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Posts Tagged ‘Fujifilm’

Fujifilm adds 33mm F1.0, 16mm F2.8 and 16-80mm F4 lenses to X-series roadmap

20 Jul

Fujifilm has added three new lenses to its X-mount roadmap. The most interesting of the lenses is definitely the XF 33mm F1.0 R WR, a weather-sealed lens that, when mounted on an X-series body, is equivalent to 50mm F1.5 on full-frame.

Also in the pipeline are a 16mm F2.8 prime and a stabilized 16-80mm F4 zoom, both of which are weather-resistant.

Click for larger view

The 16mm prime and 16-80mm zoom lenses are expected in 2019, with the 33mm F1.0 arriving sometime in 2020.

Press Release:

Updated X Mount Lens Roadmap Unveiled

Also announced is the latest development roadmap of interchangeable lenses for the X Series line of mirrorless digital cameras. The latest roadmap adds three new lenses to the lineup: a compact wide angle lens, XF16mmF2.8 R WR, perfect for landscape and travel photography; a standard zoom lens, XF16-80mmF4 R OIS WR, which boasts a 5x zoom range with a broad focal range, providing a versatile lens capable of covering a wide range of shooting scenarios; and a large aperture prime lens XF33mmF1 R WR, an ultra-fast lens that stands to be the first mirrorless lens with a maximum aperture of F1.0 with AF capability. With the expansion of the high performance X Mount lens lineup, Fujifilm continues to cover more focal lengths to support a wide range of photography styles and shooting scenarios.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm goes long with Fujinon XF 200mm F2 lens and teleconverter kit

20 Jul

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Fujifilm has announced its Fujinon XF 200mm F2 R LM OIS WR telephoto lens, which will be bundled with a matching 1.4x teleconverter. The lens has a ‘matte silver’ magnesium alloy body with an eye-catching green hood and is sealed against dust and moisture. The 200mm F2 has a total of 19 elements, including one Super ED and two ED elements, and the front glass has a fluorine coating to keep away fingerprints and water. Linear motors keep focus quick and quiet and the image stabilizer reduces shake by up to five stops, according to Fujifilm.

The XF 1.4X TC F2 WR teleconverter boosts the focal length of the lens to 280mm, with the maximum aperture rising a stop to F2.8. As with the lens, the teleconverter is weather-sealed.

The lens and teleconverter kit will be available in late October for just under $ 6000.

Press Release:

FUJIFILM ANNOUNCES NEW FUJINON XF 8-16MM F2.8 R LM WR LENS; FUJINON XF 200MM F2 R LM OIS WR TELEPHOTO LENS AND XF 1.4X TC F2 WR TELECONVERTER KIT

Ultra-wide angle zoom lens and super-fast telephoto lens with accompanying teleconverter for the X Series line of mirrorless interchangeable lens digital cameras; Latest development of the X Mount Lens Roadmap unveiled

Valhalla, N.Y., July 20, 2018 FUJIFILM North America Corporation today announced the new FUJINON XF8-16mmF2.8 R LM WR Lens, an ultra-wide angle zoom lens with a constant maximum aperture of F2.8 and focal length equivalent to 12-24mm (35mm format). Capable of providing outstanding edge to edge image-resolving performance, this lens is perfect for landscape and architecture photography such as interior and nightscape, and astrophotography.

Also announced today is the new FUJINON XF200mmF2 R LM OIS WR Telephoto Lens, the first super-fast telephoto lens in the XF lens lineup, offering a fast maximum aperture of F2.0 and a focal length equivalent to 305mm (35mm format). This lens boasts exceptional image clarity with the ability to produce beautiful bokeh, making it an ideal lens for shooting sports and wildlife.

The XF200mmF2 R LM OIS WR lens will only be available as a kit, paired with the high performance XF1.4X TC F2 WR Teleconverter to extend the focal length by 1.4 times to cover a focal length equivalent to 427mm at F2.8 (35mm format).

