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Posts Tagged ‘Cameras’

You can now use Elinchrom’s ELB 500 TTL light with Sony, Olympus cameras

31 Jul

Elinchrom has announced a firmware update for its Transmitter PRO — formerly named Skyport Plus HS — that brings support for its ELB 500 TTL for Sony and Olympus cameras.

Firmware version 2.1 for Sony and Olympus now includes TTL, High Speed Sync (HSS) and Hi-Sync (HS) functionality when used with the ELB 500 TTL. These features, which are described in detail on Elinchrom’s website, bring more robust creative control to Sony and Olympus camera systems. Now, Canon, Nikon, Sony and Olympus users can all take full advantage of Elinchrom’s different flash modes.

Below is a full list of the release notes for firmware version 2.10 for Sony and Olympus (Canon and Nikon are on firmware version 2.20):

  • Skyport Plus HS is now named Transmitter PRO.
  • 2 modes are available: Manual, compatible with all Elinchrom units, and TTL for the ELB 500 TTL.
  • Swapped position of unit selection and modeling light feature on main dashboard.
  • Improved menu ergonomics – access features in the setup menu with the wheel and setting selection is clearer.
  • Automatic switch to HS mode – the camera’s shutter speed dictates which mode is activated.
  • Possibility to display power in F-Stops or Ws.
  • Unit name or unit ID can now be displayed.

Elinchrom also notes in the press release that Fujifilm users ‘will soon be rewarded for their wait.’ According to Elinchrom, the Transmitter PRO for Fujifilm will be available in September 2018.

You can download the latest firmware on Elinchrom’s firmware updater page.

Articles: Digital Photography Review (dpreview.com)

 
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“Really moldy” Hasselblad 500c cameras and 80mm lenses listed on eBay

24 Jul

A new eBay listing offers two “really moldy” Hasselblad 500c cameras with 80mm planar lenses and backs, as well as three extra backs and a mixture of exposed and unexposed film. One camera, the listing explains, has a prism finder, and there’s also mention of a functional speed focus handle.

Needless to say, the entire kit is being sold as-is with an allergy warning for potential buyers who are sensitive to mold. The auction ends on Thursday, July 26, and currently resides at a price of about $ 18 USD.

Via: eBay

Articles: Digital Photography Review (dpreview.com)

 
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Viewfinder Image Blurry? You May Need to Adjust Your Camera’s Diopter – Here’s How

23 Jul

Have you ever looked through a camera’s viewfinder and only been able to see a blurry image even after focusing? If you are always seeing a blurred image the diopter is not set correctly for your eyes. This happens every time I pick up my wife’s camera. She is near-sighted and I am far sighted.

Demonstration of diopter blur photo - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How

What your viewfinder looks like when the diopter is not set correctly for your eye.

What is a diopter?

The diopter is a small lens in your camera’s viewfinder. It allows you to match the focus of your viewfinder to your eye. So before I can see anything clearly through the viewfinder on my wife’s camera I must focus this small lens. She has to do the same when she uses my camera.

If your eyesight is good and you are using a camera that’s had the diopter adjusted, you will see a blurry image in the viewfinder. You will need to adjust the diopter to correct this so you can see a sharp image.

I am surprised by the number of people who join our workshops here in Thailand that tell me they never see anything sharp in their viewfinder. After a quick adjustment, they are often surprised by how sharp the image is appearing in their viewfinder.

sharp photo illustrating diopter setting - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How

When your diopter is adjusted properly you will see a sharp image and a sharp information display.

The easiest way to see if your diopter needs adjusting is to look at the information and guidelines you see in your viewfinder. If you cannot clearly see the numbers and lines sharply this means your diopter is not set correctly for your eyes.

How to Adjust the Diopter

DSLR cameras with optical viewfinders and mirrorless cameras with electronic viewfinders all have diopters.

Diopter Adjustment Wheel - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How
Locate the Diopter Adjustment Control

The diopter adjustment control will most likely be a small wheel or slider close to your camera’s viewfinder. Most diopter controls are labeled with + and – signs.

Mount Your Camera

When you want to adjust the diopter it is best to have your camera mounted on a tripod or somewhere it will not move. You want to do this where you have a scene with good contrast. Something that your camera can autofocus on easily.

