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Throwback Thursday: Game Boy Camera

27 Oct

Throwback Thursday: Game Boy Camera

It’s probably no surprise that you won’t find a review or a score for the Game Boy Camera in DPReview’s archives. Even by 1998 standards, the Game Boy Camera was a bit underwhelming in terms of technology. It took 0.5MP still images and displayed them at half that resolution. Output options were extremely limited: you either displayed your photos on the screen and passed your Game Boy around the room, or you acquired the Game Boy Printer – a glorified receipt printer that spits out tiny renditions of your subject on thermal paper.

But it was also the first camera that some of us on the DPR staff called our own, and for that reason holds a special place in our hearts. Take a look back at the Game Boy camera with us in all its 8-bit glory.

Throwback Thursday: Game Boy Camera

The camera itself attaches to a standard Game Boy cartridge, and the camera unit itself can swivel 180-degrees to face forward or backward. That’s right, Nintendo was so far ahead of the selfie craze that we didn’t even have an obnoxious name for them yet.

Throwback Thursday: Game Boy Camera

The menu system is about as straightforward as it gets: your three options are Shoot, View and Play. Of course, it needed to have a game element, so the Game Boy Camera offers three simple mini-games. But the real attraction is that camera on top. Hitting ‘shoot’ brings you to a screen where you can choose to just jump right into a fantastically laggy live view experience, or navigate to menu options called things like ‘Items’ and ‘Magic’. There’s a kind of Easter Egg if you select an option called ‘Run,’ but the less said about that the better.

Throwback Thursday: Game Boy Camera

Here’s what’s surprising about the Game Boy Camera – it offers quite a bit more than meets the eye. There are time-lapse, panorama and self-timer options. Nine different ‘trick lenses’ unlock more effects, like posterize, mirror and a 4×4 collage. You can also add hotspots to images, that when clicked take you to other images in your album. If you’ve got the time and imagination, you can actually do a lot with it. Heck, the cover of one of Neil Young’s albums was taken with a Game Boy Camera.

That said, low light shooting is not at all a strength of the camera, so any photo taken in less than ideal light comes out as not much more than some dark, indistinguishable pixels.

Throwback Thursday: Game Boy Camera

Choosing ‘View’ from the main screen brings you to a simple 3×3 grid where you can select images individually to view at larger size (weirdly, you can’t scroll between images in this view). On this screen you can unleash all kinds of mischief – zany borders, eyeball-shaped stamps and comments. But the party really started when you hooked up your Game Boy Printer.

Throwback Thursday: Game Boy Camera 

That’s right, if you really wanted to share your photos, you had to shell out some more cash for the printer. It outputs images on tiny strips of thermal paper at about the size of a postage stamp. The best part? The back of the paper can be peeled away to reveal an adhesive strip, which was ideal for attaching to photos to your Trapper Keeper.

Throwback Thursday: Game Boy Camera

The thing we remember most about the Game Boy camera is that it was just plain fun. In 1998, digital cameras were still making their way into the hands of the masses. Being a kid and suddenly having the ability to attach a camera to your beloved handheld game system was kind of magical. It encouraged silliness, inspired creativity and was the first step toward a lifetime of photo geekery, at least for a few of us.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma gets into the cinema lens game starting with 18-35mm T2 and 50-100mm T2 zooms

07 Sep

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Sigma has announced its own line of lenses for filmmakers. Sigma Cine Lenses are weatherproof and designed with an emphasis on optical performance and making the most of high-resolution sensors. An 18-35mm T2 and 50-100mm T2 for APS-C bodies will be the first introduced. 

A full-frame 24-35mm T2.2 and an assortment of primes will follow in 2017 and beyond. All lenses will be introduced in EF- and E-mounts, with PL versions coming later for each except the 24-35mm T2.2 FF. Pricing isn’t given at this time; Sigma says the first lenses will be available near the end of 2016 starting with Japan and the US.

