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Posts Tagged ‘Canon’

Why Nikon and Canon should build mirrorless as a second system – but probably won’t

22 May

All rumors suggest that Canon and/or Nikon is going to get into the high-end mirrorless interchangeable lens camera market, in some way.

I don’t have any insider knowledge of this, or I wouldn’t be able to write this, but it looks pretty likely at this point. It also seems pretty likely to me that both brands will do everything to maintain compatibility with their existing lens mounts. Avoiding the need to design a whole new lens range, maximizing the value of the investment in the existing lineup and side-stepping the kind of anger that Canon generated when it abandoned its previous ‘FD’ mount (all the way back in 1987) are all major motivators.

Let’s imagine what would happen if they decided to make a system that sat alongside their existing DSLRs, rather than heralding their obsolescence

Planning for a future, F-mount compatible mirrorless camera might explain why all of Nikon’s recent lenses have finally abandoned mechanical aperture control from the lens mount, since it means they could be fully controlled by an adapter with electronic mounts.

So what’s the alternative? Let’s imagine they didn’t tie themselves to their existing lens mounts. In fact, let’s imagine what would happen if they decided to make a system that sat alongside their existing DSLRs, rather than heralding their eventual obsolescence.

What if they decided to make a system designed to be companion camera? A system that offers something your DSLR doesn’t do, rather than trying to mimic what it already does?

A small camera, designed for enthusiasts and pros to be used alongside a DSLR or in circumstances where you don’t want to lug a DSLR around. A street shooter’s camera, a carry-everywhere photographer’s camera. Let’s think about the potential benefits.

Canon’s EOS M range has drifted towards the kind of camera I’m talking about, but doesn’t have the lens range to match.

It’s not necessarily true that mirrorless promised to be smaller but, not least because it started with Four Thirds and APS-C sensors, that was one of the differentiators when MILCs first appeared. Yet the expectation that a mirrorless camera must replace a DSLR has resulted in an unfortunate convergence.

Demands (including from us) for more battery life, along with the need to handle and act as a like-for-like DSLR replacement has led to mirrorless cameras getting progressively larger. This has helped create a generation of cameras that are nearly as big as their DSLR rivals. And, with the exception of better video implementation and the mixed blessings of electronic viewfinders, little else to set them apart.

So what do you propose?

Essentially, I’m asking for a full frame, interchangeable lens Fujifilm X100. Ok, that might not sound much like an X100, but the common thread is of something relatively small, that by design, doesn’t try to do everything. A camera that will sit happily alongside your existing camera (mirrored or not).

You can cover a lot of styles of photography with a couple of short-ish prime lenses. After all, it works for Leica

As with everything photographic, it quickly comes down to a question of lenses. This is the key element to it not being a DSLR rival: don’t try to build a full lineup of lenses. I’d propose a camera with a limited number of lenses, starting with a 24mm, a 35mm a 50mm and a 90. And nothing longer than that.

This is because the size benefits that come from removing the mirror from between the sensor and the mount can only be realized with short focal lengths. Stick mainly to the shorter focal lengths and you can keep the camera and lenses smaller.

The lineup should be designed with the expectation that most people will only buy the one or two lenses that suit them. You can cover a lot of styles of photography with a couple of short-ish prime lenses. After all, it works for Leica.

Taking the long view

For me, telephoto lenses ruin mirrorless cameras. There, I’ve said it.

Telephoto lenses for mirrorless are just as long as their DSLR counterparts, so there’s no size benefit to throwing away your mirror. Worse still, these long, heavy lenses demand that mirrorless cameras develop the bulky, bulbous grips that SLRs have evolved since the 1990s.

Creating a limited, dedicated set of lenses relieves a lot of pressure. It means you don’t need to build an extensive, open-ended lens range from scratch. No tele zooms, no mid-price 24-70s. Hell, no zooms at all if you don’t want to. This is something every mirrorless maker has struggled to do, both in terms of the time it takes to flesh-out a new lineup but also because mistakes get made in any learning process. Every mirrorless system has at least one lens that either isn’t as optically good as you’d expect or that focuses much more slowly than you’d want.

