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How to Create a Lithography Effect Using Photoshop

05 Dec

The post How to Create a Lithography Effect Using Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.

1- How to Create a Lithography Effect Using Photoshop

I love getting inspiration from darkroom techniques and applying original effects to digital photos. If you’re like me and want to give your images a vintage look, this tutorial is for you. I’ll show you how to get a beautiful creamy-caramel tone that mimics Lithography (or Lith for short) printing.

Lith printing is a monochrome technique that consists of overexposing the paper and then underdeveloping it. By doing this, your photograph gets warm colors with strong shadows but with aerial highlights. That explained, now let’s get into Photoshop.

1.  Choose Your Image and Create a Black and White Adjustment Layer

To create a Lithography Effect Using Photoshop, choose the image you want to work with and open it in Photoshop. There’s no need to duplicate it or save an extra copy as you’re not going to touch this original image. Everything is done using layers and adjustment layers. Working this way not only protects your original image, but it also allows you to go back and adjust or modify every step if you wish to.

2 -How to Create a Lithography Effect Using Photoshop

 

The first step is to create an adjustment Black and White Adjustment layer. To do this, click on the ‘Add Adjustment Layer’ button from the bottom of the layers panel. It’s the one with the symbol of a half dark – half light circle. A pop-up menu appears with all your choices. Choose the Black and White one. Now the properties panel allows you to adjust it through the use of sliders. You can move the green and the yellow sliders to lighten it a little bit like I’m doing. However, this depends on the photo you’re using.

3 - How to Create a Lithography Effect Using Photoshop

2. Create a Hue/Saturation Adjustment Layer

Next, add another adjustment layer. This time choose ‘Hue/Saturation’ from the menu to achieve the tones you want. Ensure the ‘Colorize’ box is checked and move the ‘Hue’ slider. In the original technique, the tone depended on the type of paper, the specific blend of developer and the time you left it to process, so you can also be flexible here. In any case aim for a soft brown or caramel, For my taste, something between 20 or 30 on the slider works well.

4 - How to Create a Lithography Effect Using Photoshop

3. Create a Brightness/Contrast Adjustment Layer

Create another adjustment layer and choose ‘Brightness/Contrast’ from the menu. Click the ‘Legacy’ box and drag the contrast slider to the left to flatten your mid-tones.

5 - How to Create a Lithography Effect Using Photoshop

4. Create a Curves Adjustment Layer

The last adjustment layer is meant to adjust the shadows. Add a ‘Curves’ adjustment layer and anchor the lightest part by clicking on the top right corner. Drag the darkest one (on the bottom left) to the right until you reach the first quadrant. Finally, create an anchor point in the middle and drag it upwards for the mid-tones. It may sound complicated, but you can see it in the screenshot below. There is also no need to replicate exactly. It also depends on your image and your liking.

6 - How to Create a Lithography Effect Using Photoshop

5. Create a New Layer

That is all for the adjustment layers. Now create a new layer. This button is also on the bottom of the panel; however, the symbol is a square with one corner bent. Color this layer by going to Menu -> Edit -> Fill, choose 50% Gray and apply. This layer should completely cover your image but don’t worry; you’ll fix that later.

7 - How to Create a Lithography Effect Using Photoshop

6. Add Noise

While still in this layer, go to Menu -> Filter -> Noise -> Add Noise. In the pop-up window, choose ‘Monochrome’ and slide up to about 140% because you need to distress the image.

8 - How to Create a Lithography Effect Using Photoshop

6. Add Blur and Soft Light

Next, go to Menu -> Filter -> Blur -> Gaussian Blur and set it to ‘4.’ This softens the noise.

9 - How to Create a Lithography Effect Using Photoshop

Now change the Blending Mode from the drop-down menu that you’ll see on the top of the panel, and choose ‘Soft Light.’

10 - How to Create a Lithography Effect Using Photoshop

7. Add a Layer Mask

Now your image is distressed as desired, but the effect needs to be contained only into the darkest areas because Lithography prints are characteristic for their grittiness within the shadows. To achieve this effect, you need to add a layer mask to it. Go to Menu -> Select -> Color Range and sample the darkest areas by clicking on one of them. You can fine-tune this selection by dragging the fuzziness slider.

11 - How to Create a Lithography Effect Using Photoshop

Now click on the Layer Mask button and see the results or your finished digital Lith. Please give it a try and share your results in the comment section.

12 - How to Create a Lithography Effect Using Photoshop

The post How to Create a Lithography Effect Using Photoshop appeared first on Digital Photography School. It was authored by Ana Mireles.


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How to Create a Wedding Day Photography Timeline Quickly and Effortlessly

05 Nov

A wedding day photography timeline can help streamline the order in which you photograph a wedding.

From when the couple is getting ready all the way until the dance party, the timeline helps to keep everyone, especially you, on top of how the day unfolds.

It doesn’t matter if the couple has a coordinator or if the venue has a planner. A wedding day photography timeline will make sure that you are ready for the next big event.

How to Create a Wedding Day Photography Timeline 1

Portraits of the bride and groom at two different times during the day.

Why You Should Create Your Own Timeline

As the photographer, you need time during the wedding day to be able to capture all of the essential details, moments, and events that unfold throughout the day.

If you want to have even a little bit of control with the photography, you need to have a timeline made.

How to Create a Wedding Day Photography Timeline 2

Creating the timeline gives you control over how much time you have during any part of the day. Like the getting ready, where you can have the time to photograph the details.

Having a specific timeline for photography is priceless not only for you but the couple as well. It can help the bride to schedule her makeup and hair team.

The timeline also allows the bridal party to know where to be at what time. It also helps with family members who need to know when the extended family portraits are.

How to Create a Wedding Day Photography Timeline 3

A wedding timeline can help you choose or prepare for each of the important portraits during the day.

Not only does the timeline help you anticipate what is next during the wedding day, but also makes you look more professional because you know what is coming next. You aren’t scrambling asking the couple what is next.

How to Create a Wedding Day Photography Timeline 4

The wedding timeline can serve as a guideline for you during the wedding day. A directive ensures you get all the necessary photos of the day without questioning when or if you’ll have time to get them.

That way, you won’t miss the ring or shoe shot, or the photo of the bride with her favorite uncle.

How to Create a Wedding Day Photography Timeline 5

The timeline lays it all out for you – the couple, the guests and the bridal party. It even outlines the other vendors who will be working alongside you, such as the videographer or planner.

How to Create a Wedding Day Photography Timeline 6

Take advantage of any downtime during the day. This gives you the opportunity to create something unique and different.

It’s best to have the timeline made as soon as you know all of the major details of the wedding day.

Send it to your clients with at least a month in advance. Doing so gives them the time to make any last minute changes if necessary.

Confirm the wedding timeline at least a week before to make sure the day unfolds as planned.

Answer These Questions First

The following questions are important as they determine how you are going to schedule each portrait event of a wedding day.

How to Create a Wedding Day Photography Timeline 9

Some of the questions will have to be answered by the couple and other questions are for you to answer.

All of them equally important to the timeline!

  • Will the couple be having a ‘first look’?
  • If not, will there be enough light after the ceremony to take the bride and groom portraits?
  • If the couple is doing a ‘first look’, will they want bridal and family portraits following the portraits?
  • If the couple is not doing a ‘first look’, then the family portraits will have to be done separately. Also, bridal party portraits may have to be done separately as well. Is the couple okay with having these portraits separate?
  • Will the couple want sunset photos?
  • Are the locations for the portraits far from the ceremony or reception venue?

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What it comes down to is whether the couple is deciding to have a traditional wedding or a ‘first look’ (when the couple sees each other before the ceremony).

Photography timelines are vastly different for each, which I will explain in more detail below.

It Doesn’t Have to be Fancy

The wedding photography timeline doesn’t have to be made in Adobe Illustrator (although you could do that). A simple Word document, or equivalent, would work just fine.

Having this schedule gives the couple a chance to look over the timeline and if need be, make changes of their own.

