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Posts Tagged ‘Camera’

Ricoh announces the Theta SC2, a 14MP ‘enthusiast’ 360-degree camera with 4K/30p video

19 Nov

Ricoh has announced the Theta SC2, a second-generation ‘enthusiast’ 360-degree camera that’s a part of its growing Theta lineup.

The Ricoh Theta SC2 serves as a successor to the Theta SC and brings with it new and improved features. Inside, it features a 14-megapixel 1/2.3-inch CMOS sensor capable of capturing 4K video (3840 x 1920 pixels) at up to 30 frames per second. In addition to 14GB of internal memory, the Theta SC2 offers a Micro SD card slot as well.

Ricoh has added three new shooting modes to the SC2: a ‘Face mode,’ which recognizes human faces in the frame and automatically applies skin smoothing; a new ‘Night View’ mode that helps to shoot low-noise footage in low-light environments; and a lens-by-lens exposure mode that controls the cameras independently for situations where one side of 360-degree exposure might be brighter than the other.

One small external upgrade from its predecessor is the addition of a small OLED display. Although smaller than the screen on the Theta Z1, the OLED display can be used to keep tabs on settings and battery life. There’s also a new self-timer button.

The Theta SC2 features built-in Bluetooth and Wi-Fi connectivity for connecting and controlling the camera with Ricoh’s dedicated smartphone app.

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The Theta SC2 will come in pink, blue, beige and white (the same colors the SC shipped in) when it ships ‘mid-December 2019’ for a suggested retail price of $ 299.95 / £269.99. Ricoh is currently taking pre-orders. We’ll have our Theta SC2 review out an hour after this post goes live, so keep an eye out.

RICOH THETA SC2

An Easy-To-Use 360° camera that’s simple to operate and capable of capturing high-quality spherical images and videos

LONDON, 18 November 2019 – Ricoh Company, Ltd. and Ricoh Imaging Europe S.A.S. are pleased to announce the release of the RICOH THETA SC2. The SC2 is the “Enthusiast” level model of the RICOH THETA 360° camera series, capable of capturing 360° still images and video footage. The RICOH THETA SC2 is easy to use, simple to operate, and features a variety of functions.

Since its release in 2013 as the world’s first hand-held 360° camera 1, “RICOH THETA” has been used in a multitude of environments and offers unlimited potential for image expression. 360° photography has become increasingly relevant, due to the rapid growth of the Virtual Reality market, the increasing number of social media services that are compatible with 360° images, and the growing demand for 360° images in the business market.

The new RICOH THETA SC2 is an easy-to-use model, perfect for the 360 enthusiast, allowing anyone to capture high-quality spherical images. It snaps photos at approximately 14 megapixels, as well as smooth, immersive 360°spherical video at 30 frames per second in 4K (3840 x 1920 pixels). Additionally, the RICOH THETA SC2 comes with a variety of shooting modes such as “Face” mode, which recognizes human faces and applies skin smoothing, and “Night View” mode for shooting low-noise footage after the sun goes down. These modes allow the photographer to configure the camera with minimal effort.

The status OLEDdisplay (Organic EL display) in the lower section of the RICOH THETA SC2 body, allows at-a-glance checking of a range of information such as setting modes and remaining battery power. RICOH THETA SC2 also features a new button that lets the user switch to self-timer mode, making the camera much easier to operate in a standalone manner. Staying true to the product concept of a compact, lightweight body, the RICOH THETA SC2 can be used as a live blogging camera that people can carry with them to record the events of their day. The line-up features four different Fresh Colours, allowing users to select a colour of their choice. This is the perfect camera for people who enjoy sharing pictures and videos on social media, or for those who wish to start using a 360° camera.

Note 1: For consumer products, this refers to the fact that the camera can capture the entire space surround the photographer, not just in a half-sphere or horizontal direction, but in a single shot. (As of October 2013. According to Ricoh research.)

Price & Availability

RRP: £269.99

Availability: Mid December 2019

Colours: Pink, Blue, Beige, White

Articles: Digital Photography Review (dpreview.com)

 
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The Canon EOS M200 is our favorite camera for around $500

18 Nov

The previous winner of our ‘Best cameras under $ 500’ buying guide was the Canon EOS M100, and the recently announced M200 – which offers an improved AF system and 4K video capture – is the obvious choice to take over first place.

Articles: Digital Photography Review (dpreview.com)

 
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The Sony a7R IV is the best camera for landscape photographers

16 Nov

We’ve updated our guide to the best cameras for landscape photographers with a new overall winner: the Sony a7R IV. Take a look at the full shortlist for all of our picks.

Articles: Digital Photography Review (dpreview.com)

 
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Facebook fixes iOS bug that triggered the camera app on iPhone

15 Nov

Facebook has released an update that fixes a bug in its iOS app related to the iPhone camera app, something that had raised privacy concerns among users.

On Tuesday, a report from CNET highlighted a complaint from some Facebook users on iPhone who shared videos showing a bizarre bug involving the phone’s camera app. At least two different scenarios were found that would cause the Facebook app to become off-center on the phone’s display.

The iPhone’s camera app with its live view would be visible next to the offset Facebook app, spurring conspiracy theories that the social network may have been deliberately using the device’s camera to collect data on the user. In a tweet, however, Facebook VP of Integrity Guy Rosen explained that a recently published bug fix for a different issue caused the Facebook app to ‘partially’ navigate to the iPhone’s camera.

Soon after on Wednesday, November 13, Facebook released a fix for the problem through the App Store. Users will need to download and install the latest update to fix the bug. Some users have reported an inability to trigger the camera bug after updating, indicating that it is an effective fix.