Focus Your Camera

Focus your camera using the autofocus. If you are using a camera or lens without autofocus you will need to look at the focus indicators in the viewfinder to ensure the lens is in focus. If your diopter is adjusted incorrectly for your eyes you will not see a sharp image in the viewfinder at this point.

photo of an eye - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How
Adjust Your Diopter

Start to turn the diopter wheel or move the slider. As the image comes into focus keep adjusting until you see a blurred image again. Now dial back your control so you see a sharp image (go back and forth until it’s as sharp as you can get). Now your diopter should be set correctly.

If you cannot see a sharp image in your viewfinder at any point of the adjustment you need to look at the display information. The exposure display in the viewfinder will come into focus at some point. If the display info is sharp in your viewfinder but the image is still blurry, you have a different problem.

The problem may be with the camera’s autofocus system or the lens. Here are a few suggestions for what to do in this situation:

  • Try changing lenses or zooming.
  • Make sure your lens is set to autofocus.
  • Attempt to focus manually.
  • Check focus using your camera’s LCD screen and Live View
  • Take your camera for repair.

Chinese Woman Photographer - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How

Wearing Glasses or Contacts

If you normally wear glasses or contact lenses you can adjust your diopter to suit.  If you prefer wearing glasses while using your camera, adjust the diopter with your glasses on.

But if you prefer not to wear your glasses while using your camera’s viewfinder, make the adjustments while you are not wearing them. If your eyesight is quite bad you may not be able to adjust your diopter sufficiently though and may need to keep your glasses on.

Add-On Diopter Accessories

If your diopter will not adjust to give you a clear image in your viewfinder you might need an add-on accessory diopter. Not all camera models will accommodate these so you will need to check your camera manual.

Boy with glasses - Viewfinder Image Blurry? You May Need to Adjust Your Camera's Diopter - Here's How

Diopter adjustment is simple but can make a significant difference to your photography enjoyment. It is always good to see a sharp image when you look through your viewfinder.

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Nikon KeyMission action cameras listed as discontinued on maker’s websites

19 Jul

Nikon now lists its KeyMission action cameras as discontinued on its UK and Japan websites, a change first spotted by Nikon Rumors. The maker’s UK website lists the KeyMission 80 as “discontinued,” though neither the KeyMission 170 or 360 models show the same notice. The Nikon Japan website lists the KeyMission 360 as an “old product,” but doesn’t include the KeyMission 80 or 170 models under its discontinued action camera page.

The Nikon USA website does not currently list any of the KeyMission cameras as discontinued and is still selling all three models. The Nikon UK website is still selling the KeyMission 360 model, but lists the 170 as out of stock and the 80 as discontinued. Existing inventory is still available to purchase through online retailers like B&H Photo.

We have reached out to Nikon for an official statement.

Via: Nikon Rumors

Articles: Digital Photography Review (dpreview.com)

 
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Gitzo teams up with Sony to launch tripod and L-bracket designed for ?-series cameras

18 Jul

As part of a collaboration between Vitec Group and Sony, Gitzo has introduced a new pair of products designed specifically for Sony ?7 and ?9 cameras: the Traveler ? Tripod and the L-Bracket ?.

The new products ‘feature a tailored design to perfectly fit Sony ?7 and ?9 camera models, helping to increase grip and stability for precise framing and extraordinary composition,’ according to Vitec Group.

Gitzo’s new Traveler ? is a ‘premium travel tripod’ featuring a new design and monochromatic color scheme to match the appearance of Sony ?-series cameras. It weighs just 1.43kg/3.15lbs, opens to 165cm/64.96in and holds up to 10kg/22lbs of gear. Like Gitzo’s other travel tripods, the Traveler ? folds down to just 43cm/16.93in when using the 180-degree leg-folding system.

The legs themselves are constructed of Carbon eXact tubing and use the Traveler G-lock system for securing the proper height. The Traveler ? is paired with Gitzo’s ‘most compact professional carbon fiber tripod head […] engineered to provide the ultimate smoothness and precision of movement and secure locking with independent pan/tilt lock.’ To wrap it all up, the special-edition tripod includes a genuine Italian leather carry strap designed to mimic the aesthetic of carbon fiber.

The second new product is the L-Bracket ?, which Gitzo calls ‘the lightest of its kind on the market,’ weighing in at just 77g/2.7oz. The bracket is milled from a single piece of aluminum ‘to become one with the most high-level professional mirrorless cameras on the market.’ Its design includes four attachment points for camera straps, an open design for easy access to ports and cables. There’s also a dedicated spot for the hex keys and accessories so you don’t need to carry another bag of tools around.