The following questions are important as they determine how you are going to schedule each portrait event of the wedding day.

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Also, you’ll want to create a template of some sort since you’ll be creating more timelines as you continue to grow your business. Once you get more experience creating these timelines, it will get easier and easier to fill in the details.

Traditional Wedding Day Photography Timeline

A traditional wedding means that a couple will not see one another before the ceremony and portraits get taken after the service. It usually isn’t a problem.

However, it is important to note if there will be enough light after the ceremony or if you will have to photograph the couple using artificial lighting.

How to Create a Wedding Day Photography Timeline 12

This couple opted to keep their wedding day traditional. Portraits were scheduled right after the ceremony.

The easiest way to create the wedding photography timeline for a traditional wedding is, begin with the times of the two most important parts of the wedding day: the ceremony and the reception.

From there, you will be able to work your way back and schedule the times for the rest of the days’ essential details.

How to Create a Wedding Day Photography Timeline 13

The same couple also decided to have sunset photos after dinner and toasts.

Say, for example, the ceremony begins at four o’clock in the afternoon, and the reception starts at seven o’clock. Begin with writing the ceremony time down first, and work your way backward until you reach the ‘getting ready’ part of the day.

How to Create a Wedding Day Photography Timeline 14

‘Getting ready’ photos can lead into the bridal portraits seamlessly.

Example Timeline for a Before the Traditional Ceremony

Working backward in time from the ceremony, a sample wedding day timeline may look like this:

  • 04:00 pm  – BRIDE AND GROOM ARE MARRIED
  • 03:00 pm – Travel time to ceremony location and allow the bride to have touch-ups and get ready for the ceremony. Photos of the ceremony location and details. Candid photos of guests arriving
  • 02:45 pm – Portraits of the groom with his family
  • 02:00 pm – Portraits of the groom with groomsmen
  • 01:00 pm – Portraits of the bride with her family
  • 12:00 pm – Portraits of the bride alone and with bridesmaids
  • 11:00 am – Photography coverage starts
  • 10:00 am – Getting ready

Even if you may not be photographing the ‘getting ready’, due to collection choice or otherwise, it’s good to have a general layout of the day.

How to Create a Wedding Day Photography Timeline 15

This couple kept their wedding traditional. There was no more light after the ceremony and we prepared for that because we had a timeline.

Example Timeline for After the Traditional Ceremony

Once you have the bulk of the day laid out, it’s time to schedule all of the events after the ceremony.

It can look something like this:

  • 05:00 pm – Portraits of the family with the couple after the ceremony. This can be either at the altar, ceremony location or somewhere close by.
  • 05:45 pm – Portraits of the bridal party altogether with the couple.
  • 06:00 pm – Bride and groom portraits
  • 06:45 pm – Arrive at the reception location. Take detail photos of the reception set up.
  • 07:00 pm – Reception time
  • 10:00 pm – Photography coverage ends
How to Create a Wedding Day Photography Timeline 16

Knowing when family portraits will be done can help keep everyone on schedule.

At the Reception

During the reception, it’s good to consult the coordinator or planner to ask what their scheduled timeline is. When there is no planner or coordinator, go to the DJ booth and consult with them.

The reception is much more relaxed than the rest of the wedding day. Here, you can follow the timeline that the other vendors provide so that you can focus on getting great photos of the dancing without the pressure.

How to Create a Wedding Day Photography Timeline 17

Work with your clients to outline which portraits are the most important for them. That way, you carve out enough time for those. The remainder can be filled in throughout the day.

For example, if the couple isn’t interested in having family portraits after the ceremony, fill the time with more bridal party photos or extend the couples’ portrait time.

How to Create a Wedding Day Photography Timeline 18

Ask your clients if they want sunset photos or if they will be having something special during the day. This way you can include it into the timeline.

Each wedding timeline can differ. Beginning with the ceremony and working in reverse will give you the quickest way to lay it all out.

‘First Look’ Wedding Day Photography Timeline

Again, even though the couple will be seeing each other before the wedding, it is quick and easy, to start with the ceremony time.

We’ll keep the same times for this example so that you can compare the two. Refer back here when you are creating your clients’ wedding timeline.

How to Create a Wedding Day Photography Timeline 19

‘First look’ before the ceremony.

‘First Look’ Example Timeline for Before the Ceremony

The ceremony begins at four o’clock and the reception begins at seven o’clock.

  • 04:00 pm – BRIDE AND GROOM ARE MARRIED (Ceremony)
  • 02:45 pm – Bridal Party Portraits with the couple
  • 02:00 pm – Bride family portraits and groom family portraits
  • 12:30 pm – Bride and groom ‘First Look’ and portraits
  • 10:00 am – Getting ready photos

A timeline can change somewhat depending on ‘light’ situations. The afternoon sun is very harsh, especially for outdoor photography. You’ll want to avoid setting this time for the bride and groom portraits unless necessary.

In my experience, this is more often the case.

How to Create a Wedding Day Photography Timeline 16

The above is a typical wedding timeline and even with the harsh light, you can opt for a covered or indoor location.

‘First Look’ Example Timeline for Before the Ceremony with Formals After

When your couple chooses to only do the ‘first look’ before the ceremony, and then do the formals later in the day, the wedding day could look something like this:

  • 04:00 pm – BRIDE AND GROOM ARE MARRIED (Ceremony)
  • 02:00 pm – Couple portraits alone
  • 01:30 pm – Bridal party portraits with the couple
  • 01:00 pm – Bride family portraits and groom family portraits
  • 12:30 pm – Bride and groom ‘First look’ only
  • 10:00 am – Getting ready photos
How to Create a Wedding Day Photography Timeline 17

This couple had their ‘first look’ and formals before the ceremony. They also had formals after the ceremony during sunset.

‘First Look’ Example Timeline for After the Ceremony

From here, the post-ceremony timeline would look something like this:

  • 05:00 pm – Portraits of the family with the couple after the ceremony. This can be either at the altar, ceremony location or somewhere close by.
  • 05:45 pm – Cocktail hour at the reception venue
  • 06:00 pm – Photograph reception details and other candids during this time
  • 07:00 pm – Reception time

How to Create a Wedding Day Photography Timeline 18

There are many different timelines because every wedding event is unique. Depending on your style, you might schedule the portraits earlier or later in the day.

Perhaps you’re photographing on a beach and want beautiful sunset photos. You may choose to take pictures of the couple earlier, and again during sunset.

Stick to the Timeline But Also be Flexible

Keep in mind that setbacks happen more often than not during wedding days. Fortunately, you have a handy wedding timeline. Due to the way it is set up, you have the option of rearranging and moving things around if necessary.

How to Create a Wedding Day Photography Timeline 19

An example of this would be if a groomsman is running late to the bridal party portraits, you can begin with the bridesmaids. Or if the bride is late for the portraits or ‘first look,’ you can switch to the pictures of the groom with his family instead.

How to Create a Wedding Day Photography Timeline 20

We didn’t have time before the ceremony to take the full bridal portraits so we opted to do them at a later time.

Having the timeline in mind during the wedding day will make these setbacks easier to overcome. You can reassure your clients that you will still get all of the photos that are of utmost importance to them.

Template for Quick and Easy Wedding Day Photography Timeline

Creating timelines doesn’t have to be a grueling task. Use the below template to help you effortlessly create quick and easy wedding photography timelines. It works for both traditional or non-traditional weddings, and begins with the ceremony and working backward.

Once you’ve created your timeline, make sure to confirm all of the details with your couple. Sure, things can change on the day, but it is still essential for the couple to sign off on it.

How to Create a Wedding Day Photography Timeline 21

Be sure to send a copy to the wedding planner or coordinator as well. That way, everyone is on the same page in regards to the timeline of how the day will unfold.

Conclusion

As the photographer, it’s important that you, your clients, and team, are all on the same page as the day unfolds.

Taking the time to create a timeline of each significant photographic moment during the day will save time and keep you in control of the photography.