Articles: Digital Photography Review (dpreview.com)

 
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Photographer David Burnett with his large-format, wooden camera was the real hero of today’s impeachment hearings

14 Nov

Photographer David Burnett (L), pictured in the press pack at today’s first public session of the ongoing impeachment hearings.

As diplomat William Taylor and State Department official George Kent took their seats in the House today to begin their public testimony, their entry was heralded by a noisy fluttering sound, as attendant photographers shot off hundreds of continuous frames on their Canon and Nikon DSLRs. But one man stood alone, among the fray: David Burnett, veteran, multi award-winning photographer, co-founder of ContactPressImages and large format film enthusiast.

The camera is an ‘Aero Liberator’ – Made by John Minnicks, the Liberator is a custom-made camera, which takes 4 x 5 plates. Judging by today’s footage of David using it, continuous shooting speed is limited to about one frame every five or six seconds.

Articles: Digital Photography Review (dpreview.com)

 
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The Pixel 4 can’t beat a compact camera, but that doesn’t matter

13 Nov

With its newly improved Super Resolution Zoom, the Pixel 4 makes a case for itself as a replacement for a compact camera with a 4-6x zoom range. The kind you might bring on vacation – something with a sensor that’s a little bigger and a modest zoom that won’t be too cumbersome while you explore your destination.

I took the Pixel 4 as my primary camera on a recent trip, but just to satisfy my curiosity, packed the Canon PowerShot G5 X Mark II alongside it. The Pixel 4 fell short in a couple of ways, but overall it did the job well enough that I wouldn’t have regretted taking it as my only camera. Here’s what it did well, what the dedicated camera still does best, and why I think those differences don’t matter much to most people who take pictures.

A military fort-turned-prison is kind of a weird place to take someone for their birthday, but my fiancé is into that kind of thing. Plus, it was a great excuse to quote Sean Connery saying ‘Welcome to the Rock,’ for several weeks leading up to the trip. I’d been to Alcatraz before, so I was happy to spend a little more effort and concentration on taking photos.

As you might imagine, a jailhouse provides lots of low light photography opportunities – a task that the Pixel 4 is well equipped for. Night Sight does a little bit of computational magic to create surprisingly detailed images in low light (and good light for that matter). But even the default camera mode does a very nice job in dim conditions, thanks to its ability to capture multiple frames, analyze them and assemble the best bits into one final image on the fly. In fact, it out-performed the Canon G5 X II in the situations where I tested both.

The moderately low light images below show the Pixel 4 producing a slightly more detailed, less noise-smudged image in its standard camera mode versus the Canon G5 X II’s out-of-camera JPEG.

Zoom is another story. Google has improved the Super Resolution digital zoom in the Pixel 4, boosting image quality thanks to a combo of clever algorithms and the new telephoto lens. The company claims that the camera will produce decent results up to 6x zoom, but admit that zoom is a difficult problem to solve with the current technology.

Absolutely nobody is claiming that the phone’s 4-6x zoomed images can take on a traditional camera’s zoom pixel-for-pixel, but because I’m curious I checked it out anyway. Both cameras are at 5x zoom in the example below (about 135mm equiv. for the Pixel 4 and 122mm equiv. on the G5 X II).

The difference is obvious in the 100% crops above, and can be easily seen even at 50% – but then again how often will those photos be viewed on anything bigger than a computer screen? If I planned on making prints of these images, I’d still want a traditional optical zoom. But I rarely print images and I suspect I’m in the majority of the picture-taking public.

There was one more Pixel 4 camera feature that I found myself relying on that the G5 X II doesn’t offer: Dual Exposure Controls, which doesn’t mean what you think it means.

Dual Exposure Control puts a higher level of control over shadows and brightness, along with the ability to adjust them independently of each other, all before image capture

An advanced compact such as the G5 X II provides plenty of manual controls over exposure settings. What it doesn’t provide is the ability to finely tune shadows and brightness before you press the shutter: you can instead select low, medium or high levels of its Auto Lighting Optimizer.

The Pixel 4’s Dual Exposure Control gives you direct control over shadows and brightness, along with the ability to adjust them independently of each other, all before image capture. This phone and previous Google devices would do this automatically expose for backlit subjects and high-contrast scenes, but the dual controls allow you to increase or minimize the effect, depending on what you want.

The Pixel 4’s Dual Exposure Controls allowed me to slightly boost shadows in this image before pressing the shutter.

Of course the G5 X II offers plenty of editing flexibility with in-camera Raw processing, but control over settings is limited. For anything more advanced than some basic tweaks, you’ll need to take your Raw images into Lightroom or the like. On the Pixel 4, it all happens in-camera.

This potentially changes how you approach a high-contrast scene. Normally I’d expose for the highlights and bring up the shadows later, which works well but leaves me without an image to share now. This is annoying because social media has robbed me of any patience I once had. The Pixel 4 lets me make those adjustments before I take the photo – rather than having to wait until I can process the image later.

If I was keeping score, I could award a lot more points in favor of either device. Color science backed by decades of fine tuning, better picture-taking ergonomics, flip-out touchscreen for low angle shots: all points for the traditional camera. Integrated photo storage, seamless image sharing, always in your pocket: point, point, point for the Pixel 4.

What speaks louder than any arbitrary score-keeping though is the fact that I saw few, if any, compact cameras among my fellow tourists at Alcatraz. I saw mirrorless cameras, DSLRs, a few superzoom cameras and of course, lots of phones. To most of the photo-taking population though, the compact camera – even a really nice compact camera – is already history.

