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4 Ideas for More Creative Shots when Photographing from One Position

24 Oct

The post 4 Ideas for More Creative Shots when Photographing from One Position appeared first on Digital Photography School. It was authored by Lily Sawyer.

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This year, as has been the case in the past few years, as a family, we take a few days in the summer to go camping. I’m not going to lie; I find camping really tough. I don’t like the inconveniences camping requires but I do love the campfires and stargazing. This year has been particularly difficult as we went during a heatwave. The heat was relentless, and during the day we couldn’t even stay in our tents. We had to seek shelter in the forest for hours when not going on a long walk.

This article came to me on one of those mornings finding respite from the heat in the forest. My kids were drawing, sitting on the swings, hacking a path through some bushes, and I sat on a picnic blanket with my camera. I gave myself the maximum space of the mat to move around in, approximately 1.5m square. All I had with me was my Nikon D610 and a 60mm micro prime lens, so I gave myself a challenge. What can I photograph creatively whilst glued to this picnic mat?

4 ideas to get more creative shots when restricted in space and position

1. Direction and perspective

To get more creative shots, look at different perspectives. Here I lay down and looked upwards at the branches and leaves above me against the sky.

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I tried to find more interesting compositions given the limited subject matter. Also, I tried to find layers of branches to achieve some bokeh and depth of field and focused on the nearest branches above me.

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I moved around the mat while still on my back, and took shots with the tree trunks as leading lines reaching up to the sky for interest whilst still looking upwards as pictured above. Then I looked down and took some close up of twigs on the forest floor as pictured on the right below.

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Look both directions: left and right.

To my left was this tree (pictured above left). I used the forest floor to create foreground interest, some greenery as the middle ground (which was focused), and the big tree in the distance as the background. To my left was a big tree trunk covered in moss and knots, both of which I found an interesting subject to take close-ups of.

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This is what I love about this micro/macro lens. When you shoot close up, even at small apertures, you still get really pretty bokeh. So, I leveraged this and used the distant leaves and the sky to achieve bokeh behind the mossy trunk.

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2. Distance

For more creative shots, take your gaze further and see what’s on the horizon. Below is the furthest view I could see.

4 Ideas for More Creative Shots when Photographing from One Position

To the left of this tree trunk is the tall spindly white tree that dominated my distant scenery. I thought this was a rather unusual tree and made for a good, strong subject. It stood out from the lush greenery as if constantly growing its way into the sky.

4 Ideas for More Creative Shots when Photographing from One Position

Also, don’t forget to check what’s right in front of you – especially anything that could be close-up material too. Below-right is a cut off tree shot at normal eye-view distance. I put a little leaf on top, so I had some close-up material to play with.

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This trunk below was too far for me to reach or do a close-up of so this was my “midway” subject to photograph. Again, I used the foreground and background to create some interesting bokeh.

4 Ideas for More Creative Shots when Photographing from One Position

3. Create a new subject matter

Whilst it’s good to use our observational skills to find interesting things to photograph, we mustn’t solely rely on what’s already there! Get creative and think of unusual out-of-the-box ideas you can put together as your subject matter.

Here I happened to see heart-shaped leaf just outside the blanket I was sitting on, so I created a ring of seeds around it. I liked the way the colored leaf pops out of the brown earth.

4 Ideas for More Creative Shots when Photographing from One Position

Our picnic was laid out on the blanket and wondered what I could do with an empty water bottle. I photographed it looking through the hole at the top into the bottom of the bottle.

4 Ideas for More Creative Shots when Photographing from One Position

4. Experiment with effects

We had some plastic from our picnic stash and I used it to create a soft-focus effect on this landscape shot of the tree. I achieved this by wrapping the plastic around my lens, so it covered a little bit of the lens around the edges. Doing so, rendered those areas soft whilst the rest of the tree is still in focus.

4 Ideas for More Creative Shots when Photographing from One Position

I played around with how much or how little of the plastic I wanted to obscure the image. This one below had more soft-focus leaving only the strip of horizon sharp and clear.

4 Ideas for More Creative Shots when Photographing from One Position

I tried recreating a tilt-shift effect.

