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Posts Tagged ‘Feature’

Panasonic S1/S1R to ship in March; HLG Photo and High-Res mode added to feature list

08 Jan

Panasonic has announced that its Lumix DC-S1 and DC-S1R full-frame mirrorless cameras will ship at the end of March. The company also disclosed two previously unmentioned features that will be offered on both cameras.

First is a ‘HLG Photo Mode’, which captures photos with high dynamic range using the Hybrid Log Gamma profile. Photos are saved as HSP files, which can be viewed on HLG-compliant devices.

These will be among the first cameras to be able to take advantage of the latest HDR displays: showing a natural-looking image with a wider dynamic range (not squeezing a wide dynamic range into the limitations of older, standard-DR monitors). The movie and broadcast industries have already developed a series of standards for capturing and showing HDR footage but there’s been less progress in the photographic world.

Apple’s recent iPhones can capture and display HDR images but it’s not clear which standard they’re using: the HDR images only currently appear as HDR on the device’s own screen. By adopting the simple and increasingly widespread HLG system (currently used by the BBC and cameras from Panasonic, Fujifilm and Sony), Panasonic could help establish a way for photographers to shoot and edit HDR stills, knowing that some displays will know how to show them correctly.

The second feature is a multi-shot high-resolution mode, that uses the camera’s sensor-shift image stabilizer. The camera moves the sensor a tiny amount to capture eight separate exposures, which are combined into a single image with high levels of detail. A ‘suppress motion blur’ option is available, which we’ll surely be testing once we have an S1/S1R to review.

Lumix S1 sample photos by Daniel Berehulak

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Press Release

Panasonic Announces Additional Key Functions for the New Full-frame Mirrorless Camera at CES 2019

Las Vegas, NV (January 7, 2019) – Following an announcement at Photokina 2018, Panasonic will unveil additional key features of the new LUMIX S full-frame mirrorless cameras at CES 2019. The LUMIX S full-frame mirrorless cameras and lenses will be available at the end of March 2019.*

A Whole New Style of Photo Expression

High Dynamic Range Still Photo – HLG Photo Mode

HLG Photo allows images to be shot with a wider dynamic range. By reproducing both glaring lights and dark shadows that are likely to be overexposed or underexposed, the Lumix S achieves rich, precise color expression as close as possible to visual memory.

HLG Photos are produced as an HSP file. The user can play back these vibrant images on the latest Panasonic HLG-compliant 4KTV via HDMI cable connection or other HLG-compliant devices. It is also ideal for photographers’ photo presentations.

Stunning Details with a Realistic Sensation

High Resolution Mode

Taking advantage of the Body Image Stabilizer. (I.S.) mechanism, eight consecutive images are automatically shot while shifting the sensor. These eight images are synthesized into a single image by the new Venus Engine, which boasts high-speed signal processing. Precise details are faithfully reproduced to be saved as a beautiful, highly realistic image. This mode is ideal for shooting natural landscapes or fine art objects with delicate details.

Considering situations where moving subjects are included in the scene, sub options are available to suppress motion blur, so photographers can use this mode the same as shooting in a normal photo shooting mode.

Articles: Digital Photography Review (dpreview.com)

 
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DxO PhotoLab 2.1 update brings file indexing feature to macOS, better search for Windows

11 Dec

DxO launched its PhotoLab 2 in late October, and now it is back with an update to version 2.1. The updated photo editing software brings the file indexing feature to macOS that was previously only available to Windows users. As well, the Windows version of PhotoLab 2.1 now includes a more detailed search history, including one-click access to past image searches when in a new session.

DxO PhotoLab 2.1 features an optimized database architecture that improves the editor’s image management system, the end result being “significantly faster searches,” according to the company.

In addition to the new features and improvements, PhotoLab 2.1 adds support for the DJI Mavic 2 Pro drone, Fujifilm X-A5, and Nikon Z7, as well as the NIKKOR Z 24-70mm F4 S and the NIKKOR F FX lens. DxO plans to add support for the NIKKOR Z 35mm F1.8 S and NIKKOR Z 50mm F1.8 S early next year.

