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Posts Tagged ‘Camera’

Sony announces a6400 midrange APS-C mirrorless camera

16 Jan

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Sony has announced the a6400, an updated 24.2MP mirrorless camera with a flip-up rear touchscreen and the processor and autofocus system ‘borrowed from the a9’.

In many respects the camera resembles an a6300 with a more powerful processor, enhanced autofocus and a more extensively articulated touchscreen, but launched at a slightly lower cost. It also adds the timelapse function that was lost when Sony moved away from offering in-camera apps.

Like previous models it can shoot at up to 11 fps or 8 fps in silent shutter mode, both with full autofocus and exposure capability, but not live view.

Enhanced AF

Most of the enhancements come in the form of autofocus improvements that have been developed for the a9. These include increased speed along with the enhanced ‘real-time tracking’ and animal Eye AF promised in a firmware update for its a9 pro-level sports camera.

Like recent APS-C Sony models it has 425 phase detection points spread out across its sensor. These, combined with the more powerful processor let Sony claim World’s fastest AF (with all the footnotes such claims usually entail). The most obvious differences are that Sony now says its subject recognition and tracking algorithms now include eye and pattern detection, in addition to the distance, color and face detection information they previously worked with. This should lead to more stable, persistent tracking, the company says.

Movie AF tracking is also improved, Sony says. Like the a6300, oversampled 4K video is taken from the full width of the sensor.

The camera also offers an 8-bit version of the Hybrid Log Gamma standard for simple capture of HDR video, allowing the capture and display of a wider range of tones in a natural manner, on the latest TVs. The company only promises compatibility with its own TVs.

The body-only price will be $ 900 in the US, CAN$ 1250 in Canada and €1050 in Europe. This is noticeably less expensive (by $ 100 and €200) than the a6300, which suggests it will sit a little lower in the lineup. Only time will tell whether this will also see it replace the low-cost a6000 model.

Official sample images:

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Sony Announces its Next-generation ?6400 Mirrorless Camera with Real-time Eye Autofocus, Real-time Tracking and World’s Fastest Autofocus

  • World’s Fastest 0.02 seconds AF acquisition speed plus 425 phase-detection and contrast-detection AF points covering approximately 84% of image area
  • Advanced Real-time Eye AF
  • New Real-time Tracking for object tracking
  • 2MP APS-C Exmor™ CMOS image sensor and latest-generation BIONZ X™ image processor
  • 180-degree fully tiltable LCD touch screen for self-recording
  • High-speed continuous shooting at up to 11 fps mechanical shutter / 8 fps silent shooting with continuous AF/AE tracking
  • High-resolution 4K movie recording with full pixel readout and no pixel binning, plus advanced AF speed and stability
  • Interval recording for time-lapse videos

SAN DIEGO — Jan. 15, 2019 — Sony Electronics Inc. today introduced an exciting new addition to its E-mount mirrorless camera lineup – the ?6400 (model ILCE-6400).

The ?6400 brings many of Sony’s most advanced technologies from their acclaimed full-frame lineup to a compact, lightweight APS-C camera. The speedy new camera boasts the world’s fastest1 autofocus (AF) acquisition of 0.02 seconds2, while also introducing the new advanced “Real-time Eye AF” and ”Real-time Tracking” capabilities. Also included are high-speed shooting at up to 11 fps4 with AF/AE tracking, a new-generation BIONZ X image processing engine that produces excellent image quality, 4K6 video recording, a fully 180-degree tiltable LCD touch screen and much more, making it the ultimate tool for all types of creators ranging from professionals to vloggers.

“The ?6400 represents another important step in the growth of Sony’s overall interchangeable lens camera lineup,” said Neal Manowitz, vice president of Imaging Solutions at Sony Electronics. “By bringing so many of our latest and most advanced technologies from full-frame cameras to a brand new APS-C model, we are giving today’s creators more options than ever to realize their vision.”

Speedy Performance that Captures Decisive Moments

The impressive autofocus system on the new ?6400 inherits many technologies from Sony’s newest line-up of full-frame cameras including the ?9, ?7R III and ?7 III models. The new a6400 features 425 phase-detection AF points and 425 contrast-detection AF points that are placed densely over the entire image area, covering approximately 84% of the image area. This high-speed, high-performance tracking AF system is paired with a new-generation BIONZ X image processing engine that together allow the camera to acquire focus in as little as 0.02 seconds2 and maintain subject lock extremely effectively, ensuring even the fastest moving subjects can be tracked and captured with ease.

