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Posts Tagged ‘DCS1’

Panasonic Lumix DC-S1 review

26 Jun

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Silver Award

88%
Overall score

The Panasonic Lumix DC-S1 is the company’s mid-level full-frame mirrorless camera, built around the L-mount developed by Leica and now supported by Sigma and Panasonic. It features an image-stabilized 24MP sensor and is capable of shooting at up to 9 frames per second. The S1 can also shoot 4K/60p video from an APS-C region of its sensor or oversampled 4K/30p from its full sensor width. A multi-shot high-res mode lets it create 96MP Raw files and a paid upgrade enables 10-bit V-Log shooting.

The S1, along its sibling the S1R, also features one of the highest-resolution electronic viewfinders on the market: a 5.7M-dot OLED panel that runs at 120Hz and promises very little lag.

Panasonic Lumix S1 Key Specifications

  • 24MP full-frame CMOS sensor
  • Depth from Defocus contrast-detect AF system
  • 5-axis in-body ‘Dual IS’ system
  • Fully weather-sealed
  • Multi-shot 96MP ‘High Res’ mode
  • 6 fps bursts with continuous AF
  • 5.76M-dot electronic viewfinder
  • Dual-hinged 2.1M-dot touchscreen LCD
  • UHD 4K/60p video capture (1.5x crop); Oversampled 4K/30p with no crop
  • 10-bit HLG built-in, optional 4:2:2 V-Log
  • One XQD and one SD card slot
  • 380 shots/charge using LCD
  • USB charging, including from laptop/tablet chargers and portable power banks

The complete Lumix S system at launch

The S1, with its large, magnesium alloy body, is being pitched at a higher price than the 24MP models from Nikon and Sony, with a list price of $ 2499.

Alongside the S1 and its higher-resolution sibling, the S1R, Panasonic also announced 50mm F1.4, 24-105mm F4 and 70-200mm F4 lenses for the L system. They’re priced at $ 2299, $ 1299 and $ 1699, respectively. Both cameras are also compatible with existing Leica SL lenses as well as APS-C ‘TL’ glass.

A battery grip (DMW-BGS1) is available for around $ 350.


What’s new and how it compares

The S1 inherits (and improves upon) many of the features from Panasonic’s Micro Four Thirds cameras, while adding new full-frame sensors, a High Res mode, HLG photos and more.

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Body and handling

The S1/S1R have rugged bodies which can hold their own in the elements. The cameras have an incredibly high resolution EVF as well as a dual axis LCD.

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Operation and controls

The S1 and S1R have redesigned menus, plenty of customizable controls and a cool ‘image stabilization scope’.

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Is it right for you?

Find out what kinds of shooting the Lumix DC-S1 is best suited for.

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Shooting experience

Gothic streets and cured meats – check out DPR writer Dan Bracaglia’s experience of shooting the S1R at Panasonic’s launch event in Barcelona.

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Image quality

The S1 competes with the likes of the Canon EOS R, Nikon Z6 and Sony a7 III. See how its image quality stacks up.

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Autofocus

The S1 uses Panasonic’s familiar Depth from Defocus autofocus system. Can it keep up with the hybrid AF systems of its peers?

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Video performance

The S1 can capture 4K/60p video with a 1.5x crop as well as oversampled 4K/30p footage.

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DMW-SFU2 video upgrade

If you want pro-level features like 10-bit capture, V-Log and waveforms, then you’ll want this paid-for upgrade.

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Conclusion

How does the Panasonic S1 stack up against the competition, like the Sony a7 III, Nikon Z6 and Canon EOS R?

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Sample Galleries

View hundreds of photos taken with both pre- and final production Panasonic S1s.

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Articles: Digital Photography Review (dpreview.com)

 
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Panasonic’s new Lumix DC-S1 and S1R: What you need to know

03 Feb

Panasonic Lumix DC S1 and S1R: What you need to know

The new Panasonic Lumix DC S1 and S1R are Panasonic’s first full-frame cameras, and only the second (and third) full-frame options for what had, until recently, been the Leica SL-mount. Broadly comparable in intent to Nikon’s Z-series, the S1 is a powerful all-rounder, featuring advanced video capabilities as well as 24MP stills, while the more expensive S1R is a high-resolution 47MP stills-oriented flagship.

We’ve had our hands on the S1 and S1R, and in this article we’ll pull out the key specifications, and walk through the major features and ergonomics of both cameras.

Panasonic Lumix DC S1 and S1R: What you need to know

Ergonomically and cosmetically, the S1 (shown here) and S1R are effectively identical. They’re DSLR-style full-frame mirrorless cameras intended for professional and enthusiast use. As such, they’re fairly large, chunky, and peppered with buttons, switches and dials.

Panasonic Lumix DC S1 and S1R: What you need to know

They’re also tough. Panasonic claims that the magnesium alloy bodies of the S1 and S1R are sealed against dust and moisture, and will operate down to -10°C (14°F). Essentially, we understand that the S1/R were designed to be at least as durable as the GH5 in tough conditions, which in our experience means they should be very tough indeed.

This shot shows the vertical controls on the optional grip, which like the S1/R is weather-sealed and built to a high standard.

Panasonic Lumix DC S1 and S1R: What you need to know

Panasonic has stressed to us that feedback from professional photographers was critical to the design of these cameras, and it turns out that when you ask professional photographers what they want a full-frame camera to look like, you end up with something that looks an awful lot like a high-end DSLR, complete with a large grip, and wide, fairly deep body.

Panasonic Lumix DC S1 and S1R: What you need to know

And… (drumroll…) twin card slots! The S1/R support SD (UHS-II / v90 compatible) and XQD recording media, with support for CFexpress (an evolution of XQD offering even higher data transfer rates which has the same form factor) coming in future. A ‘card lock’ feature issues an audible warning if the card door is opened while the camera is still writing data.

