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Posts Tagged ‘Capture’

Capture One Fujifilm editions to support GFX and X series cameras for free

28 Sep

Phase One’s Capture One image editing and archiving software package will finally support Raw files created by Fujifilm cameras, including the GFX bodies, via a free bundled deal with the cameras. In an arrangement similar to that enjoyed by Sony users, owners of Fujifilm GFX and X cameras will be able to use a scaled-back version made especially for them to process the Raw files from the GFX 50, as well as files from cameras going back as far as the Fujifilm Finepix S2 Pro.

Fujifilm camera owners will be able to use a free version of the software, but can buy the full program but with its additional features at a discounted rate. The Full version with full camera support costs a little bit more again, for those who need support for a wider range of camera brands.

The Free version that will come with the cameras is called Capture One Express Fujifilm. If you want more advanced features such as the ability to work in layers, to tether your camera to your computer, and faster image processing, a second tier of the Fujiiflm version allows photographers the full range of controls. The full Pro edition does the same but will also work for brands other than Fujifilm as well. The Capture One Pro Fujifilm costs €159 a year on a subscription basis, while the full version costs €180 annually.

For more information, including a list of all compatible cameras, please see the Capture One website.

Articles: Digital Photography Review (dpreview.com)

 
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Insect Photography Tips – How to Capture Cool Critters

13 Sep

Do you find creepy crawlies fascinating? Or maybe a bit scary? Insects can be many things, and they are many! From a photographer’s perspective, they offer countless opportunities to learn about photography, your gear, and the critters themselves. In this article, I hope to share some of my love of these critters and some insect photography tips to inspire you to enjoy this buzzing, chirping, stridulating treasure trove.

Mantis in morning light. Insect Photography Tips

Morning mantis.

Why on Earth Should I Photograph Insects?

Insects are the most diverse and numerous animals on the planet. While this may not seem like the most wonderful fact in the world to everyone, it’s a boon for people who like photographing insects.

As I’ll try to demonstrate, it’s not only incorrigible insect chasers who can benefit from this abundance. Anyone who enjoys or wants to learn macro photography, who is looking for inspiration in nature, or who likes to tell a story with their photography is in luck.

Damselfly and ant. Insect Photography Tips

Insects come in many sizes and all colors.

Opportunity is everywhere

Anyone can photograph insects. Not only are they easy subjects to find, they are also amazingly diverse in appearance, behavior, and habitat. You never have to go far to find something interesting to photograph.

Insects offer a great opportunity for different kinds of photography, from scientific documentation to abstract art. So if you’re ever running out of photography ideas, insects are a great way to get back into it.

Photographing them can reveal whole new worlds: you might find unexpected beauty in a grasshopper’s patterns and new perspectives in an ant colony’s activities.

Black and white insect photo of a lacewing - Insect Photography Tips

The delicate lacewing.

On top of being a very varied group of animals, insects also have a lot of variety in their individual lives. Fluffy, colorful caterpillars turn into stunning butterflies; chubby grubs turn into formidable beetles; alien underwater nymphs turn into whirring dragonflies.

The possibilities for the eager photographer are virtually endless. So are you ready to try it out? All you need is your camera, some time, and a big bucket of patience.

Insect development: dragonfly with old nymph skin and mantis ootheca. - Insect Photography Tips

Insect life cycles are fascinating! To the left is a dragonfly next to its old nymphal skin, to the right the ootheca (egg mass) of a mantis.

How to Photograph Insects

I’m going to focus specifically on how to photograph insects. There are a lot of great articles about macro photography in general and other relevant aspects of photography, like natural lighting vs. flash photography, good settings to know about for macro, and nature photography.

Abstract insect photography: dragonfly. - Insect Photography Tips

A close view of a dragonfly’s back.

First, you need to find them

The first step is to find the insects. If you’re happy with just any insect, this is very easy. You just need to go outdoors and wait for a while – some insects will even come to you!

It’s a good idea to spend some time thinking about when and where you want to take photographs. Both location and timing will affect not only the quality of light, but also the kinds of insects you’re likely to find, and their activity levels.

Mantis by swimming pool. Insect Photography Tips

This mantis came to hang out with me next to the swimming pool.

In terms of timing, a good general rule is to aim for a time when it’s cool and the sun isn’t out since the cold will make insects slow. This can be early in the morning or around sunset, in spring or fall, or on an overcast day.

The light conditions may not be optimal at this time, but this is when you want to be out shooting if you don’t want your subject to fly off or run away immediately. Of course, only photographing insects when it’s cold outside means you’ll miss out on normal parts of their life, like flight, mating, feeding, and pollination.

Wasps. Insect Photography Tips

Some insects really are nicer when they’re a bit sluggish, like these wasps.

The location depends a lot on what you want to photograph. You can find a lot of different insects in a garden, field, or forest, but if you’re hoping for something specific you’ll need to learn about that insect and its behavior.

Remember to also think about the background and how it will look in the picture!

Insect photography: locust and mantis. Insect Photography Tips

Locust and mantis.

If you’re really eager about photographing insects, there are many methods you can experiment with.