The ?6400 introduces advanced “Real-time Eye AF,” the latest version of Sony’s acclaimed Eye AF technology. This exciting new capability employs artificial intelligence based object recognition to detect and process eye data in real time, resulting in improved accuracy, speed and tracking performance of Eye AF. In all autofocus modes, the camera now automatically detects the eyes of the subject and activates Eye AF with a half press of the shutter button, and when in AF-C or AF-A mode, the preferred eye (left or right) of your subject can be selected as the focus point. Choices include Auto / Right Eye / Left Eye, and a Switch Right / Left Eye function is able to be assigned to a custom function as well. This exciting new technology completely frees the photographer to focus solely on composition with full trust that focus will be tack sharp on the subject’s eye. Eye AF support for animals will be added in summer 2019 via a system software update, ideal for wildlife photographers.

Also debuting on the ?6400 is Sony’s newly developed “Real-time Tracking.” This mode utilizes Sony’s latest algorithm including artificial intelligence (AI) based object recognition and processes color, subject distance (depth), pattern (brightness) as spatial information to ensure that all subjects can be captured with excellent accuracy. Additionally, when photographing or videographing humans or animals, face and eye position information is recognized by AI and the subject’s eye7 is monitored in real time with extremely high tracking precision. This can be activated by a simple half press of the shutter button, or can be assigned to a custom function as well.

In terms of overall shooting speeds, the new camera can shoot at up to 11 fps4 with full AF/AE tracking while utilizing the mechanical shutter, and up to 8 fps5 with full AF/AE tracking while silent shooting. It can shoot at each of these speeds for up to 116 frames JPEG Standard / 46 frames RAW compressed, greatly increasing the chances of capturing the perfect moment.

All-around Advancements in Image Quality

Sony’s new ?6400 is equipped with a 24.2 MP3 APS-C sized image sensor with that is paired with an upgraded BIONZ X processor to deliver incredible advancements in image quality and color reproduction in all types of shooting conditions. Standard ISO ranges up to ISO 32000 for both still and movie, and is expandable up to ISO 102400 for still images, with excellent noise reduction at medium and high sensitivities.

The camera also inherits many of the image processing algorithms from Sony’s newest full-frame cameras, greatly suppressing noise while preserving resolution and improving texture depiction.

Advanced High-Resolution 4K6 Movie Recording with Fast Hybrid Autofocus

The versatile ?6400 is an exceptional video camera, offering internal 4K (QFHD: 3840 x 2160) movie recording with full pixel readout and no pixel binning to collect about 2.4x the amount of data required for 4K movies, and then oversamples it to produce high quality 4K footage with exceptional detail and depth. Focusing during movie shooting is fast and stable thanks to upgraded Fast Hybrid AF technology, which keeps the subject in constant smooth focus no matter the scene, and even if an object crosses in front of the camera. This advanced AF plus touch focus functionality make it an ideal camera choice for many vloggers and video creators that are regularly creating and uploading content online.

For time-lapse movie creation, the new camera features built-in interval recording that can be set anywhere between 1 and 60 seconds, with a total number of shots from 1 to 9999. AE tracking sensitivity can be adjusted to “High”, “Mid” or “Low” during interval shooting, allowing for reduced changes in exposure over the shooting interval.

Additionally, for the first time in Sony APS-C mirrorless camera, the new model includes an HLG (Hybrid Log-Gamma) picture profile, which supports an Instant HDR workflow, allowing HDR (HLG) compatible TV’s to playback beautiful, true-to-life 4K HDR imagery. Further, both S-Log2 and S-Log3 are available for increased color grading flexibility, as well as Zebra functionality, Gamma Display assist and proxy recording. The camera can also record Full HD at 120 fps at up to 100 Mbps, allowing footage to be reviewed and eventually edited into 4x or 5x slow-motion video files in Full HD resolution with AF tracking.

Upgraded Build to Maximize Versatility

The new camera is designed to offer a high level of functionality and customization to maximize shooting freedom. New on the ?6400 is a fully 180-degree tiltable, 3.0-type LCD flip screen with 921k-dots of resolution that allows for simple and effective framing of selfie-style shooting for both still and video capture. Utilizing this capability, vloggers will be able to check and monitor composition throughout their entire creative process. The LCD screen is also equipped with touch functionality, with options for Touch Pad, Touch Focus, Touch Shutter and new Touch Tracking which quickly activates “Real-time Tracking” through the touch screen.

