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Posts Tagged ‘Canon’

CP+ 2015: Canon shows 11-24mm in cross-section

13 Feb

Canon’s new 11-24mm F4 is attracting a lot of attention at this year’s CP+ show in Yokohama, but away from the crows of keen enthusiasts waiting to get their hands on samples, we found a very much non-working example, cut in half showing its internal construction. Click through to take a look at what this complex lens is made of – literally. 

Articles: Digital Photography Review (dpreview.com)

 
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CP+ 2015: Canon shows off prototype 120MP CMOS sensor

13 Feb

We’re at CP+ in Yokohama, Japan, where Canon is showing off a prototype ultra high-resolution 120MP CMOS sensor. Canon is claiming it has a pixel count equivalent to the number of photoreceptors in a human eye. Its surface area is halfway between APS-C and full-frame, and it appears to be mostly directed at video applications, capable of recording at approximately 60x the resolution of Full HD. Click through to have a look

Articles: Digital Photography Review (dpreview.com)

 
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Opinion: Does the arrival of the EOS M3 mean Canon is finally taking mirrorless seriously?

11 Feb

The Canon EOS M3 has 24 million pixels, an APS-C sensor, DSLR features and it looks like a camera. So, does this mean Canon is now taking the mirrorless market seriously? Senior DPR contributor Damien Demolder weighs in. Read more

Articles: Digital Photography Review (dpreview.com)

 
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New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

11 Feb

I’ve been getting a lot of questions about my thoughts on the recent Canon 5Ds and 5Ds R DSLR announcement including…

  • Are you getting one?
  • Which one?
  • What’s the difference?
  • Is this the Canon 5D IV
  • Is it worth sticking it out with Canon vs jumping to Nikon or Sony?

I’ve also seen a lot of random rash statements online such as….

  • Too late Canon I’ve already switched to Sony/Nikon.
  • Canon marketing sucks. How does this camera fit into their line up?
  • Canon loses.

Seeing that the Canon 5Ds /Ds R will not be released until June and Canon Marketing has seemingly done a poor job explaining the official stance on the 5D family line up there has been a lot of confusion and conjecture. Here is my personal opinion on the matter taking into account my 3 years of experience working in the online gear rental industry with BorrowLenses.

The Canon DSLR Hierarchy

In short the evolution of the top Canon DSLR product lines have been evolving as follows:

Photo: EOS 1Ds + EOS 1D => 1Dx

Video: New product branch with the 1D C

The 1D line has been and is being consolidated into the 1DX product. If you’ve been shooting Canon for a while you might remember that the 1Ds was the high end full-frame sensor camera used for commercial type work while the 1D was the high end sports and wildlife body with a faster burst mode. All of these use-types have been consolidated into one 1D body. The 1DX was released in March 2012 and then split again to include a 4K video solution with the 1D C in March 2013. Many people were angered with the 1D C release because it seemed to be the exact same camera as the 1D X, but with a firmware change that allowed 4K video. I’m sure it may be more than this, but that was the perception and only the Canon god Chuck Westfall could say publicly for sure.

EOS 5D III => EOS 5Ds + EOS 5Ds R + EOS 5D IV (?)

We seem to be in the midst of the next Canon product shift where the EOS 5D is being split into multiple models. When the 5D Mark II was released and included video it was a game changer that shook the industry. The trajectory of the 1D series forever changed and other manufacturers quickly started building up their product line to include video (and yes I know Nikon hit first with video with the D90).  Around this time Nikon had made revolutionary improvement with sensors that allowed for unheard of light sensitivity with noise free images at ISO 4000. They focused on noise and less so on video. This is where the seesawing began to happen with Nikon making gains in one area and Canon falling behind in others. Canon made some improvements with noise and ISO in the 5D Mark III and at the same time Nikon launched the D800 with improved dynamic range  in a 36 megapixel sensor. The seesawing continues with this next round of product releases.

Canon has countered by trying to attract customers with a need for high megapixel sensors namely 35mm users who lust after the likes of the D800/D810 or were itching for a medium format camera solution. In my opinion the 5Ds and 5Ds R are pure plays for medium format interested photographers who want greater lens options. The big unknown is how well the 50.6 megapixel sensor will handle low light, but by Canon’s own admission these cameras are not aligned to low light photography and all the example photos to date have been bright light situations. Also if you pay attention to rumor sites, the reports are that these cameras have been tuned for low ISO performance which speaks to studio type work.

Rumor sites have also been stating for sometime that the 5D series is being split into 3. The real successor to the 5D Mark III is due this August and is thought to have a lower megapixel sensor  fine tuned for lower light situations (higher ISO) and video.

Which Camera Should I Buy?