The company is working on adding support for the DJI Mavic 2 Zoom drone, Nikon Z6, Canon EOS R, Canon EOS M50, Fujifilm GFX 50s, and Fujifilm GFX 50r cameras, as well.

DxO PhotoLab 2 Essential and Elite editions are currently discounted to $ 99.99 (£79.99) and $ 149.99 (£119.99), respectively, until December 25. Existing PhotoLab 2 software owners can download the version 2.1 update for free.

Articles: Digital Photography Review (dpreview.com)

 
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Samsung Malaysia caught using DSLR image to advertise Galaxy A8 Star ‘Portrait Mode’ feature

04 Dec

Samsung has again been caught using an image captured with a DSLR to advertise its mobile camera capabilities. The discovery was recently detailed on DIY Photography by writer and photographer Dunja Djudjic, who took the image and made it available for sale on EyeEm.

After receiving an alert that the image had been sold, Djudjic used a reverse image search and found the image on Samsung Malaysia’s website, where it features a different background and is used to advertise the Galaxy A8 Star’s Portrait Mode feature.

Samsung Malaysia displays two iterations of the image on its website, one with a sharp background replacing the original, another with a blurred background supposedly demonstrating the handset’s Portrait Mode capabilities.

Djudjic contacted EyeEm in an attempt to confirm whether Samsung purchased the image, but the company hadn’t yet received the sales data and was unable to confirm the buyer. Getty, which is partnered with EyeEm, was also contacted to determine whether the sale took place through its platform, but didn’t respond to the inquiry.

Djudjic attempted to contact Samsung Malaysia and Samsung Global, but was unable to get a response about the image’s use.

This isn’t the first time Samsung has been caught passing off stock images to advertise its mobile camera capabilities. In August, Samsung Brazil’s Twitter account tweeted two stock images advertising its Galaxy A8 camera capabilities, but later removed them after being called out.

Competitor Huawei was also previously caught using images captured with a DSLR to advertise its mobile camera capabilities. In 2016, the company used an image captured with a Canon 5D Mark III to advertise its P9 smartphone’s camera. Later in August 2018, the company published a video with images seemingly taken by the nova 3 and nova 3i, but that were later revealed to have been captured with a Canon DSLR.

In addition to EyeEm, Djudjic’s work can be found on Flickr and Behance.

Articles: Digital Photography Review (dpreview.com)

 
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Friday Feature: 2018 National Geographic Photo Contest entries

17 Nov

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Brian Hammonds / National Geographic Photo Contest

CLIMBERS OVER SEOUL

Rock climbers can be seen from Bukhansan’s Peak outside of Seoul, South Korea. The size of the South Korean mega-city is hard to imagine without visiting.

National Geographic has shared the first collection of entries from its 2018 photography contest. The photographs, which fall under the categories of ‘wildlife, people, and places’ showcase beautiful scenes and subjects from all over the world. To see more editor-selected entries, head over to National Geographic’s website.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Eduard Gutescu / National Geographic Photo Contest

THE SHEPHERD FROM TRANSYLVANIA

On the Carpathian mountains in the region of Bran village i found this authentic shepherd. His name is Nea DAN. It was a real joy to listen to his life story as a shepherd .

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Eduard Gutescu / National Geographic Photo Contest

FLY OVER TRANSYLVANIA PARADISE

Fundatura Ponorului is a remote village from Transylvania in the Carpathian mountains where people have been living in harmony with nature for hundreds of years . The main activity is animal breeding. The hay gathering is the main activity that takes place during the summer and is the main source of food for animals during winter time .

