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Posts Tagged ‘Camera’

How to Make Your Photos More Creative Using Camera Angles

10 Oct

A creative use of camera angles is one of the quickest ways to add interest and variety to your photos.

Even if you don’t know how to use your camera very well, angles are easy! All you have to do is move your camera higher or lower to dramatically change the angle of your photo. It doesn’t matter what camera or what lens you’re using (even your smartphone), you can always make more creative photos by changing the camera or shooting angle.

Five Different Camera Angles

You have five main camera angles to choose from. Each one will add a different perspective, giving your photo the mood or feeling that you want it to have.

#1 – Bird’s Eye View

The highest camera angle is “bird’s eye view.” This is when you get up above the scene and look straight down. This angle is great for looking down and seeing all the details of a scene from above.

A bird’s eye view is an unusual angle because you’re not normally up high looking down on a scene. Any angle that is beyond your usual daily experience will make your photo more interesting to look at.

Bird Eye View How to Make Your Photos More Creative With Angles

I chose a bird’s eye view for this photo of our sleeping baby. By choosing this angle, I was able to look down and frame him with blueberry branches.

Bird Eye View - How to Make Your Photos More Creative With Angles

A bird’s eye view is great for food photography, allowing you to see everything on the dish.

#2 – High Angle

A “high angle” is not quite as extreme as the bird’s eye view. You just need to be a little bit higher than the person or thing that you are photographing.

Think of a high angle as a very normal view of the world for most adults. This is especially true for parents who are always looking down toward their kids.

Even though you experience this angle or perspective a lot throughout the day, it can still be perfect for some of your photos. A high angle is useful for making your subject look smaller or more vulnerable and perhaps making the viewer seem more dominant.

High Angle How to Make Your Photos More Creative With Angles

This high angle allowed me to look down at my son and also work in some interesting background elements.

How to Make Your Photos More Creative With Angles

Since this is a photo of “little sister,” a high angle gives her a smaller more vulnerable appearance.

#3 – Face-to-Face

A face-to-face angle is taken at eye level to your subject. This is a very engaging angle and helps to establish a personal connection between the person in your photo and the person viewing it.

This is a great angle for portraits, though a slightly higher than eye level angle is great for portraits too.

Face to Face How to Make Your Photos More Creative With Angles

When she came in from playtime covered in mud, I knew I had to use an engaging face to face angle.

Face to Face How to Make Your Photos More Creative With Angles

I love this captivating perspective.

#4 – Low Angle

For a low angle, you need to be below eye level. As you get down lower, you make the subject of your photo appear a larger. This may add a larger than life feeling to your photos and is great for emphasizing toughn s, or making things look scary or epic.

Low Angle How to Make Your Photos More Creative With Angles

A low angle is absolutely necessary when photographing sharks. It’s the only way to see their most frightening feature; teeth!

Low Angle 2

This moment was exploding with energy as the kids ran from the bus stop. Dropping down to a lower angle helps to emphasize the energy of the moment as well as bring the buses in the background in line with the kids.

#5 – Bug’s Eye View

Also known as “worm’s eye view,” this angle is just like it sounds. You get down as low as you can and look straight up toward your subject.

Again, this is a very unusual angle. You rarely experience this point of view, so it will add an interesting or creative perspective to your photo.

Bug Eye View How to Make Your Photos More Creative With Angles

I had to lay down on the ground and look up for this photo. It seemed like the perfect angle to capture my son’s first major climb!

Bug Eye View How to Make Your Photos More Creative With Angles

It’s easy to get a bug’s eye view at a playground. Just wait for your kids to start climbing and then look straight up at them.

One Scene – Three Angles

It’s a great idea to capture more than one angle every time you take photos of a moment. It will push your creativity, help you to explore new perspectives and provide you with more views to tell the story.

These next photos demonstrate how I captured one scene from three different angles.

How to Make Your Photos More Creative With Angles

In this first photo a higher angle was used to look down on the scene and see the puddle.

Three 2

A face to face angle is perfect for a muddy faced portrait.