First I’m not a gear flipper and I seemingly am more patient than most with my upgrades. I’m not ranting about Canon losing or falling behind Nikon or Sony. I’ve long held the opinion that photographers flip out too easily on incremental improvements versus truly revolutionary technology shifts. I still own and use a Canon 5D II. If I need to shoot a specific type of subject that requires improvements over what I own then I rent gear from BorrowLenses. I could have purchased a 5D Mark III when it was announced, but I didn’t think it was worth it at the time.  I could have jumped ship to Nikon or Sony, but I have not because I know each manufacturer has product release cycles that are out of phase from each other. This amplifies the perception that one brand is being left behind while another announces an improvement to their products.

My advice is to buy the Canon EOS 5Ds and Canon EOS 5Ds R if you’re interested in medium format like images if you’re a low ISO shooter. Be warned you’ll need to ramp up on your storage and computing power. Those files will be large. Nikon users that jumped on the D800 bandwagon were hit hard by this. If you’re in the market for a camera that will perform better at at higher ISO with less noise then I’m betting the real EOS 5D IV or whatever Canon calls it is that camera you should be waiting for.  Odds are I’ll be waiting for the next Canon body announcement to see if it’s the right camera that I should purchase.

What will push me to upgrade you ask?

Primarily my interest lies with improved dynamic range, better low light performance namely lower noise at higher ISO values, video recording options that are closer to the EOS 1D C body (1080 60p, 4K, etc.) and marginally higher resolution with better buffering. We’ll see if the real EOS 5D Mark IV fits the bill.

By the way the real showstopper of the announcement was the Canon 11-14mm f/4 lens. I’ll have my eye on that.

Copyright Jim M. Goldstein, All Rights Reserved

New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV

The post New Gear Frenzy: Thoughts on the Canon 5Ds, 5Ds R and Canon 5D IV appeared first on JMG-Galleries – Landscape, Nature & Travel Photography.

       

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Canon rolls out PowerShot SX410 IS and ELPH 350 HS compacts

07 Feb

Rounding out its pre-CP+ announcements, Canon has introduced two new PowerShot compacts – the SX410 IS and the ELPH 350 HS/IXUS 275 HS. The SX410 offers a 24-960mm equivalent zoom range, a 20MP CCD sensor, 720p video and Canon’s Intelligent IS stabilization. The PowerShot 350 HS assumes a more compact form with a 25-300mm equivalent zoom range, 20.2MP CMOS sensor, built-in Wi-Fi with NFC and 1080p video. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon announces ‘G3 X’ with 25x zoom, to become available… at some point

07 Feb

Canon has announced plans for a ‘PowerShot G3 X’ enthusiast compact with a 1-inch type sensor and a 24-600mm equivalent lens. The company hasn’t released much more detail at this time, but it’s obvious from appearances that the G3 X is close in spirit to both the PowerShot G7 X and the G1 X Mark II. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon introduces 11-24mm f/4L USM wide angle zoom

07 Feb

Canon has added a new ultra-wide zoom to its EF lineup – the EF 11-24mm f/4L USM. The new lens offers the widest angle of view ever provided in a rectilinear full-frame DSLR lens, and uses 16 elements in 11 groups with a total of four aspherical elements for distortion control. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS M3 to see European and Asian release with no plans for a North American launch

07 Feb

Canon has announced the EOS M3 in Europe and Asia, improving on its predecessors with a 24.2MP APS-C CMOS sensor, front control dial, Hybrid CMOS AF III AF system and an articulated 3.2″ LCD capable of flipping up by 180 degrees. Building on the original EOS M, it also adds a more pronounced grip, a new DIGIC 6 processor, an exposure compensation dial on the top plate and Wi-Fi with NFC. It’s expected to launch in April for £599.99/€769.99. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS Rebel T6s and T6i introduced with boosted resolution and Wi-Fi

07 Feb

Canon has introduced two new DSLRs at the top end of its entry-level tier, the EOS Rebel T6s/760D and Rebel T6i/750D. They both provide 24.2MP APS-C sensor and built-in Wi-Fi with NFC (firsts for the Rebel series), while the T6s assumes the flagship role with a top panel LCD, quick control dial, horizontal level guide and additional manual controls in video mode. Read more

Articles: Digital Photography Review (dpreview.com)

 
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50MP Canon EOS 5DS and 5DS R offer maxed-out resolution, slimmed-down video features

07 Feb

Canon has officially unveiled the EOS 5DS and EOS 5DS R, both of which offer a 50.6MP full-frame sensor inside virtually the same body as the EOS 5D Mark III. The effect of the EOS 5DS R’s low pass filter has been cancelled out, but aside from that difference the two cameras are identical. Like the EOS 5D III the new cameras offer 1080/30p video but do not feature headphone jacks sockets or clean HDMI out. The 5DS and 5DS R will be available from June for $ 3699 and $ 3899 respectively. Read more

Articles: Digital Photography Review (dpreview.com)

 
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