The Gitzo Traveler ? costs $ 999.99, while the Gitzo L-Bracket ? will set you back $ 199.99. They are available now on Gitzo’s online shop and authorized dealers.

Articles: Digital Photography Review (dpreview.com)

 
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Some of the Pros of Using Micro Four-Thirds Cameras for Wildlife Photography

11 Jul

Micro four-thirds (MFT) cameras have been on the market for 10 years now and have grown to be a preferred option for professionals and amateurs alike. The small camera bodies (you might even say tiny) house high-quality features including high dynamic range, high ISO sensitivity, and 16mp (or greater) sensors.

As the MFT format has gained popularity a range of professional-quality lenses has also been developed. I have been shooting the Olympus Em5 and Em5II since they came on the market in 2013 and 2015 respectively. Throughout my travels shooting wildlife across the U.S., I have been shooting this system with great results.

There are many aspects that micro four-thirds cameras great for wildlife as well as a few drawbacks. I will walk you through my impressions of this system for wildlife photography, both the pros and the cons.

humpback whales - Pros and Cons of Using Micro Four-Thirds Cameras for Wildlife Photography

I took this image of bubble-net feeding Humpback Whales with an Olympus OMD E-M5. All of the images featured in this article were captured using the MFT system.

Intrinsic Advantages (Pros)

The micro four-thirds system has some advantages for wildlife photographers due to the nature of its sensor and technology. These “intrinsic advantages” as I’m calling them are inherent to the system and can assist in your wildlife photography. In the next few sections, I will walk through how a 2x 35mm equivalency, quiet camera, high ISO range, high shutter speed, and high-resolution.

I will also review some features specific to the Olympus E-M5 Mark II system that you may find beneficial.

Micro four-thirds for wildlife - caterpillar

Here I have used MFT to photograph all forms of wildlife. From coastal brown bears to insects.

Pro – Get Closer with the 2x Crop Factor

Everyone who shoots wildlife photography wants to get closer to their subject and this is one way in which micro four-thirds sensors shine. When talking about how a sensor’s size affects the final zoom of your lens, the photography industry standardizes to “35mm equivalency”.

Without diving into the ins-and-outs of that means, here’s the bottom line: if you have a 100-300mm lens the micro four-thirds system effectively makes it a 200-600mm lens. The camera intrinsically doubles the length of your telephoto lens – you can likely appreciate how that doubling of focal length will help you get your wildlife shots!

Micro four-thirds for wildlife - portrait of a deer

2x equivalency is a big deal! You can get closer to wildlife with your enhanced telephoto lens.

small bird with a berry - Micro four-thirds for wildlife

As an avid birder, I appreciate the 2x equivalency to get closer to small birds.

Pro – High Maximum Shutter Speed

The micro four-thirds system is capable of really fast shutter speeds. As a wildlife photographer, it can give you a leg-up on fast-moving animals such as small birds or even insects.

The Olympus OMD E-M5 II is capable of shutter speeds up to 1/8000th of a second! In bright lighting conditions, you can use the fast shutter speed to stop water droplets of an animal walking in a river or the fast pulse of the wings of a hummingbird.

hummingbird in flight - Micro four-thirds for wildlife

Fast shutter speeds will help you stop the wings of a bird even as quick as that of a hummingbird’s!

Pro – 40MP High-Resolution Mode

A feature specific to the Olympus OMD E-M5 II is the 40-megapixel high-resolution mode. Sensor shifting-technology allows the camera to increase the resolution of the image.

One restriction of this process is the subject or animal has to be completely still. However, if you know you have the right conditions and a shot for which you need high resolution, you will find this mode convenient if your goal is to make large prints later.

owls in a tree - Micro four-thirds for wildlife

These great horned owl chicks were sitting so still that I was able to use the high-resolution feature of the Em5II to create a 40-megapixel image of them.

Pro and Con – ISO, and Light

The micro four-thirds system is capable of using high ISO settings to boost your camera’s sensitivity to light. However, high ISO values can create image noise (graininess in the image), and this is one area where the MFT systems fall much shorter than full-frame systems and DSLRs.

You will find that you can comfortably shoot up to ISO 800 or 1600 and be able to post-process out the noise. However, at ISO 1600 you will notice the noise if you crop the image, so be aware of that. Low-light conditions are common for wildlife photography, so consider that this system will not give you the performance of full frame cameras.

great horned owl eyes closed - Micro four-thirds for wildlife

This great horned owl was photographed in low light, so I needed to increase my ISO to capture it.