Three How to Make Your Photos More Creative With Angles

This lower angle perspective makes the moment feel a little bigger and emphasizes the excitement she felt after having fun in the mud puddle.

Beyond Everyday Perspectives

Knowing these five camera angles, and practicing them will help you get unstuck anytime you’re uninspired or find that your photos are turning out boring or predictable. To spice up your photos, simply choose the most unusual angle. Once you’ve done that try at least two more angles and figure out which one has best captured the moment.

As you experiment with angles you’ll boost your creativity by breaking out of everyday perspectives. Try capturing a few different angles right now. I would love to see your photos in the comment section below.

The post How to Make Your Photos More Creative Using Camera Angles by Mat Coker appeared first on Digital Photography School.


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DxOMark: Samsung Galaxy Note 8 ties iPhone 8 Plus as best ever smartphone camera

07 Oct

News that Apple’s new iPhone 8 Plus had suddenly taken the top spot on DxOMark’s smartphone camera rankings was met with the expected range of praise and critique—everything from “of course, iPhone’s are awesome cameras” to “how much did Apple pay DxOMark for this result!?” But it turns out the iPhone 8 Plus’ ranking as the best smartphone camera DxOMark had ever tested didn’t last very long.

As of today, the iPhone 8 Plus has been tied by the Samsung Galaxy Note 8, which significantly bested its Photo score and only tied the iPhone 8 Plus overall because Apple’s smartphone does so much better in the video category.

The full breakdown of the results can be found on DxOMark, but this comparison between the two phones’ scores speaks volumes:

The Photo categories where the Note 8 really outperformed the iPhone include Autofocus (94 vs 74) and Zoom, where the Note 8 got a score of 66 to the iPhone’s 51. DxOMark’s conclusion is appropriately praiseworthy:

When all the tests are verified, the scores calculated, and the perceptual analyses discussed, the Samsung Galaxy Note 8 comes out as an outstanding choice for the smartphone photography enthusiast, matching the top overall score of 94 points of the iPhone 8 Plus. Dual-cam setups offering a second telephoto zoom for portraits are a real step forward for high-end smartphone photography, and the implementation on the Note 8 is exceptional, making it the best smartphone for zoom shots we’ve tested.

Read DxO’s full thoughts and see all of their sample and test photos at this link. And if you’re an Android user in need of some serious photography power from you smartphone, the Galaxy Note 8 should definitely make it to the top of your list.

Articles: Digital Photography Review (dpreview.com)

 
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The Nikon D850 is the best camera DxOMark has ever tested, first to hit score of 100

07 Oct

Forget all of those DxOMark Mobile scores, it’s time to talk about “real” cameras again. DxOMark just completed their review of the Nikon D850 and, not entirely surprising, it is officially the best camera DxOMark has ever tested. In fact, it’s the first camera ever to reach a score of 100, pushing the Sony a7R II into second place with its score of 98.

As it stands now, the camera rankings put the Nikon D850 and its predecessor, the D810, in the number 1 and 3 spots.

While the D850 isn’t the best camera DxO has tested across the board, it nevertheless put in top notch performance in every category. “The D850’s key strengths are its outstanding color and dynamic range at base ISO, where it again ranks as the number one among all commercially available cameras we’ve tested for these attributes,” explains DxOMark. If it falls even slightly short in any regard, it’s in the low-light ISO category where its higher resolution starts to sting.

That said, you can’t help but go wide-eyed reading DxOMark’s conclusion. As they say, this camera is “in a class of its own for image quality.”:

The introduction of the first BSI sensor in a full-frame Nikon DSLR with a super-high 45.7Mp resolution puts the Nikon D850’s image quality on par with, and often better than, medium-format cameras. The first DSLR to hit 100 points — rather apt for Nikon’s hundredth anniversary year — puts the Nikon D850 in a class of its own for image quality. At base ISO, it’s unrivaled for color in the DSLR class, and its headline dynamic range score is outstanding, too.

To read the full conclusion—the full review, for that matter—and see how the D850 compares to the competition from Sony and Canon, head over to DxOMark.