Articles: Digital Photography Review (dpreview.com)

 
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Hands-on: The Sigma fp is shaping up to be an impressive camera for video pros

13 Nov

Hands-on with the Sigma fp

The Sigma fp is the world’s smallest full-frame camera. Built as a hybrid stills / video platform, the fp is highly modular and packed with features that many stills photographers would find esoteric in the extreme. The fp has clearly been designed with filmmakers in mind, and after using one for a few days, we suspect that they’ll love it.

Hands-on with the Sigma fp

Measuring 112 x 70 x 45mm and weighing only 422g (just shy of one pound) with a battery and memory card, the aluminum-bodied Sigma fp is a very small, very light camera, considering its sensor format. We’re told that fp stands for ‘fortissimo pianissimo,’ which Sigma is interpreting as ‘very loud and very soft’. One way of interpreting that is ‘a lot of power in a small package’.

Sigma has achieved the fp’s compactness in a couple of different ways. Firstly, the body is the core of a very modular system. There’s no built-in viewfinder, no integral flash, and no grip. Leaving these things out means some serious space savings, and furthermore there’s no in-body stabilization, and no mechanical shutter, either. The fp is all electronic shutter, all the time. This has one major advantage for stills photographers – totally silent shooting – but a couple of disadvantages: a very slow maximum flash sync speed, and the potential for rolling shutter (‘jello effect’) and banding in some lighting conditions.

Hands-on with the Sigma fp

From behind, you can get an idea of the fp’s minimalist ergonomics. The rear of the camera is dominated by a large, touch-sensitive LCD, with only four direct control buttons to the right, plus a control wheel / 4-way controller. The accessory grip adds a protruding thumbrest but without this, the back of the camera is essentially flat. Below the screen you’ll find five more buttons, mainly geared to video shooters.

Because the form factor of the fp is essentially a flat-sided rectangle, with barely any protuberances anywhere, it’s easy to incorporate into a video rig.

Hands-on with the Sigma fp

This view shows the interesting design of the accessory grip, which is formed from a single curve of metal. It also shows off the fp’s very simple upper control layout. A control dial and integrated shutter button, a ‘REC’ button and a very simple ‘Cine | Still’ toggle for fast switching between capture modes. In a nice touch, when the switch is set to ‘Cine’, the switch moves to expose a bright red painted backing, providing quick visual feedback that the camera is set to record video, even when it is powered off.

Also visible in this shot is a row of vent holes, above the rear LCD. More on those in a moment.

Hands-on with the Sigma fp

Here’s the fp without the accessory grip attached. The grip, straps and tripod socket all use 1/4-inch threads, which makes modifying the camera pretty simple and gives videographers multiple attachment point options for incorporating the fp into a cage or shoulder-mounted rig.

Hands-on with the Sigma fp

Here are those same vent holes viewed from the base of the camera. The fp is passively cooled, via a large heat sink designed to dissipate heat away from internal components and out of the camera. The system is ‘passive’ to the extent that it does not rely on mechanical fans to do so, hence it will not create any operational sound: a potential issue when shooting video.

The vents do not lead directly to any of the fp’s delicate innards. As such, if dust or moisture make their way into them, it doesn’t present a problem. The fp is fully weather-sealed at 42 points, and Sigma is confident that the fp should stand up under use in poor weather.

Hands-on with the Sigma fp

The fp does not feature an integrated hotshoe, and Sigma has opted not to make an optional EVF. Instead, for cinematographers that really need a viewfinder, there’s the LVF-11 finder, which attaches physically to the rear screen and offers a 2.5X magnification, for precise focus and composition adjustments in (say) bright ambient light.

While not as flexible as a true electronic finder, for video work the LVF-11 works very well, and the additional stand-off distance from the back of the camera actually ends up being very useful when the fp is built up into a multi-module rig…

Hands-on with the Sigma fp

…a rig like this Zacuto one, where as you can probably imagine, the close proximity of the LCD screen to the operator’s face would make focusing on composition and focus very uncomfortable. With the LVF-11 attached, the operator can both hold the camera and look through the finder in a comfortable working position.

Hands-on with the Sigma fp

This rig demonstrates the fp with an optional HU-11 hotshoe adapter attached, allowing for the addition of a range of accessories, such as an external microphone, or of course a flash (assuming you can live with the 1/30sec max flash sync speed).

It also shows a Samsung T5 SSD drive (right) attached to the fp via USB 3, into which 12-bit CinemaDNG Raw video can be recorded directly.

Hands-on with the Sigma fp

Here’s the USB port, alongside the HDMI port and mic socket. The six gold connectors are proprietary, and carry power to the accessory hotshoe unit.

Hands-on with the Sigma fp

According to Sigma CEO Kazuto Yamaki, the fp was developed on the basis of knowledge gleaned from the creation of Sigma’s ‘Cine’ range of Art-series prime lenses. The 35mm T1.5 is shown here, dwarfing the fp. But cine primes are typically heavy things, and every ounce saved from the total setup is precious, especially for filmmakers working with shoulder-mounted rigs.

Hands-on with the Sigma fp

We’ve only had a full production-quality fp for a few days, but that’s long enough to form some preliminary impressions. Right now, we’re pretty positive for the most part, with some caveats. Stills photographers might be a little shy of it at first (I did find myself really wishing for a conventional finder, and I’d personally take a bigger body for the sake of IBIS) but with one of the optional grips attached, the fp handles pretty well. The most serious handicap for stills shooting is likely to be rolling shutter, which does introduce distortion in some situations, albeit not to a problematic extent in many shooting scenarios.