How to Create a Wedding Day Photography Timeline 22

Work with the coordinator or DJ for the reception events. Add these to the timeline, even if they might be changed on the day.

With time and experience, you’ll be creating wedding timelines quickly and effortlessly!

Do you have trouble with wedding day photography timelines? Are their extra things you would consider? Share with us in the comments below.

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How to Create Dark and Dramatic Backgrounds Using High-Speed Sync

30 Oct

The Usefulness of High-Speed Sync

Among other things, high-speed sync lets you underexpose your backgrounds for dramatic images.

High-speed sync (HSS) is easily one of the most useful features in lighting. Not only does it let you overpower the sun for more flattering light in the middle of the day, it also lets you use your largest apertures in broad daylight.

It also lets you use another useful technique – underexposing your backgrounds by several stops. With a powerful enough light you can even underexpose the sun by three or four stops, thus making it a compositional element in your frame. This lets you create dark, dramatic backgrounds for visual impact. It also brings your subject forward in the frame, ensuring they’re the dominant aspect of your image.

Fortunately, using HSS to create dark backgrounds like this is easy. And in this short tutorial, I’ll show you how to do it using both E-TTL and manual exposure modes.

Why Darken Your Backgrounds?

While you won’t want to darken the background in every situation, dark backgrounds in scenes that would normally be very bright look great. It may be a stylised affair, but it’s a cool style.

Darkening the background brings your subject forward in the frame(providing they’re well lit), and emphasizes them as the focal point of the background. And the inherent contrast added by putting extremely dark tones in the frame helps to make things pop.

This shot was taken without a flash and is all natural light. You can see the background shares a similar tonality to the subject, reducing the subject’s impact within the frame.

 

By intentionally underexposing the background with HSS, the subject now dominates the frame.

What Do You Need?

To get started with this technique you’ll need:

  • A flash with HSS capability (and TTL capability if you don’t want to use manual).

Some studios strobes (such as the Pixapro Citi600) now come with HSS functionality built in.

  • A trigger or some other means to fire your flash. (You’ll need a TTL-compatible trigger if you want to use TTL.)

If you want to use manual mode, a PC Sync cable will do the job. But for E-TTL you’ll need a compatible trigger. (The icon circled in red is the HSS icon.)

E-TTL Mode

To use this technique with TTL metering, turn on the flash, trigger, and camera of whatever system you’re using. Set your flash mode to HSS and E-TTL. (If you don’t know how to do this, refer to your manual.) You should also zero out the flash exposure compensation settings on your flash.

Switch your camera to ‘Aperture Priority‘ mode and choose the desired aperture. I’m fond of f/4 and f/5.6 for this technique, but it’s not a rule.

Now dial between -1 and -3 stops of exposure compensation into your camera. What this does is underexpose all the ambient light in your scene. It’s how you achieve the dark backgrounds – everything that isn’t properly exposed by your flash will be darkened.

Backgrounds that are already in shadow (such as the one in this photo) may only need one stop of underexposure.

For dark backgrounds already in shadow, -1 stop of exposure compensation will be enough. For bright backgrounds or backgrounds in direct sunlight, you’ll need to underexpose more. To overpower the sun, you’ll need to underexpose by at least three stops.

Backgrounds lit by direct sunlight (such as the one in this image) may need up to four stops of underexposure.

Take a test shot, evaluate the image and the histogram on your camera, and adjust the flash exposure compensation as needed.

That’s all there is to it.

Manual Mode

HSS is great for overpowering the sun. Here, three stops of underexposure controlled the appearance of the sun in the frame. Notice how dark the rest of frame (lit in broad daylight) appears.

The steps for manual mode are almost identical to using E-TTL mode.

  1. Set up the flash, trigger, and camera of your system.
  2. Set the camera to aperture priority mode.
  3. Set the camera to your desired aperture.
  4. Dial in -1 to -3 stops of exposure compensation.
  5. Take a test shot.
  6. Adjust your flash power as needed.

However, in manual mode, the meter in your camera doesn’t relay any exposure information to your flash as it does in E-TTL mode. That means you’ll need to set your flash power yourself by evaluating your test shot and turning the flash power up or down as needed. You may need to alter the flash power a lot more than you would with E-TTL. Just keep taking tests shots and evaluating the exposure until it’s where you want it.

Adjusting the power in manual mode means dialing through all the increments on your flash. This isn’t a problem, but it’s harder than E-TTL.

As an aside, light meters are now available that can measure HSS such as the Sekonic L-858D. However, they’re very expensive. A Slovenian company called Lumu also makes a light meter that plugs into an iPhone to measures HSS. I saw these being demoed at a trade show and was very impressed with the results. They’re less expensive, but they currently work only with iPhones.

That’s It

Provided you have the necessary equipment, the technique is quite easy. And it can give you a variety of results, so make sure you experiment with different amounts of exposure compensation.

Though limited by your access to the equipment, this HSS technique is easy to employ and can result in bold, dramatic imagery.

Other Considerations

Here are a few things to keep in mind while using this technique:

ISO. Generally speaking, you should keep your ISO as low as possible. Of course, if you have a particularly low-powered flash you may need to bring it up.

Flash Meters. Most flash meters can’t meter for HSS exposures. There are specialist meters that can, but be prepared to pay through the nose for them.

Daylight Conditions. This technique works in all sorts of lighting conditions, from direct midday sun to diffused light on a cloudy day. You’ll need a powerful light to overpower the sun on a bright day, but if you do the technique works really well.

This HSS technique works well in all lighting conditions. The image on the left was created in overcast conditions, while the image on the right was taken in direct sunlight.

Flashguns / Speedlights. Many flashguns have HSS functionality built in and are capable of great results. If you have a flashgun, consider using them for this technique.

Give it a try

Now that you’ve seen what can be accomplished with this relatively easy technique, I encourage you to get out and try it for yourself. And let us know how you went in the comments.

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Create a Theme to Step Up Your Travel Photography

23 Oct

One of the things that always drew me to travel photography is the endless variety. Every place on earth is unique. The people, the landscape, the culture, the wildlife, the architecture. Even with neighboring cities, no two places are the same.

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So, why is it that we tend to photograph them all the same way? When I look back through my archives from all over the world, most of my images have a similar look. If I didn’t remember the location of a photo, I likely couldn’t guess where I took it.

As photographers, we develop our own unique approach to our craft. It’s not a bad thing – it helps to develop our own style. Although, sometimes it’s worth taking a different approach for a specific location or trip. Choosing a travel photography theme for a trip can help focus and guide your photography, as well as give you a unique collection of images.

surfers create a travel photography theme

Coming Up With Your Photography Theme

I’m not talking about changing your style or learning a whole new genre, necessarily. Just taking some time to think about how you could create a theme for your next photography trip. Here are a few things to consider that could help to give your collection of images a unique photography theme.

Genre

You likely already have an idea of what genre of photography you’ll be using. This will largely come down to what you like to photograph. It will also depend partly on the location you’re going to and the gear you have available.

However, you may be tempted to photograph everything. It’s easy to fall for this temptation, I know. You’re in a new, exciting place and may never go there again. You don’t want to miss a thing. Go crazy, if you must, but try to think of a specific genre that suits the location and spend most of your time on that.

noah create a travel photography theme

You don’t want to pick a genre that won’t give you many options. Trying to photograph the milky way in New York isn’t going to happen. Neither is photographing architecture in Yosemite. Come up with something that will give you a lot of material to work with and that you will actually enjoy.

Travel photography conjures images of epic landscapes or cityscapes. You really are only limited by your imagination. Try making the local people your theme with portraiture. Spend your days practicing street photography if you’re visiting an urban location. Maybe even try your hand at wildlife photography if there’s any around.

Subject

So, you’ve picked a genre. What are you going to point your camera at? It’s time to spend some time thinking about the subject of your theme. Again, it may be an easy decision. What’s unique about the location you’re visiting? What’s it known for?