Articles: Digital Photography Review (dpreview.com)

 
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5 Tips for Taking and Caring for Your Camera Equipment in Far Away Places

06 Oct

If the thought of being away from all your camera equipment stresses you out, this article is exactly what you need! I can safely say that being on the road for over two and a half months teaches you a thing or two about need and necessity versus wants.

Road trip

For the longest time, one of my dreams has been to live away from home and travel with my family for an extended period of time. I used to dream about all the places I could travel to, and how much fun I would have living a nomadic life. Of course, then I would wake up and the realities of my responsibilities would take over.

However, earlier this year after suffering a big life setback with the loss of my mom to cancer, I decided that my life was too short to not make my dreams come true. After several months of discussion and planning, my husband and I decided that our little family would spend our summer in India – traveling and visiting family. Somewhere along the way a trip to Ladakh, London, Zurich and Rome got added to my roster and pretty soon I was in charge of planning and packing for a life on the road for two and a half months living out of just four suitcases – one for each one of us. Being a photographer, I knew that somewhere in there I had to pack my camera equipment along with my essentials.

Taking and Caring for Your Camera Equipment in Far Away Places

Sunsets along Lake Zurich were magical – one of my favorite cities that I have ever visited!

Here are a few things that really helped me make the most of my time away from home. It is very likely that I have missed some key photographic opportunities but overall I am very happy with my time away, the opportunities that my family has experienced, and the images that I have created. And as an added bonus, all the camera equipment I did take made it back without any major mishaps along the way.

#1 – Gear Choices

Let’s face the reality of life as a photographer – we all love and want all the gear that we think we need wherever we go. When I was packing I realized that as a photographer I had so many things I wanted to bring, but as a mom, the need for gear was quickly overruled by the need for practical things like clothes, shoes, books, toys, etc. I had to make some very hard choices on the camera equipment that I could take, versus the gear I wanted to take. I narrowed down my list based on where my travels would take me and what gear I could realistically carry and transport safely without any damage.

So, in the end, I settled for this kit:

  • A wide zoom lens – Canon EF 24-70mm f/2.8.
  • A simple point and shoot camera (yes, this was my backup as weight was a concern when flying to and from Asia with layovers on the way there and back).
  • One telephoto lens – Canon 70-200mm f/2.8L.
  • One camera body – Canon 5D MK III.
  • Four camera batteries.
  • One battery charger.
  • A small travel tripod – just a generic brand – mine fits in my carry-on bag.
  • A remote trigger.
  • Five camera CF cards ranging from 8GB to 32GB.
  • Two 2TB External Hard drives ( primary photo storage and a backup photo storage).
  • Two generic lens and camera cleaner kits.

All of these things comfortably fit into my REI brand hiking backpack. I use this bag for everything and store my gear in individual soft-cover bags inside the pack. This is what I have done since day one and something that has worked well for me.

The one thing I wish I had taken with me was a rain cover for my camera. My backpack had its own rain cover which I used numerous times during the trip because we got caught in sudden downpours in the mountains. But without a separate rain over my camera, I was not able to use my gear in the rain.

#2 – Be Prepared and Organized

For me, being prepared and organized included having a rough idea of where I was going and the kind of environment I was going to expose myself and my gear to. Before I left, I jotted down all the serial numbers, make, and brand for my camera equipment and stored them in a document on my cloud-based Dropbox account. All my external hard drives were stored off-site at a friend’s place as well as the remainder of my gear.

Now, obviously, this is a friend I trust. But another option would be to lock it in off-site storage facility. As part of your research, another good thing to keep in your back pocket is the name, address, and contact information of authorized service dealers for your gear in the country you are visiting. Sometimes things just go wrong no matter how prepared you are. Being prepared with this information about services centers and authorized dealers for your gear is a time saver especially when you are traveling in areas where the internet connection is not very reliable.

Taking and Caring for Your Camera Equipment in Far Away Places

An hour’s hike from our campsite in the Himalayas got us to this beautiful alpine lake. But by the time I could get the camera and tripod out, the fog set it…and it was magical!