Although the fp uses a contrast-detection autofocus system, it is reasonably fast and responsive (with the L-mount 45mm F2.8 and 14-24mm F2.8 attached) and finds faces and eyes fairly quickly and accurately, assuming your subject is facing the camera. That said, overall autofocus performance is definitely a step behind the best of the mirrorless competition, with noticeable lag (for example) when placing the desired AF point by touch.

Hands-on with the Sigma fp

Realistically though, the fp is a video camera that can shoot stills – not the other way round. And video pros have a lot to be excited about. In the fp, Sigma is courting them pretty aggressively, with features like HDR video (coming via firmware), 12-bit Raw video output to an SSD and ‘Directors’ Viewfinder’ which allows filmmakers to simulate the different viewing angles and fields of view of other popular video cameras for framing.

So that’s the fp, coming soon to a store near you for an MSRP of $ 1,800. With the potential to be a seriously powerful tool for filmmakers, along with some solid stills photography features, the fp is an interesting prospect, and a bold move for Sigma. Watch out for more analysis – including a detailed look at its video capabilities – soon.

Articles: Digital Photography Review (dpreview.com)

 
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Volta packs an 8,000mAh power bank into the handle of a camera rig

13 Nov
A new Indiegogo campaign is seeking funds for Volta, an 8,000mAh power bank packed into a camera rig top handle. The product features multiple 1/4″ and 3/8″ screw mounts, a removable ‘handle component,’ and two interchangeable 21700 batteries, which are the same power cells used by Tesla.

The top handle design is presented as a convenient way to tote around an extra power bank — one that, in the case of Volta, features a USB-C port on the front of the handle offering 7.4v versus the 5v commonly offered by commercial external batteries. When Volta isn’t needed as a handle, that component can be removed to use it as an ordinary power bank.

The team behind Volta presents the device as being akin to the combination of an NPF-970 battery and a top handle, but as noted by DIY Photography, the claim doesn’t quite hold up. The 8,000mAh capacity comes from two 4,000mAh power cells wired in series, which works out to 29.6Wh; Sony’s 6,600mAh NP-F970 7.2v battery, on the other hand, features 47.4Wh.

Regardless, the Volta is available to back on Indiegogo with pledges starting at $ 32 USD. Shipping to backers is expected to start in December 2019, assuming the campaign is successful and everything goes according to plan.

Via: DIY Photography


Disclaimer: Remember to do your research with any crowdfunding project. DPReview does its best to share only the projects that look legitimate and come from reliable creators, but as with any crowdfunded campaign, there’s always the risk of the product or service never coming to fruition.

Articles: Digital Photography Review (dpreview.com)

 
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The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

12 Nov

The post The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion? appeared first on Digital Photography School. It was authored by Mat Coker.

olympus-tough-tg-6-review

The Olympus Tough TG-6 is the perfect camera for the adventurous soul.

Like a wilderness travel guide, the TG-6 pulls you into the micro world, under the water, and down deeper trails than you would ever take your clunky DSLR down. You can trust the Olympus Tough TG-6 out in the wild because it’s built strong and made for adventure. It’s even tough enough to let your kids use it.

Moreover, it’s really small, so it doesn’t hinder your adventure for even a moment. And it’s so capable it will inspire adventures you hadn’t planned.

This review is about what the Olympus Tough TG-6 will let you do as a photographer and how the pictures look.

TG-6 small size

An evening adventure used to mean hauling a heavy bag filled with gear. I never knew which gear I would need for sure, so I always brought too much. Eventually, I just stopped going on spontaneous adventures because it became too much of a chore. The Olympus Tough TG-6 replaces all that stuff I used to haul around. Gear is no longer the hindrance it used to be.

The technical specs

The reason why so many people are excited about the Olympus Tough TG-6 is the impressive list of technical specs.

  • F2.0 wide-angle lens (the aperture narrows as you zoom)
  • 20 frames per second
  • Underwater modes
  • Microscope mode
  • In-camera focus stacking
  • Scene selection
  • Aperture mode
  • RAW capture
  • 4K video
  • Waterproof
  • Shockproof
  • Dustproof
  • Crushproof
  • Freezeproof

Of course, the reason this list of specs is so exciting is because of what they’ll let you do with this camera as a photographer.

“No photographer is as good as the simplest camera.” – Edward Steichen

When you read camera reviews, you want to know what a camera is capable of and how great the picture quality will be.

Don’t forget that a camera only has to be so good and then the rest is up to you. The world’s greatest camera isn’t much good in the hands of a person that knows nothing about light, moment, or composition. Look for a camera that meets your general needs, then up your game as a photographer.

The most famous photographs were made with cameras that we would consider inferior by today’s standards. A beautiful photograph transcends the technology it was made with.

In the end, it’s not about the technical specs of a camera, but what those technical specs let us do as creative people and photographers.

The TG-6 has an impressive resume. Let’s see what it can help us do.

Adventure photography olympus tg-6

Aperture: f/2.0, Shutter Speed: 1/250 sec, ISO: 3200

When my first child was born I was just becoming the photographer I had always wanted to be. I couldn’t wait to take him on adventures with me as he grew. Ironically, it was a bag filled with too much gear and too many options that held me back from adventures with my kids. The TG-6 is everything I always wanted and fits in my pocket. It practically pushes us out the door and into the world.

“My life is shaped by the urgent need to wander and observe, and my camera is my passport.” – Steve McCurry

What if you could shrink yourself?

It is captivating to suddenly see the world through a magnifying glass or microscope – to see tiny details blown up big. You may not be able to shrink yourself, but you can enter the micro world with the Olympus Tough TG-6.

