Sigma has released version II of its 18-200mm F3.5-6.3 DC OS HSM superzoom lens. The latest version adds Sigma’s FLD glass, the ‘fluorite-like’ glass co-developed with Hoya and features a revised design (it now features a narrower body and 18 elements in 14 groups, rather than the 13 groups of its predecessor). The lens will be available for Canon, Nikon, Sigma, Pentax and Sony systems (without optical stabilization on the last two mounts). MSRP will be $ 720.
News: Digital Photography Review (dpreview.com)
Posts Tagged ‘F3.56.3’
Sigma reveals 18-200mm F3.5-6.3 II DC OS HSM with ‘FLD’ glass
Sigma 18-200mm F3.5-6.3 DC OS HSM for Nikon D60 – Update
After having this lens for 4+ months, I want to report some issues I have had with this lens. Also the repair experience I have had with Sigma.

I got the EasyCap D60, everything works fine besides sometimes my USB ports do not recognise it and when I record it works out alright then it goes all weird and freezes as you can see in this video. So any help would be great thanks 🙂
Sigma 18-200mm F3.5-6.3 DC OS HSM for Nikon D60 – Part 1
This is a new lens I got for my Nikon D60. It’s the Sigma 18-200mm F3.5-6.3 lens with optical stabilizer, and high speed motor.
www.nikond60.com – here you can purchase Nikon D60 digital camera online. Best Prices and Shipping services. After you size Nikon D60 image, you can change your composition’s magnification back to 100 percent. You can see that the background now shows clouds in view, not just blue sky. Changing the magnification ratio for your composition does not change the size of the final composition output. This is a display option only. So, you’ve created a project, created a new Nikon D60 composition, loaded a digital photo, placed it, and sized it. That’s not bad, but it’s basic and boring. I know. But it’s getting more fun, so read on to start adding elements. Make sure to save your work so far. Adding Nikon D60 Multiple Digital Photos in After Effects Often when working in After Effects, you’ll need to load a few images, by way of a sequence or as random files. Previously, you loaded just one image. Now you’ll load multiple images to be used in Nikon D60 digital photo montage. Loading multiple photos is as easy as loading a single image, but remembers that you’re still working from the background forward, even though you can always rearrange your project’s layers. Rather than randomly choosing images to load, import them according to how you’ll use them.