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Posts Tagged ‘drone’

Parrot Anafi Thermal drone brings FLIR camera, lighter weight and higher price

16 Apr

Drone company Parrot has announced Anafi Thermal, an updated version of the Anafi folding quadcopter it launched last year. The new Parrot Anafi Thermal features a 4K HDR camera with a 21MP Sony sensor alongside a FLIR Lepton thermal sensor, enabling operators to capture both RGB and thermal images. The drone can be used with the Pix4DModel app to generate 3D images from the thermal data.

The newly added FLIR camera features a 160 x 120 resolution and the ability to detect a temperature range from 14F / -10C to 752F / 400C. The thermal sensor is embedded with the 4K RGB camera on a three-axis stabilized gimbal. Drone operators can use the thermal camera and FreeFlight 6 app to detect heat loss and isolate subjects, according to Parrot, making the drone useful for industrial use and rescue missions.

The aforementioned FreeFlight 6 app can be used to merge both RGB and thermal images; ‘visual representations’ of temperature contrasts and thermal leaks are superimposed on the final image. The cameras also offer 3x digital zoom.

The Anafi Thermal drone weighs 315g / 11.1oz, which is 10 grams lighter than the 2018 model. The quadcopter can handle wind speeds up to 50km/h / 31mph and it has a top flight speed of 55km/h / 34mph. Operators can utilize three batteries that offer a cumulative flight time of 78 minutes (26 minutes per battery); the power cells support recharging from any source using USB-C.

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The companion Parrot Skycontroller 3 remote control operates over WiFi with a range of 2km / 1.2mi. Built-in sensors enable the drone to operate on autopilot. Operators can set flight parameters that include altitude, geofences, and custom FlightPlan routes.

The Parrot Anafi Thermal drone will be available starting in May. According to The Verge, this model will have a $ 1,900 price tag, which is substantially higher than the non-thermal model’s $ 700 cost.

Articles: Digital Photography Review (dpreview.com)

 
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Skydio under fire for promoting illegal drone footage

08 Apr
Photo of Grand Prismatic Spring, in Yellowstone National Park, Wyoming, courtesy of Don Kawahigashi. Drone use is illegal in all national parks.

California-based drone manufacturer, Skydio, is under investigation after promoting its proprietary ‘true follow-me’ feature with footage of a rollerblader gliding along a West Thumb Geyser Basin boardwalk in Yellowstone National Park.

Operating a drone is illegal in all national parks. So is in-line skating on their respective boardwalks. Skydio’s social media manager geo-tagged Iceland as the location where the video was shot, not Wyoming. ‘Thermal tour a la rollerblade,’ read the caption in the post that was viewed over 10,000 times in one week. Users quickly caught on to the discrepancy in location and the video was removed from the company’s feed.

Some commenters were put off by the misuse of the location tag. ‘Super dishonest,’ Instagram user and avid drone photographer @justin_mcvideo posted. ‘I was following this account, but no more. Shame.’

Skydio R1 drone

Yellowstone National Park law enforcement rangers learned of the video’s existence and, according to park spokeswoman Morgan Warthin, have not made any determinations. ‘They are aware, and they will investigate it,’ Warthin said. ‘What’s important to recognize is that there are so many incidents of drone use that we deal with. Visitors using drones in Yellowstone is a problem.’

In 2018, alone, there were around 40 illegal drone flights that were brought to the attention of Yellowstone rangers. A significant portion resulted in citations, and some of those required a mandatory court appearance. Fines amounted to over $ 1,000 per offending pilot.

Skydio was founded in 2014 by three MIT graduates. The CEO and CTO were early engineers at Project Wing, Google’s drone delivery effort. Their flagship product, the R1 consumer drone, uses NVIDIA’s AI supercomputer and 13 onboard cameras to autonomously fly and avoid obstacles in every direction. According to Crunchbase, the company has raised $ 70 million in 4 rounds of funding as of February, 2018. Representatives for Skydio have not released an official statement regarding this investigation.