FUJINON XF200mmF2 R LM OIS WR Telephoto Lens and XF1.4X TC F2 WR Teleconverter Kit

The XF200mmF2 R LM OIS WR Telephoto Lens is made of 19 elements in 14 groups, including one large-diameter super ED lens element and two large-diameter ED lens elements to minimize chromatic aberration. High-precision polishing technology, developed for broadcast lenses, was applied to the large-diameter lens to achieve outstanding image-resolving performance and beautiful bokeh. The lens also features a new Focus Preset function that instantaneously changes the focus to a preset position, enabling photographers to capture the main subject with ease, and without having to make focal readjustments.

Utilizing linear motors, the XF200mmF2 R LM OIS WR achieves fast, silent and high-precision AF performance, and also features a new mechanism that fixes the motor group when the camera is not in use to reduce movement of the focusing group. In addition, the lens offers 5-stop image stabilization performance that recognizes shooting conditions and automatically applies optimum image stabilization control. With magnesium alloy construction, the lens is lightweight yet robust, and is sealed at 17 points and designed to be weather and dust-resistant, and operates in temperatures as low as 14°F/-10°C.

FUJINON XF200mmF2 R LM OIS WR Key Features:

  • FUJIFILM X Mount is compatible with all FUJIFILM X Series interchangeable system cameras
  • Weather-sealed at 17 points for weather and dust-resistance; operates in temperatures as low as 14°F/-10°C
  • 19 elements in 14 groups including 2 ED elements, and 1 super ED element
  • Uses linear motors for quiet and ultra-fast AF
  • Focus Preset Function instantly changes focus to a preset position to capture main subject without readjustments
  • Optical Image Stabilization system achieves 5-stop image stabilization
  • Fluorine coating applied to front lens element for improved durability
  • Matte silver color for reduced risk of overheating

FUJINON XF1.4X TC F2 WR Key Features:

  • 7 elements in 4 groups including 1 aspherical element

Fujifilm XF200mm F2 R LM OIS WR specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 200 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Fujifilm X
Aperture
Maximum aperture F2
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 19
Groups 14
Special elements / coatings 1 Super ED + 2 ED elements, fluorine coating
Focus
Minimum focus 1.80 m (70.87)
Maximum magnification 0.12×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter Yes
Physical
Weight 2265 g (4.99 lb)
Diameter 122 mm (4.8)
Length 206 mm (8.11)
Materials Magnesium alloy
Sealing Yes
Colour White
Filter thread 105 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases Provia 100-branded instant noodles in South Korea

16 Jul

Fujifilm has taken an unusual departure from its regularly scheduled programming to bring you…instant noodles?

Yes, you read that correctly — as part of a promotional giveaway, Fujifilm Korea has created Fujifilm Film Simulation Instant Noodles, a line of instant noodles that’s wrapped with the same branding used on Fujifilm’s Provia 100 color reversal film packs.

According to the description, the Provia 100-branded noodles taste like ‘hot and tangy kimchi.’ For those unfamiliar with kimchi, Wikipedia describes it as ‘a staple in Korean cuisine […] a traditional side dish made from salted and fermented vegetables, most commonly napa cabbage and Korean radishes.’

It appears as though you won’t be able to get the instant noodles outside of South Korea. If you happen to be reading this from South Korea — or plan on taking a trip there soon — you can jump over to Fujifilm Korea’s promotional page and secure yourself some film-inspired instant noodles.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T100 sample gallery

02 Jul

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The Fujifilm X-T100 sits between the entry-level X-A5 and midrange X-T20 and features a 24MP APS-C sensor, eye-catching design and a unique articulating LCD. Our sample gallery was shot with a number of lenses, including the 15-45mm equiv. kit lens and several primes.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm GF 45mm F2.8 R WR sample gallery

19 Jun

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The dust and moisture-sealed FUJINON GF 45mm F2.8 R WR is a 36mm equivalent fast prime for Fujifilm’s GFX 50S. Optical construction comprises 11 elements in eight groups, including one aspherical and two ED elements. But does all of this add up to great image quality?

Judge for yourself in our gallery of real-world samples.

Learn more about the FUJINON GF 45mm F2.8 R WR

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm GetPix DASH photo kiosk is designed for mobile devices

06 Jun

Fujifilm has unveiled GetPix DASH, an inexpensive photo kiosk platform for printing images from a mobile device. The GetPix DASH, which resembles a tablet on a pole, doesn’t require a mobile app or cable, instead using a companion website where customers upload their images.