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Yaron Schmid / National Geographic Photo Contest

BABY TEETH

We spotted a pride of lions sleeping on top of the kopjes in the Serengeti, and as we got closer to the rocks, we saw that there were quite a few cubs in that pride. The best moment was when 3 of the young cubs started chasing, playing and biting their mom’s tail as if they were kittens that were playing with yarn. I can’t remember when was the last time that I laughed so hard as I did watching these guys.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Mo Wu / National Geographic Photo Contest

MOONLIGHT

Wanaka Tree is the most famous tree in New Zealand. At a summer night, I captured the shadow of the tree in the golden moonlight on Wanaka Lake.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Marcus Hennen / National Geographic Photo Contest

CURIOSITY

A creative portrait of a little curious burrowing owl. This owl was pretty cute and sat on a small branch in a front yard. I cropped the photo a bit to support this moment of curiosity.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Istvan Ladanyi / National Geographic Photo Contest

THE ALWAYS WATCHING EYE OF A BLACK SWAN

The always watching eye of a black swan. I toke this shot as I noticed the sleeping black swan and he noticed me and open his deep ruby red eye. It was a magic moment because the contrast of the black feathers and the red eye catched me from the first time.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Laura Wood / National Geographic Photo Contest

UNSEEN (SELF PORTRAIT)

It isn’t always obvious – your identity as a mother. It’s clouded by expectations, demands and sleep deprivation. For the most part, you live out your day and your duties behind doors with only children looking on who don’t fully understand the sacrifices you make. Seven pm rolls around and you breathe a big breath as your children go to sleep, you pour a glass of wine and your identity changes again. Always a mother, but sometimes more than others.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Karen Donnelly / National Geographic Photo Contest

SOARING

Taken in the rising morning aboard a hot air balloon, Maasai Mara National Reserve, Kenya. Water buffalo scatter on the mara below.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Ana Luiza Sampaio / National Geographic Photo Contest

WINTER IN PINGYAO

This picture was taken during the winter in the ancient city of Pingyao, province of Shaanxi, China. In this season, the skyline of Pingyao changes completely. The use of charcoal to heat up the houses makes the sky deeply smoggy. At the streets, the only color one can distinguish is the red from the national flags and lanterns of Chinese New Year. The dust and soot modify the life of the residents, who strive daily to cope with the cold and the air pollution.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Alison Langevad / National Geographic Photo Contest

A NEW LOOK

‘Sporting a new look’ These rhinos were dehorned in an effort to save them from poachers. The poaching of rhinos in South Africa has reached crisis level.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Roger Chen / National Geographic Photo Contest

SISTERHOOD

A quiet moment backstage as dancers of the classical Indian Kuchipudi dance form, which is focussed on rhythmic hand gestures and eye movements, support each other in preparation for the performance.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Vladimir Kushnarev / National Geographic Photo Contest

FATHER AND SON

The family of nomadic herders living at the Polar Urals. Father and son Tiberi.

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Leighton Lum / National Geographic Photo Contest

LAND ON FIRE

Recently the Kilauea volcano erupted causing thousands of gallons of lava to flow into the ocean. It was an incredible sight to witness such power of this eruption!

2018 National Geographic Photo Contest (Week 1 and 2 entries)

Photo and Caption by Camille Niel/ National Geographic Photo Contest

LAS COLORADAS

A Salt evaporation pond located in Yucatan, Mexico. This pink color come from the plankton, shrimps and roots of red plants

Articles: Digital Photography Review (dpreview.com)

 
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Friday Feature: Framing, timing bring juxtaposed beach scenes to life

10 Nov

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Three Men © Moises Levy

Framing and composition are two of the most basic tools in every photographers arsenal, but they can also be some of the most powerful.

In his recent of photographs, Mexico City photographer Moises Levy shows how simple black and white photographs on the beach can be turned into wonderfully juxtaposed images with the help of perfect timing, great composition, and clever framing.

In speaking with DPReview about the ongoing series, Levy said “Human condition is the main subject of my photography. I use several resources to express my ideas in photography like perspective and scale. My images are intimate too — I believe being close to my subject helps me to create powerful images.”

