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Fujifilm announces its flagship 24 megapixel X-Pro2 mirrorless camera

17 Jan

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Fujifilm has released the long-awaited followup to its flagship X-Pro1 mirrorless camera, aptly named the X-Pro2. While similar in design to its predecessor, virtually everything else about the X-Pro2 is new.

First is an all-new 24.3 megapixel X-Trans CMOS III sensor, making the X-Pro2 the highest resolution Fujifilm camera yet. It can capture images at sensitivities as high as ISO 51200 and also supports compressed Raw (a first for the X-series). The camera’s focal plane shutter tops out at 1/8000 sec (with an x-sync speed of 1/250 sec), with the electronic shutter offering speeds up to 1/32000 sec.

Another big leap is in terms of autofocus. The X-Pro2 has a Hybrid AF system with 273 total points, of which 77 are phase-detect and cover 40% of the frame. Fujifilm claims the X-Pro2 offers the fastest AF of any of its X-series models, though it’s worth keeping in mind that performance will vary based on lens – many lenses in the line, particularly primes, tend to have slower focus motors that can significantly affect continuous AF performance. 

While the X-Pro1 was already a sturdy camera, its successor is even more durable. Its magnesium alloy body has 61 points which are sealed against dust and moisture. It offers direct control for shutter speed, ISO and exposure compensation via dials on the top plate. The X-Pro2 is Fujifilm’s first camera with dual memory card slots, both of which take SD cards. The first slot is compatible with ultra-high speed UHS-II media.

Fujifilm has also updated the X-Pro1’s hybrid viewfinder, bringing it more in line with what’s found on the X100T. It can still be both an optical or electronic viewfinder, with the resolution of the EVF panel being bumped to 2.36 million dots. X-Pro1 users have always been able to overlay shooting data and bright lines onto the optical view, but now there’s a ‘tab’ at the lower-right which can display a projected LCD display showing a magnified view of the focus point, peaking, or a digital split prism. In addition to the hybrid viewfinder, the X-Pro2 also has a 3″ LCD with 1.62 million dots.

Some other new features of note include a monochrome Acros film simulation mode ‘for smooth tones’, a grain effect, interval shooting, 1080/60p video and, of course, Wi-Fi support.

The X-Pro2 will be available next month at a price of $ 1699.95.

Read our X-Pro2 first impressions review

Take a tour of the X-Pro2 in our hands-on preview

FUJIFILM ANNOUNCES NEW FLAGSHIP X-PRO2 MIRRORLESS CAMERA

Weather-resistant X-Pro2 features the world’s first Advanced Hybrid Multi Viewfinder, new 24MP X-Trans CMOS III sensor, and creative monochrome ACROS film simulation

Valhalla, N.Y., January 14, 2016 – FUJIFILM North America Corporation, a leader in premium mirrorless cameras, today announced the FUJIFILM X-Pro2, the new flagship range-finder style camera in the award-winning X-Series line. As the new pinnacle of X-Series photography, the X-Pro2 gives professional photographers an innovative Advanced Hybrid Multi Viewfinder capable of instantly switching between optical and electronic finders, a new 24.3MP X-Trans CMOS III sensor for truly remarkable image resolution, and a new X-Processor Pro that delivers dramatically improved response times for unmatched performance.

By combining these features with the ultra-high image quality of FUJINON X-Mount lenses and the world-renowned color reproduction technology refined over more than 80 years as a photographic film leader, the FUJIFILM X-Pro2 delivers the best ever results from an X-Series camera.

Advanced performance for professionals
The FUJIFILM X-Pro2 has the world’s first Hybrid Multi Viewfinder that allows photographers to take advantage of both an optical finder for a direct view of the subject as well as an electronic viewfinder to preview settings. The ability to instantly switch between these two types of viewfinders was first installed on the FUJIFILM X100 in 2011, but the latest version found on the X-Pro2 is the most advanced. It now features a Multi-Magnification function that automatically switches viewfinder magnification according to the lens in use and an Electronic Rangefinder that simultaneously displays the electronic viewfinder on top of the optical viewfinder.

Working together, the newly developed 24.3MP X-Trans CMOS III sensor and the high-performance X-Processor Pro image engine deliver pictures with a perceived resolution far greater than the actual number of pixels used. Moreover, the X-Pro2 now boasts 4x the processing speed of conventional image processing engines, which in turn gives users increased response times, even with the increased resolution. The powerful X-Processor Pro dramatically improves a wide range of response times, including a start-up time of just 0.4 seconds, the shortest shooting interval of 0.25 seconds, a shutter time lag of 0.05 seconds, and autofocus speeds as fast as 0.06 seconds. And with the option to use compressed RAW files, the X-Pro2’s performance and functionality now exceed the needs of professional photographers, including faster live view and even higher definition movies.

Cutting-edge autofocus system
The FUJIFILM X-Pro2 uses a new autofocus (AF) system that gives users an expanded number of selectable focusing points with 273 AF points. 77 of these are phase detection – for greater functionality and faster autofocus. With the X-Pro2, approximately 40% of the imaging area is now covered by fast, precise phase detection AF pixels, which means focusing speeds when photographing moving subjects have improved dramatically. By combining the processing capabilities of the new X-Processor Pro with a contrast AF readout speed that is 2x faster than before, the X-Pro2 delivers the fastest AF performance ever in an X-Series camera.

