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Posts Tagged ‘Cameras’

The 19 Most Popular Compact System and Mirrorless Cameras with Our Readers

23 Nov

Earlier in the week we revealed the DSLRs that were best selling among our readers over the last few months. While DSLRs are still the most popular type of readers among our readers this last quarter has seen a big rise in the number of you using compact system/mirrorless cameras.

popular compact system cameras

In fact if we combined the two lists we’d now see compact system cameras in the top 20 cameras bought by our readers with the Sony Alpha a6000 and the Sony Alpha a7II both making that list.

Also an indication of the growth of sales in the compact system camera class of camera is that today we’re listing 19 of them while last time we created this list we only saw enough sales to justify making it a list of 9 cameras.

Here are the most popular compact system cameras among our readers!

Note: we’ve included cameras with interchangeable lenses and fixed lenses in this list.

This post was last updated 23 November 2017

1. Sony Alpha a6000

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2. Panasonic LUMIX G7

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3. Sony Alpha a6500

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4. Sony a7R III

Note: this camera made the list based purely upon pre-orders – it’s one of the most anticipated mirrorless cameras ever.

sony a7r III

5. Sony a5100

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6. Sony Alpha a6300

91SK7Lmn0GL SL1500

7. Fujifilm X-T20

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8. Sony Alpha a7II

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9. Panasonic LUMIX DMC-G85

81Y920s19 L SL1500

10. Olympus OM-D E-M1 Mark II

81Y920s19 L SL1500

That’s our top 10 – here are the next 9 most popular compact camera systems.

  1. Sony a7
  2. Panasonic Lumix GH5
  3. Panasonic Lumix GH4
  4. Sony a7R II
  5. Sony Alpha a7S II
  6. Canon EOS M100
  7. Fujifilm X-Pro2
  8. Fujifilm X-E3
  9. Samsung NX500

*Note: this list was compiled from reports supplied to us from Amazon.com where we are affiliates. One of the ways dPS is able to cover its costs and be a sustainable business is that we earn a small commission when readers make a purchase from Amazon after clicking on our links (including those above). While no personal details are passed on we do get an overall report from Amazon about what was bought and are able to create this list.

The post The 19 Most Popular Compact System and Mirrorless Cameras with Our Readers by Darren Rowse appeared first on Digital Photography School.


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2017 Buying Guides: Best cameras for any budget

22 Nov

Shopping for a camera with a set budget? No problem! We’ve rounded up our favorite cameras, broken them into price brackets from around $ 500 to well over $ 2000 and listed our favorite choices. So, if you want to give that special someone a holiday gift that won’t bust your wallet, we’ve got you covered.

If you’re looking for a camera for a specific use case, we have plenty of suggestions right here.

The cameras in this buying guide are light and portable, and several feature selfie-friendly LCDs. Generally speaking, you won’t find a lot of direct controls or a lot of customizability, and 4K video is rare, but for those seeking a point-and-shoot experience with better image quality, these cameras fit the bill.

Best cameras under $ 500


The cameras in this buying guide tend to offer more direct controls than cheaper models, better autofocus systems, and some feature 4K video capture as well. Some of them are easy to pick up and use, while others require a bit more work to get the hang of.

Best cameras under $ 1000


Cameras in the $ 1000-1500 price range have excellent sensors (some full-frame), advanced autofocus systems and 4K video capture. Expect plenty of direct controls and customizability and, in some cases, weather-sealed bodies.

Best cameras under $ 1500


As you approach the $ 2000 price point you’ll find flagship APS-C and Four Thirds cameras, built for speed and durability. You’ll also find a handful of full-frame ILCs and DSLRs, with their own unique selling points.

Best cameras under $ 2000


If you’re a serious enthusiast or working pro, the very best digital cameras on the market will cost you at least $ 2000. That’s a lot of money, but generally speaking these cameras offer the highest resolution, the best build quality and the most advanced video specs out there, as well as fast burst rates and top-notch autofocus.

