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Posts Tagged ‘Camera’

Jason Momoa, AKA Aquaman and Khal Drogo, is quite the Leica camera collector

05 Mar

Jason Momoa, better known as Aquaman and Khal Drogo from HBO’s Game of Thrones, is apparently an avid Leica camera collector and working alongside Leica and Red Digital for an upcoming project.

On his Instagram page, under the username prideofgypsies, Momoa shared the below post highlighting a ‘new project and film’ he’s working on. He doesn’t dive into the details of it, but says video is being shot on Red Digital cameras with Leica glass attached while stills are being shot with Leica cameras.

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Excited to start a new project and film. Shooting movies on the @reddigitalcinema @leitzcine and photos on @leicacamerausa #LeicaSummicronM. #M10. living on set I have learned from so many wonderful artists I want to thank Zack Synder @cruelfilms and @wfmft for starting my Leica obsession than @nicholasdominictalvola for always informing me and inspiring and @dennydenn @candytman for setting the bar. @lennykravitz always killing it. @johnson167 best gear. @kiran.karnani for making my dreams come true. Can’t wait to show everyone It’s gonna be a great couple years filled with art #theduneadventures. #pastandpresent #theroots #leicalover. Aloha j

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Based on Momoa’s post, he owns numerous Leicas, new and old, including a 1958 M2 and a newer M10-D with a limited-edition Noctilux lens.

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@leicacamerausa. @leitzcinewetzlar @on_the_roam LOVES YOU #mywifescoolwithit #hallpass #leicaohana mahalo @sethemmons aloha j

A post shared by Jason Momoa (@prideofgypsies) on

In addition to his post, Leica has shared a number of posts on its various Instagram profiles across the globe highlighting Momoa shooting with Leica cameras. We’ve rounded up a few of them below:

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Happy birthday to our favorite Aquaman, @prideofgypsies! Photo: @dennydenn

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On the field with Frontier actor Jason Momoa and the Leica M Typ 240. In the frame: Jason Momoa (@prideofgypsies) Photo by @dennydenn with #LeicaSL #LeicaCameraUSA @cinematicpix @frontier_book #LeicaSL #Leica #JasonMomoa #Photography

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Behind the scene fun with actor Jason Momoa and the Leica SL Photo: @dennydenn In the Frame: Jason Momoa (@prideofgypsies) Project: Shooting for the upcoming #FRONTIER coffee table book from @cinematicpix #LeicaCameraUSA #LeicaSL #Leica #JasonMomoa #Photography

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He also gives a few shoutout to fellow artists for informing and inspiring him along the way, including musician Lenny Kravitz, Nicholas Dominic Talvola and others.

Articles: Digital Photography Review (dpreview.com)

 
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Popular YouTube channel creates camera lens from scratch using sand and rocks

05 Mar

Popular YouTube channel ‘How to Make Everything’ has published a new video showing the creation of a camera lens from scratch. The project didn’t start with pre-made components, as many DIY projects do, but rather with the purely raw materials, including sand and rocks for the eventual lens glass and copper housing.

The new project follows one involving the creation of a pinhole camera from scratch that the channel published in September 2018. This time around, the channel’s Andy George spends nearly half an hour walking viewers through the lens creation process, including many failed attempts.

Producing clear glass presented one of the project’s most time-consuming challenges, though casting the copper lens housing introduced its own difficulties. After weeks of work, however, the end result was a decently clear, though sadly ill-fated, camera lens with zoom functionality.

Articles: Digital Photography Review (dpreview.com)

 
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Canon EOS RP Full-frame Camera – Why Some People Won’t be Buying this Camera

02 Mar

The post Canon EOS RP Full-frame Camera – Why Some People Won’t be Buying this Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Canon have released their new Canon EOS RP full-frame mirrorless camera, and not without some controversy. The Canon EOS RP is it’s entry-level mirrorless camera that comes in at US$ 1299.

Find out the reasons why some people won’t be buying this new camera in these great videos by Jared Polen, Matti Haapoja,and SLR Video Shooter.