For me, telephoto lenses ruin mirrorless cameras. There, I’ve said it

However, building a lineup of any size is better than building a camera with a full-depth DSLR lens mount in the name of backwards compatibility, since this condemns its users to carrying an empty mirror box around with them for eternity. And that’s a punishment with a level of pointlessness right out of Greek mythology.

Just produce a handful of great, dedicated primes that take full advantage of the new system without any compromises that come from maintaining compatibility with DSLRs. That way you don’t have to split your R&D resources trying to keep two full lineups up-to-date.

This also has the advantage that you can sell your camera to photographers with commitments to other systems, because you’re not forcing them to choose. But it still gives your existing, faithful users the benefits of full compatibility with your flash systems and other accessories, along with familiarity with your menus.

A small, self-contained system solely aimed at a subset of photographers, rather than trying to be all things to all men. A camera that complements, rather than competing with the existing lineup.

As I say, it’ll never happen. But it’d be nice, wouldn’t it?

As well as the desire to mesh with the existing lens lineups, the other reason we won’t see the camera I describe is because Fujifilm has already effectively invented it

Articles: Digital Photography Review (dpreview.com)

 
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Report: Canon to release new 70-200mm F4L and F2.8L lenses next month

18 May

Canon Rumors is reporting some big news if you’re in the market for a new 70-200mm lens. According to the rumor site, it’s a near certainty that Canon will be debuting two new 70-200mm lenses in early June: the Canon EF 70-200mm F4L IS II, and the Canon EF 70-200mm F2.8L IS III.

Both of the current versions—the Mark I of the F4L and the Mark II of the F2.8L—are certainly due for an upgrade. The 70-200mm F2.8L IS II was released in 2010 and the F4L IS even farther back in 2006. Meanwhile, third-party manufacturers like Tamron and Tokina have released their own 70-200mm F2.8 and F4 lenses more recently, and Sigma confirmed to DPReview that it will release its much-anticipated 70-200mm F2.8 Art lens “not too far in the future.”

In other words, early June would be a great time for Canon to get the jump on Sigma and fight back against the Tamron 70-200mm G2 that people have been so positive about.

The good news is, this isn’t just a thin rumor. Canon Rumors says they can “100% confirm” that the 70-200mm F4L IS II is coming, and “95% confirm” that the 70-200mm F2.8L IS III will join it. Of course, as the rumor site points out, lens announcement and release dates can change at the last minute, but we’ll be keeping our fingers crossed for both these announcements in the coming month.

Articles: Digital Photography Review (dpreview.com)

 
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The Yongnuo YN43 is a Four Thirds smartphone clip-on camera with Canon lens mount

12 May

Yesterday, affordable photography accessory maker Yongnuo unveiled a 60mm F2 macro lens, and they’ve also taken the wraps off a YN43 camera module, a clip-on camera for smartphones in the spirit of Sony’s QX-cameras, the Olympus Air, DxO One, and the Kodak PixPro models.

Unfortunately, at this point there are no specifications available on the site. Looking at the images and model name it’s fair to assume the device will feature a Four Thirds sensor. Curiously the lens mount appears to be of the Canon variant, though. On the product images we can see a Yongnuo 14mm F2.8 wide angle lens for Canon mounted to the module. The choice of lens mount is likely due to the fact that Yongnuo only makes lenses for Canon and Nikon, but no Micro Four Thirds glass.

The camera is pictured with an Apple iPhone and an app is already available in the App Store which suggests it will definitely work with Apple devices, but one would assume it’ll be compatible with at least the most popular Android phones as well.

With its unusual sensor/lens mount combination the YN43 looks like a slightly odd product to put it mildly. It also doesn’t bode well that all the similar products mentioned above have disappeared from the market and the built-in cameras in smartphones have improved drastically, almost nullifying the need for bulky clip-on modules.

That said, Yongnuo is known for its budget pricing and while no price information is available yet for the YN43 we’d expect it to be quite affordable. This could make it worth a closer look to anyone who has a few Canon lenses lying around and likes tinkering with photo equipment.

We’ll let you know as soon as more information and specs become available.