Press release:

SIGMA ANNOUNCES NEW CINE LENSES

Amsterdam, The Netherlands — September 7, 2016 – The SIGMA CORPORATION is pleased to announce that it will enter into the cinema lens market with the release of its SIGMA CINE LENSES, designed specifically for cinematography. In the world of digital film production, there is an increasing demand for higher resolution, and SIGMA’s new lineup of high-performance lenses is compatible with the latest, high-resolution digital cinema cameras. SIGMA has developed its own production system by establishing the required technology for mass production of high-performance lenses for ultra-mega-pixel shooting. The company feels this valuable new lens line could create a fundamental change in digital film production, and provide a new solution for cinematographers.

  • Unbeatable value – the highest optical performance in its class and outstanding compact design
  • Wide range of lenses for professional use
  • Optimized for the latest digital moviemaking technology

For the first phase, SIGMA will release two zoom lenses in Japan and the USA for EF and E mount camera systems. Furthermore, another zoom lens and five prime lenses will be released to the market in sequence from 2017 onward. SIGMA plans to develop additional zoom and prime lenses as well as add support for PL mount camera systems. The latest release information will be sequentially updated on its official website.

High Speed Zoom Line
High Speed Zoom Line offers the constant aperture of T2 throughout the zoom range, and the optical performance is ready for high-resolution shooting such as 6K – 8K. Furthermore, while offering the highest image quality in its class, the High Speed Zoom Line has a compact construction and offers amazing value.

FF Zoom Line
FF Zoom Line is compatible with a full-frame image circle, and the optical performance is ready for high-resolution shooting such as 6K – 8K. It provides a rare option for cinematographers since very few lenses can cater to the requirements of the latest digital cinema cameras’ image sensor, which is larger than Super 35, and expand the range of compatible cameras. This is the cinema zoom lens offering the highest image quality and compact design. This lens is not available in PL mount.

FF High Speed Prime Line

The lineup ranges from 20mm to 85mm, and all five lenses are T1.5. They are compatible with full-frame sensors and, while being more compact, can offer superior resolution than other high-end prime sets do. With the five prime lenses from FF High Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts. These lenses bring a consistent level of light to the production and offer greater consistency with regards to the film’s look and color/contrast before it enters post-production.

Each CINE lens model is weatherproof and has luminous paint markings to aid in changing and operating the lens in the dark. It touts a long focus rotation of 180 degrees and is guided by cams for smooth operation and accuracy. The CINE lens design features standardized essentials such as an 82mm front for ND filters* and a 95mm front diameter for matte box use and standard gear positions for accessories like follow focus. They also include a manual linear iris control and electronic mounts that provide vital camera metadata. Each lens is manufactured and inspected in the Sigma factory located in Aizu, Japan.

Availability/Pricing

Availability: toward the end of 2016 (in Japan and USA in the first phase)
Pricing: TBD
Mounts: Initially Canon-EF and Sony-E to be followed later by PL**

*20mm T1.5 FF doesn’t accept filters.
**24-35mm T2.2 FF is not available in PL mount. The appearance and specifications are subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Hasselblad to announce ‘game changer’ next week

18 Jun

Hasselblad is on the verge of announcing a new camera that it claims will be a ‘game changer in the world of photography.’ Details are vague but the teaser image, showing a low viewfinder hump supports the rumors of a high-end mirrorless model aimed at the enthusiast and semi-pro camera market.

The camera will be the first expansion of the Swedish company’s product line since it abandoned its much-ridiculed attempt to sell ‘luxury’ versions of Sony-derived models. In an interview with DPReview earlier this year, CEO Perry Oosting suggested the company had learned from the experience and would offer products that build on, and are more consistent with, the brand’s heritage as it sought to expand into different markets. 

The launch will be broadcast live June 22nd at 5:00AM (PST) via the company’s YouTube channel. 