Best cameras over $ 2000

Articles: Digital Photography Review (dpreview.com)

 
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2017 Buying Guides: Best cameras for every kind of photographer

22 Nov

There’s never been a better time to shop for a new camera, but the number of options available can be overwhelming. In this series of buying guides we’ve provided customized recommendations for several use cases, from shooting landscapes to buying a first camera for a student photographer.

In each of these guides you’ll find one or two main recommendations, and detailed content on several other cameras that deserve your consideration. Our recommendations span product class and cost, but if you’d rather shop by price, click here

If you’re specifically looking for a compact camera, check out our phones, drones and compacts buying guide hub here


Maybe you want better photos in low light. Maybe you’re tired of digital zoom. Whatever the reason, if you’re looking for a capable, beginner-friendly camera to grow and learn with, we’ve got you covered in our guide to best cameras for beginners.

Best cameras for beginners


Quick. Unpredictable. Unwilling to sit still. Kids really are the ultimate test for a camera’s autofocus system. In this guide we’ve compiled a shortlist of what we think are the best options for parents trying to keep up with young kids.

Best cameras for parents


There’s no doubt that the digital revolution made it easier than ever before to pick up a camera and start learning photography. But it hasn’t necessarily gotten easier to choose a first camera. We’re here to help.

Best cameras for students


Whether you’re piling the family in the minivan for a trip to the Magic Kingdom or backpacking through Southeast Asia, you’re going to want to capture the experience with photographs.

Best cameras for travel


Are you a speed freak? Hungry to photograph anything that goes zoom? Or perhaps you just want to get Sports Illustrated level shots of your child’s soccer game. Keep reading to find out which cameras we think are best for sports and action shooting.

Best cameras for sports and action


Video features have become an important factor to many photographers when choosing a new camera. Read on to find out which cameras we think are best for the videophile, at a variety of price points.

Best cameras for video


Landscape photography isn’t as simple as just showing up in front of a beautiful view and taking a couple of pictures. Landscape shooters have a unique set of needs and requirements for their gear, and we’ve selected some of our favorites in this buying guide.

Best cameras for landscapes


Those shooting portraits and weddings need a camera with a decent autofocus system, which won’t give up in low interior lighting. Good image quality at medium/high ISO sensitivity settings is a must, and great colors straight out of the camera will make your life much easier. These days, video is a big deal too. Read on to see which cameras are best suited to those tasks.

Best cameras for people and events

Articles: Digital Photography Review (dpreview.com)

 
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These are the best smartphone cameras you can buy now

19 Nov

Few would argue that in 2017 the mobile device industry is a major driver of imaging hardware innovation. Long gone are the days when the size of the image sensor and the aperture were the major determining factors for image quality. Instead, phone manufacturers have turned to software and computational imaging methods to achieve better detail, wider dynamic range and lower noise levels, as well as high-quality zooming and DSLR-like bokeh effects.

High-powered chipsets with built-in image signal processors and sensors with very fast read-out times make it possible to combine image data that is captured by dual-lenses, or several frames recorded in quick succession, within milliseconds. These methods produce image quality that would have been unthinkable on a smartphone only a few years ago and often surpasses basic compact cameras.

Thanks to those advances in software, but also new hardware concepts, such as dual-cameras, hybrid AF-systems and more powerful image signal processors, current smartphone cameras are better than ever before. Here is our selection of the best models available in 2017, noting where their particular strengths lie.


Best display: Apple iPhone X

Dual 12MP-camera | 28/52mm equiv. focal lengths | F1.8 and F2.4 apertures | OIS | 4K/60fps video | 5.8-inch display

Apple’s brand new flagship iPhone X pulls all the technological plugs and comes with features and specifications that we haven’t seen on any iPhones or even other smartphones before. The iPhone X offers a marginally faster F2.4 telephoto lens than its cousin iPhone 8 Plus and, compared to last year’s 7 Plus, adds optical image stabilization in the telephoto lens. On the video side of things the X is capable of recording 4K footage at 60 frames per second and slow-motion clips at 1080p resolution and 240fps.

