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Posts Tagged ‘Capture’

Capture One 20 photo editing software arrives with new and enhanced tools

05 Dec

Phase One has announced the launch of Capture One 20, the latest version of its photo editing software. Additions and enhancements brought in Capture One 20 are based on user feedback, according to Phase One, which says the latest version of its software brings a ‘highly intuitive and functional’ UI that is easier for new users to learn and use.

Capture One 20 brings both updated and new features, including a redesigned Basic Color Editor that now works on Layers, a new Crop tool that Phase One says is Capture One’s ‘most advanced’ crop tool to date, a new HDR tool that adds White and Black point sliders, a ‘re-engineered’ Noise Reduction tool, and new scrolling tools.

In addition, Capture One users can expect enhanced versions of the software’s appearance, interface, DNG support, copy and apply functions in Layers, and an entirely new ‘Select Next When’ option that makes it possible to automatically switch to the next image once a certain action has been performed (adding a color tag, etc).

Other enhancements include new toolbar text and icons, enhanced browser thumbnail resolution, improvements to the adjustments clipboard, and an enhanced White Balance Picker tool that has been re-engineered for what Phase One says is ‘much higher consistency.’ As expected, the updated software also brings new lens and camera support for models that include the Canon EOS 90D and M6 II, the Ricoh GR III, Nikon Z 50, and more.

Below is a feature overview of the newly-released Capture One 20:

Capture One 20 is available starting today with versions that limit support to camera models from Fujifilm and Sony (Capture One Pro Fujifilm 20 and Capture One Pro 20 for Sony, respectively). Customers have the choice to purchase Capture One 20 for $ 299 ($ 159 to upgrade from a previous version) or to sign up for a subscription to receive access to it for rates starting at $ 15/month. The Fujifilm and Sony versions of the software are slightly cheaper at $ 129 per license or $ 8/month.

Articles: Digital Photography Review (dpreview.com)

 
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Qualcomm’s new 865 chipset supports 8K video, 4K HDR, no-limit 960fps capture and more

05 Dec

Qualcomm has introduced the Snapdragon 865 Mobile Platform, its latest chipset that pushes the limits of mobile processing in a device that’s small enough to fit on the face of a penny.

In addition to support for Qualcomm’s Snapdragon X55 4G/5G modem, the chipset also brings a number of improvements in the imaging department thanks to its Kryo 585 octa-core CPU, Adreno 650 GPU and Spectra 480 Image Signal Processor (ISP).

Unlike previous chipsets, which could only hand one pixel per clock cycle, the Snapdragon 865 can handle four pixels per clock cycle. In addition to power savings and running cooler, this increase enables exciting new features on the photo and video front.

Specifically, the Snapdragon 865 can handle up to two gigapixels of data per second thanks in part to its dual 14-bit ISPs. This means the Snapdragon 865 will be able to handle up to 200-megapixel captures, as well as dual 64-megapixel camera captures with zero shutter lag and HEIC photo capture. It can also apply multi-frame noise reduction on the fly, as well as provide real-time object classification, segmentation and replacement in images thanks to its 5th generation Qualcomm AI Engine. This new technology will make it possible to ‘quickly and intelligently identify different backgrounds, people, and objects, so they can be treated individually for a truly customized photo,’ according to Qualcomm.

The Snapdragon 865 chipset is also a major boost for mobile video. In addition to 8K video capture, the chipset can also handle 4K HDR (HDR10+, HDR10, HLG and Dolby Vision), 4K video at 120fps and 4K video capture while simultaneously capturing a burst of five 640-megapixel photos. This makes it the first chipset that captures Dobly Vision video on the fly and in addition to capturing 120fps video, the chipset can also playback 120fps video in realtime when paired with a 120Hz display, such as those found inside the Razer Phone, Razer Phone 2, Sharp Aquos R3 and Asus ROG Phone II smartphones.