Articles: Digital Photography Review (dpreview.com)

 
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Nine black-and-white photo apps to elevate your monochrome game

05 Jun

Black-and-white photo apps to elevate your monochrome game

Not so long ago, novice photographers began learning their craft with black and white film. While many eventually mixed color into their portfolios, others eschewed hues entirely, opting for the smoothness of subtle monochrome tones.

Then came the digital revolution where all native output was in color by default, and anyone who pined for black-and-white had to figure out how to make it look real. Today, a multitude of black and white shooting, editing and conversion apps offer iOS and Android shooters many monochrome styles — from specific film analogs and grains to authentic borders, tints and vignettes, most with the ability to export and share via social media.

While any stock camera app will happily shoot monochrome images, these apps go further with filter options and interfaces tailored to black-and-white shooting. We ransacked the pile to uncover nine worth downloading.

Black-and-white photo apps to elevate your monochrome game

Dramatic Black & White
$ 1.99 | iOS | Android

JixiPix wasn’t kidding when it made ‘drama’ the central focus of its app and even its name. Whether you shoot with Dramatic Black and White’s built-in camera or pull a color image from your Camera Roll, the app’s highly configurable interface, flexible presets and editing tools set it apart.

Images open in black and white with an adjustable ellipse spotlight that lets you zero in on the subject. From there, you can crop (rectangle or square) or adjust tone, sharpness, brightness or contrast. Individual red, green, and blue filters give images definition, while at the same time you can mix in grain or apply a color tint. Multiple levels of tweaking are possible but it’s also possible to use the app’s extensive one-click presets (Black & White, Dramatic B&W and Infrared) for a hands-off approach.

In addition to its infinite choices, the app’s performance is outstanding — there’s no waiting for a preview to render as as you experiment with different settings.

Black-and-white photo apps to elevate your monochrome game

Lenka

Free | iOS | Android 

Introduced two years ago, Lenka, designed by photographer Kevin Abosch, sparked renewed interest in the mobile genre. Because it’s exclusively a image capture app, you can’t dig up an older photo from your Camera Roll and apply the Lenka treatment; the app forces you to concentrate on tone and contrast from the outset.

Lenka is minimalist and designed to be smart: It operates in full auto exposure mode, but if you want more control, you can tap the subject onscreen or the MF (manual focus) button on the control panel. Its four slider-based buttons for exposure, contrast, tint and focus toggle on and off. You can also summon extra illumination for fill lighting or extreme low light by tapping the light bulb icon for a continuous flood of light. There’s no front facing camera either, so no selfies.

Lenka is fast, easy and fun to use, and its auto setting works well enough to give you some great shots without much effort. 

Black-and-white photo apps to elevate your monochrome game

BlackCam
$ 1.99 | iOS | Android

BlackCam, XnView’s capture and editing app, offers more than two dozen adjustable presets to impart a wide assortment of monochrome looks to your existing pictures – or you can shoot using live preview. Despite the number of adjustments available: Classic, Vintage, Light, Shadow, Dark, High Contrast and more, the app is easy to use. Classic editing tools let you adjust brightness, contrast, exposure, vignette and simulated film grain. Colored lens and professional conversion filters show up on screen. You can easily get by with the free version, which includes a large assortment of filters, but to get rid of distracting ads and unlock additional presets like Hard boiled, Vintage Deep and Platinum, you’ll have to upgrade.

Black-and-white photo apps to elevate your monochrome game

Photolab Black
Free | Android 

Photolab Black, an Android-only photo capture and editor from Sand 5 Apps mixes retro-style black and white analog photo and Polaroid film effects with monochromatic file emulation filters to give new photos an old-time look. If you’re in the mood for grain, vintage, grunge and textures, feel free to go crazy with stylized filters like Ilford, Lomography, Pan F, Provia 100F and more. The app also provides a full set of classic editing tools like color balance, crop, rotate, and straighten or the ability to adjust brightness, contrast, color temperature, saturation, exposure, vignette, sharpen and blur with a swipe. The app is free, but to unlock certain modules like frames, you have to invite a friend on Google Plus or Facebook.