As you would expect, all the new technology has a boosting effect on image quality and the iPhone X is currently ranked second on DxOMark.com, behind only the Google Pixel 2, and with the currently highest Photo score of 101 points.

But the iPhone X not only offers outstanding image quality, it improves on the imaging viewing experience too. The iPhone X’s wide gamut OLED is the most color accurate device on the market, partially thanks to iOS’ internal color management but also because of display calibration. That’s a benefit to anyone who takes and looks at photos on their mobile device.

The device also comes with a number of innovative features. Portrait Lighting is an AI-powered feature in beta that works with front and rear cameras. It allows users to apply different lighting styles on top of simulated-bokeh-portraits. The iPhone X also used Face-ID to unlock the device, relying on an array of cameras and sensors at the top of the edge-to-edge display.

What we like: Excellent detail and dynamic range, natural bokeh mode, 4K video at 60 fps

What we don’t like: Price, underexposure and red-eye with flash


Best for video: LG V30

Dual-camera | 16MP 1/3.1″ / F1.6 / OIS main camera | 13MP / F1.9 super-wide-angle | 4K/30fps video | manual video control | 6.0-inch display

The LG V30 is the Korean manufacturer’s latest flagship smartphone and comes with an unusual dual-camera setup. Instead of a telephoto lens the V30 offers a secondary super-wide-angle that lets you squeeze more scene into the frame, without the need for accessory lenses.

The V30 also sets itself apart from the competition with a very comprehensive video mode that comes with manual control over shutter speed and sound recording levels, among many other parameters. You can also choose from 15 new Cine Effect color presets that are based on film genres and the Point Zoom mode allows for stable zooming into a target in the frame rather than the center.

In testing for our forthcoming review we found the V30 to deliver excellent video image quality. Still images are good as well, with wide dynamic range and good sharpness across the frame, but levels of detail lag just a touch behind the very best on the main camera and can be pretty low on the super-wide-angle. Still, the V30 is an excellent option for mobile videographers and those who appreciate a super-wide-angle.

What we like: Great video feature set and stabilization, super-wide-angle offers new framing options, excellent display

What we don’t like: Poor detail on super-wide-angle, zoom quality, no bokeh mode


Best for zoom: Samsung Galaxy Note 8

Dual-camera | 12MP / F1.7 / 26mm main camera | 12MP / F2.4 / 52mm | OIS | 4K/30fps video | 6.3-inch display

The Samsung Galaxy Note 8 is the Korean company’s late entry to the dual-camera game but has immediately set new standards. The camera module combines a 26mm equivalent 12MP wide-angle module with a 52mm equivalent tele camera.

The secondary camera comes with a smaller sensor and slower aperture than the main module, but together with the iPhone X the Note 8 is one of very few dual-cam smartphones to offer optical image stabilization in both lenses. In DxOMark’s Mobile testing the dual-camera setup achieves outstanding results, including the best zoom performance among all current smartphones. Good detail and a natural looking bokeh mode also contribute to the high overall score of 94 points.

In the video department the Note 8 comes with 4K resolution and a 240fps slow-motion option. With its massive 6.3″ Quad-HD+ display and S-Pen stylus the Note 8 is also an interesting option for those photographers who like image editing on the device. It stands up very well in our comparison against the iPhone X, making it a great option for any Android user.

What we like: Class-leading zoom, large display and stylus, good bokeh mode

What we don’t like: Lower DR than some competitors, price


Best computational imaging device: Google Pixel 2

12.2MP 1/2.6″ sensor | F1.8 aperture | OIS | 4K/30fps video | 5.0-inch display

The original Pixel was one of last year’s best smartphones and there is no doubt version two is following right in its footsteps. The Pixel 2 is one of the few current high-end smartphones with a single-lens camera but it makes up for a secondary camera with a host of advanced Google software features.

