This past February, Canon announced the development of its next full-frame mirrorless camera, the EOS R5. At the time, details were scarce, but a month later Canon followed up with new information confirming the forthcoming camera will offer 8K/30p video as well as ‘advanced animal AF.’
Despite the initial and additional information, plenty remains unknown about exactly what features and specifications the EOS R5 will offer, as well as how the specifications provided by Canon will actually be implemented (i.e. what codec will the 8K/30p video use and what’s the bitrate?).
A Canon EOS R5 under glass at WPPI earlier this year.
As you might expect, the rumor mill has been churning away, with whispers of more detailed specifications and even some suggestions that further hardware might be on the way in addition to the EOS R5. With all of that in mind, what are you hoping to see from Canon when the official launch takes place? Leave a comment and let us know, and we’ll publish a roundup of the most-requested features soon.
The Canon EF-M 11-22mm F4-5.6 IS STM dates all the way back to 2013, but it’s a lens we’ve kept close at hand throughout the years as we shoot with new generations of EOS M bodies. And it has been a great companion – well built, compact and offering a useful wide-angle range.
And so, we present a gallery of 11-22mm sample images, some of them taken recently on the higher-resolution M6 II, and some of them taken in what feels like the very distant past (remember crowded stadiums?). Take a look.
The Canon EF-M 11-22mm F4-5.6 IS STM dates all the way back to 2013, but it’s a lens we’ve kept close at hand throughout the years as we shoot with new generations of EOS M bodies. And it has been a great companion – well built, compact and offering a useful wide-angle range.
And so, we present a gallery of 11-22mm sample images, some of them taken recently on the higher-resolution M6 II, and some of them taken in what feels like the very distant past (remember crowded stadiums?). Take a look.
The post Sony Positions Announcement of New Camera to Better Compete With Canon appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
The Sony a7S III and the Canon EOS R5.
Neither camera is available, or even fully launched. But the Canon EOS R5’s 8K video has been the talk of the summer, leading photographers to ask:
How will Sony respond?
The a7S II is a video-centric stills camera that’s starting to show its age; it’s well in need of an update and, had Canon stayed quiet, we would have seen just that: a capable A7S II successor, released without excessive fanfare and prolonged waiting.
But with the suggestion of an 8K camera, Canon has raised the stakes. The ball is in Sony’s court, and it’s clear that Sony wants to make the most of it.
Now, the date of Canon’s EOS R5/R6 announcement has only just been confirmed as July 9th.
Which is why we are seeing a carefully-planned launch date of late July for the a7S II successor, despite Sony’s general preparedness for a launch (Sony is currently debuting the a7S II for the media and retailers, which suggests that the cameras could technically be announced at any time).
In fact, as Sony Alpha Rumors points out, the a7S III has been registered for nearly two months, yet Sony has made no attempt to push it out into the open.
Apparently, Sony wishes to avoid any overlap with Canon, hence the later date for the a7S III. What’s curious, however, is that Sony wishes to announce their camera after Canon’s, given that the EOS R5 will surely maintain significant attention several weeks after the launch.
In fact, it’s enough to make you wonder whether Sony has a trick or two up their sleeve; for instance, is it possible that the a7S II successor might also offer 8K video? Or high-end autofocus? Or some other feature that makes it an appealing alternative to the EOS R5?
It’s impossible to know for sure, though Sony Alpha Rumors suggests that we may see some A7S III spec leaks in the weeks leading up to the launch (so keep an eye out for that!).
Bottom line:
July is shaping up to be an exciting month. And for those hybrid shooters out there, you’ll soon have two top-notch cameras to choose from!
Now over to you re the Sony announcement:
What do you think about Sony positioning the launch after Canon? And how do you think the A7S II successor will compare to the EOS R5? Share your thoughts in the comments!
The post Sony Positions Announcement of New Camera to Better Compete With Canon appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
The post Canon to Announce Two Cameras, 5 RF Lenses on July 9 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
For months, we’ve waited for the Canon EOS R5 and R6.
And for months, it’s felt like neither camera would ever actually appear.
But now we have a date to report:
July 9th.
That’s the when the EOS R5 and EOS R6 will officially launch.
While the full details of the two cameras have yet to be revealed, we do know quite a lot thanks to leaks, as well as Canon’s EOS R5 teaser.
So here’s what we can confidently say about the EOS R5:
8K video
20 fps with the electronic shutter
12 fps with the mechanical shutter
IBIS
Dual card slots
Canon has stayed surprisingly quiet regarding the megapixel count, only revealing that “the EOS R5 is set to raise the bar in high level still and video capture empowered by [a] new CMOS sensor and the new DIGIC processor.”
But given the 8K video resolution, you can expect at least 35 MP or so, and previous rumors have offered a plausible figure of around 45 MP.
Note that a 45 MP full-frame sensor at the heart of the EOS R5 would put this camera on the map in essentially every way; the fast continuous shooting, the 8K video, the dual card slots, the IBIS, plus a 45 MP sensor will make this a professional body through-and-through.
That said, the EOS R6 is also shaping up to be a powerful camera in its own right.