According to Fujifilm, anyone can use the GetPix DASH photo kiosk by uploading images to mygetpix.com and then retrieving them at the kiosk using a unique code. Fuji chose the ASK-300 dye-sublimation printer for the platform, which it says offers lab-quality prints in seconds while keeping costs low.

Fujifilm will begin selling the GetPix DASH photo kiosk on July 2 for $ 1,999 USD.

Via: Fujifilm

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Fujifilm X-T100 Review

03 Jun

The new Fujifilm X-T100 includes some impressive features at a budget-friendly price. So, how does this Bayer sensor camera stack up? Chris and Jordan have been shooting it since launch day, and it won’t surprise you to find out they have an opinion on the matter. Tune in to this week’s episode to find out what they think of this new camera.

Make sure to subscribe to our YouTube channel to get new episodes of DPReview TV every week.

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Articles: Digital Photography Review (dpreview.com)

 
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Thoughts and Field Test of the Fujifilm X-H1 Camera

30 May

This spring, the Fujifilm X-H1 was released to the masses. It’s touted as the company’s camera with the most video features to date, even topping the popular X-T2. As long-time owners of the Fujifilm X-Pro2, my husband and I jumped on the X-H1 bandwagon early, sending in our preorder the day it was announced.

Our main intention was to use it to support our new venture into videography. In the short couple of months that we’ve been shooting with the Fujifilm X-H1, we’ve found it to be not only a superior camera for video but for still photography as well.

Here are our thoughts so far. This camera is most comparable to the Fujifilm X-T2, which is already a respectable video performer. We don’t have the X-T2 but will make some comparisons to the X-Pro2 that we do have.

fujifilm x-h1 mirrorless camera

Key Specs

  • First announced in February 2018
  • 24-megapixel X-Trans APS-C sensor
  • 5-axis in-body image stabilization (IBIS)
  • Touchscreen rear LCD with 2-axis tilt
  • 3.69M-dot OLED viewfinder
  • DCI and UHD 4K video capture at up to 200 Mbps
  • Slow motion 1080p (from 120 and 100 fps)
  • Internal F-log capture
  • New film simulation – Eterna
  • 24-bit audio capture
  • Timecode
  • Dual UHS-II compatible SD card slots
  • Anti-flicker shooting mode
  • Built-in Wi-Fi with Bluetooth
  • Currently priced at $ 1899 USD for body-only; $ 2199 when bundled with the VPB-XH1 vertical battery grip.

What’s New?

Physical Body

Compared to most other Fujifilm cameras, such as the X1ooF and X-Pro2, the X-H1 is much bulkier, but that isn’t necessarily a bad thing. Much of the bulk comes from the camera’s larger hand grip and buttons, making it much easier to carry the camera.

The X-H1 also ads an AF-On button for those who prefer using back-button autofocus. It also has top-panel LCD similar to a DSLR. In practice, the top-panel LCD seems unnecessary, especially since it takes the place of the Exposure Compensation dial that is present on the X-Pro2 and X-T2.

fujifilm x-h1 mirrorless camera

New Quiet Shutter Mechanism

This is among our favorite features of the X-H1: its shutter is whisper-quiet, offering a soft yet audible click when a photo is taken.

Not only is the shutter quiet, it also allows the camera to offer an Electronic First Curtain (EFC) shutter mode. EFC allows you to reduce the risk of shutter shock without increasing the risk of rolling shutter.

5-Axis In-Body-Stabilization (IBIS)

For videomakers, in-camera stabilization is key for helping capture smooth footage. The X-H1 is Fujifilm’s first camera to include IBIS and right off the bat, we’re impressed with its performance.