On my recent road trip up the coast of Queensland, Australia, I followed a coastal theme. If there’s one thing Australia is known for, it’s incredible beaches. It was an obvious choice.

jetty create a travel photography theme

You don’t need to go with the obvious, though. Something less obvious can actually make a more engaging collection of photos. If you’re visiting a big, concrete jungle, you could create a contrasting theme by photographing the flowers you find. Think outside the box and get more out of the location.

Of course, there’s nothing wrong with photographing the cliche. There are some incredible collections of photos that follow an obvious subject – lakes of Canada, waterfalls of Iceland, Humans of New York.

Style

The style of your photography is one of the most powerful elements in creating a photography theme. The way you choose to photograph the subject you’ve chosen can vary a lot. You may have already developed your own style. You don’t need to throw that out the window.

sand create a travel photography theme

If your photographic style suits the genre and subject that you’ve chosen, feel free to stick with it. You’ve likely worked hard to develop it. You could adapt it for this trip by turning up the volume or trying something slightly different.

If your theme uses long-exposures, you could try creating super-long exposures. If you’re doing astrophotography, maybe give star-trail photography a go. Creating an aerial theme? How about shooting panoramas with your drone?

A big factor in creating a style is focal length. A 50mm lens will create a very different image to a telephoto. As will a wide-angle or fish-eye lens. You might have a dozen lenses to choose from, or you might have one. Either way, try choosing one lens for your theme. You could even take it a step further and stick to just one focal length.

create a travel photography theme

A photography trip could be a good opportunity to try something new. Have you been wanting to get a drone and have some fun with aerial photography? Maybe it’s an opportunity to try your hand at macro photography? Travel is expensive, so buying new gear for a trip usually isn’t possible. Renting is a great option, as is borrowing gear off other local photographers.

Color

If there’s one thing that can create a consistent theme within a collection of images, it’s color. This can be both in the colors that you capture in-camera and the way you edit them in post-production. A combination of both can really bring a bunch of photos together.

shipwreck create a travel photography theme

It’s not always the case, but you may find there are certain colors that are consistent in the locations you’re photographing. Certain landscapes, for example, will have dominant colors. Green hills, blue water, yellow sand.

There are opportunities to create color themes everywhere, though. You could create a color theme in a city by photographing doors, flowers, dresses, signs, etc, that are all that color.

palm create a travel photography theme

When you import your photos to your computer, the options for editing your photos with a color theme are endless. Try playing around with the white balance and saturation sliders. Experiment with HSL and split-toning. Do something different to what you usually do, and when you find something you like, save it as a preset for your theme.

Creating a color theme doesn’t need to include advanced color grading or anything technical. Your theme might just be bright, vivid colors. It could also be the opposite. Maybe a desaturated look, or even go monotone. Black and white photography can create a very strong theme.

create a travel photography theme

As a colorblind photographer, I’ve avoided advanced color editing in the past and played it safe. Taking risks and learning to create color themes for my travel photography really helped me take my photos from mundane to unique.

Summary

Whether your trip is a family vacation, business travel, or a photography adventure, try thinking about a photography theme. Ask yourself what you could do to come home with a more cohesive collection of images that represent the location well. You might even end up with a few side-by-side on the wall someday.

Do you have any photography theme tips? If so, let us know in the comments below.

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SLC-2L-04: Use a Tight Grid to Create Color

08 Oct

Normally, you might think of a grid spot for what it creates: a tight zone of light. But it also can be helpful to think of it in terms of the inverse: a grid also prohibits light from reaching everywhere else.

And the "everywhere else" part—that relative blackness you can create with a gridded key—is what can help you to amp the color palette in even a small room with light-toned walls.

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7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

04 Oct

Staying inspired to create stunning photographs consistently is a tough challenge. In this article, I present seven methods you can use to find inspiration. If you take them on board they will propel you to your goal of making phenomenal photographs.

Most photographs you see in your day are mediocre at best. You will scroll past them rapidly and hardly notice most of them. Other people will do this with your photos on their social media feeds too.

Seeking inspiration from social media is not effective in the long run if you desire to make truly outstanding photographs.

Woman and elephant - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

“Great things are not accomplished by those who yield to trends and fads and popular opinion.” – Jack Kerouac

1. Read. Read. Read.

Read a lot. Read books about photography by photographers. Read stories of how photographers became successful. People’s stories will teach you many varied ideas you will not read in how-to books or find on Youtube tutorials.

One of my favorite photography books is called, On Being a Photographer by David Hurn and Bill Jay. These authors were longtime friends and both accomplished photographers and teachers. I am inspired by their conversations in this book every time I pick it up.

Chinese temple near Warorot Market in Chiang Mai - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

Find a few photography blogs to follow. Search for photographers whose work you admire and can relate to who are writing their own blogs. Read everything they write.

Keep reading the diversity of articles here at dPS. When you find a topic or author you appreciate, search back through their archives and read more. Find the author’s website and social media feeds and follow them.

There are not so many photography magazines published nowadays. Read them if you can find some you like. Pick up old copies if you see them in second-hand stores. They often contain well written, carefully edited articles and follow styles and themes. I still have photography magazines that are 20 years old in which I can still find inspiration.

flower on a moss covered wall - 7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

2. Seek Out the Masters

Learn from the best. Keep watch for when photography exhibitions are held in your area. Make a point of seeing major photograph exhibitions, even if you have to travel some distance. Take a photographer friend and make a day of it. Having someone else who’s interested will mean you have lots of good conversation about the photos you see.

Buy books. Check books out from your local library. Books of photographer’s life work or long-term projects. Big picture books you can browse through and learn from. Look for what you like, images and styles you want to emulate.

Finding some photography heroes will help keep you looking upwards. Learning how the masters have succeeded will encourage you to new heights in your own photography. I have been incredibly inspired by the work of Irving Penn and many others.

Long neck Kayan mother and daughter -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

3. Do Something New

Commit to learning a new technique. Research on the technique and how it’s best used. Practice it every time you use your camera it. When you have mastered it, learn another.

Do the same for your equipment. If you buy a new flash, reflector, filter or another piece of gear, don’t let yourself buy anything else until you have mastered it.

It’s easy to become uninspired doing things by half. If you have a new piece of kit or have started learning a new technique and not become familiar with it, you will not be able to use it effortlessly. By committing to becoming proficient you will enjoy it more and be more creative than frustrated.

Night Photography In Chiang Mai, Thailand at the Iron Bridge -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

4. Do a Photography Project or Two

Always have at least one on-going photography project you work on regularly. Set goals and make yourself challenges to keep producing better and better images for your project.

Incorporate the other six points in this article to help you stay inspired for your projects. Generating a body of work you will be able to look back over in time can be incredibly motivating. To see how your photography skills and ideas grow over a period of six months, a year, five years or more is a valuable source of inspiration.

Samlor Tricycle Taxis at Warorot Market, Chiang Mai, Thailand -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

5. Find Photographer Friends

Solo indulgence in any form of creative expression can leave you in a vacuum unless you are completely confident and never lack inspiration. I don’t think I know anyone like that. Being a photographer, whether for a living or as a hobby, is often something people do on their own.

Having someone to bounce ideas around with can breed creativity like nothing else I know. It’s not always easy to find people to do this with. If you seek them you will find them. Creatively compatible people often gravitate towards one another. Be open to relating with other photographers.

Have coffee or a beer together:

  • Swap stories.
  • Share ideas.
  • Encourage one another.
  • Ask questions.
  • Help each other.
  • Collaborate on projects.

Two Akha women in a rice field -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

6. Crave Constructive Criticism

Have the photos you are taking critiqued by someone you respect. Find someone that can give you positive input on technique, method, and style. It may take some courage at first but this will help keep you inspired.

Receiving uplifting feedback about what you are doing creatively is important to personal growth. Learning to critique your own work is a valuable exercise to provoke motivation. Taking a step back and having your photos critiqued, by someone else or by doing it yourself, will stimulate fresh photography ideas.

