Tag: first

First pictures of rumored Samyang 24mm F2.8 AF lens

Image via Nokishita

Japanese rumor site Nokishita has published images it claims are of the forthcoming, as yet unannounced, Samyang AF 24mm F2.8 lens for the Sony E mount. If accurate, the lens will look very similar to the company’s existing AF 35mm F2.8, and will share its 49mm filter thread.

The lens in the leaked images is marked with a closest focus distance of 0.24m/0.79ft, and features a rubberized close-ribbed focus ring.

There is no word at the moment from Samyang regarding when this lens will appear.

Articles: Digital Photography Review (dpreview.com)

June 5, 2018

Panasonic Lumix TS7/FT7 is first rugged compact camera to have built-in EVF

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Panasonic has announced its Lumix DC-TS7 (FT7 outside of North America) which is the first waterproof/rugged compact to have an electronic viewfinder. The viewfinder is 0.2″ in size and has an resolution equivalent to 1.17 million dots and a magnification of 0.45x equivalent. Obviously, you won’t be able to use the EVF if you have a scuba mask on, but for shooting in bright light on land it could come in handy. There’s also a 3″ non-touch LCD available for composing and reviewing your photos.

The TS7 has a 20.4MP, 1/2.3″ BSI CMOS sensor and an F3.3-5.9, 28-128mm equiv. lens. It’s able to go 31m/102ft underwater, can take a fall from 2m/6.6ft and can withstand 100kg / 220lb of crushing force. It’s also freezeproof to -10C / +14F.

You’ll find a 49-point contrast-detect AF system on the TS7, and Panasonic claims that it can track a moving subject at 5 fps. The camera can capture UHD 4K video at 24p and 30p as well as 1080/60p. There’s a 120 fps mode, but only at 720p resolution. Naturally, the TS7 supports Panasonic’s 4K Photo feature, which allows for ‘Post Focus’ and 8MP still extraction. Wi-Fi (but not Bluetooth) is built in, and battery life is CIPA-rated at 30 shots per charge.

The TS7 will be available this summer for $ 449. Available colors include blue, orange and black.

Press Release:

New LUMIX TS7 with LVF, Wi-Fi® and 4K Video and 4K Photo

Featuring Waterproof, Rugged Design Camera for Outdoor Imaging

Newark, NJ (May 11, 2018) – Panasonic is pleased to introduce the 20.4-megapixel LUMIX TS7, the rugged new LUMIX TS Series camera geared exclusively for outdoor use. This tough, lightweight camera is waterproof to 102ft., dustproof, shockproof to 6.6ft., freeze proof to 14 degrees F and pressure resistant to 220lbf for exceptional imaging in virtually any and all locations and conditions.

The LUMIX TS7 features a 28mm wide angle 4.6x optical zoom lens (35mm equivalent: 28-128mm) and includes a new 0.2-in, 1,170K-dot equivalent LVF (Live View Finder) to easily capture subjects even under strong sunlight or with backlighting. A 3.0-in rear LCD monitor delivers highest-in-class 1,040K-dot resolution for approximately 100% field of view.

For video, the LUMIX TS7 records smooth, high-resolution QFHD 4K video in 3840×2160 at 30p/ 24p in MP4. Taking full advantage of 4K technology, outdoor photographers will enjoy 4K PHOTO to capture perfect moments at 30 fps and save 8-megapixel, high-resolution photos. The LUMIX TS7 also includes the LUMIX Post Focus feature, which enables users to modify focus after capturing the image.

A newly integrated 20.4-megapixel High Sensitivity MOS sensor and the camera’s advanced imaging engine enables high-speed, high-sensitivity image recording to generate high-speed burst shooting at 10 fps* in high picture quality. The LUMIX TS7 also provides Light Speed AF to capture the most fleeting shooting opportunities, ideal for outdoor adventures like diving, snorkeling, surfing, climbing, skiing and snowboarding.

The LUMIX TS7 ensures flexible shooting with built-in Wi-Fi® connectivity for fast, easy image sharing, also integrating a variety of special effects’ options — Creative Control, Creative Panorama, Time Lapse Shot and High-Speed Video —adding creativity and fun to outdoor imaging. Beginning photographers will like the popular LUMIX Shooting Assist function iA (Intelligent Auto) mode to help shoot sharp, memorable photos and video. Plus, the camera’s built-in LED Photo Light function illuminates the subject to help compose the shot even if the camera function is not activated.

Other new LUMIX TS7 features include:

1. Airtight, all-seasons design
Thanks to a minimum aperture area, rubber padding and reinforced glass inside the camera, the LUMIX TS7 features an airtight body to withstand water immersion, dust and sand. A reinforced body case performs flawlessly at depths up to 102 ft with water pressure resistance up to 220lbf. The durable TS7 can absorb drops to hard surfaces from up to 6.6ft in accordance with the “MIL-STD 810F Method 516.5-Shock” test standard. And in cold weather, all components including the lens unit can endure temperatures up to 14 degrees F. Specifically designed for active outdoor imaging, the LUMIX TS7 includes a compass and altimeter, all of which makes the all-seasons LUMIX TS7 the perfect camera for photos and video when fishing and camping in the spring; diving, snorkeling and surfing in summer; traversing mountains in autumn; and skiing and snowshoeing in winter.

2. New LVF (Live View Finder) and high-resolution rear monitor
The LUMIX TS7 integrates a new 0.2-inch, 1,170K-dot equivalent LVF (Live View Finder) to make it easier to capture subjects under strong sunlight or in backlighting and reduce power consumption in harsh conditions. Both the sensor and LVF are in a 4:3 aspect ratio, and the 3.0-in tempered-glass rear LCD monitor in a 3:2 aspect ratio, delivers highest-in-class 1,040K-dot resolution for an approximately 100% field of view. Image output between the LVF and the rear monitor is instantly switched with a dedicated button.

3. 4K imaging with 4K video and 4K PHOTO
The LUMIX TS7 records smooth, high-resolution QFHD 4K videos in 3840×2160 at 30p or 24p in MP4* in addition to Full-HD 1,920 x 1,080 60p videos in MP4 (MPEG-4 / H.264) format with practical full-time AF.