Pro – A Stealthy Camera

This camera contains no mirrors or moving parts inside the camera – every process occurs digitally. That makes the camera extremely quiet when you press the shutter button and it will not disturb the wildlife you are watching. This helps you keep the animal in range and also be an ethical wildlife photographer that does not negatively impact the wildlife you are shooting.

dragonfly damselfly - Micro four-thirds for wildlife

A quiet camera is very important for capturing skittish animals such as this damselfly!

Pro – Flexibility

This camera can provide incredible flexibility to your kit. In the next sections, I will review some features that I find helpful for wildlife photography.

Pro – Light Body

All of the mirrorless cameras are light which makes them ideal to transport. This is due to the lack of moving parts within the camera such as mirrors – which allow the cameras to be smaller. The lenses native to micro four-thirds cameras are also generally light.

Reiterating my point about 2x equivalency, you can get a 600mm equivalent telephoto lens that only weighs a few pounds. As a traveling wildlife photographer, you will appreciate the light weight in your backpack, carry-on luggage, or strapped around your neck.

micro four-thirds for wildlife - olympus camera

This is the Olympus Em5II body and Lumix 100-300 that I use for wildlife photography. You can see how small the body and lens is!

Pro – Fast Autofocus

The autofocus system on this camera is very fast and is useful for inflight shots of birds and general wildlife photography. Upgrades to the autofocus systems in the Olympus E-M5 II have provided accurate focus points giving you the ability to target an exact spot in your frame to focus.

One disadvantage is I find that the autofocus hunts in low-contrast situations. So you should be prepared to manually focus in low-light shooting conditions such as at dusk or in a heavy forest canopy.

micro four-thirds for wildlife - eagle in mid-air

A fast autofocus system will help you a lot with in-flight images of birds.

crane in flight - micro four-thirds for wildlife

I relied on the autofocus to capture this sandhill crane as it flew by.

Pro – High Resolution

Almost all micro four-thirds cameras come with a high-resolution (16mp or greater) sensor. The 16mp sensor on the Olympus E-M5 II gives plenty of resolution for enlargements. This is useful for printing and also gives you the ability to crop a shot and maintain sharpness.

I have made canvas prints up to 36” with images from this camera and found the resolution was ample for that as long as you have a sharp shot.

owl in Lightroom - micro four-thirds for wildlife

Here is a 1:1 crop of an image of a great horned owl. You can see that the image maintains decent sharpness even at a large crop.

Pro – Native Lenses and Adapting Lenses

If you are willing to shoot with manual focus it is possible to adapt nearly any brand of telephoto lens (Canon, Nikon, Sigma, etc.) to your MFT camera using an adaptor. This is thanks to the small flange distance of the MFT format. I have had success adapting long telephotos, old Olympus OMD lenses, and even old screw-mount lenses such as a Takumar 35mm that I have.

Why does that matter? Adaptors are cheap ($ 25 – $ 50 generally) and allow you to utilize glass that you may already own bringing down the price-point of your system.

olympus camera and adapted lens - micro four-thirds for wildlife

You can adapt almost any lens to the MFT bodies. Although I do not use this Takumar portrait lens for wildlife, it shows off the ability to adapt even a screw-mount lens such as this one built in the 1960s.

Pro – Sealed Bodies and Lenses

The body of the Olympus E-M5 Mark II is sealed from dust and water. Although that is not the case with all MFT cameras, as long as you do your research you’ll find other camera bodies that are sealed and well-built too.

This is invaluable to a wildlife photographer! I am sure you can think of times that you needed to shoot in the rain, the dust, or perhaps the mist of a waterfall. Having a sealed body will protect your camera and investment.

breaching whale - micro four-thirds for wildlife

On a boat or on land, you need to be able to count on a sealed body to protect your camera.

The Bottom Line

You may have found the features above appealing for your photography needs, so let’s look at the bottom line and the value-to-cost of this system.

You can find micro four-thirds cameras starting at $ 200 and going up to about $ 1,000. For those prices, you are getting a camera capable of shooting high-resolution images with excellent quality. With practice and patience, you can take beautiful images of wildlife and not break your back (or your bank) while doing it.

As I like to say, “pixels are cheap”, so I hope you make lots of them photographing wildlife with a micro four-thirds system.