Tilt-shift lenses are called so because you can rotate, tilt and shift the lens optics in order to blur parts of the image whilst leaving other parts sharp if you wish. This is a neat trick when trying to photograph miniatures. I asked my daughter to create a little miniature teepee for me. These are my attempts whilst shifting the positional angles of my lens as I was still using the 60mm micro and not a tilt-shift lens.

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This was a fun little challenge for me and got me out of boredom and into thinking creatively! I hope you enjoyed this and will try it sometime!

If you have any other ideas for more creative shots, share them in the comments below!

4 Ideas for More Creative Shots when Photographing from One Position

The post 4 Ideas for More Creative Shots when Photographing from One Position appeared first on Digital Photography School. It was authored by Lily Sawyer.


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Ricoh shares 360º photos, videos from space captured in partnership with JAXA

20 Oct

Editor’s note: The below video is best viewed in Chrome or Firefox browsers, as they support 360-degree video:


Ricoh has published photos and video captured with a specialized version of its Ricoh Theta 360-degree spherical camera developed in partnership with with the Japan Aerospace Exploration Agency (JAXA).

‘The camera was installed to monitor the operation of the biaxial gimbal of the SOLISS (Small Optical Link for International Space Station),’ says Ricoh in its press release. ‘It was carried aboard the H-II Transfer Vehicle (HTV8) “KOUNOTORI-8”, the cargo transporter to the International Space Station (ISS), which was launched on September 25 , 2019.’

The specialized Ricoh Theta camera was modified so it could withstand the heat and radiation in space. The images and video from the camera were captured from the Exposed Facility of the Japanese Experiment Module (JEM), nicknamed ‘Kibo,’ and subsequently sent back to ground stations on Earth.

A flattened version of the above interactive image.

In addition to the images in this article, Ricoh has also posted the photos and videos on the JAXA Digital Archives and on its Theta Lab website, where the content can be viewed interactively in 360-degrees.

Articles: Digital Photography Review (dpreview.com)

 
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Video: iPhone records its dramatic fall from a plane over Iceland, is recovered a year later

05 Oct

Iceland Photo Tours pilot and photographer Haukur Snorrason has shared a video showing the descent of his iPhone 6S Plus as it fell from a small plane located about 60m (200ft) over Iceland. The incident happened more than a year ago; given the height and frozen tundra beneath, Snorrason had assumed at the time that his tiny iPhone hadn’t survived the fall.

Around 13 months after the phone was dropped, a group of hikers discovered the device in a patch of moss, which had cushioned the blow and enabled the phone to survive the drop. The device powered on when tested, revealing Snorrason’s name and making it possible to reunite him with his lost device.

In addition to being nearly entirely functional (only the microphone was damaged), Snorrason discovered that the iPhone had recorded and saved a video of its rapid descent from the plane. The device landed face down on the moss, protecting the display from the elements while leaving the camera exposed to record the bright blue sky and Sun until its battery died.

Articles: Digital Photography Review (dpreview.com)

 
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Leaked photos of the a9 II and details about Sony’s event a mere block from PhotoPlus

28 Sep

Earlier this month, we caught our first glimpse of what might be Sony’s next flagship full-frame camera, the ‘a9 II.’ Now, a new photo has been leaked showing the mystery camera out in the wild yet again.

The leaked photo, seen below and shared by Sony Alpha Rumors, features what could be an a9 II attached to a taped-up battery grip and a Sony FE 400mm F2.8 GM OSS lens. The button placement and overall look is identical to the header image, which was leaked earlier this month.

As noted when the first image emerged, one noticeable change is the lack of the Focus Mode dial lock release button found on the a9. Aside from that, the externals of the camera appear largely unchanged from its predecessor.

As for internals, we don’t know much. Sony Alpha Rumors is reporting the camera will feature a 36-megapixel sensor, but that rumor has yet to be confirmed.

PhotoPlus 2019 is being held at the Jacob K. Javits Convention Center roughly a block away from the Creative Space NYC location where Sony is hosting its event.