You’ll be surprised by the results.

 

 

The disappointments of Canon EOS RP for people shooting video:

While this is one of Canon’s lightest full-frame cameras, some people will be highly-disappointed to know that the camera has no 24p video capabilities in HD. It only offers it when shooting 4k. So for many photographers who also like to do video, this will be a major source of disappointment.

The other major downfall is when you use crop sensor lenses on this camera, you lose the ability to shoot in HD. What?!

So, unless Canon comes out with a firmware fix to these issues, you will likely want to choose an alternative camera for video.

However, If you are wanting to use this camera for photography, you will likely find this a great lightweight, affordable, full-frame, mirrorless camera.

So, will you be buying the Canon EOS RP, or will you stick to the Canon EOS R?

You may also find the following articles helpful:

Best Vlogging Cameras for 2019

Fujifilm X-T3 versus Fujifilm X-H1: The Best Mirrorless Camera for You?

9 Recommended Accessories for Your New Sony a7R III or a7 III Camera

Camera Comparison – The Fujifilm X-H1 Versus the Sony a7R III

Gear Review: Canon EOS M50 Mirrorless Camera Kit

The post Canon EOS RP Full-frame Camera – Why Some People Won’t be Buying this Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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CP+ 2019: Zeiss ZX1 – hands-on with the full-frame Android camera

28 Feb

Hands-on with the Zeiss ZX1

We’ve seen Android-based cameras before, we’ve seen primarily touchscreen-based cameras before and we’ve seen full frame compacts with built-in 35mm lenses, but we’ve never seen anything that combines them, which is essentially what Zeiss’s ZX1 does.

Zeiss’s first entry into the digital camera market has echoes of the touchscreen-based Leica TL, it also can’t help but conjure-up thoughts of Sony’s RX1 cameras, which are also built around 35mm F2 lenses on full frame chips. What it doesn’t feel like, though, are Samsung’s erstwhile Android-based Galaxy cameras or Nikon’s Coolpix S800c, which felt like smartphones with a lens glued onto the front.

We got the chance to handle and explore a pre-production ZX1 at CP+ in Yokohama. Zeiss isn’t yet giving a release date for the ZX1 so it’s difficult to know how close to finished it is, but the camera seemed stable and to have most features in place, so we can at least describe how it’s going to work.

ZX1 Physical controls

There are only five physical control points on the camera: dedicates aperture, shutter speed and ISO dials, a solitary function button and a sprung switch at the base of the shutter speed dial. Everything else is controlled via the touchscreen.

All three dials have ‘A’ positions, if you want to hand-off control of their function to the camera. The shutter speed dial only goes up to 1/1000 sec since that’s where the camera’s leaf shutter tops-out. You’ll also notice there’s an ‘H’ position, though. This switches the camera over to electronic shutter mode, to access shutter speeds up to 1/8000 sec, via the touchscreen. At the other end of the scale there’s a ‘L’ setting for shutter speeds longer than a second. There are Low and High positions on the ISO dial, too.

ZX1 power switch

But before we get into the details of the touchscreen, we should take a closer look at that sprung switch. At first glance, this little nub looks like a power switch, but it’s not quite that simple. Although it is the way you turn the camera on and off, this three-position switch provides access to the ZX1’s video shooting mode, too, and it’s also how you put the camera to sleep.

Because it’s an Android device, the ZX1 doesn’t just leap into life when you flick the power switch forward from being off – it starts to boot up, which just like a smartphone, takes a little while. To avoid you having to go through this ordeal every time you want to take a shot, pulling the switch back doesn’t turn the camera off: instead, like a smartphone it just sends it to sleep: powering down the sensor and screen. Pull the switch back for three seconds and it’ll completely shut the camera down. Push it forward while shooting and you enter video mode. We’re told that in ‘sleep’ mode, your battery should only drain by about 10% over the course of a day.

The function button can be reconfigured. With the current firmware it’s an AEL button but you can also get it to control a couple of other functions, including AFL.

