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Posts Tagged ‘Dublin’

Upcoming Strobist Events: Buenos Aires, Dublin and Havana

20 Oct

Just a quick heads-up on upcoming Strobist events. If you are local to Buenos Aires or Dublin—or have ever wanted to spend a photo-centric week in Havana—check out the details below.

Buenos Aires, Argentina: November 17-19

I’ll be doing a seminar and two workshops in Buenos Aires in November. In the half-day seminar on the 17th, we’ll move beyond F/stops and shutter speeds and take a step back to look at photography from a broader perspective. How can you approach your photography in a way that also incorporates your other skills and expertises? How can you turn this approach into sustainable business models and ecosystems?

Whether your goal is to make money or just to become more aware of and focused on who you are as a photographer, this talk is designed to prompt deeper thought. And because of the Contrastes Magazine’s sponsorship, the talk is *free*. Well, at least for subscribers of the magazine. (Which means that if you are not yet a subscriber, the half-day seminar will only set you back the cost of a magazine subscription.)

On the 18th and 19th, I’ll be teaching small-class workshops on lighting. These are shooting workshops, and are appropriate for anyone who wants to learn (or learn more) about small-flash lighting. Because of the sponsorshop, they are also economically priced.

More details are here: Buenos Aires Workshops

Dublin, December 3-5

I’ll be both speaking and teaching for the Irish Professional Photographers Association in Dublin in December. More important: Italian photographer Sara Lando will also be teaching here during this time.

Sara and I will both be speaking on Sunday the 3rd. Sara will talk in the morning about the thousand things you wouldn’t think about that go into a successful conceptual portrait session. I’ll be talking in the afternoon about how to incorporate your photographic expertise into a wide range of external possibilities—and how to build digital and economic ecosystems around that.

On Monday and Tuesday the 4th and 5th, I’ll be running a two-day, small-flash speedlight bootcamp. This is a small class, and we’ll be shooting the whole time. But between us, where you really want to be is in either or both of Sara’s two classes. Her unique approach to creative portraiture will cause you to completely re-examine your own approach. Honestly, the less creative you feel you are, the more you can benefit from spending a couple of days with her.

More details here, with early bird prices in effect until October 31: Dublin Workshops

X-Pedition Havana, January 12-19

Our inaugual Strobist X-Pedition is set for Havana, Cuba, from January 12-19. This is not a photo junket. This is an intensive week in perhaps the most photographically (and culturally, economically, etc.) interesting city in the western hemisphere.

The US government makes it a total pain in the butt to get to Cuba, and it is becoming far more so under the tightening restrictions. But having been there, I can tell you it is well worth the trouble. Go while you still can.

Our week is designed around learning and photography in a tight, small-group environment. When the light is crap, we’ll be indoors learning how to think and see more like a photojournalist. When the light is right, we’ll be out shooting. We have several location shoots lined up, and you’ll get plenty of time to explore on your own as well. Throughout the week, we’ll also be learning to bridge the perception-reality gap for lesser-traveled destinations.

Our goal by the end of the week is threefold: to make you a more observant and focused traveling photographer, to learn to shoot efficiently while retaining time for yourself and/or family while on the road, and to have the knowledge and experience to grab your camera and confidently head to nearly any place in the world.

This trip is nearly full. As of this writing, we have only two spots left in our Havana X-Pedition.

More details: X-Pedition Havana
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I’m stoked about each of these, and very much hope to see you there.

-DH
Strobist

 
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The Sony RX100 at Dublin Zoo [USER REVIEW]

24 May

by Sarah Hipwell

It’s been about four years since my last visit to the zoo. Last week my two girls had a break from school so I decided to take them along with my Mum for a day out to visit the animals at Dublin Zoo. I brought my trusty new Sony RX100 and as a backup I brought my Nikon D300 DSLR. In the end the D300 camera didn’t come out of my bag!

Sony rx100

I really wanted to test out the RX100 and see how well this compact camera performed in the wild!