The camera features a high quality XGA OLED Tru-finder™ viewfinder, extensive customization with 89 functions that are assignable to 8 custom keys, the new My Dial and My Menu functionality, enhanced overall menu usability, a help screen for menus, star rating for images, and many other features that allow for a seamless shooting experience. It is also built with a tough magnesium alloy design and has an extremely durable shutter that is rated for approximately 200,000 cycles. It also is capable of seamlessly transferring files to a smartphone or tablet when connected to the brand new Imaging Edge Mobile application.

Pricing and Availability

The ?6400 will ship in February 2019 for a suggested retail price of $ 900 USD and $ 1,250 CAD. It will also be offered as a kit with the 16-50mm F3.5 – 5.6 lens for a suggested retail price of $ 1,000 USD and $ 1,350 CAD, or in a kit with the 18-135mm F3.5 – 5.6 lens for a suggested retail price of $ 1,300 USD and $ 1,750 CAD. The camera and kits will be sold at a variety of Sony authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new camera and other Sony ? products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony ? brand.

The new content will also be posted directly at the Sony Photo Gallery and the Sony Camera Channel on YouTube. Detailed information pages within Sony.com for the new products can be found at:

(US) – LINK

(CA) – LINK

Footnotes

1 Among interchangeable-lens digital cameras equipped with an APS-C image sensor as of January 2019, based on Sony research
2 CIPA-compliant, internal measurement method with an E 18-135mm F3.5-5.6 OSS lens mounted, Pre-AF off and viewfinder in use
3 Approximate effective megapixels
4 In “Hi+” continuous shooting mode. Maximum fps will depend on camera settings
5 Maximum fps will depend on camera settings. Some distortion may occur with fast-moving subjects or if the camera is moved sideways rapidly while shooting
6 A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed Class 3 or higher is required for 100Mbps recording
7 Accurate focus may not be achieved with certain subjects in certain situations
8 “Tracking” must be enabled via the menu beforehand
9 The latest version of Imaging Edge “Viewer” and PlayMemories Home desktop applications is required
10 Connect this product to an HDR (HLG) compatible Sony TV via USB cable when displaying HDR (HLG) movies
11 S-Log2 and S-Log3 are premised on processing pictures
12 Pixels to be read are limited to the sensor area that is required for Full HD movies
13 Sony internal tests with electronic front curtain shutter
14 Availability of transfer / playback depends on the performance of the smartphone and tablet

Sony a6400 specifications

Price
MSRP $ 900 (body only), $ 1000 (w/16-50mm lens), $ 1300 (w/18-135 lens)
Body type
Body type Rangefinder-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 6000 x 4000
Image ratio w:h 1:1, 3:2, 16:9
Effective pixels 24 megapixels
Sensor photo detectors 25 megapixels
Sensor size APS-C (23.5 x 15.6 mm)
Sensor type CMOS
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-32000 (expands to 102800)
Boosted ISO (maximum) 102800
White balance presets 10
Custom white balance Yes
Image stabilization No
File format
  • JPEG (Exif v2.31)
  • Raw (Sony ARW)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Phase Detect
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 425
Photography features
Minimum shutter speed 30 sec
Maximum shutter speed 1/4000 sec
Built-in flash Yes
Flash range 6.00 m (at ISO 100)
External flash Yes (via hot shoe)
Flash modes Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync
Flash X sync speed 1/160 sec
Exposure compensation ±5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±5 (3, 5 frames at 1/3 EV, 1/2 EV, 2/3 EV, 1 EV, 2 EV steps)
WB Bracketing Yes

Articles: Digital Photography Review (dpreview.com)

 
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Miami Beach police use camera blimp to get around drone surveillance ban

15 Jan

The Miami Beach Police Department found a loophole to circumvent Florida’s 2015 ban on police drone surveillance — a tethered, relatively immobile blimp with a camera attached to the underside. Officially called a ‘tethered aerostat,’ the helium-filled vehicle was used to monitor the approximately 15,000 people who attended the Capital One Beach Bash over the New Year’s holiday.

In 2015, Florida passed the Freedom From Unwanted Surveillance Act, which banned the use of drones for police surveillance. In a letter to the city commission on January 3, City Manager Jimmy Morales explained the police department’s use of the camera blimp, citing necessity due in part to ‘the legal restrictions on police departments under Florida law and because of limited battery life and flight time’ associated with drones.

