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Posts Tagged ‘Displays’

21 Explosive Images of Fireworks Displays

02 Jul

This weekend is a holiday celebration in both Canada and the USA. Yesterday was Canada’s 150 birthday and coming up is the US Independence Day. Both usually come with some pretty good fireworks displays.

Here are some images of fireworks to get you into the celebration mood:

By maf04

By Miroslav Petrasko

By David Yu

By George Makris

By wiley photo

By Jeff Krause

By Yann Caradec

By Rhian Tebbutt Photography

By Kelly DeLay

By Xavier Benech

By J-Ph Derout

By Colin Knowles

By Sumarie Slabber

By d.sag

By peaceful-jp-scenery (busy)

By Colin Knowles

By Tim RT

By Benjamin Lehman

By Chris Phutully

By Ashley

By Spencer Tweedy

The post 21 Explosive Images of Fireworks Displays by Darlene Hildebrandt appeared first on Digital Photography School.


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Dear Dairy: 12 Delicious Displays Of Milk Crate Art & Design

10 Oct

[ By Steve in Art & Sculpture & Craft. ]

milk-crate-art-1a

Milk crates are like jumbo LEGO bricks: they’re colorful, lightweight, plentiful, and can be arranged in an infinite number of artful configurations.

milk-crate-art-1b

milk-crate-art-1c

Looking a little like a gargantuan game of true-life Tetris, this monumental milk-crate magic carpet by local artists Philippe Allard and Justin Duchesneau won the Prix Art Public at Montreal’s Gala des arts visuels in 2012. Dubbed “Courtepointe” or “Quilt” in English, the installation was set up at the disused Darling Foundry which has housed and hosted artists studios and an art gallery since the early 2000s. Credit Flickr user taoquay for the above images snapped on July 24th of 2012.

Lactose Lighthouse

milk-crate-art-3

Sculpture By The Sea, held annually in Bondi and Cottesloe, Australia, are said to be “the largest free to the public art exhibitions in the world”. The 2004 edition held along the scenic Bondi to Tamara clifftop walk featured a titanic tower of red and black milk crates built in the form of a lighthouse. No sea cows were harmed during its construction.

Crate Habitat For Humanity

milk-crate-art-4a

Featured as part of the 2015 London Festival of Architecture, the Art|House was a pop-up commission located in Powis Square. The structure was built using approximately 4,000 milk crates.

milk-crate-art-4b

milk-crate-art-4c

Designed by Jo Hagan and Use Architects/The Institute Of Light, the house was constructed in such a way that the component crates can either be re-introduced to perform their original purpose or packed down, delivered to any new location, and reconstituted as a sustainable shelter. Wonder what happens when it rains, this being England and all.

Branching Out

milk-crate-art-11

By now you might just assume Australia is the center (or “centre”, as the Aussies spell it) of the milk crate art universe, and that assumption would be correct. It would seem the ground down under is already saturated with milk crate artworks so there’s now nowhere to go but up – as in the suspended crate man from Footscray, a suburb of Melbourne, snapped by Kham Tran of Kham’s Blog in September of 2011.

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Dear Dairy 12 Delicious Displays Of Milk Crate Art

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[ By Steve in Art & Sculpture & Craft. ]

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MIOPS displays its MIOPS Mobile smart camera remote

25 Sep

The makers of the MIOPS smart trigger have returned to Kickstarter looking to fund their latest project, the MIOPS Mobile and are showing a prototype at their Photokina booth. The Mobile connects your DSLR and smartphone via a Bluetooth LE connection and uses your mobile device’s built-in sensors to offer a range of creative capture modes. The camera can be triggered by vibration, sound, motion, a predefined travel distance or a combination of all those events. Advanced timelapse modes are included as well and all parameters and modes are controlled via an iOS or Android smartphone app. 

Remote shutter control is on board as well – functions include Cable Release, Press&Hold, Press&Lock, Timed Release, Self Timer and Timed Release with Self Timer. The system is compatible with 350 camera models from most major manufacturers and the battery provides power for approximately 24 hours of use with one charge. Firmware is updated automatically over the air. More information including a video can be found on the MIOPS Mobile Kickstarter page. The funding goal has already been reached but you can still secure a unit with a $ 79 pledge. Shipping is planned for April 2017.

Articles: Digital Photography Review (dpreview.com)

 
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Wundershine smart frame prints, displays and stores your favorite images

05 Feb

Dutch startup Wundershine has re-imagined the photo frame with Makerframe, a wooden frame that can print and display your images thanks to a built-in inkless thermal printer. Still in the development phase, the system is controlled via Android or iOS app. A simpler model called Reframe that doesn’t include the printer is also in the works. Read more

Articles: Digital Photography Review (dpreview.com)

 
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High pixel-density camera displays and wide-gamut Cinema 4K panel technology on the way

04 Nov

Reports from Japan’s Display Innovation 2014 exhibition highlight a number of advancements and prototypes in camera LCDs. Included are a high-pixel-density 3.2″ display using WhiteMagic technology, a high-resolution touch screen with in-cell touch sensors and a 31″ cinema 4K wide-gamut display with 99.5% AdobeRGB coverage from LG. Learn more

Articles: Digital Photography Review (dpreview.com)

 
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How to Photograph Fireworks Displays

30 Dec
FireworksPhoto by hupaishi

Do you want to know how to photograph fireworks With New Years Eve just days away I thought I’d refresh this article in which I give 10 Fireworks Photography tips to help you get started.