With 4K video and 4K PHOTO, photographers can choose and extract single images from 30 fps video frames to save as 8-megapixel equivalent resolution photos. Three exclusive LUMIX functions integrated into the TS7 make it easy; 4K Burst Shooting, 4K Burst (Start/Stop) and 4K Pre-burst. 4K Burst Shooting provides consecutive shooting at 30 fps,** which can be used like photo burst shooting. The LUMIX TS7 includes the LUMIX Post Focus function to select in-focus areas after shooting — a helpful feature in situations like macro shooting where severe focusing is required, or for changing expression by changing the subject in focus.

The camera’s 4.6x optical zoom with POWER O.I.S. is also available in video recording to suppress hand shake, and an Auto Wind Cut function blocks most of the noise created by background wind. High Speed Video feature enables recording in HD (1280×720) at 120 fps/100 fps, and Time Lapse /Stop Motion Animation functions are also available.

4. 20.4-megapixel High Sensitivity MOS Sensor
The 20.4-megapixel LUMIX TS7 integrates a High Sensitivity MOS sensor to deliver highest-in-class resolution. And its high-speed response achieves burst shooting at 10 fps* in full resolution with a mechanical shutter, 5 fps with continuous AF. Auto focusing is quick and accurate with its Light Speed AF. The LUMIX TS7 incorporates a high-quality 28mm wide-angle LUMIX lens with a 4.6x optical zoom (35mm equivalent: 28-128mm) in folded optics. Thanks to LUMIX Intelligent Resolution technology, the Intelligent Zoom is included in the LUMIX TS7, which virtually extends the zoom ratio to 9.1x equivalent, maintaining picture quality even when combined with the digital zoom.

5. Other
• Wi-Fi 2.4GHz (IEEE802.11b/g/n) Connectivity
The LUMIX TS7 integrates Wi-Fi® connectivity for flexible shooting and instant image sharing with easy operation. Once the camera is connected to a smartphone or tablet installed with Panasonic Image App for iOS/Android, users can shoot, browse and share images remotely. GPS geotag can also be added on the photos after shooting.

• AC/USB Charging
The camera’s rechargeable battery can be charged via AC or USB.

• Creative Control
The LUMIX TS7 is equipped with Creative Controls for 22 filter effects – Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Toy Effect, Toy Pop, Bleach Bypass, Miniature Effect, Soft Focus, Fantasy, Star Filter, One Point Color and Sunshine. Creative Controls let users shoot and review filter effects, which can also be used for video recording.***

With the Creative Panorama, users can shoot a horizontal/vertical panoramic image by overlaying consecutive shots with filter effects like Expressive, Retro, Old Days, High Key, Low Key, Sepia, Monochrome, Dynamic Monochrome, Rough Monochrome, Silky Monochrome, Impressive Art, High Dynamic, Cross Process, Bleach Bypass, Soft Focus, Fantasy, Star Filter and One Point Color.

• LED Photo Light illuminates the subject even while the camera function is not activated.

• SDXC UHS-I Memory Card Compatibility
The LUMIX TS7 complies with SDXC UHS-I Memory Card for high-speed 4K video.

*Max.11 images.
**Max.29 min 59 sec.
***Not all filters can be used in video recording.

•Design and specifications are subject to change without notice.

The LUMIX TS7 will be available in early summer 2018 in blue, orange and black with an MSRP of $ 449.99.

Panasonic Lumix DC-TS7/FT7 specifications

Price
MSRP	$ 449
Body type
Body type	Compact
Body material	Metal/composite
Sensor
Max resolution	5184 x 3888
Image ratio w:h	1:1, 4:3, 3:2, 16:9
Effective pixels	20 megapixels
Sensor photo detectors	21 megapixels
Sensor size	1/2.3" (6.17 x 4.55 mm)
Sensor type	BSI-CMOS
Processor	Venus Engine
Color space	sRGB
Color filter array	Primary color filter
Image
ISO	Auto, 80-3200 (expands to 6400)
Boosted ISO (maximum)	6400
White balance presets	5
Custom white balance	Yes
Image stabilization	Optical
Uncompressed format	No
JPEG quality levels	Fine, standard
File format	JPEG (Exif v2.31)
Optics & Focus
Focal length (equiv.)	28–128 mm
Optical zoom	4.6×
Maximum aperture	F3.3–5.9
Autofocus	Contrast Detect (sensor) Multi-area Center Selective single-point Tracking Single Continuous Face Detection Live View
Autofocus assist lamp	Yes
Digital zoom	Yes (4x)
Manual focus	Yes
Normal focus range	30 cm (11.81″)
Macro focus range	5 cm (1.97″)
Number of focus points	49
Screen / viewfinder
Articulated LCD	Fully articulated
Screen size	3″
Screen dots	1,040,000
Touch screen	No
Screen type	TFT LCD
Live view	Yes
Viewfinder type	Electronic
Viewfinder coverage	100%
Viewfinder magnification	2.53×
Viewfinder resolution	1,170,000
Photography features
Minimum shutter speed	4 sec
Maximum shutter speed	1/1300 sec
Maximum shutter speed (electronic)	1/16000 sec
Exposure modes	Intelligent Auto Program Manual
Scene modes	Clear Portrait Silky Skin Backlit Softness Clear in Backlight Relaxing Tone Distinct Scenery Bright Blue Sky Romantic Sunset Glow Vivid Sunset Glow Glistening Water Clear Nightscape Cool Night Sky Warm Glowing Nightscape Glittering Illuminations Handheld Night Shot Clear Night Portrait Soft Image of a Flower Appetizing Food Cute Dessert Freeze Animal Motion Monochrome
Built-in flash	Yes
Flash range	5.60 m (with Auto ISO)
External flash	No
Flash modes	Auto, Auto/Red-eye Reduction, Forced On, Forced On/Red-eye Reduction, Slow Sync., Slow Sync./Red-eye Reduction, Forced Off
Continuous drive	10.0 fps
Self-timer	Yes (2 or 10 secs, 10 secs x 3 images)
Metering modes	Multi Center-weighted Spot
Exposure compensation	±5 (at 1/3 EV steps)
AE Bracketing	±3 (3, 5, 7 frames at 1/3 EV, 1/2 EV, 1 EV steps)
WB Bracketing	No
Videography features
Format	MPEG-4, H.264
Modes	3840 x 2160 @ 30p / 100 Mbps, MP4, H.264, AAC 3840 x 2160 @ 24p / 100 Mbps, MP4, H.264, AAC 1920 x 1080 @ 60p / 28 Mbps, MP4, H.264, AAC 1920 x 1080 @ 30p / 20 Mbps, MP4, H.264, AAC
Microphone	Mono
Speaker	Stereo
Storage
Storage types	SD/SDHC/SDXC (UHS-I supported)
Connectivity
USB	USB 2.0 (480 Mbit/sec)
USB charging	Yes
HDMI	Yes (microHDMI)
Microphone port	No
Headphone port	No
Wireless	Built-In
Wireless notes	802.11b/g/n
Remote control	Yes (via smartphone)
Physical
Environmentally sealed	Yes
Durability	Waterproof, Shockproof
Battery	Built-in
Battery description	DMW-BCM13PP lithium-ion battery and charger
Battery Life (CIPA)	300
Weight (inc. batteries)	319 g (0.70 lb / 11.25 oz)
Dimensions	117 x 76 x 37 mm (4.61 x 2.99 x 1.46″)
Other features
Orientation sensor	Yes
Timelapse recording	Yes
GPS	None