Despite a slightly smaller image sensor than on the predecessor, the Pixel 2 achieves excellent dynamic range and very good detail in all conditions, earning it the best overall performance and the current top spot in the DxOMark Mobile ranking. Testers were also impressed with the video mode that combines optical and electronic stabilization for ultra-smooth footage.

The Pixel 2 might have to make do without a secondary lens but thanks to Google’s software wizardry and Dual Pixel technology (split left/right pixels) it’s still capable of creating a usable fake bokeh Portrait Mode effect, and digital zoom has improved over the previous generation as well.

Early Pixel 2 adopters have reported some display troubles but Google has taken measures to fix them, making the Pixel 2 an easy recommendation for any mobile photographer. As a bonus the device comes with an integrated but currently dormant image processor called Visual Core. When it’s activated via a software update in the near future, it should give the Pixel 2’s image quality another boost.

What we like: Class-leading detail and dynamic range, excellent hybrid video stabilization, “pure” Android operating system

What we don’t like: Display issues on early units, lower zoom and bokeh performance than closest competitors


Best for black-and-white photography fans: Huawei Mate 10 Pro

Dual-camera | 12MP RGB and 20MP monochrome sensors | F1.6 aperture | OIS | 4K/30fps video | 6.0-inch display

The Huawei Mate 10 Pro is not a cheap smartphone but will cost you significantly less than the Leica M10 or pretty much any other Leica camera for that matter. So, if you always wanted to carry a Leica in your pocket but are strapped for cash, the Huawei device might be a good compromise. It doesn’t come with the famous red dot but, like the P10 and several other recent Huawei smartphones it has a Leica badge right next to its camera module.

It’s not all about the badge though. The Mate 10 Pro comes with an innovative dual-camera setup that combines a 12MP RGB sensor with a 20MP monochrome chip. Image data from both sensors is combined computationally to achieve better detail, increased dynamic range and lower noise levels. The high-resolution monochrome sensor also allows for a 2x lossless zoom and a unique Huawei feature: a monochrome mode that doesn’t simply convert RGB images, but captures black and white images natively.

And Huawei isn’t relying on hardware alone on the Mate 10 Pro. AI and neural networking are applied to improve the quality of the fake bokeh mode and power the automatic scene selection’s object recognition. Motion detection reduces motion blur in low light conditions.

The combination of innovative hardware and software concepts pays off and at 97 points the Mate 10 Pro achieves one of the best overall scores on DxOMark, tying the iPhone X for second place in the ranking.

What we like: Great detail in low light, monochrome mode, decent zoom and bokeh

What we don’t like: Limited slow-motion video options

Articles: Digital Photography Review (dpreview.com)

 
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Gates unveils underwater housing for RED cinema cameras, will probably cost around $15K

16 Nov

You’d have to be pretty brave to immerse your $ 50K RED cinema camera beneath the waves—or very sure of the quality of your underwater housing. Fortunately, underwater specialist Gates has been making housings for cinema cameras since 1969, and they just released their newest (not their first…) housing for RED cameras last week.

The new Pro Explore from Gates Underwater Products is designed for Red’s DSMC2 series of bodies, and thus will look after and allow access to the controls of the Weapon, Epic-W, Scarlet-W and Red Raven cameras.

The company hasn’t released any detailed spec yet, but claims the new housing is lightweight and easy to transport and that small PL lenses and DSLR lenses can fit within its domed ports. There’s a rear door for quick access to memory and the battery, and 14 assignable buttons to control the camera’s features.

Gates says the Pro Explore will come with a housing for an external monitor as well as tool kits, spare parts and cables.

The Gates Pro Explore will go on sale in the next month or so, but the price has yet to be announced. I can’t imagine it will be cheap. The Pro Action housing, which can go to 200ft, costs around $ 15,000.

For more information, visit the Gates website.

Press Release

NEW PRO EXPLORE UNDERWATER HOUSING

GATES UNDERWATER PRODUCTS ANNOUNCES PRO EXPLORE UNDERWATER HOUSING

Cinema to commercial, Natural History to enthusiast, Pro Explore delivers comprehensive features for the traveling underwater professional.