Articles: Digital Photography Review (dpreview.com)

 
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The Yongnuo YN43 is a Micro Four Thirds smartphone clip-on camera with Canon lens mount

11 May

Yesterday, affordable photography accessory maker Yongnuo unveiled a 60mm F2 macro lens, and they’ve also taken the wraps off a YN43 camera module, a clip-on camera for smartphones in the spirit of Sony’s QX-cameras, the Olympus Air, DxO One, and the Kodak PixPro models.

Unfortunately, at this point there are no specifications available on the site. Looking at the images and model name it’s fair to assume the device will feature a Micro Four Thirds sensor. Curiously the lens mount appears to be of the Canon variant, though. On the product images we can see a Yongnuo 14mm F2.8 wide angle lens for Canon mounted to the module. The choice of lens mount is likely due to the fact that Yongnuo only makes lenses for Canon and Nikon, but no Micro Four Thirds glass.

The camera is pictured with an Apple iPhone and an app is already available in the App Store which suggests it will definitely work with Apple devices, but one would assume it’ll be compatible with at least the most popular Android phones as well.

With its unusual sensor/lens mount combination the YN43 looks like a slightly odd product to put it mildly. It also doesn’t bode well that all the similar products mentioned above have disappeared from the market and the built-in cameras in smartphones have improved drastically, almost nullifying the need for bulky clip-on modules.

That said, Yongnuo is known for its budget pricing and while no price information is available yet for the YN43 we’d expect it to be quite affordable. This could make it worth a closer look to anyone who has a few Canon lenses lying around and likes tinkering with photo equipment.

We’ll let you know as soon as more information and specs become available.

Articles: Digital Photography Review (dpreview.com)

 
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Why This Pro is (sort of) Switching from Canon to Sony

02 May

Throughout the internet, there are quite a few photographers trading in their DSLRs for shiny new mirrorless cameras. I never thought I’d join the crew switching from Canon to Sony, telling myself that it’s not the bells and whistles of brand new cameras that define a photographer’s abilities. That all changed when I took the plunge and ordered a Sony A7RIII.

After having it for about a month, I’ve fallen head over heels in love with this camera and use it almost as much as my Canon DSLRs. However, I’m not giving up on Canon yet. In this article, I’ll shed some light on why I’m straddling the Canon-Sony lines, and how my experience with Sony has been so far.

My History of Cameras

I’ll start off by admitting that I’ve never been much of a camera brand loyalist, to begin with. My first digital camera (I never shot film) was a Nikon D40. I played in the Nikon world for several years, eventually ending up with a Nikon D700, and host of accompanying Nikkor lenses.

In 2012, I traded in my Nikon gear for the Canon 5D Mark III and 6D, intending to dive into the video and filmmaking world. While that Canon has hardly been utilized for video, it has built my entire professional photography portfolio in the past 6 years. I haven’t bought a full-frame camera since then.

Why This Pro is (sort of) Switching from Canon to Sony

In 2015, I embarked on a month-long backpacking trip to Asia, which sparked my purchase of a Sony a6300. This dipped my toes into the Sony world, and although it took a lot of adjusting, I quickly fell in love with my little mirrorless camera.

It was much smaller than my DSLRs, image quality was on par, 4K video quality was exceptional, and the extra features such as face detect, eye autofocus, focus peaking, and more felt sci-fi compared to my Canons.

Fast forward to this year, when I’ve ramped up video production and am making as many videos as I am photos, and it just made sense to upgrade to the full-frame Sony A7RIII.

Why This Pro is (sort of) Switching from Canon to Sony - forest scene

What I Love About Sony Cameras

Eye Autofocus

You’ll never have another excuse for taking an out-of-focus portrait again when using a Sony camera. Their eye autofocus is fast, accurate, and very hard to live without once you’ve gotten used to it. Pair it with face detection, and you have the perfect camera for photographing anything with people in the scene.

A Truly Silent Shutter

When I first started shooting with the Sony a6300, I marveled at the silent shutter mode that helps you shoot candid shots much more stealthily. Canon has a Silent Shooting mode that is definitely quieter than normal, but hardly without noise. Sony silent shutters are truly silent, which can be very important while shooting in live performance venues or in areas where the extra noise is frowned upon.

Canon to Sony - Why This Pro is (sort of) Switching from Canon to Sony

Canon versus Sony side by side.