Articles: Digital Photography Review (dpreview.com)

May 11, 2018

Phase One iXM 100MP aerial camera uses world’s first BSI medium format sensor
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The Industrial arm of Danish camera manufacturer Phase One has launched an aerial camera that uses the world’s first backlit medium format sensor. It’s called the iXM 100MP, and it’s almost certainly the first camera to use this sensor from Sony that we told you about back in November.

The iXM 100MP is part of a new iXM system of cameras and lenses designed to be used attached to drones or manned aircraft. A 50-megapixel version, the iXM 50MP, has also been launched, but the iXM 100MP uses backside illumination to boost the light sensitivity of the sensor and to improve its dynamic range.

The two cameras use 4:3 ratio sensors measuring 33x44mm, and both offer XQD storage as well as HDMI-out to allow realtime preview. USB-C and 10G Ethernet ports provide the means to connect directly to on-board storage and control in larger craft, to synchronize an array of cameras for 3D capture, and to speed up mapping work.

The system incorporates four new lenses designed specifically to work with these sensors. The RSM range use leaf-shutters with a shortest opening of 1/2500sec, and which can work at a rate of three frames per second. The shutters are guaranteed for 500,000 actuations, and the lenses have been designed to operate at a wide range of temperatures and altitudes without loss of quality.

Two of the news lenses—a 35mm and an 80mm—have fixed focus, while a further 80mm and a 150mm use motorized focus with focusing determined either before the flight or in the air using a remote control. The focusing versions are aimed at those carrying out structural inspections at different distances rather than those mapping from a constant height.

Here’s a quick first look at the iXM Camera Series:

The iXM cameras and their RSM lenses are expected to ship in June 2018, with lenses costing $ 10,000/€8000 and the cameras priced at $ 40,000/€32,000 (iXM 100MP) and $ 21,000/€17,000 (iXM 50MP). While the price of these models might put them beyond the range of most photographers, it is worth getting excited about the prospect of a 100MP BSI sensor entering the regular still photography market sometime soon. Fingers crossed.

For more information on the iXM range see the Phase One Industrial website.

Press release
Phase One Industrial Innovates UAV-based Aerial Imagery – Launches iXM Metric Cameras and Motorized Lenses

Phase One Industrial today launched the iXM series: a breakthrough aerial camera platform driven by the world’s fastest medium-format imaging sensor. Engineered for UAV-imaging missions, the iXM 100MP is a high-productivity metric camera with a range of high-resolution lenses. The iXM is ready for integration with a wide
range of UAV platforms, including Phase One’s DJI Matrice 600 Pro solution.

The iXM 100MP metric camera incorporates the first medium-format sensor with backside-illumination technology, enabling high light sensitivity and extended dynamic range. Fast, highly responsive, robust, and weatherproof (IP53 compliant), the iXM 100MP delivers superior quality aerial imaging and flexible operation to satisfy diverse mapping, surveying, and inspection applications.

Also today, Phase One announced four new specially developed RSM lenses – with focal lengths ranging from 35mm to 150mm – to seamlessly fit the new sensor’s 3.76?m pixel size and 33×44 mm frame size, ensuring image sharpness across the entire FOV. The lenses are available with either fixed-focus or motorized-focus functionality.

The fixed-focus 35mm and 80mm lenses provide superior image radiometric quality, high ground resolution, and large coverage – perfect for surveying applications.

The motorized-focus 80mm and 150mm lenses are ideal for a wide range of inspection applications, including electricity poles, wind turbines, bridges, and other private-sector or government structures.

Motorized-focused lenses, having no external moving parts, enable a number of new uses for inspection applications where the focusing distance can be predefined based on flight planning, or by the operator, using a wireless remote control. With the motorized lens, the camera captures sharp and highly detailed images of multi-distance or 3D objects.

The cameras’ RSM lenses incorporate a new leaf-shutter technology, which supports 3 fps capture – with a speed of 1/2500 sec – while guaranteeing 500,000 actuations. The lenses are thermally stable to ensure consistent focus over a wide range of temperatures and flight altitudes. With optics designed to exploit the full benefits of the new sensor technology, the lenses provide with greater productivity, flexibility, and reliability, offering superb image quality.

The new iXM platform adds XQD high-speed storage technology to handle the sensor’s extremely fast frame rate. Also on all cameras, HDMI output from actual exposure provides UAV operators simple and outage-free feedback of actual view, exposures, and camera status in overlays. In addition, the new platform includes USB-C and 10G Ethernet for versatility of connectivity to large UAVs and aircraft.

For complete technical specifications, please see http://industrial.phaseone.com/landing/The_New_iXM_Series.aspx

“Working with our UAV partners, we see a fast-growing market driven by great potential for time and cost savings over traditional inspection and surveying methods,” said Dov Kalinski, General Manager of Phase One Industrial. “With its new technology, design, and capabilities, the iXM 100MP promises to help start a new era in inspection missions with UAVs. Phase One Industrial continues to push technical boundaries to equip drones and larger UAVs with superior imaging technology – engineering advanced systems, cameras, and software – to help achieve that potential.”