Articles: Digital Photography Review (dpreview.com)

 
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SkyPixel Reveals Winners of its 2018 Storytelling Drone Photography Contest

27 Mar

SkyPixel Contest 2018 Winners

DJI’s SkyPixel, one of the world’s largest photography and videography communities, has announced the winners of its 2018 Aerial Storytelling Contest. Over 30,000 entries were submitted by professional videographers, photographers, and hobbyists from 141 countries.

The grand prize-winning entry in the photo category, pictured above, was taken in Northern France by Deryk Baumgartner. He used a Mavic Pro to capture the sunbathed Mont Saint Michel monastery, shrouded in a thin layer of fog, and framed with snaking ribbons of water.

“I was sitting on a rock fighting with stubborn wind and thick rain for the whole morning. The sun came up when I was just about to stand up and go home,” Baumgartner said. “This photo tells a simple story of you and me. Stick to it for a little longer in life when you are just about to fold, the silver lining would often unveil itself.”

In addition to the Grand Prize, First, Second, and Third prizes were awarded to images spanning four categories: Nature, Fun, Architecture, and Sport. A panel of six judges including Ben Nott, ACS, an award-winning cinematographer and Josh Raab, the Director of Instagram at National Geographic, selected the winners with the exception of People’s Choice Prize.

To view all the winners, nominees, and People’s Choice, for both photography and videography, visit the official SkyPixel Contest 2018 hub.

Hungry hippos

‘First Prize’ category winner, Nature: Hungry Hippos by Martin Sanchez (@zekedrone)

About the photo: “There’s no party like a hippo party” said photographer Martin Sanchez about this top-down perspective, taken in Tanzania, of a group of hippos convening in a small body of water. Sanchez used a DJI Mavic 2 Pro.

Alien footprints

‘Second Prize’ category winner, Nature: ????” by ? ??

About this photo: Snow in the Taklimakan desert, located between two mountain ranges in Northwest China, combined with ice formed a unique texture on the lake during the winter. The photographer captured this image at 400 meters AGL with a Mavic 2 Zoom and likened the patterns as “alien footprints.”

Nature Engraving

‘Third Prize’ category winner, Nature: “Nature Engraving” by ???

About this photo: Using a Phantom 4 Pro in the Utah desert, the photographer used golden hour light, the texture of the badlands, and the icy hues resulting from shadows cast against patches of snow to his advantage.

Flowers on the water

‘First Prize’ category winner, Fun: “Flowers on the Water” by Khánh Phan

About the photo: Using a Phantom 4 Pro V2.0, Phan created an aerial perspective of three women methodically cleaning gun flowers, arranged in a circle, for bundling to sell in the markets.

Salt harvest

‘Second Prize’ category winner, Fun: “Burden Salt Harvest” by Tu?n Nguy?n

About the photo: Hon Khoi is the largest salt field in Vietnam. Using a Phantom 4 Pro, this nadir perspective fixates on the shadows of workers carrying buckets of salt on one of their daily shifts that range from 3:00 to 7:00 am.

Ducks in black and white

‘Third Prize’ category winner, Fun: ???” by ? ??

About the photo: A Phantom 4 Pro was used to capture this black and white image containing dozens of white peking ducks clustering around piles of food.

Hong Kong small planet

‘First Prize’ category winner, Architecture: “Not a Small HK Island” by Panvelvet

About the photo: Panvelvet used a Phantom 4 Pro to create 43 images of Hong Kong. They were stitched together into a tiny planet sphere, and inverted for a visual effect of a city circling toward a bright orb.

Myanmar temples

‘Second Prize’ category winner, Architecture: “Bagan” by Witold Ziomek

About the photo: Bagan used a Mavic Pro to capture the sunrise reflecting off a temple in Bagan, Myanmar.

Golden hour in Macau

Third Prize’ category winner, Architecture:?????” by ??

About the photo: Golden hour light brightens up the Grand Lisboa hotel in Macau, China. The photographer used a Phantom 4 Pro.

Running through sand dunes

‘First Prize’ category winner, Sport: “Running Through the Sand Dunes” by Trung Pham

About the photo: Pham used a Mavic 2 Pro to get an aerial perspective of children running through sand dunes in Phan Rang, Vietnam, early in the morning. The black and white image accentuates the vastness of the dunes in relation to the children.