The Electronic Viewfinder (EVF)

Like most mirrorless cameras, the Sony A7rIII comes with an electronic viewfinder. Compared to DSLRs that use optical viewfinders (OVF) unless you’re shooting via live view, an EVF gives you a real-time preview of the image you’re capturing.

Generally speaking, I love the EVF for crafting and composing better images in-camera, but I do wish for the option to switch between EVF and OVF. This especially comes into play when photographing concerts with heavy LED lighting that can almost wash out the EVF and make it difficult to compose images.

Sony PlayMemories App

It’s far from perfect, but the Sony PlayMemories app and its ability to quickly transfer images from the camera to a smartphone via a QR code is genius. This approach is much easier and reliable than Canon’s Wi-Fi transfer system.

Sony also used to include PlayMemories apps that could be installed in-camera, such as a time-lapse feature. For unknown reasons, Sony removed these apps from the Sony A7rIII and A7III. Hopefully, they are restored in a future firmware update as these apps were incredibly handy.

Sony-Wifi QR code - Why This Pro is (sort of) Switching from Canon to Sony

The Camera Can be Powered Internally via USB

The ability to charge my camera by simply plugging it into a wall or external battery pack has been a lifesaver. This is handy not only if you happen to forget your external battery charger, but also for powering your camera through any extra-long photo (like time-lapse) or video sessions.

What I Miss from Canon Cameras

Ability to Shoot Smaller RAW Files

A feature I use quite frequently on my Canon cameras is the ability to shoot smaller RAW file sizes (M-RAW, S-RAW). This gives you all of the advantages of a RAW file but in a smaller file size.

Unfortunately, this is a feature that Sony cameras don’t offer. It would be especially helpful to have on the Sony A7RIII, whose uncompressed RAW files are 81.9 MB apiece. The only way to decrease this size is to shoot compressed RAW files (about 41.0 MB each) or shoot in JPG.

Needless to say, I’ve purchased two more external hard drives since I started shooting with the A7rIII.

Why This Pro is (sort of) Switching from Canon to Sony - night scene

Straightforward Features and Settings

Sony cameras, like Adobe Photoshop, are jam-packed with features. This can be either a blessing or a burden when you’re just trying to take a simple photo or video. More often than not, I find myself fumbling around with Sony’s menus and settings just to snap a quick photo.

Yes, you can customize buttons and menus to your liking. But it can get confusing when you have to choose between six focus modes and six focus areas at any given moment. In comparison, cameras like Canon DSLRs and even Fujifilm mirrorless cameras seem much simpler to operate.

Consistent Colors

Many photographers are quick to criticize the colors of Sony cameras, claiming that Canon has a much better color science. I tend to agree with the critics.

In general, photos taken with both my Sony a6300 and A7RIII have pretty good colors. But occasionally (usually when shooting indoors with artificial lighting), both cameras process colors oddly. This can usually be corrected in post-production, but compared to my Canon DSLRs that nail colors almost every time in a variety of conditions, this can be frustrating.

Why I’m Not Leaving Canon Just Yet

Canon gear - Why This Pro is (sort of) Switching from Canon to Sony

Even though I own two Sony cameras, I’m not fully giving up on Canon just yet. Here’s why.

Sony Lenses Aren’t Cheap

Across the board, Sony lenses tend to be several hundred dollars more expensive than their Canon equivalents. Even if I traded in or sold all of my Canon gear, it would take a significant investment to buy into the Sony G-Master line of lenses.

My compromise in the meantime has been a mixed bag. I sold half of my Canon lenses (mostly prime lenses that I never used anyway), purchased a few mid-range, all-purpose Sony lenses (i.e. the 24-105mm f/4), and invested in a Metabones V adapter (more on that below).

My Remaining Canon Gear is Hard to Sell

I’ve historically been very hard on my Canon DSLRs, and both show significant wear and tear. Trade-in and resell values for both of my DSLRs and remaining Canon lenses aren’t great. How many people do you see switching to Canon these days? In the meantime, I’m inclined to keep and use my Canon gear for now and wait and see what happens. After all…

A Canon Full-Frame Mirrorless Camera is Coming Soon

Photography news sites are abuzz that both Canon and Nikon may soon release full-frame mirrorless cameras. It’s hard to say how good these cameras will be, and if they will use EF and EF-S lenses, or a whole new lens mount. But I’m hanging on to the hope that Canon can get its act together and compete in the mirrorless world.

canon and sony cameras side by side - Why This Pro is (sort of) Switching from Canon to Sony

Canon body on the left, Sony body right.

