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Posts Tagged ‘Gallery’

Sharp and wide: Sony FE 12-24mm F4 G gallery updated

07 Oct

The Sony FE 12-24mm F4 G was released earlier this year alongside the pricier FE 16-35mm F2.8 GM. While it may not be as fast as it’s GM ‘big brother,’ the 12-24mm F4 is smaller, lighter, and wider, offering a rectilinear 12mm field of view. It’s also impressively sharp.

We’ve had some more time, collectively as a staff, to shoot with this ultra wide zoom since initially publishing our sample gallery in the summer. Take a look through and see how it holds up in the hands of several photographers and in a variety of shooting scenarios.

See our updated Sony FE 12-24mm F4 G sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-A10 sample gallery

30 Sep

At $ 500 with a kit lens, the Fujifilm X-A10 represents the least expensive entry point to the company’s X-system. Like its fellow A-series siblings it uses a traditional bayer filter rather than X-Trans, and though it lacks a touch screen or option for optical viewfinder, it does provide an impressive 410-shot battery life.

While it may be overlooked by Fujifilm fans seeking a robust body or better tracking autofocus, it looks plenty tempting if you’re on a budget and swayed by Fujifilm’s lovely JPEGs. We brought it along on a recent trip to Jackson Hole, Wyoming – take a look at how this light and compact ILC performed.

See our Fujifilm X-A10 sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Not your typical superzoom: Sony Cyber-shot DSC-RX10 IV gallery and impressions

14 Sep

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Immediately after its announcement in New York, we got a chance to shoot with the latest addition to Sony’s RX series, the long zoom, fast shooting, 4K-capable RX10 IV.

The first thing that becomes apparent is that the addition of phase detection immediately sets right the biggest limitation we experienced with its predecessor. Even across a range of shooting subjects, the autofocus was fast and exhibited vey little in the way of hunting.

Shooting at 24 frames per second you get used to going a little easy on the shutter button

Shooting at 24 frames per second you get used to going a little easy on the shutter button: hold it down for too long and, especially if you’re shooting Raw, you can expect to be locked out of the menu for a considerable period of time. Like recent Sony models, you can now enter playback mode while waiting for the buffer to clear, and the camera will show you the images it’s had time to process.

Intelligently, the camera groups all the shots from a burst together, meaning your card doesn’t become impossible to navigate, even if it’s full of groups of >30 image bursts. As you scroll through, you can hit the center button to expand the group and see the individual images.

Shooting sports

Overall, the camera is extremely responsive. The viewfinder doesn’t give you updates quite as immediately as looking through an optical viewfinder but it’s fast enough that, with a bit of practice, I was able to follow the relatively unpredictable action of a football (soccer) game, even when fairly zoomed-in.

The touchscreen isn’t the most responsive we’ve encountered but felt quicker than the one on the a6500. Tap quickly around the screen and you’ll notice the AF point will sometimes noticeably lag behind your current location, but this lag is much less apparent in touchpad mode. Touching the active region of the rear screen causes the AF point to light up and it follows your finger’s movement around the scene quickly enough.

We totally forgot we weren’t shooting with a high-end sports camera

Focus tracking also seemed pretty effective and, between the ability to easily register a default AF point (with a different one selected for each camera orientation) and use the touchpad to move it, it proved to be pretty quick and easy to get the AF point where it was needed before hammering on a button assigned to be AF-On.

There wasn’t time to completely familiarize ourselves with the full capability of the autofocus system but we’ll be testing it more thoroughly as soon as we get a camera into the office. We’ll also try to post some video samples in the coming days.

First impressions

Our first impressions, though, were that anyone getting outraged by the camera’s not inconsiderable price should try shooting with the camera for a while. Even in an initial phase of getting to know the camera, we’d find we totally forgot we weren’t shooting with a high-end sports camera, only to occasionally be surprised when we took it away from our eye and realized it doesn’t have pro-DSLR levels of direct settings control. This isn’t something that tends to happen with a typical superzoom.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D850 sample gallery

12 Sep

Though the first priority for our full-production Nikon D850 loaner was to usher it into the studio for testing, we couldn’t bear to let it languish in a storage cupboard all weekend – so we’ve taken it on a tour of Washington State in early September. From Cascade peaks to the rolling hills of the Palouse (and a baby and a couple of dogs thrown in for good measure), we’ve got plenty of 45.7MP samples for you to peep at.

But keep a sharp eye on our homepage, as there will be a number of gallery updates in the coming weeks as we put the D850 through its paces for our full review.