When activated and used with an image-stabilized lens, capturing smooth hand-held video footage is easier than ever before. As an added bonus, IBIS also helps you shoot still photos at low shutter speeds.

fujifilm x-h1 mirrorless camera - sunset shot

Improved Video Performance

Although based on the same sensor and processor as the X-T2, the Fujifilm X-H1 boasts significantly improved video features. Shooting options have been extended to include DCI 4K and UHD 4K shooting. If you’re unfamiliar with the two terms, here’s a quick summary. DCI (short for Digital Cinema Initiatives) 4K is 4096 x 2160, while UHD (Ultra High Definition) 4K is 3840 x 2160. For videos winding up on YouTube or TV, UHD is fine. But for videos that will be projected in theaters, DCI 4K is a better choice.

The X-H1 also allows for recording F-log footage internally. In video-terms, shooting in log format is like shooting in RAW. Your log footage tends to be less saturated and less detailed so that you can color grade (post-process) the video footage to your liking later. F-log made its debut on the X-T2, but it could only be done via an external recorder. The X-H1 is Fujifilm’s first camera that allows for the recording of F-log directly to an SD card in 4K.

Another vital video feature making its Fujifilm debut on the X-H1 is 120 fps slow motion video. It can only be recorded at full HD, but the slow-motion video quality has been stellar, especially when paired with IBIS.

fujifilm x-h1 mirrorless camera - shot of a car in the mountains

New Eterna Film Simulation

Fujifilm has long been known for their excellent color reproduction, even back in the days of film photography. Thankfully, that is passed down in Fujifilm digital cameras in the form of film simulation modes. They’re similar to the color profiles offered in digital cameras from Canon, Nikon, and Sony.

Until recently, Fujifilm had six unique film simulation modes on its cameras: Provia, Velvia, Astia, Classic Chrome, PRO-Neg STD, and PRO Neg HI. The X-H1 is the first camera to ship with Fujifilm’s seventh film simulation, Eterna.

Designed for videographers, Eterna is characterized by more muted, subdued colors and rich shadow tones. Our observations so far are that Eterna is designed for further color grading in post-production, and also to attract the video viewer’s eye to the action in the scene and away from the rest of the frame.

fujifilm x-h1 provia film type - car next to a field

What could be improved

One of many things to love about Fujifilm is that they really listen to their customers. Kaizen firmware updates are frequent and they add useful features that build on the cameras. Here are a few things we’d like to see rolled out in firmware updates, or in the next version of the X-H1.

Physically, the chunky handgrips and the bigger buttons are appreciated for improved ergonomics. However, the missing exposure compensation dial is a big disappointment. Also, the rear LCD having only a two-axis tilt is limiting; it needs to be able to fully swivel to appeal to the vloggers and also make it easier to shoot from different angles.

Finally, battery life and video recording limits on this camera leave much to be desired. The X-H1 limits 4K video recording to 15-minute clips. This can be extended to about 29 minutes of shooting in 4K if you use the optional battery grip. However, the battery grip adds lots of bulk to the camera, making it less pleasant to shoot with.

fujifilm x-h1 mirrorless camera

Hopefully, Fujifilm will take a cue from Sony and their new NP-FZ100 battery, which arguably is the best-performing battery for mirrorless cameras at the moment.

In Conclusion

The Fujifilm X-H1 is the first of a new line of cameras that make the bold statement that Fujifilm is a viable alternative for videomakers. This camera builds on the already credible video features of the X-T2 by taking it a step further with the addition of features such as Eterna film simulation and 5-axis IBIS. If you’re a serious video maker, keep an eye on the X-H series. It will only improve more with each new release.

Overall Rating: 9/10

To hear more about our experience with the X-H1 and how it compares to the X-Pro2, check out the video below featuring the main Fujifilm shooter of the two of us: my husband Martin.

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The post Thoughts and Field Test of the Fujifilm X-H1 Camera appeared first on Digital Photography School.


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Fujifilm X-T100 offers large EVF and phase-detect AF for $600

24 May

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Fujifilm has announced its latest X-series camera, the X-T100. The camera takes the innards of the entry-level X-A5, including its 91-point phase-detect AF system, and adds a fully articulating LCD and high resolution OLED electronic viewfinder (borrowed from the X-T20).

As with the X-A5, the X-T100’s 24MP APS-C CMOS sensor uses a traditional Bayer color filter, rather than the X-Trans filter found on pricer X-series cameras. The X-T100 has the usual Fujifilm feature set, including the much-loved Film Simulation Modes.