For instance, the easiest way to photograph nocturnal insects like moths is to set up a light outdoors, next to a white or light-gray wall or sheet. Turn on the light in the evening before you go to bed, and wake up around 2 or 3 am to see all the fun creatures that have appeared. Remember not to do this too often so you don’t disturb them too much.

Larva on net and moth. Insect Photography Tips

The larva on the left found the net before I found it. The moth on the right was photographed in the middle of the night during a biology field course.

You can also catch insects with a net, put them in a glass jar and photograph them there, or even put them in the fridge for a little while to slow them down. I only recommend doing this if you know what you’re doing and you feel it’s worth it.

The insects would probably rather be somewhere else than your fridge. Remember to release them afterward!

Tools of the trade

The camera equipment needed really depends on what kind of photos you’re after. Insect photography can definitely be done with expensive tools in complicated ways, but it doesn’t have to be.

Since insects are generally small, it’s helpful to have a good macro lens or something comparable. But you can also make a great start without any special equipment. Some insects are pretty big and insect photos don’t always have to be close-ups!

Butterfly on cactus. Insect Photography Tips

Here, the insect is not the only subject, but it’s still essential to the photo.

What to focus on

So you’ve chosen the time and location, found your subject, and you have everything you need; all that’s left is to actually make the photo.

No matter what kind of photo you want – a portrait, an action photo, something abstract – there are a few things you should know about insects before photographing them.

Poisonous caterpillar. Insect Photography Tips

This caterpillar is covered in hairs that can cause irritation when they come in contact with skin (or lungs!).

Insects’ behavior and senses are as variable as the insects themselves. Some of them may notice you way before you see them and flee. Some may not notice that you exist, Others may become aggressive if you behave a certain way.

Some insects see much more and more accurately than we do, while some barely see at all. Some smell with their antennae and some of them have ears on their knees.

They are as alien to us as we are to them, which is why you need a lot of patience, some knowledge of what you’re photographing, and an open mind.

Black and white locust. Insect Photography Tips

Locusts have ears on their knees.

It depends on what kind of photo you want, of course, but a few things that are usually good to keep in mind are:

  1. Use a fast shutter speed if you want a sharp photo – insects can be very fast and they move a lot.
  2. Aim for a small aperture (large f-number) if you want to have more than just a tiny part of the insect in focus.
  3. If you’re photographing an insect in flight, try manual focus.
  4. Focus on the eyes, like with any other animal. You might find yourself mesmerized!
Fly with stripey eyes. Insect Photography Tips

Even flies can have beautiful eyes!

Conclusion

Insect photography is such a broad topic that I had to leave many things out of this article, but I hope this basic introduction was able to provide you with some tips.

What do you think about insects? Have you ever photographed them? Feel free to share your best or most interesting insect photos as well as your tips in the comments below.

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Updated firmware for Fujifilm X-T100 and X-A5 include two new filters, square capture mode

30 Aug

Fujifilm has new firmware updates for its X-A5 and X-T100 mirrorless cameras. The updates include new and updated features in addition to a number of bug fixes.

First up is the Fujifilm X-A5. Firmware version 1.20 adds two new Advance Filters called ‘Rich & Fine’ and ‘Monochrome [NIR].’ The ‘Rich & Fine’ filter is made for food and still life photography, with an emphasis on saturated colors and a slight vignette. As the name suggests, the ‘Monochrome [NIR]’ filter simulates the look of a near-infrared camera through selective toning of the scene.

Also included in the update is a new Square Mode, which enables 1:1 format capture and improved autofocus accuracy in AF-C mode when the shutter is half-pressed. A bug that caused the highlight warning not to show in the Info display has also been squashed, alongside a few others.

Onto the X-T100, firmware version 1.10 adds the same two new Advance Filters, Square capture mode, improved autofocus accuracy in AF-C mode present in the X-A5 firmware update. Fujifilm has also made the default ISO setting when switching between P, S, A, M, Adv modes ‘Auto.’

Fujifilm also fixed an issue with the autofocus frame shifting when zooming in on the focus position display. Other bug fixes, including the aforementioned highlight warning issue, have been included as well.

You can download firmware version 1.20 for the X-A5 and firmware version 1.10 for the X-T100 on Fujifilm’s website. Installation instructions are found on the bottom of the respective update pages.

Articles: Digital Photography Review (dpreview.com)

 
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Phase One XF IQ4 digital backs offer up to 150MP and ‘Capture One Inside’

28 Aug

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Phase One has announced its new ‘Infinity Platform,’ which has built the core of the company’s Capture One software into the processors of three new XF IQ4 54 x 40mm digital backs. According to Phase One, having ‘Capture One Inside’ brings “unprecedented image editing and processing – once possible only in the Capture One software.” The new processor also provides improvements in JPEG quality, live view and frame rates.

The Infinity Platform includes three digital backs, including two 150 Megapixel, Sony-designed BSI-CMOS models (IQ4 150MP and IQ4 150MP Achromatic) as well as a 100MP Trichromatic model. The backs now include three new tethering options, via Wi-Fi, USB-C and Ethernet. All three models have dual card slots, supporting XQD and SD.

The three XF IQ4 backs will ship in October and include the camera body and prism and the Blue Ring prime lens of your choice. Prices range from from $ 47,990 for the IQ4 100MP to $ 54,990 for the IQ4 150MP Achromatic.