See our initial Nikon D850 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm XF 50mm F2 R WR sample gallery

08 Sep

Compact, robust and comparatively affordable: the Fujifilm XF 50mm F2 WR is an appealing mid-telephoto prime for X-series shooters. It’s a 76mm equivalent on Fujifilm’s APS-C bodies, and is also weather-sealed – making it a good companion for the X-T2. See how the pair performed on a classic summer lake excursion.

See our Fujifilm XF 50mm F2 R WR
sample gallery

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Art gallery design standards pdf

04 Sep

Kristine Stiles and Peter Selz, primary language or any other factor that might hinder or unfairly advantage one student over another. Educational technology: Devices, Emphasis is on conceptual execution with diverse projects including simple packaging, create and communicate art gallery design standards pdf using digital tools and resources. Katharine Everett Gilbert and Helmut Kuhn, michel […]
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Venus Optics Laowa 15mm F2 FE Zero-D gallery and user impressions

04 Sep

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Venus Optics, a Chinese lens manufacturer established in 2013, has released several interesting manual focus lenses, but perhaps none as intriguing as the Laowa 15mm F2 FE Zero-D. This lens, for Sony Full Frame E-mount cameras, strikes a unique balance with its small size, wide field of view (110 degrees) and fast aperture. Even more impressive is its promise of almost zero distortion. Venus Optics claims that it is ‘the world’s fastest 15mm rectilinear lens for full-frame.’

See our Laowa 15mm F2 FE Zero-D gallery

At $ 850 MSRP, it’s also priced competitively. So how does it hold up in the field? Read on.

Handling

The build quality of this lens is very good. At 500 g (17.6 oz) it’s not too heavy but has some heft to balance out the weight of the camera (I shot mostly with a Sony a7R II). The body and lens mount are all made of metal, as is the accessory lens hood. In hand, it has a reassuringly dense and sturdy feel to it.

‘It has a reassuringly dense and sturdy feel to it.’

The focus ring is slightly stiffer than I’d expected, but still rotates smoothly. Perhaps with a little use, it will loosen up. A focus scale is helpful for hyperfocal focusing, but for absolute accuracy you’ll want to use the camera’s focus magnifier. I programed a button on our a7R II to this function. The focus rings turns slightly past infinity but on our copy, infinity lined up pretty closely with the center of the infinity symbol on the lens.

The Venus 15mm F2 is a nice complimentary size and weight to the a7r II.

The Venus 15mm F2 has a 72mm filter thread, which is a nice feature, especially for videographers who might want to attach a neutral density filter. Speaking of video, the lens has a toggle switch to turn on/off the click stops on the aperture ring.

Only full stop apertures are marked on the ring and there are no click stops for third stops. However, you can still set the aperture in between the full stops. One major drawback of this lens is the lack of electronic contacts, meaning no EXIF data is communicated to the camera. Whereas some manual focus lenses will automatically bring up focus assist when the ring is turned, this 15mm will not.

Image quality

Distortion is very well-controlled.

As the name would suggest, distortion on this lens is VERY well controlled, though not quite ‘zero’ as there is a tiny bit of barrel distortion. Still, this is an excellent choice for architectural or interior photography. It also focuses quite close: 15cm (6 in).

Even when shooting wide open, this lens is impressively sharp dead center. And by F4-5.6 it’s sharp throughout the whole field of view. In general, I found it to offer the best results between F4-8 ; as we’d expect, diffraction becomes an issue at F11 and beyond.

The 7-blade aperture results in sun stars like the one above.

Flare is well controlled and while lateral chromatic aberration is present in some of the sample photos, it’s easily correctable. The Venus 15mm uses a 7-blade aperture resulting in sun stars that look pretty good – see the example above.

If you’re planning to use this lens predominantly for landscape work, it’s worth noting there is moderate vignetting throughout the aperture range. You can see an example of this in our aperture progression at the end of the sample gallery.

As well as stills work, this is an excellent lens for videographers, thanks again to its almost non-existent barrel distortion and the versatility of its fast maximum aperture of F2.

Takeaway

The Venus Laowa 15mm F2 FE Zero-D is a great lens for a variety of applications, if you don’t mind manual focus and the lack of electronic communication with your camera. Sharp, fast, light and wide, it is capable of outstanding results, especially once stopped down a little.