And while Canon has confirmed nothing regarding the R6, the ever-reliable Canon Rumors has offered a set of likely specs:
20 MP full-frame sensor
20 fps with the electronic shutter
12 fps with the mechanical shutter
4K/60p (oversampled from 5K)
IBIS
Dual card slots
A 5M-dot EVF
The same AF system as the EOS R5
Assuming these rumors turn out to be true, then the EOS R6 will be positioned a step above both the Canon EOS R and RP, Canon’s two current full-frame mirrorless bodies. The one exception is in resolution, where the EOS R6 falls short (the EOS RP packs a 26 MP sensor, and the EOS R reaches just over 30 MP). But while it’s possible that the EOS R6 will turn out to have a sensor size in the 24-26 MP range, we may be looking at a camera designed for low-light shooting, one that sacrifices pixel count for better high-ISO performance.
Unfortunately, it may be some time before we’re able to do any hands-on comparisons. According to Canon Rumors, the EOS R6 won’t ship until August, with the EOS R5 shipping around a month later (thanks to COVID-related delays).
Also note that the July 9th announcement won’t just cover these two cameras; we’ll also see the release of a number of exciting RF lenses, including:
A 50mm f/1.8 (a nifty fifty!)
A 70-200mm f/4L IS lens
An 85mm f/2 macro lens
A 100-500mm f/4-7.1 IS super-telephoto zoom
A 600mm f/11 DO IS lens
An 800mm f/11 DO IS lens
A 1.4x teleconverter
A 2x teleconverter
Personally, I’m most interested to see the 50mm f/1.8, which should offer an affordable way to break into Canon’s mirrorless lineup. But the macro lens (with an f/2 aperture!) and the 100-500mm super-telephoto lens should be exciting, as well.
If you’re interested in any of this equipment, you don’t have long to wait. July 9th is almost here, so prepare yourself for a lot of new options.
Now over to you:
What do you think of these new cameras and lenses? Which piece of gear are you most excited for? Do you plan to buy any of these as soon as they’re released? Share your thoughts in the comments!
The post Canon to Announce Two Cameras, 5 RF Lenses on July 9 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.
Canon will send its high-resolution CE-SAT-IB satellite camera into space as part of Rocket Lab’s next payload launch, enabling it to showcase its Earth-imaging capabilities. The private aerospace company, which is based out of California, aims to provide ‘frequent and reliable’ launches, something it will demonstrate by holding its upcoming ‘Pics or It Didn’t Happen’ launch only three weeks after its ‘Don’t Stop Me Now’ mission.
The launch will be coordinated by Spaceflight Inc., the company said in a press release last week. Canon’s CE-SAT-1B is a microsatellite at only 67kg (148lbs), not to be confused with the CE-SAT-IIB satellite, which is scheduled to launch via Rocket Lab later on this year.
The optical imaging system inside the CE-SAT-1B (pictured) is based on Canon’s EOS 5D Mark III design. Image via Canon
The launch will take place on Rocket Lab’s Electron rocket from its Launch Complex 1 located on New Zealand’s North Island on July 4 local time. This mission will be called ‘Pics or It Didn’t Happen,’ the fourth Rocket Lab launch in the past year. The team had intended to launch the payloads earlier this year but were delayed by the pandemic.
In a statement, Canon Electronics Satellite Systems Lab group executive Dr. Nobutada Sako told Spaceflight:
This launch is very critical for Canon Electronics as we are launching a satellite where we have remarkably increased the ratio of in-house development of components compared to the previous launch. Partnering with Spaceflight on this mission has been very helpful and we look forward to a successful launch of our satellites.
Canon launched its CE-SAT-I microsatellite in 2017 from India, successfully putting its tiny satellite into orbit. The camera company detailed this effort on its global website, explaining that it already has many of the technologies necessary to build and deploy these small machines.
The CE-SAT-IB microsatellite is the first mass-produced version of the CE-SAT-1 from Canon Electronics. The satellite features solar cells and batteries for power, as well as an optical imaging system that is based on the Cassegrain 40cm telescope with a 3720mm focal length. The satellite’s detector is based on the Canon EOS 5D Mk.3 camera. With this tech, the CE-SAT-IB is able to capture Earth imagery with a resolution of 1m (3.2ft) from an orbit distance of 600km (373mi), according to NASA.
In its own announcement, Rocket Lab said last week that its launch will include a total of seven microsatellites with Canon’s CE-SAT-IB as the primary payload. Assuming everything goes according to plan, Rocket Lab plans to conduct additional launches every month for the rest of the year and into 2021. In addition to launching another Canon satellite in the coming months, Rocket Lab also anticipates its first launch for the U.S. Space Force for Q3 2020.
As you might expect, there are plenty of portraits featured in this week’s DPReview TV episode looking at the Canon RF 85mm F1.2. Take a closer look at images from this modern marvel as well as some comparison shots from the original EF 85mm F1.2.
This week Chris and Jordan take a closer look at the Canon RF 85mm F1.2L and – no surprises here – find it to be a technically excellent optic. They also compare it with the original EF-mount 85mm F1.2L, which is no slouch for its age, to see just how far the design has advanced in the past 15 years.