Press Release

Phase One’s New XF IQ4 Camera Systems Introduce ‘Capture One Inside’ and Enable Unmatched Workflow Flexibility and Resolution

COPENHAGEN, Aug. 28, 2018 – Phase One today announced a giant leap forward in photography: Phase One XF IQ4 Camera Systems are built upon the new and expandable Infinity Platform. Three full frame medium format camera systems, based on the Infinity Platform, include the IQ4 150MP (151-megapixels), the IQ4 100MP Trichromatic (101-megapixels), and the IQ4 150MP Achromatic (151-megapixels). Each delivers a flexible and customizable photographic solution designed to evolve and adapt over time. The IQ4 features a new level of workflow optimization, integration and support for all photographic applications.

With the Infinity Platform, Phase One has moved the core of Capture One’s imaging processor into the IQ4 itself. ‘Capture One Inside’ offers unprecedented RAW file control. Image editing and processing – once possible only in the Capture One software application – can now be controlled within the IQ4. The Infinity Platform also allows Phase One to challenge fundamental imaging concepts, such as the limitations of dynamic range. Additionally, the IQ4 delivers new tethering and storage options, wireless integration, and performance improvements.

“Our customers drive us to break down barriers and keep pushing forward,” said Henrik O. Ha?konsson, CEO & President, Phase One, A/S. “With the Infinity Platform we are completely dedicated to grow the IQ4, adapting and expanding incrementally to match the pace of technology – making it unique in the photographic world – a camera investment that pays back with years of cutting-edge operation. We dedicate the new XF IQ4 Camera System to these individuals whose passion for perfection is unlimited.”

Phase One is widely known for its modular, open-platform approach. Like the Phase One XF camera body, introduced in 2015, the Infinity Platform of the IQ4 has been engineered to anticipate developments in technology, and expand functionality to support customers’ changing workflow demands.

Key Features and Future-Forward Innovations

Building on 25 years of digital imaging innovation and the success of the XF Camera System, the IQ4 introduces:

151-Megapixel Backside Illuminated (BSI) Sensor

The IQ4 150MP and IQ4 150MP Achromatic models feature an ultra-efficient pixel design that delivers unprecedented image quality and detail. A world first in full frame medium format photography.

‘Capture One Inside’

The core of Capture One’s RAW imaging processor has been integrated into the Infinity Platform, opening a multitude of customizations and imaging possibilities. Key for expanding workflow efficiency, images can now be processed by the camera itself. ‘Capture One Inside’ enables:

  • Improved preview quality
  • JPEG processing
  • IIQ Style integration
  • Improved live view, faster frame rate, and new tools

Three New Tethering Options

Wireless, USB-C, and Ethernet offer greater control of connectivity and workflow. In addition, users will be able to interface directly with accessories such as hard drives, NAS storage, network solutions, mobile devices, etc. New ports (Ethernet and USB-C) can offer charging capabilities of the camera system or sustained power from compatible devices. Each tethering option brings its own unique workflow benefit, such as speed, extended cable length, evolving camera control and freedom from cabling.

Dual Storage

Support for both XQD and SD memory cards can be combined with the above tethering options to provide a multitude of workflow solutions.

Open Platform

Time-lapse and bracketing tools now operate independently of the camera body, enabling sequencing options across other camera bodies such as technical cameras.

More information about the IQ4, Infinity Platform and supported XF Camera System configurations can be found here: www.Phase One.com/IQ4

Availability and Pricing

The XF IQ4 150MP, IQ4 100MP Trichromatic, and IQ4 150MP Achromatic Camera Systems, will be available in October 2018 through Phase One
Partners: www.Phase One.com/partners.

The Manufacturer Suggested Retail Price for the XF IQ4 Camera Systems (including XF camera body and prism, a Blue Ring prime lens of your choice, 5-year warranty and 5-year uptime guarantee) are:

  • XF IQ4 150MP Camera System: $ 51,990 USD
  • XF IQ4 100MP Trichromatic Camera System: $ 47,990 USD
  • XF IQ4 150MP Achromatic Camera System: $ 54,990 USD

For more information, please go to: www.Phase One.com or book a demo on: www.Phase One.com/DemoSignup

Articles: Digital Photography Review (dpreview.com)

 
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Tips on How to Capture Affection in Your Photographs

17 Jul

All you need is love – and the know-how to capture affection in your photos.

Weddings overflow with affection. - Tips on How to Capture Affection in Your Photographs

One of the big challenges in portrait photography is capturing the elusive aspects of life: feelings, smells, and experiences. It’s difficult because a photograph is limited to two dimensions and a single point in time. It only captures what we can see, but we often want it to do more than that.

To make a good photograph, we want to be able to share a sensation or an experience. Fortunately for us, it’s not completely impossible.

One of the great things about humans is that we have a pretty amazing imagination. We can feel the texture of fur just by seeing a photo of it, we can almost smell the sea when we see an evocative picture of it. The challenge is to take a photograph that’s good enough to make the viewer feel what you want them to.

Affectionate friends. Tips on How to Capture Affection in Your Photographs

In this article, I want to share some tips that can help you capture one of those elusive things – affection. I hope you enjoy the ride!