During my travels, my gear choices on the road would depend on the activities that were planned for the day and the fact that this was a family travel trip, not just a photography expedition. In Rome and Zurich we traveled everywhere either on foot or used public transportation. So I just carried my camera body and the 24-70mm lens among other daily necessities in my backpack. The rest of my camera equipment was either packed away in the hotel room safe or locked away in my suitcase.

When we hiked and camped in the Himalayas, my camera along with both my lenses were always on my person, and the tripod was handed off to the porters that were carrying our camping gear. For my camping trip, I just carried all my CF cards and ditched the charger and external hard drive at the house where we were staying because it was highly unlikely I’d find a charging port on that journey.

All these choices were possible because of the research I had done ahead of time.

Taking and Caring for Your Camera Equipment in Far Away Places

Much of Ladakh is dry and barren and upwards of 10,000 feet above sea level. Altitude sickness is very real and sometimes your gear also acts up. Of course, these dramatic views almost make up for any hardships.

Additionally, a good mindset to have when you travel to far-off exotic locations is one of acceptance of physical and mental limitations – both for yourself and your camera gear. I experienced some altitude sickness in Ladakh as we were traveling on roads at almost 17,000 feet above sea level. I also found my gear did not function as efficiently at that altitude. My batteries did not last as long and the camera also did not shoot as fast. The first few times it happened I freaked out. But then I just accepted it as something beyond my control and gave myself some extra time to be patient in getting the shot that I wanted.

#3 – Know Your Gear

This one is too basic to include here but it is amazing how many of us don’t follow this simple tip. We are so enamored with the latest and greatest gear available, but yet don’t quite know how to use the stuff that we do own.

The best way to get over this is to really limit yourself to a few key pieces of camera equipment for an extended period of time. One of my goals for this trip was to try and capture star trails and The Milky Way when I traveled to Ladakh. After all, I was going to be in a remote part of the country at an altitude of almost 15,000-17,000 feet above sea level. Barring any bad weather, I should be able to get relatively clear shots of The Milky Way and star trails.

Now astrophotography is not my thing. I always limited myself from trying it out because I don’t usually travel with a tripod, nor do I own an intervalometer. So this time I actually downloaded the camera manual on my phone and studied it before I left. With that information, I was able to comfortably and confidently use the B (a.k.a Bulb mode) on my camera to capture star trails in Ladahk. It was quite a thrilling experience for my maiden attempt.

Taking and Caring for Your Camera Equipment in Far Away Places

A 26-minute exposure while sleeping in the car near Jisp along the drive to Leh was one of the highlights of my trip. This is one of my first star trails shot and now I find myself looking out for stars every night! This would have been impossible without a tripod and proper remote trigger.

Another good thing to practice before you head out is gear maintenance. I had to routinely clean my lens and camera throughout this trip. I made the decision to carry two camera cleaning kits just because I knew my gear would get a lot of use. Before every major outing, I spent the time to clean out the dirt and dust from the camera and the lens. The dust pen was kept in my camera bag just in case I needed it while I was out and about photographing.

#4 – Be Local and Think Like a Local

I have to include this one in any travel photography related article because it does relate indirectly to taking care of yourself and your gear. Often times I find photographers I meet along my journeys have a fake sense of entitlement. When you are a guest in someone’s house, are you not on your best behavior? Why is it that when you are a guest in another country, common sense and basic manners seem to fly out the window.

Locals are still people who deserve the same amount of respect and courtesy as anyone. Put yourself in their shoes and try to imagine what they experience when someone shoves a camera in their face without so much as a hello or a smile.

While in Ladhak, we visited a lot of beautiful monasteries. Most of them are still in use and we saw many temples where the monks were in prayer. Even if there is no sign discouraging photography, please use common sense to not invade their private space especially when they are chanting. I cannot tell you how many times I came across tourists that almost jumped over each other or hanging out of moving cars just to take pictures of them chanting and praying. Seeing this rude behavior almost made me embarrassed to take my camera out.

Taking and Caring for Your Camera Equipment in Far Away Places

The infamous cable cars in Lucern, Switzerland…the clouds adds a certain mystery and aura to these engineering marvels!