If it’s indeed real, we’ll no doubt find out soon enough. Sony has shared the details for an event at ’Creative Space NYC,’ that will take place just around the corner from the convention center where PhotoPlus 2019 is going on. The ‘Creators’ Playground,’ as Sony is calling it, will be open from October 24 through the 26.

Articles: Digital Photography Review (dpreview.com)

 
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The iPhone 11 Pro Max gets the teardown treatment from iFixit

26 Sep

As it does with nearly every Apple smartphone, tablet and computer that hits shelves, iFixit has torn down an iPhone 11 and iPhone 11 Pro Max to reveal what technological goodies are hidden within. The teardown didn’t reveal too many surprises, overall, but a few interesting things did pop up.

From left to right: the iPhones XR, XS Max and 11 Pro Max.

Before cracking into any of the devices, iFixit teamed up with Creative Electron to X-ray the phones before they were opened up. As seen above, there’s not a millimeter of free space within the frames and although the same general layout was used, there are a few noticeable differences between the iPhone 11 models and the iPhone XS models. Considering the iPhone 11 Pro Max is the most interesting of the devices from a photography standpoint, that’s the teardown we’ll be focusing on here, although the full teardown of the iPhone 11 is available on iFixit.

Most notably, the iPhone 11 Pro Max uses a single-cell L-shaped battery, instead of two separate batteries found inside previous Plus/Max models. Apple also dropped down the logic board, presumably to make room for the much larger three-camera array.

In ‘Step 6,’ iFixit gets to the camera modules. The team at iFixit also had X-rays performed on the camera modules, which revealed the optical image stabilization on the wide and telephoto camera modules. According to the teardown, iFixit plans on doing a more detailed analysis of the camera unit, so when that goes live we’ll be sure to cover accordingly.

The black bars in the two larger camera modules are the OIS units.

Moving on, the iFixit team digs into the nitty-gritty details of the logic board and all of the individual chips, memory units and sensors within.

At ‘Step 13’ the battery gets some attention and iFixit reveals it was ‘pleasantly surprised to find some relatively repair-friendly features.’ The battery analysis also reveals the battery inside the iPhone 11 Pro Max ‘pumps out 3969 mAh at 3.79 V, for a total of 15.04 Wh […] a whopping 2.96 Wh more than the XS Max battery, and 1.52 Wh less than the Galaxy Note 10+ 5G battery.’ Of course, this increased capacity comes with a slight size increase. The battery inside the iPhone 11 Pro Max is 4.6mm thick and weighs 59.6g, which is 0.7mm thicker and 13g heavier than the dual-cell battery arrangement inside the iPhone XS Max.

The remainder of the teardown covers the bottom section of the devices, which includes speakers, microphones, charging ports, additional cables and more. iFixit gives the iPhone 11 Pro Max a repairability score of six out of ten, mostly due to the fact that if the back glass cracks the entire device essentially needs to be stripped away to repair it.


Image credits: Courtesy of iFixit

Articles: Digital Photography Review (dpreview.com)

 
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Do Cheap Photographers Take Work Away From the Rest of Us?

22 Sep

The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.

Price tends to be one of the biggest points of contention with photographers. What is too low? What is too high? What’s just right? Running a profitable business is never easy. Whatever price you set, someone will likely have an opinion or two about it (solicited or not). Which leads to the biggest elephant in the room… do cheap photographers who price low take business away from those that price higher?

Do Cheap Photographers Take Work Away From the Rest of Us?

My answer?

No.

And here are 6 reasons why:

1. There is a client for everyone

Do Cheap Photographers Take Work Away From the Rest of Us?

This is business 101 that we often forget (and I am guilty of forgetting sometimes too!). Artists tend to be very emotionally tied to the work and the service provided, and photographers are certainly not exempt from this fact. As such, losing or not obtaining a client can feel like a personal jab even when it has nothing to do with us at all. You have to remember, there is a client for everyone!

This rings especially true in the tumultuous price debate. A client who is focusing on the price will not be looking for an expensive photographer. Likewise, a client who is focusing on high quality will often assume that cheap photographers cannot provide the quality that they seek. A Lamborghini is not concerned over the lower price of a Honda Civic because the Honda Civic buyers are not looking for a Lamborghini.