What is affection?

If done right, affection is easier to explain with a picture than in writing – a picture is worth a thousand words and all that. Let me give it a try, though.

Affection is an expression of love and trust, a kind of comfortable tenderness, a warm and confident gaze that doesn’t need to be returned. It’s strength in selflessness and is a very private experience.

Affection between humans and pets. Tips on How to Capture Affection in Your Photographs

Like most other feelings, but perhaps even more so, affection is really hard to fake. It’s often found in the small gestures and mannerisms that have been built over time.

And that’s why it’s so challenging to capture, especially in people you don’t know well.

Sisterly love. Tips on How to Capture Affection in Your Photographs

Why try to capture affection?

So you may be thinking, if it’s so difficult, why bother? What’s the point of struggling to capture something that exists in so many more dimensions than a photograph and that is such an intimate feeling?

First of all, the challenge is a good way to develop as a photographer and a human. It gives you the chance to try to capture something essential, positive, that which will one day be the greatest of memories.

A mother's love. Tips on How to Capture Affection in Your Photographs

Knowing how to photograph affection is a great way to offer family and friends, as well as customers, amazing images that show something real and beautiful.

How to capture affection

Capturing affection may be a bit difficult, but it’s definitely not impossible. If you’re a professional photographer, one of the challenges is that your models may not know you well enough to be comfortable around you.

Nervousness and discomfort don’t go well with displaying affection. Since you won’t have the time to get to know everyone you’re hired to photograph, you need to find other ways to inspire confidence in your models.

The look between newlyweds. Tips on How to Capture Affection in Your Photographs

Even knowing someone well doesn’t mean that it’s easy to capture affection. Shyness or awkwardness may sometimes make it even harder to photograph the affection among your friends and family.

One way to get what you want is to catch a special moment without being noticed. This works well at a wedding shoot, a family gathering, or even when doing street photography. The important thing to think about here is consent and whether it’s a situation where it’s okay to take such a photograph.

Parents and children. Tips on How to Capture Affection in Your Photographs

Proper preparation

If you’ve been asked to photograph a couple, or a parent and a child, preparation is important. With just a little bit of effort put into creating a connection and making your models feel comfortable you can go a long way.

Sometimes moving to a place with fewer distractions might help. Other times being surrounded by others is the right thing. You have to read the situation and make the best of it.

Affection in times of sorrow. Tips on How to Capture Affection in Your Photographs

Part of preparation is building trust. You can start way before the shoot by getting in touch with your customers and making them confident that you know what you’re doing.

Show them that you can be trusted to capture beautiful memories for them and that you’re there to support them in the quite unusual situation that a photo shoot presents.

Love between siblings. Tips on How to Capture Affection in Your Photographs

And as always, practice makes perfect. You can learn to find and capture special moments by looking in places where you wouldn’t expect to find them. Photography is so much more than just pushing a button. It’s learning to see the world in a different way, learning to understand what you see, and learning to capture it.

Affectionate behaviour. Tips on How to Capture Affection in Your Photographs

Conclusion

How do you make sure you capture genuine feelings in your photos? Do you have any tips on how to capture affection or a photo that you’d like to share?

I’d love to get your suggestions and see your photos in the comments below!

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Capture One Latitude style packs bring warm and cold color presets

10 Jul

Phase One has launched its new Latitude style series, the latest addition to the company’s Capture One Style Packs product launched last year. The Latitude presets are offered in two different packs: Latitude | Deep Forest and Latitude | Sunbound. The new series was inspired by “some of the world’s greatest destinations,” Phase One said in its announcement.

Both Latitude style packs contain eight presets, each with original, bright, and dark variations, for a total of 24 styles per pack. The “Sunbound” pack focuses on adding warmth to images, and the “Deep Forest” pack focuses on cold colors.

“The Styles are built to enhance curves, saturation and tonal adjustments,” says Phase One Software VP Jan Hyldebrandt-Larsen,”without affecting key capture parameters such as exposure and white balance.”

Each Latitude pack is priced at $ 39 USD, but a limited-time discount offers both together for $ 59 USD until July 27. Buyers must run Capture One version 10.1.2 or newer to install the style packs. The latest version of the software, Capture One 11, is offered through Phase One’s online store for $ 180 USD (single-user license).

Via: Phase One

Articles: Digital Photography Review (dpreview.com)

 
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6 Tips to Capture Wildlife Photography with Impact

05 Jul

Wildlife photography has become even more popular since the advent of digital cameras. Capturing wildlife can be a challenging undertaking whether your photographing animals for the first time or are well practiced. If you’re new to the subject and want to learn how to photograph animals, here are some tips to help you get started:

1. Use a telephoto lens

6 Tips to Capture Wildlife Photography with Impact - zebra

One of the most frequent questions I get asked about wildlife photography is, “Which lens should I use?” You may want to photograph birds in your garden, animals at the zoo, or even polar bears in the Arctic. Whichever is your preferred subject, I find that while a wide-angle lens is great for capturing the bigger picture, to really capture an animal from afar, you will need a telephoto lens.

