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This SkyPixel 2017 photo contest winner wasn’t shot from a drone… or in 2017

04 Mar
“Sun’s Up, Nets Out” by Zay Yar Lin

Drone maker DJI announced the winners of the 2017 SkyPixel aerial photography competition earlier this month, but already there’s a controversy. As it turns out, the winner of the Landscapes category wasn’t actually taken with a drone or captured in 2017.

The contest rules required entries to have been taken in 2017 using “any aerial platform,” but a recent report from PetaPixel reveals that the winning image in the Landscape category, “Sun’s Up, Nets Out” by Zay Yar Lin, was actually taken in 2014 using a Nikon D750 from an elevated bamboo stage… probably not what they meant by ‘aerial platform.’

In fact, the photograph—which has since been disqualified—was previously submitted to the NatGeo 2015 Traveler Photo Contest as well as the 2016 Sony World Photography Awards, and was a ‘top entry’ in the Amateur Photographer of the Year 2016 contest. Zay’s award bundle for the SkyPixel 2017 contest included a Nikon D850 and DJI Phantom 4 Pro Obsidian drone.

In a statement to PetaPixel, Zay Yar Lin explained that his D750 was attached to a hexacopter on said bamboo stage when this photo was shot, but that he didn’t realize the photo had to be taken in 2017. His statement reads:

I regret that I had shot with my DSLR with hexacopter on the bamboo stage to get the best angle. But to be honest, I wasn’t aware of the Photo Contest rules that all photos should have been shot in 2017. I’m a freelance and ethical photographer in the contests. Please look up my profile in any site. I really regret misunderstanding had occurred between us.

Zay didn’t mention the attached hexacopter when he spoke with Amateur Photographer about this image in 2016.

Articles: Digital Photography Review (dpreview.com)

 
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Really Right Stuff is moving from California to Utah to escape rising costs

22 Feb

Camera accessories company Really Right Stuff (RRS) has announced that it will be moving both its headquarters and its manufacturing operations to Lehi, Utah, where it will have access to a building that is 2.5 times larger than its current location. The company points toward increasing costs in California, where it is presently located, as the reason for the move.

“We love beautiful San Luis Obispo, but our employees can’t afford to buy a home,” RRS CEO Joseph M. Johnson explained in a statement on the company’s website. Most of RRS’s employees will be making the move to the new Utah location, which is 35 minutes from Salt Lake City.

This is good news for customers who will ultimately benefit from the location change. Speaking to Fstoppers, RRS Assistant Product Manager Nathanael Brookshire said the new building will open the door for a larger workforce and expanded production: “The move comes with expansion on every level.”

Press Release

RRS Is Moving To Lehi, Utah

San Luis Obispo, CA, 16 February 2018 – Really Right Stuff, LLC (RRS) is pleased to announce it is moving its manufacturing operations and headquarters to Lehi, Utah by the end of summer 2018. The move to a new, 2 ½ times larger building enables continued growth and allows RRS to better serve its customers.

CEO Joseph M. Johnson, Sr. commented, “Continually rising costs in California make it tough for a small business to compete in the global economy. We love beautiful San Luis Obispo, but our employees can’t afford to buy a home. The business-friendly environment and low cost of living in Lehi, Utah made it a clear choice for us to best serve our customers and employees long-term. I’m happy to see most of our employees coming with us, keeping our RRS family largely intact.”

Located 35 minutes south of Salt Lake City along the Wasatch Front of the Rocky Mountains, Lehi is an ideal location for Really Right Stuff. It is the fifth fastest growing city in the country at the center of the high tech “Silicon Slopes.” Lehi’s beautiful natural surroundings provide easy access to hiking, mountain biking, fishing, camping, skiing, hunting, and, of course, excellent outdoor photography that spurred the birth of RRS. Six national parks are within a 4-5 hour drive from Lehi, including Yellowstone and Zion.

Articles: Digital Photography Review (dpreview.com)

 
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How to Make Simple Stickers From Your Photos

20 Feb

When I was a kid a family friend used to pick me up from school and drop me off at home. The friend’s daughter and I always had a roaring time in the back seat, screaming and messing around like kids do. Then one day we were offered stickers for good behavior. And no stickers for bad behavior.