Morales went on to call the blimp ‘a new technological solution for aerial monitoring,’ one the police department felt was necessary due to “the emergence of new threats of terrorism seen around the world in such large gatherings…”

A Miami Beach Police Department spokesperson told the Miami New Times the department doesn’t believe its tethered aerostat violates state law. Use of a lighter-than-air vehicle for aerial surveillance has proven controversial, however, with critics saying there is little difference between a stationary floating camera and a remote-controlled flying camera.

The region’s law enforcement has repeatedly demonstrated interest in camera-based surveillance, including the Miami-Dade Police Department’s attempt in 2017 to deploy a wide-area surveillance system involving Cessna planes equipped with cameras. That plan, which was abandoned following heavy criticism, would have monitored the entire county using technology developed by the U.S. Air Force for use in combat zones.

Articles: Digital Photography Review (dpreview.com)

 
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OPPO to announce 10x lossless smartphone zoom camera

15 Jan

At MWC 2017 Chinese smartphone maker OPPO showed a prototype device at its booth that featured a dual-camera setup with 5x optical zoom in a normally-sized smartphone body. The zoom lens design had been developed in cooperation with CorePhotonics and used a 90-degree angular prism to direct the light to a vertically positioned stabilized camera sensor.

The prototype never made it into a production series but now it seems OPPO is going to skip the 5x zoom entirely and make a direct jump to a device with a 10x zoom lens that is based on the same principles. The company is currently sending out media invites for the presentation of a 10x lossless zoom solution in Beijing, China, on January 16.

OPPO/CorePhotonics 5x optical zoom design

According to Chinese sources it is not clear if OPPO will present a production device or yet another prototype. In any case it looks like we’ll see zoom factors on smartphone cameras grow rapidly in the near future.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: The Yashica Y35 looks like a camera that would be fun to shoot.. until you try shooting with it

14 Jan

What do you get when you combine an iconic camera brand from the past with a crowdfunding campaign for a ‘rangefinder’ camera? The Yashica Y35, that’s what. Watch Chris and Jordan try to make lemonade out of a lemon.

Get new episodes of DPReview TV every week by subscribing to our YouTube channel!

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You?

14 Jan

The post Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You? appeared first on Digital Photography School. It was authored by Suzi Pratt.

Fujifilm was on a roll this year releasing a slew of gear including two very popular mirrorless cameras: the Fujifilm X-H1 and Fujifilm X-T3. Released a mere 7 months apart, these two cameras have amateurs and professionals alike wondering which is better suited for their needs.

Key Specs

Fujifilm X-H1 vs X-T3

Fujifilm X-T3

One of Fujifilm’s most popular cameras to date has been the X-T2, so it’s no surprise that many loyalists to the X-T line were awaiting the third generation. The Fujifilm X-T3 is the newest Fuji camera to date, using a brand new sensor and processor. As a result, it has quite a few advantages over all other Fujifilm cameras, including boosted battery life. It continues to enhance photography features with its larger sensor resolution (8% more pixels), 100 more focus points, faster continuous shooting (6 fps faster), and the inclusion of a flash sync port. Fujifilm also added a slew of video features such as 4K60p, higher bit rate (400mbps), and a headphone port. All in all, the X-T3 is made to entice today’s hybrid photo and video shooters.

  • Announced: September 2018
  • Fujifilm X-Mount
  • Comes in black or silver
  • 26MP – APS-C BSI-CMOS Sensor
  • No Anti-aliasing (AA) filter
  • ISO 160 – 12800
  • 3.2 Tilting Screen
  • 3690k dot Electronic viewfinder
  • 20.0 fps continuous shooting
  • 4096 x 2160 video resolution
  • Built-in Wireless
  • 539g. 133 x 93 x 59 mm
  • Weather Sealed Body

Fujifilm X-H1 vs X-T3

Fujifilm X-H1

Brand new to the Fujifilm X-Series lineup is the X-H1. It is the first X-Series camera to have in-body image stabilization (IBIS), which is essential for shooting more stable handheld video and lowlight photos. This is the main advantage that the X-H1 has over the X-T3.