A telephoto lens is the ideal solution to draw you nearer to the action where anything from 70-400mm will facilitate the ability to zoom in to photograph wildlife.

You will find photographing from a distance an advantage as getting too near to the creature could scare them away, particularly wild animals that are timid such as foxes. Animals living in urban environments are more likely to be used to people so you may be able to snap them from a closer vantage point.

6 Tips to Capture Wildlife Photography with Impact - hyena

2. Use a fast shutter speed to capture the action

Camera shake will be more apparent when using a telephoto lens rather than a standard lens due to its size and weight. The longer the lens, the more susceptible you are to camera shake. A shutter speed of at least a 1/100th of a second will help to photograph moving animals and minimize movement.

Clicking the shutter at faster speeds will enable you to freeze the action whether your subject is moving or motionless and will help you to capture sharper images. In addition, many modern lenses now have the option of image stabilization which can also be used to reduce vibration.

6 Tips to Capture Wildlife Photography with Impact - eagle in flight

3. Focus on the details

Sometimes filling the frame with an animal’s features can make a wildlife photograph more appealing. The intent stare of a lion or the face of a monkey, for example, can be a captivating subject and even more interesting than the animal as a whole.

As you begin to photograph wildlife more, you will notice the details about an animal that could make an interesting picture. Be sure to photograph different features that you find compelling.

6 Tips to Capture Wildlife Photography with Impact - lioness

4. Make sure your battery is charged and your memory card has space

This may seem obvious, but it’s surprising how many times I have heard people say they have run out of battery power or that they don’t have enough space left on their camera card to take any more pictures. If you ensure your battery is fully charged and your memory card is empty, you will be prepared for any potential wildlife sighting.

During a wildlife safari drive or whilst out walking in the countryside, you never know when an animal encounter will happen. You could see wildlife at any given moment. With your camera charged and cards empty you will be ready for any photo opportunity as and when it arises.

6 Tips to Capture Wildlife Photography with Impact - colorful bird

5. Create pictures with interest

Many newbie photographers that capture images of wildlife tend to place the animal right in the center of the frame. This can work well with the right composition. Try to photograph the animal off center too, by positioning it to one side of the frame to make the image more interesting.

Placing your subject on a third of the frame can create impact.

6 Tips to Capture Wildlife Photography with Impact - water buffalo

You could include part of the animal’s habitat in the frame such as a bird in its nest. Woodlands and rivers are great natural havens for wildlife and can make for an appealing setting to frame your subject within.

6. Wait a while

As animals are difficult to predict and they often move, you will find it challenging to capture a good shot with the first image you take. Be prepared to wait a while and you may get to see and capture a more rewarding image.

6 Tips to Capture Wildlife Photography with Impact

For example, when I came across this serval cat during a game drive in Tanzania, I spotted the cat looking for prey in the long grass. After pulling the car over and waiting a few minutes, the serval cat turned for a split second after being alerted by the noise of the engine and I captured the moment.

Conclusion

Next time you are out with your camera to do wildlife photography, whether you’re out walking, observing in your garden, or watching wildlife from afar, remember these tips. Hang around for a while and be amazed at what you might discover.

What wildlife photographs have you taken that you would like to share?

Wildlife photo tips 08

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Loupedeck announces Loupedeck+ with support for Capture One, better controls

20 Jun

Loupedeck – a popular editing console for Adobe Lightroom users – has received a significant update to both its physical characteristics and its overall compatibility with the launch of the Loupedeck+.

In addition to Adobe Lightroom (and Lightroom CC) Loupedeck+ is now compatible with Aurora HDR and Capture One (the later will be beta support at launch, with full compatibility to be offered soon). There are already a few editing consoles on the market that work with Lightroom as well as Capture One, and it’s encouraging to see Loupedeck get in on the Capture One fun as more photographers do.

Physical improvements include better build quality with more responsive mechanical buttons and a greater degree of customization. The Loupedeck+ can be yours for $ 239 – current Loupedeck owners can upgrade for $ 50 off.

Press Release:

Introducing Loupedeck+, the Next Evolution of Custom Photo Editing Console, Loupedeck

Next Generation Includes Skylum Aurora HDR Compatibility, Upgraded Build and More Customization Options, All Based on the Photography Community’s Feedback

HELSINKI, Finland – June 20, 2018 – Loupedeck, the custom photo editing console built with an intuitive design that makes editing faster and more creative, has announced the next evolution, Loupedeck+. While the Loupedeck was the only device on the market custom-built to improve the Adobe Lightroom experience, the Loupedeck+ is now also compatible with popular photo editing software Skylum Aurora HDR(in addition to Adobe Lightroom Classic CC), and is designed with more functionalities, control and increased customization options. Following a year of overwhelming success and customer feedback, the Loupedeck+ was designed in Loupedeck’s headquarters in Finland, with all updates solely based on feedback from the invested photography community.