We silently collected a sticker each day and reverently stuck them on the inside of our wardrobes. We’d compare our collection when we visited each other’s houses and swap if we could agree on a fair trade. My friend moved away a long time ago, and I moved out of the family home. But my precious sticker collection remains in what is now my sister’s bedroom. And I’m not shy to admit that I do check in on them from time to time.

What is a sticker?

A sticker is a type of label made up of various materials that have a pressure sensitive adhesive on one side and an image on the other. They’re used for anything from decoration to functional purposes to bribing children. They can adhere to almost anything – walls, cars, clothing, and paper, to name a few.

While stickers are often associated with fun, they have quite a political presence, most commonly in the form of bumper stickers that demonstrate support for ideological or political causes.

How to Make Simple Stickers From Your Photos

A sticky bit of history

The history of stickers is more interesting than you might think. Some historians trace the origin of stickers back to ancient Egyptians where salespeople used a type of adhesive to advertise their wares. There is, however, conjecture about where the modern sticker originated. Some believe it was Sir Rowland Hill who invented the sticker in 1839 when he introduced the self-adhesive postage stamp. Others believe the stickers were created by European food merchants as an advertising technique – much like the Egyptians.

By the 1800s, lithography became the primary method for label making, though it was an expensive and complex process. But technology was moving quickly and toward the end of the century, and the labels became much more intricate and colorful. Labels around this time were affixed with a sticky gum or paste that required the user to lick or wet them before use. In the 1930s, R. Stanton Avery invented pre-cut stickers that didn’t require licking or wetting. As a result, stickers were used in mass as bumper stickers to distribute ideas to as many people as possible.

Because technology continued to streamline the making of labels, stickers exploded in popularity in the 1960s. This was especially the case for kids, who were fascinated by the colors and images. And they’ve “stuck” with us ever since.

Making your own photos into stickers

Making stickers is incredibly simple. You can send images to an online printing company and have a couple hundred stickers delivered to your door in a few days. Homemade stickers are a little different, but they’re more fun to make. They are also more personal, so they make lovely gifts too.

What you will need:

  • A printer
  • Some images on a computer
  • Plain sheets of label paper, not pre-cut
  • Scissors
How to Make Simple Stickers From Your Photos

Plain, un-cut label sheets are available at office supply stores.

How to Make Simple Stickers From Your Photos

Notice that the label paper here isn’t pre-cut into rectangles. This means you can print your images as large or as small as you like.

Method

First of all, open up your label paper. Some label packs come with sheets pre-cut into rectangles. Make sure you purchase sheets that aren’t already divided up. You will need a plain solid sheet of label paper or your images could be cut in half.

How to Make Simple Stickers From Your Photos

I really liked this sign I spotted on a trip overseas, I thought it would make a great sticker too.

Select a few images you are fond of. You could select images you find visually appealing, or perhaps some that hold some significance personally. Insert the label paper as you would a regular sheet of plain paper and print your images out.

How to Make Simple Stickers From Your Photos

Insert the label paper as you would regular paper and print your images out.

How to Make Simple Stickers From Your Photos

Finally, cut out your images and you are ready to go! Your own personal stickers ready to use anywhere you like! Simple, right?

How to Make Simple Stickers From Your Photos

The stickers you make are totally up to you. Find something sentimental or funny, or just gather a few photos you find inspiring.

Get creative

Of course, you don’t have to select your own images to print. Here I’ve sourced some designs for smaller stickers. Simply place your images into a Photoshop document as you would your selection of photographs. After printing simply cut them out and they are ready to go.

How to Make Simple Stickers From Your Photos

How to Make Simple Stickers From Your Photos

After printing this character onto label paper, I found that it made a great sticker for my boring phone case.

For this print of a cute little character named Pipo-Kun, I decided to add a layer of holographic contact paper to make the sticker a little more eye-catching. Peel and stick your original sticker to the front layer of contact paper. Then, when you want to stick your image somewhere, peel off the protective layer on the contact paper and stick it down instead.

Give it a try folks! I’d love to see the results!

The post How to Make Simple Stickers From Your Photos by Megan Kennedy appeared first on Digital Photography School.