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Buying Guide: The best instant cameras

09 Jul

The instant camera market has taken off in recent years and there are a lot of great options ranging from around $ 60 all the way up to several hundred dollars. Over the course of many fun weekends, we’ve shot with virtually all all of them, to find out which is the best. Below is a breakdown of the 4 instant formats:

Instant format Manufacturer Image size Shot per pack
Instax Mini Fujfilm 46 × 62 mm
1.8 × 2.4 “
10
Instax Square Fujfilm 62 x 62 mm
2.4 x 2.4 “
10
Instax Wide Fujfilm 99 x 62 mm
3.9 x 2.4 “
10
I-type Polaroid Originals 79 x 79 mm
3.1 x 3.1 “
8

Ultimately, this rebirth of the Instant camera market can be attributed to one word: Fun! There’s something about about having a tangible object to share that makes these cameras hugely enjoyable. They also make great gifts. Here are our recommendations:

Our pick: Fujifilm Instax Mini 70

The Fujifilm Instax Mini 70 strikes the perfect balance of price to features to make it our top overall pick – plus it makes use of the most affordable instant format. Available in six colors, the Mini 70 is among the most compact and lightweight instant cameras on the market, and also among the prettiest (in our opinion). The CR2 batteries it uses can be a little annoying to find, but battery life overall is great. And unlike rechargeable instants, the Mini 70 should still have some juice in it even if left on a shelf for several months.

But most importantly, it’s really easy to use. Users simply select their shooting mode – normal, macro, selfie, landscape, self timer or high key – and the camera does the rest. And unlike some of its competitors, focus is motor-driven (three positions) and set by the camera when your mode is selected. Exposure is fully automatic, though there is a +2/3rd EV option (that’s the high key mode). Overall, the Mini 70 does a good job balancing flash with ambient light thanks to a variable shutter.

Of course, for a little more cash, you can drive away in the Instax Mini 90, which adds negative exposure compensation, the ability to disengage the flash in normal mode and a bunch of creative modes. However its higher price and its more complex operation has us feeling you’d be better off spending that extra money on more film for your Mini 70.

Also recommended: Fujifilm Instax Wide 300

We prefer the quality and tonality of Instax film to I-type and if you are going to shoot Instax, why not shoot the largest format possible? If you follow that logic, than the Wide 300 is the instant camera for you.

The most affordable Instax Wide camera available, we’re big fans of its comfortable grip, automatic operation (with positive and negative exposure compensation modes), motor-driven focus (2 positions) and straightforward operation. Yes, it is enormous, but that’s par for the course with this format.


  • Our pick: Fujifilm Instax Mini 70
  • Also consider: Fujifilm Instax Wide 300

Instax Mini cameras

  • Fujifilm Instax Mini 9
  • Fujifilm Instax Mini 25/26
  • Fujifilm Instax Mini 90
  • Leica Sofort
  • Lomography Lomo’Instant
  • Lomography Lomo’Instant Automat
  • Lomography Lomo’Automat Glass
  • MiNT InstantFlex TL70 2.0
  • Polaroid Pic-300

Instax Square cameras

Fujifilm Instax SQ6 (SQ10)
Lomo Instant Square

Instax Wide cameras

Lomography Lomo’Instant Wide
MiNT Instantkon RF70 (just announced)

Polaroid I-type

Polaroid Orignal OneStep2

Articles: Digital Photography Review (dpreview.com)

 
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Leica introduces new features and enhancements to five cameras in mass firmware release

30 Jun

Leica has released new firmware for five of its camera models, making significant changes to the way existing features operate while also adding totally new functions in some cases. The updates effect the M10 rangefinder, the Q compact and the new CL, as well as the TL2 and the T/TL.

The highlights of the update include allowing four minute exposure times in the M10 at base ISO, and the addition of aperture value recording in the camera’s EXIF data – even though it will be an estimate. Q users get a favourites menu that can hold up to 15 items for especially quick access, and the ability to determine that the electronic shutter should be constantly on. They will also welcome faster processing of the camera’s DNG Raw files.

The CL now offers users the option to transfer the functions of the two main dials between each other, and for those who find themselves accidentally pressing buttons on the small body a new lock feature deactivates access points to keep them from being unintentionally altered.