Qualcomm has addressed high-speed capture as well. The Snapdragon 865 can capture 720p video at 960fps without limits. 720p video at 960fps is nothing new, as the Sony Xperia XZ and over a dozen of other smartphones from Sony, Samsung, Huawei, Sony and Xiaomi can attest to, but current devices are limited to capturing just a few seconds at a time. When paired with the proper hardware, the Snapdragon 865 chipset will be able to record 960fps video indefinitely; or at least until you run out of storage.

Below is Qualcomm’s day two livestream of its Snapdragon Tech Summit in Maui:

Qualcomm says flagship devices based on the Snapdragon 865 are expected to be available in the first quarter of 2020. So far HMD, Motorola, Oppo and Xiaomi have confirmed they have devices on the way based on the Snapdragon 865 chipset.

Press release:

Qualcomm Introduces the World’s Most Advanced 5G Mobile Platform

The Qualcomm Snapdragon 865 Mobile Platform Delivers the Best 5G Mobile Experiences for Next Generation Flagship Devices—Devices Expected to be Commercially Available in First Quarter 2020

MAUI, HAWAII — December 4, 2019 — Qualcomm Technologies, Inc., a subsidiary of Qualcomm Incorporated, introduced the Qualcomm® SnapdragonTM 865 Mobile Platform, which combines the world’s most advanced 5G Modem-RF System with the world’s most advanced mobile platform designed to deliver the unmatched connectivity and performance required for the next generation of flagship devices.

The platform’s best-in-class Qualcomm® SnapdragonTM X55 5G Modem-RF System provides peak speeds of up to 7.5 Gbps, surpassing most wired connections and transforming the mobile experience. The leading 5th generation Qualcomm® AI Engine and new Qualcomm® Sensing Hub provides more intelligence and personalization than ever before. Snapdragon 865 includes the blazing fast Qualcomm SpectraTM 480 Image Signal Processor (ISP), which brings new features to mobile photography and videography thanks to gigapixel speeds – up to 2 gigapixels per second. Gamers can use Snapdragon to compete at the highest levels with an array of brand-new Qualcomm® Snapdragon Elite GamingTM features for desktop-quality gaming and ultra-realistic graphics. Our next-generation Qualcomm® KryoTM 585 CPU delivers up to 25% performance improvement, and the new Qualcomm® AdrenoTM 650 GPU offers up to 25% overall performance boost compared to the previous generations, ensuring superior processing power for the next generation of flagship devices. The Snapdragon 865 empowers you to game, capture, cross-task and connect like never before.

“Snapdragon 865 supports the world’s most advanced 5G connectivity and features, raising the bar for what a mobile device should be,” said Alex Katouzian, senior vice president and general manager, mobile, Qualcomm Technologies, Inc. “It’s the culmination of Qualcomm’s more than 30 years of wireless leadership and innovation.”

Benefits of the Snapdragon 865 include:

  • The World’s Most Advanced 5G Mobile Platform: The Snapdragon 865 is the most advanced 5G mobile platform—ever. Its Snapdragon X55 5G Modem-RF System is the world’s first commercial modem-to-antenna 5G solution for consistent, lightning-fast speeds across the board—with peak speeds of up to 7.5 Gbps. The comprehensive Modem-RF System-approach allows advanced technologies such as Qualcomm® 5G PowerSave, Qualcomm® Smart TransmitTM technology, Qualcomm® Wideband Envelope Tracking technology and Qualcomm® Signal Boost to help deliver superior coverage and data speeds along with support for all-day battery life. This 5G global solution supports all key regions and bands including mmWave and sub-6 in both TDD and FDD frequencies. Plus, it’s compatible with both NSA and SA modes along with Dynamic Spectrum Sharing (DSS), global 5G roaming and support for multi-SIM. In addition to 5G connectivity, the Snapdragon 865 is redefining Wi-Fi 6 performance and Bluetooth audio experiences via the Qualcomm® FastConnectTM 6800 mobile connectivity subsystem. Extensive Wi-Fi 6 feature innovation helps users take advantage of incredible speed (approaching 1.8 Gbps) and latency, especially in crowded environments with many devices contending on a network. FastConnect 6800 is also among the first to be designated Wi-Fi CERTIFIED 6 by the Wi-Fi Alliance. The introduction of Qualcomm® aptXTM Voice makes Snapdragon 865 the first mobile platform to wirelessly support Super Wide Band (SWB) voice over Bluetooth for a new class of crystal clear audio, in addition to aptX Adaptive and Qualcomm TrueWirelessTM Stereo Plus, thereby reducing latency, increasing battery life and improving link resilience for wireless headphones and earbuds.
  • Gigapixel Speed ISP: The Snapdragon 865’s ISP operates at staggering speeds of up to 2 gigapixels per second and provides brand-new camera features and capabilities. You can capture in 4K HDR with over a billion shades of color, capture 8K video, or snap massive 200-megapixel photos. You can also take advantage of the gigapixel speeds to slow things down and capture every millisecond of detail with unlimited* high-definition slow-motion video capture at 960 fps. And now, for the first time ever on mobile, Dolby Vision video capture creates brilliant HDR footage that’s primed and ready for the big screen. In tandem with the 5th generation Qualcomm AI Engine, the gigapixel speed ISP can quickly and intelligently identify different backgrounds, people, and objects, so they can be treated individually for a truly customized photo
  • 5th Generation Qualcomm AI Engine: The new 5th generation Qualcomm AI Engine and new AI software tools pack incredible performance for the latest camera, audio, and gaming experiences. It delivers a whopping 15 TOPS of AI performance, which is 2x more powerful than its predecessor. At the heart of the Qualcomm AI Engine is a new and improved Qualcomm® HexagonTM Tensor Accelerator that has 4x the TOPS performance of the previous Tensor Accelerator while operating at 35% greater power efficiency. Then, there’s real-time translations using AI—your phone can translate your speech into a foreign language in both text and speech. In addition to the Qualcomm AI Engine, the all-new Qualcomm Sensing Hub enables your device to be contextually aware of its surroundings– using extremely low power. Highly accurate voice detection ensures your requests are heard loud and clear by your favorite voice assistant, while enhanced always-on sensors and intelligent sound recognition brings contextual AI to the next level. An updated Qualcomm® Neural Processing SDK, Hexagon NN Direct and Qualcomm® AI Model Enhancer tools gives developers ultimate freedom and flexibility to create faster and smarter apps.
  • Desktop-quality Gaming: Snapdragon 865 unlocks brand new and first-to-mobile premium features to deliver ultra-smooth gaming experiences with the highest graphics quality in the next generation of Snapdragon Elite Gaming. Snapdragon 865 is the first mobile platform on Android to support Desktop Forward Rendering allowing game developers to bring over desktop quality lighting and post processing effects creating a new level of realism for mobile games. With a first-to-mobile feature, Adreno Updateable GPU Drivers can be downloaded directly from an app store when made available by OEMs, which allows players to have control over their graphics driver updates and GPU settings for their top games to achieve premium performance. An upper echelon of display and visual fidelity for mobile HDR gaming is here with 144Hz display refresh rate available for the first time on mobile and Game Color Plus to enrich game image quality with enhanced details, boosted color saturation and local tone mapping. Game play is now optimized to the micro-second level with the Snapdragon Game Performance Engine, providing adaptive and predictive real-time system tuning for sustained performance over longer periods of time. The new Adreno 650 GPU offers new hardware embedded features like Adreno HDR Fast Blend to boost game scenes with heavy blending, often used in complex particle systems and rendering, to deliver up to 2x performance lift for certain operations.

Devices based on Snapdragon 865 are expected to be commercially available in the first quarter of 2020. For more information, please visit [link]. Livestream replays will also be available Snapdragon Tech Summit Event Hub.

Battery life and storage varies significantly based on device, settings, usage, and other factors.