Availability and Pricing

The iXM 100MP and iXM 50MP metric cameras are available today for advance order – from Phase One Industrial partners worldwide – with delivery in June 2018.

Pricing for the:
- iXM 100 MP camera: 32,000 Euro/40,000 USD
- iXM 50 MP camera: 17,000 Euro/21,000 USD
- Lenses: 8,000 Euro/10,000 USD
For more information regarding purchase options and partner locations, please contact us at: https://industrial.phaseone.com/Contact.aspx

About Phase One Industrial

Phase One Industrial is a division of Phase One A/S that researches, develops, and manufactures specialized industrial camera systems and imaging software solutions. The company focuses on specific applications such as aerial mapping and surveying, ground and aerial inspection, agriculture, machine vision and homeland security.
Articles: Digital Photography Review (dpreview.com)
May 5, 2018
A photographer has designed and built the first E-Mount film camera

Photographer Alexander Gee has created something pretty cool: the first (to our knowledge) Sony E-Mount 35mm film camera. It’s called LEX, and when it’s finally finished, Gee intends to make the camera’s design files open source so that anybody with a little bit of interest, soldering skill, and access to a 3D printer can built their own from scratch.

The LEX is the result of more than a year of design work, 3D printing, and trial & error, which Gee actually documented on the LEX Optical website. Development began around the shutter mechanism from a Sony a7, and continued from there until he had achieved a working prototype that has been improved upon and tidied up to create the version you see below:

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The current prototype isn’t quite as pretty as the mockups, but it’s not far off either. And more importantly: it works. There are already sample photos posted on the LEX Optical website and more (we assume) to come as development continues. The website doesn’t offer any specific timetable, but Gee does say that he might crowdfund “a small batch of devices before opening the design files up.”

To see sample images, keep an eye on the project’s status, or jump onboard if and when Gee crowdfunds that batch of pre-built LEX cameras mentioned above, head over to the LEX Optical website or follow the project on Facebook and Instagram.

Articles: Digital Photography Review (dpreview.com)

April 26, 2018
Philips’ new 43-inch 4K HDR monitor earns world’s first DisplayHDR 1000 certification

Philips has unveiled the new Momentum 436M6VBPAB 43-inch 4K HDR Quantum Dot Monitor. This model is a milestone for the display market, according to Philips, because it is the first to receive the VESA DisplayHDR 1000 Certification.

As DPReview explained earlier this year, not all “HDR” monitors are created equal. In fact, until recently, there was no standard that helped define what was and what was not HDR. That’s why VESA created DisplayHDR: the first open standard for HDR displays.

The DisplayHDR standard is split into three tiers: the baseline DisplayHDR 400, the mid-range DisplayHDR 600, and the ultra-high-end DisplayHDR 1000. A total of eight tests are used to determine which of the three certifications a monitor deserves, including a trio of peak luminance tests, BT.709 and DCI-P3 color testing; a couple contrast measurement tests; an HDR response performance test; and, finally, a bi-depth requirement test.

By establishing a standard (assuming manufacturers adopt it) the display industry has simplified the shopping process. Rather than examining each display’s spec sheet, buyers can look for the DisplayHDR 400/600/1000 badge and rapidly determine whether the display truly meets HDR standards.

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The DisplayHDR 1000 certification that Philips just achieved guarantees a minimum 10-bit encoding, 1,000 nits peak brightness, 0.5 nits cap on black levels, minimum of 90% DCI-P3 coverage, and 99% sRGB. Both the DisplayHDR 600 and DisplayHDR 1000 tiers are suitable for professional work, but 1000 is obviously the better option.

VESA certification aside, the Momentum 436M6 monitor offers Ambiglow technology that adds “a new dimension to the entertainment viewing experience,” according to Philips. With Ambiglow, Momentum 436M6 monitors present a glow around the display that matches the colors and brightness on the screen. This “enlarges the screen,” says Philips, though it’s more of a unique ambiance for watching movies and playing games than something practical for work. Fortunately for those of us who might find this feature distracting, users have full control over Ambiglow.

Finally, Philips’ new monitor features MultiView for working with multiple devices simultaneously. One example provided is using one side of the display for something interactive, such as using a PC, and the other side of the display for streaming content from a set-top box.

Philips plans to launch the Momentum 436M6 some time this summer for $ 1,000.00 USD.

Press Release

New Philips Monitor the First to Achieve HDR1000 Certification

he Philips Momentum 43” monitor is the first monitor to receive the new VESA DisplayHDR 1000 Certification

Fremont, CA – Today EPI, the leading technology company and brand license partner for Philips monitors, announces the new Philips Momentum 43” 4K HDR Quantum Dot Monitor (436M6VBPAB), the world’s first HDR1000 monitor with the new Video Electronics Standards Association (VESA) DisplayHDR 1000 Certification. The Momentum also features Ambiglow technology. The Philips Momentum 436M6’s combination of HDR 1000 with Ambiglow leads to an incredibly immersive entertainment viewing experience.

The Momentum 436M6 features Quantum Dot Color and DisplayHDR 1000 for a wider range of more accurate colors – especially dark reds and greens – that stay crisp and clear even in bright light. DisplayHDR 1000 delivers a dramatically different visual experience. With a peak brightness of up to 1,000 cd/m², incomparable contrast and captivating color, images come to life with much greater brightness while also featuring much deeper, more nuanced darks. It renders a fuller palette of rich new colors seen on the display.

DisplayHDR is the display industry’s first fully open standard specifying HDR quality. This standard spans across three performance tiers: DisplayHDR 400 (baseline), 600 (mid-range) and 1000 (high-end). These specifications are established using eight specific parameter requirements and associated test including: three peak luminance tests, two contrast measurement tests, color testing of the BT.709 and DCI-P3 color gamuts, bi-depth requirement test and a HDR response performance test.

“As with any new technology there can be confusion out there regarding HDR specs and benefits. VESA’s new DisplayHDR standard will make monitor shopping easier by offering consumers a comparable standard to judge HDR picture performance between monitors,” stated Chris Brown, Philips Monitors Global Marketing Manager, TPV. “We are very excited to launch the world’s first DisplayHDR 1000 monitor, the Philips Momentum 43-inch 4K Display. DisplayHDR 1000 level of picture performance will offer a more intense gaming and entertainment experience. The contrast and color really bring action scenes alive, like we’ve never seen before.”