Weather-resistant for challenging shooting environments
The FUJIFILM X-Pro2 has a robust, weather-resistant body to meet the needs of professional photographers in tough shooting environments. The camera’s chassis is made from four pieces of magnesium alloy and is sealed with more than 61 points, making it dust-proof, splash-proof and capable of operating in temperatures as low as 14°F. In addition, it has dual SD card slots, for more reliable image storage and less card changing while on location.

Improved layout and new user interface design
The new FUJIFILM X-Pro2 embodies the true craftsmanship that the X-Series is known for around the world. The shutter speed dial, exposure compensation dial and finder switching lever are all milled from aluminum for a premium look and comfortable feel. The ISO sensitivity dial is now built-in to the shutter speed dial so camera settings can be confirmed at a glance without having to turn the power on. And the command dial position has been added to the exposure compensation dial. Selecting this function switches exposure compensation operation to the front command dial and expands the range to ±5EV.

The FUJIFILM X-Pro2 features Command dials on both the front and rear of the camera. And by adding a push function, they are easier to use, and still retain dust and water resistance. There are six function buttons to allow easier access to regularly used functions, and a new Focus Lever enables users to quickly select a focusing point, speeding up operation.

Photographers will find a new, easy-to-use graphical user interface design in the FUJIFILM X-Pro2 with fresh categories added to the tabs on the menu screen, allowing faster access to the item required. Users can register a maximum of 16 frequently used items in the new My Menu feature, and when combined with the 16 items from the Q Menu, a total of 32 shortcuts can be created.

The viewfinder display in the FUJIFILM X-Pro2 now offers a greater level of customization so it can further match the individual needs of the photographer. The X-Pro2 gives users a Bright Frame Simulation function in the optical viewfinder mode so the angle of view of each focal length can be confirmed without having to replace the lens, so the user can change lenses more accurately.

FUJIFILM X-Pro2 key features:

  • World’s first Advanced Hybrid Multi Viewfinder with 2.36 million dots and maximum speed of 85 frames per second
    • Diopter correction mechanism with an eye point of 16mm and a telephoto bright frame with enlarged focal length of 140mm
  • 24.3MP APS-C X-Trans CMOS III Sensor
    • Fast AF of up to 0.08 seconds
    • Phase detection AF and motion predictive AF for continuous shooting up to 8 frames per second
    • Start-up time of 0.4 seconds
    • Shutter time lag of 0.05 seconds
    • Shooting interval of 0.25 seconds
    • Focal plane shutter top speed of 1/8000 second
    • Flash sync speed up to 1/250 second
  • Dust and water-resistant body with more than 61 points of weather sealing and freeze resistance to 14°F
  • High-precision 3” rear display with 1.62 million dots
  • Dual memory card slots (Slot1 compatible with UHS-II standards)
  • New monochrome  ACROS film simulation for smooth tones, deep blacks and rich textures
  • New Grain Effect mode for images reminiscent of old film photos, especially when printed
  • Maximum ISO performance up to 12800 sensitivity; Extended ISO ISO100, 25600, 51200
  • Improved electric charge transfer rate for ultra-fast readout speeds
  • Interval timer for shooting time-lapse sequences of one second to 24 hours, up to 999 frames
  • Free FUJIFILM Camera Remote application and Wireless Communication function allows users to remotely shoot images from smartphones and tablets via WiFi
  • Photos can be sent to the INSTAX Share Printer using the free INSTAX Share App (iOS and Android) SHARE Smartphone Printer
  • Full HD video 1080p at 60fps; bit rate of 36Mbps for clear capture of delicate movements; frame rates of 60 fps, 50fps, 30fps, 25fps and 24fps, supporting worldwide motion picture formats
  • Advanced creative filters
  • Optional accessories:
    • Hand Grip MHG-Xpro2 – improves grip and retains access to battery and SD card, and compatible with an Arca Swiss plate
    • Leather Case BLC-XPRO2 – genuine leather bottom case elegantly shows off the X-Pro2’s classic design while protecting the camera body with battery access

The FUJIFILM X-Pro2 (body only) will be available in February 2016 for USD $ 1,699.95 and CAD $ 1,899.99.

Fujifilm X-Pro2 specifications

Price
MSRP $ 1699/£1349 (body only)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Other resolutions 3:2 (4240 x 2832, 3008 x 2000), 16:9 (6000 x 3376, 4240 x 2384, 3008 x 1688), 1:1 (4000 x 4000, 2832 x 2832, 2000 x 2000)
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.6 x 15.6 mm)
Sensor type CMOS
Processor EXR Processor III
Color space sRGB, Adobe RGB
Color filter array X-Trans
Image
ISO Auto, 200-12800 (expandable to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif v2.3)
  • Raw (14-bit RAF, lossless compressed or uncompressed)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 273
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3″
Screen dots 1,620,000
Touch screen No
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic and Optical (tunnel)
Viewfinder coverage 92%
Viewfinder magnification 0.6×
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program AE
  • Shutter priority
  • Aperture priority
Built-in flash No
External flash Yes (via hot shoe or flash sync port)
Flash modes Auto, forced flash, slow synchro, suppressed flash, rear-curtain synchro, commander)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous (hi/low)
  • Self-timer
  • Interval
Continuous drive 8.0 fps
Self-timer Yes (2 or 10 secs)
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±2 (at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes
Videography features
Resolutions 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720 (60p, 50p, 30p, 25,p, 24p)
Format MPEG-4, H.264
Microphone Stereo
Speaker Mono
Storage
Storage types SD/SDHC/SDXC (Dual slots, UHS-II support in slot 1)
Connectivity
USB USB 2.0 (480 Mbit/sec)
HDMI Yes (micro-HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n
Remote control Yes (Wired or via smartphone)
Physical
Environmentally sealed Yes (water and dust resistent)
Battery Battery Pack
Battery description NP-W126 lithium-ion battery & charger
Battery Life (CIPA) 350
Weight (inc. batteries) 495 g (1.09 lb / 17.46 oz)
Dimensions 141 x 83 x 56 mm (5.55 x 3.27 x 2.2″)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Fujifilm X-Pro2