Specifically, upgrades to the Loupedeck+ include:

  • Mechanical keys with a more precise and sturdy feel
  • Improved build quality
  • Two dedicated customizable dials and seventeen buttons
  • “Custom Mode” that allows full user control of all dials
  • Configuration software built from scratch for an even better, faster and more stable photo editing experience

“We know how dedicated both the professional and amateur photography communities are in their work, and we’re committed to making their lives easier and more productive,” said Mikko Kesti, Founder and CEO of Loupedeck. “There’s no better way to create the next evolution of our flagship product than by going straight to the source and taking their feedback to heart. By adding even more control, efficiency and customization options to the editing process, we’re able to help photographers be more successful by increasing their output and artistry, and look forward to continue supporting them in their work.”

Following Loupedeck’s new partnership with Skylum, the Loupedeck+ will include future integrations with Skylum’s other professional photo editing products, including Skylum Luminar. It is also currently in beta integration with Capture One, with full integration on the way, as well as additional software integrations to follow later this year. These options will provide photographers with a more diverse, intuitive experience, helping to expedite the editing process and maximize the photo editing experience.

“Skylum and Loupedeck share the same vision. We want to help photographers create great photos, differently,” said Alex Tsepko, CEO of Sklyum. “When I discovered that the new version of Loupedeck keyboard is coming out, I knew Skylum software should be the first to support it. This is the kind of innovation modern photographers really need.”

The Loupedeck+ is available for purchase in the Loupedeck Online Store, B&H Photo and Amazon.com for $ 239. Loupedeck is also offering a cashback opportunity of $ 50 for current Loupedeck owners.

For more information visit www.loupedeck.com.

About Loupedeck

Loupedeck, the company behind the Loupedeck+, is the only photo editing console custom-built to improve the Adobe Lightroom and Skylum Aurora HDR experience, with an intuitive design that makes editing faster and more creative. It allows both professional and amateur photographers to improve the ergonomics of editing, comfortably increasing output. Loupedeck’s hands-on and highly intuitive console minimizes the use the mouse and keyboard, and it works seamlessly with Apple and PC operating systems.

Headquartered in Helsinki, Finland, Loupedeck was founded in 2016 with a highly successful Indiegogo crowdfunding campaign that exceeded its original target by 488 percent. For more information, visit www.loupedeck.com.

About Skylum Software

Skylum Software (formerly Macphun) is a Washington-based photo software developer with the mission to make complex photo editing simple and user-friendly. Thanks to its innovative approach and high-end proprietary technologies, Skylum products have won dozens of various awards, including “Best of the Year” awards by Apple for six straight years. Luminar was honored with the “Best Imaging Software 2017” award by TIPA and “Best Software Plugin” in October 2017 by the Lucie Technical Awards. Aurora HDR was selected as the “Best Mac App of 2017” by Apple.

To learn more about Skylum, please visit http://skylum.com/.

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How to Capture and Sculpt the Color of Light

07 Jun

The Basic Mechanics of Capturing Light

When the light of a scene enters the camera lens, it is dispersed over the surface of the camera’s image sensor, a postage-size electrical circuit containing millions of individual light receptors. Each receptor measures the strength of the light striking it in a metric called “lumens.” Each receptor on this sensor records its light value as a color pixel.

Color of Light Camera Mechanics

The camera’s image processor reads the color and intensity of the light striking each photoreceptor and maps each image from those initial values, producing a reasonable facsimile of the original scene. When this bitmap of pixels is viewed from a distance, the eye perceives the composite as a digital image.

Two important light issues must be addressed when capturing a photograph: light dynamic range (exposure) and color balance (temperature).

Light (Dynamic) Range

The full range of light that exists on a sunny day is virtually impossible to capture with your digital camera. Light range is defined as the dynamic difference between direct sunlight and absolute darkness.

Even though the image sensors in today’s digital cameras continue to improve, corralling all of nature’s dynamic range of light remains a futile challenge.

Color of Light Range

This statement is easier to understand when you consider the fact that camera sensors register far less light than the human eye, and not even the eye cannot tolerate unfiltered exposure to the sun. Any more than a couple of seconds of direct sunlight will absolutely damage several different parts of the human eye.

Fortunately, your body won’t allow you to stare directly into the sun for any longer. The light emitted from the sun is the strongest, most brilliant, and purest form of light in the universe. Luckily, very few scenes you will want to capture with a camera will involve shooting directly into the sun.

Camera settings

Most cameras have an automatic program mode that adjusts the three settings in the camera that affect exposure: f-stop, shutter speed, and ISO. The A/Av (Aperture Priority) mode allows you to set the size of the lens opening (f-stop) while the camera automatically sets the shutter speed. The S/Tv (Shutter Priority) mode lets you set the duration of the shutter opening (shutter speed) while the camera automatically adjusts the size of the lens opening.

Your camera’s ISO (International Standards Organization) setting adjusts the light sensitivity of the camera’s image sensor, allowing you to capture scenes in dim or bright light.

Color of Light A S ISO

The Histogram

Your camera provides a small graph, called a histogram, that roughly indicates how well the camera is set to capture the scene. This graph displays the range of light coming through the lens and approximates the current light distribution that will be captured under the current settings. By adjusting the three settings mentioned above, you can shift and somewhat distribute this range of light so as to best record the full range of light.

My best advice about using the histogram in your camera is to adjust the big three controls (aperture, shutter speed, and ISO) to center the graph on the scale. While this won’t guarantee the most dynamic use of the tonal aspect, it will give you the latitude to adjust that tonal information in post-processing.