Gates Underwater Products – manufacturer of the world’s most reliable underwater housings – today announces the Pro Explore Underwater Housing. A dedicated, purpose built motion imaging acquisition tool for the RED DSMC2 platform, Pro Explore breaks barriers in underwater high resolution 8K imaging in a compact, travel-friendly rig.

Pro Explore Key Features include:

  • Expedition ready, Pro Explore packs tight and travels light.
  • Latched rear shell for fast media / battery change;
  • Full Camera and Lens management via housing controls and REDMOTE Controller
  • Tailored design for the RED DSMC2 for the finest user experience, including 14 assignable buttons to access *anything* on the camera;
  • Compact PL and all DSLR lenses readily supported;
  • Diverse V-Lock battery support including REDBRICK, Blueshape, and the popular travel friendly SWIT 8192-S 192 WHr split battery;
  • 60 and 80 series port compatibility;
  • Stackable Port Rings (SPR’s) cover a wide range of lenses with one base set;
  • Surface SDI and Gig-E options for topside DP viewing or AC camera control;
  • Surface, close-range wireless connectivity with foolcontrol;

“While Pro Action is perfect for high intensity, fast action situations, I needed a dedicated rig for my type of shooting on Helium 8K. Pro Explore is it. Control, flexibility, size. And a Gates…of course.”

Like all Gates professional systems, you get the works. Pro Explore housing price includes numerous items like RT47 External Monitor housing (with shade extension), Seal Check Lite, woven carry lanyard, tether points, spare kit, tool kit, interface cables, and more. Port and SPR’s are ordered a la carte to fit your lens(es) of choice and application.

Pro Explore is well considered for accessories, like:

  • GT14 underwater lights. 14,000 lumens, 90 CRI and 5000K color temperature;
  • Light bar offering a variety of light mounting options using the Ultralight Control System;
  • Support for Gates RT7 and RP5 External monitor housings;
  • Cheeseplates for mounting to poles, booms or your own rigging;

“Gates is part of my production team. I count on Gates to be there when needed. Tech support, parts, whatever – response is fast and experienced.”

Pro Explore is a Gates through and through. Durable, reliable, ‘bulletproof’. And backed by Gates legendary factory direct service and 2 year renewable warranty. Only Gates offers this level of commitment to your success.

Price: To be announced
Availability: Q4 2017

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces new lenses for both APS-C and full-frame Pentax cameras

27 Oct

The two lenses Ricoh has announced today are part of the company’s Star-series line of high-performance lenses, being designed from the ground up for use with higher megapixel DSLR camera bodies.

Let’s start with the HD Pentax-DA* 11-18mm F2.8. Designed for crop-sensor cameras such as the Pentax KP, K70 and K-3 II, it offers an equivalent focal range of 17-27.5mm with a constant F2.8 aperture. Pricing has yet to be disclosed, and you have a bit of a wait if you’re interested in this lens; availability is scheduled for the summer of 2018.

Up next will be of particular interest to Pentax K-1 users. The HD Pentax-D FA* 50mm F1.4 SDM AW is designed for full-frame image sensors, and is the first new prime lens Ricoh’s announced for the K-1 since that camera was released. To go with the K-1’s rugged design, the FA* 50mm F1.4 comes with all-weather construction, and also a newly developed supersonic direct-drive autofocus motor for both faster and quieter AF operation. The FA* 50mm F1.4’s pricing is also unavailable, though it’s scheduled to be released a little sooner in the spring of 2018.