17 Jan

Hands-on with the Fujifilm X-Pro2

At its core, the X-Pro2 is a rangefinder style camera (and one that actually works a little like a rangefinder, thanks to some clever digital technology) that should appeal not only to the traditional rangefinder crowd, but also to enthusiasts who may be more accustomed to other styles of camera as well.

The X-Pro2 is technically the successor to Fujifiilm’s original X-mount camera, the X-Pro1, however in the context of Fujifilm’s camera business it’s much than that. In many ways the X-Pro2 raises the bar for the entire Fujifilm line of interchangeable lens cameras, including the current top of the line X-T1. Headline features include a 24MP X-Trans sensor, a new hybrid AF system, and picture-in-picture viewfinder design borrowed from the X100, along with improved video quality.

Hands-on with the Fujifilm X-Pro2

With its 24MP X-Trans III CMOS sensor the X-Pro2 sets a new resolution standard for Fujifilm cameras, most of which have utilized 16MP sensors for a number of years. We’ve generally been impressed with how much image detail the company has been able to extract from those 16MP, and so far our impressions of the X-Pro2’s images have been positive, too.

The camera’s shutter has been uprated, too. The mechanical shutter can shoot as fast as 1/8000th of a second and can flash sync up to 1/250th. An electronic shutter mode expands the range up to 1/32000th of a second.

Hands-on with the Fujifilm X-Pro2

Just as important as the additional resolution is the X-Pro2’s new autofocus system. With 273 AF points (including 77 phase detect points) the AF system is actually more advanced than Fujifilm’s existing flagship model, the X-T1. Importantly, the phase detect region extends beyond the central third of the frame, and the system supports AF tracking as well as eye-detection AF. Ultimately, however, the rate-limiting step when focusing some of Fujifilm’s lenses may be the lenses themselves: a few of them have to move a lot of glass around and may not react as quickly as the camera.

If you find 273 points too many to cope with, you can limit yourself down to 77 points to make them quicker to select – you retain the same coverage across the frame, though.

Hands-on with the Fujifilm X-Pro2

The top plate of the X-Pro2 should be fairly straightforward to most experienced photographers, however it’s worth noting Fujifilm has added a nested ISO dial inside of the shutter speed dial. As neat as it looks, you probably won’t utilize this dial much if you use the camera’s Auto ISO settings. One quirk when using Auto ISO is that while you have the ability to specify a minimum shutter speed threshold, there is no option to relate minimum shutter speed to focal length. This is fine when using prime lenses but works less well for zooms, where the shutter speed required to avoid shake changes as you zoom.

There’s good news, though. The X-Pro2 includes the ability to save three Auto ISO settings in camera (compared to one on many previous Fujifilm models). It’s also possible to assign a custom button to switch between these settings for quick changes while shooting. Maximum standard ISO is extended up 12800 – one stop more than on previous Fujifilm models – and there’s an extended ISO mode that expands out to ISO 51200. For the first time, you can shoot Raw files at every setting.

There’s also a manual exposure compensation dial which can be set as much as ±3EV. However, this can be extended out to ±5EV in combination with the front dial.

Hands-on with the Fujifilm X-Pro2

Looking at the rear of the camera we see one of the most important design elements of the X-Pro2: a small joystick just to the right of the screen. The joystick is useful for a couple reasons.

First, it can be used to manually select any of the camera’s 273 AF points – a much easier arrangement than trying to do so with four directional buttons. Second, and possibly more important, using the joystick to select AF points means that you don’t have to assign your four-way controller buttons to perform this task, effectively giving you extra buttons for custom functions.

In fact, the X-Pro2 has six customizable buttons. With the addition of the joystick, this means you really can assign six custom functions even with manual AF point selection. For shooters who like to manually select AF points this will be a significant enhancement to the shooting experience. 

Hands-on with the Fujifilm X-Pro2

Even the original X-Pro1 had a viewfinder lever on the front, but now the lever’s presence has taken on new significance. On the X-Pro2, Fujifilm has added the ‘Advanced’ hybrid viewfinder, similar to the one in the X100T. While shooting with the optical viewfinder, a quick push of this lever will bring up a small, magnified live view window in the lower right corner to use as a focusing aid. It’s then possible to focus on the magnified region (as seen through the lens) while composing with the OVF. There’s also a function button at the center of the lever.

In addition to the viewfinder lever there’s also a new command dial on the front of the camera, bringing the X-Pro series into the twin dial control era.

Hands-on with the Fujifilm X-Pro2

The X-Pro2 has the standard connections you would expect on a Fujifilm camera. In addition to the traditional PC sync socket for connecting a flash there are USB and micro-HDMI ports. That microUSB port is also where Fujifilm’s optional RR-90 wired remote control plugs in. There’s also a 2.5mm microphone-in jack for shooting video, though no headphone jack to monitor sound. 