Articles: Digital Photography Review (dpreview.com)

 
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FiLMiC launches Firstlight, a stills camera app with Raw capture, live analytics and more

21 Nov

FiLMiC, the company best known for its FiLMiC Pro video camera app with features for professionals, has branched in the still photography market with the launch of Firstlight. With FiLMiC Firstlight, iPhone owners get access to more features than offered on the stock camera app, including support for TIF and DNG Raw formats, anamorphic adapter support, the ability to embed copyright info and more.

FiLMiC announced the availability of Firstlight v1.0 on November 12. The company has included the live analytics feature from FiLMiC Pro in its new still photography app, as well as adaptive film grain, custom film simulations, an RGB Histogram, an Auto Exposure (AE) mode, tap/swipe-based focus and exposure controls, a lens selector and vignette.

FiLMiC boasts a number of ‘professional camera tools,’ including grid overlays, a burst mode, flash and timer, expanded shadow details, the ability to select either HEIC or JPG formats, multiple aspect ratios (4:3, 16:9, 3:2, 1:1, 5:4), HDR controls on the latest iPhone models, and Bluetooth support for ‘most’ camera shutter remote controls.

In addition to the free version of the app, FiLMiC gives users the option of paying for access to premium features, making it possible to configure the burst mode, adjust the vignette, apply film grain, use an anamorphic adapter, use a custom function button, configure the exposure and focus controls, and more.

The app is free to download from the iOS App Store now. The premium features can be unlocked via either a $ 0.99 monthly subscription or a $ 7.99 annual subscription.

Articles: Digital Photography Review (dpreview.com)

 
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Capture Epic Photos Outside the Golden Hour with these Easy Photography Tips

20 Nov

The post Capture Epic Photos Outside the Golden Hour with these Easy Photography Tips appeared first on Digital Photography School. It was authored by Jeremy Flint.

capture-epic-photos-outside-the-golden-hour

The golden hour is one of the most magical times of the day for photography with wonderful light at sunrise and sunset. Yet, have you ever challenged yourself to photograph around these times? You can still capture amazing photos outside the golden hour and here are some ways you can achieve this:

Shoot during the Blue Hour

capture-epic-photos-outside-the-golden-hour

The blue hour is a fantastic window of opportunity where you can create some stunning images. It refers to the period of twilight when the sun is well below the horizon, and residual, indirect sunlight takes on a predominantly blue shade. The blue hour generally lasts for 20-30 minutes and occurs just after sunset and just before sunrise.

It is important to use a tripod when capturing images in low light. Sharper images will also result from using a tripod by minimizing camera shake when using a slower shutter speed. In terms of the best subjects to photograph during the blue hour, start with cityscapes, roads with street lights, roads with traffic, bridges, fairs, wharves, and marinas.

Include electric lights for dramatic effect and use the extra light to add interest to epic scenes. Most of all, be creative and capture the artificial and natural light together. The warmer tones of illuminated buildings can blend beautifully with the cool blue hues of the sky.

Shoot at night

capture-epic-photos-outside-the-golden-hour

Don’t be in a hurry to put the camera away after the blue hour. There are still more opportunities to take great photos outside the golden hour and blue hour with night photography.

Although the natural light will have faded away, other photographic moments awaken.

Regarding city scenes, the sky will appear darker, and as a result, it can help make other city landmarks and street lights stand out.

Using moonlight can be a brilliant way to capture epic scenes as it paints the landscape or photographing it within a wider frame. Then there is the night sky, which can present wonderfully scenic photos. You can shoot stars, star trails, and even the northern lights.

Combine any of these with the landscape, and they are a recipe for epic images.

Shoot in the midday sun

Outside golden hour 3

Most people tend to avoid photography during the middle of the day, preferring to shoot during the golden hour. Well, challenge yourself to capture photos outside the Golden Hour by shooting at this time of day, and you can be greatly rewarded.

Although the light can indeed be harsh with the midday sun directly overhead, think outside the box. Subjects are well-illuminated, so look for colors that may stand out.