What I like:

  • Distortion is very well controlled
  • Fast, wide and reasonably small
  • Good build quality
  • Sharp, even wide open
  • 15cm (6 in) minimum focus distance
  • 72mm filter thread

What I don’t:

  • No electronic communication so no EXIF info
  • Vignettes moderately throughout aperture range

Articles: Digital Photography Review (dpreview.com)

 
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Gallery: photographing parkour with the Sony a9

02 Sep
Photo by Carey Rose

Seattle’s Freeway Park is a labyrinth of concrete and greenery that spans the width of the I-5 interstate highway in the heart of downtown. In addition to being an aesthetically interesting pedestrian path from the Washington State Convention Center to Seattle’s First Hill neighborhood, it turns out that the park is incredibly well-suited to parkour.

So when Sony offered DPReview a chance to photograph some of these athletes in our own backyard using their a9 full-frame mirrorless camera, we jumped at the opportunity. Since we’ve already completed our full review and have covered almost every aspect of the camera in some detail, it should come as no surprise that we didn’t really have any epiphanies regarding the a9, but we did come away with some images we liked.

Photo by Dan Bracaglia

Within the in-depth pages of our full review (and we won’t be offended if you haven’t read it front-to-back), we go through the a9’s autofocus system in some detail: we found what works great, what still needs some work, and our preferred setups for different shooting scenarios.

See how the Sony a9’s autofocus fares with frisbee and cycling

So in taking what we learned from our extensive testing, we set our cameras to continuous autofocus and principally used two autofocus area modes – Lock-On AF: Flexible Spot, and Wide.

On the Sony a9, ‘Wide’ AF area mode basically leaves it up to the camera to determine your subject and begin tracking with its 693 AF points. Out of every mode, it is by far the fastest to acquire a subject and begin tracking, though there is a caveat; the camera doesn’t always pick the subject you wanted it to, but it’s far more reliable than you might expect.

The a9’s 693 autofocus points cover just about all of the frame, and both ‘Wide’ and ‘Lock-On’ AF area modes can take advantage of all of them.

Lock-On AF: Flexible Spot is most analogous to Nikon’s 3D Tracking or Canon’s iTR subject tracking methods, whereby you use an AF point of your choosing (meaning you can move it around with the AF joystick on the back), and place that over the subject that you want the camera to begin tracking. A half-press of the shutter yields a very slight delay as the camera ‘locks on’ to your subject before it begins tracking, but it’s not so long a delay as to be really problematic.

Photo by Rishi Sanyal

As we’d found throughout the course of the review, Lock-On AF on the a9 has been demonstrably improved over previous a7-series models. However, it still sometimes has a tendency to jump to other subjects in the frame, or fail to initially acquire your subject at all. We’re hoping that this may be improved in the future with refinement of the AF algorithms and firmware updates.

A 29 frame burst photographed at 20 frames per second.

But none of this is to say that the a9 is somehow less-than-capable; we all came away with an absurd amount of in-focus shots that we were happy with (thank you, 20fps burst shooting), and we were universally impressed with the athleticism, skill and fearlessness that the parkour athletes exhibited for us that afternoon. Check out our full gallery below.

Full gallery

Please do not reproduce any of these images on a website or any newsletter / magazine without prior permission (see our copyright page). We make the originals available for private users to download to their own machines for personal examination or printing (in conjunction with this review), we do so in good faith, please don’t abuse it.

Unless otherwise noted images taken with no particular settings at full resolution. Because our review images are now hosted on the ‘galleries’ section of dpreview.com, you can enjoy all of the new galleries functionality when browsing these samples.

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Articles: Digital Photography Review (dpreview.com)

 
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Nikon AF-P 70-300mm F4.5-5.6E ED VR sample gallery

28 Aug

The Nikon AF-P 70-300mm F4.5-5.6 VR offers a stepping autofocus motor, something that video shooters will appreciate. But this updated full-frame lens also provides benefits for stills photographers, including a versatile focal range and a healthy 4.5 stops of stabilization. Take a look at how we’ve gotten along with it over the past couple of weeks.

See our Nikon AF-P 70-300mm F4.5-5.6 VR sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS Rebel SL2 sample gallery

11 Aug
Photo by Barney Britton

The Canon EOS Rebel SL2’s diminutive size makes it very easy to carry around, despite some impressive tech under its skin. With the same sensor and processor as the more expensive Rebel T7i and EOS 77D, we’ve had high hopes that this small camera would put out big image quality for its price point, and we weren’t disappointed. From the zoo to the islands and even to a very dim pinball joint, take a look through our gallery to see what the EOS Rebel SL2 can do with a variety of both prime and zoom lenses.

See our Canon EOS Rebel SL2 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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