For those wanting to shoot video, we’re happy to report that video quality on the X-Pro2 is notably improved relative to previous Fujifilm models. Whether this is a result of the new sensor or better algorithms for converting X-Trans data into video we’re not sure, but it’s fair to say that movie quality is fine for casual use. Video enthusiasts concerned with absolute quality will still want to look elsewhere, however. The X-Pro2 supports 1080/60p recording at around 36mbps.

Hands-on with the Fujifilm X-Pro2

Another area in which Fujifilm has improved the build of the X-Pro2 is with additional weather sealing. A quick look at the inside of the card slot door reveals a good example of this in the form of a rubber gasket. The X-Pro2 is also Fujifilm’s first camera to support dual card slots, one of which supports UHS-II speeds.

What will go on those cards? Photos with beautiful Fujifilm colors, of course. Fujifilm has a well-deserved reputation for both JPEG color and B&W rendition based on classic film stocks, and the X-Pro2 continues the trend with a new one: Neopan Acros, a black and white film known for its rich gradations and fine grain. By default it features a very fine grain but there’s now an option to apply an additional grain effect to this and all the camera’s film simulation modes.

Hands-on with the Fujifilm X-Pro2

Thankfully, Fujifilm has been fairly consistent with batteries, and the X-Pro uses the same NP-W126 battery as cameras such as the X-T1 and X-Pro1. It’s rated at 350 shots (250 if using the EVF) according to CIPA standards, which is about average for similar Fujifilm models, but it does come in below average for its APS-C sensor peers.

Hands-on with the Fujifilm X-Pro2

We end with a slide from a Fujifilm presentation highlighting some of the X-Pro2’s sensor capabilities. The X-Trans color filter array (CFA) sits atop a traditional CMOS sensor, which we expect is Sony or Toshiba sourced, based on the low noise characteristics of previous Fujifilm cameras. The specs indicate a higher sensor readout rate, which if utilized properly, could lead to increased autofocus performance and may have an impact on video – which appears to be improved on the X-Pro2 relative to the X-T1 for example. Fujifilm is also claiming a 7.6 dB improvement in SNR, and we’ll be curious to see if this translates to increased low light performance in our controlled studio tests. 

For more information about the X-Pro2 and what it’s like to use, read our first impressions review.

Articles: Digital Photography Review (dpreview.com)

 
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Retro through-and-through: Fujifilm X-Pro2 First Impressions Review

17 Jan

The X-Pro2 is a high-end, rangefinder-esque mirrorless camera that directly succeeds the first X-mount camera: the X-Pro1. The Pro2 now sports a 24MP APS-C sensor and a host of feature improvements in a body that very closely resembles that of its predecessor.

Fujifilm X-Pro2 features

  • 24MP X-Trans CMOS III sensor (APS-C)
  • 273 Autofocus points (77 of which PDAF)
  • 2.36M-dot OLED/Optical hybrid viewfinder with pop-up picture-in-picture tab
  • ISO 200-12800, expandable to 100-51200 with Raw shooting at all settings
  • 1/8000 sec maximum shutter speed and 1/250 sec flash sync
  • Acros black and white film simulation
  • Grain Effect option for JPEGs
  • 1080/60p movies

The X-Pro2’s higher resolution sensor also gains wider-spread on-sensor phase-detect AF coverage, which is another significant improvement. In addition it has a small, thumb-operated joystick that allows you to more easily select an AF point and, in turn, the camera lets you select from a any of the camera’s AF points.

Other changes include allowing Auto ISO to extend up to 12800 and the ability to shoot Raw files at all the camera’s ISO settings (extended settings have always been JPEG-only on previous X-series cameras), as well as the ability to apply lossless compression to Raw files. The X-Pro2’s shutter has been improved, too, and can now shoot as fast as 1/8000 sec, with flash sync extended to 1/250 sec of a second.

But much of what else made the original X-Pro1 stand out remains. The genuinely rangefinder-styled body, rather than just being a rectangle with a band of faux leather around it, mimics most of the control points and design accents of a 1960s camera. It still has the all-metal construction but more attention has been made to provide environmental sealing, as you’d expect in a camera at this price.

And, although the body looks broadly the same, it’s been significantly reworked to offer improved ergonomics as well as additional features. The hybrid viewfinder has been improved through the inclusion of an X100T-style pop-up tab in the corner, onto which an LCD image can be projected.

Here’s a spec comparison between the X-Pro2 and its predecessor, as well as the X-T1:

 
Fujifilm X-Pro2
Fujifilm X-T1
Fujifilm X-Pro1
Pixel count 24MP 16MP 16MP
AF points 273 points (77 of which PDAF) hybrid system.
All directly selectable.		 77 point (15 of which PDAF) hybrid system
49 directly selectable (9 of which PDAF)		 49 point CDAF system
All directly selectable.
Viewfinder 2.36M-dot OLED/Optical Hybrid 2.36M-dot OLED 1.44M-dot LCD/Optical Hybrid
ISO Range 200-12800
(100-51200 Extended)		 200-6400
(100-51200 JPEG-only)		 200-6400
(100-25600 JPEG-only)
Auto ISO settings 3 1 1
Maximum frame rate
With AFC/With Live View		 8 fps / 3 fps 8 fps / 3 fps 6 fps / 3 fps
Maximum shutter speed 1/8000 (Mechanical)
1/32000 (Electronic)		 1/4000 (Mechanical)
1/32000 (Electronic)		 1/4000 (Mechanical)
X-Sync Speed 1/250 sec 1/180 sec 1/180 sec
Movie shooting 1080/60p 1080/60p 1080/24p
Wi-FI Yes Yes No
Customizable Q Menu Yes Yes No
Custom ‘My Menu’ Yes No No
Direct controls Shutter Speed
Exposure Comp
AF Drive Mode
ISO		 Shutter Speed
Exposure Comp
AF Drive Mode
ISO
Drive Mode
Metering Mode		 Shutter Speed
Exposure Comp
AF Drive Mode
Direct AF point control Yes – Joystick Optional – At expense of custom buttons No
Custom buttons 6 6 (2 if direct AF select chosen) 2
Exposure Comp Dial ±3EV (±5EV using front dial) ±3EV ±2EV
Rear screen 3″ Fixed (3:2)
1.62M-dot (900 x 600)		 3″ Tilting (3:2)
1.04M-dot (720 x 480)		 3″ Fixed (4:3)
1.23M-dot (640 x 480)
Command dials 2 (Push-button type) 2 1 (Push-button type)
Card slots 2 (1 of which UHS-II) 1 (UHS-II) 1 (UHS-I)
Film Simulations* 9 8 7
AF Tracking Yes Yes No
Eye-detection AF Yes Yes No
AF in MF mode AF-C or AF-S AF-C or AF-S AF-S
Panorama mode No Yes Yes
Compressed Raw? Optional (Lossless) No No
Battery life 350 OVF
250 EVF		 350 EVF ~300 OVF
Battery percentage? Yes No No
Maintain zoom when changing image in playback Yes No No
Lens Modulation Opt Yes Yes No
Grain simulation Yes No No
Split prism focus guide Color/Mono Mono No
Brightline display Yes N/A No

*Not including color filter simulation variations

As you can see, compared to the X-Pro1, the Pro2 is significantly improved. Almost every aspect of the camera has been refreshed and these updates quickly add up to a much nicer-to-use, more capable camera.

However, in the four years that have passed since the launch of the X-Pro1, a lot has changed, with mirrorless cameras maturing dramatically and expectations for features such as continuous autofocus and movie shooting leaping forwards. However, neither of these two factors is likely to be a prime concern for would-be buyers, instead, the main thing likely to make life difficult for the X-Pro2 could be the existence of its own sister model: the X-T1.

The X-T1 was described at launch as a flagship model and offers a fully fleshed-out feature set for enthusiasts, semi-pros and perhaps even some professionals. It has sealed magnesium alloy construction, a huge electronic viewfinder, weather sealing and abundant external controls. So is there really still room for a new X-Pro alongside the DSLR-style model?

Scanning through the table above, there are certainly some areas in which the X-Pro2 is more advanced than the X-T1, but details such as shutter speed and pixel count are just generational improvements that would make just as much sense in a X-T2. So one of the main things we’ll be looking to address in this review is: how does the hybrid viewfinder change the shooting experience and is it enough to allow the X-Pro and X-T lines to continue in parallel?

 Review History
29 Jan 2016 First Impression Review based on Pre-Production camera running Firmware 1.00

If you're new to digital photography you may wish to read the Digital Photography Glossary before diving into this article (it may help you understand some of the terms used).

Conclusion / Recommendation / Ratings are based on the opinion of the reviewer, you should read the ENTIRE review before coming to your own conclusions.

We recommend to make the most of this review you should be able to see the difference (at least) between X, Y, and Z and ideally A, B, and C.

This article is Copyright 1998 – 2016 and may NOT in part or in whole be reproduced in any electronic or printed medium without prior permission from the author.

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on with the Fujifilm X70

17 Jan

Hands-on with the Fujifilm X70

In addition to its X-Pro2 and X-E2S, Fujifilm also announced the X70, a compact camera with a fixed 28mm equiv. F2.8 lens (shown here with a lens hood). Focal length aside, the X70 is in many way a Fujifilm X100T minus the hybrid viewfinder but with the addition of a tilting touchscreen.

It uses the same 16.3MP APS-C X-Trans II sensor as the X100T and features a similar layout of control points. We had the opportunity to get our hands on the X70 at a press event in Japan – take a look. 

Hands-on with the Fujifilm X70

The X70 looks quite a bit like a classic rangefinder film camera shrunken down. It features direct controls for shutter speed and exposure compensation, both of which are made from milled aluminum. It also has a dedicated aperture ring around the lens barrel, offering 1/3-stop aperture adjustments ranging from F2.8 to F16.

The focus ring on the front of the lens can be set to toggle focus when shooting in MF, or be used as a digital teleconverter, to switch the field of view to a 35mm and 50mm equivalent. The top also offers a hotshoe, video record button, drive button and Auto switch. When flipped down, the Auto switch overrides all other exposure parameters (just like the Auto switch on the X-T10).

Hands-on with the Fujifilm X70

Just because the X70 has a touchscreen doesn’t mean there aren’t ample physical controls as well. Quite the contrary. The back alone offers a four-way controller, custom function button and a Q button for direct access to the Quick menu.