Additionally flashing your fancy gear around is almost begging for the wrong kind of attention. I remember this one evening in Rome, I was out with my kids taking photos around some of the beautiful horse-drawn carriages. We lost track of time and soon found ourselves in a fairly deserted alley. I quickly put my gear away in my backpack, stuffed it with our jackets, grabbed my kids, and sprinted towards a more crowded piazza.

#5 – Make Friends with Local Photographers

The internet is an amazing tool for almost anything. It is such a great resource to find and connect with other photographers, especially if you are traveling to areas that are new and foreign to you. I was able to connect with some photographers in India as well as in Rome this summer. We chatted on the phone, met for dinner and just became friends.

They even gave me advice on some of the local, non-touristy spots to photograph as well as offered to lend me gear if I needed it. We tried to plan a shoot in India but the timing was not right, I know that the next time around we are going to create some magic, though.

Taking and Caring for Your Camera Equipment in Far Away Places

I met up with another photographer and we attempted to do night photography in Mumbai. But the moisture in the air because of the monsoons was causing some weird light trails against all the lights. So we went for ice cream instead! But it was a cool experience none the less.

Conclusion

I hope these tips are helpful as you plan your next vacation in a far-off destination. If you have other tips and tricks that worked for you, please share them with the community so we may all learn new ways to have an exciting and creatively satisfying vacation.

The post 5 Tips for Taking and Caring for Your Camera Equipment in Far Away Places by Karthika Gupta appeared first on Digital Photography School.


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Google Pixel 2 trumps iPhone as ‘best smartphone camera’ with highest DxOMark score ever

05 Oct

It’s been a couple weeks of amazing camera phone tests over at DxOMark. First the iPhone 8 Plus beat all former phones with a score of 94. Then the Samsung Galaxy Note 8 came in and earned the same overall score, beating the iPhone 8 Plus in the Photo category but falling short in Video. And now… now we have a new proper king.

After testing the brand new Google Pixel 2, DxOMark has awarded the flagship phone its highest ever marks for a smartphone camera with an overall score of 98.

As usual, you can read the full review over on DxOMark’s website, where they pit the Pixel 2 against its main rivals in a few head-to-head challenges, but the overall score results can be seen below:

In the Photo category, the Samsung Galaxy Note 8 is still the best phone out there, besting the Google Pixel 2’s score of 99 by a single point. But when it comes to video, the Pixel 2 is totally and completely unmatched. Its Video score of 96 makes Samsung’s paltry 84 seem a bit weak, and even Apple’s respectable 89 is nowhere close.

Ahead of doing our own tests with these phones, we’ve been looking closely at the results in the DxOMark tests, and we are very intrigued to say the least. Some of the numbers themselves are rather subjective, and we don’t entirely agree with DxO’s assessment in every category.

For example, in their outdoor bokeh comparison, the new Pixel 2 fares the worst:

Google Pixel (original) Portrait mode: 5MP sRGB JPEG.

The original Pixel simulated lens blur well (note the circular appearance of out-of-focus highlights), but did so at a resolution cost (you only got 5MP files). You also had to move the camera upward while taking the photo – problematic for moving subjects. There are artifacts present if you look closely.

Google Pixel 2 Portrait Mode: 12MP sRGB JPEG.

The new Pixel 2 fares the worst in this comparison, with multiple aritfacts throughout the image. At least it’s instantaneous (no need to move camera) and a full 12MP now though. Hopefully Portrait mode fares better in other situations.

iPhone 8 Plus Portrait Mode: 12MP DCI-P3 HEIF (10-bit).

The iPhone 8 Plus uses dual cameras to create the most artifact-free blur. It’s more Gaussian in nature than like a true lens blur (whichthe original Pixel simulated quite well). It’s also worth noting Apple is encoding images in higher bit-depth wider color space using the High Efficiency Image Format.

Something else overlooked by the DXO assessment: Apple now saves images in a new image format: HEIF, which allows for a wider color gamut (DCI-P3) and higher bit-depth (10-bit). That means the potential for more vivid images with less posterization compared to the conventional 8-bit sRGB JPEGs even the new Pixel phones (and most phones / cameras) continue to use today. In fact, even some of the colors in the iPhone 8 Plus image above are outside of the sRGB color space. Point: Apple.