  • Announced in February 2018
  • Fujifilm X-Mount
  • 24MP – APS-C CMOS Sensor
  • No Anti-aliasing (AA) filter
  • ISO 200 – 12800
  • Sensor-shift Image Stabilization
  • 3 Tilting Screen
  • 3690k dot Electronic viewfinder
  • 14.0 fps continuous shooting
  • 4096 x 2160 video resolution
  • Built-in Wireless
  • 673g. 140 x 97 x 86 mm
  • Weather Sealed Body

3 reasons to pick the X-H1 over the X-T3

1. Built-In Image Stabilization (IBIS)

As mentioned above, the X-H1 is the only Fujifilm camera to offer in-body stabilization. This means that even your lenses without Optical Image Stabilization (OIS) will be stabilized by the camera. With that said, if you use an OIS lens on the X-T3, you can still get a degree of stabilization even without IBIS.

2. Top LCD

The X-H1 physically resembles DSLRs in several ways, namely via its top LCD. This can be helpful for viewing and changing settings in the dark, and also for seeing your battery levels without turning the camera on.

Fujifilm X-H1 vs X-T3

3. Larger overall footprint.

Overall, the X-H1 is physically larger than the X-T3 and is closer in looks to the Fujifilm GFX camera line. The X-H1 is about 134 grams heavier and has a noticeably larger right-hand grip. While many people purchase mirrorless cameras with the idea of having a smaller, more compact camera, you may prefer the X-H1’s larger size if you have big hands or tend to use Fujifilm’s large red badge lenses.

4 reasons to pick the X-T3 over the X-H1

1. Enhanced Autofocus

Fujifilm made significant autofocus improvements to the X-T3, now offering 425 hybrid autofocus points. That’s 100 more autofocus points than both the X-T2 and the X-H1. Additionally, both face and eye detect have been enhanced and they are much more responsive and accurate on the X-T3 than on previous Fujifilm cameras. I will say, however, that Sony still leads the pack in terms of face and eye detect in particular.

Fujifilm X-H1 vs X-T3

2. Faster continuous shooting

The X-T3 also ups the ante in continuous shooting. Now able to shoot 11 frames-per-second (fps) with the mechanical shutter, 20 fps with the electronic shutter, and 30 fps in 1.25x crop mode with the electronic shutter. In comparison, the X-H1 also shoots 11 fps mechanical, but only 14 fps with electronic. If frames per second and continuous shooting are of importance to you, the X-T3 is your best bet.

3. Higher quality video settings

Despite the X-H1 being intended as Fujifilm’s video-oriented mirrorless camera, the X-T3 doesn’t skimp on video features. In fact, the X-T3 outperforms the X-H1 when it comes to bitrate (400mbps vs 200mbps), and its ability to shoot at 4K60p (compared to the X-H1’s 4K30p). Also, the X-T3 has a headphone jack to monitor audio–this is a feature you can only get on the X-H1 if you use the accompanying battery grip.

4. Lower price point

In addition to a new processor and sensor, the Fujifilm X-T3 also boasts a lower price point of $ 1499 versus $ 1899 for the camera body only. That’s a $ 400 difference that could be put towards a new lens or camera accessory.

Fujifilm X-H1 vs X-T3

Common ground – X-H1 and X-T3

Both the Fujifilm X-H1 and X-T3 have many features to make them viable competitors in today’s hot mirrorless camera market. Here’s what they have in common:

  • Wireless and Bluetooth connection
  • Smartphone camera control via an app
  • Articulating rear touchscreen LCD screens (but no selfie flip out screen)
  • Timelapse recording
  • 2 SD card slots
  • Ability to shoot in RAW and JPG (for stills) and f-log (for video)
  • Fujifilm’s famous film simulations, including the newest Eterna
  • Firmware updates that are actually helpful — Fujifilm is known for listening to its customer base and releasing significant firmware updates for cameras and lenses.

In Conclusion

As a newer camera with more photography and video features AND a lower price point, the Fujifilm X-T3 will probably be the camera of choice for most people. Even Fujifilm seems to have realized this as the X-H1 has dropped in price to be very competitive with the X-T3. However, if you’re a serious videographer who isn’t in a hurry to get a new camera, it is probably worth waiting to see what Fujifilm does with the next generation of the X-H1: the X-H2. Although nothing official about the X-H2 has been announced yet, Fujifilm is famous for taking customer feedback seriously and many Fuji enthusiasts believe the X-H2 will be the ultimate video camera. We’ll wait and see!

Video with sample images and footage

Most comparisons were done in video form, so please check out the video below to see X-H1 and X-T3 sample video and photos.

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The post Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You? appeared first on Digital Photography School. It was authored by Suzi Pratt.