Levy says he works with only one camera and one lens at a time — either his Leica or Fujifilm with a 28mm r 35mm lens.

“I prefer to create anonymous subjects and for that I like to work with backlight to create high contrast black and white images in a more graphic sense,” Levy tells DPReview. “I also like to shoot very minimal and clean images and for that I use very low angles in places with almost no distractions, like beaches and open spaces.”

You can keep up with Levy’s work by checking out his website or following him on Instagram, Flickr, and Facebook.


Photographs by Moises Levy, used with permission.

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

5 Guys © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 5 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 8 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Action 11 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Arch © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ave en tres palos © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Beer Man © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Chapuzon © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Communication © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Fisherman Net © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Fly © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ghost © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Giraffes 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Horses 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Horses 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Jump 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Jump 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Kid © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Kiss © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Looking For Turtles © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

My Dog And I © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

On Place 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Perro Garza Y Hombre © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Play © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Resting © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Running 1 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Shadow And Fisherman © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Soul © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Trapped 2 © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Volley © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Ball Head © Moises Levy

Friday Feature: Framing, timing bring juxtaposed beach scenes to life

Game 1 © Moises Levy

Articles: Digital Photography Review (dpreview.com)

 
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The essential pro feature that no mirrorless camera offers

27 Oct

In a low-light situation with a split-second to focus and capture the moment, the flashgun’s AF illuminator was essential. Mirrorless cameras tend not to offer this feature and their AF systems aren’t so good in low light that they don’t need it.
24mm F1.4 lens @ F2 | ISO 400
Photo: Rishi Sanyal

Mirrorless cameras have caught up with DSLRs in almost every measurable respect, yet there’s still one feature that’s essential for some professionals that every one of them lacks: flash AF illumination.

The failure to offer an AF illuminator target means mirrorless can’t compete with the best DSLRs in some shooting situations

Wedding and event photographers in particular will recognize the benefit of the AF assist target projected by flashguns and some flash commander units, yet no mirrorless camera maker implements this feature, even on their highest-end models. There are some technical reasons why they omit the feature, but this doesn’t negate the need for it.

‘IR’ illuminators on flashguns aren’t solely emitting infra-red: they also emit visible red light, or you wouldn’t be able to see their telltale grid pattern

It won’t affect everybody’s day-to-day photography, but the universal failure to offer some sort of AF illuminator target for mirrorless cameras remains a major shortcoming and means mirrorless can’t compete with the best DSLRs in some shooting situations.

There are technical justifications for why they don’t: DSLR autofocus sensors can be sensitive to infra-red light, whereas mirrorless cameras aren’t. Because mirrorless cameras focus using their main imaging sensor, any IR has to be filtered-out to avoid skewing the colors in your images. But the AF illuminators on flashguns aren’t solely emitting infra-red: they also emit lots of visible red light, otherwise you wouldn’t be able to see the telltale red grid they project.

Note that the ‘IR’ illuminator in this instance is projecting a visible red target and, crucially, a target that provides a pattern for the camera’s AF system to bite onto.

Another complication is that phase-detection pixels live behind the colored filters that allow most cameras to interpret color in the scene, so may not even see any red light. A PDAF element behind a blue filter won’t see any red light and one behind a green filter will only see a very small amount. But even this shouldn’t be insurmountable: Canon’s Dual Pixel AF means every pixel (including the red-sensitive ones) is a PDAF pixel and, if it came down to it, the manufacturers could offer versions of their flashguns that emit a color that their mirrorless AF systems can see.

If mirrorless cameras are going to displace DSLRs for wedding and event photography, manufacturers need to find a way

Most mirrorless cameras have their own built-in AF illuminators but they’re not nearly as powerful as the off-board lamps on flashguns. Also, they tend to be bright, uniform orange or green lamps which are visually distracting, easily blocked by hands or large lenses and which miss one of the key properties of off-board illuminators: a grid pattern. This grid pattern effectively creates some hard-edges for the AF system to bite onto, even if you’re shooting something that may not have enough inherent contrast to easily focus on. You know, like a white wedding dress in low light.