Microscope mode

With the TG-6, you can get insanely close and discover the mystery and beauty in the fine details of everyday objects. You’ll be exploring the world in a way you haven’t done since science class.

The micro world offers you an infinite number of things to photograph. Look around you right now. There are so many things that you would never photograph on their own, but you can dive in microscopically to a new world and become enamored with the beauty of fine details.

insect macro photography

If you’ve got the courage, the TG-6 will bring you up close and personal with insects.

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

macro mode fine detail

The TG-6 can capture incredibly fine detail that the human eye overlooks.

 

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

Berry macro photography

F/3.6, 1/100 sec, ISO 800

The problem with close-up photography

One of the biggest problems you’re going to run into with close-up photography is a shallow depth of field. You may take a photo of a flower, and nothing more than the edge of a petal is in focus. This is frustrating when you want more of that tiny object to be in focus.

How “focus bracketing” solves the problem

One way to deal with this is to take a series of photos at different focus points (focus bracketing), and later combine them in Photoshop in a process called focus stacking. The end result is an image with more depth of field than is possible in a single photo. If you’re a serious macro photographer, this is an amazing option. But it’s a labor-intensive process and you’re not likely going to do it on a whim while on a nature hike.

But the amazing thing about the Olympus Tough TG-6 is that it can actually do both the focus bracketing and focus stacking for you – all in-camera!

Let the Olympus Tough TG-6 do the Photoshop work for you

The photos below illustrate the frustration of such a shallow depth of field in close-up or macro photography. But they also illustrate the power of the TG-6’s in-camera focus stacking.

Olympus TG-6 focus stacking feature

The photo on the left is a single exposure with a shallow depth of field, while the photo on the right is the result of several photos with varying focus points stacked together into one image.

 

Focus Stacking with the Olympus TG-6

On the left, only a small portion of the leaf is in focus. But using the focus stacking option on the TG-6, the photo on the right is almost entirely in focus.

Normally, you need a dedicated macro lens if you want to take close-up, macro, or microscopic photos. That means a financial investment and another lens in your bag. But the TG-6 has this capability built-in. The close-up function is worth the cost of the camera.

Get in, the water’s nice!

You’re missing so much fun if you can’t take your camera into, or at least near, the water.

Generally, an underwater housing is expensive and might limit your access to camera settings. Best case scenario, you invest a lot of money to get your camera into the water. But this is a lot to invest and most people won’t do it on a whim. You’ve got to be sure you want to be in the water a lot to make it worth the investment.

With the Olympus Tough TG-6, you don’t need to think twice; just get in!

Having a camera that can get wet means you can get into the splash zone. Don’t photograph puddle-jumping-kids from a distance; get close and get wet!

Get underwater and explore fish from their world.

Don’t stand on the shore with dry feet to photograph the sunset; hit the waves.

The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?
The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion?

 

Olympus TG-6 underwater mode

My kids and I discovered a stream filled with salmon. I knew it was the perfect chance to try out the TG-6 underwater.

A couple of years ago, I stepped into a river with one camera in my hand and one around my neck. I was photographing people back on the shore and kept crouching a little to go for a lower angle. Every time that I crouched down for a great low angle, I was unknowingly dunking the camera around my neck into the water. Goodbye, Fuji x100s.

The irony is that I had an underwater case for my x100s. But it’s so clumsy to use in the case that it hinders my photography.

You no longer need to be nervous around the water with your camera – the TG-6 is completely waterproof and pulls you right in.

A good motivator

If it hasn’t happened yet, the day will come when you lose your drive and inspiration as a photographer.

At first, the thought of packing up all your gear and lugging it around will overwhelm you. Especially because you know you won’t even be happy with the pictures you take.

Then, even just the thought of picking up your camera will depress you.

You lose your drive, your inspiration, and eventually your will as a photographer.

You’ve already learned that new gear is not the answer to this depressing dry period you’re going through. But that’s because most gear is the wrong gear for you.

The TG-6 isn’t just a new camera, it’s a passport to new lands. It’s like slinging on a backpack and heading out to discover the world. It sits there looking at you, hoping you will take it out to play. Photography doesn’t have to feel like a burden anymore.

TG-6 photography inspiration

“It’s a dangerous business, going out your door. You step onto the road, and if you don’t keep your feet, there’s no knowing where you might be swept off to.” ~ Bilbo Baggins

Leave the Olympus TG-6 laying around

When my camera is in the bag, it never gets used. I prefer to leave it out with the lens cap off and the power button left on so that I’m ready to make a photograph at a moment’s notice.

But when I leave my cameras lying around, my wife doesn’t like the clutter (even though she loves the photos that result from the clutter).
Not to mention that leaving expensive cameras around is a hazard with a house full of kids and their rowdy friends.

The TG-6 has become our dedicated “leave it laying around the house” camera. It’s so small that it doesn’t bother my wife. It’s there when we need it. And, it’s so tough we don’t mind the kids using it.

I’m capturing many more moments now that I’ve got a dedicated “everyday life camera.”

Olympus TG-6 capturing candid moments

 

Window light candid moments with the Olympus TG-6

 

Black and white photography wit hthe Olympus TG-6

So tough I let the kids use it

One of the things that first attracted me to the Olympus Tough cameras is that I can let my kids use them. The TG-6 is waterproof, shockproof, dustproof, crushproof and freezeproof. Which means it’s also kid-proof.

TG-6 great for kids

I love to look at the photos my kids have taken. It’s inspiring to see what captures their attention enough to take a picture.

 

Olympus TG-6 dustproof

When my kids ask to use the camera while they explore sand dunes and lakes, I have no problem handing them the TG-6 to use.

