x 1080

59.94p

100 Mbps

4:2:2/10 bit

Long GOP

[FHD/10bit/100M/30p]

1920 x 1080

29.97p

100 Mbps

4:2:2/10 bit

Long GOP

[FHD/10bit/100M/24p]

1920 x 1080

23.98p

100 Mbps

4:2:2/10 bit

Long GOP

[FHD/10bit/100M/50p]

50.00Hz

(PAL)

1920 x 1080

50.00p

100 Mbps

4:2:2/10 bit

Long GOP

[FHD/10bit/100M/25p]

1920 x 1080

25.00p

100 Mbps

4:2:2/10 bit

Long GOP

[FHD/10bit/100M/24p]

24.00Hz

(CINEMA)

1920 x 1080

24.00p

100 Mbps

4:2:2/10 bit

Long GOP

?When [Miniature Effect] is selected for Creative Control Mode, you cannot select the items used for 4:2:2/10 bit motion pictures.

4:2:2 10-bit Anamorphic (4:3) mode

Item

System frequency

Size

Frame rate

Bit rate

YUV/bit

Image compression

[4K/A/150M/30p]

59.94Hz

(NTSC)

3328 x 2496

29.97p

150 Mbps

4:2:2/10 bit

Long GOP

[4K/A/150M/24p]

3328 x 2496

23.98p

150 Mbps

4:2:2/10 bit

Long GOP

[4K/A/150M/25p]

50.00Hz

(PAL)

3328 x 2496

25.00p

150 Mbps

4:2:2/10 bit

Long GOP

[4K/A/150M/24p]

24.00Hz

(CINEMA)

3328 x 2496

24.00p

150 Mbps

4:2:2/10 bit

Long GOP

?[Anamorphic(4:3)] is available only when the camera is set to Creative Video Mode.

The firmware version 1.1 also includes following firmware fixes that reflect customer feedback:

  • A problem in which the exposure adjustment did not operate properly during live view standby under specific conditions using [Variable Frame Rate].
  • A problem in which afterimages appeared when recording video under high ISO sensitivity settings in using [V-LogL]

The new DC-GH5 firmware Ver 1.1 is scheduled to be released on 24 April, 2017 at the following LUMIX Customer Support website: http://panasonic.jp/support/global/cs/dsc/

Articles: Digital Photography Review (dpreview.com)

 
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Abandoned Tobacco Factory Gets an Acid-Toned Makeover & a New Purpose

21 Mar

[ By SA Rogers in Art & Installation & Sound. ]

kalana

An abandoned, dark and dilapidated tobacco factory is ‘activated’ as a public meeting place to talk about revitalizing unused spaces through a cheerfully haphazard application of vivid, acid-toned paint. Puerto Rican artist Sofia Maldonado created ‘Kalaña’ as part of the series ‘Cromática: Caguas a Color,’ a collaboration with six other artists exploring the intersection of art, community and abandoned architecture.

kalana 2

kalana 6

You can take in the cavernous space while it’s empty and appreciate it for all its wild neon drips, sprays and strokes, taking in how much this simple application of paint has transformed the feel of the space, making it exponentially more welcoming. But Maldonado doesn’t consider the work complete until it’s buzzing with people, serving its ultimate purpose.

kalana 3

kalana 4

“My work is mainly inspired by colors and also by the Caribbean way of living; just experiencing light and color,” she says. “The project itself is not just painting an abandoned building. It’s also the idea of having an agenda. It’s a different format of how a public art piece can also become a creative and educational hub.”

kalana 5

kalana 7

Now, a circular bike ramp encourages playful interaction with the space, and there’s a small stage for speeches and performances. The space will host workshops, lectures, music, presentations and other events.

Screen Shot 2017-03-20 at 3.03.35 PM

Screen Shot 2017-03-20 at 3.02.27 PM

“This project was very challenging, but I think it’s exactly what I needed in order to create a new sort of dialogue that could place my work in a different context…” says Maldonado. “It allows me to bring my work into a bigger dimension and also to start a dialogue with the community and open a door for people to have a different perspective and intends to bring new meaning to what painting is, what public art could be, and also how can you integrate a community that surrounds it.”

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[ By SA Rogers in Art & Installation & Sound. ]

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Winter is Coming: Here are some tips on what and where to shoot when it gets cold

10 Oct

Winter is Coming

Winter is only a month or two away and many photographers will find it challenging to press on through the dreary winter months; especially those of us that live in Seattle or other areas where wind, rain, sleet and snow pound the region for months on end.