If mirrorless cameras are going to displace DSLRs for wedding and event photography, manufacturers need to find a way, even if it involves selling (or modifying) flash units that emit a faint green or blue grid pattern. Or doing what Godox does with its X1T command units: firing its red target, just as it would for DSLRs, because in many cases this is better than nothing.

Articles: Digital Photography Review (dpreview.com)

 
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Pixel 3 and Pixel 3 XL feature enhanced computational features, dual front-facing cameras

10 Oct

Google has announced the Pixel 3 and Pixel 3 XL almost exactly a year after their predecessors debuted. The 5.5″ Pixel 3 and 6.3″ XL feature larger displays than the previous generation (5″ and 6″ respectively) but keep roughly the same size and weight.

In a world of dual and triple-camera arrays, Google is staying the course with a single rear-facing camera on each device: the same 12.2MP sensor with dual pixel autofocus and 28mm equiv. F1.8 aperture that appeared in the Pixel 2 and 2 XL. However, two front-facing cameras are now offered: a 19mm equiv. 8MP F2.2 with fixed focus designed for group selfies, and a 28mm equiv. 8MP F1.8 with phase detection autofocus.

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The real story, as it tends to be lately, is the software. Working with just one main camera, Google has doubled down on computational solutions to physical limitations. But there’s a silver lining to this approach: any techniques that make a single camera better will eventually make multiple cameras that much better once that approach is (arguably inevitably) adopted.

The Pixel 2 shot and aligned up to 9 frames for every image taken to maximize detail and reduce noise, and the Pixel 3 is now capable of shooting, buffering, and aligning up to 15 frames per shot. All still with zero shutter lag – you get the shot that represents the instant you hit the shutter button.

A new ‘Night Sight’ feature that combines multiple frames with long shutter speeds for extremely low light shots

There’s a catch, for now though. These extra frames are only used when zooming your image 1.2x or more, or when the environment is so dark as to require longer shutter speeds. That latter feature is called ‘Night Sight’ and it combines multiple frames with long shutter speeds for extremely low light shots. It does this using Google’s ‘robust merge’, which is able to effectively deal with subject movement without blur or ghosting.

Another computational feature called ‘synthetic fill flash’ understands human subjects and raises their exposure with a fill-flash effect. The result is often a nice warm glow on faces, particularly in backlit situations where they might otherwise be rendered dark.

Google uses super-resolution techniques to tackle the problem of poor image quality with digital zoom. By capturing multiple frames with sub-pixel resolution, the Pixel 3 can record detail finer than traditional approaches, which means that digitally zoomed shots, which crop and enlarge smaller portions of the frame, can – we’re told – compete with optical zoom approaches.

Particularly innovative about this approach is the removal of the need to demosaic: with pixel-level image alignment the Pixel 3 can combine images that have been off-set by one pixel shifts, which means that every color has been sampled at each pixel position in the final frame. No demosaicing means sharper images with less noise.

Official Google Pixel 3 sample images

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A new Top Shot feature is available when taking motion photos – the device constantly buffers images and captures alternates, using AI to suggest the best photo of the bunch, even if it was captured before the shutter was pressed.

Improvements have also been made to Portrait Mode. Google says its depth mapping is better, with a new learning-based approach that is better at judging background and foreground objects. The result is fewer depth map errors, more uniform blur across the frame, and more natural transitions from in focus to out-of-focus areas. The level of blur and point of focus can be changed after the fact. Continuous subject tracking is now available as well – tap a subject and the camera will track and maintain focus on it, in stills or video.

Google says its depth mapping is better, with a new learning-based approach that is better at judging background and foreground objects

In non-photographic improvements, the Pixel 3 and 3 XL boast more robust waterproofing with an IP68 rating. And this year neither display appears to have the viewing angle and hue shift issues of last year’s Pixel 2 XL. In our use so far, the displays appear to be right up there with the best we’ve seen.