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Microsoft Photos Companion app offers easy photo transfer from smartphones to PC

17 Feb

Microsoft has launched a new app to facilitate easy photo transfer from mobile devices to a Windows 10 PC, without using the cloud. Photos Companion is available for iOS and Android and deposits your mobile images in the Windows Photos app on the desktop or laptop PC using just a WiFi network.

To get started, you have to scan a QR code in the Windows Photos desktop app to pair smartphone and computer. Both devices have to be connected to the same WiFi network, which in turn allows you to send individual images or entire batches across very quickly. It is, in essence, the exact same system as Apple’s AirDrop, but limited to photos and videos.

Pairing isn’t permanent, and will have to be re-established for each sharing operation. Still, that’s easily done and the app looks like an interesting solution for collecting media files from multiple mobile devices on a single PC for working on collaborative projects.

Once on the PC, images and videos can be shared and edited in the Windows Photo app as usual. If Photos Companion sounds like an app that could potentially improve your workflow, you can find more information and app store links on the Microsoft website.

Articles: Digital Photography Review (dpreview.com)

 
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Google has removed the ‘View Image’ button from Image Search

17 Feb
Bye bye ‘View Image’ button…

On Monday, we told you about licensing deal between Getty Images and Google that would result in the end of the “View Image” button on Google Image Search. Today, we get to see the fruits of that deal, as Google Images officially removes View Image, forcing users to actually visit the site that hosts an image, rather than going straight to the image file on its servers.

The deal between Getty and Google served to end a legal feud that began in 2016, a lawsuit in which Getty accused Google of “promoting piracy” by linking to high-resolution copyrighted images without watermarks.

Getty claimed that Google was creating “accidental pirates” who would find legally licensed images through Google Image Search and, since they weren’t required to go to the actual website where these images were hosted (and properly credited with copyright notice), they would simply download the high-res file. Instead of settling this question in court, Getty and Google struck a multi-year licensing deal last week; a deal that should benefit all photographers.

The View Image button is gone, as is the “Search by Image” button. All that’s left is Visit, Save, View Saved, and Share.

All of the details were shared through the Google SearchLiason Twitter feed, where Google explained that yes, these changes are “in part” due to the deal with Getty. Ultimately, however, Google wants to emphasize that this is good for everyone:

For those asking, yes, these changes came about in part due to our settlement with Getty Images this week. They are designed to strike a balance between serving user needs and publisher concerns, both stakeholders we value.

Ultimately, Google Images is a way for people to discover information in cases where browsing images is a better experience than text. Having a single button that takes people to actionable information about the image is good for users, web publishers and copyright holders.

Now we just have to wait and see what kind of impact this will have on rampant online image theft. Of course, someone who wants to knowingly steal an image won’t be deterred by the lack of a direct link, but many of those “accidental pirates” that Getty claims exist should be saved from themselves by this change.

Articles: Digital Photography Review (dpreview.com)

 
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DPRSplit will help pull more dynamic range from Canon 5D Mark IV Dual Pixel Raw files

14 Feb

RawDigger and FastRawViewer have released the beta version of an application called DPRSplit, designed for Canon 5D Mark IV owners. With DPRSplit, photographers can input a CR2 file from a Canon 5D Mark IV and then extract a second image from it, one with an exposure value that is about one stop lower than the original CR2 image.

This utility works only if the camera’s Dual Pixel Raw mode was enabled when the shots were taken.

Canon explains how this technology works on its website:

The Dual Pixel sensor’s pixels have a dual photodiode construction. This sensor design means the sensor can receive an A and B signals from the subject and to detect any phase differences between the two signals, allowing them to attain focus as part of the Dual Pixel AF system … During Dual Pixel RAW shooting, a single RAW file saves two images into the file. One image consists of the A+B combined image data and the other only the A image data.

Photographers benefit from this technology by using Canon’s Digital Photo Professional software, which enables users to make “microadjustments” to focus, bokeh shift, and reduce ghosting. However, the software doesn’t enable users to extract both images from the CR2 file separately—that’s where DPRSplit comes in.

With this utility, photographers get access to that second frame, which has half the light of the composite image. This means that, in essence, the camera is automatically capturing two shots, bracketed by about 1EV.

Extracted images are saved as DNG files for editing with any software that supports the format, so you can blend the images back together and get about +1EV more usable dynamic range. And since the exposures are captured simultaneously, you don’t have to worry about motion blur in your image. The only potential “issue” is a minor parallax error between the two frames.