Press Release

RICOH ANNOUNCES NEXT-GENERATION, HIGH-PERFORMANCE PENTAX STAR-SERIES LENS LINE

Optimized for super-high-resolution photography with high-megapixel digital SLRs, new Star-series lenses on display at Photo Plus Expo 2017 and Salon de la PHOTO 2017

NEW YORK (Photo Plus Expo 2017, Booth #845), October 26, 2017 — Ricoh Imaging Americas Corporation today announced a new generation of high-performance Star-series lenses optimized for super high-resolution photography and high megapixel digital single-lens reflex (D-SLR) cameras. The first two lenses developed for the new-generation of Star-series quality—the HD PENTAX-D FA? 50mm F1.4 SDM AW and the HD PENTAX-DA? 11-18mm F2.8—will be on display as reference products at Photo Plus Expo 2017 at the Javits Convention Center in New York (October 26-28) and SALON de la PHOTO 2017 in Paris (November 9-13).

Premium-quality Star-series lenses deliver the highest performance among the PENTAX K-mount interchangeable lens series, and have been highly regarded by PENTAX K-Mount users since the days of film. In addition to the initial design concepts of optimum image quality and large apertures for maximum light transmission, the series has embraced the additional concepts of exceptional toughness and outstanding operability, achieved through the development of a dustproof, weather-resistant construction. The resulting lenses provide superior dependability in a wide range of shooting conditions, and are the perfect companion to PENTAX SLR camera bodies.

Although final names, specs and pricing will not be released until 2018, here are preliminary key features of the two lenses:

  • HD PENTAX-D FA? 50mm F1.4 SDM AW
    • PENTAX K-mount covering the image circle of a 35mm-format full-frame image sensor
    • Newly developed ring-shaped SDM (Supersonic Direct-drive Motor) for faster, quieter AF operation
    • AW (All-Weather) construction to prevent intrusion of dust and rain and ideal for use in demanding shooting conditions
    • Minimum shooting distance of 0.4 meters
    • Note: this is an updated version of the reference product shown at CP+ 2017
    • Availability: Scheduled for the spring of 2018
  • HD PENTAX-DA? 11-18mm F2.8
    • PENTAX K-mount covering the image circle of an APS-C-format image sensor
    • High-performance Star-series model providing excellent resolution even at open aperture
    • Large-aperture, ultra-wide-angle zoom lens with a maximum aperture of F2.8 (fixed) and an angle of view between 17mm and 27.5mm (in the 35mm format)
    • Availability: Scheduled for the summer of 2018

| About Ricoh Imaging Americas Corporation|

Ricoh Imaging Americas Corporation is a subsidiary of Ricoh Company Ltd., a global technology company specializing in office imaging equipment, production print solutions, document management systems and IT services. Headquartered in Tokyo, Ricoh Group operates in about 200 countries and regions.

The company now known as Ricoh Imaging Americas Corporation was originally founded in 1919, under the name Asahi Optical Joint Stock Co. and launched its first SLR camera in the 1950s under the PENTAX name. Today, Ricoh Imaging Americas Corporation continues to produce the heritage-rich, award-winning line of PENTAX DSLR cameras, lenses and sport optics equipment as well as Ricoh’s offering of stylish and compact digital cameras, known for their wide-ranging, rich set of features.

For further information, please visit www.us.ricoh-imaging.com

Articles: Digital Photography Review (dpreview.com)

 
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FAA wants airlines to ban cameras and other electronics from checked bags

21 Oct

The Federal Aviation Administration wants airlines to ban cameras and other electronics from checked luggage, citing the fire and explosion risk presented by the devices’ lithium-ion batteries. After conducting tests involving these batteries, the FAA found that if one were heated to the point where it caught fire near an aerosol can (think: hairspray), it could result in an explosion so quick and powerful that it would render a plane’s fire suppression system useless.

Lithium-ion batteries are the most common variety found in consumer electronics, and they’re well known for being volatile. But in a recent paper submitted to the UN’s International Civil Aviation Organization (ICAO), the FAA highlighted tests demonstrating these batteries as a potential fire risk that, in the most extreme case, could even result in “the loss of an aircraft.”

The tests found that a battery fire next to an aerosol can could cause an explosion before the plane’s fire suppression system could put the fire out. That subsequent explosion could, in turn, be powerful enough to disable the suppression system, enabling the fire to grow catastrophically.