The Momentum 436M6 uses Ambiglow technology to add a new dimension to the entertainment viewing experience. This innovative technology enlarges the screen by creating an immersive halo of light around the outside of the screen. It uses a fast internal processor to analyze the incoming image content and continuously adapts the color and brightness of the emitted light to match the image. Users can adjust the ambience to their liking. It’s a unique and immersive viewing experience especially suited for watching movies, sports or playing games.

With its 4K UHD resolution, the Momentum 436M6 can take advantage of MultiView technology. MultiView enables active dual connect so that you can work with multiple devices like PC and Notebooks simultaneously, making complex multi-tasking work a breeze. It’s easy to watch a live football feed from a set-top box on one side, while playing a gaming console on the other. This technology makes the Momentum 436M6 perfect for extreme productivity or entertainment.

The Philips Momentum 436M6 will be available later this summer for $ 999.99.

Articles: Digital Photography Review (dpreview.com)

April 26, 2018
You can own the world’s first single shot 8×10 digital camera for $106,000
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If you’re shooting digital, the largest image sensor you will find at your local camera store is the 53.4mm x 40.1mm medium format sensors inside something like the Phase One IQ3. But if that is just not enough for you… there is one, much larger option. Meet the $ 106,000 LargeSense LS911: a large format digital camera and purportedly the “world’s first 8×10 digital single shot camera for sale.”

The LS911 is the passion project of Bill Charbonnet, who left his desk job in 2014 to start LargeSense LLC and built these large-format digital cameras. Four years later, the LS911 is his first shipping product.

According to the press materials, LS911 features a 12-megapixel 9×11-inch monochrome CMOS sensor (that translates into massive 75 micron pixels), ISO that can be set at either 2100 or 6400, 900GB of internal storage, and the ability to output files to DNG, 16-bit TIFF, 32-bit TIFF, RAW and JPEG formats. There is no CFA, but the monochrome sensor can be used to produce color images (of non-moving subjects) using an in-built 3-shot system and color filters.

Oh, and the thing can also apparently shoot 4K, 3840 × 2160 video at 26fps using its electronic shutter.

Here is a video of the LS911 in action:

And here is how the size of the LargeSense LS911 sensor compares to some of the other image sensors out there:

Note: the LargeSense LS45 is a 4×5-inch digital back Charbonnet is working on, but has yet to release.

If the LS911 seems a bit bonkers, honestly, that’s because it is. We’ve been discussing it in the office for the past couple of days, trying to figure out how to put this camera in context for our readers, and here’s our take: it’s cool, but having a sensor this large may not be as advantageous as you think.

Science Editor Rishi Sanyal explains:

One of the main benefits of going to a larger sensor is that you can get more resolution as the larger pixels place less of a burden on the resolving power of the lens, but this camera does not take advantage of that.

What it does offer is the tilting, shifting and swinging ability large format cameras are known for, and if you can give the sensor enough light, the entire image has the potential for greater ‘tonality’ because the lower relative shot noise will yield very high signal-to-noise ratio for most tones. That makes the image more amenable to extreme sharpening without accentuating noise. That said, beyond a certain signal-to-noise ratio, tones are already clean enough – particularly with modern full-frame or medium format cameras – that it likely doesn’t matter.

So, are you guaranteed a noticeable improvement in overall quality of the photos just because of the 9×11-inch sensor? Not necessarily. This is probably more about the feel of large format where you can throw most of the image largely out-of-focus by tilting the focus plane, or keep a large amount in focus without stopping down if you align the focus plane with your subject(s).

If, after knowing all of this, you’re still interested in dropping $ 106K on the LS991 (hey – it’s guaranteed to be a conversation piece at parties if nothing else), head over to the LS911 product page on the LargeSense website or check out the full spec sheet at this link.

And do let us know: what would you use it for?

Press Release
LargeSense launches the LS911

It is the first full frame 8×10 digital single shot camera for sale!

Medium format has thus far been the limit as far as sensor size because large sensors are difficult and expensive to produce. With the LS911, photographers now have an option for high quality large format images other than film. Available now. The USA price is US$ 106,000 Check www.largesense.com for more information.

LS911 Specifications
- Single shot 9×11 inch monochrome CMOS sensor
- High base sensitivity of ISO 2100
- Live view for focusing
- Compatible with any large format lens with a sufficient image circle
- Easy to use HTML-based WiFi control with any HTML5 browser
- 4k Lossless video with audio up to 26fps
- 900GB internal storage, CF cards and external USB 3.1 drives
- User-generated curves to apply to the linear files
- Integrated 3 shot tri-color images when using color filters
- Designed for mounting on large tripods or custom camera stands
LS911 product page: http://largesense.com/products/8×10-large-format-digital-back-ls911/

LS911 spec and feature sheet: http://largesense.com/files/3415/2348/3451/LS911-Specs-And-Features-180411.pdf

Upcoming Products

A 4×5 inch digital back, the LS45, is expected at the end of 2018.

The color version of the LS911 is expected in 2020.

LargeSense was founded in 2014 by Bill Charbonnet to manufacture single shot, large format digital cameras. Inspiration was from Mitchell Feinberg’s 8×10 digital back. The issue for a business in this tiny market is keeping costs low while delivering a specialty product. After 3 years of development, we are proud to be the first to offer such camera, the LS911!
Articles: Digital Photography Review (dpreview.com)
April 22, 2018
Meike announces full frame 85mm F1.8, its first autofocus lens

Chinese accessories brand Meike has announced it will introduce an autofocus 85mm F1.8 lens for Canon and Nikon full-frame DSLRs. In addition to adding another (very likely) affordable third party option to the mix, this will be the company’s first AF lens.

Details are a little thin on the ground, but early marketing materials suggest it will be a lightweight and compact lens with an all-metal body construction. The optical formula will use nine elements in six groups, and all elements will be multi-coated on both sides. Close focus will begin at 0.85m with a maximum magnification of 1:1.8. The lens will be 79.5mm long and will accept a 67mm filter.

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In addition to the Nikon and Canon full-frame mounts, Meike will release the MK-85mm F1.8 lens for Sony APS-C models as well. No price has been announced as of yet, and the company hasn’t said when we should expect the lens to go on sale.