The camera can shoot continuously at 6 fps and can capture 4K UHD video, albeit at a why-did-they-bother 15 fps. Battery life is rated at an impressive 430 shots per charge. For sharing photos the X-T100 includes Bluetooth to speed up the Wi-Fi connection process.

The X-T100 is available with or without the Fujinon XC 15-45mm F3.5-5.6 OIS PZ lens, priced at $ 599 and $ 699, respectively. It will be available in mid-June in your choice of ‘dark silver,’ ‘champagne gold’ and black.

Press Release

FUJIFILM INTRODUCES THE NEW FUJIFILM X-T100 TO X SERIES MIRRORLESS CAMERA LINEUP

A stylish interchangeable lens camera featuring automatic scene recognition, a three-way tilting touchscreen and Bluetooth® technology

Valhalla, N.Y., May 24, 2018FUJIFILM North America Corporation today announced the debut of its new FUJIFILM X-T100, a compact interchangeable lens camera with a sleek design. Available in Black, Dark Silver, and Champagne Gold, the new X-T100 offers a host of features including a high magnification electronic viewfinder, horizontal tilting rear LCD screen, built-in Bluetooth® technology for quick and easy image sharing and an extended battery life allowing up to 430 frames per charge. In addition, the X-T100 weighs just 448g with anodized coating on aluminum top cover, delivering a simultaneously retro and luxury feel.

“We are excited to announce the X-T100 as the latest addition to the X Series lineup,” said Yuji Igarashi, General Manager of the Electronic Imaging Division & Optical Devices Division at FUJIFILM North America Corporation. “This mirrorless camera is a perfect fit for photographers looking for an easy to use, compact and versatile camera, offering excellent image quality with a variety of enhanced features with the familiar design of previous FUJIFILM X-T series cameras.”

Equipped with a powerful 24.2 megapixel APS-C sensor and high-speed image processing engine, the X-T100 is compatible with the full X Mount lens lineup of 26 FUJINON high quality lenses which cover focal lengths from 15mm to 1200mm (35mm equivalent). Combining Fujifilm’s renowned outstanding image quality with the company’s proprietary color reproduction technology, the X-T100 is stylish, portable, and highly versatile – making it the ideal companion for everyday photography.

Fast Autofocus, Automatic Functions, and Sleek Design Offer Ease of Use

The X-T100 uses a Phase Detection Autofocus system and algorithm originally designed for flagship X Series models, to ensure quick and precise capture of images even when photographing fast-moving subjects. Adding to its ease of use, the camera also features an advanced SR+ Auto shooting mode that is capable of detecting the subject and scene simultaneously, and selecting the optimum settings accordingly to provide intelligent, fully-automatic shooting. This mode is perfect for situations where it is difficult to select the right settings, or when a series of quick shots is what the photographer is after.

The X-T100 features a three-inch touch panel display to make composition easy. Featuring

1.04-million dots for a crystal clear view of the action, this screen swings out horizontally to almost 180 degrees. Not only does this help to compose shots at awkward angles, it also makes it possible to take selfies or shoot video blogs with a clear view of what’s in the frame.

Although the X-T100 has the look of a timeless classic, the camera body weighs just 448g with battery and memory card, so it’s small and light enough to accompany photographers wherever they go. It also comes with a shoulder strap and a detachable grip for added security and comfort.

Artistic Expressions for Everyday Creativity

The X-T100 offers 11 variations of unique FUJIFILM Film Simulation modes and 17 variations of Advanced Filters—all of which provide photographers with the ability to add greater artistic expression to images. Setting adjustments on the X-T100 is quick and easy with one-step operation that is made possible via the function and exposure compensation dials on top of the body, and the touch-and-flick function available on the rear LCD monitor.

Not only can the X-T100 produce breathtaking stills, but with 4K and the option to shoot in slow motion, it’s great for video too. Full HD movies can be shot at speeds of up to 59.94fps for super-smooth footage. To help maximize sound quality, the X-T100 is equipped with a microphone port so videographers can record audio from a compatible external microphone (sold separately).