In this article I’ve outlined some tips to keep your landscape photography fresh when the weather starts to head south.

Photograph Transitions

The transition between fall and winter offers up a unique opportunity to photograph fall color under a fresh dusting of snow. If the forecast is calling for snow toward the end of fall, head out and see what you can find!

The warmer colors of the fall leaves and foliage will be presented in stark contrast against the cold tones of the snow and can make for very interesting and dynamic images. The above image was taken in the central Cascade mountains of Washington state at the end of Fall.

Head to the Desert

This may sound like a weird tip, but if you have any sort of opportunity to visit the desert or the canyon lands of any kind during the winter, do it! Places like Bryce Canyon in Utah (pictured above) and the Grand Canyon in Arizona offer very unique conditions and compositions that the average tourist won’t get to see during the summer months.

Snow can add a nice color contrast to the desert landscape and can also add soft textures to the arid environment. As an added bonus you won’t have to deal with the crazy crowds and 100 degree temperatures.

Icy Waterfalls

Shooting waterfalls during the winter months can often times make even popular and well shot locations look refreshing and new. Multnomah falls is one of the most recognizable waterfalls in Oregon and even it can take on a different appearance during the winter.

The frozen spray from the falls can add some really nice textures and visual elements to your images. The snow can also contrast well with the icy blue water flowing over the falls.

  • If you plan to shoot waterfalls or any sort of moving water during the winter definitely invest in a good set of micro-spikes (for traction) to give you an extra edge for hiking and climbing.
  • Trekking poles (your tripod can work in a pinch) are also a great idea to help with stability and balance while transversing icy terrain. 
  • If your tripod comes with metal spikes or feet it’s always good idea to bring them along as they may work better (or worse) depending upon conditions.
  • Hip-waders and Gortex can definitely help keep you dry and comfortable.

Let’s face it, slipping and falling into a river or on a rocky slope isn’t something you really want to do in cold weather.

The Mountains are Calling

Snow and the winter weather that comes with it can really add depth and layers to your images. Heading to the mountains with a longer focal length lens can really help to emphasize winter weather conditions such as fresh snow, low clouds and fog. 

When the weather looks to be heading south I love to head up to the mountains to check out how the conditions are shaping up for sunset and sunrise.

  • Bring waterproof and breathable layers, snow shoes and any other supplies that you may need when you find yourself hiking in cold conditions.
  • Packing a Jet Boil (or another source of heat) and some instant meals can be a lifesaver if you’re in a pinch.
  • A GPS can be your best friend if your tracks get covered by fresh snow.
  • Check the weather forecasts often and do some research to ensure that you don’t find yourself in the wrong place at the wrong time.

Chase the Storms

The sunsets that often follow winter storms can offer some of the most intense and gorgeous light that you can capture. To really take advantage of this try heading to the coast just as a low pressure system has begun to move on shore. It takes a bit of planning but the sunset/sunrise conditions on the back edge of the storm can be absolutely spectacular! The above image was taken in late winter at Cape Kiwanda on the Oregon Coast.

  • Check the weather forecasts hourly when planning a trip like this.
  • The National Weather Service here in the US is a great place to track weather and believe it or not the Weather Channel website offers some of the most accurate forecasts you can find on the internet. 
  • The NOAA Hi-Def radar smartphone App can give you a great deal of insight into minute by minute precipitation and cloud cover forecasts.

As an added bonus you won’t have to deal with that pesky marine layer that often plagues the west coast of the US during the summer months. 

Stay Close to Home

If the conditions are just too dangerous or you just don’t have time to plan a trip, look to areas near you for unique vantage points and compositions that can offer up very different photographic results during the winter months. This was taken near my home in Snoqualmie, WA. 

Get creative in your surroundings! This shot was taken with my Canon 70-300mm F4-5.6L IS lens. Using longer focal lengths in your area can really open up new and exciting compositional opportunities. 

Articles: Digital Photography Review (dpreview.com)

 
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Harder than it looks: LensRentals gets inside the Canon EOS 5D IV

10 Sep

LensRentals gets inside the Canon EOS 5D IV

Canon’s new EOS 5D IV is a formidable bit of hardware, boasting a 30MP full-frame sensor and 4K video. Our friend Roger Cicala over at LensRentals.com has taken one apart to see how it works. His verdict? It’s harder to disassemble than you might expect…

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

We love it when LensRentals takes cameras to bits for two reasons. First, we’ve always wanted to see what these things look like on the inside, and second, it’s not the kind of thing that our friends at the major camera manufacturers would ever let us do. 