Alongside this, often price equates to years of experience. Photographers who are brand new may be absolutely fantastic and have beautiful quality images but aren’t able to charge the same as those that are seasoned professionals. Likewise, some clients do value quality work but simply cannot afford a seasoned professional. These two tend to find each other and work together well.

2. Client priorities are not always the same as yours

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As photographers, we naturally (and rightfully) value professional photographs highly. From capturing memories to creating beautiful new stories, photographs are essential. However, the priorities we hold as photographers may not always ring true for the subjects in front of our lenses.

Some clients would rather invest their money into something else – something that holds more importance to them. Whether you agree or not, that’s not your decision to make. Some clients look for less expensive photographers because their finances are tied into something that they find to hold more worth to them (and thus receive what they have paid for). And that’s okay – let them.

3. Some clients will eventually understand the price versus value point

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This is something that tends to happen to me often. A client will go to a very low-priced photographer, end up unsatisfied with the experience or the end result, and quickly learn the general value of the price. They then come to me and ask to shoot their concept once more. This does happen quite a bit. This is why staying firm on your policies and pricing is important (and tends to command respect).

Wait, wait.

This is assuming that the low-priced photographer has a quality that doesn’t match that of the higher-priced ones. What if a great quality photographer prices low? Doesn’t that cut into my jobs? 

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Some photographers have a different business model than the rest – known as the “low price and high turnover model.” This model works on the idea that you charge low, service many, and turn over a profit much like a photographer that charges high and services one.

However, what many don’t see behind the scenes, is the reason this model works is much of the process is automated or simplified. It allows the photographer to have a lower output of effort that matches their price. This service is not individualized, and generally not specifically tailored for the individual. It’s the difference that is similar to “ready-made” versus “custom-made” clothing. But this doesn’t work for all clients. The clients this does work for are likely not your clients if you have a traditional photographic business model.

Many major brands have a high-end and a low-end to their business. Take the car company Toyota, for example. Their high-end line is called Lexus – a luxury brand of car. Their consumer-grade line is just good ol’ Toyota. Both cars are great, hardy, and will get you where you need to go in comfort. A Toyota is not worse than a Lexus. The Lexus is just intended for a different kind of buyer.

Well, now that’s said…how do I justify my price? 

4. Express your value and stand by your worth

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First and foremost, confidence speaks volumes. If you set a price and are confident about it, stand by your worth and be firm.

That being said, every price needs something to justify it. Show the client what the value in investing in your work is versus someone else’s. Do you do something unique and different? Is your client experience above and beyond what the rest do? What do your years of experience or high-quality gear bring to the table? Do you have any awards or honorable mentions? These are all important topics to cover with your client when explaining what you offer and how much you charge for your offering.

5. Find your demographic and market to them!

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Marketing is what makes or breaks a business. If people don’t know about you, how can they book you? Marketing is extremely important, especially in the social media age. Marketing is the act of spreading awareness about your business, whether it be through digital advertising, partnering with local businesses, or launching billboards!

If you’re finding that the clients you are marketing to keep choosing a photographer that prices lower than you, that is a big sign that this client base is not the right demographic for you. Demographics are particular sectors of a population that are divided by factors. For marketing purposes, factors tend to be interest, age, location, income, and more.

As a business owner, you need to find the demographic that relates to the service you are offering. Look at income levels that tend to align with your price point, and for clients with interests that may be more aligned with your offering (e.g., pet photographers will look for clients with interest in animals), and age group can also be a big factor. If you’re a family photographer, look for moms and dads, or youth sports – keywords like that!

Remember, you must segment your population based on more than one factor to find the right demographic. Filling out location and interests in the minimum is a good starting point.

6. Stop worrying about what others are doing and charging

Do Cheap Photographers Take Work Away From the Rest of Us?

Everyone has a different ideology when it concerns their business. They use the business model that suits them, dependent on variables you likely do not know about. As such, the running of their service (and what they charge for it) does not apply to you. It’s best to stop concerning yourself with what others are doing and focus on what you are doing for you!

The industry is changing, and society has changed its view on the value of art.

Conclusion

Do Cheap Photographers Take Work Away From the Rest of Us?

