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Posts Tagged ‘F1.8’

Nikon Z 50mm F1.8 S sample gallery

07 Jan

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The Nikon Z 50mm F1.8 is one of three lenses to launch with the Z system, and it’s quickly becoming a staff favorite thanks to its edge-to-edge sharpness and a pleasing absence of chromatic aberration. Nikon claims that the Z 50mm F1.8 redefines what an F1.8 standard lens can do – take a look at our gallery and see for yourself.

See our Nikon Z 50mm F1.8 S
sample gallery

Articles: Digital Photography Review (dpreview.com)

 
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Canon RF 35mm F1.8 Macro IS STM sample gallery

15 Oct

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The weather and has most definitely taken a turn toward fall here, and our shooting opportunities have followed suit. We brought the Canon RF 35mm F1.8 along to a harvest festival of sorts and a few of our usual haunts. The lens is currently the widest native prime for the RF system, and priced at $ 500 for its launch in December, is also the cheapest lens to debut with the RF. Take a look through our gallery to see how it performs.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang announces 85mm F1.8 lens for APS-C mirrorless cameras

27 Aug

Samyang has announced an upcoming 85mm F1.8 prime lens for a collection of APS-C format mirrorless camera systems.

The lens, which will also be sold under the Rokinon brand name, is available in Sony E-, Fuji X- and Canon M-mounts, as well as Micro Four Third (MFT) systems. Taking into account the crop factors, the 85mm F1.8 lens will be equivalent to roughly 128mm on Sony E- and Fuji X-mounts, 136mm on Canon M-mounts and 170mm on MFT systems.

The lens is constructed of nine optical elements in seven groups, which includes an Ultra Multi Coating (UMC) to reduce ghosting and chromatic aberration. It relies on manual focusing with a minimum focusing distance of 0.65m/2.13 feet and features a nine-blade aperture diaphragm. The front filter mount is 62mm and the lens comes with a reversible lens hood.

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The Samyang/Rokinon 85mm F1.8 lens is set for a September 2018 release date at an expected MSRP of $ 399.

Articles: Digital Photography Review (dpreview.com)

 
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Nikon Z-mount launches with 24-70mm F4, 50mm F1.8 and 35mm F1.8 lenses

24 Aug

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You can’t launch a new camera system without lenses, and Nikon has three Nikkor Z-mount lenses available at and slightly after the launch of the Z 7 and Z 6. They include a 24-70mm F4 S, 50mm F1.8 S and 35mm F1.8 S (the ‘S’ represents the subtle silver ring around the lens, according to Nikon). The company is also developing a 58mm F0.95 Noct lens and has released a three-year roadmap of what’s next.

The 24-70mm F4 S features a buttonless collapsible design, 14 elements (which include ED aspherical, ED and aspherical) and both Nano Crystal and fluorine coatings. As with all of the new lenses, the 24-70 has electromagnetic aperture control, uses a stepping motor for autofocus and countermeasures to reduce focus breathing. A customizable control ring can be used to adjust focus, aperture and exposure compensation. The minimum focusing distance of the lens is 30cm (11.8″). The 24-70 will serve as a kit lens for both the Z 7 and Z6.

The Nikkor Z 50mm F1.8 S is one of two standard primes in the initial lineup. Of its 12 elements, two are ED and two are aspherical, and there’s a Nano Crystal Coat, as well. The lens has a nine-blade aperture, internal focusing and a minimum working distance of 40cm (15.7″).

The third of the initial group of lenses is the Nikkor Z 35mm F1.8 S, which has 2 ED and 3 aspherical elements as well as a Nano Crystal Coat. This lens has a rear focusing system and a minimum distance of 25cm (9.8″).

Press Release

NIKON RELEASES THE NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, NIKKOR Z 50mm f/1.8 S, AND THE MOUNT ADAPTER FTZ, AND DEVELOPS THE NIKKOR Z 58mm f/0.95 S NOCT

Designed Exclusively for the Nikon Z Mount System, Featuring a New, Larger-Diameter Mount

MELVILLE, NY (AUGUST 23, 2018 AT 1:01 A.M. EDT) – Nikon Inc. is pleased to announce the release of three new lenses designed for the next-generation Nikon Z mount system’s full-frame (Nikon FX format) mirrorless cameras, for which a new larger-diameter mount has been adopted. The three new lenses are the standard zoom NIKKOR Z 24-70mm f/4 S, the wide-angle prime NIKKOR Z 35mm f/1.8 S, and the standard prime NIKKOR Z 50mm f/1.8 S. Nikon has also announced the Mount Adapter FTZ for Z System compatibility with existing NIKKOR F mount lenses and development of the NIKKOR Z 58mm f/0.95 S Noct lens1.