DPRSplit beta 0.8 is free to download for Windows 7 or higher and Mac OS X 10.6 through macOS 10.13. As with any beta software, it is possible users will encounter bugs, but if you’re a 5D Mark IV user and you already shoot in Dual Pixel Raw, this one might be worth a shot.

Articles: Digital Photography Review (dpreview.com)

 
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Google strikes deal with Getty, will remove direct image links from search

13 Feb

Getty Images has announced a licensing deal with Google that resolves a 2016 lawsuit filed by the photo agency against the Internet giant. The lawsuit accused Google of “promoting piracy” by linking to high-resolution copyrighted images without watermarks, enabling anyone to save and use the images without paying the related fee.

At the heart of the issue was Google Image Search, and how it directly links to high-resolution images found in articles and other online destinations. Because the high-resolution images could be readily found on Google Images, users had little motivation to hunt down the proper image source. This resulted in many “accidental pirates” infringing image copyrights, the lawsuit claims.

To settle the matter, Getty and Google have jointly announced a new multi-year agreement last week, with Getty’s CEO Dawn Airey explaining that Getty “will license our market leading content to Google, working closely with them to improve attribution of our contributors’ work and thereby growing the ecosystem.” That, unfortunately, is as far as official details go.

Fortunately, The Verge elaborated on the agreement, reporting that Google will start removing direct links to image URLs and more prominently displaying copyright disclaimer—good news for all photographers and photo agencies, assuming this practice will go beyond images licensed by Getty.

Getty Images has formally withdrawn its legal complaint against Google.

Articles: Digital Photography Review (dpreview.com)

 
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NatGeo’s George Steinmetz on capturing Africa ‘from a flying lawn chair’

03 Feb

During a new 10-minute TED Talk, famed National Geographic aerial photographer George Steinmetz talks about his experiences photographing Africa while flying around in a motorized paraglider. This vantage point gives Steinmetz a unique look at the world below, including its various cultures and landscapes.

The motorized paraglider is composed of a wing in the style of a parachute and a backpack motor, holding 10 liters of fuel and offering a speed up to 30MPH / 48KPH. Steinmetz explains that he gets a flight time of about two hours, during which he gets an “unobstructed view both horizontally and vertically.”

“It dawned on me that this crazy little aircraft I was flying would open up a new way of seeing remote parts of the African landscape in a way that had never really been possible before,” Steinmetz explains in the video, pointing out that a typical airplane moves too fast for this type of photography, and a helicopter is too loud with too much downdraft.

He goes on to introduce a video of how the paraglider works before highlighting some of the most striking aerial footage and photos taken from it.

For most of us, a drone presents photographers with the closest we can get to Steinmetz style of capture, but that’s still not quite the same as a paraglider. As Steinmetz explains in the video, the motorized paraglider’s long flight time and capabilities makes it possible to not just photograph the immediate landscape, but explore the wider world around it.

Check out the full video above for a dose of Friday inspiration.

Articles: Digital Photography Review (dpreview.com)

 
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Reuters photographers banned from Olympic opening ceremony over leaked photos

31 Jan

Reuters is in hot water with the IOC and PyeongChang Winter Olympics organizing committee after the news agency broadcast several images of the olympic cauldron being lit during an opening ceremony rehearsal this past weekend. The lapse—highly uncharacteristic for a major news agency with decades of experience respecting image embargoes—has gotten Reuters banned from covering the Opening Ceremony.

The news broke through the Yonhap News Agency, who is reporting that Reuters pulled the photos after the IOC and PyeongChang organizers complained.

However, as the damage had already been done, the IOC has decided to punish Reuters all the same, revoking the agency’s media accreditation for the Opening Ceremony on Friday, February 9th. Furthermore, the Reuters photographer who took the leaked photos has been banned from covering the games altogether.

The PyeongChang organizing committee wants to make it clear that violating Olympic media embargoes is being taken very seriously, telling Yonhap that it will “enforce strong penalties on media companies and their reporters who disobey embargoes of the opening and closing ceremonies.”