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Canon exec says an 8K mirrorless camera is on the ‘EOS R-series roadmap’

11 Jan

In an exclusive interview with Dave Etchells of Imaging Resource Canon’s top product-planning executive, Yoshiyuki Mizoguchi, shared a number of interesting details regarding the future of the Canon R series.

Considering his position in the company, Mizoguchi-san is the foremost expert in terms of understanding where Canon is currently at and where it anticipates on going with the EOS R lineup in the future.

The interview is full of smaller tid-bits regarding the Canon EOS R series, but the stand-out detail from the lengthy interview is the mention of an upcoming EOS R camera that’s capable of recording 8K video.

When inquired by Etchells as to how video plays a roll in the EOS R series — both in terms of lenses and cameras — and how important it will be within the product lineup, Mizoguchi-san had the following to say:

Video will play a huge role in the EOS R System for sure. For example, an 8K video capable camera is already in our EOS R-series roadmap. And we are not just looking at video from a camera perspective, we are also working on how to make RF lenses better for video capture as well. [Emphasis provided by Imaging Resource]

The answer continues on with Mizoguchi-san saying the RF 24-105mm F4L was designed, in part, with Nano USM technology due to its ‘silent and smooth autofocus while shooting video.’

Mizoguchi-san wraps up the answer saying ‘Paired with Dual Pixel CMOS AF, a wide range of Nano USM equipped RF lenses will promise video creators great image quality as well as impressive autofocus together in the R-series.’

As Imaging Resource pointed out in an editorial note underneath this specific question and response, the phrase ‘on the roadmap’ could mean later this year or within the next decade. However, the fact Mizoguchi-san even mentioned it shows it’s very likely a sooner-rather-than-later sort of deal considering how conservative and quiet Canon tends to be when talking about future technologies.

There is plenty to dig into within the full interview, but a few other notable mentions include Mizoguchi-san saying 4K without crop factor, faster frame rates, and in-body image stabilization (IBIS) are all features Canon ‘[is] aware of and are working on.’ Mizoguchi-san also confirms that Canon is very much focused on ‘satisfying’ both the DSLR and mirrorless market, at least for the time being.

To read the full interview, head on over to Imaging Resource. It’s a fantastic dive into the EOS R system and its future with the man who would know best.

Articles: Digital Photography Review (dpreview.com)

 
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Olympus posts second teaser for upcoming sports camera

10 Jan

Last week, Olympus published a teaser about a sports-oriented mirrorless camera set to launch on January 24th. The video didn’t reveal much, giving just a quick glimpse of a DSLR-shaped body with a built-in battery grip taking photos at volleyball and water polo matches.

There’s not a whole lot new in this video, aside from someone taking photos at an auto race. The camera is still well-hidden, with Olympus offering a very quick glimpse of the back.

Articles: Digital Photography Review (dpreview.com)

 
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Why Carrying Less Camera Gear Will Make You a Better Photographer

10 Jan

The post Why Carrying Less Camera Gear Will Make You a Better Photographer appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

During travel photography workshops, we teach participants who often carry big, heavy camera bags. A lot of the time people do not use very much of what they are lugging around with them.

In this article, I want to encourage you to think about carrying less camera gear and how it can help you improve your photography.

Why Carrying Less Camera Gear Will Make You a Better Photographer Female Photographer

© Kevin Landwer-Johan

Restrictions of weight

Walking around with less weight on your shoulder or back makes a huge difference to photography sessions. It’s no problem if you’re working in a studio or are going to be mostly in one location, but otherwise, it can wear you out quickly.

Going on a photo walk, or even when you go on location, carrying less weight in camera gear frees you up and gives you more energy. You can enjoy your photography for longer periods of time. This becomes more noticeable as you get older.

Well-designed camera bags make a difference with good weight distribution. Mostly though, bags designed to carry a lot of camera gear are backpack-style and I do not find these easy to use. They are either strapped on and secure, with a belt to help support the weight on your hips, or your gear is easily accessible but the weight is not so well distributed.

Carrying a heavy bag of equipment hanging off your shoulder is tiring. It can also lead to back problems if you frequently do it for long periods.

Why Carrying Less Camera Gear Will Make You a Better Photographer Poi Sang Long Festival

© Kevin Landwer-Johan

The hassle of bulk

Bulky bags make moving around more difficult. Again, this is more pronounced as you get older. Getting down on the ground to capture a low angle view becomes difficult with a bulky backpack on. If you do not have the bulk and weight on you are far more likely to get down and potentially make a more interesting photo.