Fireworks Displays are something that evoke a lot of emotion in people as they are not only beautiful and spectacular to watch but they also are often used to celebrate momentous occasions.

I’ve had many emails from readers asking how to photograph fireworks displays, quite a few of whom have expressed concern that they might just be too hard to really photograph. My response is always the same – ‘give it a go – you might be surprised at what you end up with’.

My reason for this advice is that back when I bought my first ever SLR (a film one) one of the first things I photographed was fireworks and I was amazed by how easy it was and how spectacular the results were. I think it’s even easier with a digital camera as you can get immediate feedback as to whether the shots you’ve taken are good or not and then make adjustments.

Of course it’s not just a matter of going out finding a fireworks display – there are, as usual, things you can do to improve your results. With New Years Eve just around the corner I thought I’d share a few fireworks digital photography tips:

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1. Use a Tripod

Fireworks-1Photo by Piero Sierra

Perhaps the most important tip is to secure your digital camera to something that will ensure it doesn’t move during the taking of your shots. This is especially important in photographing fireworks simply because you’ll be using longer shutter speeds which will not only capture the movement of the fireworks but any movement of the camera itself. The best way to keep your camera still is with a tripod (read our series on tripods and how to use and buy them). Alternatively – keep in mind that there are other non Tripod options for beating camera shake.

2. Remote Release

One way to ensure your camera is completely still during fireworks shots is to invest in a remote release device. These will vary from camera to camera but most have some sort of accessory made for them. The other way of taking shots without touching your camera is to use the self timer. This can work but you really need to be able to anticipate shots well and its very very hit and miss (read more on remote shutter releases).

3. Framing Your Shot

One of the most difficult parts of photographing fireworks is working out where to aim your camera. The challenge you’ll face in doing this is that you generally need to aim your camera before the fireworks that you’ll be photographing goes off – anticipation is key. Here are a few points on getting your framing right.

FireworksPhoto by Stuck in Customs
  • Scope out the location early – Planning is important with fireworks and getting to the location early in order to get a good, unobstructed position is important. Think about what is in the foreground and background of your shots and make sure you won’t have people’s heads bobbing up into your shots (also consider what impact you’ll have on others around you also). Take note of where fireworks are being set up and what parts of the sky they are likely to be shot into – you might also want to try to ask some of those setting up the display for a little information on what they are planning. Also consider what focal lengths you might want to use and choose appropriate lenses at this time (rather than in the middle of the show).
  • Watch your Horizons – One thing that you should always consider when lining up fireworks shots is whether your camera is even or straight in it’s framing. This is especially important if you’re going to shooting with a wide focal length and will get other background elements in your shots (ie a cityscape). Keeping horizons straight is something we covered previously on this site and is important in fireworks shots also. As you get your camera on your tripod make sure it’s level right from the time you set up.
  • Vertical or Horizontal? – There are two main ways of framing shots in all types of photography, vertically (portrait) or horizontally (landscape). Both can work in fireworks photography but I personally find a vertical perspective is better – particularly as there is a lot of vertical motion in fireworks. Horizontal shots can work if you’re going for more of a landscape shot with a wider focal length of if you’re wanting to capture multiple bursts of fireworks in the one shot – but I don’t tend to go there that often.
  • Remember your framing – I find that when I photograph fireworks that I spend less time looking in my viewfinder and more looking at the sky directly. As a result it’s important to remember what framing you have and to watch that segment of the sky. Doing this will also help you to anticipate the right time for a shot as you’ll see the light trails of unexploded rockets shooting into the sky.

4. Focal Length?

How-To-Photograph-FireworksPhoto by asmundur

One of the hardest parts of photographing fireworks is having your camera trained on the right part of the sky at the right time. This is especially difficult if you’re shooting with a longer focal length and are trying to take more tightly cropped shots. I generally shoot at a wider focal length than a tight one but during a show will try a few tighter shots (I usually use a zoom lens to give me this option) to see if I can get lucky with them. Of course zoomed in shots like the one to the left can be quite effective also. They enable you to really fill the frame with great color. Keep in mind however that cropping of your wider angle fireworks shots can always be done later to get a similar impact in your photography.

5. Aperture

A common question around photographing fireworks displays is what aperture to use. Many people think you need a fast lens to get them but in reality it’s quite the opposite as the light that the fireworks emit is quite bright. I find that apertures in the mid to small range tend to work reasonably well and would usually shoot somewhere between f/8 to f/16.