Articles: Digital Photography Review (dpreview.com)

 
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How to Photograph Light Trails from the Back Seat of a Car

21 Jan

Photographic light trails are a beautiful effect. You’ve no doubt encountered them before. Photographers perch over a vantage point and trace the trajectory of cars navigating an urban landscape using a slow shutter speed. The result renders a fluid trail tracing around the environment in a variety of shapes and colors.

Think of this project as a new take car light trails. We’ll still be recording passing light sources – but we’ll be capturing them from inside of the car instead. The result is just as striking inside as it is outside. You might have an old car or a fresh new one – it doesn’t matter! You get an impressive effect regardless.

How to Photograph Light Trails from the Back Seat of a Car

Safety

First, a little caveat. Safety is the priority here. As we are going to shoot from the back seat of the car, you will need a pal as the driver. Do not try and take photos while driving – it can only end badly. Having a buddy as a driver will allow you to concentrate on what you are doing while the driver can focus on driving. It’s strictly a team effort.

Another safety point, try not to obscure the rear-view mirror. Hunch down a little to save the obstructing the driver’s view. For the best effect, photographing at night is ideal – so be extra aware of the limited visibility.

Equipment

What you need to do this:

  • Camera
  • Sturdy Tripod
  • A friend
  • A car

Setting up

It can be a rough ride trying to get everything set up in a moving car, so set up before hitting the road. First, clean the glass. Give your windshield and windows a good clean to avoid spending countless hours cloning out unfortunate bugs in post-production. Next, set up your tripod in the car. You’ll have to do some adjusting to get the camera level with the windshield.

Just keep in mind, the tripod just adds extra stability. It’s impossible to take a sharp slow shutter speed image while driving along in a fast car. But the tripod is far more stable than photographing by hand. I use a Manfrotto tripod because it’s nice and heavy to keep things a little steadier.

Sit the tripod so two legs rest against the front seats, with your camera peeking through the gap between the headrests. Be sure your camera is securely attached before heading out. You don’t want a camera bouncing around in a moving car.

Method

Once you are packed and ready,  it’s time to set off. Take a few test shots on your camera. As I mentioned before, this project works best at night, otherwise, you won’t get much of a result at all – just blown out exposures. In addition, the variety of lights will be much more apparent at night, with a good mix of color and shape.

Next, try to familiarize yourself with the car’s handling so you can expect certain lumps or bumps and the car’s response. I’m not saying you have to become a car-psychic, but higher cars behave differently from one to another. The interior of a car also has an impact on how your photographs will turn out. You may have to incorporate a dashboard or interior lighting too. I chose to keep the dashboard lighting in my images to maintain the process of the photograph.

The next step is all experimentation! You’ll get an endlessly diverse result with every exposure. I recommend setting your camera to ISO 100 so you can use shutter speeds between 10 and 30 seconds. If you have a shutter release, give the B (Bulb) setting a try too. Just take a few moments to find a comfortable position. You can keep your tripod a little steadier if you brace yourself against the legs of the tripod and the front seat.

How to Photograph Light Trails from the Back Seat of a Car

In this image, the driver is making a turn which creates the horizontal lighting effect.

How to Photograph Light Trails from the Back Seat of a Car

You can choose to include your friend in the review mirror. Just make sure you warn them in advance and don’t obstruct their visibility for too long.

How to Photograph Light Trails from the Back Seat of a Car

You can tell how rough this section of road was due to to the jagged lights. You can also see the illuminated settings on the dashboard. I felt that including them adds to the final image and the process leading up to each photograph.

How to Photograph Light Trails from the Back Seat of a Car

By swiveling the camera to focus on a different area of the car you can record light sources from two angles of the frame.

How to Photograph Light Trails from the Back Seat of a Car

On a rainy night, the windshield gets a little fogged, diffusing the lights at this interchange.

How to Photograph Light Trails from the Back Seat of a Car

By unfocusing your camera, you can create some colorfully abstract patterns and bokeh.

How to Photograph Light Trails from the Back Seat of a Car

Conclusion

Photographing light trails inside the car is a quick and easy way to capture a unique perspective. We know the world outside the windshield is a wonderful one, but sometimes it takes an abstract project like this one to truly bring it alive. While I’ll admit it ain’t Top Gear, it does have some pretty amazing results.  I would love to see some of your results below!

The post How to Photograph Light Trails from the Back Seat of a Car by Megan Kennedy appeared first on Digital Photography School.


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