Black-and-white photo apps to elevate your monochrome game

Hueless
$ 1.99 | iOS

Hueless, a popular black and white photo app for iOS, is another capture-only (not editing) app from Curious Satellite. Think of Hueless as a film camera with black-and-white stock and use it when you want to avoid post processing. The main (H) icon lets you choose TIFF or JPEG format and can hide the menu to maximize your concentration on composition: A simple screen tap records the image. If you want to shoot fast without setup, the app lets you record up to four presets. Advanced touches include a live exposure compensation slider, live contrast adjustment slider and adjustable photo filters in blue, green, yellow, orange and red, which give definition to grayscale images. The app’s interface feels natural, though if you commit to using all controls in the moment, it may seem overwhelming. Hueless can save your photos to the Camera Roll or a special Hueless album. 

Black-and-white photo apps to elevate your monochrome game

BLACK
$ 0.99 | iOS 

BLACK puts the focus on retro film emulations. Ten distinctive film looks let you preview via swipe: Experiment with stocks like Tura P400, Paterson Acupan 800, Fujifilm FP-3000B and others. Just browse through each filter to find the one that best suits your image. Familiar tools like Curves, Fade and Vignette are also available. Curves puts tone and contrast at your disposal with a dynamic preview and histogram. Vignette’s slider adjustments let you play with contrast and shadow around the subject. Fade’s filmic effect adjusts for shadows. A full preview is available in Collection mode, as you tilt your iPhone 90 degrees. BLACK is a stylish and elegant monochrome rendition that offers some unique throwback effects. 

Black-and-white photo apps to elevate your monochrome game

Simply B&W
Free | iOS 

Fotosyn’s Simply B&W offers a variety of choices for both shooting and editing. Select from an assortment of familiar films such as T-Max, HP5, Tri-X, XP2, Delta, SFX-IR and Vintage, and you can leave it at that. If you’re into more tweaking, sliders let you control brightness, contrast and grain, while vignettes and frames add a finishing touch. The real treat with this app lies in its selection of filters (Red, Green, Polarizer, IR Filter) that emulate analog filters for black and white photography. A unique pro feature is the app’s integration with Adobe Creative Cloud, which lets you access your account directly from the app and work on your image on your phone.

Black-and-white photo apps to elevate your monochrome game

Ansel
$ 0.99 | iOS 

Not a single photographer – pro or amateur – doesn’t know the name Ansel, practically synonymous with monochrome shooting today. When launched, Ansel even reads the Camera Roll in black and white, where you can immediately preview the conversion of any of your color images. Once a photo is opened in Ansel, the app provides more than a dozen controls to aid in the transition. A minimal number of presets offer a starting point, but it’s just as easy to dive right into the sliders to alter tone, contrast, exposure, shadows and highlights. Add a gradient or vignette while using the Mix filter and choose any color at all as a filter. If you’re unhappy with the result, you can either reset changes or revert to the original photo. While you can use the app in landscape mode, the icons don’t flip to accommodate the new position, but they’re big enough to easily read.

Black-and-white photo apps to elevate your monochrome game

Argentum Camera
Free | iOS

A newcomer to the scene, Argentum Camera has an unusual take on black and white photography. The filters in Argentum Camera for iPhone are not names for films, but rather iconic photographers. Specifically, this app lets you shoot in styles inspired by Ansel Adams, Henri Cartier-Bresson, Irving Penn, Garry Winogrand, Yousuf Karsh and Dorothea Lange, which you view on screen while you focus and compose your shot.

The camera interface was built for larger iPhones. Additional options include a speed shooting mode for one-tap shots and Double Exposure to superimpose two images in a single photo. The app does not support the front facing camera – so no selfies. As you store your original unprocessed photos in your Camera Roll, a narrow line in the bottom indicates how much free space you have left. You can even take shots remotely via Apple Watch. The app is free with the Ansel Adams filter and a $ 2.99 in-app purchase buys you all five additional filters.