Subscribe to our YouTube channel to get new episodes of DPReview TV every week.
Introduction
Size and design
Depth of field control
Flare
Chromatic aberrations
Minimum focus
Autofocus
Bokeh
The DS version
Sharpness
Video performance
Who is it for?
Sample images from this episode
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Filter manufacturer STC Optics has announced its behind-the-lens filter system is now available for Canon’s EOS R bodies. The filters, which clip directly in front of the sensor inside the camera body, include a range of neutral density strengths, an IR cut and a version designed to cut light pollution for astrophotographers. The system has been available for EOS DSLR users for some time, as well as for a wide array of camera brands and models, but this is the first time the filters have been made for Canon’s full-frame mirrorless system.
STC says the benefits of mounting filters behind the lens include reduced flare as well as keeping the filter clean. Having these filters behind the lens also allows other accessories, or filters, to be attached to the front of the lens. Users also don’t need to keep a range of sizes or adapter rings to fit the thread of each lens, as the same filter fits over the sensor no matter what lens is on the camera. Having the filter in place also provides a degree of protection to the surface of the sensor.
STC Optics says the Astro NS filter reduces the orange glow of light pollution in night-sky photography making stars easier to see
The STC Clip Filters for Canon EOS R Mirrorless cameras are available now with prices from $ 90 / £93. For more information visit the STC Optics website.
Press release
STC Announce Brand New Interchangeable Clip Filter for Canon EOS R Mirrorless Cameras
STC continues to break the mould with imaging innovation with the announcement of the groundbreaking Interchangeable for Canon’s popular EOS R mirrorless cameras. An evolution of STC’s top-quality clip filter series, the Interchangeable Clip Filter for the Canon EOS R takes the product’s simple use and value for money to an entirely new level.
STC expands its range of innovative imaging products with the arrival of the new Interchangeable Clip Filters – for Canon EOS R mirrorless cameras.
As STC continues to produce ground-breaking products for photographers and videographers, the brand’s latest product has been designed specifically for Canon EOS R mirrorless cameras. Drop-in and clip filters are most commonplace in the motion picture industry and since STC launched their range of clip filters for consumer cameras, many users across the globe have been reaping the benefits of the ‘one filter, any lens’ message.
The same quality construction, high-quality glass and market-leading nanocoatings are all common factors in the new Interchangeable Clip Filter system.
The new system, which allows users to switch filters using a handy tool, (provided) arrives as a gamechanger for image-makers keen to use the best quality filters in the most economical manner.
Users familiar with STC’s clip filters will know that mounting and removal is fast and simple and safe. Designed to sit in the camera mount, between the lens and sensor, the new interchangeable clip filters, which are constructed with Aerospace grade 6061 aluminium alloy and processed with precision CNC machining, will sit completely flush within the camera with no chance of touching the sensor. Compatible with the Canon EOS R, Ra and RP, every filter comes complete with double-sided NANO anti-smudge coating, making them completely waterproof, grease-proof and easy to clean.
The new STC Interchangeable Clip Filter’s patented design keeps the glass completely fixed and steady within the frame, meaning zero distortion from pressure, thermal expansion or contraction. This ensures sharp images even at long focal lengths.
Ultimate Versatility
All STC Clip Filters can be combined with the brand’s traditional circular filters to give photographers and videographers an extensive palette of artistic and practical possibilities.
William Wu, CEO and Lead Design Engineer, STC, said: “The team at STC has been working tirelessly to produce this new type of clip filter. Building on the ‘one filter – any lens’ message, known by so many photographers and videographers across the globe with our existing clip filter systems, the new interchangeable version goes even further by giving ultimate ability to expand filter types within minutes. Our market-leading glass and nano filter coating technology carry through with the new system, meaning users can expect the same imaging excellence that STC is renowned for. We will be introducing this system for a number of popular brands, so watch this space as we make further announcements.”
Last year, Samyang1 released the AF 85mm F1.4 FE prime lens for Sony full-frame mirrorless cameras. Now, the lens has been updated with a Canon RF mount to work with Canon’s line of full-frame mirrorless cameras, too.
Aside from the new mount, the lens remains unchanged from its Sony FE predecessor. The lens is constructed of 11 elements in 8 groups, including one Extra-Low Dispersion (ED) element and four High Refractive Index (HRI) elements to help minimize chromatic aberration. The optical elements also use Samyang’s Ultra Multi Coating (UMC) to keep flares and ghosting under control.
Autofocus is driven by Samyang’s Dual Linear Sonic Motor (DLSM) and the sole button on the lens is the AF/MF button for switching between auto and manual focus. The lens features weather-sealing, a nine-blade aperture diaphragm and a 77mm front filter thread. Below is a sample photo, provided by Samyang:
The Samyang AF 85mm F1.4 RF is expected to ship in June for $ 800, with pre-orders opening up before then. The RF version comes in at $ 100 more than the Sony FE version was launched at and $ 200 more than what the Sony FE is currently selling for. We will update this page when pre-orders become available.
1Samyang is also sold under the Rokinon and Bowens brand names, depending on your region and the retailer you purchase from.
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