Two Things Worth Mentioning

Sony Batteries Have Improved Greatly

Mirrorless cameras have long been criticized for poor battery life. This is certainly true for my a6300, which usually lasts for about 350-400 shots per battery.

However, Sony introduced the brand new NP-FZ100 battery to both the Sony A9, A7rIII and the A7III. More robust in build, this battery powers your camera for up to 530-650 shots or a little under 2 hours of video recording time.

In practice, I find that these new batteries last much longer and are almost on par with Canon DSLR batteries.

Sony-Canon Lens Mount Adapter Works – Sort of

Metabones V Adapter - Why This Pro is (sort of) Switching from Canon to Sony

There are several lens adapters which will let you mount Canon lenses to Sony cameras. The most popular adapters are the Sigma MC-11 Mount Converter ($ 199.00) and the Metabones V adapter ($ 399.00).

I’ve been using the Metabones V adapter to put my Canon lenses on the A7rIII and a6300. The adapter works most of the time with fast and accurate autofocus, and even eye autofocus works extremely well.

However, there are moments when my camera will simply freeze right after focusing on an object. This is easily corrected by simply switching the camera off and back on, but it seems to be a problem with the adapter. So far, this is the only real problem I’ve seen while using a lens adapter.

Canon lenses that work on my Sony cameras with the Metabones V adapter:

  • Canon 16-35mm f/2.8 II
  • Canon 24-70m f/2.8 II
  • Canon 70-200mm f/2.8 II
  • Canon 50mm f/1.8
  • Canon 35mm f/1.4
  • Canon 85mm f/1.8
  • Canon 100mm f/2.8 macro

In Conclusion

Canon to Sony

As a photographer charging into the world of videography, it made sense to start shifting away from Canon into the realm of Sony. Since getting the Sony A7rIII, I’ve seen a huge uptick in the quality of my videos and photos. However, I’m also hoping that Canon will soon release a competitive mirrorless camera that meets the video and photo needs of today’s creatives.

Have you made the switch to mirrorless cameras yet? If so which brand and model did you decide on and why? What’s your take?

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Review of Metabones Adapter Mark V – Canon EF to Sony E-Mount

25 Apr

For Canon shooters thinking about switching to Sony mirrorless cameras, the Metabones adapter is often suggested to help with the transition. Lens mount adapters are often frowned upon as they historically have had limited functionality, such as no autofocus and simply not working well or consistently.

But this latest generation of lens adapters is pretty impressive, offering nearly all of the same features that you would get with a native Sony lens. Here’s my take on the Metabones Adapter Mark V, as used with select Canon EF lenses and a Sony A7rIII and Sony a6300.

Review of Metabones Adapter Mark V - Canon EF to Sony E-Mount

Product Specifications

The Metabones Canon EF to Sony E Mount Smart Adapter Mark V officially debuted in July 2017. It’s all black and made of metal. Compared to previous generation adapters, the Mark V adds three key features:

  1. A dedicated on/off switch for SteadyShot (IBIS)
  2. Rubber gasket weather seals to protect the E-mount connection
  3. An indicator light for basic/advanced modes

Other features offered by the Metabones V include:

  • Fast contrast-detection and phase-detect autofocus
  • Eye autofocus (!!)
  • Powered by camera body (no external power source needed)
  • Support of image stabilization lenses
  • Auto “APS-C Size Capture” on full-frame cameras

Currently, theMetabones Adapter Mark V can be purchased for $ 399 USD.

Review of Metabones Adapter Mark V - Canon EF to Sony E-Mount

Here you see the adapter mounting a Canon EF lens onto a Sony body.