Buddhist monk lighting a candle during a night ceremony in Chiang Mai, Thailand -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

7. Find a Mentor

Someone you can trust and has real experience as a photographer is about the best way to help you stay inspired. A good mentor will incorporate both #5 and #6 as a friend and a critic of your photos. They will do more than that though.

A capable mentor will help guide you through all the points in this article. You will gain so much from their seasoned years of having a camera in their hands and living and breathing photography.

Finding a mentor you can connect with and who you feel comfortable with is important. You need someone who listens to you rather than just shares what they have done.

Woman making Giant Soap Bubbles -  7 Steps to Find Inspiration so You Can Create Phenomenal Photographs

You can ask local photographers near where you live or seek out someone online who’s photos and opinions you respect and appreciate. Even if they do not offer a mentoring service, just ask. They can only say no.

You may have to pay a mentor for their service, especially if they offer some kind of structured learning program. If you are serious about photography this will likely be the best investment you can make. It will do far more for you than upgrading your camera or buying a new lens.

“Great things are not done by impulse, but a series of small things brought together.” – Vincent Van Gogh

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How to Create Fine Art Images from the Mundane

02 Oct

It’s easy to feel defeated before you’ve even started when it comes to creating fine art images. A quick search of any of the popular photography sites brings up beautiful and humbling images from the far corners of the world.

However, you don’t need a round-the-world ticket and a six-month career break to shoot beautiful fine art photography. You can do this at home in your living room with minimal expenses if you’re prepared to think a little outside the box!

Physalis color duo - How to Create Fine Art Images from the Mundane

What does fine art mean anyway?

Fine art photography is one of those terms that is tricky to pin down. There are two ways that the term “fine art” is usually used so it’s important not to get confused between the two.

The first is usually in the context of museums and galleries. Fine art in European academic traditions is most often used to describe a work that was created primarily for beauty and has no other function. It is the opposite of “applied art” which describes everyday objects (such as ceramics) which have been decorated to make them more aesthetically pleasing.

When people talk about fine art photography though, they tend to be talking about a style of photography rather than a method of production. In this context, it’s usually art that was created for art’s sake. An image that was always designed to be primarily enjoyed for its beauty rather than its subject matter.

Sometimes there are lighting and processing styles that maybe associated with the term “fine art photography” but fashions and trends come and go, even in the world of art!

Physalis colour triptych

For a more in-depth look at fine art photography read: The dPS Ultimate Guide to Fine Art Photography

Flat Perspectives

Flat lay images have been gaining popularity for a while now. If you scroll through Instagram or Pinterest you’ll almost certainly find them in your feed. But most of the flat lay images out there on social media are heavily focussed on creating a real commercial vibe that sells a product or an experience.

Even those photographers not selling anything have often adopted this commercial style for their personal feeds. While there’s nothing wrong with this approach at all, there is room for a different interpretation of this style of an image by creative photographers who want to shoot fine art.

Searching for Inspiration

It’s always a good idea to start with a vision of how your final shots will look. A close study of the detail and texture of an object was the idea that I had in mind for this image. There’s a real trend in interior design right now for groups of artfully curated objects placed creatively on walls and it was this trend that I wanted to explore.

These images are also heavily inspired by the work of Edward Weston over the past few years, someone who has been inspiring me in my work for years.

Weston used photography to explore natural forms. He strived to capture details of the reality around him with real precision. Between 1927-30 he would shoot a portfolio of images based around peppers, shells, and cabbages. Through these images, Weston translated reality into something much more abstracted and Modernism-inspired.

Physalis - How to Create Fine Art Images from the Mundane

A trip to the supermarket was in the cards as a homage to Weston’s visionary images of food. I auditioned pomegranates, gnarly heirloom tomatoes, and unusually long, thin peppers. But it was finding a bag of physalis (sometimes also called ground cherries or Chinese Lanterns) on the top shelf that really stoked my imagination.

Shooting Techniques

Lighting is everything when it comes to creating close photographic studies of objects. I am lucky enough to have an east-facing bay window in my studio. Around about early afternoon, it has the most perfect light for shooting really natural looking fine art images. You could create similar images using any large window on a bright overcast day.

Place a background onto your shooting table first – I selected a faux-wooden finish – and then set your camera up on a tripod looking directly down at the table (use a spirit level here if you have one).

If you don’t have a tripod that can flip its central column and tilt it horizontally you’ll want to purchase an accessory arm in order to shoot flat lays. Getting the camera directly above the subject without the tripod’s legs getting in the way is crucial to this style.

Physalis bw triptych - How to Create Fine Art Images from the Mundane

Finding the Light

There’s a theory that humans read images in a similar way to how they read written text. For me, because English is my primary language, I read from left to right. That means when I shoot I almost always start with the light coming from the left and the shadows on the right as default.

This way your viewer would be reading the image from the light to dark in the same way that they would read a book. It should feel very natural and easy.

If the light isn’t right for the image then wait until later in the day or even another day altogether. Shooting with available light isn’t always the quickest process but it can be very rewarding. When you’re using available light always have black and white cards on hand to bounce or block the light. Just because it’s not coming from a studio light, doesn’t mean you can’t modify it.

Controlling the Camera, Creating Compositions

One of the best things about the Fuji range of cameras is the iPhone app that goes with them. Although the screen on some cameras, like my Fuji, tilt so that you can see what you’re shooting – when you’re set up for flat lay shots it can still be a little awkward. The app gets around this problem and allows you to see exactly what you’re doing in real time.

Physalis fuji app - How to Create Fine Art Images from the Mundane

When you’re shooting overhead flat lay images, a smart thing to do is to connect the phone and camera, start the app, and then place it on the table next to the arrangement of objects (but out of the shot). That way you can watch the scene as you move objects around to get the perfect composition before you push the shutter button.

It’s an extraordinarily useful feature to have the images transmit live so that you can watch them as you work. It really allows you to perfect your styling in a much shorter time than it might otherwise take.

Look for More Images

It was too easy to be content with the first flat lay group of physalis that I shot, but I knew that there were more images to be had of such a beautifully delicate subject. A physalis is quite small so I grabbed my old DSLR and its macro lens and begun the process all over again of finding a shot.

Changing lenses, especially if you shoot with primes, can really help you find another great image if you’re stuck for ideas or you think you’ve already got “the one.”

An even better image emerged – a single lone physalis still encased in its delicate shell! I shot this image by getting myself between the window and the shooting table and placing a black card behind the fruit.

Physalis05

The soft, beautiful light made the semitransparent physalis appear to glow and I knew at once I had shot an image I’d be happy to print large on my wall. Changing your perspective and getting down low or up high can also stimulate new ideas when it comes to shooting the same subject.

color or Black and White?

Physalis bw color - How to Create Fine Art Images from the Mundane

I once interviewed a great boudoir photographer who was very candid about why people spent money with her. She said it was because she gave them images that they couldn’t easily create at home – and she did that by color grading every image.

It is relatively easy nowadays with modern cameras and phones to get an image that’s in focus with colors which are true to life. Auto settings will get you pretty close most of the time. In that respect, it’s also much harder to make an image stand out from the crowd.

If everyone can shoot images that look like what’s in front of you then you need to go beyond image selection, focus, and composition to get a truly unique image.

Physalis color lightroom - How to Create Fine Art Images from the Mundane

On the color images of the physalis the saturation was dropped, and then blues were added to the shadows and a warm tan color to the highlights using the split toning panel in Lightroom.

For the black and whites, I experimented to find settings that created a deep contrast between the subject and the background, adding some clarity and darkening the shadows. For some of the images, the background texture was removed altogether by selectively decreasing the exposure, thereby referencing Edward Weston’s images that are usually shot on dark backgrounds.

Seeing Art Everywhere

With some practice, you can start to see potential in every object to become a subject for a piece of photographic fine art images. Many artists have preoccupied themselves with close studies of the world around them.

Edward Weston, the painters of The Pre-Raphaelite Brotherhood, even Michelangelo all produced bodies of work that reflected on reality and how best to translate that into art.

You don’t need expensive trips around the world to exotic places or whole teams of people to create fine art photography. You just need a keen eye, your camera, and your kitchen table.