For more information visit the Meike website.

Articles: Digital Photography Review (dpreview.com)

April 21, 2018
Taking your drone to a wedding? Read this first

Best practices for flying your drone at weddings

It’s spring, and that means wedding season is upon us!* If you’re one of the many photographers planning wedding shoots this year, it’s also a great time to think about including aerial photography in your plans.

A drone is a great way to capture unique shots that can help tell the story of a memorable day, and in my experience more couples are requesting drone photos than ever before. I expect that trend to continue. On the following pages, I’ll share some of my best practices for flying drones at weddings, and give you some hints about things to pay attention to.

* Apologies to those in the Southern Hemisphere. We haven’t forgotten about you.

Get certified or licensed to operate commercially

In the US, pilots who fly drones for commercial purposes are required to pass the FAA Part 107 exam. Passing this exam is beneficial beyond just getting a certificate: in the process of studying, drone operators will learn important rules, regulations, and best practices for flying responsibly, all of which will make you a more knowledgable, safer pilot.

You can self study for the FAA exam using the study materials provided by the FAA, or by taking one of the numerous available online test prep courses like this one from Drone Pilot Ground School.

Outside the US, many countries have similar regulations, so make sure you know what the rules are where you’re operating and ensure that you have obtained any necessary permits, certificates, or licenses.

Register your drone with the FAA

After you successfully pass the Part 107 exam, you’ll need to register your drone’s serial number with the FAA. This registration is necessary if you’re flying your drone for commercial purposes, and costs $ 5. The registration number must be clearly marked on your drone so it can be identified if there are any issues or potential accidents.

It should be noted that this registration process is also required for recreational drones, and pilots who intend to fly their drones as a hobby. The FAA had previously removed the registration requirement for recreational drone use, but has recently reinstated it.

Get a good UAV liability insurance policy

Get a liability insurance policy that covers your drone activities. It’s not just a good idea – it will may in fact be required by certain venues before you’re allowed to fly. Venues (and commercial clients) might dictate how much liability coverage you need, or even ask to be listed on a rider, demonstrating that they are protected from any liability during your flights.

Having no liability protection during a wedding flight could be disastrous; despite careful planning and preparation for your flight, unpredictable things can happen. Having UAV (unmanned aerial vehicle) liability coverage will ensure that you’re protected against the potentially large financial burden that could occur if an unforeseen situation arises.

Get a good UAV liability insurance policy

A common question I get is where to buy UAV insurance. Liability policies are offered through special aviation insurance companies, and traditional agencies will typically offer annual coverage based on the policy amount and number of drones covered. You can also purchase UAV insurance on a daily basis, for very specific places and time periods, and even specify the amount of coverage required.

If you intend to fly commercially on a frequent basis, it’s best to buy an annual policy since they tend to be a better value for long term use. However, if you will only be flying the odd commercial gig once in a while, then getting coverage for the day may be the smarter option. I’ve had an annual policy from Costello Insurance for the past two years, and they’ve been great to work with, but if you’d like to look at an on-demand provider, then you might want to take a look at Verifly, which has iOS & Android apps that can be used to book coverage straight from your mobile device.

Update your drone to the latest firmware

Verify that you’re using the latest software and firmware on all of your devices and drones. This includes updating to your drone’s latest mobile app on your phone or tablet, as well as updating the firmware on your controller, drone, and maybe even your batteries. All of these components operate in synergy, so if one part is out of sync you could be exposing yourself to unnecessary risk.

I always go through my checklist several days before a flight, ensuring that I check for updates on all of my devices, and making sure everything is properly charged and calibrated.

Calibrate your IMU and compass before your flight

This is something that I used to take for granted, until I had a very scary close call while trying to capture a beautiful sunset. I decided to pull over by a beach, and proceeded to send my DJI Phantom 3 Advanced up for a quick flight. The drone jumped up and immediately lost it’s GPS and compass heading, putting it into an uncontrolled frenzy in ATTI mode. I struggled through almost the entire battery charge to get it under control, and experienced the highest degree of stress I’ve ever experienced when flying a drone. I was lucky to get it back on the ground without damaging anything.

Looking back, if I had taken a few minutes to calibrate the compass and IMU, I would have a beautiful sunset to look back on instead of the stressful memory of that dreaded flight. Don’t let this happen to you, especially at a wedding. I now always calibrate my compass and IMU before each flight.

Monitor wind conditions

Knowing the wind speed and direction is a critical skill for any drone pilot. When flying downwind it can seem like wind isn’t an issue, but you don’t want to discover that it is when flying back upwind with a low battery. Pay attention to the wind and know both where it’s coming from and at what speed. I use an iOS app called Windseeker to help keep tabs on the wind conditions. It has geolocation abilities, and can even give you an augmented reality overlay of the wind direction for easier planning.

Wind can always be a factor when flying a drone, though to what degree may depend on which model you’re flying. I’ve found that the DJI Phantom series are pretty resilient, and can typically fly in moderate to strong winds. Smaller drones like the DJI Spark and Mavic Pro may not be able to fly in strong winds as adeptly as bigger drones. No matter what drone you’re flying, always use your judgment. If it’s too windy to fly, stay on the ground.

Use a visual observer

Having a visual observer is a requirement for any FAA Part 107 pilot flying for commercial purposes. It serves to cover the line of sight requirement during commercial operations, and is generally a good idea for any flight in my opinion. It’s very difficult to pay close attention to your controller and maintain line of sight to your drone at the same time.

Creating cinematic shots often requires close attention to your display, the controls, and your technique, and breaking that focus to maintain your eyes on the drone in the air will pretty much undermine all of those things. Play it safe and make sure you always have a visual observer to handle this task so you can focus on nailing that epic shot.

Keep a respectful distance

Flying with tact and consideration is a must in my opinion; when planning your shots, do so in a way that doesn’t intrude on the ceremony. I never try anything too fancy without discussing it with the bride and groom. If I need to shoot something that requires me to get relatively close to the ceremony, I always make sure it’s OK with them, and that everyone is aware of the audible noise that my propellers will cause.