Both the Pixel 3 and Pixel 3 XL will be offered in Just Black, Clearly White and Not Pink color variations, in either 64 or 128GB. The Pixel 3 starts at $ 799 and the 3 XL starts at $ 899.

Google Pixel 3. Make every day more extraordinary.

Today we’re introducing Pixel 3 and Pixel 3XL, the new smartphones from Google. Pixel brings you the best of Google in a phone, powered by AI to deliver more helpful, thoughtful, and enjoyable experiences. That means a phone that answers for you when a telemarketer calls, a camera that uses AI to make sure you never miss the shot, and a more helpful visual and audio experience while charging, powered by the Google Assistant.

Brilliant photos every time and super-charged selfies
We’re taking more photos on our phones than ever before, but we still often miss the perfect moment. Pixel 3 helps you get that perfect shot on the first try.

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Here’s how the best camera gets even better with Pixel 3:

  • Capture smiles, not blinks: A feature we call Top Shot uses AI to help you capture the perfect photo every time. When you take a motion photo, it captures alternate shots in HDR+, then recommends the best one—even if it’s not exactly when you hit the shutter, looking for those where everyone is smiling, with eyes open, and facing the camera. Top Shot automatically captures alternate shots in HDR+. If your timing wasn’t perfect, the camera will suggest a better one and give you the option to save it.
  • Get better zoom: When you zoom in on a phone camera, the image looks grainy. Super Res Zoom is a computational photography technique, traditionally used for astronomy and scientific imaging, that produces sharp details when you zoom.
  • No light; no problem: Pixel 3 lets you take natural-looking photos in dark surroundings, all without a flash. With Night Sight, coming soon to Pixel 3, you can take bright, detailed, colorful shots around the campfire, in a moonlit forest, or a selfie after you close out the bar.
  • No selfie stick required: Get everyone in the picture with Group Selfie, which gives you 184% more room in your photo for friends and scenery.
  • Look … no hands! Photobooth mode uses AI to recognize that when you’re smiling or making a funny expression, you’re ready for a selfie. It snaps the photo on its own so that you don’t need to reach for the shutter button—a good option for candids.
  • Even more stunning portraits, front and back: When you take photos in Portrait Mode, you can change the blurriness of the background, or change the part of the picture in focus, after the fact. Google Photos can also make the subject of your photo pop by leaving them in color, while changing the background to black and white.
  • Create and play: In Playground, you can make photos, selfies, and videos come to life by adding your favorite superheroes, animated stickers, and fun captions. In celebration of Marvel Studios’ 10 Year Anniversary, you’ll enjoy seeing the characters from the Marvel Cinematic Universe (exclusively on Pixel) react to each other and to you.
  • Super smooth video: When you want to capture something that won’t stop moving—think an adorable toddler or your new puppy—Motion Auto Focus will make sure your Pixel 3 camera stays in sharp focus automatically, as you record. And if you happen to be taking a selfie video while walking or moving around, Pixel 3 brings you front-facing video stabilization.

Unlimited storage for all of your photos and videos
With Pixel 3, you can save all your favorite moments with free, unlimited photo and video storage in original resolution. It’s hassle-free, you don’t have to think about back-ups. Come back to Google Photos later and search for the beach photos you took on your Pixel 3, and they’ll pop right up.

Your AI-powered sidekick
The AI in Pixel 3 enables new features that make your day-to-day actions simpler and easier.

If you want to know more about something you’re looking at, use Google Lens, built right into the Pixel 3 camera. To scan and translate text, find similar styles of clothing, or identify popular plants and animals, you can now long press in the Pixel 3 camera to easily open Lens. When you point your camera at information you want to remember or don’t feel like typing in—like a URL or QR code on a flyer or an email address on a business card—Google Lens suggests what to do next, like creating a new contact.