Metabones V Compatibility

Since there are lots of different cameras and lenses out there, so it’s difficult to verify that the Metabones V adapter will work in every case. The Metabones website has a long list of cameras and lenses that should be compatible with this adapter. In this case, the Metabones V adapter worked with the following setups:

  • Sony A7rIII and Sony A6300 camera bodies
  • Canon 70-200mm f/2.8 II
  • Canon 24-70mm f/2.8 II
  • Canon 16-35mm f/1.8 II
  • Canon 50mm f/1.8
  • Canon 35mm f/1.4
  • Canon 85mm f/1.8
  • Canon 100mm f/2.8 macro

Metabones V Canon EF Sony E-Mount adapter

What works well

It works as advertised

I tested the Metabones V adapter primarily with the Sony A7rIII and Canon 24-70mm f/2.8 II, as this is my preferred shooting setup. For comparison with how autofocus would function on a native Sony lens, I also shot with the Zeiss 55mm f/1.8 and Sony 24-240mm lenses.

While testing the adapter, I was blown away by the autofocus system’s speed and accuracy when using my Canon 24-70mm. Not only could I use most of the autofocus settings on the camera (with the exception of Zone area focus), but eye autofocus also worked extremely well. Even when shooting in continuous burst mode at 10 frames per second, there was no lag when using a Canon lens and the adapter.

Metabones V Canon EF Sony E-Mount adapter - 70-200mm lens mounted

Generally speaking, it felt nearly the same as using a native Sony lens on the A7rIII. The same can’t be said for the cheaper FotodioX lens adapter that I was using previously. This other adapter worked with only half of my lenses and had inconsistent and slow autofocus. In that sense, you truly get what you pay for when it comes to camera gear (the FotodioX is $ 99 compared to the Metabones at $ 399).

Small and compact

Weighing in at 5.3 ounces (150g) and measuring 2.6 x 1.4 x 3 inches (6.6 x 3.6 x 7.6 cm), this slick adapter is compact and easy to stash in a camera bag. It feels about equivalent in size to the Canon 1.4X EF Extender. The Metabones V adapter comes in a plastic box that can you use for long-term storage, but unfortunately, there is no carrying case.

Metabones V Adapter

You can easily receive firmware updates

Besides a couple of buttons and indicator lights, there’s also a micro-USB port that can connect the adapter to a computer for firmware upgrades.

Metabones V Canon EF Sony E-Mount adapter

What needs improving

For all of the excellent qualities of the Metabones V adapter, there are two shortcomings worth mentioning.

First is the occasional freezing of the camera screen while trying to autofocus. You can fix the problem by simply turning the camera off and on. However, this lag slows down your workflow and makes you question reliability. This problem happens sporadically, mostly with my Canon 24-70mm f/2.8 II, but it never happens when using native Sony lenses.

Another shortcoming is the loss of touchscreen autofocus when using a Canon lens and the Metabones V adapter. One of the biggest selling points of new Sony cameras such as the A7rIII is touchscreen autofocus. While it’s a bit laggy and imperfect even when using Sony lenses, touchscreen autofocus seems to disappear altogether when using adapted lenses. Hopefully, this will be fixed with future a firmware update.

In conclusion

If you’re transitioning from Canon to Sony, the Metabones Adapter Mark V is a must-have addition to your photography kit. It’s not perfect, but it is a solution that seems to get better over time. At $ 399, the Metabones V adapter isn’t cheap, but it seems to work more consistently than cheaper options such as the Sigma MC-11.

Have you tried the Metabones lens adapter before? What was your experience like? Let me know in the comments below!

Sample Photos Taken with Sony A7rIII, Metabones V adapter, and Canon lenses:

Metabones V Canon EF Sony E-Mount adapter

Metabones V Canon EF Sony E-Mount adapter

Metabones V Canon EF Sony E-Mount adapter

Metabones V Canon EF Sony E-Mount adapter

Metabones V Canon EF Sony E-Mount adapter

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Canon unveils compact, rechargeable IVY Mini Photo Printer

19 Apr
Credit: Canon

Canon has just released its smallest and lightest printer yet. The IVY Mini Photo Printer is a rechargeable battery-powered portable printer that uses ZINK Zero-Ink technology to create 2×3 prints and stickers of your smartphone photos from anywhere. The printer launches today, and offers some stiff competition to similar instant printers from Polaroid and Fujifilm.