Shadow skier

‘Second Prize’ category winner, sport: “Shadow Skier #5” by Christoph Oberschneider

About the photo: A Mavic 2 Pro was used to capture a lone skier gliding down a slope in Austria.

Hammer throwing

‘Third Prize’ category winner, Sport: “Throwing IT to the Moon” by Taavi Purtsak

About the photo: Purtsak used a Mavic Pro and set the shutter speed at 1/2500s to freeze the motion of Estonian hammer throw champion Kati Ojaloo mid rotation.

Articles: Digital Photography Review (dpreview.com)

 
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How to safely operate a drone in urban areas

16 Mar
Photo by Kara Murphy

Just a few weeks ago, a drone crashed through a window on the 27th floor of a building in Chicago. Last year, a tourist was apprehended for flying in downtown Manhattan, in the heart of New York City, where UAV operations are strictly prohibited. The month before, a remote pilot avoided disaster when his DJI Phantom 3 drone plummeted 36 stories from where it was inspecting a crack that formed on a window of San Francisco’s Millennium Tower. It crashed on the sidewalk, missing pedestrians by inches.

When operated properly, drones are capable of capturing angles and gathering critical data in areas that helicopters and small planes can’t access. Launching a drone in crowded spaces poses two key potential risks: signal loss caused by magnetic field interference, and drifting caused by wind tunnels lurking between high-rise buildings.

In the US*, drones can be flown in cities, where it is legal under 14 CFR Part 107 rules, which allow the operator to fly more than 400 ft. AGL (above ground level) as long as the drone remains within 400 ft. of a building, or with the proper Certificate of Waiver or Authorization (COA) from the FAA. However, doing so requires the remote pilot-in-command to conduct a thorough risk assessment, identify potential hazards, and establish a set of emergency procedures to ensure the safest outcome possible.

Calibrate the compass before heading downtown

The most foolproof way to prevent a fly-away, and ensure location accuracy during flight, is to calibrate your drone’s compass. Locate an open field, roughly 15km (10 miles) away from where a flight in a heavily-congested area is planned; avoid parking structures with metal guardrails and cell phone towers, and remove watches and metal jewelry as even the slightest bit of magnetic interference will disrupt this critical procedure.

Always make sure to calibrate your drone’s compass before flying in congested or urban environments.

Photo by Kara Murphy

Once at the calibration site, follow the procedure for calibrating your drone’s compass. With minimal interference it will account for magnetic declination, which will allow it to operate with a higher degree of accuracy.

Make sure multiple flight modes are enabled

Most consumer-grade drones are equipped with intelligent flight modes and stabilization systems to ensure smooth, steady flights. On DJI drones there are three main flight modes — P-Mode (Position), A-Mode (Attitude), and S-Mode (Sport) — that can be accessed directly using the remote control. Both Position and Sport Mode rely on GPS and Glonass to hold the drone’s position in the air.

While most flights can be conducted in Position Mode, as it allows the drone to hover in place and easily return home, there will be times when signal interference is severe. Attitude, or ATTI Mode, which retains altitude but causes the drone to drift with the wind, is the only option for flying where signals are compromised. And, since part 107 rules allow a pilot to operate up to 400 feet (120 meters) above the topmost part of a structure, encountering strong winds is inevitable.

DJI controllers feature a hardware toggle to quickly switch between Position, Attitude, and Sport modes.

Note: although GPS is disabled in ATTI mode, the GPS module still locates the drone in the background, meaning that someone can’t use ATTI mode to circumvent restricted flight zones.

Switching from P-Mode to A-Mode is as simple as a flip of the switch on the controller. This shortcut can be accessed when Multiple Flight Modes are enabled in the DJI Go App. If the drone can no longer operate in Position or Sport Mode, it will automatically default to ATTI Mode. It’s always preferable to initiate this transition instead of being taken by surprise when the drone activates ATTI Mode on its own.

Practice flying in ATTI mode

As a general rule, you should never fly between tall buildings with GPS enabled. Numerous signals between buildings cause interference and create a substantial margin of error in the compass, setting the drone off course. The worst case scenario a pilot can encounter when flying in a congested area is relying on Position Mode, which stabilizes the drone and makes controlling it practically effortless, only to have the drone default to ATTI mode when the signal is inevitably lost.