Blue skies can look great with cityscapes. Colorful buildings or flowers can look amazing with a backdrop of a clear blue sky or fluffy white clouds. Also, some cloud cover that reveals patterns of light over a nice landscape scene can look great.

Another option is to shoot the light reflecting indoors. You can head to your local market or capture the interior of a building. Both locations can be great for capturing images at midday.

Shoot when the sun is lower in the sky

Outside golden hour 4

During the winter, daylight is reduced, and we all like to stay in and enjoy the comforts of our home. However, this is a great time to get out and be creative with your camera to capture some awe-inspiring, majestic winter images. At this time, the sun arcs lower in the sky, which is perfect for getting some memorable photos. As this happens throughout the day, you can get some good images at any time.

Watch how the sun stays low and casts long and dramatic shadows and capture this in your images. Use shadows to support your main subject and to give a sense of scale.

Shoot in the morning light

Outside golden hour 5

One of the best times to take photos outside the golden hour is in the morning.

If you shoot after the hour following sunrise when the light is still good, you can get some great images. Whether you find yourself on a trip or in your local area, there is always a morning photography opportunity.

You can photograph landscapes or cityscapes by aiming your camera towards the sun whilst it is still rising. Alternatively, turn around and photograph the gorgeous light painting the land or city behind you.

If you are in a warmer climate, the temperature can be good at this time of day before it can get too hot to be carrying around all your camera equipment. If you like to photograph street scenes and people, head to some of the busier streets as more and more people will be around as the day warms up.

Look for any interesting activity and capture epic scenes of these subjects – they can really be worth the early morning start.

Conclusion

Remember, you can achieve awesome images when shooting at a variety of times outside the golden hour. Choose a time to take your camera out and go and do it!

Do you have a preferred time for taking amazing images besides the golden hour? Share the images you capture with us below.

 

The post Capture Epic Photos Outside the Golden Hour with these Easy Photography Tips appeared first on Digital Photography School. It was authored by Jeremy Flint.


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How to Capture the Colors of Autumn in Your Photography

08 Nov

The post How to Capture the Colors of Autumn in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.

capture-colors-of-autumn-in-photography

Autumn is a great time to get out with your camera. This magical season brings an array of attractive photography conditions including wonderful morning mist, dramatic light and a palette of changing colors. Capturing the colors of autumn is high on the bucket list of many landscape photographers and it is the favourite season for nature photographers in pursuit of the perfect fall photo. To help you get the best photos possible during this popular season read on to consider some fundamental points:

1. Find a suitable subject

Autumn Colors 01

With the right approach, you can achieve some of your best scenic autumn shots.

The first thing to think about is what subject you are going to shoot. There are a number of great subjects that vie for your attention including scenes of vibrant landscapes, a tree, leaves or water and the landscape. These subjects are suitable because they show the true spirit of autumn and the best of the season when the leaves change color and become more intense.

Other ideas for subjects include capturing a building, landmark, footpath or bridge within a colorful landscape. Combining these elements with fall foliage illustrate the season beautifully.

2. Light

Autumn Colors 02

Don’t limit yourself to shooting on bright and sunny days. Overcast conditions are also great for recording subtle, even tones as the light is soft with less contrast. Rivers are particularly enticing to shoot when there is cloud cover, particularly when adding warmth with autumn colors.

3. Location

How to Capture the Colors of Autumn in Your Photography

Location is everything when it comes to achieving your best autumn pictures. You could focus a photography vacation around the colors of autumn, or spend a day or two chasing the season’s hues.

Some of the best regions in the world include New England and the Colorado Rockies. Whilst some countries such as the UK are not renowned for their autumn splendor, there are many parks, woodlands, and areas of outstanding natural beauty that you can visit for a shoot.

4. Shoot a wide view

Autumn Colors 04

One great way to document the autumn colors is to capture a wider field of view. Photographing trees as part of a larger landscape, using colorful leaves in the background or to frame your subject works really well. This approach gives a more visually interesting image than a picture of a building or landmark on its own. It also helps tell the viewer the time of year the photo was created.