ZX1 Swipe bar

The first thing you’ll notice about the ZX1’s touchscreen is that it’s not flat. Instead there’s a distinct crease (but a lovely, smooth one that we suspect must be quite costly) around 1.5 cm in from the right-hand edge. This angled strip of screen is home to a series of icons, which are used for controlling everything else on the camera. In stills mode they’re displayed on a black background but in video mode they’re overlaid on the preview, which expands out to use the full 16:9 expanse of the screen.

There are four icons to a page and swiping your finger up or down along the control strip scrolls through the available options. The top option on the strip is exposure compensation and tapping it brings up a vertical slider so that you can swipe-in the amount you want to apply. Most of the other options work in the same way, popping up a small virtual slider to adjust the setting. Some options also present three dots in a circle, giving you access to a menu with more detailed settings.

Menus, playback and the Android homescreen

What’s not quite so obvious is that there’s another, un-indicated swipeable region along the right-hand-side of the screen. Swipe up and you’ll enter the camera’s main menu, swipe down and you’ll enter playback mode. Left and right swipes change the level of information shown on the screen.

Only if you swipe down do you get a a little 3-dot icon that then finally lets you see the homepage of familiar circular icons that belie the camera’s Android underpinnings. At present, the available apps are locked-down, for security purposes but will be opened up somewhat when the camera is finished. We doubt that Zeiss will simply allow all Google Play apps to be accessible, though.

ZX1 battery and battery life

All the extra processing to run a more complex operating system has the predictable effect on battery life. The ZX1 packs a pretty sizable battery pack that offers around 3190mAh. At present Zeiss is discussing a figure of around 250 shots per charge when tested in a manner comparable with the CIPA standard. We’ll see whether this improves at all with the last bits of fine-tuning of code, prior to launch.

This image gives you a better idea of the angled right-hand portion of the rear display, which follows the angle of the body shell. It really is beautifully done.

ZX1 construction

Back on the physical side of things, the camera has a solid-feeling metal body. The right-hand edges are wrapped with a thin rubberized coating, which means it feels surprisingly secure in the hand. I found myself rotating my hand to the right to adjust my grip whenever I held the camera, but I’m not sure if this was a conscious attempt to more comfortably reach the shutter button or an unconscious attempt to access a front control wheel that doesn’t exist.

The top left of the camera is the only other non-metal body panel: a plastic cover that looks for all the world like it should conceal a pop-up flash but is actually a ‘window’ in the camera’s metal shell to allow the Wi-Fi to communicate efficiently. Given the large files (~70MB per uncompressed Raw), the Wi-FI needs to work as effectively as possible.

Storage, image management and output

What you can’t see on the ZX1 is that it has no memory card slot. Instead it has a vast 500GB SSD built in. We weren’t told exactly how much of that space is taken up by the operating system, but that’s still a ridiculously large amount of space. To sensibly manage such a large drive, the ZX1 lets you shoot what it calls ‘collections’. Essentially these are image folders on the camera’s internal drive, so that you can easily find the images to took on a particular shoot. They appear as separate folders if you connect a device to the exposed USB C socket on the left-hand side of the camera.

Interestingly, because it has an onboard operating system the ZX1 can act both as a slave device (effectively a computer will see it as a massive memory card, as you’d expect from a conventional camera) or a host device that can read a USB memory stick or hard drive plugged into it. This means you can transfer images from the camera to an external drive without ever having to connect to a computer.

Summing up

One advantage the Zeiss has over previous attempts at Android-based cameras is that it’s not trying to compete on price with less-sophisticated mass-market models, meaning (in theory) fewer corners should need to be cut in terms of processing power or memory.

The company say they’ve also stripped the Android implementation back to the bare essentials and focused on building a camera interface, rather than trying to use any of the operating system’s built-in camera capabilities. And even in this non-final form, this decision appear to have paid-off, with the interface working smoothly.