Actually, I had been interested in purchasing a compact camera for a while now. My husband has taken some great shots with his Retina iPhone. But I don’t have an iPhone nor do I particularly like smartphones per se.

With any camera that you choose, there will always be trade-offs. I find the D300 to be a little cumbersome not to mention heavy. There are just times when a handy compact is all you want, but you still want quality shots. Enter the Sony RX100. It was launched last year and has received glowing reviews.

And rightfully so!

The price did seem a little steep but the more I read about this camera, the more I wanted it! So I decided to trade in my Nikkor 28mm lens against the purchase of the camera. I also have a 18-200mm lens so it wasn’t any hardship to lose the 20mm.

The moment we got to the zoo I put my RX100 on my sling strap. This was ideal. I haven’t enjoyed taking photos in this way for such a long time. It was pure point and shoot from the word go. I did decide to leave it on Manual mode for most of the time. I like to be able to adjust Aperture/Shutter speed/ISO quickly and the RX100 has a Function button which provides easy access to ISO settings when needed.

I had previously seen a wonderful photo of Asian lion, a recent addition to the Dublin Zoo. I was looking forward to taking a few shots of him but somehow I managed to miss my opportunity. However, I get a few nice shots of this magnificent Tiger shown below.

NewImage

The seals were a treat to watch too. Their keeper explained a bit about these creatures and how they train them. I wanted to test the HD video quality and I was blown away by the quality, here is a screengrab that I took as a still.

NewImage

The zoom feature on the RX100 was a real surprise. I wasn’t expecting much but it turned out to be quite impressive. Here’s a couple of shots that I took of the giraffes, standing from the same spot. See below.

NewImage

Next were the Gorillas. Every time I see these primates, I’m in awe. I think it’s because we, as in humans, look so similar. I just love the expression on this gorilla’s face. See below.

NewImage

My favorite feature so far on the RX100 is the macro ability, especially as it can open to f1.8

Here is an example of a close up of this snake in the reptile house at f2.5. See below.

NewImage

The camera also packs a 1 inch large sensor with 20 million effective pixels.

I’m still getting use to this camera but it is my go to camera for the moment. All in all, the Sony RX100 is a very nice, light and powerful compact camera.

Get a price on the Sony RX100 at Amazon.

Learn more about this camera with our previous full review of the Sony RX100.

See more of Sarah Hipwell’s work at her website – SarahHipwell.com

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

The Sony RX100 at Dublin Zoo [USER REVIEW]


Digital Photography School

 
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Dublin Floods Video Edit 24 oct 2011

07 Dec

Video I shoot last night during the floods in different parts of Dublin. I threw in a few pictures as well. Shoot using Nikon DSLR D90
Video Rating: 4 / 5

 
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Dublin Contemporary 2011 – Iveagh Gardens In Dublin

28 Nov

Some cool visual art images:

Dublin Contemporary 2011 – Iveagh Gardens In Dublin
visual art
Image by infomatique
A NEW VISUAL arts exhibition has opened in Dublin which features over 90 artists from five continents.

A major exhibition called The Office of Non-Compliance is housed in Earlsfort Terrace and I hope to publish some photographs later this week. The Iveagh Gardens are being transformed into a sculpture garden throughout the six-week event and I took the opportunity to photograph some go them. I assume that more are to be added, I will check on a regular basis.

Theme

The title and theme of Dublin Contemporary 2011 is Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance. Taken from William Butler Yeats’ famous poem “Easter, 1916”, the exhibition’s title borrows from the Irish writer’s seminal response to turn-of-the-century political events to site art’s underused potential for commenting symbolically on the world’s societal, cultural and economic triumphs and ills.

The second part of the exhibition’s title underscores Dublin Contemporary 2011’s emphasis on art that captures the spirit of the present time, while introducing the exhibition’s chief organizational engine: The Office of Non-Compliance. Headed up by Dublin Contemporary 2011 lead curators Jota Castro (artist/curator) and Christian Viveros-Fauné (critic/curator), The Office of Non-Compliance will function as a collaborative agency within Dublin Contemporary 2011, establishing creative solutions for real or symbolic problems that stretch the bounds of conventional art experience.