You’re not losing jobs because your competitors are cheap photographers, you’re losing jobs because you either haven’t found your right client base or you need to get better at expressing your value.

Focus on your business and what you can improve in your work, and the right clients will come! The world is not as small as it seems; there are thousands of potential clients out there for you.

Do you agree with this or do you think cheap photographers do take work away from us? Or perhaps you have some other valuable points to share? Share them with us in the comments section.

 

cheap-photographers-take-work-away

The post Do Cheap Photographers Take Work Away From the Rest of Us? appeared first on Digital Photography School. It was authored by Anabel DFlux.


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Canon EOS M6 Mark II and 90D sample galleries from DPReview TV

01 Sep

Our DPReview TV team had a chance to shoot the new EOS M6 II and EOS 90D for a couple days at Canon’s launch event in Atlanta. Take a look – their sample galleries include Raw files from both cameras.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

EOS M6 Mark II sample gallery from DPReview TV

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Canon 90D sample gallery from DPReview TV

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Articles: Digital Photography Review (dpreview.com)

 
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First samples from the Sony a6100, E 16-55mm and E 70-350mm

31 Aug

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We’re in New York City where Sony’s launched an impressive range of new APS-C gear including a flagship a6600 body, budget-friendly a6100 body, E 16-55mm F2.8 standard zoom lens and E 70-350mm F4.5-6.3 telephoto lens. We got our hands on both the a6100 and duo of lenses. Check out our initial samples.

See our Sony a6100 sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Sony a6600 sample gallery from DPReview TV

31 Aug

DPReview TV was at the launch event for the new Sony a6600, and host Chris Niccolls had a chance to shoot with the camera around New York’s Coney Island. Here’s a gallery of some of his favorite shots using Sony’s new APS-C lenses.

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Articles: Digital Photography Review (dpreview.com)

 
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What You Can Learn From Entirely Different Photography Genres

18 Aug

The post What You Can Learn From Entirely Different Photography Genres appeared first on Digital Photography School. It was authored by Mat Coker.

If you spend any length of time within one photography genre, you come to the point when you wonder, what would take me to the next level?

Deepening your creativity often means making connections between unlikely things.

If you want to deepen your photography, one option is to take what you learn from one genre and apply it to another. Could you find something used in portrait photography and apply it to landscapes? How about taking an approach from birth photography and applying it to real estate photography?

Let’s explore the idea of combining approaches from different photography genres.

Street and landscape photography combined

I had been out taking some landscape photos when I saw these canoes. A photo of the canoes on their own wasn’t working out for me. But when I saw this child come walking by it gave me an idea. I thought of all the street photos I had seen of people walking past interesting objects or backgrounds. For the fun of it, I adopted that concept here. I love the way the boots echo the yellow canoe.

What Portraiture can teach us about Landscape or Nature Photography

I’m a portrait photographer. What I love about portraiture is exploring the way people express their hidden selves through their body. You can see expression and gesture in feet, hands, and faces.

If you love to photograph nature and landscapes, you can take this concept of gesture (something we normally look for in people or animals) and apply it to your nature photography.

The more I focus on gesture in people, the more I see it in nature as well. Consider what Jay Maisel has to say in his book, Light, Gesture, and Color:

“Gesture is the expression that is at the very heart of everything we shoot. It’s not just the determined look on a face; it’s not just the grace of a dancer or athlete. It is not only the brutalized visage of the bloodied boxer. Neither is it only limited to age, or youth, or people, or animals. It exists in a leaf, a tree, and a forest. It reveals the complicated veins of the leaf, the delta-like branches of the tree, and when seen from the air, the beautiful texture of the forest.”

I believe something like gesture is what we’re after when playing with lines in a photo or even slow shutter speeds. Look at nature through the lens of gesture, and you’ll be more creative in your nature photography.

Low angle photo of a tree suggesting gesture.

When I looked up at this tree, it was the gesture of the branches that drew me in. It takes decades for those branches to get there. Though they’re holding perfectly still, there is the feeling of gesture because of their shape.

Flower photo with gesture.