Panasonic Lumix DC S1 and S1R: What you need to know

The substantial handgrip houses an appropriately substantial battery, which is good for a curiously unremarkable CIPA-rated endurance of between 360 and 400 images, depending on which model, which card type you use and whether you use the EVF or LCD. These figures increase to ~1100 in ‘power save’ mode. In normal shooting, considering the battery’s high capacity, we’d expect much more.

Panasonic Lumix DC S1 and S1R: What you need to know

The single biggest difference at a component level is the sensors. The S1 features a 24MP, ‘high-sensitivity’ sensor with a maximum ISO sensitivity of 204,800, whereas the S1R offers greater resolution, at 47MP, with a lower absolute maximum ISO sensitivity of 51,200. Neither cameras’ sensors feature a low-pass filter, which should guarantee excellent sharpness, potentially at the expense of moiré in some situations. Both sensors are stabilized.

It’s worth noting that these sensors are not BSI-CMOS designs. This means that they are not variants of the manufactured sensors we’ve seen in contemporary Sony and Nikon DSLRs and mirrorless cameras. Until we’ve completed our testing we won’t know exactly what that means, except that we’re not expecting any PDAF striping or banding issues. Why? Because there’s no PDAF. More about that on the next slide.

Panasonic Lumix DC S1 and S1R: What you need to know

Panasonic has opted to use a variation of its established contrast-detection DFD autofocus system, rather than an on-sensor phase-detection system of the kind favored by other manufacturers. Despite their very different sensors, the S1 and S1R offer the same 225-zone autofocus system.

This is because the AF system is effectively a processing layer on top of the sensor, not built into it. Since both cameras feature the same processor, autofocus performance should be identical – notwithstanding the risk of misfocus being more noticeable in the S1R’s higher-resolution files.

This image shows off the S1/R’s large top-mounted LCD and twin control dials. Just to the right of the LCD is the on/off switch which interestingly – and in our opinion a bit disappointingly – has been moved from its G9 / GH5 position around the shutter button. While less likely to be bumped in its new position, we miss the ability to react quickly and turn the camera on with a single finger.

Panasonic Lumix DC S1 and S1R: What you need to know

The S1 and S1R both feature high-resolution 5.76M-dot OLED viewfinders, which Panasonic describes, accurately, as offering ‘the world’s highest resolution’. In use, the S1/R’s viewfinder experience is certainly impressive, and free of the ‘rainbow’ effect which for years has dogged the field-sequential viewfinders used in some of Panasonic’s M43 cameras. We’re not sure it uses all of those 5.76M dots, though, since that number implies a 4:3 finder and these appear to be 3:2.

Sharpness isn’t just about resolution, of course. The optical assembly in the EVF is unusually complex, comprising five elements in three groups, including three ‘optical glass’ elements. The EVF’s default (max) magnification is 0.78X, but this drops to 0.74X or 0.7X if you want to see information displayed around the preview, rather than overlaid on-top.

In this image you can see the S1/R’s rear controls, which include a combined rear dial / 4-way controller and a dedicated 8-way autofocus joystick. The joystick is, no pun intended, a joy to use, capable of directing your chosen AF point around the frame extremely quickly. The 4-way controller beneath it is less satisfying, being a smaller and shallower control which we can imagine being hard to manipulate with cold or gloved fingers.

Panasonic Lumix DC S1 and S1R: What you need to know

On the rear of the S1/R is a 3.2″, 2.1M-dot ‘triaxial’ tilting display, with a tilting mechanism designed to withstand professional use in tough shooting conditions. As we’d expect from Panasonic at this point, the display is touch-sensitive. A ‘night mode’ can be activated on both EVF and / or rear display which switches to a red on black interface to avoid eyestrain and dazzling when shooting in dark conditions.

Speaking of brightness, the rear display is an RGBW type, which includes (W)hite pixels alongside red, green and blue ones to improve visibility in bright conditions and reduce battery use the rest of the time.

Panasonic Lumix DC S1 and S1R: What you need to know

Aside from the difference in resolution for stills, video is where we see the biggest differentiators between the S1 and S1R. At a casual glance, both cameras appear to offer fairly similar 4K video shooting capabilities, but a closer look reveals that the S1 is better optimized for serious video capture.

Panasonic Lumix DC S1 and S1R: What you need to know

While both the S1 and S1R can shoot 4K/60 video, they differ in just about all important respects.

The S1 can shoot UHD/30p from the full width of its sensor and can do so for an unlimited time. It can also capture UHD/60p from an APS-C crop for up to 29:59 minutes. All this footage can be captured as 8-bit 4:2:0 footage or output over HDMI as 8-bit 4:2:2. The 30p footage can also be captured as 10-bit 4:2:0 high dynamic range footage in the camera’s HLG mode.

A paid firmware upgrade will allow 10-bit 4:2:2 capture and output of the 30/25 or 24p footage and access to the full V-Log gamma option (not the truncated V-LogL version offered in the GH-series cameras).

The S1R can shoot both UHD/60p and 30p from a 1.09x crop of its sensor, and is pixel-binned, which is likely to mean less detailed footage. There’s no HLG or upgrade option for the S1R, its 30p shooting is capped at 29:59 and the 60p option will shoot for about 10 minutes.

This shot shows the S1’s audio, HDMI and USB C I/O ports. The S1/R can be charged and powered via the latter.

Panasonic Lumix DC S1 and S1R: What you need to know

The Panasonic Lumix DC-S1 and S1R will be available in April for $ 2499 and $ 3699 respectively. The optional video firmware upgrade for the S1 will be available at a later date, price still TBD.

Articles: Digital Photography Review (dpreview.com)

 
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