Fear. It’s an emotion to which we all can relate. Luckily, nervousness or fear in photography can be overcome with practice and patience. After speaking with a few fellow photographers and borrowing from my own experiences, I have listed some shared fears among photographers and ways you can learn to overcome them.
1. The fear: I’m afraid I don’t know what I’m doing.
Every photographer at some point feels a little out of their depth when encountering a new situation or problem. Whether it’s learning to use a new piece of equipment, a lighting conundrum, or simply making a careless mistake during a shoot – we all can feel a little lost from time to time. This is especially true when a person first begins to learn the art. There’s a lot of somewhat technical information to absorb and it can be frustrating to understand new things. I recall shooting my first large wedding. I was so nervous that I was sweating more than the groom. There were some hiccups but overall the shoot went smoothly and the client was pleased.
How to beat it:
Acceptance. That’s the best way to overcome your fear of being inexperienced. The most effective thing you can do as an aspiring photographer is to constantly remind yourself that we all start somewhere. At some point, even the most celebrated of photographers didn’t even know how to operate a camera. You will learn as you go and you will make mistakes. You will also have successes. The key to beating the fear is the determination to keep going.
2. The fear: I’m afraid people won’t like my work.
The fear of rejection is a biggie. We all feel it to some extent and we all struggle with the fact that some people simply will not like the work we produce. This is the beauty and the bane of any art form. Art, by its very nature, is extremely subjective. Each person will view a piece with there own eyes and make judgements based on their experiences.
Here is one of my personal favorite images and one of the least liked by the public.
How to beat it:
When I first began my photographic journey I was easily discouraged. It seemed that for every roll of film I used there would be only one or two decent exposures. I would get so frustrated to point I would just put down my camera. Fortunately for me, I stumbled upon this quote from Ansel Adams:
“Twelve significant photographs in any one year is a good crop.”
That sentence hit me hard. I realized that if one of the most influential American photographers of all time was happy with twelve good images in an entire year, then I should be thrilled of the progress I was making! As painful as it can be, failure is an essential learning tool. Seldom do we gain new knowledge only from our success. Do your work as best you can and show it to the world. The rest is out of your control.
3. The fear: I’m afraid to photograph people.
Making photos of people can be compared to public speaking. Very few people (I haven’t met any) are able to hit the ground running when it comes to street or event photography. It’s just not easy. Anxiety is a constant, at least it was for me. I would worry about how the subject might react to being photographed or if I looked strange photographing a stranger on the street. Even the act of carrying my SLR around in public made me feel out of place.
How to beat it:
The short answer – just do it. Go out and confront your fear. It sometimes helps to begin in a place where other people will likely be carrying cameras such as a public park, farmers market, or other large gathering. You will feel more at ease knowing that you aren’t the only one making photos. As you become more relaxed, begin taking your camera with you on a daily basis.
Practice short excursions around your street or neighborhood and get used to being around people while using your camera. The more you do something the less frightening it will likely become.
Before you know it, you will be able to approach public situations with confidence.
4. The fear: I’m afraid my gear isn’t good enough.
Gear envy. That nagging notion that if you only had this lens or that filter or if you could afford the newest whatever – we all experience it to some degree. It’s a basic condition of humans to want what we don’t have and photographers (most, not all) are notorious for never having enough. We can sometimes let ourselves be afraid that our gear just isn’t up to the task and become convinced that all we need is more and better equipment.
How to beat it:
The best way to overcome the fear of gear inadequacy is to understand that you will never have the best gear because the best gear hasn’t been made yet. Everything is evolving and you only have to do a quick internet search to realize most camera gear updates every couple of years. Stop focusing on what you don’t have. Instead, learn to make the most of what you do have. Study the capabilities of your gear and know what it can do. More importantly, understand what it can’t do. Constantly I see eager photographers become disappointed and discouraged because their expectations grossly overwhelm the capability of their gear. If you have realistic expectations then you won’t be so prone to doing the worst thing a photographer can do – which is quit.
Do you suffer from any of these fears? Do you have others not listed here? Share with us in the comments – we’re all friends here and support each other in getting over our fears.
The post Overcoming Fear in Photography by Adam Welch appeared first on Digital Photography School.
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But here is another fact: there is nothing like photographing someone from a close distance. The eyes, the feelings and the huge visual story potential within. Besides, when we work from a close distance while interacting with the person, we gain control of our tools as photographers: composition, background, the “decisive moment” and we also have that amazing ability to tell the photographed person: “you know what, let’s take one more shot”.
Choose: choose a person you would like to photograph. Don’t use excuses like: “I can’t find anyone special”. Just make the shot, even if it’s only for practice. It is very important that you choose a person who is not on the move, because you need to get ready BEFORE approaching him, so it will be easier in a static situation (a seller in market stand, or someone relaxing at the park)
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