Markets and other busy locations are far easier to navigate if you are carrying less camera gear.

With less of a mass of gear, you are also more inconspicuous. This can be a great advantage and help you obtain more natural, candid photos.

Khao San Road Why Carrying Less Camera Gear Will Make You a Better Photographer

© Kevin Landwer-Johan

Thinking differently about how you compose

I think the biggest advantage of carrying less camera equipment with you is that you are forced to be more alternative in your approach to composition.

You will need to be more imaginative if you have only one or two lenses with you. Zooming with your feet becomes more necessary. It does not take long to get used to.

Seeing in new ways that still allow you to take interesting photos becomes second nature if you practice often enough. You have to think more about taking photos with the lens you have on your camera. If you have limited options you have to focus on your composition rather than relying on the perspective a different lens gives you.

Of course, this all means you need to plan more in advance. Packing the right gear for a particular situation is important. Before you head out with minimal gear, carefully consider the demands you are facing and which lenses will be most appropriate. If you are like me and prefer not to use zoom lenses, your options are more limited and carrying less gear is more challenging.

Why Carrying Less Camera Gear Will Make You a Better Photographer

© Kevin Landwer-Johan

What gear should I pack?

Ask yourself how much of your gear you really use each time to go out. When you stop to think about it you will probably find that you use certain lenses and other equipment more often and other gear hardly at all.

Check your metadata in Lightroom to see which lenses you use the most. Open a catalog of the favorite photos you’ve taken over the last twelve months or so. In Grid View in Lightroom click on the Metadata option in the top bar. Now you will see lists of cameras and lenses you have used. Analyzing your best photos based on lens and focal length may help you decide which lenses you use the most to take the photos you are most satisfied with.

Maybe you will choose to take one or two lenses with you more often, based on this information. Don’t always pack the lens you use the most. Push yourself by sometimes only packing a lens you tend not to use so much. This helps you become more comfortable using these lenses and to master them.

Kevin Lander-Johan Photographer Why Carrying Less Camera Gear Will Make You a Better Photographer

© Kevin Landwer-Johan

Conclusion

You may need to buy a new bag, or consider not taking a camera bag with you. If you are only taking one or two lenses out you may not even need to take a camera bag at all.

Don’t aim to travel too light when you have to produce a set of photos for a customer or specific purpose. Limiting yourself in terms of gear options can be detrimental in these situations. If you have a job to do, you need to be sure to do it well.

Challenge yourself to use minimal camera equipment for a month or two. Create a new body of work. When you reach the set period of time you have made yourself, look back over your photos and think about the difference this exercise has made to your photography.

Do you limit your photography gear? Let us know in the comments below.

The post Why Carrying Less Camera Gear Will Make You a Better Photographer appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Sharp reveals 8K Micro Four Thirds camera prototype at CES 2019

10 Jan

Sharp made a surprising announcement during CES 2019 this week: it’s developing an 8K Micro Four Thirds camera, currently referred to as the ‘8K Video Camera.’ YouTuber Kinotika published a short hands-on video (above) with the prototype camera, but details are slim at this time. Sharp reportedly told CES attendees that it will reveal the model’s official specs in Q2, possibly at NAB 2019.

According to Kinotika citing Sharp employees at CES, the 8K Video Camera will support 8K video recording at 30fps in H.265 codec. The model, at least at this point in the development process, is also expected to offer a single UHS-II SD card slot, sensor stabilization, and a large 5-inch flip-out display.

Sharp reportedly stated that it is working on a 60fps recording option for a lower resolution, possibly 1080p. Other features present on the prototype include a full-size HDMI port, audio-in, USB-C, a microphone input, and a headphone jack. Assuming nothing changes by the time an official announcement takes place, the ‘8K Video Camera’ will have a sub-$ 5,000 price.

Unfortunately, the prototype wasn’t functional and additional details aren’t available.

Articles: Digital Photography Review (dpreview.com)

 
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The Insta360 Titan is an 11K 360-degree camera with 8 Micro Four thirds sensors

09 Jan

Insta360 has most user types of 360-degree cameras covered, offering cameras from the consumer-level One X all the way up to pro-level 8K models. However, it seems there is demand for even more powerful cameras with higher resolutions.