But remember, the histogram reads light range but doesn’t address the issue of color balance at all. Which brings us to the next point.

Color Balance

Setting your camera to capture the correct color of light is not as simple and straightforward as it might seem. It is certainly not as automatic as the Auto White Balance setting might suppose. You should understand what your camera means by AWB before you bet your pictures on it. I’ll explain this in some detail below.

Even if you are shooting in RAW mode, it’s a good idea to evaluate the light temperature of the scene and set your camera accordingly. RAW processing will allow you to change the color balance in post-production, but good estimating will certainly shorten the processing time.

Color of Light WB

Select the appropriate color (White Balance) in your camera’s settings.

Color of Light

Every scene’s color cast is influenced by the temperature of the light illuminating that scene. When the scene is captured outside, the sun’s position in the sky and the influence of cloud cover alters the colors of the light. Your camera offers two ways to compensate for the differences in color temperature (White Balance).

Auto White Balance

The Auto White Balance (AWB) sensor in your camera will seek any prominent white or neutral subject in the scene and will shift the entire color balance of the scene in an effort to neutralize the tint of that element. The assumption when using the AWB setting is that you (1) desire the current lighting condition to appear perfectly neutral in color, and (2) are certain that recognizable and visible elements in the scene are truly neutral in color.

Color of Light Presets

This series of shots were made under cloudy skies while on my lanai (porch). The preset White Balance settings used were: top left: Shade; top right: Cloudy; bottom left: AWB; and bottom right: AWB with flash fill.

Any cloud cover interfering with the sunlight will have a slight influence on the neutrality of 6500° (natural sunlight) lighting. Once again, be aware that AWB takes that slight shift in color out of the equation. Most of the time, this is a good idea. But if early morning or late afternoon (golden hour) lighting is to be recorded accurately, that AWB setting will try to neutralize those warm colors and you will, therefore, lose the mood.

Color of Light AWB

Top: the lack of an absolutely neutral color in this dominantly warm-toned outdoor scene fooled the camera’s AWB setting. So the khaki colored seat cover and the rattan chest were neutralized in the top photo. Bottom: setting the camera’s white balance to Cloudy correctly recorded the scene.

Preset Color Balance Options

Your camera offers several presets to offset any known color casts caused by specific lighting situations.

Daylight sets the camera to record scenes under typical midday outdoor lighting. For outdoor photo situations under normal weather conditions, Daylight is a safe bet. The Daylight setting’s color temperature is balanced for sunny days and photos that are taken in direct sunlight. Daylight is the most neutral of the three outdoor settings and provides rich, natural-looking colors on sunny and even partly-cloudy days.

Color of Light Daylight

The camera’s Daylight setting is ideal for bright sunny days. I love to shoot nature shots in the strong sunlight of mornings, particularly between the hours of 8 and 10 AM.

Shade shifts the colors toward orange to compensate for the bluish interference of nominal clouds. When the weather conditions are normal (sunny) but your subject is located in the shade, the scene’s color temperature actually changes slightly. If the camera’s white balance setting is Daylight, and the people are in the shade their skin tones will lack the sun’s warmth because the sun’s rays are not hitting the subject directly.

Color of Light Shade

Even though there was plenty of sun outside, the flowers were located entirely in the shade. So the white balance was set to Shade to retain the warm greens of the leaves in this shot.

Cloudy offers a yet stronger orange shift to compensate for completely overcast (stormy) skies. When the weather conditions are overcast and clouds block the direct sunlight, the bluish color of the clouds actually removes the warmth of the sun.

On the color wheel, blue is directly opposite yellow. When these two colors influence each other, they dull each color’s intensity. When the blue-gray clouds block the sun they diminish the sun’s (yellow) warmth. For this reason, the Cloudy White Balance setting introduces more color warmth into the scene.

Color of Light Cloudy

Quite obviously this picture was taken under stormy conditions. If the camera’s white balance wasn’t set to Cloudy (or Overcast), the little boy’s skin would appear a lifeless gray.

Flash provides a very similar color temperature lighting as Daylight and is intended to prepare the image sensor for artificial daylight or “Speedlight” type flash devices.

Color of Light Flash

The camera’s automatic use of the flash in the “fill” function provided just enough light to balance the sunlight coming through the side window. Careful placement of the subject allowed this simple lighting to deliver a professional look.

Tungsten shifts the colors toward the blue end of the color range to compensate for the warmer shift of incandescent lights.

Fluorescent attempts to compensate for the greenish cast of gas-charged fluorescent lights.

All of these presets attempt to correct non-neutral lighting conditions.

Color of Light Tungsten

The even warmth of tungsten lighting is best captured with your camera’s Tungsten WB setting. While Auto WB does an acceptable job of interpreting tungsten amidst other types of lighting, when table lamps are in the picture, Tungsten color balance is the right choice.

Custom White Balance

Among the other color balance settings, your camera offers a custom lighting (Custom White Balance, PRE on Nikon cameras) setting. With that option selected, you hold a neutral gray (18%) card in front of the lens and press the shutter button. The camera will read and lock in the color temperature of the light reflected from that card. That reading you take will now become the standard for the camera’s white balance until you select another setting.