Essential modes

After using the Olympus Tough TG-6 for about a month, I’ve figured out my favorite combination of settings for everyday use; P mode.

I want a certain amount of control over ISO, aperture and shutter speed because I understand how they affect my photo. But I don’t want to overthink these settings and miss the beauty of the moment.

In P mode, the camera will choose the shutter speed and aperture for you. All you have to think about is ISO (but you can select auto ISO if you wish).

With a few minor adjustments in P mode, I can make the TG-6 do exactly what I want it to.

In the menu, I set the minimum shutter speed to 1/125th. I want the camera to set the shutter speed for me, but I don’t want it to go any slower than this.

I select auto ISO, but I set the maximum ISO to 1600. I don’t want the ISO to go any higher than that because of the noise issues.

While it’s balancing the settings out, the TG-6 will always favor a lower ISO and only raise it if it needs to. Eventually, if it’s dark enough, it will go below your minimum shutter speed in order to achieve a good exposure.

Here’s the best part; in P mode, you have direct access to exposure compensation with the camera dial. Your camera will hardly ever get the exposure just as you want it. So use the exposure compensation feature to brighten or darken the photo before you take the picture.

There is no full-manual mode on this camera. But if you know what you’re doing, you can still take full control.

TG-6 exposure compensation feature

Processing RAW files

Using Lightroom 6, I am unable to edit the RAW files from the TG-6. However, Olympus provides free editing software called, Olympus Workspace.

Because of this camera’s smaller sensor size (and difficulty capturing extreme dynamic range), I am not putting much hope in the RAW files. RAW + JPG capture is a great option. Get the best exposure you can in order to have the highest quality JPG file, and keep the RAW file in case of an emergency.

Even heroes have a weakness

There are three main weaknesses that I have discovered with the Olympus Tough TG-6.

Lens Flare

I love playing with lens flare and I quickly discovered that is almost impossible to do with the TG-6. This is the strangest lens flare that I have ever seen. It’s discouraging, but I’ll have to learn to make compelling photographers without lens flare.

Oympus TG-6 lens flare

Noise

The Olympus Tough TG-6 produces a lot of noise in high ISO, low light photos.

The following photos are lit with a small-screen TV and/or a lamp.

High ISO

This photo was lit with a lamp. you can see the grainy discoloration in the white blanket. The ISO is 3200.

High ISO noise

This is a close-up of the white blanket in the previous photo.

 

High ISO noise

This photo is lit with the light from a TV and a small light in the next room over. The ISO was 3200.

High ISO noise

Close up of high ISO noise

You can see the grain and discoloration in his skin.

The following photos are backlit with dim light from a living room window.

Bright light high ISO noise

Again, the ISO was set at 3200. Because the light is brighter, there isn’t as much noise and discoloration. But there is a lack of crispness to the photo.

 

High ISO and window light

But I was shocked to capture this photo with lots of movement at ISO 3200 because it looks so crisp.

Sharp in bright light

You’ll have to get used to keeping your ISO at 1600 or lower (you’ll need a steady hand for the slow shutter speed that results).

But in bright light, with a low ISO, the TG-6 is nice and sharp.

A sharp photo with low ISO

So the Olympus Tough TG-6 is weak under extreme lighting conditions, but so are many other cameras. For many of us, high ISO with low noise is the last frontier on the technological side of photography.

We can strengthen the TG-6 by post-processing the photo with a program such as Lightroom. Keep your ISO to 1600 or lower when possible, and convert to black and white when suitable.

No control over shutter speed

At first, I thought it was a problem that there was no shutter speed mode on the TG-6. But then I realized that it wasn’t really necessary. You just have to know how to work around it.

If you want a quick shutter speed to freeze the action, use sports mode.

If you want a slow shutter speed to capture motion blur then you need to understand how to force the camera to produce a slow shutter speed.

Suppose you want to capture a silky waterfall photo. Normally, you need control over your shutter speed to make it go slow enough to capture the motion. But with the TG-6 you don’t have control over the shutter speed.

Or, do you?

When you understand ISO and aperture then you do have control over the shutter speed.

Olympus TG-6 slow shutte speed silky waterfall

In order to get silky waterfalls, you need a slow shutter speed. You can force your camera to choose a slow shutter speed by lowering your ISO and closing your aperture.

Choose an ISO of 100. Choose an aperture of f18. This will effectively choke out the light and force the TG-6 to slow down the shutter speed to let more light in. The slow shutter speed will produce a silky waterfall.

So the lack of control over shutter speed isn’t a big problem.

Olympus TOUGH TG-6

The greatest weakness

As photographers, we can find moments so powerful that lens flare isn’t necessary. And, we can look for moments so strong that the viewer will overlook high ISO noise in the photo. Whatever the shortcomings of our cameras, we as photographers always fall shorter. Whatever their weaknesses, our cameras are just fine. We need to increase our skills and know that, even if there was a perfect camera, it could only be used by an imperfect photographer.

The power of the Olympus Tough TG-6 is not merely in its technology. The power is in what that technology allows us to do. This is a camera that will nudge you every time you walk by. It’s like a kid who wants to be played with or a dog that wants to be taken out for a run. Come on, just a quick adventure?

A countless number of moments pass us every day. They become almost infinite in size when we consider their range from wide-angle to microscopic. When you’ve got a camera like the TG-6 in your pocket, it’s not so hard to make those moments hold still.

Have you used the Olympus Tough TG-6 camera? Would a camera like this make you take more photos? Share your thoughts with us in the comments!