Also, consider what type of drone is best for any given situation. If maximum image quality is needed I may use a DJI Phantom 4 Pro, but if image quality takes a backseat to noise, then I can often get more subtle shots with a less intrusive DJI Spark. My advice is to always balance respect for the wedding with the need to get the perfect shot, and discuss this with your clients. They’ll appreciate your need to get the best shots without causing a huge distraction that potentially overpowers their special moment.

Best practices for flying your drone at weddings

These best practices should allow you to get great drone photos or video at a wedding, while also ensuring that you’re operating safely, legally, and respectfully.

I’m interested to hear about other best practices you may have developed over time. Please share them in the comments below! We can all continue to learn and benefit by implementing them into our workflows.

Articles: Digital Photography Review (dpreview.com)

April 20, 2018
ProGrade demonstrates first ever 1TB CFexpress card with 1,400MB/s read speed
Memory card manufacturer ProGrade claims to have shown off the first public demonstration of a CFexpress Type B card with 1TB capacity at NAB 2018 in Las Vegas. The card, which is backwards compatible with XQD formats, makes the most of the CFexpress specifications with blistering read/write speeds of 1,400MB/s and 1,000MB/s, respectively.

CFExpress is the latest standard from the CompactFlash Association, and is seen by many as the natural successor to the CFast and XQD formats. It was first announced in September of 2016, and the final specifications for version 1.0 were published in April of 2017. According to the specification list, version 1.0 of CFexpress Type B cards has a maximum transfer speed of 1970MB/s—roughly twice the maximum speed of XQD 2.0 cards—so ProGrade isn’t leaving much on the table with its debut version.

In its statement to DPReview last month, ProGrade said, “XQD cards [can] be upgraded to operate with the new CFexpress Type B cards if the original equipment manufacturer (OEM) chooses to update firmware in those devices.” This puts the onus on camera manufacturers such as Nikon and Sony to upgrade the firmware in its cameras with XQD card slots so CFexpress cards can be used.

ProGrade says its CFexpress cards will be available in 256GB, 512GB and 1TB capacities when they’re released later this year. We have reached out to Nikon and Sony regarding whether or not they plan to support CFexpress cards in the future, and will update this article accordingly when we hear back.

In addition to teasing its upcoming CFexpress cards, ProGrade also launched a collection of V90-rated SD cards with maximum read/write speeds of 250MB/s and 200MB/s, respectively. The cards will be available in early May in 64Gb, 128GB, and 256GB capacities for $ 100, $ 190, and $ 380, respectively.
ProGrade Digital is First To Publicly Demonstrate CFexpress™ 1.0 Technology in 1TB Capacity

1,400MB/Second Data Transfer Speed Reaches New Milestone

NAB, LAS VEGAS, NV – April 8, 2018 1:00 am Pacific—ProGrade Digital, founded with a mission to provide the highest quality professional grade digital memory cards and workflow solutions, has become the first company to publicly demonstrate the CFexpress™ 1.0 technology with 1TB of capacity. Debut of this important next generation digital memory card form factor, presented by CEO Wes Brewer and VP of Marketing Mark Lewis at NAB in Las Vegas, provides solid proof that the industry is moving toward productization of this new standard.

“The CFexpress standard has been evolving for several years within the CompactFlash Association as a successor to both CFast™ and XQD™ formats. We are pleased to be working within the CFA and aside device manufacturers to bring to market this next generation removable storage standard,” said Brewer. “Industry adoption of CFexpress will allow for much higher resolution and higher bit rate image capture than ever before in many still image and video capture devices. Faster offload speeds will also greatly benefit the post-capture workflow through the extremely high read speeds it provides. With our demonstration today, we’ve also been able to show compatibility for the CFexpress Type B form factor with XQD memory cards–showing operation of both card standards in a common Thunderbolt™ 3 reader.”

ProGrade Digital demonstrated performance benchmark speeds exceeding 1,400MB/second and burst write speeds of greater than 1,000MB/second–nearly three times faster than CFast memory cards and more than four times those for SDXC™ UHS-II.

CFexpress 1.0 Demonstrated Technology Key Features:
- Industry-leading speeds
- Greater than 1,400MB/second read
- Greater than 1,000MB/second burst write
- CFexpress Type B format factor with two lanes of PCIe® and NVM Express® support
- XQD form factor interoperability
- Dimensions: 29.6 mm x 38.5 mm x 3.8 mm
The founders of ProGrade Digital are industry veterans in the removable storage and digital photography industries. Each, having spent time at leading companies such as Lexar and SanDisk, brings extensive expertise in the design, development and manufacture of digital storage products, plus longstanding relationships with key manufacturing and supply chain partners. The company focuses exclusively on development of memory cards, card readers and workflow software for professional imaging markets. Flagship products, ProGrade Digital CFast 2.0 and ProGrade Digital SDXC UHS-II, are optimized to render maximum performance when paired with high-end DSLR, mirrorless, camcorder and digital cinema cameras from manufacturers such as Canon, Nikon, Panasonic, Sony and Blackmagic. ProGrade Digital memory cards expand the creative visions of cinema and photography professionals around the world.
Articles: Digital Photography Review (dpreview.com)
April 10, 2018

Ricoh interview: “The development of the K-series is our first priority”

Pictured is Mr. Takashi Arai, one of several Ricoh executives we sat down with. Mr. Arai represents the Product Planning Department, within the Product Development Center of Ricoh’s Smart Vision Business Group.

Recently we visited the 2018 CP+ show in Yokohama, Japan and booked an in-depth interview with several executives from Ricoh. Among the topics covered were the company’s new K-1 Mark II, as well as the future of both the GR series and 360 imaging with the Theta line.

The following interview has been edited slightly for clarity and flow.

What is your ILC strategy for your next generation of products?

We have lots of requests for lenses, especially from K-1 users. They want more lenses that match the higher resolution of the K-1, so that’s one objective which we would like to implement.

The K-1 Mark II, pictured here with the not-yet-released D FA* 50mm F1.4.

As you may know, we will be releasing the 50mm F1.4 SDM AW this Spring, although we cannot specify the exact date. We also have the new 11-18mm F2.8 lens for APS-C, so we’re not only focusing on full-frame. We want to enlarge [the lens selection for] both formats.

What kind of customers are buying the K1/II and KP?