Attitude, or ATTI Mode, is the only option for flying where signals are compromised.

Guiding a drone that drifts with the wind is difficult and requires hours of preparation. Practicing in a large, open field with few trees and obstacles is the best method for learning how to maintain control of a drone when it won’t automatically hover in place. The first time ATTI mode is activated, the drone will immediately drift, and it startles even the most seasoned pilots. Don’t be caught off guard, learn how to handle the drone so it can be expertly guided on its intended path.

Identify the Minimum Obstacle Clearance Altitude

When flying near tall structures, a drone may lose its connection or run critically low on battery power earlier than expected. The Return to Home feature will automatically activate and, assuming the compass is calibrated properly, the drone will fly back to the remote pilot.

Creating a safe flight path requires a pilot to identify the height of the tallest structure in the area, and then add a margin of roughly 3m (10 ft) to ensure the drone clears every last obstacle. The Minimum Obstacle Clearance Altitude (MOCA) can be determined several ways.

Identifying the height of the tallest building is imperative to ensuring you don’t collide during any part of your flight.

Photo by Kara Murphy

I personally looked up the information online for a group of buildings I was photographing in San Francisco. Contacting a building manager is another option. For smaller, lesser-known structures where information isn’t readily available, flying with the gimbal pitch set to level, and elevating to the point where the obstacle crosses the horizon is another method for determining MOCA.

Creating a safe flight path requires a pilot to identify the height of the tallest structure in the area.

Enabling obstacle avoidance sensors is an additional recommended precautionary measure. However, sensors can’t always identify reflections or shiny surfaces. This is why establishing MOCA and setting the Return to Home Altitude accordingly is imperative.

Attach prop guards

Prop guards are an effective tool for preventing a crash should a drone bump into a wall. They aren’t 100 percent foolproof, which is why the above steps need to be taken, but it helps to have them in place. They add weight to the aircraft, which will deplete battery life at a slightly faster rate, and practicing with them attached so you can make necessary adjustments is highly recommended. Depending on the model of the drone, obstacle avoidance systems may be disabled with the use of prop guards.

Keep the drone within close range

A complex job that requires navigating a congested area needs to be supported by a visual observer to help keep watch of the drone and maintain visual line of sight. Typically, flying a maximum distance of 500m (1600 ft) from your location is acceptable, however, in a crowded area, it’s preferable to keep the drone within closer proximity; 150-250m (approx. 500-800 ft) is ideal if you’re flying at an altitude that exceeds 120m (400 ft).

Before heading into an area with tall buildings and narrow corridors, practice flying in ATTI Mode in a wide open, nearby park.

Photo by Dale Baskin

Launch in Position Mode until the drone has cleared the pilot, crew, and any major nearby obstacles, such as a bridge or traffic light, that might impact the flight in its initial stages. Alternate to ATTI mode and continue ascension. When the drone drone returns, and is in close enough range, switch back to Position Mode to facilitate a sturdy landing.

The take away

Drones save time, money, and effort when operated properly, and can be very useful for things like building or tower inspections. Learning how to safely conduct flights in challenging environments is essential if you plan to fly in congested areas like a city center. Taking the time to do so provides an extra layer of safety, and if you’re flying for your business, gives you a potential leg up on the competition.

As pilots, it’s our responsibility to be prepared in order to keep the skies – and our urban areas – safe. And really, you don’t want to be that person who shows up on the news for not doing so.


*Rules and regulations vary by country. Make sure you know, and follow, the regulations for your particular location.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum announces development of AirMagic drone imaging software

25 Feb

Skylum software, the company behind the Luminar and Aurora HDR applications has announced it is developing a dedicated software for enhancement of aerial images captured with drones.

The application for Windows and Mac will be called AirMagic and is AI powered “to transform photos made with a drone from great to breathtaking.” It will become available sometime in spring.

Looking at the teaser video above AitMagic is capable of detecting what drone camera an image has been captured with. It can then scan the scene for haze, skies, and presumably other image elements and artifacts, before automatically adjusting exposure, color and other parameters for an optimized end result.