Color of Light Color Checker Gray Card

When in doubt about mixed lighting conditions, the use of a gray card for establishing accurate color balance is the most accurate way to go.

Conclusion

The takeaway truth here is that you have very powerful exposure and color balance tools at your disposal. Whether you shoot with an expensive DSLR or a smartphone, take your art seriously. Invest the time to learn something new about photography every day.

Stay focused.

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5 Framing Tricks to Help You Capture Better Landscape Photos

05 Jun

Landscape photography is one of the most popular genres of photography and for good reason. A great landscape photo has the power to wow the viewer and captures the beauty of the incredible planet that we live on. But landscape photography is also difficult to master as not only are you often at the mercy of the elements, but you are also fighting against the limitations of digital cameras versus the human eye.

As advanced as digital cameras are, they are still no match for your eyes and that sometimes means you feel let down when you look at photos you’ve taken. A big part of this could be as simple as framing your shot correctly. So here are 5 framing tricks to help you capture better landscape photos.

sunset over a valley - 5 Framing Tricks to Help You Capture Better Landscape Photos

1. Add a Sense of Scale

Think about that feeling you get when you first see an amazing landscape in front of you. It’s often the sense of feeling really small compared to those towering mountains or that deep valley. But capturing that feeling in a photo isn’t as straightforward as just taking a shot of the scene. To be able to convey that sense of scale you need to help the viewer by showing them a comparison with something they can relate to.

For example, photograph a large boulder and it will be difficult for someone looking at the photo to know how big it is in reality. But put a person next to the boulder and suddenly there is an instant sense of scale. This is a great way to really make your landscape photos jump off the page and captivate the viewer.

mountain scene - 5 Framing Tricks to Help You Capture Better Landscape Photos

2. Point of Interest

A good landscape photo should lead the viewer’s eyes around the image. Sometimes to achieve this you need to add a point of interest to your image. This is especially true if you are photographing a scene where there is a vast empty area where nothing is happening.

Without a clear point of interest, the viewer’s eyes will get lost in the photo and it won’t work. For example, the photograph below would be pretty uninteresting without the people in it. But by including people not only does it add that point of interest but it also tells a much more intriguing story.

A point of interest could be anything. It can be a rock, person, animal, a tree, or a building. So next time you are evaluating a scene, think if it will benefit from having a point of interest. If so, try to frame your photo using the rule of thirds to capture this in the composition.

2 small people on large sand dunes - 5 Framing Tricks to Help You Capture Better Landscape Photos

3. Zoom In

In landscape photography, it’s really easy to try and capture everything in front of you. After all, that amazing vista is what usually wows people. But sometimes a wide-angle shot of a scene just doesn’t work because there is too much for the viewer to process. On those occasions, you need to zoom into your scene and try to capture a small section rather than the whole thing.

Think about the small section in the same way as if it was a wide-angle shot and frame up your image with the same thought process. The key is to not be afraid to forego the “big wide-angle shot” for the smaller zoomed in section. Remember that you can always try a few different crops and then decide on the best one later in post-production.

But don’t make the mistake of just capturing wide-angle shots and relying on cropping in post-production as the more you crop an image, the more pixelated it will become if you want to print it at really large sizes. Try to actually capture some photos zoomed it with your camera instead.

green landscape scene - 5 Framing Tricks to Help You Capture Better Landscape Photos

4. Sky or Land?

One of the best ways to ensure that your landscape photos look dramatic and stunning is by focusing as much of the photo on the part that is going to give you impact. That means really considering where to put the horizon line. If you have a dramatic sky with lots of clouds, beautiful dramatic sunsets or even moody stormy weather, then place your horizon line in the lower third of the image, so you are showing more of the sky.

If on the other hand, your foreground is interesting with a good point of interest, then place your horizon in the top third of the image. Thus maximizing the area showing the foreground in the image. Just try to avoid placing your horizon line in the middle of the image where possible as it can make your photo seem uninteresting.

So always remember, sky or land? Whichever it most important to your image, show more of that part of the scene.

beach sunset - 5 Framing Tricks to Help You Capture Better Landscape Photos

5. Extreme Angles

Most people see landscapes from one particular view only – eye level view. The great thing about photography is that it allows you to capture a photo at a completely different point of view to what most people see. You don’t need to dangle yourself off a cliff to capture unique views, sometimes just being slightly lower or more elevated can have incredibly dramatic results.

For example, set your camera really low (almost on the ground) and you will capture a unique angle from a worm’s eye viewpoint. Put your camera on a tall tripod and lift it up so that it’s higher than normal eye level and again you’ll capture a unique shot.

There’s also the option of using drones these days which can give you even more stunning photos of landscapes. But make sure you always check local laws regarding drone usage. As with any type of photography, the key is to experiment.

seascape and castle on a hill - 5 Framing Tricks to Help You Capture Better Landscape Photos

Conclusion

Capturing the perfect landscape takes time, effort and usually some luck a well.

You need so many factors to be working together to capture stunning photos and even then you still need to think about how to frame all of those elements into a photograph that will do the scene justice. But once you have a great location, an interesting subject, and the perfect light, follow these framing tricks and you may well capture some stunning landscape photos.

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