5. Isolate patterns of color

Another technique is to shoot the colors of autumn in isolation. Beautiful shades of red, yellow, brown and orange can look great. Look out for patterns amongst leaves which could include single and complementary colors or interesting shapes. By focussing your lens towards a particular section of a forest canopy or an attractive collection of leaves, you can add order and impact to your images whilst creating some visually pleasing results.

6. Use backlight

A great technique to use when shooting fall foliage is to shoot directly towards the sun. Shooting into the light can result in stunning images as the backlit leaves of autumn glow and reflect the vibrant colors. Be aware of flare when using backlight and shooting into the sun. By partially shielding the sun behind a tree it can help to reduce any unwanted flare.

7. Shoot with sidelight

Autumn Colors 05

Another way to shoot autumn is to use sidelight to your advantage. Capture the canopy of colors side-on to the angle of the sun. The complementary colors of oranges and yellows combined with a blue sky can work very well together. The warmer tones from the foliage offset the coolness of a blue sky perfectly.

8. Look down

Autumn Colors 06

When exploring wonderful scenes of autumn color, it is easy to forget to look down. Don’t be disheartened if the trees are bare and the leaves have all fallen; you can still capture the colors of autumn on the ground. This is evident in late autumn when the forest floor is as colorful as the treetops. Depending on the type of tree, there are often varying elements of fall color from these leaves, which are definitely worth photographing.

9. Fog and mist

How to Capture the Colors of Autumn in Your Photography

Finally, incorporate any signs of fog and mist into your autumn photos. These dramatic conditions can lift a picture by adding a touch of mood, atmosphere, and mystery to a colorful scene. Capture the morning mist rising from a lake, a forest cloaked in fog or subtle mist over a city or landscape for a visually stunning element that will improve any autumnal scene.

How to capture the colors of autumn in your photography: conclusion

Autumn is an awesome time of the year to be out with your camera capturing beautiful photos, particularly when exploring locations in search of color. So grab your camera and get out to your nearest park or woodland. Enjoy the autumn and see what you can create.

What other tips do you have to photograph the colors of autumn? Share with us in the comments and share your autumn images too!

 

The post How to Capture the Colors of Autumn in Your Photography appeared first on Digital Photography School. It was authored by Jeremy Flint.


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Ricoh adds new ‘Handheld HDR’ still capture mode to its Theta V, Z1 360-degree cameras

28 Oct

Ricoh has released updated versions of its Ricoh Theta app that adds new ‘Handheld HDR’ functionality for its Theta V and Theta Z1 360-degree cameras.

The Ricoh Theta app update (version 1.26.0 on Android and version 2.8.0 on iOS) adds Ricoh’s new ‘Handheld HDR’ capture setting for still images and addresses a number of unspecified bug fixes. For the new HDR setting to work, the Theta V and Theta Z1 cameras need to be updated to the latest firmware, version 3.10.1 and version 1.20.1, respectively.

App Store screenshots from the iOS version of the Ricoh Theta app.

All of the apps and firmware updates are free to download. You can find instructions on how to update the Theta V and Theta Z1 firmware on Ricoh’s support pages.

Articles: Digital Photography Review (dpreview.com)

 
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Researchers have developed reset-counting pixel that promises near-limitless highlight capture

12 Oct
Figure 4 (from the paper linked below): Realized CMOS test chip: (a) photograph of the packaged chip, (b) screenshot of the layout.

German researchers have developed a pixel design with the potential for massively increased dynamic range. Their design, reported in the ‘Advances in Radio Science’ journal isn’t limited by the point at which it saturates, meaning it can continue to capture more highlight data when other sensors would become overwhelmed.

Unlike conventional CMOS chips, their ‘self-resetting pixel’ doesn’t simply ‘clip’ when it becomes saturated, instead, it resets and has a circuit that counts how many times it’s had to reset during the exposure. It also contains a conventional analog-to-digital conversion circuit, so it is also able to measure the remaining charge at the end of the exposure.