You can count on even more help across other apps too, including Gmail’s Smart Compose, now available for mobile on Pixel 3. Smart Compose suggests phrases in your emails so that you can draft them faster, on the go. Gboard, the keyboard built into your Pixel 3, will recommend GIFs, stickers, and more, to make your conversations fun and engaging. Available first in English.

The Google Assistant is also baked into Pixel 3 to help you find answers and control your phone and compatible smart home devices—all with a simple squeeze or just by using your voice. This year we have two new Assistant features coming to Pixel:

First, Pixel 3’s on-device AI helps you screen phone calls and avoid spam calls. Imagine you’re at dinner with family or in a meeting at work and a call from an unknown caller comes in. Just tap on “Screen call” to find out who’s calling and why, as well as other information (as prompted by you). You’ll immediately see a transcript of the caller’s responses so that you can then decide whether to pick up, respond by tapping a quick reply (e.g. “I’ll call you back later”), or mark the call as spam and dismiss. Processing the call details on-device means these experiences are fast, private to you, and use up less battery.

Second, Pixel users also get help with making calls. Later this year, Pixel users will be the first to get access to an experimental new Google Assistant feature, powered by Duplex technology, which helps you complete real-world tasks over the phone, like calling a restaurant to book a table. This feature will initially be available in New York, Atlanta, Phoenix and San Francisco to help people book restaurant reservations and will roll out to other cities in the future.

As we develop new calling technologies, we believe it’s critical that we help users understand the context of the conversation. We’ll disclose to businesses receiving the call that they’re speaking to an automated system, and we have developed controls to protect against spam and abuse, as well as the ability for a business to opt-out of receiving calls. For Call Screen, we will also let the caller know that a screening service is being used.

Digital Wellbeing
Our phones, while probably the most important tech in our lives, shouldn’t control our lives. So Digital Wellbeing, a suite of tools to help you find your own balance with technology, is built into Pixel 3. It includes a dashboard to help you understand how you spend time on your phone, the ability to set time limits on specific apps, and a new Wind Down mode to help you get to sleep at night by gently transitioning your display to a grayscale screen. When you don’t want to be bothered by rings or notifications, just flip to Shhh— an easy gesture that turns on Do Not Disturb and minimizes distractions.

Fast and wireless charging
Pixel 3 comes with an 18 Watt fast charger in the box, which can give you 7 hours of use in 15 minutes of charging. With our AI-powered Adaptive Battery technique, Pixel 3 prioritizes battery power for your most important apps to make your phone last all day.

Alongside Pixel 3, we’re also introducing Pixel Stand, our new, Qi compliant wireless charger (sold separately). While charging in the Pixel Stand, your phone turns into a smart visual and audio experience powered by the Google Assistant, similar to Google Home Hub. It answers your questions, plays music, helps you control smart home devices, transitions into a photo frame when idle, and much more. If you set an alarm, your screen will gently brighten over 15 minutes before your alarm goes off, mimicking the sunrise and helping you wake up naturally.

Pixel 3 is IP68 water and dust resistant and has a security chip custom-designed by Google called Titan M, making it the most secure phone we’ve built yet. Titan M enhances mobile security by protecting your unlock credentials, disk encryption, app data, and the integrity of the operating system code itself. Powered by Android 9 Pie, Pixel 3 comes with the latest Android operating system.

You can choose from two sizes – the 5.5” Pixel 3 and the 6.3” Pixel 3 XL – and three colors – Just Black, Clearly White, and Not Pink. Both have the exact same feature set and include a high quality Pixel USB-C earbuds and a USB-C Digital to 3.5 mm headphone adapter in the box. Pixel 3 comes with dual front-firing speakers tuned by a GRAMMY award-winning music producer to turn your phone into a powerful speaker. Customers who activate a Pixel 3 or Pixel 3 XL by December 31, 2018 can get 6-months of free YouTube Music Premium.