NIKKOR Z lenses pursue a new dimension in optical performance, by taking advantage of the superior design flexibility made possible by the combination of the larger Z mount with its inner diameter of 55mm, and a short flange focal distance of 16mm. The lenses offer sharp resolution with both still-image and video recording, and are equipped with functions that include: compensation for focus breathing (the shifting of the angle of view when focus is adjusted), quiet operation, smooth exposure control, a control ring and performance that is well suited for video capture.

The NIKKOR Z 24-70mm f/4 S, NIKKOR Z 35mm f/1.8 S, and NIKKOR Z 50mm f/1.8 S are S-Line interchangeable lenses. The S-Line is a newly designated grade of NIKKOR Z lenses that adhere to a new benchmark in optical performance, realizing rendering performance that surpasses that of conventional f/4 standard zoom lenses and f/1.8 wide-angle or standard prime lenses. From maximum aperture, clear and sharp resolution can be achieved as well as beautiful bokeh characteristics.

Additionally, the Mount Adapter FTZ has been designed to allow users of Nikon SLR cameras to utilize their existing NIKKOR F mount lenses with the Z mount system and enjoy taking advantage of an even wider variety of lens characteristics with their photography.

Development of the NIKKOR Z 58mm f/0.95 S Noct

Nikon is currently developing the NIKKOR Z 58mm f/0.95 S Noct, a standard prime manual focus lens and the fastest lens in Nikon’s history. The design of the Noct lens exemplifies Nikon’s mission to pursue the ultimate optical performance in the mirrorless category. As the result, the Noct is positioned at the top of the S-Line. In addition, Nikon is planning on releasing a variety of new lenses that will continue to expand its line of attractive, high-performance NIKKOR Z lenses that further extend photographers’ creative expressions.

NIKKOR Z 24-70mm f/4 S Primary Features

  • Standard focal-length range from wide-angle 24mm to medium-telephoto 70mm can effectively cover a wide variety of scenes and subjects with rendering performance that will change the perception of what is possible with zoom lenses with a maximum aperture of f/4
  • Optical design that suppresses variations in aberrations from shooting distances of close-up to infinity, demonstrating sharp resolution even in the peripheral areas of the frame from the maximum aperture, as well as fine point-image reproduction
  • Achieved a minimum focus distance of just 0.3 m across the zoom range
  • Adoption of an ED glass element, an aspherical ED lens element, and three aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • Has the size needed to deliver an extremely high standard of optical performance, yet provides outstanding portability; employs a retracting mechanism that can be set on/off without pressing a button and reduces total length for a compact lens that can easily be taken anywhere
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed
  • Fluorine coat applied to front lens surface

NIKKOR Z 35mm f/1.8 S Primary Features

  • Rendering performance that redefines perceptions of what a 35 mm f/1.8 lens can do
  • Sharp resolution even in the peripheral areas of the frame from the maximum aperture, effective suppression of sagittal coma flare that enables superb point-image reproduction when capturing point light sources in night landscapes, and the soft and natural bokeh characteristics expected of a fast (bright) lens
  • Adoption of a new multi-focusing system featuring two AF drive units providing driving power at high speed and with high accuracy that achieves quiet, fast, and accurate AF control, as well as high image-forming performance at any focus distance
  • Adoption of two ED glass elements, and three aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed

NIKKOR Z 50 mm f/1.8 S Primary Features

  • Superior rendering ignites creativity, and redefines perceptions of what a 50mm f/1.8 lens can do
  • Thorough suppression of axial chromatic aberration ensures superior resolution with faithful reproduction of the fine textures in subjects, even from maximum aperture
  • Sharp and clear rendering of details from the center of the frame to the peripheral edges, regardless of the shooting distance
  • The soft and beautiful bokeh characteristics at any shooting distance possible only with a fast (bright) lens
  • Adoption of two ED glass, and two aspherical lens elements
  • Nano Crystal Coat adopted to suppress ghosting and flare
  • Adoption of a new, powerful stepping motor (STM) enables quiet and accurate AF control during both still-image capture and video recording
  • In consideration to a dust- and drip-resistance, the entire lens, including moving parts, has been sealed