Bluetooth® Technology for Quick and Seamless Image Transfer

The X-T100 features the latest Bluetooth® low energy technology, allowing users to quickly and seamlessly transfer images using the free “FUJIFILM Camera Remote” app. This function enables constant image transfer, even while in shooting mode, so images can be uploaded and shared within moments.

FUJIFILM X-T100 Key Features:

  • 24.2MP APS-C CMOS sensor and high-speed imaging processor equipped with Phase Detection AF system
  • 3” (approx. 1,040K-dot) high resolution LCD touchscreen can be tilted 3 ways
  • Standard output sensitivity of ISO200 – ISO12800
    • Extended output sensitivity: ISO100 – ISO51200
  • 4K video recording up to approx. 30 mins
    • Full HD 1920 x 1080 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.
    • HD 1280 x 720 59.94p / 50p / 24p / 23.98p, Continuous recording up to approx. 30 min.
    • High Speed Movie?1280×720 / 1.6x / 2x / 3.3x / 4x, Continuous recording up to approx. 7 min.
  • Bluetooth® version 4.1 low energy technology
  • Wi-Fi® image transfer and remote camera operation
  • Improved battery life for still images – approx. 430 frames
  • Start-up period:
    • 0.4 sec., when High Performance mode set to ON
    • 0.8 sec., when High Performance mode set to OFF
  • Photos can be sent to instax SHARE printers using the free “instax SHARE” app
  • Accessories include:
    • Li-ion battery NP-W126S
    • AC power adapter
    • Plug Adapter
    • USB cable
    • Shoulder strap
    • Body cap
    • Owner’s manual
    • Detachable Grip

Availability and Pricing

Kits and cameras will be available in Black, Dark Silver, and Champagne Gold. Dark Silver and Champagne Gold are two exciting colors new to the X Series lineup, seen for the first time in the X-T100.

The new FUJIFILM X-T100 will be available as a kit with the FUJINON XC15-45mmF3.5-5.6 OIS PZ lens on June 18, 2018 in the U.S. and Canada for USD $ 699.95 and CAD $ 899.99.

The new FUJIFILM X-T100 body will be available on June 18, 2018 in the U.S. and Canada for USD $ 599.95 and CAD $ 749.99.

Fujifilm X-T100 specifications

Price
MSRP $ 599 body only, $ 699 w/16-50mm lens
Body type
Body type SLR-style mirrorless
Body material Composite/Metal
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor size APS-C (23.5 x 15.7 mm)
Sensor type CMOS
Color space sRGB, AdobeRGB
Color filter array Primary color filter
Image
ISO Auto, 200-12800 (expands to 100-51200)
Boosted ISO (minimum) 100
Boosted ISO (maximum) 51200
White balance presets 7
Custom white balance Yes (3 slots)
Image stabilization No
Uncompressed format RAW
JPEG quality levels Fine, normal
File format
  • JPEG (Exif 2.3)
  • Raw (RAF format, 14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 91
Lens mount Fujifilm X
Focal length multiplier 1.5×
Screen / viewfinder
Articulated LCD Tilting
Screen size 3
Screen dots 1,040,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.93× (0.62× 35mm equiv.)
Viewfinder resolution 2,360,000
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Maximum shutter speed (electronic) 1/32000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash Yes
Flash range 5.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Auto, Forced Flash, Suppressed Flash, Slow Synchro, Rear-curtain Synchro, Commander
Flash X sync speed 1/180 sec
Drive modes
  • Single
  • Continuous H/L
  • Self-timer
Continuous drive 6.0 fps
Self-timer Yes (2 or 10 sec, smile, buddy, group, face)
Metering modes
  • Multi
  • Average
  • Spot
Exposure compensation ±5 (at 1/3 EV steps)
AE Bracketing ±3 (3 frames at 1/3 EV steps)
WB Bracketing Yes
Videography features
Format MPEG-4, H.264
Modes
  • 3840 x 2160 @ 15p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 24p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 60p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 50p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 24p, MOV, H.264, Linear PCM
  • 1280 x 720 @ 23.98p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage types SD/ SDHC/SDXC (UHS-I compatible)
Connectivity
USB USB 2.0 (480 Mbit/sec)
USB charging Yes
HDMI Yes (Micro HDMI)
Microphone port Yes
Headphone port No
Wireless Built-In
Wireless notes 802.11b/g/n + Bluetooth 4.1 LE
Remote control Yes (via smartphone or wired remote)
Physical
Environmentally sealed No
Battery Battery Pack
Battery description NP-W126s lithium-ion battery
Battery Life (CIPA) 430
Weight (inc. batteries) 448 g (0.99 lb / 15.80 oz)
Dimensions 121 x 83 x 47 mm (4.76 x 3.27 x 1.85)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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Camera Comparison – The Fujifilm X-H1 Versus the Sony a7R III