The touchscreen, by the way, is 3″ in size with 1.04 million dots. In addition to offering touch-to-shot and touch-to-focus capabilities, it can also be used in playback to swipe through images, and even offers pinch-to-zoom functionality.

Hands-on with the Fujifilm X70

The grip on the X70 is made from a rubber-material; it is moderately-sized and comfortable to hold. The camera can easily be used with just a single hand, but offers enough real estate on the body to also be comfortably gripped with two.

While it’s easy to draw comparisons between the X100T and the X70, spend a little time holding the latter and you’ll quickly find it handles like a very different camera. In addition to its use of a 28mm equiv. F2.8 lens, compared to the 35mm equiv. F2 of the X100-series, it is also substantially smaller than a X100, thanks to its lack of a viewfinder. Moreover, the addition of an articulating touchscreen makes the X70 an even more discreet option than the X100T, especially for street photography.

Hands-on with the Fujifilm X70

The 28mm equiv. F2.8 lens is composed of 7 elements, arranged into 5 groups. Two of those elements are aspherical to help cut chromatic aberration. The lens itself uses a 9-blade aperture. 

The X70 offers Fujifilm’s latest AF system, and features both Zone AF and Wide/Tracking AF, first introduced on the Fujifilm X-T10 (and X-T1 via firmware 4.0). The Hybrid AF system comprises a total of 77-points.

Like all recent X-series cameras, the X70 offers Face Detect and Eye Detect. We had the chance to briefly try Face Detect on the X70 in a press meeting and our initial impressions were positive, despite the fact that Fujifilm cameras have historically lagged behind the competition at AF speed and accuracy when using Face and Eye Detect.

Hands-on with the Fujifilm X70

The X70 has an articulating touchscreen that flips up 180 degrees and down 90 degrees; this is the first X-series camera to offer a touchscreen of any kind. We had the chance to try out the touch-to-shoot functionality during a product briefing and found the camera to be quite responsive. Street photography purists might scoff at the idea of using a touchscreen to make images, but we’ve found in use, it can be an incredibly handy way to shoot discreetly.

Hands-on with the Fujifilm X70

For those tempted by the small size and touchscreen of the X70, but afraid they might miss having a viewfinder, Fujifilm will be selling the VF-X21 hotshoe-mountable optical finder, shown here, for $ 200. 

Hands-on with the Fujifilm X70

The X70 uses the same NP-95 battery as the X100-series. However the most logical comparison to the X70, both in terms of price and design is the Ricoh GR II. Both cameras use 16MP APS-C sensor and offer 28mm F2.8 equiv. lenses. It’s clear that Fuijifilm has set its sights on street shooters with the release of the X70; perhaps trying to snag those tempted by the Ricoh GR (and GR II), which is somewhat of a cult classic among urban shooters.

But while both cameras have similar bells and whistles, like Wi-Fi connectivity, direct controls and comfortable ergonomics, all in a nondescript body, the GR II has a fixed LCD, while the X70 has an articulating touchscreen. Furthermore, the X70 has a high ISO of 51,200, compared to the 25,600 on the GR II.

And for those nostalgic for the days of film, the X70 offers 13 baked-in film simulations including the much-loved Classic Chrome.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm announces development of EF-X500 flash

16 Jan

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Among all of its new cameras announcements, Fujifilm also made public the development of a new external flash. The EF-X500 is a high-end, weather-sealed model with a guide number of 50m at ISO 100, the ability to control up to three sets of TTL off-camera strobes, and a high-speed sync mode that supports the X-Pro2’s maximum 1/8000 sec shutter speed. The zoom head range is 24-105mm equiv., and can go as wide as 20mm with the wide panel pulled into place. 

It has a large, backlit display on its back side along with a control dial for easy setting adjustment. As you’d expect, the flash can tilt and rotate – 10° down, 90° up, 135° left and 180° right. It uses four AA batteries and also supports Fujifilm’s EF-BP1 external battery pack.

The EF-X500 is expected to ship in May at a price yet to be determined.

Press Release:

FUJIFILM ANNOUNCES THE DEVELOPMENT OF A NEW HOT-SHOE MOUNT FLASH FOR X-SERIES CAMERAS

A new high-end external flash is being developed to complement FUJIFILM X cameras with high-speed synchronization and multiple flash TTL auto functions

Valhalla, N.Y., January 14, 2016 – FUJIFILM North America Corporation, a leader in premium mirrorless cameras, today announced that it is developing a new high-end external shoe mount flash, the FUJIFILM EF-X500. The EF-X500 allows users to expand their photography with high-speed synchronization and multiple flash TTL auto functions. It will be added to the premium X-Series camera accessory line-up in May 2016. Price to be confirmed.

Designed with FUJIFILM X cameras in mind
The new FUJIFILM EF-X500 external flash will feature a low-profile, premium design that is perfectly suited to complement the style of the compact and lightweight X-Series cameras.

With high-speed synchronization (FP), the new EF-X500 supports the 1/8000 sec. shutter speed featured in the new, flagship model FUJIFILM X-Pro2, as well as other Fujifilm X cameras.

The multiple flash-unit TTL auto function unleashes users’ creativity by allowing them to control any lighting conditions so it will accompany their X-Series camera in all low light and studio applications.

Fujifilm has added a weather and dust resistant build making the EF-X500 flash the perfect companion for the FUJIFILM X-T1 and X-Pro2 to further enhance their rugged, weather resistant capabilities.