Like all the other portable printers on the market, the IVY uses an app to sync with your smartphone. In this case it’s the Canon Mini Print App, which has been tricked out with a lot more than just a “print this photo” button. The app allows you to apply filters, frames, AR face distortion, and other photo-editing tools “including added text […] and the option to draw.”

If 2×3 is too small for you, the app also allows you to “tile print” images using either four or nine frames to create one larger collage. Alternatively, there are “over ten unique collage templates” you can print onto a single 2×3 sheet.

Here’s a closer look at the printer:

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The IVY Mini Photo Printer is available starting today in Rose Gold, Mint Green and Slate Gray for $ 130. The printer comes with a 10-photo starter pack of ZINK paper, with refills costing $ 10 and $ 25 for the twenty- and fifty-sheet packs, respectively.

The Canon Mini Print App is available for free for both iOS and Android.

Press Release

#LiveIRL With Canon U.S.A.’s New IVY Mini Photo Printer

With the Push of a Smartphone Button through the Canon Mini Print App, Print Creative 2×3 Photos and Stickers in Seconds

MELVILLE, N.Y., April 19, 2018 – Today’s consumers are increasingly looking for unique ways to seamlessly blend their personal online brand and real life persona. With internet users having an average of seven social media accounts, products that support connections between people and technology have become ever more important. In that spirit,Canon U.S.A., Inc., a leader in digital imaging solutions, is excited to announce the IVY Mini Photo Printer. Available in Rose Gold, Mint Green and Slate Gray, the IVY Mini Photo Printer empowers the next generation of creators to tell and share their story in real life (IRL) through the power of print in the digital age.

“The proverb ‘good things come in small packages’ couldn’t be more true for the first 2×3 photo printer from Canon U.S.A.” said Kazuto Ogawa, president and chief operating officer, Canon U.S.A., Inc. “It’s our smallest and lightest printer yet, and the company is excited about giving customers more access to creatively connect and instantly share memories than ever before from the palm of their hand.”

BE CREATIVE IRL

For smartphone photographers seeking to stay portable and on the go with their devices, this sleek and compact portable printer has an extensive list of standout, user-friendly features through the Canon Mini Print app. The app includes creative filters, such as photo frames and stickers, augmented reality (AR) face distortion, as well as additional photo-editing tools including added text, fun frames and the option to draw. These features encourage users to creatively add fun enhancements and share those distinctive memories in real time in either a 2×3 print or sticker output option.

BE UNIQUE IRL

With customization at the foundation, this printer, through the Canon Mini Printer App, offers the option to print not only individual smudge-free and water-resistant 2×3 prints or stickers, but also a tile print that is made up of four or nine prints, as well as over ten unique collage templates that print on one 2×3 photo. From selfies to sunsets, this output option offers the freedom of expression for a wide variety of consumers.

BE TECH-SAVVY IRL

The IVY printer utilizes ZINK Zero Ink™ Technology from ZINK™, an amazing way to print in full color without the need of ink cartridges. Additionally, each pack of paper comes with one blue ZINK SMART SHEET™; calibrating your IVY printer to the photo paper in that pack to produce an image that meets Canon’s high-quality image standards.

The Canon IVY Mini Photo Printer is currently available for an estimated retail price of $ 129.99, which includes the printer body and a starter pack of ten sheets of photo paper. Twenty-sheet and fifty-sheet packs of photo paper will also be available for an estimated retail price of $ 9.99 and $ 24.99, respectively.

For more information, please visit shop.usa.canon.com.

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Rumor debunked: Canon and Profoto will both attend Photokina 2018

19 Apr
One of the Canon displays at a previous Photokina. Credit: Photokina

Flash maker Elinchrom recently revealed that it would skip Photokina 2018, with company CEO Simon Whittle explaining, “…we feel this is a transitional year for photokina and this break will help Elinchrom to analyze and refocus on what is really important for our customers in the coming years.” Starting next year, the event will take place in May instead of September.

On the same day as Elinchrom’s announcement, DIY Photography said it had been hearing rumors that “big brands,” among them Canon and Profoto, may also be skipping Photokina 2018.

As DPR stated last week, claims that Canon would skip the event seemed far-fetched from the beginning. A day later, DIY Photography said it had received word from Photokina director Christoph Menke denouncing the rumors, and today Photokina responded more broadly by publishing a list of brands that will officially be attending—among them Canon and Profoto.