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How to Create Memorable Family Albums Using the Lightroom Book Module

16 Sep

There is little quite as delightful as going through family albums, reliving memories and watching how things have changed over the years. Having digital copies is great but nothing really beats the excitement of having them in print, holding all those memories in your hands and going through them at your leisure.

It’s a sentiment I’ve especially grown to appreciate since the birth of my daughter. The rare times my hard drive starts giving me trouble and I begin to fear the loss of my digital files, I’m assured if anything, my favorite photographs with my loved ones are safe in their spot on my shelf. So, how do you go about creating such family albums?

The Lightroom Book Module

If you use Lightroom in your post-processing workflow (who doesn’t?), you’ll be delighted to know it helps you make beautiful albums even if your sense of design isn’t the best.

It keeps you from looking for other software – where you’ll probably be re-uploading your photos, struggling with their size, cropping, and even brain storming for creative and appealing layouts.

The Lightroom Book Module even goes a step further and gives you the option to send your photo book to Blurb for printing from within Lightroom!

In case you don’t know, Blurb is a publishing company which prints quality books on-demand for people like you and me. They’re reasonably priced and could rival professional photo books. To sweeten the deal, they deliver your order right to your doorstep!

How to Create Memorable Family Albums Using the Lightroom Book Module

Of course, you still have the option to convert your photo book into a PDF or JPEG images. That way you can have them printed yourself or just save those layouts as collages. So, without further ado, let’s look into how you can make beautiful family albums!

Step 1 – Make a Collection

Before you start creating your book, you should make a Lightroom Collection of the photos you want in the book.

Since I take a lot of photos of my daughter and they’re all in different folders, I’ve set up a Smart Collection which saves any picture I keyword with her name. This way, Lightroom automatically saves them to that Collection. Whenever I need to look at all her photos together, I just navigate to that folder and they’re all there.

For this example, I’m making a photo book of my daughter’s first year. Once you’ve made your personal Collection, select it and head over to the Lightroom Book Module.

Step 2 – Save your photo book

In the Book module, you’ll immediately see all the photos of your Collection laid out in the form of open book pages. (Note this only happens automatically if you set that up in your Lightroom preferences).

How to Create Memorable Family Albums Using the Lightroom Book Module

Before you start anything, it’s a good idea to save the book so you don’t lose any changes you make. To do so, look for this button in the top-right: Create Saved Book.

How to Create Memorable Family Albums Using the Lightroom Book Module

After clicking that, you’ll be asked to name your book and choose where you want to keep it in Lightroom.

How to Create Memorable Family Albums Using the Lightroom Book Module

It’s preferable to keep it under the collection you’re working from so it’s always easily accessible. To do so, select the Inside checkbox, and in the drop-down menu select the collection you’re using. I’m using a collection with my daughter’s name. (Keep the other options ticked as they are by default).

On the Collections panel, the photo book will appear under your collection.

How to Create Memorable Family Albums Using the Lightroom Book Module

Viewing your photo book

You can choose how to view your photo book from the different “Views” options on the toolbar at the bottom.

The default one is the Multi-Page View which shows your entire photo book. You can enlarge or shrink the size of the pages by using the Thumbnails slider on the bottom-right, the same way you do in the Library module.

How to Create Memorable Family Albums Using the Lightroom Book Module

Then there’s the Spread View, which shows how side-by-side pages will appear in the book. This is useful when you’re having a closer look at your photo book. You can shift through the pages using the arrow keys on the toolbar below.

How to Create Memorable Family Albums Using the Lightroom Book Module

Finally, there’s the Single Page View to get really up close and personal, for when you’re adding finer details.

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Step 3 – Select Book Settings

The first panel on the right-hand side is the Book Settings panel. Here, you can choose the format of the book between Blurb, PDF, and JPEG.

Publishing with Blurb

First, let’s look at the options you have if you choose to publish through Blurb.

How to Create Memorable Family Albums Using the Lightroom Book Module

Depending on your requirements, you can change the size of the book.

How to Create Memorable Family Albums Using the Lightroom Book Module

You also have the options to change the paper type and the book cover. An interesting thing to note is that at the bottom of the panel you’ll see a rough estimate of how much your book will cost. However, the price is only visible if you’re using the Blurb option (as seen above).

As you change your options the price will also change. This helps you manage your photo book within your budget.

Publish as a PDF or JPEG

If you choose PDF or JPEG in the Book drop-down, the options will also change (shown below).

How to Create Memorable Family Albums Using the Lightroom Book Module

You still have the liberty of changing the book size and choosing the book cover, however, now you also have to look over other things like your image quality, resolution, etc.

Step 4 – Layout

Now that basics are out of the way it’s time to get to the good stuff!

Right now, your photo book may have a lot of empty pages and it clearly doesn’t look like what you want. The appearance, or rather, the layout of the book can be changed in the Auto Layout panel.

Notice that the Preset selected by default is Left Blank, Right One Photo, and that’s likely how you’re seeing your book right now: the left page is blank and the photo is on the right side of the spread.

How to Create Memorable Family Albums Using the Lightroom Book Module

If you want you can choose any of the other presets available to you, though you’ll find there’s little available.

How to Create Memorable Family Albums Using the Lightroom Book Module

To change everything to your liking, you’ll first need to hit the Clear Layout button in the Auto Layout panel.

How to Create Memorable Family Albums Using the Lightroom Book Module

This clears away everything and gives you a completely new canvas to work on.

How to Create Memorable Family Albums Using the Lightroom Book Module

Making your own Layout

In the Preset drop-down, select Edit Auto Layout Preset.

How to Create Memorable Family Albums Using the Lightroom Book Module

This opens a dialog box where you can select how you want your pages to look.

How to Create Memorable Family Albums Using the Lightroom Book Module

You can see that the dialog box is divided in half to accommodate the design for the right and left pages. By default, the left page is blank. On the Left Pages drop-down, select Fixed Layout.

How to Create Memorable Family Albums Using the Lightroom Book Module

This will open a variety of layouts for you to choose from. You can scroll through them to see if anything catches your fancy.

How to Create Memorable Family Albums Using the Lightroom Book Module

The grey area in the template shows how much space the photo will take on the page. In the image above, the first sample (on the left-hand page) portrays an image having some space from the edges of the page, thus we can see the white border. The second template (on the right-hand page) shows an image being fit onto the entire page with no blank space at all.

As you scroll down, you’ll see a number of different layouts, some of them with text as well.

Your page might not be the same proportion as your photograph, so it’s a safe option to choose “Fill” from the Zoom Photos drop-down menu.

How to Create Memorable Family Albums Using the Lightroom Book Module

This makes sure that the final look is exactly as you see in the template, or you might be seeing more blank space than you were supposed to.

You might have noticed that so far we’ve been working with “1 Photo: from the secondary drop-down that appeared after selecting Fixed Layout.

How to Create Memorable Family Albums Using the Lightroom Book Module

If you choose any of the other options from the dropdown, the templates will change accordingly.

How to Create Memorable Family Albums Using the Lightroom Book Module

Similarly, you can choose any template on the right-side pages. Don’t forget to choose “Fill: in the Zoom drop-down before you hit Save!

One tip I offer is that you should choose templates where images have some space (white lines) between them. It gives a more elegant, classy look. In the end, though, it all depends on your personal preference.

When you hit Save, the New Preset dialog will ask for a name. For convenience, name the Preset according to how you’ve selected the layout to look (see example below).

How to Create Memorable Family Albums Using the Lightroom Book Module

When you click Create, the Auto Layout panel will have the new preset selected. To apply it to your photo book, you just have to click the Auto Layout button.

How to Create Memorable Family Albums Using the Lightroom Book Module

If you don’t, you’ll find your book to still be in the default setup of “Left Blank, Right One Photo”. This is what my view looks like after clicking Auto Layout.

How to Create Memorable Family Albums Using the Lightroom Book Module

As you can see, Lightroom applied the selected layout (that we created) to the entire photo book.