It looks like AirMagic will be targeted at users who prefer automated enhancement over manual optimization but we’ll hopefully know more in the near future. No information on pricing has been released yet.

Articles: Digital Photography Review (dpreview.com)

 
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Drone owners in the US will soon need external registration numbers on their UAVs

14 Feb

The FAA will require drone operators in the United States to display their registration numbers on the outside of their small UAVs starting on February 25, 2019. The new regulation revises an existing policy that allows drone owners to put a UAV’s registration number inside of the device’s battery compartment.

Drone operators in the US must register their aerial vehicle with the FAA, at which time they’re given a registration number. Since launching the registration requirement, the FAA has permitted drone owners to conceal their identifier within an enclosed compartment on the drone, assuming the compartment could be opened without using tools.

This permission aimed to ‘grant flexibility to the diverse types of small unmanned aircraft commercially available.’ However, an interim final rule published on the Federal Register today notes that the FAA has revised that permission and, starting on February 25, will require the registration number to be located on the drone’s exterior.

According to the FAA, it has revised its rule due to government security agency and law enforcement concerns that explosive devices could be hidden within small drones. In a situation like this, first responders who are required to open a drone’s battery compartment in search of the registration number are at risk of injury.

The new interim rule states:

Requiring small unmanned aircraft owners to place the registration number on an external surface of the aircraft helps to mitigate this risk because a first responder can view the number without handling the aircraft, or by using other technologies that allow for remote viewing of the aircraft’s external surface.

The rule change goes into effect on February 25, but the public is able to submit comments on the new requirement until March 15. Comments can be submitted using the Regulations.gov website or by mail and hand delivery to the West Building Ground Floor at 1200 New Jersey Avenue SE, Washington, DC.

Articles: Digital Photography Review (dpreview.com)

 
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Miami Beach police use camera blimp to get around drone surveillance ban

15 Jan

The Miami Beach Police Department found a loophole to circumvent Florida’s 2015 ban on police drone surveillance — a tethered, relatively immobile blimp with a camera attached to the underside. Officially called a ‘tethered aerostat,’ the helium-filled vehicle was used to monitor the approximately 15,000 people who attended the Capital One Beach Bash over the New Year’s holiday.

In 2015, Florida passed the Freedom From Unwanted Surveillance Act, which banned the use of drones for police surveillance. In a letter to the city commission on January 3, City Manager Jimmy Morales explained the police department’s use of the camera blimp, citing necessity due in part to ‘the legal restrictions on police departments under Florida law and because of limited battery life and flight time’ associated with drones.

Morales went on to call the blimp ‘a new technological solution for aerial monitoring,’ one the police department felt was necessary due to “the emergence of new threats of terrorism seen around the world in such large gatherings…”

A Miami Beach Police Department spokesperson told the Miami New Times the department doesn’t believe its tethered aerostat violates state law. Use of a lighter-than-air vehicle for aerial surveillance has proven controversial, however, with critics saying there is little difference between a stationary floating camera and a remote-controlled flying camera.

The region’s law enforcement has repeatedly demonstrated interest in camera-based surveillance, including the Miami-Dade Police Department’s attempt in 2017 to deploy a wide-area surveillance system involving Cessna planes equipped with cameras. That plan, which was abandoned following heavy criticism, would have monitored the entire county using technology developed by the U.S. Air Force for use in combat zones.

Articles: Digital Photography Review (dpreview.com)

 
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Report: FAA to test new pilot programs to speed up remote drone identification tech

08 Jan

In 2017, news surfaced the Federal Aviation Administration (FAA) had taken the first steps toward establishing drone identification rules, which would require a drone to remotely identify itself to law enforcement. The remote ID system could help identify drones operated in restricted airspace, such as drones over airports, but multiple reports have indicated there could be a significant delay.

In November, the Wall Street Journal reported the FAA was ‘significantly behind’ schedule on establishing drone identification rules, something necessary for the large scale commercial use of drones. As well, law enforcement and government officials have increasingly expressed concerns over illegal drone operation and their inability to rapidly identify these UAVs.