The post The Olympus TOUGH TG-6 Camera Review – A Perfect Adventure Companion? appeared first on Digital Photography School. It was authored by Mat Coker.


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The Leica SL2 is a refined full-frame camera with in-body stabilization, fast burst shooting and capable video features

09 Nov

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The Leica SL2 is a major update of the company’s original full-frame mirrorless camera, the SL, which was introduced four years ago. The SL2’s design isn’t a dramatic departure from the original, though the hard edges have been softened, the grip has been refined and a new three-button rear interface is similar to that of the Q2. Build quality and weather-sealing has improved to the point where the SL2 has earned an IP54 rating.

The real differences between the SL2 and SL can be found on the inside. The SL2 has a 47MP full-frame CMOS sensor – likely similar to what’s in the Q2 and Panasonic’s S1R – and a 5-axis sensor-shift IS system that can also be used to produce 187MP Raw images. Its contrast detection autofocus system has been improved according to Leica, and a ‘Smart AF’ feature can automatically switch between focus and shutter release priority.

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Photos can be composed via a 3.2″ touchscreen display with 2.1 million dots or a large 5.76M-dot electronic viewfinder. As before, a small status display on the top plate shows important shooting information.

The SL2 can shoot bursts at 20 fps with the electronic shutter and 10 fps with the mechanical shutter, both with AF locked. For continuous focus and exposure, you’ll need to drop to 6 fps. The camera has dual SD card slots, both of which are capable of UHS-II speeds. The official battery life rating for the SL2 is 370 shots per charge, but as always, you’ll likely do better.

The SL2 can shoot DCI or UHD 4K at up to 60p from nearly the full width of the sensor. Both 60p and 50p footage are captured as 8-bit 4:2:0, while 30p and below can be recorded or output as 10-bit 4:2:2 streams. There’s also an option to shoot 5K at up to 30p from a 4:3, roughly 1.6x, cropped region of its sensor. The camera will let you shoot using a proprietary L-Log gamma curve for any of its 10-bit modes and the standard, ready-for-use HLG curve in its 10-bit 4:2:2 modes.

The Leica SL2 will be available on November 21st at a list price of $ 5995.

View our SL2 sample gallery

Go hands-on with the SL2

Watch DPReview TV’s first impressions

Press release:

A New Icon: Leica Camera Announces the New Leica SL2, Successor to the Trailblazing Leica SL

November 6, 2019 – Building on the foundation established in 2015 with the visionary Leica SL-System, Leica Camera proudly introduces the Leica SL2, the storied brand’s new icon and next evolutionary step towards building the perfect all-purpose camera. By listening closely to the valued feedback of photographers and existing SL owners, Leica made many efforts to push the envelope of technological innovation and performance while respecting its heritage of design and legacy. In addition to a technical marvel of pure performance and unmatched build quality, the Leica SL2 is also a joyous experience to use with improved ergonomics and more comfortable grip married to the well-established, simplified three-button control layout, further unifying the Leica design language across multiple product lines. While cutting-edge new features such as in-body image stabilization unlocks newfound potential from legendary Leica M-Lenses, it simultaneously augments the growing selection of SL-Lenses which are some of the finest optics Leica has ever produced. The Leica SL2 is the natural evolution of the innovative Leica SL, serving as a groundbreaking embrace of the future of digital photography and videography while paying homage to its respected history and lineage.

CMOS sensor with 47 megapixels for superior image quality

The unprecedented resolution of the SL2’s CMOS image sensor in full-frame format results in an unparalleled level of detail rendition and image quality. Enormous dynamic range, a color depth of 14 bits per RGB channel and a sensitivity of up to ISO 50,000 enable outstanding image quality in all lighting conditions. Even when combined with Leica TL lenses, which are designed for the smaller sensor format of the Leica TL2 and CL, the SL2’s sensor still delivers an excellent image resolution of over 20 megapixels.

Image stabilization through sensor-shift technology

In a major evolution of the SL, the Leica SL2 features a suspended sensor which adjusts its position in order to quickly and efficiently compensate for camera shake. This in-camera method even makes image stabilization available to lenses that are not equipped with their own.

Additionally, in multishot mode, the tripod-mounted camera can record up to eight consecutive frames, whereby the sensor is shifted in half-pixel increments in between every exposure. This key feature results in images with an incredible quadrupled resolution of around 187 megapixels, leading to an extreme increase in detail resolution.

Improved ergonomics for stress-free shooting in any situation

Despite significant technical improvements, the Leica SL2 is neither larger nor heavier than its predecessor and feels particularly compact to handle. This is due to the fully redesigned camera body, whose handgrip and the edges have been subtly refined for easier handling.

Improved body design paired with increased durability make the SL2 the perfect companion for all forms of shooting. The SL2’s IP54 certification ensures an elevated weather sealing for more rugged situations, while a new option to turn off noise reduction during long exposures allows for more hands-free shooting. Less worry about the weather and environmental situations means photographers can focus more on getting the shot.

Overall the design of the SL2 recalls more of the iconic Leica identity and traditional design DNA elements that the brand has become known and loved for.

Streamlined design with new status menus

The Leica SL2 offers an innovative user interface whose efficient design allows photographers to focus their attention on the creative process. The design alignment with the existing M and Q systems makes the adjustment even easier for existing Leica photographers.

The main recording parameters can be viewed on the rear display and adjusted quickly and easily with a simple finger tap. A click wheel, a joystick and three strategically placed, individually configurable buttons also contribute to a straightforward operation. Thanks to two dedicated status menus for stills and video recording, the parameters for either shooting mode can be adjusted entirely separately from each other.