If anything, it’s Zeiss’s decision to include an ISO dial, rather than an exposure comp control (or an unmarked dial to let you choose which you want access to), that took us longest to adapt to in our brief time with the camera. Zeiss believes that a lot of people will manually set exposure, leaving ISO effectively playing the role of exposure compensation. I guess we’ll see how that feels once we get our hands on a testable camera in the coming months.

Articles: Digital Photography Review (dpreview.com)

 
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Italian photojournalist has a Leica camera to thank for saving his life after being hit by an RPG

28 Feb

Editors note: Although no injury is shown, there is visible blood on a Leica camera in an embedded image below.


Italian photojournalist and co-founder of the Cesura Lab photographer collective, Gabriele Micalizzi, has a Leica camera to thank for saving his life.

On February 11, 2019, while covering conflict between the United States-backed Syrian Democratic Forces and the Islamic State (IS) militant group in Baghuz, Syria, Micalizzi was hit with shrapnel from an IS-fired rocket propelled grenade (RPG).

In the above video, shared by YouTube channel Gli Occhi della Guerra, wherein Micalizzi recounts the attack. The interview is in Italian, but closed captions can be turned on for an auto-generated English translation.

In speaking with Italian news outlet Corriere della Sera, Micalizzi recounts the incident, saying:

I can tell you the story now, in a corridor of San Raffaele hospital, [thanks to] those who did everything for me. The Kurdish military, the American doctors, the Italian embassy. My Leica camera, too. If I hadn’t been holding it in front of my face, I wouldn’t be here to talk about it: in the impact [the Leica] damaged my eyes, but it served as a shield.

Gabriel Chaim, a CNN visual journalist who was with him at the time, also spoke on Micalizzi’s brush with death with the Committee to Protect Journalists:

Micalizzi was hit by shrapnel from the RPG in his head, his left eye and ear, and different parts of his body. I was a meter and a half away from him and got hit by the blast.

The below image and accompanying caption was shared on the Cesura Instagram page.

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Following the recent events regarding our photographer, co founder, friend and brother Gabriele Micalizzi in Syria, we would like to update you on his conditions. Gabriele is currently in Baghdad’s military hospital and is being carefully looked after by their medics for his lesion on eyes and arms. Yesterday we talked with Gabriele on the phone and he confirmed he is feeling fine, he is able to stand up and can see from both his eyes even if blurry. We are extremely happy to be able to dispute the recent news about the loss of his left eye which the media published without the necessary fact checking. Gabriele, the Micalizzi family and cesura would like to thank the people who very quickly and efficiently helped to rescue and evacuate him from the area of the accident. We would like to thank the Farnesina Crisis Unit and Italian diplomatic network for quickly jumping to action, keeping us constantly updated and for organising Gabriele’s return in italy. Furthermore, thank you to the whole medical team at the American hospital in Baghdad who took him in and with great dedication is taking care of him. We would also like to thank the journalist Fausto Biloslavo, @francesco.semprini and @gabrielchaim for the support during the evacuation operations and lawyer Alessandra Ballerini for the constant and precious help. Thank you to all the people who helped us handle this emergency situation in the best way possible. We will still have to wait a few days longer to see Gabriele in Italy again and hug him but the operations to bring him back home are already under way and the hospital ready to welcome him. We are waiting for you Never never never give up Cesura

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Micalizzi’s work has been published around the world, with his credit line appearing in The New York Times, the Wall Street Journal and more. You can keep up with Micalizzi’s recovery on both his and Cesura’s Instagram profiles.

Articles: Digital Photography Review (dpreview.com)

 
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Sony announces the Remote Commander, a wireless Bluetooth controller for its camera systems

27 Feb

Sony has announced the impending release of a new Wireless Remote Commander that offers wireless control of Sony camera systems using Bluetooth connectivity.

The remote, officially named RMT-P1BT, operates entirely through Bluetooth connectivity and features a fast 0.05 seconds release time, which is more than fast enough for even the most precise of applications.

The Wireless Remote Commander features an external LED for indicating operation status and is also dust and moisture resistant with the ability to operate in extreme temperatures.