Control over the shutter mode comes to the TL so users can choose when to shoot with the electronic or mechanical shutter, and the firmware brings focus peaking to users of the M adapter and to those using R lenses on this little camera. The T and TL bodies get better chromatic aberration correction and support for the Elmarit-TL 18mm F2.8 ASPH lens.

The firmware is available to download now, or you can take your camera to a Leica store and have someone do the job for you. For more detail see the listing from Leica below, or visit the Leica website.

Press Information

Extensive updates for Leica Cameras: New firmware releases with numerous improvements and entirely new functions.

Leica Camera AG has released a series of extensive firmware updates for the Leica M10, Leica Q, Leica CL, Leica TL2 and Leica T/TL camera models. Alongside further improvements of existing features, these updates also introduce a considerable number of new camera functions.

Leica M10 (v2.4.5.0)

  • Optimisation of the delete menu: The graphic user interface for the deletion of pictures has been revised.
  • Longer exposure times: Exposure times of up to four minutes are now possible at base ISO.
  • New continuous shooting mode with lower frame rate: An additional continuous shooting mode is now available (Continuous Low Speed, three frames per second).
  • ‘Load profile’ is now available in the favourites menu.
  • Aperture value in EXIF data: The camera compares the brightness measured through the lens with the measured ambient brightness to estimate the aperture used. This value is then written to the EXIF data. In some cases, the interpretation of the subject or scene may lead to incorrect estimation of the aperture value, for instance when shooting subjects or scenes with high contrast and black or white objects.
  • LED deactivation: The red LED on the back of the camera can now be deactivated in the control elements menu.
  • Auto-ISO setting: Auto-ISO for base ISO is set to the default value of ISO 200 to optimise dynamic range.

Leica Q (v3.0)

  • Favourites Menu: Users can now enter and save up to 15 settings for faster access in a Favourites Menu.
  • Power Saving Mode: If required, the camera can now be set to switch to Stand-By Mode after 10 seconds.
  • Extended functions for the Fn button: Even more options can now be selected for programming the multi-function button.
  • User Profiles: Profiles can now be imported from and exported to a memory card.
  • OIS – optional ‘Auto’ setting: This setting enables automatic activation of optical image stabilisation at shutter speeds of 1/60 s and slower.
  • EVF/LCD setting options: This menu item can now be assigned to the Fn button.
  • Settings for the electronic shutter: The electronic shutter can now be set to permanently active.
  • DNG files: The processing speed of DNG files in the camera has been increased.
  • Autofocus fields: The last AF field used is now memorised and recalled when switching the camera off and on again.
  • Self-timer: The setting is now memorised and recalled when switching the camera off and on again.
  • Exposure preview deactivation option: Exposure preview can now be deactivated in manual mode (especially useful when shooting in the studio with flash systems, underexposed settings or in dark environments).
  • Image review: Automatic image review remains active as long as the shutter release button is pressed.

Leica CL (v2.0)

  • Programming of setting dial functions: The programming of the two setting dials can now be swapped from one to the other.
  • Button lock: Pressing and holding the left-hand setting dial activates button lock (this does not lock the on/off switch, the shutter release or the left-hand setting dial).
  • Power Saving Mode: If required, the camera can now be set to switch to Stand-By Mode after 10 seconds.
  • Touchscreen autofocus: The AF metering points can now also be shifted with the joystick control in Touch AF mode when using the electronic viewfinder.

Leica TL2 (v1.4)

  • Selection of LCD / viewfinder settings: It is now possible to select when and where the content is displayed (up until now, display was simultaneous).
  • Customisable left function menu: The items of the left function menu can now be customised by the assignment of up to six of a total of thirteen functions.
  • Extended functions for the Fn button: Now, one of a total of six different functions can be assigned to the Fn button.
  • Settings for the electronic shutter: The electronic shutter can be deactivated, permanently activated or set to complement the mechanical shutter.
  • Focus Peaking in AF Mode: Manual focus corrections can now be applied in AF Mode with the MF-ring. In the meantime, Focus Peaking is available from FW 1.4.
  • Focus Peaking with M-/R-Lenses: Focus Peaking is now also available when using M- R-Lenses with the M-Adapter L.
  • Exposure correction during video recording: The left-hand setting dial can now be used to apply exposure correction during video recording.
  • Zoom-in when reviewing images in the EVF: The right-hand setting dial allows users to zoom in while viewing images in the EVF.