In its most recent update, the WSJ has revealed a Federal Register notice from December that details pilot projects aimed at speeding up remote ID system testing. According to the report, the FAA wants to create up to eight prototype projects financed by private companies in order to test different identification options.

These prototype projects would be used both to gather real-world data and verify that the remote identification technologies work while speeding up the overall time it will take the FAA to establish the new rules. Neither timelines nor project costs have been revealed at this time, but assuming that a rule proposal in made in the next few months, final regulations may be established in the next year or two.

Articles: Digital Photography Review (dpreview.com)

 
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The 10 most inspiring drone images of 2018

21 Dec

The 10 most inspiring drone images of 2018

Thanks to camera drones, it’s easier than ever to capture stunning photos from an aerial perspective. Whether through careful planning, or clever editing to create interesting art, drones can be used to push the boundaries of creativity. Here, we present the 10 drone images that inspired us most this year.

Above: Reuben Wu

This image is part of musician and artist Reuben Wu’s Lux Noctis series. Taken in the Vermillion Cliffs of Arizona at night, Wu used a drone with a powerful DIY LED light attached to it to achieve a halo effect above the peaks.

He set up a digital medium format camera positioned high up from across the pinnacles. A single drone was used so he could operate the camera and flight simultaneously.

Fabien Barrau

French photo editor and photographer, Fabien Barrau, mixes photos taken with his DJI Mavic Pro and stock images to create landscapes that oscillate between reality and fantasy.

Inspired by the phenomenon of pareidolia, he creates animal faces within the elements of the landscape. Barrau spent more than 60 hours in Photoshop to realize this image of the night owl.

Martin Sanchez

What’s most remarkable about this image of a group of hippos, taken in Tanzania with a Mavic 2 Pro, is that a drone is the only possible tool that can capture these animals in such close proximity, from above, without disturbing their natural habitat.

Mole Media

Danny, an Australian-based remote pilot from Mole Media, was inspired by legendary photographer Demas Rusli who created a similar image.

He used a Mavic Pro for his take on a classic, found an intersection in Penrose State Forest, shot in RAW, and used Photoshop to individually recreate the seasons and add different layers of objects and clouds. The result, a 4 seasons in 1 day illusion.

Reed Plummer

Reed Plummer happened to capture this school of salmon in perfect circular formation, no post-processing needed. The image was captured on the coast line of Wamberal Beach in New South Wales.

Marc Le Cornu

Marc Le Cornu used a DJI Phantom 4 Pro with an ISO of 100 at 1/1000 shutter speed and f/8 aperture. He wanted to catch his local ferry in full flight for ages, so after some careful timetable planning, he flew from a rocky point close to the shipping lane and managed to race out to get in position as the ferry approached.

There was only one chance to capture the perfect top down due to the speed of the ship. When he initially edited the shot in Lightroom, he thought it resembled a starship. That sparked the idea of creating the illusion of a rocket blasting into space. The final image was created in Photoshop, adding a few stars and lens flare.

Henry Do

Using a Mavic Pro Platinum, Henry Do shot a series of images using Automatic Exposure Bracketing. This process of capturing these shots starts with a horizontal scene at a straight angle, followed by repeatedly turning the lens down slightly and shooting, repeating the process until the camera is pointing down at 90 degrees.

Do uses a combination of Lightroom and Photoshop to merge these images into a portrait, splits individual images, such as day and night in this view of Barcelona, and merges them again to create this effect.

Micah Fitch

Micah Fitch perfectly captured this image of a recent Space X launch with an Inspire 2, Zenmuse X5S, and the 25mm f/1.8 Olympus lens (50mm equivalent on the X5S’s M43 sensor). He took 3 shots as quickly as possible in the 4:3 aspect ratio and stacked them vertically, overlapping about 30% from shot to shot.

The goal was to also frame the Huntington Beach Pier in the foreground to add a sense of scale. Micah combined 3 RAW files using Lightroom’s panorama mode, matching the exposures up. The overall intention for this image was to edit it so it would mirror what he saw with his own eyes.

Costas Spathis

Costas Spathis created this image with a Mavic Pro. The settings he used were ISO 100, shutter 320, and a f/4 aperture. The original capture was a simple line of ships located in a calm Marina in Greece.