As for functionality, the RMT-P1BT offers focus buttons for manual control over focus changes, a customizable C1 button, Start/Stop buttons for movies and control over power-zoom or digital zoom as well. It shouldn’t come as a surprise the RMT-P1BT also includes a dedicated Bulb mode that can be started and stopped with a button press so it doesn’t need to be held down the entire time.

The RMT-P1BT Wireless Remote Comander works with Sony’s a6400, A7III, A7RIII and A9 cameras. It will ship this April for $ 80 USD / $ 110 CAD. It will be available through authorized Sony retailers.

Sony Electronics Inc. Introduces New Remote Commander with Bluetooth Wireless Technology

New RMT-P1BT Provides Reliable and Precise Wireless Shooting

SAN DIEGO — February 26, 2019 — Sony Electronics Inc. has today introduced a new Wireless Remote Commander (model RMT-P1BT) via Bluetooth® wireless technology that provides a reliable, responsive solution for imaging enthusiasts that want to precisely control their camera during landscape shooting, architectural photography, astrophotography, still motion photography, group portraits and more.

The new RMT-P1BT wireless remote commander operates via Bluetooth connectivity, eliminating the need for wires, cables or receivers to connect the remote directly to the camera.The remote features an extremely fast response, within approximately 0.05 seconds release time-lag, that ensures the shutter can be released with precise accuracy.There is also an LED light that indicates operating status to camera by flashing or lighting continuously.Additionally, the remote is designed to resist dust and moisture plus hot and cold temperatures, offering reliable operation in a wide variety of environments and weather conditions.

To maximize control over camera functionality, the new RMT-P1BT wireless remote commander features focus buttons for manual control over subtle focus changes, a remote C1 custom button that can be adjusted based on users preferences.It also includes Start/Stop movie recording and control over power-zoom or digital-zoom functionality, making it the ideal accessory for remote movie shooting.For photographers that prefer to shoot on ‘Bulb’ exposure mode, the remote commander can be set to open and close the shutter with respective clicks of the main button, eliminating the need to press and hold the button throughout exposure time.

Pricing and Availability

The RMT-P1BT Wireless Remote Commander will ship this April for approximately $ 80 US and $ 110 CA. The remote commander will be sold at a variety of Sony’s authorized dealers throughout North America.

A variety of exclusive stories and exciting new content shot with the new remote commander in combination with other Sony’s Alpha™ products can be found at www.alphauniverse.com, a site built to educate and inspire all fans and customers of the Sony’s Alpha brand.

Detailed information on these new products can be found at:

  • RMT-P1BT (US)
  • RMT-P1BT (CA)

Articles: Digital Photography Review (dpreview.com)

 
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OPPO has started mass production of 10x zoom smartphone camera module

27 Feb

OPPO has been teasing its periscope-design smartphone tele lens for two years now, but those who expected a product launch at MWC 2019 were disappointed once again. That said, we now at least know when a production device with the company’s 10x zoom system will be commercially available.

OPPO announced it has started mass production of the system and will launch a device with the 10x zoom camera in the second quarter of this year. There’s a slight caveat though: unlike most manufacturers, OPPO bases the zoom factor on the 16mm equivalent super-wide-angle. The tele lens comes with a 160mm equivalent focal length, hence a 10x zoom.

A rendered illustration from the above video showing the construction of the optical elements and sensor inside the periscope-style zoom lens.

Most other manufacturers don’t include the super-wide-angle in the zoom factor and instead use the primary camera, which on the OPPO model comes with a 48MP sensor and likely a 28mm focal length, as a reference.

The periscope design features a prism that reflects incoming light by 90 degrees and makes it possible to include such a ‘long’ lens in a thin smartphone body. The prism is also used for image stabilization. The primary comes with OIS as well and OPPO says the system is 73 percent more efficient than the previous iteration.

In addition the engineers have been able to maintain the dimensions of the older 5x prototype system, despite adding a super-wide-angle and using larger sensors.