Leica T/TL (v1.8/v2.3)

  • Simpler connection between the camera and a smartphone by app
  • Reduction of chromatic aberration for all TL-Lenses
  • Support and auto-update for the Elmarit-TL 18 mm f/2.8 ASPH.

The firmware updates are available from the Leica website (https://www.leica-camera.com). Users can either download and install the update themselves or have it installed within the scope of the free update service offered in all Leica Stores.

Articles: Digital Photography Review (dpreview.com)

 
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Instant Magny 35 is a film back that turns SLRs and rangefinders into instant cameras

13 Jun

NINM Labs has launched a Kickstarter campaign for Instant Magny 35, a film back that transforms rangefinders and 135 SLR cameras into instant film cameras. The film back supports Fujifilm Instax Square film and doesn’t require any camera modifications. The instant film back is described as ideal for rangefinders and SLRs from Pentax, Leica, Olympus, Canon, and Nikon.

The Instant Magny 35 film back replaces the original camera back, featuring a total of three attachable components. Once connected, the camera with instant film attachment can be used normally. According to NINM Labs, Magny features an aluminum lens barrel, enlarging optics film back, and an ejection unit.

Features include a built-in dark-slide, on-off switch to prevent accidental shots, automatic film feed, a film ejection button, and an LED film counter. The film back is powered by four AAA batteries. Without the batteries or film, the Instant Magny 35 weighs about 485 grams / 1lbs.

NINM Labs is seeking about $ 50,000 on Kickstarter, where a single Instant Magny is offered for pledges that start at 778 HK$ / $ 99 USD.

Via: DIY Photography

Articles: Digital Photography Review (dpreview.com)

 
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Buying Guide: The best waterproof cameras

11 Jun

Last updated: June 11, 2018

Whether you want a compact camera for a trip to the beach or ski resort – or maybe just something that the kids won’t break – there are plenty of waterproof, rugged cameras available at a variety of price-points.

All of the cameras in our group are waterproof, freezeproof and dustproof, while a few are also crushproof. With the exception of the SeaLife DC2000, the cameras have zoom lenses in the 4X-5X range, while the DC2000 has a fixed, 31mm equiv. prime. The DC2000 is also unique in having the only 1″-type sensor in the group, which should give it a big leg up on the other cameras in this market segment, which use 1/2.3″ sensors. The Nikon W100 comes in even smaller with a 1/3.1″ sensor equivalent to what’s in a smartphone.


Our pick: Olympus Tough TG-5

Olympus has made many of our favorite rugged cameras and that tradition continues with the TG-5. Naturally, it can dive deep, freeze, be dropped or be crushed without skipping a beat. It also has a cool tracking mode that keeps a log of your location and altitude during your travels. Olympus has created a number of useful accessories for the TG-5, including fisheye and telephoto adapters and a ring flash.

While the TG-5’s image quality will never match a camera with a larger sensor, such as the SeaLife DC2000, it’s still very good. Having Raw support is a big deal, allowing you to adjust contrast and remove color casts in underwater photos. Performance is generally snappy (notably burst shooting speeds,) battery life is excellent and 4K video looks good.

Downsides are few; The control dial is poorly placed, there’s no shutter priority mode, the video record button is too flush with the body and the screen scratches way too easily. Overall, though, the TG-5 is the best rugged camera in this class.

Also consider: SeaLife DC2000

If you want better image quality and don’t mind having a fixed focal length lens, the SeaLife DC2000 is well worth considering. On its own the DC2000 can go 18m / 60ft underwater and with its included housing* those numbers increase to 60m / 200ft. The DC2000 has a 1″-type, 20 Megapixel sensor and a 31mm equiv. F1.8 lens. Image quality is markedly better than the rest of the cameras in the group, and Raw support lets you get the most of it the sensor.

What you won’t find on the DC2000 is GPS, super-close macro mode or 4K video. Battery life is relatively poor, as well. But if you’re a diver who wants to ‘focus’ on image quality, the DC2000 is easily the best in the group.

* You can purchase the camera without the housing directly through SeaLife


While we haven’t completed full reviews of the cameras in this group, the summaries below give you a good idea about their feature sets and how they perform.

  • Our pick: Olympus Tough TG-5
  • Also consider: SeaLife DC2000

  • Fujifilm FinePix XP130
  • Nikon Coolpix W100
  • Nikon Coolpix W300
  • Panasonic Lumix DC-TS7 (FT7)
  • Ricoh WG-50

Articles: Digital Photography Review (dpreview.com)

 
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