According to the press release, Photokina is “expecting every single exhibitor space in the halls in Cologne to be filled,” and the following brands have “secured their stands” for the event, which starts September 26th:

  • Arri
  • Canon
  • Cewe
  • DJI
  • Epson
  • Fujifilm
  • Kodak Alaris
  • Leica
  • Manfrotto
  • Nikon
  • Olympus
  • Panasonic
  • Profoto
  • Sigma
  • Sony
  • Tamron
  • Zeiss

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Canon shows off its latest CMOS sensor tech in new promo video

18 Apr

Canon isn’t only in the business of making DSLR, mirrorless and point-and-shoot cameras. It’s also in the business of making the CMOS sensors inside those cameras—arguably the most important component. And in order to showcase what its achieved with its latest lineup of CMOS sensors, Canon USA has created a little promotional video.

The video showcases a variety of sensors seen across Canon’s product line, from the extreme low-light full-frame sensor it showed off earlier this year, to more industrialized CMOS sensors made for surveillance and security purposes.

The video description from Canon USA:

This video showcases Canon variety of sensors. For several decades Canon has been developing and manufacturing advanced CMOS sensors with state-of-the-art technologies for exclusive use in Canon products. These sensors are a critical driving force behind many of our successful product lines, ranging from consumer products all the way up to high-end business and industrial solutions.

The video does seem a touch overly dramatic for what it is, and may even come across as a bit cheesy at times (why are they showing new sensor tech inside a Canon EOS 1D that came out in 2001?). Nonetheless, it’s an interesting watch that gives a good overview of the work Canon has been putting into its CMOS sensors in recent years—technology that will hopefully impact the Canon DSLRs and mirrorless cameras of the future.

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Canon shows off full-frame sensor that shoots 100fps Full HD in ‘exceptionally low-light’

03 Apr

At CES 2018, Canon unveiled three specialized CMOS sensors: an ultra-high resolution 120MP APS-H sensor, a 5MP Global Shutter sensor, and a 19?m Full HD sensor capable of shooting 100fps Full HD in extremely low light. Each does something special—offering high resolution, global shutter, and high-sensitivity, respectively—and now, a few months later, Canon is showing off these sensors in a series of demo videos.

The first video featured the 120MXS sensor, which can shoot a mind-boggling 9.4fps at 120MP resolution. Now Canon USA has released the second video in the series, demoing its full-frame 19?m Full HD sensor made for shooting slow motion in extremely low light:

The 35MMFHDXS CMOS sensor, capable of shooting 100fps Full HD in ‘exceptionally low-light environments.’

The sensor is called the 35MMFHDXS, and in many ways it’s the polar opposite of the 120MXS. It only contains 2.2 effective megapixels, but each of those pixels is a whopping 19?m x 19?m in size, allowing them to capture a lot of light. This, combined with new pixel and readout circuitry that helps reduce noise, is what allows this full-frame sensor to capture Full HD at 100fps even when shooting in very little light.

You can see what this means in the video up top, or read Canon’s own description of the 19?m Full HD sensor below:

The 35MMFHDXS CMOS sensor delivers high-sensitivity, low-noise imaging performance, enabling the capture of Full HD video even in exceptionally low-light environments. The sensor’s pixels and readout circuitry employ new technologies that reduce noise, which tends to increase as pixel size increases. High sensitivity and increased well depth have been achieved through a larger pixel size of 19?m x 19?m (square) with proprietary device design technologies. The 35MMFHDXS CMOS sensor is available in RGB, RGB+IR or Monochrome.

Sample video screenshot. Credit: Canon

These new specialized CMOS sensors now have their own landing page on Canon’s website, where you can dig into the specs and read a full white paper on each of them.

As with the 120MXS, we probably won’t see this 35MMFHDXS sensor in standard, consumer-facing Canon cameras anytime soon; however, the technology Canon is developing to create these “advanced CMOS sensors with state-of-the-art technologies” will no doubt trickle down into the sensors the company will use in its DSLR and mirrorless cameras of tomorrow.

Check out the demo video above, and then head over to the Canon landing page to learn more.

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