Articles: Digital Photography Review (dpreview.com)

 
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The Ricoh Theta Z1 is a $1K 360 camera with Raw capture, improved optics and more

25 Feb

Ricoh Imaging has announced the launch of the Theta Z1, its latest flagship model of its 360-degree camera system. The Ricoh Theta Z1 can capture 23MP (6720 x 3360 pixels) still images and 4K/30p (3840×1920 pixels) 360-degree video on its two 1″-type backside-illuminated CMOS sensor with a maximum sensitivity of ISO 6400.

Behind the sensor is a new image processing algorithm and improved image capture support. Specifically, Ricoh has added a new HDR Rendering mode, Interval Composite mode for recording star trails, and a multi-bracket mode for capturing the same scene with different settings. In addition to JPEG still image support, the Theta Z1 now supports Adobe DNG Raw capture for more post-processing flexibility.

To compliment the 4K/30p video capture, Ricoh has added a 4-channel microphone that supports 360-degree spatial audio recording. The lens itself has also been updated to reduce ghosting, flaring and purple fringing. An improved aperture mechanism makes it possible to choose between F2.1, F3.5 and F5.6. The Theta Z1 also features 3-axis stabilization to keep stills and video smooth.

The Ricoh Theta Z1 (the black camera) compared to Ricoh’s other 360-degree cameras. Note the much larger lens size and OLED screen.

The camera itself features a familiar two-lens design with a single button on the front of the device and three additional buttons on the side: one for power, one for Wi-Fi pairing and one for selecting the camera mode. A 0.93-inch OLED screen is used to show various settings and navigate through the shooting modes.

Ricoh has also added additional plug-in support thanks to the AndroidTM-based system, including a new ‘Time-Shift Shooting’ plug-in that makes it possible to remove the person capturing the image from the frame. As with past Theta devices, the Theta Z1 can post media directly to various social media platforms including Facebook, Twitter, Tumblr, YouTube and even Google Maps.

The Ricoh Theta Z1 is listed on Ricoh’s online shop for $ 999.95, but the ‘pre-order’ button only takes you to a sign-up page where Ricoh says you will be notified via email when the Theta Z1 becomes available for purchase.

Press release:

RICOH THETA Z1 — a camera that can shoot 360-degree spherical images in a single shot

Achieving 360-degree still image photo shooting in high-quality 23MP resolution

TOKYO, February 25, 2019 ?RICOH Imaging Americas Corporation announced today the launch of the RICOH THETA Z1, the latest model from the family of cutting-edge 360-degree cameras. The RICOH THETA Z1 supports approximately 23-megapixels resolution (6720 x 3360 pixels) 360-degree still image photo shooting as a high-end model of the RICOH THETA camera series, which can shoot spherical images in a single shot, giving consumers the opportunity to adventure, discover and capture life in 360.

Since RICOH launched the world’s first 360-degree consumer camera*1 in 2013, the company has stayed at the forefront of this emerging technology as it continues to evolve, and become an integral tool for the burgeoning industries of virtual reality (VR), social media, business, real estate + more. Exceptional imaging and sleek design come together to deliver unique, expected visuals; a seamless integration into any element of everyday life – business or pleasure.

The RICOH THETA Z1 is the flagship model of this series, with RICOH deploying exceptional optical and image processing technologies, cultivated through years of high-performance camera development, to pursue its highest resolution and quality to date. The compact main body is equipped with a 1.0-inch back-illuminated CMOS image sensor, enabling approx. 23MP resolution 360-degree still images. It supports a diverse range of shooting modes, such as aperture priority, allowing users to take high-quality images regardless of the setting: outdoors, nighttime, indoors, tropical beaches or snowy mountain views – nothing is off limits. Moreover, it is possible to shoot considerably smooth and immersive 360-degree videos in 4K (3840×1920 pixels) and 30 frames per second (fps) thanks to powerful 3-axis rotational stabilization to compensate for rotational shake.