The Administration also tested battery fires next to items that are commonly placed in checked luggage, including hand sanitizer and nail polish remover, and found that they could contribute to large fires. The conclusion is straight forward: lithium-ion batteries in checked luggage could put both aircraft passengers and crew members at major risk should one of the batteries ignite… something that has happened before, albeit in the cabin.

The agency wants airlines around the world to ban these items from checked luggage, requiring passengers to put them in carry-on bags instead. The ICAO is scheduled to discuss the proposed ban during a panel taking place over the next week.

Articles: Digital Photography Review (dpreview.com)

 
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Canon hit two milestones today: 90 million cameras and 130 million lenses

18 Oct

Canon has hit two couple major production milestones today. Specifically, Canon says it has now produced 130 million EF-series interchangeable lenses and 90 million EOS cameras. And in case you’re curious, the camera maker revealed that an EOS 5D Mark IV was its 90 millionth EOS camera to go through production, while the 130 millionth interchangeable lens distinction goes to an EF 16-35mm f/2.8L III USM.

Both the EOS and EF series made their debut in March 1987, eventually picking up production speed in the early 2000s as DSLRs became more popular.

The company boasts a 14-year consecutive No. 1 share of the global interchangeable lens digital camera market, as well as the distinction of being first to bring certain features to the market with its EF lenses, including image stabilizer tech and an ultrasonic motor. Canon’s EOS Series also has some notable distinctions in its past, including being the first to offer an electronic lens mounting system and fully digitized communication between the lens and camera body.

Articles: Digital Photography Review (dpreview.com)

 
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Metabones’ Devil’s Speed Booster turns Pentax Q cameras into ‘monster low-light machines’

10 Oct

Metabones—the company known for its lens adapters and focal reducing Speed Boosters—has released a new Speed Booster that ought to have Pentax Q users salivating a bit. It’s called the Q666 0.5x ‘Devils Speed Booster’, because it allows Pentax Q owners to mount Nikon F and G lenses and produce a working aperture of f/0.666 when a lens with an f/1.2 aperture is used wide open.

The booster has a magnification of 0.5x and produces a 2.8x crop factor when used with the Q and Q10, and a 2.3x factor with the Q7 and Q-S1.

Metabones has used six elements in four groups inside this new Speed Booster, and has incorporated what it calls a ‘long-throw clickless aperture ring’ for G lenses that has eight marked positions. The adapter is compatible with all Nikkor and Nikon-mount lenses except the Nikkor 2.1cm f/4 and the 20mm f/2.8 AI-S.

The idea for the adapter was launched in August, but this is the first version to emerge. Metabones promises one in a Pentax K mount as well.

The Metabones Nikon G to Pentax Q Speed Booster Q666 0.50x costs $ 490. For more information, visit the Metabones website.

Press Release

Metabones Devil’s Speed Booster Q666 0.50x

Caldwell Photographic Inc. and Metabones® is pleased to announce the Speed Booster Q666, a.k.a. “The Devil’s Speed Booster”, exclusively for Pentax Q series cameras. With its 0.5x magnification and world-record f/0.666 maximum speed it is crazy wicked fast. So make a deal with the devil today and turn your Pentax Q with its back-illuminated sensor into a monster low-light machine unlike anything ever seen in photography. Attach an f/1.2 lens and stop down a little to see how Stanley Kubrick made do with f/0.7 for filming those famous candle-lit scenes in “Barry Lyndon”. Or open up all the way to f/0.666 and probe the darkness in a way that no photographer has ever been able to do until now.

With an advanced 6-element optical design, the Q666 packs lots of optical horsepower in a small package. Sharpness is excellent even at f/0.666, and is downright superb if you stop down to f/1.0. Distortion is very low, with a maximum value of, naturally, 0.666%. And thanks to the back-illuminated sensor used in Pentax Q cameras, the full f/0.666 maximum aperture can be utilized with minimal pixel vignetting effects commonly seen in other cameras used with high-speed lenses.