Mount Adapter FTZ Primary Features

  • Full compatibility with more than 90 lenses and functionality with approximately 360 existing NIKKOR F lenses from AI type onwards2
  • The unique characteristics of NIKKOR F mount lenses can be applied to Z mount system image quality
  • In-camera VR (Vibration Reduction) with three-axis VR is available when attaching a NIKKOR F lens without built-in VR; in-camera VR also performs well with stills and video recording
  • When attaching a NIKKOR F lens with built-in VR, lens VR and in-camera VR effectively work together to compensate for camera shake by enabling three-axis VR.
  • Various sections of the adapter are effectively sealed to ensure dust- and drip-resistant performance equivalent to that of NIKKOR F lenses
  • Designed to be lightweight yet tough with consideration for superior operability as a part of a complete system

Development of the New NIKKOR Z 58mm f/0.95 S Noct Lens that Pursues Ultimate Optical Performance

The NIKKOR Z 58mm f/0.95 S Noct that Nikon is currently developing will be a large aperture, standard 58mm prime focal-length, the fastest lens in Nikon’s history3, manual-focus lens positioned at the very top of the S-Line. It will stand to symbolize the Nikon Z mount system’s new dimension in optical performance.

It has inherited the design concept behind the original AI Noct-NIKKOR 58mm f/1.2, a standard prime lens released in 1977, named for “Nocturne” (a musical composition inspired by or evocative of the night), and was popular for its ability to finely reproduce point light sources as point images. This new Noct lens that is currently in development will take advantage of the advanced design flexibility afforded by the Z mount, pursuing ultimate optical performance. Development continues with the goals of achieving an extremely fast maximum aperture of f/0.95, offering the ultimate in NIKKOR rendering performance with superior detail and sharpness. Additionally, the goal is to achieve beautiful blur characteristics, or bokeh, with good continuity, and ensure outstanding point-image reproduction capabilities for more compelling, three-dimensional imaging.

The NIKKOR Z Lens Roadmap

Information in the roadmap, including release dates, are subject to change. Product names after the NIKKOR Z 58mm f/0.95 S Noct are not yet finalized.

Price and Availability

The NIKKOR Z 24-70mm f/4 S and NIKKOR Z 35mm f/1.8 S will be available September 27 for the suggested retail prices (SRP) of $ 999.95* and $ 849.95*, respectively. The NIKKOR Z 50mm f/1.8 S lens will be available in late October for the SRP of $ 599.95*. The Mount Adapter FTZ will be available September 27 for $ 249.95* SRP (Additional $ 100 savings when purchased together with a Z 7 or Z 6, through 12/31/2018). For more information on these and other Nikon products, please visit www.nikonusa.com.

Nikkor Z 24-70mm F4 S specifications

Principal specifications
Lens type Zoom lens
Max Format size 35mm FF
Focal length 24–70 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F4
Minimum aperture F22
Aperture ring Yes
Number of diaphragm blades 7
Optics
Elements 14
Groups 11
Special elements / coatings 1 aspherical ED + 1 ED + 3 aspherical elements, Nano Crystal and fluorine coatings
Focus
Minimum focus 0.30 m (11.81)
Maximum magnification 0.3×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 500 g (1.10 lb)
Diameter 78 mm (3.07)
Length 89 mm (3.5)
Materials Magnesium alloy
Sealing Yes
Colour Black
Zoom method Rotary (extending)
Power zoom No
Zoom lock No
Filter thread 72 mm
Hood supplied Yes
Tripod collar No

Nikkor Z 35mm F1.8 S / 50mm F1.8 S specifications

  Nikon Nikkor Z 35mm F1.8 S Nikon Nikkor Z 50mm F1.8 S
Principal specifications
Lens type Prime lens
Max Format size 35mm FF
Focal length 35 mm 50 mm
Image stabilization No
Lens mount Nikon Z
Aperture
Maximum aperture F1.8
Minimum aperture F16
Aperture ring No
Number of diaphragm blades 9
Optics
Elements 11 12
Groups 9
Special elements / coatings 2 ED + 3 aspherical elements, Nano Crystal Coat 2 aspherical + 2 ED elements, Nano Crystal Coat
Focus
Minimum focus 0.25 m (9.84) 0.40 m (15.75)
Maximum magnification 0.19× 0.15×
Autofocus Yes
Motor type Stepper motor
Full time manual Yes
Focus method Rear Internal
Distance scale No
DoF scale No
Focus distance limiter No
Physical
Weight 370 g (0.82 lb) 415 g (0.91 lb)
Diameter 73 mm (2.87) 76 mm (2.99)
Length 86 mm (3.39) 87 mm (3.43)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 62 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 14mm F1.8, 135mm F1.8, and 70mm F2.8 macro Art lenses for Sony E-Mount now shipping