Figure 2 (from the linked paper above): The working principle of the self-reset pixel.

This would mean that you don’t need to limit your exposure to protect highlight data and can instead set an optimal exposure for capturing your subject, safe in the knowledge that this won’t result in blown-out highlights. In their paper, the researchers from Institut für Mikroelektronik Stuttgart created a series of test pixels with different designs, and will now focus on the one that gave the most linear response to different light levels, both in terms of its reset characteristics and its conventional ADC mode.

Figure 1 (from the linked paper): Schematics of the analog and digital parts of one pixel cell and a global control for all pixel cells.

Before you get too excited, though, this work is still at a fairly early stage and is primarily focused on video for industrial applications, though lead researcher Stefan Hirsch tells us: ‘basically it should also be possible to use for still images.’

At present, the additional counting circuitry ends up meaning the light-sensitive photodiode in each pixel is very small, making up just 13% of the surface area of huge 53?m pixels. A move to a stacked CMOS design, with the circuitry built as different layers, would increase this, with potential for 20?m pixels with more of the area being light-sensitive. A three-layer design could allow still smaller pixels. For perspective, the pixels in the 12MP Full-Frame a7S II are around 8.5?m, so there would need to be a lot of work done to find a way to produce a sensor useful as a consumer video or stills camera.

Articles: Digital Photography Review (dpreview.com)

 
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The ultra-wide camera in the iPhone 11 models is fixed-focus, doesn’t support Raw capture

24 Sep

Last week, Apple debuted its new iPhone 11 devices, all three of which feature an ultra-wide camera module. This marks the first time Apple has put an ultra-wide camera in an iOS device and with the new camera comes all-new capabilities and shooting modes.

Not all of the cameras are made equal though. In addition to not having optical image stabilization, it’s been revealed the ultra-wide camera unit on all three models isn’t yet capable of capturing Raw image data or manual focus, unlike the wide-angle camera (and telephoto camera on the iPhone 11 Pro models).

Revealed by Halide developer Ben Sandofsky, the ultra-wide camera has a fixed-focus lens and doesn’t offer any Raw photo output. The reasoning isn’t yet known, but as noted by a number of responses to Sandofsky’s tweet, it’s possible the reason for not offering Raw output from the ultra-wide camera is due to the barrel distortion present in the uncorrected images from the ultra-wide camera. If not corrected, the distortion would be dramatic considering the 13mm (35mm equivalent) focal length, and without having iOS apps with that correction built-in it would result in rather distorted images.

It’s possible Apple could turn on Raw support in a later iOS update, but for now, Raw capture is limited to the other two camera modules.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos shares info on S1H ProRes Raw update, to offer 16-bit Raw capture with Sony FX9

14 Sep

Atomos has made two announcements that will bring improved video recording capabilities to two recently-released cameras: the Panasonic Lumix S1H and the Sony FX9.

First up, Atomos has shared more information regarding a previous announcement that it was working alongside Panasonic to co-develop a means to capture Raw video for the Lumix S1H. Atomos has now provided both a timeframe (albeit a rough one) and official specifications for the impending firmware update.

Atomos says the S1H firmware update will make it possible to record 5.9K/29.97p Raw and C4K/59.94p video on the Atomos Ninja V monitor-recorder over HDMI. Currently, the Lumix S1H can record 6K/24p (3:2 aspect ratio), 5.9K/29.97p (16:9 aspect ratio) and 59.94p 4K/C4K, so this update will be a substantial bump in recording capabilities.

In its announcement, Panasonic also revealed that ProRes Raw would be the codec supported for Raw recording. The firmware is scheduled to be launched in early 2020.

Atomos has also announced that it’s Neon 8K MCU (Adorama, B&H) will support 4K 16-bit Raw recording from Sony’s recently-unveiled FX9 camera. Details are scarce, but Atomos’ press release, embedded below, implies the functionality will be available when the FX9 ships later this year in December 2019.