Figures 2 through 4 below show MTF at 10, 20, and 40 lp/mm as a function of image height for output apertures of f/0.666, f/1.0, and f/2.01. At f/0.666 (i.e., with an f/1.2 master lens) the MTF is high near the axis, and only falls off gradually toward the corners. As the aperture is reduced to f/1.0 and then f/2.0 the MTF becomes very high and more even across the field. Figure 5 shows that there is less than 1 stop of corner illumination falloff even at f/0.666. And guess what – there is no vignetting at all after the output aperture reaches f/1.82. Figure 6 shows that rectilinear distortion added by the Speed Booster Q666 is negligible at less than 0.666%.

Like all Metabones Speed Boosters, the Speed Booster Q666 is optimized to fully account for the camera’s filter stack located near the sensor surface. This is especially critical at the record-setting f/0.666 aperture now possible with the Q666. As a result, an enormous range of optics, from vintage film lenses to the latest digital designs, will function flawlessly when adapted to any Pentax Q camera. Planned lens mounts for the Speed Booster Q666 include a Pentax-K version and a Nikon F/G version with the most advanced Nikon G aperture adjustment mechanism in the industry.

The Speed Booster Q666 will be available starting in Aug 2017 from the Metabones website (http://www.metabones.com/products/details/MB_SPNFG-Q-BM1) and its worldwide dealer network for US $ 489.00, plus shipping and applicable taxes and duties.

Articles: Digital Photography Review (dpreview.com)

 
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Manfrotto is teaming up with Sony to make accessories for Alpha series cameras

29 Sep

Manfrotto has announced that it will make accessories for Sony Alpha series cameras as part of a new partnership between the accessory giant and the camera maker. The collaboration was revealed at the Gitzo 100-year anniversary event held in Tokyo today, where Manfrotto explained that it will kick things off next year with a line of premium products made specifically for professionals using Sony’s Alpha cameras.

The first product released under this partnership will be a Manfrotto Befree tripod designed specifically for Sony’s Alpha cameras, which the company plans to show off at PhotoPlus in New York City next month. Following that, Manfrotto will make special versions of both Manfrotto and Gitzo tripods, video and photo heads, and plates. Finally, there will also be a special version of Manfrotto’s Digital Director.

To learn more, check out the press release below

Press Release

VITEC PHOTOGRAPHIC AND SONY ANNOUNCE COLLABORATION IN THE IMAGING MARKET

Market leaders will work together to produce a range of premium products targeted at the professional market

Tokyo, 28th September 2017Vitec Photographic, world leader in the photography and videography, imaging equipment and accessories industry has announced its collaboration with Sony, a leading manufacturer of audio, video, imaging, game, communications, key device and information technology products for the consumer and professional markets. This agreement will consolidate both companies position as the innovation leaders in their respective sectors. The collaboration is announced on the occasion of Gitzo 100 years anniversary event in Tokyo, which represents the perfect moment for communicating the common values of innovation and premium quality.

“We are proud to announce the agreement with Sony”– states Marco Pezzana, CEO Vitec Group Photographic Division – “This collaboration sees our brands Manfrotto and Gitzo, leaders in the market of photo and video accessories, working side by side with the prestigious Sony brand, globally renowned for product excellence and superior technology, with the primary intent of collaborating to the development of even more innovative products for professional content creators, thus further increasing customer satisfaction and future business growth.”

The collaboration will begin with a brand new line of products developed for ?, Sony’s interchangeable lens camera, that will be launched in 2018. First to be released will be a special version of the Manfrotto Befree tripod, a world class best seller in the traveller segment and the premium lightweight companion solution for compact system camera, unveiled at PhotoPlus in New York on 26th October.

The full range will include new Manfrotto and Gitzo tripods, plates, photo and video heads that are targeted at professionals who demand outmost quality and high performance. A customized version of Digital Director will complement the new range of products that will be showcased at events and tradeshows worldwide throughout 2018.

Articles: Digital Photography Review (dpreview.com)

 
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