With the new 11K Titan camera Insta360 is catering to VR cinema professionals with the highest demands. The camera features eight lenses with Micro Four Thirds sensors, which is the largest sensor size on any stand-alone VR camera.

The camera supports 10-bit color and in video mode can shoot 11K or 10K 3D at 30 fps, 8K at 60 fps or 5.3K at 120 fps. In still mode it can capture 11K 360-degree images in 3D and monoscopic.

To cope with the amounts of image data that is captured, each lens/sensor combo requires a high-speed SD card. Gyroscopic metadata for Insta360’s FlowState stabilization and low-resolution proxy files, which can be used for quicker editing with Insta360’s Adobe Premiere Pro plug-in, are stored on an additional card.

In addition to the company’s very efficient FlowState stabilization, the Titan also supports Insta360’s Farsight radio technology which allows for remote control of the camera and was first introduced with the Pro 2 model. The CrystalView conversion tool can be used to play back and watch the camera’s 11K video output.

This much technology does not come cheap, of course, and priced at $ 14,999, the Titan is squarely aimed at the VR professionals camp. If you think the camera could be a profitable investment for your business, you can reserve one now with a $ 150 deposit. Shipment is expected for April. If you’d like to get an idea of the image quality the camera is capable of, head to the Insta360 Youtube channel for resolution, low-light and stabilization comparisons.

This Is Titan: Insta360 Opens Reservations on 11K, Eight-Lens VR Cinema Camera

Insta360 today opened reservations for the Insta360 Titan, an eight-lens cinematic VR camera that captures 360 photos and video at up to 11K resolution.

The Titan uses eight Micro Four Thirds (MFT) sensors, the largest sensors available in any standalone VR camera. These sensors maximize image quality, dynamic range, low-light performance and color depth, raising the bar for realism in high-end professional VR capture.

Insta360 will show the new camera at the CES show in Las Vegas this week. The Titan is set to ship in April, following a pilot program with select filmmaker partners.

Creators can reserve their Titan here today to secure a priority shipment in the first batch.

Introducing Insta360 Titan: https://youtu.be/9VhxtmV7mZQ

Turn it up to 11.

The Titan is the first standalone 360 camera ready to record in 11K. Key shooting modes include 11K at 30 FPS, 10K 3D at 30 FPS, as well as 11K 360 photos in 3D and monoscopic formats.

Additional shooting modes include 8K at 60 FPS and 5.3K at 120 FPS.

A sensor so good you’ll want eight.

360 cameras use an array of sensors to cover every direction of the action. Most use small sensors on par with those found in smartphones or action cameras — useful for installing in a smaller camera body but not for maximizing image quality.

The Titan bucks this trend, sporting eight optimized Micro Four Thirds sensors that combine the benefits of a large sensor area with a relatively compact design. These high-performance sensors are the key to achieving a cinematic image quality that’s been unattainable to VR creators until now.

Natural light and color.

The Titan supports shooting in 10 bit color, allowing for billions of color combinations and extreme color accuracy, while its high dynamic range lets creators capture natural lighting and low-light scenes to achieve an unparalleled realism in VR.

Make your move with FlowState Stabilization.

The Titan uses Insta360’s signature onboard FlowState Stabilization technology, allowing for gimbal-like 9-axis stabilization with no accessories or added effort from the user. Onboard stabilization lets creators achieve the stunning dynamic shots necessary to tell a compelling story in VR.

Not in the shot. But still in the action.

The Titan comes standard with Insta360’s Farsight live monitoring system, consisting of a transmitter and a receiver that can be easily attached to a phone or tablet.

Using Farsight, VR filmmakers can easily preview and control their shoots remotely. VR directors used to have to yell “action” and then jump behind a tree to avoid ruining the shot. Farsight saves them the sweat.

Deliver what you shoot.

Ultra-high-res VR content presents a distribution challenge. Most playback systems aren’t ready to decode immersive video at higher than 4K, let alone 11K.

CrystalView, Insta360’s proprietary playback tech, lets creators deliver what they really shot. It renders in real time exactly the part of a video a viewer is watching – with no computing power wasted on displaying what’s behind their head — so that even mainstream smartphones can play back full-quality Titan content.

Reservations open now.

Starting today, VR filmmakers can reserve their Insta360 Titan and be among the first owners when the camera ships this April.

The Titan is priced at $ 14,999 USD, and the reservation is confirmed with a fully refundable deposit.

Articles: Digital Photography Review (dpreview.com)

 
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