To create this particular illusion, Spathis used a tool called Polar Coordinates in Photoshop. Much of his work is inspired by the sea and his love of symmetry.

Kristina Makeeva

Moscow-based photographer Kristina Makeeva creates magic with her images, many where she relies heavily on Photoshop to produce surreal effects.

What makes this image particularly remarkable, besides the fact that she placed one person with a yellow raincoat in the center of a fall-color-lined street for a striking, unique composition is that she used Automatic settings on her Phantom 4 with minimal editing. This image was taken in Ontario, near Toronto, Canada.

Articles: Digital Photography Review (dpreview.com)

 
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Gear: DJI Mavic Air Drone Review – Better than the Mavic Pro?

09 Dec

The post Gear: DJI Mavic Air Drone Review – Better than the Mavic Pro? appeared first on Digital Photography School. It was authored by Adam Welch.

1 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

Slowly but surely I’ve begun to set my sights higher when it comes to my photography. Literally. I got my first real taste of aerial photography/videography a few months ago when I used the DJI Mavic Pro drone for the first time. A whole new world opened up with a brilliant “aha” moment when I realized that a bird’s eye perspective can lend itself to an incredible expansion of creative ideas.

So when the good folks at DJI asked me to have a go at their Mavic Air drone…it was difficult to say no.

Being primarily a landscape and wilderness photographer, the super-small size of the Mavic Air made it immediately appealing, as did the fact that the imaging performance was rumored to be on par with that of its larger cousin, the Mavic Pro and Mavic 2 Pro.

Sit back, relax, and let’s have a look at the incredibly capable, incredibly small Mavic Air drone from DJI.

Out of the box

Opening up the package for the DJI Mavic Air Drone proved to be an exercise true to the drone’s namesake. The Air is surprisingly small and most of all, lightweight. I was honestly taken aback at just how minute of a profile the aircraft presented; easily fitting in the palm of my hand.

2 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

In fact, the AIR isn’t much larger than the provided radio controller.

3 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

Visually, the drone is beautiful. My test model came in “Alpine White” color but red and black flavors are also available.

4 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

The Mavic Air is simply a great looking drone in this color scheme. Of course, form should always follow function.

Here’s a list of the key aircraft specifications for the Mavic Air:

  • Folded Dimensions(L×W×H): 6.6″x 3.3″x1.9″(168×83×49mm)
  • UnfoldedmDimensions(L×W×H): 6.6″x 7.2″x 2.5″(168×184×64mm)
  • Flight Vision Senors: Downward, Forward, Backward
  • Controllable Gimbal Range: Tilt: -90° to 0° (default setting),-90° to +17° (extended)

Build quality

Even though the Mavic AIR is admittedly small, the build quality is extremely sturdy. The drone does not feel flimsy at all. Throughout my tests and a couple of crashes (sorry DJI), this little drone sustained little more than a few scrapes and scratches.

5 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

6 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

In terms of build quality, the Mavic Air feels less substantial than it’s big brother, the Mavic Pro (and 2 Pro). The overall quality is apparent. I would not worry about the Mavic Air being capable of surviving extended (and turbulent) fly time.

Flight performance and handling

If you’re like me, anything that has a “Sport Mode” function makes you extremely excited. More on that fun little feature in just minute, but first let’s discuss how the Mavic Air handles…well…in the air.

The DJI Mavic Air Drone has a maximum horizontal flight speed of 17.9mph (28.8kph) which is just a tad slower than the DJI’s new Mavic 2 Pro, which clocks a blistering 44.7mph (72kph) and is even more sluggish than the 31mph (50kph) speed of the DJI Spark. These numbers, however, are slightly deceptive as the relatively sloth-like horizontal speeds of the Air are all in “P-Mode”, which could be considered the mode best for general flight.

Where the Mavic Air really earns it’s wings (haha drone humor) is when it’s Sport Mode is engaged. This kicks the Mavic Air’s top horizontal speed up to a hearty 42.5mph (68.4kph). Here’s a quick video of the Mavic Air in Sport Mode. To be honest, the acceleration when in Sport Mode would make the Millennium Falcon a little bit jealous.