23 May

Two of the hottest mirrorless cameras you can get your hands on right now are the Sony a7R III and the Fujifilm X-H1. My husband owns one and I have the other. In the past few months, we’ve been experimenting with our new cameras and have noticed quite a few similarities and differences. This is by no means a comprehensive camera comparison, but some of the main differences will be highlighted below.

Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

The Fuji X-H1 left, and the Sony a7R III on the right.

Our Background

My husband and I are both photographers who have always been in opposite brand camps. We were Nikon versus Canon during the height of the DSLR. Now in the mirrorless world, we are Fujifilm versus Sony. I’m a full-time photographer specializing mainly in food and architecture photography, while my husband is a part-time assistant photographer.

Our differing photo needs and styles have partially dictated our camera brand loyalty. I prefer Sony for its higher megapixel count for architecture photos and also its more flexible lens selection. Meanwhile, my husband loves Fujifilm for their rangefinder design and film simulations.

One thing we can agree on is that we both have an interest in making more videos. That is why we specifically choose the Sony a7R III and Fujifilm X-H1 as our new cameras. Note that at the time, the Sony a7R III was the newest camera on the market–there wasn’t yet a Sony A7III or a Sony a7S III, both of which are arguably better cameras for video.

Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

Fuji versus Sony

Common Features

Before we talk about differences, the Sony a7R III and Fujifilm X-H1 do have many features in common. First, both cameras have enhanced, on-par video recording capabilities. They shoot in 4K and 120 fps slow motion video, and both cameras offer in-camera image stabilization (IBIS). Built-in Wi-Fi and Bluetooth are available on both cameras to facilitate quick transfers to cell phones or tablets.

Physically, both cameras have dual SD card slots for more storage flexibility. There’s also focus peaking to help highlight areas that are in focus, which is especially helpful when using manual-focus lenses. Finally, there are tiltable touchscreens on both cameras. However, touchscreen capabilities are quite limited and you can’t perform full camera operation with them.

Here is the same scene, shot with both cameras for comparison.

Sony a7riii versus fujifilm x-h1 cameras

Fujifilm X-H1

Sony a7riii versus fujifilm x-h1 cameras

Sony A7rIII

Common Weaknesses

In terms of things that neither camera offer, the list isn’t terribly long. But ideally, both cameras would offer a more flexible tilt and swivel screen. Built-in GPS for geotagging photos is also missing.

Finally, both cameras come with hot-shoe mounts for attaching an external flash. However, neither camera comes with a built-in flash.

Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

Sony a7R III

Sony a7R III Benefits

Larger Sensor, More Megapixels

The biggest difference exists in the cameras’ sensors. There’s a full-frame, 42.4-megapixel sensor on the Sony, while the Fujifilm has an APS-C 24.3-megapixel sensor. Currently, Fujifilm does not make any full-frame mirrorless cameras, although that will change when the X-T3 comes out in late 2018.

Depending on your photography style, more megapixels is a generally a good thing. Although, it does require using SD cards and hard drives with significantly more storage space for those large file sizes.

Super High-Resolution Composite (Pixel Shift)

Speaking of resolution, there’s a new feature on the Sony a7R III called Pixel Shift. In short, this increases image resolution by 4 times. You still have to shoot individual images and stitch them together in post-production using the included software. The result is a super high-res image that’s great for shooting landscapes or buildings.

forest scene with a river and bridge - Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

A photo that was taken with Pixel Shift.