Another point of contention we have: the sometimes overly tonemapped (flat) images HDR+ renders may or may not suit your taste. The Pixel 2 vs. HTC U11 high contrast scene demonstration shows the Pixel 2 preserving more overall detail in shadows and highlights, but doing so at the cost of global contrast. With the display capabilities of wide gamut, high brightness/contrast OLED displays that are technically capable of HDR display, that may not always be the optimal result. The iPhone X will likely be first device to show how good photos can look when you pair HDR capture with HDR display. We’re a bit disappointed that Google didn’t even mention HDR display, despite the devices’ displays clearly being capable of it.

Still, DxOMark’s conclusion doesn’t skimp on the superlatives… except that they’re running out of them:

We’re in danger of running out of superlatives when describing the major image quality attributes of the Google Pixel 2. That makes sense for a device that tops our scoring charts —up from the 94 of the Apple iPhone 8 Plus and Samsung Galaxy Note 8 to a record-setting 98. So for just about any Photo or Video ” href=”https://www.dxomark.com/glossary/use-case/”>use case, it recommends itself as the phone camera with the best image quality.

To read the full review for yourself, head over to the DxOMark website by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Google Clips is an AI-enabled hands-free camera that costs $250

05 Oct

Meet Google Clips

After some expected hardware update announcements, Google’s “one more thing” turned out to be Clips, a tiny, hands-free camera designed to automatically capture everyday moments.

Meet Google Clips

Small and lightweight, Clips is sold with a case that, uh, clips to things. Demo objects included toys and books. Point it at you and your loved ones, and Clips will do its thing without you ever needing to push the shutter button (although you can still push the shutter button if you want).

Meet Google Clips

Clips uses AI to identify and remember frequent subjects. When it detects a familiar subject smiling, for example, it will capture a burst of images. What’s more, Google says that it gets smarter over time, capturing more of the moments you want and fewer moments you’ll ultimately throw away.

Meet Google Clips

Clips works with the Pixel 2, naturally, but a rep we talked to said it will also work with an iOS app. It captures bursts of images from which videos (without audio) or stills can be extracted. Clips can be trimmed in the accompanying app, and they can be exported as GIFs as well.

Meet Google Clips

Clips will sell for $ 250, and eager customers can join a pre-order ‘waitlist’ now.

Articles: Digital Photography Review (dpreview.com)

 
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Camera+ 10 brings depth editing and HEIF support

04 Oct

Third party camera apps are a great way of customizing operation and expanding the feature set of your smartphone camera. However, with mobile imaging technology advancing at lightning speed app makers are constantly having to catch up with the device makers’ latest hard and software developments.

The makers of Camera+, one of the most popular third party apps for the iPhone, have now just done that and released version 10 of their app which brings support for Apple’s new HEIF image format and selective depth editing.

The latter makes use of the dual-camera features on the iPhone 7 Plus and 8 Plus and lets you sharpen, tint and otherwise edit different depth levels in an image that contains depth information.

In addition there are a new “Smile to shoot” trigger mode and a completely overhauled camera interface to incorporate the new features. Camera+10 is available for $ 2.99 on the Apple App Store.

Articles: Digital Photography Review (dpreview.com)

 
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RevolCam adds three accessory lenses and an adjustable light to any smartphone camera

02 Oct
When we reviewed the Shiftcam for the iPhone 7 Plus earlier this year we found it to be one of the most user friendly and versatile lens attachments for the iPhone. The team behind Shiftcam has now returned to Kickstarter to launch a new multi-lens smartphone attachment: the RevolCam.
Like the Shiftcam the RevolCam adds wide angle, fisheye and macro lenses to your smartphone camera but lacks a tele option. On the plus side it adds a built-in mirror for selfies and a detachable and adjustable LED light, providing additional illumination in dim conditions. Instead of the Shiftcam’s slider mechanism it uses a revolving design to allow for lens swapping on the fly.
In contrast to the Shiftcam, which is device-specific, the RevolCam comes with a universal design and its makers promise easy and secure attachment to any smartphone via a clamp mechanism. This should also work on the main camera of dual-camera equipped devices.