Limitless connections

Featuring an L bayonet lens mount, the Leica SL2 is not only compatible with the ever-growing portfolio of SL-System lenses, but also with lenses of the TL-System and with the legendary lenses of Leica’s M, S and R-Systems via adapter, providing more than 170 Leica lens options, guaranteed to offer the right fit for any photographic scenario. The L-Mount Alliance expands this scope of possibilities even further, by giving SL2 photographers access to L-mount-compatible lenses from Sigma and Panasonic.

Maestro III processor for ultra-fast operation

The new Maestro III processor facilitates a superior operating speed that shines in many aspects of the SL2’s performance. The autofocus is significantly faster and allows for a virtually lag-free shutter release in any shooting situation, which is further complemented by the new Smart AF mode, which autonomously switches between focus priority and shutter release priority. Full-resolution recordings of consecutive images are possible at 10 frames per second with the focal plane shutter, and 20 frames per second with the electronic shutter. Thanks to two UHS-II-compatible SD card slots, raw files can be saved simultaneously in DNG and JPEG format.

Leica EyeRes® viewfinder with even higher resolution

The camera’s electronic viewfinder now boasts a resolution of 5.76 megapixels, allowing for a large, entirely natural-looking viewfinder image. Simultaneously, the experience is further enhanced when using the touchscreen, which has increased in size to a 3.2-inch diagonal, and now offers a significantly higher resolution of 2.1 megapixels.

Perfect tool for cinematographers

In addition to its great appeal for photographers, the Leica SL2 speaks the language of cinematographers, as the camera is able to record up to 60 frames per second in Cine 4K mode, and up to 180 frames per second in Full-HD mode. Activating Cine mode transforms the SL2 into a manually controlled cine camera as ISO becomes ASA, the shutter speed is marked in degrees on the rotary disk shutter, and the f-stops indicating the aperture ratio are replaced by T-stops, which measure the actual amount of light transmitted through the lens. Connecting audio equipment to the Leica SL2 no longer requires the use of adapters, as the camera now features a build in headphones and mic jack, complemented by a fully-fledged HDMI connector for external monitors.

The Leica SL2 is available in Leica Stores and Leica Boutiques beginning November 21, 2019, at a recommended retail price of $ 5,995.

Leica SL2 specifications

Price
MSRP $ 5999
Body type
Body type SLR-style mirrorless
Body material Magnesium alloy
Sensor
Max resolution 8368 x 5584
Image ratio w:h 3:2
Effective pixels 47 megapixels
Sensor size Full frame (36 x 24 mm)
Sensor type CMOS
Processor Maestro III
Color space sRGB, Adobe RGB
Color filter array Primary color filter
Image
ISO Auto, 100-50000 (expands to 50-50000)
Boosted ISO (minimum) 50
White balance presets 8
Custom white balance Yes
Image stabilization Sensor-shift
CIPA image stabilization rating 5.5 stop(s)
Uncompressed format RAW
File format
  • JPEG
  • DNG (14-bit)
Optics & Focus
Autofocus
  • Contrast Detect (sensor)
  • Multi-area
  • Center
  • Selective single-point
  • Tracking
  • Single
  • Continuous
  • Touch
  • Face Detection
  • Live View
Autofocus assist lamp Yes
Manual focus Yes
Number of focus points 225
Lens mount Leica L
Focal length multiplier 1×
Screen / viewfinder
Articulated LCD Fixed
Screen size 3.2
Screen dots 2,100,000
Touch screen Yes
Screen type TFT LCD
Live view Yes
Viewfinder type Electronic
Viewfinder coverage 100%
Viewfinder magnification 0.78×
Viewfinder resolution 5,760,000
Photography features
Minimum shutter speed 1800 sec
Maximum shutter speed 1/8000 sec
Maximum shutter speed (electronic) 1/40000 sec
Exposure modes
  • Program
  • Shutter priority
  • Aperture priority
  • Manual
Built-in flash No
External flash Yes (via hot shoe)
Flash X sync speed 1/250 sec
Drive modes
  • Single
  • Continuous
  • Interval
  • Exposure bracketing
  • Multishit
Continuous drive 20.0 fps
Self-timer Yes
Metering modes
  • Multi
  • Center-weighted
  • Spot
Exposure compensation -3–5 (at 1/3 EV, 1/2 EV steps)
AE Bracketing ±3 (3, 5 frames at 1/3 EV steps)
Videography features
Format MPEG-4, H.264
Modes
  • 4096 x 2160 @ 60p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 50p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 30p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 4096 x 2160 @ 24p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 60p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 50p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 25p, MOV, H.264, Linear PCM
  • 3840 x 2160 @ 23.98p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 120p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 100p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 60p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 50p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 30p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 25p, MOV, H.264, Linear PCM
  • 1920 x 1080 @ 23.98p, MOV, H.264, Linear PCM
Microphone Stereo
Speaker Mono
Storage
Storage included Dual SD card slots (UHS-II supported)
Connectivity
USB USB 3.1 Gen 1 (5 GBit/sec)
HDMI Yes (10-bit output)
Microphone port Yes
Headphone port Yes
Wireless Built-In
Wireless notes 802.11ac + Bluetooth
Remote control Yes (via smartphone)
Physical
Environmentally sealed Yes
Battery Built-in
Battery description BP-SCL4
Battery Life (CIPA) 370
Weight (inc. batteries) 835 g (1.84 lb / 29.45 oz)
Dimensions 146 x 107 x 42 mm (5.75 x 4.21 x 1.65)
Other features
Orientation sensor Yes
Timelapse recording Yes
GPS None

Articles: Digital Photography Review (dpreview.com)

 
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