Especially for the K-1, customers who are looking for higher resolution in the field of landscape photography and [appreciate] our tough body construction and weather and dust resistance. Lots of customers who really use this camera in the field are very fond of the new K-1 series.

Will we ever see another Ricoh / Pentax mirrorless camera, such as the K-01?

The Pentax K-01 was a mirrorless camera that used the full-depth Pentax K-mount, allowing full compatibility with existing Pentax lenses. While image quality was great, the camera was bulky, and there were some performance and autofocus shortcomings.

Our resources for research and development are limited and we are more focused on the development of K-series bodies and lenses. That is our first priority, and why we are currently not too involved in the development of other smaller cameras.

Speaking of smaller cameras, our readers really want a GR III – is this something you’re working on?

Good question. Although we don’t know whether it will be called ‘GR III’ or not, the study for the development of the next GR is already ongoing. We cannot say when, and how exactly it will be, but the next GR will come someday.

What is your strategy for medium-format? How has the market changed since Hasselblad and Fujifilm entered at the consumer end?

Our strategy has not really changed. The 645Z is a DSLR, a reflex camera, and the advantage of a reflex camera is that what you see is what you get [through the optical viewfinder]. On top of that, the 645Z can use Live View, so it has the advantage of having both options. We think that it’s a strong point that our competitors don’t have, and we’ll continue to develop the possibilities of what we can do with reflex cameras.

We welcome competitors like Fujifilm and Hasselblad. Together with competitors, we can expand the total medium-format market

We actually welcome competitors like Fujifilm and Hasselblad. Together with competitors, we can expand the total medium-format market. People can be made more aware of medium-format’s advantages, and we believe in the superiority of medium-format compared to full-frame.

How do you think 360-degree imaging will evolve in the coming years?

In terms of resolution, we think that it’s not yet enough and should be better. The market is expanding, but still, the current user of the Theta 360 camera is more of a ‘gadget lover.’ We want to expand the customer profile from that specific type of user to more generic users.

Do you see any development in, say, the Theta’s form factor as a way to reach other users?

Ricoh’s Theta V uses the same sensors and lenses as the older Theta S, but offers improved image quality thanks to an updated processor.

This form factor is iconic for the Theta. We think it’s important. On the other hand, if there is demand, we would like flexibly to think about any other possibilities, even for other form factors.

What else are Theta users asking for?

They’re asking for better quality of stitching, and since the camera has internal memory, there have been requests to have expandable memory. In order to respond to that kind of request, we have just released a firmware that allows the Theta V to connect to external memory using the USB port.

Photographers are interested in creating pictures [using techniques] such as composition, and [with the total 360-degree image], there is no creativity from this perspective.

From a marketing point of view, I don’t think many photo enthusiasts who are reading your articles have much interest in 360 cameras like the Theta, unfortunately. That’s because with this camera, we can take an image of all 360 degrees. But photographers are interested in creating pictures [using techniques] such as composition, and [with the total 360-degree image], there is no creativity from this perspective.

But if we capture whole [360-degree] images, we can edit those images with photo applications such as Theta+. And with that application software, photo enthusiasts can [selectively] create their own images and reflect their own sensibility. So we have to do more promotion to photo enthusiasts that use various types of editing applications.

Will we see an updated APS-C flagship camera in the future?

For the flagship APS-C model, we have just started to develop that. It’ll be the successor of the K-3 II and will be an evolution of the K-3 series.

The Pentax K-3 II was released in 2015, and now that Pentax has brought the full-frame K-1 II to market, they are beginning development on the next APS-C flagship.

How did feedback from K-1 owners feed into the planning for the K-1 II?

Feedback, especially from K-1 owners, is more focused on the upgrade services.

Existing K-1 users will be able to update their cameras for a fee – will there be any functional differences remaining between the two models after this service?

Once a user upgrades the K-1 to K-1 II, there will be no difference. Perhaps some K-1 users think it’s more prestigious to have the ‘II’ on the front.

Editor’s Note:

Pentax has a reputation for building affordable, capable and rugged DSLRs, and judging from our conversation with Mr. Arai and his colleagues, it appears as though parent company Ricoh is planning on staying the course in this regard. And while the renewed focus on updating their K-Mount lens lineup is encouraging, it must be said that the continued evolution of competitors’ mirrorless camera offerings has Pentax’s DSLR-only lineup looking a little staid.

But perhaps that’s just to be expected. After all, Ricoh is a smaller camera company, and must be highly strategic in where it invests its R&D money. This prioritization is clear in the discussion of the 645Z compared to newer mirrorless options. Since the 645Z has an optical viewfinder while still offering competitive image quality, it remains appreciably distinct from Fujifilm’s and Hasselblad’s offerings. Therefore the company is choosing to narrow its development focus to a new flagship APS-C DSLR, which is likely what more users are asking for anyway.

The confirmation that a new Ricoh GR is coming is downright exciting

Thankfully though, lenses and DSLRs aren’t all that’s in the works at Ricoh-Pentax. The confirmation that a new Ricoh GR is coming – even if all we know is that it’s coming someday – is exciting. In the age of ever-more-capable smartphones whose lenses are of a similar focal length, Ricoh’s continued development of the photographer-focused GR series shows an admirable commitment to their users and fans.

Last but not least is the Theta series. Ricoh’s newest Theta V is an impressive evolution of the previous ‘S’ model, improving image quality and features through better processing and software. The company still feels it has room to grow, not only in terms of image quality, but also mass-market appeal. It’s interesting hearing the executives’ take on the creativity (or lack thereof) of using 360 cameras, and it’ll be even more interesting to see how they continue to evolve the platform and editing software to get more Thetas into the hands of more photographers, and not just ‘gadget lovers.’

Articles: Digital Photography Review (dpreview.com)

April 6, 2018

Tag: first

New LUMIX TS7 with LVF, Wi-Fi® and 4K Video and 4K Photo

Panasonic Lumix DC-TS7/FT7 specifications

Phase One Industrial Innovates UAV-based Aerial Imagery – Launches iXM Metric Cameras and Motorized Lenses

New Philips Monitor the First to Achieve HDR1000 Certification

LargeSense launches the LS911

LS911 Specifications

Upcoming Products

Best practices for flying your drone at weddings

Get certified or licensed to operate commercially

Register your drone with the FAA

Get a good UAV liability insurance policy