Articles: Digital Photography Review (dpreview.com)

 
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Instagram leak claims post re-sharing feature is in testing

22 Sep

A new report from The Verge claims Instagram is currently testing a feature that allows users to re-share posts to their own account feeds. Such a feature, assuming it were to launch publicly, would allow Instagram users to share other users’ content, each re-shared post reportedly showing the original poster, as well as each user that subsequently shared it.

The Verge cites screenshots of the alleged test and “an interview with a source,” in its report, however Instagram told the publication that it is not developing or testing a re-sharing feature.

A re-sharing tool, if one launches, may be limited to businesses

Nonetheless, the report claims that Instagram is calling the feature “seamless sharing” internally, developing it as a way for users to present photos and videos from other users in their own feeds. This would be similar to the Stories sharing feature Instagram launched earlier this year. Each post can reportedly be shared at least two times, the reports states.

The feature pictured within the leaked screenshots is described as “extremely rough,” indicating that development is still in its early stages. As with any test, it’s possible no such feature will be launched publicly to users. The report also points out that a re-sharing tool, if one launches, may be limited to businesses as a way for users to share merchandise posts with their followers.

Via: The Verge

Articles: Digital Photography Review (dpreview.com)

 
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Rumor: Samsung Galaxy S10 to feature triple-camera

26 Jun

We only recently published our Samsung Galaxy S9 Plus review but the smartphone business is extremely fast moving and we are already seeing the first rumors surrounding Samsung’s next generation Galaxy S10 models which should be due for release sometime around the end of February 2019.

The S10 will mark the 10th anniversary of the Korean manufacturer’s high-end Galaxy S line and is expected to come in three variants, with the the top-of-the-line model featuring a Huawei P20 Pro-style triple camera.

Little is known about Samsung’s approach to the triple-camera concept but it’s fair to assume it will offer similar features and specifications as Huawei’s solution

On the Huawei a wide-angle RBG camera is combined with a monochrome sensor and a tele-camera with 3x zoom factor. So far little is known about Samsung’s approach to the triple-camera concept but it’s fair to assume it will offer similar features and specifications as Huawei’s solution. That said, Samsung is expected to develop and implement its own sensors to differentiate the Galaxy S10 from the competition.

The Galaxy S10 base model is rumored to come with a single-camera and a 5.8″ display. The second variant in the line is expected to offer a dual-camera, likely an upgraded version of the Galaxy S9 Plus setup, and the same display size, albeit with with Samsung’s trade-mark curved edges.

The top-end version could feature a larger screen with under-display fingerprint reader and the aforementioned triple-camera. For now Huawei’s P20 Pro is still the only smartphone with a triple-camera in the market but it looks like next year could see both Apple and Samsung enter the triple-camera segment.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon D5 firmware update adds useful ‘recall shooting functions’ feature

26 May

Nikon has released firmware version 1.30 for its D5 professional DSLR, and the new camera software offers a new feature that’s potentially very useful: recall shooting functions.

The “recall shooting functions” option is now available for Custom settings f1 (custom control assignment) and can be configured so that pressing and holding specific controls will recall previously saved exposure settings (including shutter speed and aperture). The function is designed to allow for quick changes of shooting parameters in variable light conditions.

The function can be assigned to the Preview button, Fn1 button, Fn2 button, AF-ON button, Sub-selector center, AF-ON button for vertical shooting, or Lens focus function buttons. If you are using a WR-1 or WR-T10 remote control, it can also be assigned to the Fn buttons on those controls. An addendum to the camera manual that explains the new function in more detail can be downloaded on the Nikon website.

All other changes in this update are fairly minor. The focal lengths of some AF-S and AF-I lenses that are displayed with a teleconverter attached to the camera have been updated, and the time zone display in the Setup Menu only shows the names of major cities in the currently selected time zone. There are also a couple of minor bug fixes.

To read the full change log or download the new firmware for yourself, head over to the Nikon website.

Articles: Digital Photography Review (dpreview.com)

 
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