Black-and-white photo apps to elevate your monochrome game

While all nine of our picks offer polished results and an original approach, there are a couple of standouts.

Best free option

For the easiest shooting experience and the most enticing results, Lenka is our overall favorite among the free apps. There’s practically no setup, but rather a simple point and shoot interface that provides just enough control to get great results.

Best paid option

On the paid side, Dramatic Black and White simply hits it out of the ballpark with its flexible, easy-to-use shooting and editing controls, sizable number of presets and outstanding performance.


The apps above are just a small sample of the mobile black and white apps out there. Do you have a favorite that was not mentioned? Please share it in the comments.

Articles: Digital Photography Review (dpreview.com)

 
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Paper Westeros: Game of Thrones Intro Recreated in Moleskine Notebooks

28 Apr

[ By Steph in Art & Sculpture & Craft. ]

game of thrones opening 1

A snippet of the imaginative and ever-changing opening sequence of HBO’s Game of Thrones series is recreated in stop-motion using over 7,600 paper cutouts made with Moleskine notebooks in this 40-second video. Made by Milan-based animation studio Dadomani to promote the brand’s new Game of Thrones notebooks, the moving models mimic the computer animation seen on the show, wherein three-dimensional structures emerge from the surface of a map and spring to life.

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Opening with a view of the sigil of House Baratheon, the video sweeps through King’s Landing as paper gears turn and spires begin to retract. The tiny paper houses disappear as the stag-topped sigil spins, and the camera pans out to a classic Tolkien-style map of Westeros before the scene splits into four pieces.

Screen Shot 2016-04-27 at 5.39.19 PM

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These four components are revealed to be the individual notebooks in Moleskin’s Game of Thrones series, each covered with the dire wolves of the Starks, the Targaryen dragon and the Lannister lion. A fifth notebook, the collector’s edition only available in Moleskin stores, features an image of the Iron Throne. The silkscreened covers were designed by emerging artist Levente Szabó, and each notebook retails for $ 19.95 – $ 25.95.

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The designers of the original animation took inspiration from Leonardo da Vinci’s machines to achieve an effect appropriate for the fantasy series, which is set in a fictional country in a time period recalling the real-world Middle Ages. The cog-filled engines beneath the surface of the map that power all of the movements above represent the secret machinations of the series’ main families, the Houses of Lannister, Baratheon and Stark, along with all of their allies and enemies. Check out how the paper version was created in the video above.

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[ By Steph in Art & Sculpture & Craft. ]

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Winner Winner! See Who Won Our Game of Phones

27 Feb

We played a super fun round of Game of Phones on Twitter yesterday.

We tweeted out cards and you all replied. Scroll along to see the winners (and proud new owners of $ 50 Photojojo gift cards).

If you didn’t win, we’ve still got a prize for you – take $ 4.43 off of your very own Game of Phones with the coupon code AnswerEm, in honor of Luke’s texts. Who’s Luke? You’ll see …

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Game Changers: How to Take Your Photography to the Next Level

05 Feb

The other day, one of the students I was mentoring asked me a really interesting question, “How do I take my photography to the next level?” The conversation that followed was the inspiration for this article.

Photograph subjects and experiences that you love, in a way that is unique to you

Air 39

“The artist sees what others only catch a glimpse of.” – Leonardo da Vinci

When you photograph the things you love, you will always be excited and inspired. If you are excited and inspired by something, you are naturally going to want to spend more time doing it. The more time you spend doing something, the better you become at it.

I spent the first half of my career focusing on fashion photography, because I thought that was what I should be doing. I was okay as a fashion shooter, but to be 100 percent honest, I never really got the whole fashion world, and it didn’t consume me like it does the best fashion photographers in the world. The photographers who excel in this genre live and breathe fashion; some of them are fashion.