I love to play with light. While photographing these flowers, a little lens flare struck my view. It’s very subtle, but on the right side of the photo, you can see a faint burst of warm light. It’s as if the flowers are reaching for the light.

What Wedding Photography can teach us about Food Photography

I’m not a food photographer, but if I photograph a wedding or event, I try to include a photograph of the dinner. Couples pay a lot for their meal, so why not add a photo? The problem is a stark white dinner plate full of food looks lifeless and uninspiring among all the other wedding moments. There was a disconnect between my candid event photography and my attempt at food photography.

Weddings are about writing a new story; joining families and sharing life. But I discovered that there is just as much of a story in the food as there is in the rest of the wedding. When I was able to chat with a chef as she prepared food for the guests, I came to learn how much she loves her craft. There is as much heart in the preparation as there is in the sharing of the meal.

So I began to photograph the meal just like I did the rest of the wedding. I took the heart of what I had been pursuing in all those candid wedding photos and applied it to photographing the food.

What You Can Learn From Entirely Different Photography Genres

What You Can Learn From Entirely Different Photography Genres

What You Can Learn From Entirely Different Photography Genres

What You Can Learn From Entirely Different Photography Genres

What You Can Learn From Entirely Different Photography Genres

What Birth Photography and Real Estate Photography can teach us about each other

I can’t imagine two genres more opposed than birth photography and real estate photography.

If I tell a friend that I photographed a house for a real estate agent, they don’t care. They assume it’s just something boring I do for money. But when my wife tells people she photographs births, their jaws hit the floor and a passionate discussion ensues.

For most people, maybe photographers too, real estate photography is a boring necessity while birth photography is an exciting adventure. After all, one of those life experiences is about drama, emotion, and new beginnings, while the other is a series of appointments and paperwork until the ordeal is over.

Yes, but which experience is which?

Have you ever bought or sold a house? Then you know there is plenty of drama and emotion involved. Have you ever had a baby? Then you know there are plenty of appointments and paperwork. Both experiences – home-buying and having babies – are filled with the potential for adventure and emotion.

Try taking the obvious emotional excitement of birth photography and applying it to real estate photography. When you force yourself to flip everything on its head, you might see something quite different.

Many families have a negative birth experience. They’re treated like a commodity by their doctors and the hospital staff. A birth photographer knows that even if a laboring woman is given a bad experience by hospital staff, the photos still have to portray the unique beauty of the experience.

Even though real estate photography may often feel like a commodity, it can be a beautiful part of the story. First-time homebuyers are on an amazing life journey. Perhaps there can be more spontaneity and emotion in real estate photography than we first think – even if it’s hard to represent in typical real estate photos.

different-photography-genres-Birth photography

My wife, Naomi, made these birth photos. I love to see the range of emotion and depth of personality in her photos. But they certainly make my real estate photos look dull.

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different-photography-genres

 

Real estate photography

I know that my real estate photos are part of a larger story and every once in a while I have the chance to photograph that story. Sometimes that comes by being able to photograph the move-in day.

What You Can Learn From Entirely Different Photography Genres

 

What You Can Learn From Entirely Different Photography Genres

What You Can Learn From Entirely Different Photography Genres

What Street Photography can teach us about Newborn Photography

If you’re tired of posing newborn photos, street photographers can be your guide. They are masters of spontaneity – taking whatever moments the situation gives to them. Street photographers are explorers of society. As a newborn photographer, you can be an explorer of human nature in newborns.

Wait and see what that baby will do. Take what the newborn gives you rather than forcing your vision and poses on them. There is nothing wrong with posing, but it can be exciting to explore other moments that happen naturally.

Newborn photography

Do you know all those adorable photos of newborns wrapped in beautiful fabrics and placed in baskets? Well, this is the reality; a screaming newborn and bewildered older brother. Take the moments that come to you.

Think beyond your genre of photography

When you want to deepen your creativity as a photographer, begin with the principles of the genre of photography you’re working within. When you’re ready to go even deeper, go beyond the principles of your genre and consider what different photography genres might teach you.

 

different-photography-genres

The post What You Can Learn From Entirely Different Photography Genres appeared first on Digital Photography School. It was authored by Mat Coker.


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