10 Aug

Sigma is now shipping the 14mm F1.8 DG HSM, 70mm F2.8 DG MACRO, and 135mm F1.8 DG HSM Art lenses for Sony E-mount full-frame cameras that were announced in February. All three lenses support Sony’s Continuous AF and high-speed autofocus, as well as in-camera lens aberration correction and image stabilization.

According to Sigma, the brass bayonet on each lens features special surface treatment designed to improve the mount strength. The mount is joined by a rubber seal to protect against splashes and dust. In addition, Sigma says its E-mount models include a newly developed control algorithm that both maximizes data transmission speeds and optimizes the autofocus drive.

All three E-mount lenses are available from retailers now at the following prices:

  • 14mm F1.8 DG HSM: $ 1599 USD
  • 70mm F2.8 DG MACRO: $ 569 USD
  • 135mm F1.8 DG HSM: $ 1399 USD

Articles: Digital Photography Review (dpreview.com)

 
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Yongnuo unveils YN50mm F1.8 II: Version 2 of its ‘Nifty Fifty’ clone

15 May

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Hong Kong camera gear maker Yongnuo has released version II of its ‘nifty fifty’ Canon clone: the YN 50mm F1.8 II. The original YN 50mm F1.8 was one of the first lenses the budget brand ever released, undercutting Canon’s already ultra-affordable EF 50mm F1.8 II. Version II continues this trend, with a price tag of just $ 75, while the original will cost you just $ 51.

Optically, the lens seems to be unchanged—you still get 6 lens elements in 5 groups which produce a 46° angle of view, and a 7-blade aperture that runs from F1.8 to F22. The updated lens does drop the minimum focusing distance from 45cm to 35cm (to match Canon’s 50mm F1.8 STM), and adds support for USB-free firmware updates that are delivered directly through the camera.

Other notable improvements, according to Yongnuo, come in the form of improved “mechanical structure and coating technology,” which apparently translate into improved “focus accuracy, auto-focus speed and light transmittance.” You’re also getting a metal mount, and focus distance markings have been added to the lens build.

Here’s the full spec sheet, in case you’re curious:

The lens is already live on eBay, where it’s going for $ 75 (compared to Canon’s 50mm F1.8 STM, which will run you $ 125). Expect the Yongnuo lens to join the rest of the YN lineup on Amazon shortly.

To learn more about this lens, head over to the Yongnuo website.

Press Release

Small Lens with Super Bokeh Effect – YONGNUO YN50mm F1.8 II

Supports USB-free Firmware Upgrade

Firmware of the lens can be upgraded through camera instead of using USB port, which not only meets the requirements of firmware upgrade and appearance design, but also avoids the incompatibility problems caused by different computer operating systems.?Note: this function needs to be supported by camera?

F1.8 Bright Aperture

Maximum aperture F1.8,bokeh effect is easily achieved ,which brings you more fun during photographing.

New Mechanical Structure, New Coating Technology

YN50mm F1.8 II has all the product advantages of the last generation. By improving the mechanical structure and coating technology, its focus accuracy, auto-focus speed and light transmittance are increased. Furthermore, it can control backlight ghost and glare.

Durable Metal Mount

YN50mm F1.8 II adopts chrome-plated and high-accuracy metal mount. It’s wearable, corrosion-resistant, and highly consistent with the body of the camera.

0.35m Closest Focusing Distance

Compared with the first generation, the closet focusing distance of YN50mm F1.8 II is shortened to 0.35m.You can get closer to the object for photography and enlarge the object.

Focus Modes: Auto Focus (AF) and Manual Focus (MF)

YN50mm F1.8 II supports auto focus and manual focus. The focus mode can be selected according to practical requirement.

Focus Distance Indicator is convenient for you to estimate the distance and the depth of field.

YN50mm F1.8 II has 7pcs of aperture blades, which helps to take picture of circular defocused spots or helps to stop down and take picture of 14-star effect.