Specifications

Type Hot-shoe mount flash
Guide Number 50/164 (ISO100?m/ft.) at 105 mm zoom head position, equivalent to 35mm format.
Zoom 24mm-105mm equivalent to 35mm format.
When the extendable wide panel is pulled out, the flash coverage is approx.. 20 mm.
Bounce capability Flash head tilts down to 10° or up to 90° and rotates horizontally 135° to the left and 180° to the right.
Color temperature Approx. 5600K
Flash modes TTL / Manual / Multi.(repeating flash)
Flash exposure compensation -5.0 – +5.0, 1/3 step
(The available range and step depend on camera models)
High-speed synchronisation (FP) Capable (supported camera only)
Manual 1/1 – 1/512, 1/3 step

Multi.(repeating flash)

 1/4 – 1/512, 1/3 step, 1-500Hz, 2 – 100 flashes
Wireless communication type Optical pulse communication (in multiple flash-unit photography operation)
Wireless modes Master and Remote
Communication cannels From 1 to 4.
Remote groups Up to three groups (A/B/C)
Power source Four LR6 (AA-size) alkaline batteries,
four FR6 (AA-size) lithium batteries, or
four HR6 (AA-size) rechargeable Ni-MH batteries
(optional).
External Power Source BATTERY PACK EF-BP1 (optional)
Dimensions W67.5 x H123.9 x D106 (mm)

* Specifications subject to change without notice.

Articles: Digital Photography Review (dpreview.com)

 
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Sample galleries from preproduction Fujifilm X-Pro2 and X70 posted

15 Jan

We’ve got our hands on preproduction versions of Fujifilm’s X-Pro2 and X70 and have put together a sample gallery for each. Keeping in mind that these are ‘beta’ cameras, have a look at some photos from both Seattle and Japan.

View our Fujifilm X-Pro2 beta sample gallery

View our Fujifilm X70 beta sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Field Test: Brad Puet and the Fujifilm X-T10

22 Dec

In our most recent Field Test, we took Fujifilm’s X-T10 out onto the streets of Seattle with local photographer Brad Puet. After capturing our street portraits we went about making some prints, first with Fujifilm’s lovely SP-1 Instax printer, and then something a little bigger. See for yourself how the X-T10’s images stand up to exhibition-quality printing.

See more videos at our YouTube channel

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Gear of the Year Part 3: Sam’s Choice – The Fujifilm Instax SP-1

14 Dec

On the face of it the SP-1 seems costly and pointless; it costs $ 0.75/shot to use, which is a unit of measurement long forgotten by hobbyist digital photographers who already share their images digitally. Plus, the prints are smaller than the venerable square Polaroids that have been nearly beaten to death in the fine art photography world. Even with their higher-quality origin, the digital files end up printing at a similar not-very-sharp quality that an instant camera would produce. And compared to an instant camera, the SP-1 printer requires more steps to produce the final result. It all sounds a bit fussy, expensive, and with little reward.

However, after using the SP-1, I believe it to be a unique little bridge between the digital and analog worlds that can be just as useful as it is nostalgic.

It can be used it to print one’s phone images with the Wi-Fi app, but I don’t believe that’s the real way to get the most from the printer. At that point, a better choice would be skipping the phone and printer and buying a dedicated instant camera, like Fujifilm’s Instax Mini. The real joys of the SP-1 come with a prerequisite; a Wi-Fi enabled Fujifilm X-mount camera. When paired together they become a digital instant camera with interchangeable lenses, which is a big deal, especially when considering the X system takes its lenses seriously. Additionally, the printer takes up very little bag space and weighs a negligible amount. While the process could be improved, printing is relatively quick and easy through a Fujifilm X-T1 or X100T. Plus, the initial cost is the same as a cheap lens but produces results that aren’t limited to the rear LCD out in the field.

Admittedly, there is plenty of room for growth in terms of image quality and consistency. Sharpness is never perfect and leaves a bit to be desired, and sometimes a JPEG will need a quick re-process in the in-camera raw converter to get it looking right in instant format. With that said, I don’t think the Instax Mini format is meant for a photographer to print images with for themselves, and looking at the prints with a pixel-peepers fine-toothed comb is going about it the wrong way. These images are best for what made the square format inspired Instagram popular in the first place: sharing.

When was the last time most people have had an instant image taken of them? Sure, there are ways of doing it if you look. Photo booths, for example, still offer that immediate tangible souvenir. People don’t expect results like that from a photographer using a digital camera these days, as I learned when I brought an XT-1, X100T and the SP-1 to my sister’s wedding in March.

After the ceremony there was a little lull in mandatory precious wedding moments as tables and chairs were re-configured from ceremonial purposes to a more social setup. I took the time to shoot and print a handful of candid images before doing groups. When the images were completely developed, I made a couple duplicates and handed them to their corresponding subjects.

Those exchanges were priceless. At first there would be a perplexed look on their face as they realized I wasn’t showing them an image on the back of a camera. That moment then led to even more confusion as I handed them a credit-card looking sort of thing. Then, after a closer look, eyes widened, smiles grew, hugs were exchanged, and ‘brownie points’ were earned. I had my party piece, and the shoot was in the bag.  Plus, people left the wedding with tangible mementos tied to a happy memory.  Isn’t that what a photographer’s job is? Also, my thrilled sister had 40 or so prints in her hand to hold her off until I could finish editing, which took a little pressure off me.