It wasn’t until I started to focus more on portraits, and travel lifestyle photography, that I really fell head over heels in love with photography. I’d finally found my “thing”! I could happily shoot portraits or travel lifestyle images all day long. I felt energized, and on a high after each shoot. I was always exhausted after shooting fashion.

Are you photographing the things you really love? Is this work making you feel excited and energized, or depleted and flat?

The way we see and experience life is something that is unique to each of us. If you want to take your photography to the next level, focus on photographing the things that matter to you, in your own world, and in a way that is unique to you. This is the one thing that will set you apart from all the other photographers.

Passion, not perfection

Contender final 1

If passion and perfection had an arm wrestle, passion would win every time. Why? Because the thing that makes photography great, is the way it makes us feel. If there is no passion in an image, and it doesn’t inspire a reaction, then it’s just a snapshot.

If you want to take your work to the next level, show your passion for your work.

Given a choice to shoot a photo that was technically brilliant, sharp, correctly exposed, and perfectly composed, yet void of emotion – or an image that was a bit rough around the edges, slightly soft, grainy, with a few blown highlights but captured the feeling – I would choose the latter every time.

Don’t just focus on what something looks like, focus on how it feels.

Technique, not gear

Gear 05

Michael Schumacher is the best F1 driver in history. If he were to challenge me to a race, and I drove a Ferrari and he drove a 1981 Toyota Corolla, he would still win. Why?

Schumacher is a master, who has spent years driving. He knows how to drive fast, and take corners at high speed, without rolling the car. He would probably lap me three times before I’d even had a chance to get out of third gear. In the wrong hands, the best gear in the world is useless, if you don’t know how to drive it.

So many photographers get hung up on the notion that having the right gear will make them better photographers. While it’s true that the right gear will give you a better quality image, it’s not going to guarantee that you will be a better photographer.

Instead of worrying about the gear, focus on the technique. It’s what you do every day that makes you great; not what you use every day. Dedicating as few as thirty minutes a day to your photography, every day, will do more to improve your skills and develop your style than owning all the high end gear in the world.

Learn to peel potatoes before you cook a soufflé

Last supper

Fat Tony & Co/Nine Network Australia

During the first few years that I was building my photography business, I had a night job working as a cook in an Italian restaurant. When you train to become a cook, you must master a task before you are allowed to move on to the next one. The first task each apprentice cook must master is peeling potatoes. Then they move on to the salads, entrees, pasta, steaks, and seafood. The last thing I was taught to cook was one of the most technically difficult dishes, the soufflé.

The photographer who attempts a complicated studio shoot right after buying his or her first camera, is like the apprentice cook who walks into a kitchen and insists on cooking a soufflé on their first day.

Taking a stepped approach to learning, will take your photography to the next level much faster than trying to learn it all at once. Many photographers will try complicated shooting or lighting styles, then become frustrated because their images are not working out the way they had hoped.

Master peeling potatoes first. It’s definitely a game changer!

FOG11FS 166

Ask for help

Putting their work out there, is something that many photographers struggle with. Yet, seeking and implementing constructive criticism is one of the fastest ways to take your photography up a few notches.

The fear of ridicule or criticism prevents some from sharing their work. This is really sad, because many of the fears people may have are imagined. FEAR is an acronym for False Evidence Appearing Real, it’s our mind trying to keep us small. When you create beautiful art, and you don’t share it with the world, you deny so many people the opportunity to experience beauty.

If you are ever in doubt, take Mother Nature as an example of best practices for artists. Every day she puts her work out there – sunset, sunrise, storms, sunshine, and rainbows. Some are absolutely spectacular. Other times, her art can be mediocre, yet she puts her work out there every day for us to enjoy.

Other ways you can ask for help:

  • Join a photography group
  • Find a mentor
  • Attend a workshop where your work can be critiqued by an expert whose work you respect

Confidence

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“Whether you think you can, or you think you can’t–you’re right.” Henry Ford

You can read books, take courses, and listen to podcasts until the cows come home. But if you don’t have self-confidence, it will be very difficult to take your work to the next level.