Articles: Digital Photography Review (dpreview.com)

 
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Meike announces full frame 85mm F1.8, its first autofocus lens

21 Apr

Chinese accessories brand Meike has announced it will introduce an autofocus 85mm F1.8 lens for Canon and Nikon full-frame DSLRs. In addition to adding another (very likely) affordable third party option to the mix, this will be the company’s first AF lens.

Details are a little thin on the ground, but early marketing materials suggest it will be a lightweight and compact lens with an all-metal body construction. The optical formula will use nine elements in six groups, and all elements will be multi-coated on both sides. Close focus will begin at 0.85m with a maximum magnification of 1:1.8. The lens will be 79.5mm long and will accept a 67mm filter.

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In addition to the Nikon and Canon full-frame mounts, Meike will release the MK-85mm F1.8 lens for Sony APS-C models as well. No price has been announced as of yet, and the company hasn’t said when we should expect the lens to go on sale.

For more information visit the Meike website.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Shooting the Milky Way hand-held with the Sigma 14mm F1.8 Art

05 Dec

More than once, we’ve called the Sigma 14mm F1.8 DG HSM | Art lens an astrophotographer’s dream lens. From the moment it was announced, we were dying to get our hands on it; and once we did, it did not disappoint. But what’s the big deal? Why pay $ 1,600 for this lens when the very capable Samyang/Rokinon 14mm F2.4 will cost you half as much and resolve nearly as much detail (if not more)?

Light… that’s why. A point explained beautifully by photographer Alyn Wallace, who recently took the 14mm F1.8 Art out for a spin in the night. After managing to take a hand-held photograph of the Milky Way—an insane and somewhat-pointless but also kind-of-fun experiment to see what F1.8 can really do—he pops the lens onto a tripod for some proper astrophotography and is immediately blown away.

“This lens is a light vacuum,” he says. “It’s like I’ve stuck a black hole on the front of my camera.”

DPReview’s Dale Baskin felt similarly after shooting the Aurora with the Sigma 14mm F1.8 Art, writing in his Gear of The Year post, “Once I tried the Sigma 14mm F1.8 it was game over. I knew I had found the one.”

Of course, the lens isn’t perfect, and Wallace gets into that as well, looking closely at the corners and revealing where pushing this lens to F1.8 is going to cost you. To see his results and drool a bit over a piece of glass that may make its way onto your very own “treat yourself” list this holiday season, check out the full video up top.

Articles: Digital Photography Review (dpreview.com)

 
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Astrophotography lens shootout: Samyang 14mm F2.4 vs Sigma 14mm F1.8

02 Dec

If you’re thinking of picking up a great ultra-wide astrophotography lens, chances are good you’ve looked at the three 14mm primes featured in this video. The old Samyang 14mm F2.8 is a classic and affordable choice; the updated Samyang 14mm F2.4 is faster, higher quality, and not prohibitively expensive; and the Sigma 14mm F1.8 Art is a lens astrophotographers have been drooling over ever since it was announced in February.

So which do you pick, and why?

NatureTTL’s Matthew Saville took all three lenses into the middle of the desert to shoot some nightscapes and compare the performance of these extremely popular choices.

You’ll definitely want to check out the full video if you’re deeply uncertain about which to choose—there are some great side-by-side sharpness comparisons that should satisfy the pixel peepers out there—but Saville manages to break the trio down into a very neat categories:

The Sigma 14mm F1.8 Art is your choice if you absolutely need the extra light over the F2.4 and don’t mind spending a bunch more money to get it. It’s extremely sharp, and will deliver exceptional results… even wide open… even in the corners.

The Samyang 14mm F2.4 is hard to beat as an overall choice when you look at performance-to-price ratio. To his eye, it’s a tiny bit sharper in the corners wide open than the Sigma—even when you stop the Sigma down to F2.4—and it’ll cost you half as much. You are, of course, sacrificing AutoFocus over the Sigma, but many nightscape and night sky photographers shoot in manual focus all the time anyway.

The Samyang 14mm F2.8 is by far the most affordable of the bunch. This classic lens will cost you as little as $ 250 on sale, making it less than half as much as the Samyang 14mm F2.4, which was already half the price of the Sigma 14mm. But that drop in price comes with a significant drop in performance. Saville labels it a great choice for those just getting into nightscape photography, as a time-lapse lens if you’ll be displaying your footage in 1080p, or as a solid backup that is so cheap it would be silly not to own one.