Longer Battery Life

Mirrorless cameras have long been criticized for having poor battery life. Luckily, Sony responded positively by putting a new Z-battery in the a7R III. This battery isn’t cheap, but it offers a much longer battery life than the X-H1 at 650 shots versus 310 shots.

Hyperlapse Filming Mode

One thing many Sony shooters miss from the a7R II is the PlayMemories App that added built-in features such as time-lapse shooting. However, time-lapse can still be taken on the a7R III if you use the S&Q setting.

This allows for shooting slow motion or fast (hyper-lapse). If you do the latter, this is essentially a hyper-lapse that is taken in camera. Just be sure to adjust the settings in the camera, as S&Q can be set to shoot slow motion or hyper-lapse videos.

Headphone Jack

Since recording accurate sound is a big part of video-making, it’s essential to have a headphone jack. This is present on the Sony a7R III but is oddly missing from the Fuji X-H1.

Sony a7riii versus fujifilm x-h1 cameras - Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

Fuji left, Sony right.

Bigger Buffer for JPGs

The X-H1 is a faster camera when it comes to shutter speed and frames per second (more on that below). But the Sony has a leg up when it comes to JPG buffering, or how many more JPGs you can shoot before waiting in burst mode. It’s 82 shots on the Sony a7R III compared to 40 shots on the Fuji X-H1.

Higher ISO

Sony – The Sony a7R III has a native ISO sensitivity range of 100 to 51,200. When extended, the Sony can reach ISO 50 to 204,800 for stills, or 102,400 for video.

Fuji – Meanwhile, the X-H1 has a slightly smaller range of ISO 200 to 12,800 or an extended ISO range of 100 to 51,200 for stills or 25,600 for video.

Bigger Lens Selection

When it comes to lenses, Sony has a wider array of choices compared to Fujifilm. If you need traditional focal lengths such as the 16-35mm, 24-70mm, or 70-200mm, you’ll want to go with Sony.

Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

Fujifilm X-H1 Benefits

Top LCD Display

The X-H1 takes on the look of a DSLR camera, departing a bit from Fujifilm’s more classic rangefinder design. Part of the DSLR look includes a top LCD display where you can easily see your camera settings. In practice, that may or may not be helpful since the pop-out LCD can also show your camera settings.

Faster JPG and RAW Shooting

Interestingly, the Fujifilm X-H1 is quite a bit faster than the Sony a7R III. The X-H1’s shutter is faster at 1/32,000th versus 1/8000th when shooting wide open in bright light. Also, the X-H1 has faster RAW and JPG shooting in burst mode (14 FPS for the Fuji as compared to 9 FPS on the Sony).

Longer Exposure

Despite being a crop sensor camera, the X-H1 is set up better for taking night photos. It has a long exposure of up to 900 seconds (15 minutes), compared to 30 seconds on the Sony a7R III.

Camera Comparison - The Fujifilm X-H1 Versus the Sony a7R III

Built-In Film Simulations

Fujifilm has been mastering color profiles long before digital cameras even existed. Many color profiles from film days have been added into digital cameras in the form of built-in film simulations. Six have existed until the X-H1 which saw the addition of the brand new Eterna film simulation. If you’re a fan of Fujifilm colors, this could be a big selling point.

Lower Price

Finally, the Fuji X-H1 is significantly less expensive coming in at $ 1,899 compared to $ 3,198 for the Sony a7R III.

In Conclusion

Here is a video comparison going over some of these things as well:

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Both the Fujifilm X-H1 and Sony a7R III are fantastic digital photography tools that offer lots of features for those looking to up their photo or video game. Which is best for you depends largely on your photography style. What do you like to shoot, and what are the basic tools of the trade that you need to make that happen?

As a commercial architecture, food, and event photographer, I need the extra megapixels, ISO range, and lens choices offered by Sony. However, these features aren’t as critical to my husband, an editorial photographer who values the physical aesthetic and experience of shooting with a Fujifilm camera as much as the image quality.

Here are some more images of the same scene for comparison:

Sony a7riii versus fujifilm x-h1 cameras

Fujifilm X-H1

Sony a7riii versus fujifilm x-h1 cameras

Sony A7rIII

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