The main body of the camera, with a 0.93-inch organic EL monitor and a Function (Fn) button, grants users access to a multitude of information at a glance, including number of possible shots, exposure settings, and more, thus greatly improving the operability of the camera itself. In addition to JPEG, RICOH THETA Z1 now supports Adobe® DNG format (RAW) so that users can enjoy professional image editing as with a general digital SLR camera. Basic performance improvements are most evident in the AndroidTM-based system, which now offers flexibility in number of expansions one can add to the Z1 through the installation of additional plug-ins. The overall functionality of the latest model from RICOH not only meets the high demands of serious photographers, offers an optimal performance for professionals and amateurs alike.

Opportunities to use 360 images in innovative ways are increasing at a rapid pace. RICOH THETA is heavily utilized in business use cases around the world. Advanced services leveraging RICOH THETA V in real estate and construction are offered by Ricoh Tours, Zillow 3D Home, Matterport Capture, and HoloBuilder JobWalk, and future integrations with these partners services and the new RICOH THETA Z1 are planned.

RICOH’S THETA Z1 will be available to preview up ahead of its official release at the RICOH Imaging booth during CP+ 2019, the world’s premier show for Camera and Photo Imaging held at PACIFICO Yokohama this February 28, 2019.

*1 As a mass-produced consumer product capable of capturing the scene around, above and below the device in a fully spherical image (as of October, 2013, based on RICOH research).

Articles: Digital Photography Review (dpreview.com)

 
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How to Care for Your Beloved Camera [video]

22 Feb

The post How to Care for Your Beloved Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

In another great video from our friends over at COOPH, they show you how to care for your beloved camera to keep her/him in great working order.

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Here’s how to care for your beloved camera

1. Proper cleaning

  1. Use a blow brush to take off bigger particles and process both sides of the lens.
  2. Add finish with a lens cleaning cloth.
  3. Apply a cleaning solution to a cotton bud and clean the contact points.
  4. Use a rocket blower to clean the camera sensor. Tilt your camera down and blow.
  5. Still not clean enough? Put your camera into cleaning mode for a self-clean.
  6. Take out your Gel Stamp and gently stamp the sensor. To clean the gel stamp, use a piece of sticky tape.
  7. Lightly push the gel stamp onto the sticky tape, and the dust will transfer to the tape.
  8. Finish the job using sensor wipes.
  9. Shoot a long exposure against a white background, and when doing so, move the camera in a circular motion.
  10. Then check the image on a big screen to ensure the camera lens and sensor are clean.

2. Lens Swapping

No matter how good your jacket, never change lenses in the rain. Jump in your car and take a pit stop. Change the lens then.

3. The UV Filter

The UV Filter protects your camera from UV light and helps to avoid scratches on your lens when you are shooting wildlife in your home…

4. The Hand Strap

Buckle up so you don’t drop it. Carry it in your hand. Don’t use it like a yo-yo as you walk.

5. The Lens Hood

Not the type you wear. A lens hood gives the camera a safety guard for in case you bump the camera.

6. The Dry Bag.

Ziplock bags, along with some Dry Silica packs, make a perfect DIY Dry Bag. Airtight and condensation-proof.

7. The Dust Blocker

Shower Caps are perfect for dust protection and Sahara Safe!

 

So, be good to your better half and clean them.

 

You may also find the following articles helpful:

How to Clean Your Tripod and Make it Like New

How to Clean Your Photography Gear and Keep it in Good Shape

How to Spring Clean Your Memory Cards

How to Clean Your Camera Sensor in 3 Easy Steps

How to Take Care of Your Camera in Cold Weather

The post How to Care for Your Beloved Camera appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Canon EOS 80D DSLR Camera- A Closer Look

22 Feb

The Canon EOS 80D DSLR Camera is the successor to the 70d with several nice improvements.  This is a dSLR that has great features to showcase and provide enthusiasts a perfect platform to begin with. It is an ideal mid-range photography and video-making camera. Let us find out in detail what this small monster packs inside… Specifications of Canon EOS Continue Reading

The post Canon EOS 80D DSLR Camera- A Closer Look appeared first on Photodoto.


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