Check out the full video up top to hear all of Saville’s thoughts on these three popular 14mm primes. And if you want to find out more about why the Sigma 14mm F1.8 Art lens just might be worth spending that bundle of money on, click on the big blue button below to read about why DPReview’s Dale Baskin named it his Gear of the Year 2017.

Gear of the Year 2017 – Dale’s choice: Sigma 14mm F1.8 Art

Articles: Digital Photography Review (dpreview.com)

 
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Gear of the Year 2017 – Dale’s choice: Sigma 14mm F1.8 Art

01 Dec
Sigma’s 14mm F1.8 Art lens makes it easier to get shots like this.
ISO 5000 | 2 seconds | F1.8 | 14mm

Over the past couple years I’ve developed a strong interest in wide-field astrophotography. Specifically, I’ve become passionate about photographing the aurora borealis, commonly known as the northern lights.

The aurora is Mother Nature’s own special effects show, and it’s one of those things that makes you stop to just appreciate the magic of the universe. No photo, IMAX screen, or VR headset will ever replicate the experience of standing under the sky when she flips on the light switch, but maybe that’s why I’m so drawn to aurora photography in the first place: it requires me to go to where I can experience the magic in person.

There are a lot of good lenses out there for this purpose, and I’ve used quite a few of them including the legendary Nikon 14-24mm F2.8, the Rokinon 14mm F2.8, the Venus Optics Laowa 15mm F2, various 16-35mm F2.8 variants, and even Sigma’s own 20mm F1.4 Art, but once I tried the Sigma 14mm F1.8 it was game over. I knew I had found the one.

ISO 1600 | 3.2 seconds | F1.8 | 14mm

One thing you learn quickly when shooting aurora is that you need fast, wide lenses. Fast because you’re shooting at night (duh). Wide because the aurora typically covers a large portion of the sky. It also makes it easier to include some landscape to provide a sense of place. This is where the Sigma 14mm F1.8 Art lens comes in.

What makes this lens so special is the fast F1.8 aperture. That’s 1.3 EV faster than an F2.8 lens. Put another way, wide open the Sigma 14mm has a 2.5x light gathering advantage over F2.8 lenses. That’s huge.

One challenge when photographing the aurora is that it can dance around surprisingly fast at times. Even at high ISO values an exposure may be on the order of several seconds, making it difficult to capture the intricate structure you often see in person. That’s part of the reason time-lapse sequences never look as good as the real thing.

ISO 3200 | 5 seconds | F12.8 | 14mm

Using the Sigma 14mm, however, I can cut my exposure time significantly. Where the Nikon 14-24mm F2.8 might require a 6 second exposure, the Sigma lets me get away with 2.5 seconds. Still not enough to freeze the action, but enough to reduce the degree to which patterns and structure in the aurora get averaged out.

Conversely, there are times when the aurora moves slowly and I’m not too concerned about shutter speed. In that case, I can lower my ISO significantly, say from 6400 to 2500, in order to get higher quality images.

But wait, there’s more! This lens even makes it easier to focus in the dark. I typically use live view to focus on a bright star. Sounds easy, but sometimes it’s not. The extra light at F1.8 makes this easier, making shooting more fun.

Blah, blah, blah… That all means squat if the photos don’t look good. Thankfully, this lens has great image quality.

ISO 6400 | 1.3 seconds | F1.8 | 14mm

Wide open there’s some comatic aberration, which causes point sources of light near the edge of the frame to look distorted, but unless your viewer is pixel-peeping they probably won’t see it. I suppose if I were an astro purist, and the stars were the main subject of my photos, I might get a bit persnickety about this, but I’m not, so I don’t.

There’s also noticeable vignetting wide open, but it’s a smooth transition to the edges, and I’ve generally been able to correct for it effectively in Lightroom. Again, astro purists will probably cringe at this, but for aurora photos it works great.

If there’s any significant downside to this lens, it’s that it’s both big and heavy. This is one place where Sigma’s ‘Make the best optic possible and size be damned’ design approach is visible. Put a couple of these in your pack and you’re going to feel it. (Then again, some of those other lenses I mentioned above are pretty big as well.)

I’m looking forward to doing a lot more aurora photography in the future, and I’ll be doing much of it with this lens. It’s going to take a lot to displace it from my camera, which is why it’s my 2017 gear of the year.

Sigma 14mm F1.8 Art sample galleries

Sample gallery

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Astrophotography sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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