This writer is joining the ranks of X fans that are begging for an Instax Wide format instant printer, just for the extra bit of size and quality to possibly match those venerable Polaroid Land Camera square images.  Either way, Fujifilm is on the right track with the SP-1 and the Instax printer lineup deserves all the R&D money they can throw at it, if only to make the output slightly sharper. For now, it is doing a great job of freeing photography from the screen and bringing us back to a tangible medium, digitally.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Gear of the Year part 2: Carey’s choice – Fujifilm X-A2

10 Dec

Since joining the team at DPReview a few months ago, I’ve been doing my best to borrow and get my hands on as much gear as I possibly can. Like most working photographers, I am heavily invested in a single system, and beyond obsessive review-reading across far corners of the Internet, I didn’t come to DPReview with too much hands-on experience with other brands and their respective systems. In the process of trying to familiarize myself with all the cameras and systems I could, it’s the Fujifilm X-A2 that has surprised me the most and has become my personal pick for Gear of the Year.

What I love

  • 16MP Bayer APS-C sensor promises great clarity, color and ISO performance
  • Full X-mount compatibility for those wanting a system to grow into
  • Twin control dials for rapid changing of settings
  • Tilting screen with good visibility
  • Cheap.

Fujifilm’s X-system is filled with fast lenses and quality bodies: the company knows how to make great cameras. But I’ll admit, even with the possibility of putting some gorgeous Fuji glass on the X-A2, I had pretty low expectations because the camera just feels so cheap. My fixed-lens X100 is made of metal, and it feels like it. By contrast, the X-A2 is made almost entirely of plastic, and… it feels like it. The surface is fairly slick and hard to get a good grip on, the controls have nowhere near the satisfyingly dense and damped action as those on higher-end Fuji’s, and while I appreciate a tilting display more than the average Joe, this one hangs somewhat loosely when it should be secure against the back of the camera.

So here comes the surprise: I don’t really care so much that this camera feels so cheap, simply because it is so cheap. It is among the lowest-priced interchangeable lens cameras, and yet, still packs a 16MP APS-C sensor that produces absolutely stellar files.

ISO 500, F5.6, 1/60 at 16mm on the kit lens. If not for the articulating screen, this would have been much more of a ‘spray and pray’ situation. Processed to taste from Raw.

Glance over the spec list and you’ll note that this is the only Fujifilm camera in its current lineup that lacks an X-Trans sensor. Given that Fujifilm has put X-Trans at the heart of almost all of the X-series models, this also served to temper my expectations a bit. But make no mistake, the Bayer sensor in the X-A2 may not have a pixel-level detail advantage over an X-Trans, but I found that it still produces excellent colors and controls noise very well all the way through ISO 3200 (6400 is usable in a pinch). An added bonus: Raw file support is wider, thanks to the near-ubiquity of the Bayer pattern.

The included kit lens also feels very cheap, right down to the plastic mount, but as with the body, its build and appearance bely the ultimate results it’s capable of. It is pleasantly sharp for a kit zoom, offers swift, silent and accurate focusing in good light, and includes effective image stabilization. When you pair the X-A2 with one of Fuji’s compact primes, such as the 18mm F2 R or the 27mm F2.8, the setup is coat-pocketable and remains light enough to be handled with only a wrist-strap.

ISO 6400, F2.8, 1/56 on the Fujifilm 27mm F2.8 lens. Straight-out-of-camera JPEG.

So while the large sensor and sharp kit lens are big selling points for most people looking at a new and affordable ILC, this little camera keeps on going with additional features that only serve to further enrich the shooting experience, even for seasoned DSLR shooters. Integrated Wi-Fi, above-average battery life, twin control dials, a tilting screen and a bounce-capable pop-up flash make for a camera that is both flexible and responsive for a wide variety of shooting scenarios. There’s also incredibly useful one-button 100% magnification feature during playback, something that is annoyingly omitted on many competing entry-level models.

The X-A2 is kind of like that kid that skipped a grade in school. He’s the odd one out, maybe a little immature and doesn’t quite belong, but hey, he keeps up with the bigger kids just fine. So yes, the camera and bundled lens are built more cheaply than I’d like and it lacks the X-Trans sensor, but the Bayer sensor is still a treat.

Shooting with the X-A2 reminded me a lot of shooting with my X100, which is a good thing (yes, I have the latest firmware). As long as you don’t often drop or abuse your cameras too heavily, the X-A2 represents a solid investment in the Fuji X-system, and its image quality can easily hang with its bigger and pricier brethren. With its well-implemented controls, it’s also a great choice for those who are considering taking more manual control over their photography, and is an excellent camera to grow into. 

ISO 800, F2, 1/60 on the Fujifilm 18mm F2 R lens. Straight-out-of-camera JPEG.

Articles: Digital Photography Review (dpreview.com)

 
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Rain or shine: Fujifilm XF 35mm F2 R WR real-world sample gallery

30 Nov

Fujifilm’s XF 35mm F2 strikes an appealing balance between size, cost and durability. It’s sealed against moisture and dust, making it a great candidate for use with the weather-resistant X-T1, and at $ 399 is a fairly affordable ‘normal’ prime for Fuji’s X-system. The Pacific Northwest is just the place to test weather-resistant gear, though thankfully we’ve had enough unseasonably dry and sunny days to put together a real-world sample gallery with the 35mm F2. Read more

Articles: Digital Photography Review (dpreview.com)

 
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