It seems Atomos is adamant on working alongside camera manufacturers to get the most from the sensors inside the manufacturers’ latest cameras. In January 2019, Atomos said it was working with Nikon to bring 4K Raw video capture over HDMI to its Ninja V external recorder.

We’ve since learned this update won’t be free and will require cameras to be sent into Nikon service centers to perform an ‘internal upgrade’ to the camera, but the promise still remains. According to the latest information, the 4K Raw video update is still scheduled to be released before the end of the year.

LUMIX S1H Firmware Development Underway for 5.9K/29.97p and C4K/59.94p RAW Video Data Output to Atomos Ninja V

Newark, NJ (September 13, 2019) – Panasonic is proud to announce the development of firmware for the LUMIX S1H full-frame mirrorless camera which enables the output of 5.9K/29.97p RAW and C4K/59.94p video data to the Atomos Ninja V monitor-recorder. The firmware is scheduled to be launched in early 2020.

The LUMIX S1H is the world’s first camera to combine professional-level video quality, the high mobility of a mirrorless camera and a Full-Frame sensor. It is currently capable of video recording at 6K/24p*1 (3:2 aspect ratio), 5.9K/29.97p (16:9 aspect ratio), and 59.94p 4K/C4K.*2 *3 The LUMIX S1H will be introduced in late September 2019.

Panasonic has a long history of collaboration with Atomos. This relationship will deliver new RAW video functionality for the S1H. 5.9K up to 29.97p and C4K*3 up to 59.94p in RAW delivered over HDMI is in development. With this firmware Apple ProRes RAW can be recorded on the Atomos Ninja V.

A LUMIX S1H prototype with this firmware will be exhibited along with the Atomos Ninja V in the Panasonic booth (Booth No. C45, Hall 11) at the IBC2019 (International Broadcasting Convention) to be held in Amsterdam, the Netherlands, from September 13-17, 2019.

Atomos Announce 16bit RAW Support on New FX9 From Sony

PORT MELBOURNE, Australia, Sept. 13, 2019 /PRNewswire/ — Off the back of Sony Imaging Products & Solutions Inc. (“Sony”) unveiling their groundbreaking new FX9 today at IBC, Atomos is excited to announce 16bit RAW support from this new camera to the Atomos Neon 8K MCU.

We have a long and proud history of collaborating with revolutionary companies like Sony, we are working closely with the FX9 camera team to deliver 4K 16bit RAW from the FX9 to our Neon cinema monitor-recorders.” Said Jeromy Young, Atomos Co-founder and CEO.

The FX9, which will go to market towards to end of 2019, features an advanced 6K full-frame sensor and has been designed to give professional shooters greater flexibility and capture capability, making it an ideal match for the Atomos Neon range. The FX9 has the same DNA as the popular VENICE cinema camera making it the ideal music, documentary, drama and event shooting.

When paired with an Atomos Neon, the FX9 will be one of the most advanced production tools available today. We’re excited to empower content creators and filmmakers at the highest level through our ongoing work with Sony.” Added Young.

Articles: Digital Photography Review (dpreview.com)

 
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Video: Watch 72 high-speed cameras capture bullet time slow-mo footage

13 Sep

Popular YouTube account Hydraulic Press Channel has introduced a major filming setup upgrade involving 72 high-speed Chronos 1.4 cameras mounted on a large rig suspended above the hydraulic press machine. The cameras are able to capture nearly 3,000,000 frames per second, according to the channel’s host, resulting in high-resolution 360-degree bullet-time videos.

The camera rig is used to show packs of playing cards exploding outwards under the pressure of the hydraulic press. It’s unclear how often this rig will be used for hydraulic press videos, but a comment published by the account indicates the team plans to introduce a new ‘Bullet Time Show’ on the Beyond The Press channel.

The Chronos 1.4 high-speed camera is offered by Kron Technologies with color and monochrome sensor options starting at $ 2,999.

Articles: Digital Photography Review (dpreview.com)

 
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