If you can live without a tele-attachment the RevolCam looks like an interesting accessory for mobile photographers who like to expand the camera feature set using attachment lenses. You can currently secure one by pledging $ 29 plus shipping on the RevolCam Kickstarter page which also makes it an affordable option. Delivery is planned for November 2017.

Articles: Digital Photography Review (dpreview.com)

 
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OnePlus 5 camera review

02 Oct

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The OnePlus 5 is the Chinese manufacturer’s flagship smartphone, replacing last year’s OnePlus 3T. The new model is the first OnePlus to feature a dual-camera setup and offers some enticing imaging specifications: a main camera with a 1/2.8″ 16MP Sony IMX 398 sensor and fast F1.7 aperture is supported by a 2x tele-module featuring a 20MP 1/2.8″ Sony IMX 350 sensor and F2.6 aperture.

The dual-camera design allows for an iPhone 8 Plus-like background-blurring portrait mode and the Smart Capture feature combines optical zoom with multi-
frame technology for improved zoom quality. The OnePlus 5 camera also comes with 4K video, a 720p/120 fps slow-motion mode and a dual-LED flash. The camera app’s new Pro mode provides manual control over the most important shooting parameters and DNG Raw capture.

The OnePlus 5 uses Qualcomm’s latest Snapdragon 835 flagship chipset. Offering 8GB RAM/128GB or 6GB RAM/64GB memory options and a 3300mAh battery that supports the OnePlus Dash Charge quick charging system, the rest of the device’s specifications are firmly top-shelf as well.

Key Photographic / Video Specifications

  • Dual-camera
  • 16MP 1/2.8″ Sony IMX 398 sensor and F1.7 lens
  • 20MP 1/2.8″ Sony IMX 350 sensor and F2.6 lens
  • Dual-LED flash
  • 4K video
  • 720p/120fps slow-motion
  • Portrait Mode
  • Manual controls
  • DNG-Raw support
  • 16MP / F2.0 front camera

Other Specifications

  • 5.5″ AMOLED 1080p display
  • Qualcomm Snapdragon 835 chipset
  • 6GB RAM/64GB storage or 8GB RAM/128GB storage
  • USB Type-C
  • Fingerprint reader
  • 3.5mm audio jack
  • 3300 mAh battery with Dash Charge

DPReview smartphone reviews are written with the needs of photographers in mind. We focus on camera features, performance, and image quality.

Articles: Digital Photography Review (dpreview.com)

 
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GoPro’s 5.2K 360-degree Fusion camera officially launched, costs $700

01 Oct

The GoPro Hero6 was the big news to come out of GoPro’s launch event yesterday, but it’s not the only thing the company revealed. CEO Nick Woodman also officially launched the previously-announced and still somewhat-mysterious GoPro Fusion—the company’s 360° 5.2K action camera.

The GoPro Fusion was first teased at CES in 2016 and revealed in April of this year, but other than its ability to shoot 5.2K spherical video at 30fps, we really didn’t know much about it. Official release date was set for “Fall” and people mostly forgot about it… until yesterday, that is. We found out a lot more about Fusion the launch event.

In addition to that video spec, the Fusion uses its two lenses to shoot 18MP spherical photos, captures 360° sound, is waterproof to 16feet (5 meters) without any external case, and features ‘gimbal-like stabilization’ that is achieved using the built-in accelerometer, gyroscope, and compass. Additional features include time lapse video and photo modes, night lapse and burst modes, voice control in 10 languages, and built-in GPS, WiFi and Bluetooth.

Here are a few video breakdowns of the different features built into the camera, like that gimbal-like stabilization and something called ‘OverCapture’:

The GoPro Fusion is already up for pre-order on the GoPro website. It will cost you $ 700 and GoPro plans to ship the Fusion later this month. Click here to find out more or pre-order yours now.

Articles: Digital Photography Review (dpreview.com)

 
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