I absolutely love the Sport Mode of the Air because it allowed me to use P-Mode for the majority of my flying time to conserve battery life. At the same time, I knew that I could really stomp the gas to fly into or out of trouble extremely quickly.

Overall, the handling of the Air was responsive and accurate during radio control although not as snappy as the Mavic Pro.

Speaking of radio control, I want to take a moment to give the remote control of the Mavic Air a little bit of love. Not only does the controller feel great both with and without my mobile device mounted but it also features removal joysticks. This makes the controller even more packable.

A small feature but one that speaks volumes to the amount of thought DJI put into making the Mavic Air truly user-friendly.

7 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

8 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

The ascent speed of 9.84fts (3ms) was actually more comfortable and controllable for my personal tastes when compared to the meteoric 16.4fts (5ms) of the Mavic Pro.

Here are a few more important performance specifications for the Mavic Air:

  • Maximum Descent Speed: 6.56 ft/s / 2 m/s
  • Maximum Wind Resistance: 23.61 mph / 38 km/h
  • Flight Ceiling: 16,404′ / 5000 m
  • Maximum Flight Time: 21 Minutes
  • Maximum Hover Time: 20 Minutes

Camera performance

The proof is in the pudding as they say and the Mavic Air produced some beautiful video and stills with its 12MP camera. Some useful specs of the Mavic Air camera are as follows (provided by DJI):

  • Sensor: 1/2.3” CMOS
  • Lens FOV: 85°
  • 35 mm Format Equivalent: 24 mm
  • Aperture: f/2.8
  • Shooting Range: 0.5m to infinity
  • ISO Range Video: 100 – 3200 (auto),100 – 3200 (manual)
  • Photo ISO Range: 100 – 1600 (auto),100 – 3200 (manual)
  • Shutter Speed Electronic Shutter: 8 – 1/8000s
  • Still Image Size: 4:3(4056×3040),16:9:(4056×2280)
  • Burst shooting: 3/5/7 frames
  • Auto Exposure Bracketing (AEB): 3/5 bracketed frames at 0.7EV Bias

 

  • Video Resolution 4K Ultra HD: 3840×2160 24/25/30p
  • 2.7K: 2720×1530 24/25/30/48/50/60p
  • FHD: 1920×1080 24/25/30/48/50/60/120p
  • HD: 1280×720 24/25/30/48/50/60/120p
  • Max Video Bitrate 100Mbps
  • Supported File System FAT32
  • Photo Format JPEG/DNG (RAW)
  • Video Format MP4/MOV (H.264/MPEG-4 AVC)

9 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

10 - Gear: DJI Mavic Air Drone Review - Better than the Mavic Pro?

Here’s a quick video short made using the Mavic Air. Shot in 1080P at 30fps:

Another extremely convenient feature that bears mentioning about the Mavic Air is the inclusion of an 8GB internal “last ditch” memory storage. This bit of built-in memory is an incredibly practical way to ensure that you aren’t completely immobilized by either a forgotten or full memory card. During one of my flights, I managed to fill up my micro SD card, and the 8GB of internal storage really saved the day. Especially if it had been crucial that I finished shooting the scene at the time.

Final thoughts on the DJI Mavic Air

How to best characterize the Mavic Air?

I will admit that before I received the Air I was under the impression that it was going to be a step down from the Mavic Pro I had tested previously.

This is simply not the case.

In fact, I can confidently say that I prefer the Mavic Air to the Mavic Pro based on my testing.

The Mavic Air is extremely compact while still packing in the imaging power of it’s larger cousins. It looks great and can hold its own while in flight.

And that Sport Mode….sheesh.

If you’re looking for an extremely portable yet powerful drone for your aerial photography and videography needs that won’t break the bank, I strongly suggest you have a look at the DJI Mavic Air Drone. It seems great things truly can come in small packages.

Have you used the DJI Mavic Air Drone? If so, share with us your thoughts in the comments below.

The post Gear: DJI Mavic Air Drone Review – Better than the Mavic Pro? appeared first on Digital Photography School. It was authored by Adam Welch.


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