Venues and Programme

The main exhibition hub at Earlsfort Terrace, former home of University College Dublin, will provide a range of unusual spaces for mini solo exhibitions that range from large-scale installations to smaller intimate hangings. The Office of Non-Compliance, located within the Earlsfort Terrace exhibition site, will function as a promoter of ideas around a laundry list of non-conformist art proposals. This element of the exhibition will include ad-hoc, accessible structures for discourse around art and its place in society.

Extending its reach across the city, Dublin Contemporary 2011 will partner with four important Dublin galleries: The Douglas Hyde Gallery, Dublin City Gallery The Hugh Lane, The National Gallery of Ireland and The Royal Hibernian Academy.

Dublin City Gallery The Hugh Lane will present a retrospective of the work of renowned Irish artist Willie Doherty. An exhibition of American painter Alice Neel’s striking, psychologically penetrating portraits will take place at The Douglas Hyde Gallery.

The National Gallery of Ireland will host works by a number of international artists as well as a new commission by the distinguished Irish artist Brian O’Doherty. The Royal Hibernian Academy will host an exhibition of works by American painter Lisa Yuskavage and a new commission by Irish artist James Coleman.

Dublin Contemporary 2011 – Iveagh Gardens In Dublin
visual art
Image by infomatique
A NEW VISUAL arts exhibition has opened in Dublin which features over 90 artists from five continents.

A major exhibition called The Office of Non-Compliance is housed in Earlsfort Terrace and I hope to publish some photographs later this week. The Iveagh Gardens are being transformed into a sculpture garden throughout the six-week event and I took the opportunity to photograph some go them. I assume that more are to be added, I will check on a regular basis.

Theme

The title and theme of Dublin Contemporary 2011 is Terrible Beauty—Art, Crisis, Change & The Office of Non-Compliance. Taken from William Butler Yeats’ famous poem “Easter, 1916”, the exhibition’s title borrows from the Irish writer’s seminal response to turn-of-the-century political events to site art’s underused potential for commenting symbolically on the world’s societal, cultural and economic triumphs and ills.

The second part of the exhibition’s title underscores Dublin Contemporary 2011’s emphasis on art that captures the spirit of the present time, while introducing the exhibition’s chief organizational engine: The Office of Non-Compliance. Headed up by Dublin Contemporary 2011 lead curators Jota Castro (artist/curator) and Christian Viveros-Fauné (critic/curator), The Office of Non-Compliance will function as a collaborative agency within Dublin Contemporary 2011, establishing creative solutions for real or symbolic problems that stretch the bounds of conventional art experience.

Venues and Programme

The main exhibition hub at Earlsfort Terrace, former home of University College Dublin, will provide a range of unusual spaces for mini solo exhibitions that range from large-scale installations to smaller intimate hangings. The Office of Non-Compliance, located within the Earlsfort Terrace exhibition site, will function as a promoter of ideas around a laundry list of non-conformist art proposals. This element of the exhibition will include ad-hoc, accessible structures for discourse around art and its place in society.

Extending its reach across the city, Dublin Contemporary 2011 will partner with four important Dublin galleries: The Douglas Hyde Gallery, Dublin City Gallery The Hugh Lane, The National Gallery of Ireland and The Royal Hibernian Academy.

Dublin City Gallery The Hugh Lane will present a retrospective of the work of renowned Irish artist Willie Doherty. An exhibition of American painter Alice Neel’s striking, psychologically penetrating portraits will take place at The Douglas Hyde Gallery.

The National Gallery of Ireland will host works by a number of international artists as well as a new commission by the distinguished Irish artist Brian O’Doherty. The Royal Hibernian Academy will host an exhibition of works by American painter Lisa Yuskavage and a new commission by Irish artist James Coleman.

 
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