Step 5 – Changing Layout for Individual Pages

For now, your entire photo book follows a single layout. But you can also change the layouts for individual pages too! Let’s check out the Page panel for that.

Select the page where you want to change the layout by clicking on the little arrow on the Page panel.

How to Create Memorable Family Albums Using the Lightroom Book Module

You can also access these options directly by clicking on the little arrow below any page you select.

How to Create Memorable Family Albums Using the Lightroom Book Module

This allows you to choose from all the layouts available.

Step 6 – Working on Individual Panels

There’s still more tweaking you can do as well. If you think an image would look a bit better after a little bit of zooming in or out, you can select the image and a zoom slider will appear. Simply drag the marker as you see fit.

How to Create Memorable Family Albums Using the Lightroom Book Module

This sort of work is better done in Spread view since it shows you a larger view and is also easier on the eyes.

You can also change the position of a photo by dragging it. It will move within the confines of its template. In the image below, you can see the photo has been dragged a little bit from left to right.

How to Create Memorable Family Albums Using the Lightroom Book Module

You should go through your entire photo book in the Spread View at least once to make sure everything looks good and no image is getting cut off in an unpleasant way.

You can get really creative and make interesting sets of photos by using zoom and dragging the image to adjust its position.

Step 7 – Changing Photos inside Panels

Lightroom arranges all the photos automatically. So obviously there may be images which you want to see on another panel, or another page, or a certain set of images you wanted to keep together.

You can change the photos inside panels pretty easily by dragging and dropping. Select the photo you want to move and drag it towards the panel you want it in. Once you drop it, the two photos will swap places.

How to Create Memorable Family Albums Using the Lightroom Book Module

You can also drag photos into the panels from the Filmstrip below.

Removing a Page

If you want to remove any page, right-click on the page and select Remove Page.

How to Create Memorable Family Albums Using the Lightroom Book Module

Step 8 – Adding Text to your photo book

When you select any page or photo, a small button “Add Page Text” or “Add Photo Text” will appear near the bottom line.

How to Create Memorable Family Albums Using the Lightroom Book Module

Simply click this button if you want to add text and write whatever you want.

Lightroom’s default font might not be very pleasing to the eye, so if you want to edit your text, select the text and look over at the Type panel.

How to Create Memorable Family Albums Using the Lightroom Book Module

The Type panel is pretty straightforward. Here you can change the font type, font color, font size, opacity, alignment, etc. By default, the font is set tightly against the photo.

You can adjust this through the Text panel too.

How to Create Memorable Family Albums Using the Lightroom Book Module

The Offset slider on the Text panel helps you adjust how near or far you want to place the text from the photo.

You can also adjust the text to sit Above, Over or Below the photo. If you want to remove the text, uncheck the Photo Text option in the Type panel.

Step 9 – Adding Backgrounds to your photo book

Our last stop is the Background panel. If you want to add images or some sort of design in the background, this is where you need to be.

How to Create Memorable Family Albums Using the Lightroom Book Module

Adding a Photo in the Background

If you want to add an image as the background, simply drag it from the Filmstrip and drop it on “Drop Photo Here” in the Background Panel. It’ll appear as a faded background.

How to Create Memorable Family Albums Using the Lightroom Book Module

You can control its density with the Opacity slider near the bottom of the panel. It’s best to keep it at a low opacity like 20-30% so it doesn’t distract from the main image.

Adding Background Color

If you want to add a color to the background, you need to check the Background Color option. Then you can click on the color selector and pick a color, or add a HEX code to get your desired color.

How to Create Memorable Family Albums Using the Lightroom Book Module

Adding Graphics to Background

Adding graphics is just as simple. Click on the arrow icon in the Background panel and it will open a side menu.

How to Create Memorable Family Albums Using the Lightroom Book Module

By default, “Photos” is selected. Change it to “Travel” or “Wedding: and you’ll see graphic images similar to the ones in the image above. Select the one you like and you’re good to go.

How to Create Memorable Family Albums Using the Lightroom Book Module

You can experiment with the Opacity slider using graphics too.

Note: Any background effect that you apply will apply to only the selected page. If you want to apply it to the entire photo book, you’ll need to check the Apply Background Globally option.

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Step 10 – Ready for Printing!

Once you’ve worked out the finer details and are all set to see your photo book in print, select the Send to Blurb button at the bottom of the panels. In case you’re working with the PDF or the JPEG option, you’ll have Export Book to PDF/JPEG as the last step.

How to Create Memorable Family Albums Using the Lightroom Book Module

When you click Send Book to Blurb, you’ll get a Sign In window detailing the final look and price of your photo book.

How to Create Memorable Family Albums Using the Lightroom Book Module

If you want to get good quality prints at a good price and a professional looking photo book ready at your doorstep, I’d suggest making an account at Blurb and taking full advantage of it.

Afterward, the only thing left to do is to wait for the memories to be given a form.

I know for a fact that I’d love to look through this album of my daughter’s first year in the world, from time to time, even ten or twenty years later. At that point, who knows where my digital files will be.

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How to Break the World Down into Elements to Create Better Photos

12 Sep

sunset photo - How to Break the World Down into Elements to Create Better Photos

I have a really cool idea for you. One that is so simple, and yet so amazingly impactful, that if you start utilizing this concept now you will immediately see the benefits in your photography and you will create better photos.

I come across some very common issues in my workshops. One huge problem is that the photos people take are often too busy. The subject doesn’t stand out and there isn’t a clear relationship between the subject and the elements around it.

Or, in reverse, the photos are so focused on the subject, that nothing else is in the frame, so the photo ends up being relatively flat.

How to Break the World Down into Elements to Create Better Photos - forest stream and mossy rocks

Everything within your frame is an element: the expanse and color of the sky, the child playing in the background, the rush of cars behind your subject, etc.

Each element that is within your frame must have a function, a purpose and must contribute to the overall image. If it doesn’t, it shouldn’t be there.

Your job as a photographer is to break down the scene you want to photograph into its elements. Then arrange the elements into an interesting and complementary combination.

rolling hills Tuscany - How to Break the World Down into Elements to Create Better Photos

Nature photography by a street photographer

For this article, I have used photos from a project I did in Tuscany. For seven weeks, I stayed in a castle over the winter with my family and a bunch of other traveling families. I spent my time wandering in the quiet hills, photographing. It is an intensely beautiful place.

I am using these photos as examples because I am not a nature photographer. I usually photograph cities, often at dawn, when the light is beautiful and the streets are empty.

So I wanted to show you how I approached a subject I love, but am not super experienced at shooting, and how by using this technique I got some pretty awesome photos.

cemetery in Tuscany - How to Break the World Down into Elements to Create Better Photos

I like to always be developing as a photographer, to push myself beyond what I am already doing. So being out in the silent forests and undulating hills of Tuscany on a winter’s morning was incredibly inspiring.

Nature can be notoriously tricky to photograph. Wandering out into a forest with thousands of trees and millions of other elements that all look the same or similar, can be a case of where do I start?

You are not just waiting for the perfect moment to happen and then to photograph it. You are creating the photograph with the elements around you.

castle silhouette - How to Break the World Down into Elements to Create Better Photos

I am going to use examples of how I approached organizing the elements in the world around me into compelling photos. So let’s get started!

Shapes and Lines

The first example is the photograph below, made almost totally of interesting shapes and lines. Can you see them? These lines and shapes were the elements I used to create the image.

One day, I was walking along this path and the first thing that piqued my interest was the lines that the path created.

rural path and stone wall - How to Break the World Down into Elements to Create Better Photos

They are really strong, so I started to play around with them. From further away the lines were pretty straight and not very interesting, just heading off into the distance. However, as I started to get closer to the curve of the path, the lines of the path started to turn. Then the fence started to come into play and echo the twist of the path. I thought that was interesting.

Now another element I worked into the shot (and I took a lot of shots of the path, going from left to right, and moving further away) was the wall. What a cool wall! The relationship between the chaotic, curved fence, the smooth curve of the path, the strong lines of color, worked really well with the element of the heavy stone wall made up of oblong or square shapes.