6. Shutter Speed

How-To-Photograph-Fireworks-3Photo by *vlad*

Probably more important to get right than aperture is shutter speed. Fireworks move and as a result the best photographs of them capture this movement meaning you need a nice long exposure. The technique that I developed when I first photographed fireworks was to shoot in ‘bulb’ mode. This is a mode that allows you to keep the shutter open for as long as you hold down the shutter (preferably using a remote shutter release of some type). Using this technique you hit the shutter as the firework is about to explode and hold it down until it’s finished exploding (generally a few seconds).

You can also experiment with set shutter speeds to see what impact it will have but I find that unless you’re holding the shutter open for very long exposures that the bulb technique works pretty well.

Don’t keep your shutter open too long. The temptation is to think that because it’s dark that you can leave it open as long as you like. The problem with this is that fireworks are bright and it doesn’t take too much to over expose them, especially if your shutter is open for multiple bursts in the one area of the sky. By all means experiment with multiple burst shots – but most people end up finding that the simpler one burst shots can be best.

7. ISO

Fireworks-2-1Photo by Mr Magoo ICU

Shooting at a low ISO is preferable to ensure the cleanest shots possible. Stick to ISO 100 and you should be fine.

8. Switch off your Flash

Shooting with a flash will have no impact upon your shots except to trick your camera into thinking it needs a short exposure time. Keep in mind that your camera’s flash will only have a reach of a few meters and in the case of fireworks even if they were this close a flash wouldn’t really have anything to light except for some smoke which would distract from the real action (the flashing lights).Switch your flash off.

9. Shoot in Manual Mode

I find I get the best results when shooting in manual exposure and manual focus modes. Auto focusing in low light can be very difficult for many cameras and you’ll end up missing a lot of shots. Once your focusing is set you’ll find you don’t really need to change it during the fireworks display – especially if you’re using a small aperture which increases depth of field. Keep in mind that changing focal lengths will mean you need to need to adjust your focusing on most lenses.

10. Experiment and Track Results

Watching-FireworksPhoto by y entonces

Throughout the fireworks display periodically check your results. I generally will take a few shots at the start and do a quick check to see that they are OK before shooting any more. Don’t check after every shot once you’ve got things set up OK (or you’ll miss the action) but do monitor yours shots occasionally to ensure you’re not taking a completely bad batch.

Also experiment with taking shots that include a wider perspective, silhouettes and people around you watching the display. Having your camera pointed at the sky can get you some wonderful shots but sometimes if you look for different perspectives you can get a few shots that are a little less cliche and just as spectacular. Most of the best shots that I’ve seen in the researching of this article have included some other element than the fireworks themselves – whether it be people, buildings, landmarks or wider cityscape perspectives.

More Tips from DPS Readers

  • “Find Out the Direction of the Wind – You want to shoot up wind, so it goes Camera, Fireworks, Smoke. Otherwise they’ll come out REALLY hazy.”
  • “Also, I find that if you shoot from a little further back and with a little more lens, you can set the lens to manual focus, focus it at infinity and not have to worry about it after that.”
  • “Remember to take advantage of a zero processing costs and take as many pictures as possible (more than you’d normally think necessary). That way, you’ll up your chances of getting that “perfect” shot.”
  • “Make sure you are ready to take pictures of the first fireworks. If there isn’t much wind, you are going to end up with a lot of smoke in your shot. The first explosions are usually the sharpest one.”
  • “Get some black foam core and set your camera to bulb. Start the exposure when the fireworks start with the piece of foam core in front of the lens. Every time a burst happens move the foam core out of the way. You will get multiple firework bursts in one exposure”
  • “Another tip I would add to this is pre-focus if possible (need to be able to manually focus or lock down focus for good) before the show starts so other elements in the frame are sharp They did mention that you only need to focus once but its a lot easier to take a few shots before the show starts and check them carefully rather than wait until the show has begun and you are fiddling with focus instead of watching fireworks!”

Tell us your fireworks display photography tips in comments below. Don’t forget to tell us which city you’re in and what the fireworks are like there!

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PS: Got some fireworks photos to share with us? Head over to our forum where there are a few fireworks photography discussions taking place.

Post originally from: Digital Photography Tips.

Check out our more Photography Tips at Photography Tips for Beginners, Portrait Photography Tips and Wedding Photography Tips.

How to Photograph Fireworks Displays


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42″ Philips Wow vs. 50″ Newsight Stereoscopic Displays

31 May

Two multi-view stereoscopic displays in Inition’s demo studio. Demo to give an idea of the brightness and reflectiveness differences between the two 3D displays

Grab your 3D glasses! (red-cyan) Moving holograms is not the average 3D technique that’s been around for decades. After years of research and development, we found unique techniques and workflows that allow us to do an exact reproduction of the human 3D vision. Objects and actors reach out beyond the screen and therefore attract the main attention of the audience, the whole set leaves a vivid and plastic impression without straining the spectators eyes. We will transform your screen into a 3D monitor. Keep in mind that the anaglyph quality displayed is quite low. At our 3D cinema here in Graz, we can really show you what MOVING HOLOGRAMS is. more at: www.mh3d.at
Video Rating: 4 / 5