Confidence is knowing that you’ve done the hard work and put in the hours, and can now turn up and nail the shot.

Many photographers and artists really struggle with confidence. It may be due to old programming from a lifetime of being told they weren’t good enough, of having the people they spend the most time with not offering enough support, or a hundred other reasons, all of which undermine a person’s self-esteem.

Look for ways to improve your self-confidence. Spend more time with people who value and respect what you do. Find ways you can get rid of destructive self-talk.

The good news is that self-confidence can be trained, just like a muscle in the gym. Gaining self-confidence and self-belief is, by far, a major game changer. It will help take your photography to the next level.

Do you have a strategy that I might have missed? What techniques have you used to take your work to the next level? I’d love to hear your thoughts.

All images: Copyright Gina Milicia


fastflash_bookIf you want to learn more about using flash for creating portraits, pick up Gina’s brand new dPS ebook: Fast Flash for Portrait Perfection. Now on sale for an introductory price for a limited time only.

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Got Game? Canon EF 35mm F1.4L II USM gallery updated

03 Dec

Fall in Seattle means two things – the return of cold drizzle and University of Washington Husky football. Veteran sports shooter and DPR staffer Jordan Stead recently took advantage of a sunny afternoon game to do a little more testing of the Canon 35mm F1.4L II USM. We’ve updated our initial sample gallery with a few more images that capture the unique energy of Husky Stadium as two rivals collided in the Apple Cup.

Articles: Digital Photography Review (dpreview.com)

 
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Gone Fur Good: 10 Abandoned Petting Zoos & Game Parks

16 Aug

[ By Steve in Abandoned Places & Architecture. ]

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Generations of adults cherish childhood memories of these now-abandoned petting zoos. As for the animals fed & petted there, maybe they remember, too…

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White Pines Deer Park near Oregon, Illinois is remembered fondly by several generations of kids who enjoyed feeding the 200-odd deer kept in a spacious enclosure. “It’s excellent,” stated 8-year-old T.J. Turner in the summer of 1992. “Deer come right up to you. Outside you never get to pet them or see them.” Inside too, nowadays.

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Flickr user BillsExplorations visited what remains of White Pines Deer Park in February of 2013, about two decades after the park closed in the mid-1990’s. Though it adjoins White Pines Forest State Park (an Illinois Nature Preserve since 2001), Bill didn’t see any deer roaming about – blame it on carelessly disposed-of Polaroid film waste.

Gotta Flat

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Flickr user Quinn Dombrowski (quinn.anya) brings us this curious “Flat Petting Zoo”… says they sell furs there. Better not tell PETA or Elaine Benes.

Benson’s Hedges

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Benson’s Wild Animal Farm in Hudson, New Hampshire, opened in 1926 and closed in 1987 following a decades-long decline. In 2009, the town of Hudson acquired the property and it’s gradually being redeveloped as a public park and nature area sans petting zoo.

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Some of the much-deteriorated old buildings including the Old Lady in the Shoe’s house are to be restored though non-native plants, animals and animal-petters are no longer welcome.

Next Page – Click Below to Read More:
Gone Fur Good 10 Abandoned Petting Zoos Game Parks

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Take Your Snapchat Game to the Next Level

06 Aug

Snapchat! That app that has everyone saying either, ‘duh!’ or ‘huh?’

For the huh?-ers, Snapchat’s a photo/video messaging app where you can view a Snap for 10 seconds before poof! It’s gone.

For the duh!-ers: you know Snaps can be outstanding photographic art, right? Right!

So read on to learn tricks for creative “snapsterpieces” that are guaranteed to have all of your friends talking.

(…)
Read the rest of Take Your Snapchat
Game to the Next Level (392 words)


© Taylor for Photojojo, 2015. |
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Posted in Equipment