The screwdrive-happy nerds at LensRentals enjoy opening up Canon cameras particularly, it seems, because in Roger’s words ‘the engineering is always nicely laid out and usually pretty’. Ok then. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

The 5D IV, however, seems not to be a typical Canon camera in that it proved very difficult to get into. According to the crew at LensRentals, ‘Until now Canon cameras have all been pretty straightforward in their disassembly: you take out screws, that part of the case comes off, repeat for another part of the case’. 

With the 5D IV, on the other hand… ‘to take off any part of the shell, other than the back assembly, you have to take off most of the shell because Canon has added lots of plastic pegs and latches to the various parts of the shell, making it much more interlocking than in previous cameras’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

Part of the reason for the additional latches could be to improve the durability and weather-sealing of the camera, which as you’d hope features ‘lots of foamed seals along doors and joints’

This view shows the inside of the 5D IV’s rear shell. According to Roger, ‘Inside it looks very much like other Canon back covers. There are aluminum shields over the button panel and LCD. The flexes running to and fro over the LCD are more complex than other Canons because of the extra processing for the touch screen.’

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

This is the main LCD flex, which is unusually large. In Roger’s words ‘almost a circuit board’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

From the back, Roger found a couple of interesting things, looking at the EOS 5D IV: ‘First, there are more flexes connecting to the main PCB than most other models. Second, we were very pleased to see a thick, stiff, sheet of rubber covering the back of the PCB’.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

The EOS 5D IV benefits from the redesigned mirror assembly we first saw in the EOS 5DS/R, and here’s the mirror motor, tucked away to the left of the lensmount.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

Here’s the EOS 5D IV’s top assembly. And this is as far as Roger is prepared to go, because ‘we’ve learned from long, painful experience not to take these apart unless we absolutely need to. In general, if something is wrong with the top assembly, you just replace the top assembly’. 

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

This is the EOS 5D IV’s main PCB. Unusual, because ‘there are a lot, a whole lot, of flexes connected to the board from every direction. They are thicker and more complex than previous cameras and a lot end up in thick ‘press in’ connectors instead of simple flex cables.’

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

‘Underneath where the PCB was we now see the circuit board of the image sensor, and to the right of that the CF card assembly’.

LensRentals gets inside the Canon EOS 5D IV

Lensrentals.com, 2016

What did Roger and his team learn from taking the EOS 5D IV apart? 

  • ‘The weather sealing on the Canon 5d Mark IV appears pretty robust’
  • The multiple pins, clips and screws that hold the camera together might improve weather-resistance but make it ‘kind of a pain to get into’.
  • The extra technology inside the EOS 5D IV mean that ‘there are more chips, and more and heavier connectors moving electrons from board to board than even the Canon 5Ds cameras have’.
  • ‘there’s more air inside this camera than we’re used to seeing. […] In other words, this camera probably could have been a bit smaller but Canon wanted to keep the form factor the same.’
  • ‘Construction is at least as robust as the recent 5 series releases and better than the Canon 5D III’.

You can read the full tear-down, with Roger’s usual detailed analysis and plenty of additional images at LensRentals.com.

Articles: Digital Photography Review (dpreview.com)

 
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Tamron 18-270mm travel zoom lens gets slight update with fluorine coating

08 Sep
 Tamron’s new 18-270mm…  …and the previous version.

Tamron has introduced an updated version of its 18-270mm travel zoom lens, the Tamron 18-270mm F3.5-6.3 Di II VC PZD model B008TS. Unlike the previous version (model B008), the B008TS features a fluorine coating on the front lens element, in addition to the existing Broad-Band Anti Reflection coating. With the fluorine coating, Tamron says the lens element is water and oil-repellant and less likely to be harmed by dirt, fingerprints, moisture, and dust.

While the fluorine coating is the new model’s biggest change, the folks at Imaging Resource have pointed out some minor cosmetic changes, as well. The gold trim ring found on the previous lens model has been replaced with a silver ring; as well, the overall lens design has been simplified, with both the zoom ring’s and focus ring’s styles being altered. According to Tamron, these changes ‘create an external design with a high-grade feel.’