So, from an elements perspective, this photo is almost entirely made up of lines and shapes, placed together to form an interesting composition.

My final flourish (and I like to do this in my images because I don’t always want the photo to be too clean) is waiting for the rise of mist. This creates a pleasing contrast to the organized shapes, a little bit of nature and wildness.

Silhouettes

How to Break the World Down into Elements to Create Better Photos - trees in silhouette

Onto my next image. What do you think are the strong elements in this photo above?

Most obvious are the silhouettes of the trees. I was very inspired by the beauty of the sky. The soft pinks and blues, the sun and the little stretch of clouds. But photos of skies, of really simple things, can be pretty boring. So I was trying to move beyond just pretty.

What I love about photographing silhouettes of bare trees is how they add such strong and intriguing shapes to photos. The branches can look wild and chaotic, but they are also contained and ordered by their structure.

I could have taken the photo of the trees against the sky as it was – two very strong elements of sky and trees. But I wanted to add a more grounding element, something that didn’t really look like an important element, but somehow brought it all together.

For that, I have used the view of the forest running along the bottom of the image. And of course, the brilliant sunburst is important.

Detail

How to Break the World Down into Elements to Create Better Photos - signs in the forest

In the photo above is a detail shot, where I honed in on an interesting, simple element. Detail shots are a gift in nature photography, as there is so much you can focus on up close.

But I didn’t want it to be too simple, I didn’t want to just have the sign as to me it wasn’t that interesting. So I used a shallow depth of field to create an attractive, out of focus background of color and indistinct shapes.

I think that this adds a nice bit of depth to the photo. Plus, I have a couple of pine cones sticking out in the front. Again this helps my image from being too clean and organized, but reflect a bit of that wild nature feeling.

Build with the Elements

How to Break the World Down into Elements to Create Better Photos

The photo above is an excellent way to illustrate this idea of building your photo with the elements around you. I saw the tree and I liked the shape of it. But to photograph a tree against a pretty flat blue sky – with not even any interesting cloud formations behind it – would have made a dull photo.

I looked around to see what else I could bring into the shot to make it a more appealing scene. What other element was in my surroundings that could be used to add depth and complexity to the image?

I saw a bush with small, pretty little leaves, and decided that this would make a nice framing element for the tree. Using a shallow depth of field ensured the bush was an interesting frame, but not in focus, and thereby it created a feeling of depth to the image.

road in the trees - How to Break the World Down into Elements to Create Better PhotosA road to…

Put it all together

The key is – you don’t just go shooting. When you find something interesting that you want to shoot, don’t just raise the camera and snap. No! You need to stop and look around.

What elements are jumping out at you? What shapes are being made by the light? Look at the different parts of the scene. Ask yourself – what happens to these shapes when I move over here?

Pause, look around, organize your position, and then start shooting.

Now – look at the photo below and tell me what is the subject, and what are the supporting elements?

house in a field - How to Break the World Down into Elements to Create Better Photos

If you picked the houses as the subject, you guessed correctly! Can you tell me what the next most significant element is?

Of course, it’s the mist! I’ll tell you why. If the mist wasn’t covering much of the rest of the photo, the landscape would be in equal focus and therefore very confusing to the eye. The house would just blend into the landscape and it would be a flat, undynamic shot.

So part of understanding about elements is knowing when to shoot, where to shoot and how to shoot your subject.

How to Break the World Down into Elements to Create Better Photos

So there you go! Those were my ideas on how to break the world down into elements. I would love to know what you think. Was it useful?

Please let me know in the comments below what you think.

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How to Create Custom Brushes in Photoshop

08 Sep

The Brush Tool in Photoshop is one of the most versatile and it can be used for many applications. It already comes with many useful brushes preloaded into the program and you can find even more online. But sometimes you just need to be more creative and have full control. Don’t you think?

Not to worry, another great thing about Photoshop is that you can create your own custom brushes. Let me show you how.

What is a Brush?

First things first, what exactly is a brush? It’s a tool used to draw strokes. You can find it in the toolbox or you can activate it by using its hotkey: B.

This tool is very flexible because you can adjust its shape, size, opacity and lots of other specs from the Presets panel. That multiplies the options far beyond the first array of choices that you see on the first menu.

Create custom Brushes Photoshop Tutorial Tool Options Presets

None the less, there are times that you need something you just can’t find pre-installed. For example, you can turn your signature or your logo into a brush, it doesn’t get more personal than that right? In just a few steps you can achieve this.

Make a Signature Brush

Open the image that contains your signature or logo, this can come from a scanned paper, for example, or the JPG version of a logo designed in a different program. Now that you have that opened, activate the Marquee tool to select the image. Just click and drag the selection around it and make sure you’re not grabbing anything else from the image.

How to Create a Custom Brushes in Photoshop

Then go to Menu > Edit > Define Brush Preset and a new window will pop up where you can name your brush. Type any name you want, preferably something that will help you identify it later, and click OK.

How to Create a Custom Brushes in Photoshop

Note: In the Brush Name window you’ll see a thumbnail with the preview of your brush, you’ll notice that the color (if it had any) is lost, that’s because brushes are grayscale, so it won’t register the colors of the original. You can, of course, apply any color when you use it though.

Now you have your new signature brush. Whenever you want to use it, just select the brush tool then open the drop-down menu from the options bar. You can also pick it from the Brush Presets panel which you can reach from the Window menu in case it’s not already opened.

How to Create a Custom Brushes in Photoshop

Using the Custom Brush

You may be wondering why you need to turn it into a brush instead of just placing it as an image. This is because it gives you access to all the settings and controls of the brush tool. Just open the Brush panel and you’ll be able to change from color to size to spacing – anything you need for you to create patterns, watermarks and more!

How to Create a Custom Brushes in Photoshop

How to Create a Custom Brushes in Photoshop

That’s just how easy you can turn any image into a custom brush. But how about creating one from scratch?

Create a New Custom Brush

First, open a white canvas and draw the shape you want to turn into a brush. To do this you can use any of the Shape tools or even other Brushes. For example, I’ll make a simple sparkle. For that, I just need four lines using the Line tool and a round brush with very soft edges in the center so that it has a glow effect.

How to Create a Custom Brushes in Photoshop

Remember that color is not registered so it doesn’t matter which colors are you using to draw your shape. Just know that anything in white won’t be part of the brush as it will translate as transparent. Now to turn it into a brush just follow the steps that you did before. Menu> Edit > Define Brush Preset. Click name it.

How to Create a Custom Brushes in Photoshop

Now your custom brush is done, grab it from the menu like any other brush. It’s very easy to create but its use can be as elaborate as you need since it has a lot of possibilities. Let me give you some tips to make the most of it.

Tips and Tricks

You can quickly access some of your brush’s most used properties like size, hardness and opacity from the Options Bar or get a lot more control if you open the brush panel. Regardless of whether you created the brush or it came with Photoshop, you can adjust its presets in the brush panel.

A quick overview of the presets I find more useful:

Brush tip: Apart from the size and hardness that you can also find in the Options Bar, here you can also adjust the roundness and angle of the brush.

How to Create a Custom Brushes in Photoshop

Scattering: this is as straightforward as the name suggests. With this option, you can place the brush more randomly, thus, scattering it.

How to Create a Custom Brushes in Photoshop

You can also change the blending mode of the brush in the drop-down menu. This changes the way the brush stroke interacts with the object directly below, which could be an image or a previous brush stroke. However, I prefer to leave it as Normal and put the new brush strokes on their own layer and then alter the layer’s blending mode, that way I can always come back and change it later if need be.

Opacity and Flow: Both of these refer to the amount of paint that you are applying. However, with opacity, it won’t add more paint if you pass over the same area many times unless you release the click and start again. While flow will keep adding paint regardless.

Over to You

I hope you found the tutorial useful and give your creativity a go with some custom brushes of your own!

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