According to Tamron’s website, the new lens will launch tomorrow in Japan with Canon and Nikon mounts for ¥83,000 before tax.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma gets into the cinema lens game starting with 18-35mm T2 and 50-100mm T2 zooms

07 Sep

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Sigma has announced its own line of lenses for filmmakers. Sigma Cine Lenses are weatherproof and designed with an emphasis on optical performance and making the most of high-resolution sensors. An 18-35mm T2 and 50-100mm T2 for APS-C bodies will be the first introduced. 

A full-frame 24-35mm T2.2 and an assortment of primes will follow in 2017 and beyond. All lenses will be introduced in EF- and E-mounts, with PL versions coming later for each except the 24-35mm T2.2 FF. Pricing isn’t given at this time; Sigma says the first lenses will be available near the end of 2016 starting with Japan and the US.

Press release:

SIGMA ANNOUNCES NEW CINE LENSES

Amsterdam, The Netherlands — September 7, 2016 – The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release of its SIGMA CINE LENSES, designed specifically for cinematography. In the world of digital film production, there is an increasing demand for higher resolution, and SIGMA’s new lineup of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has developed its own production system by establishing the required technology for mass production of high-performance lenses for ultra-mega-pixel shooting. The company feels this valuable new lens line could create a fundamental change in digital film production, and provide a new solution for cinematographers.

  • Unbeatable value – the highest optical performance in its class and outstanding compact design
  • Wide range of lenses for professional use
  • Optimized for the latest digital moviemaking technology

For the first phase, SIGMA will release two zoom lenses in Japan and the USA for EF and E mount camera systems. Furthermore, another zoom lens and five prime lenses will be released to the market in sequence from 2017 onward. SIGMA plans to develop additional zoom and prime lenses as well as add support for PL mount camera systems. The latest release information will be sequentially updated on its official website.

High Speed Zoom Line
High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is ready for high-resolution shooting such as 6K – 8K. Furthermore, while offering the highest image quality in its class, the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line
FF Zoom Line is compatible with a full-frame image circle, and the optical performance is ready for high-resolution shooting such as 6K – 8K. It provides a rare option for cinematographers since very few lenses can cater to the requirements of the latest digital cinema cameras’ image sensor, which is larger than Super 35, and expand the range of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design. This lens is not available in PL mount.

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all five lenses are T1.5. They are compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts. These lenses bring a consistent level of light to the production and offer greater consistency with regards to the film’s look and color/contrast before it enters post-production.

Each CINE lens model is weatherproof and has luminous paint markings to aid in changing and operating the lens in the dark. It touts a long focus rotation of 180 degrees and is guided by cams for smooth operation and accuracy. The CINE lens design features standardized essentials such as an 82mm front for ND filters* and a 95mm front diameter for matte box use and standard gear positions for accessories like follow focus. They also include a manual linear iris control and electronic mounts that provide vital camera metadata. Each lens is manufactured and inspected in the Sigma factory located in Aizu, Japan.

Availability/Pricing

Availability: toward the end of 2016 (in Japan and USA in the first phase)
Pricing: TBD
Mounts: Initially Canon-EF and Sony-E to be followed later by PL**

*20mm T1.5 FF doesn’t accept filters.
**24-35mm T2.2 FF is not available in PL mount. The appearance and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Apple Photos gets smarter in iOS 10, macOS ‘Sierra’

14 Jun

On the first day of its annual Worldwide Developers Conference, Apple has announced new features for its Photos app on both iOS 10 and macOS ‘Sierra,’ scheduled for release this fall.

The updated Apple Photos apps will use ‘advanced computer vision technology’ to identify people, objects and scenes in order to allow for intelligent searching and automatic sorting based on content. Most notably, a new Memories feature will use this information to automatically create movies and shareable collections of photos based on data such as people, places and events such as a trip or holiday.

Additional features leveraging the new technology include a People album, which automatically groups photos based on who is in the shot, a Places album, which plots your photos on an interactive world map, and Intelligent Search, which allows searches based on the content of photos.

Although Google has provided similar features through its Google Photos service for some time, Apple’s offering includes one feature that may appeal to many users: instead of sending photos to the cloud for analysis, Apple will use on-device intelligence to analyze and categorize photos in order to protect user privacy.

For more information about the new Photos apps head on over to Apple’s website.

Articles: Digital Photography Review (dpreview.com)

 
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