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Posts Tagged ‘Camera’

This 120 medium format camera and 4×5 large format camera are made from 35mm film cassettes

13 Feb

What do you do with all of the extra 35mm film canisters you have after getting your film developed? Well, if you’re photographer Alireza Rostami, you turn the film canisters themselves into cameras.

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For his latest project, Rostami took hundreds of empty 35mm cassettes and taped them together to create the structure needed to make a pair of ‘Unity’ cameras: a 4×5 large format camera and a 120 medium format camera that uses what appears to be a Mamiya RB67 lens and film back. Above is a gallery of the two cameras, both as a final product and in progress during the build. The below gallery shows off a few of the test photos captured with the cameras:

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In an email to DPReview, Rostami says the symbolic idea arose while dwelling on the idea of ‘peace and unity’ after reading through The Diary of a Young Girl, a collection of writings kept by Anne Frank while she was in hiding with her family as the Nazis occupied the Netherlands. Because of this inspiration, Rostami says he dedicated the pair of cameras to the late Anne Frank and George Eastman, a man who’s inspired Rostami through his drive and innovation throughout his career.

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases Software Development Kit (SDK) for remote camera access

11 Feb

Sony has released a new software development kit (SDK) that allows third-party developers to control some selected Sony cameras. The SDK will offer remote access to key camera controls and still image data, including adjustment of shooting parameters, shutter release and a live view image.

The company says the decision to offer an SDK was made after ‘extensive interest in their camera lineup from commercial customers.’ Sony also believes this kind of camera control capabilities should appeal to companies from a variety of sectors, including security and entertainment.

‘The customer’s voice is absolutely critical to all aspects of our business,” said Neal Manowitz, Deputy President of Sony Imaging Products and Solutions Americas. “After receiving many requests, we’re excited to finally be able to open our platform in this manner. Companies will now be able to custom develop applications to control our cameras remotely, allowing them to take full advantage of the many innovations in Sony’s lineup including industry-leading autofocus, shooting speeds and much more. Ultimately, this gives professional clients the ability to create new and different imaging experiences unlike anything that’s been done before.’

Telemetrics Inc. is a company that specializes in robotics and camera control systems and one of the first to use the new SDK. One of its products is a weather-resistant camera housing unit on a remotely controlled pan/tilt head that is compatible with some of Sony’s full-frame mirrorless cameras. Customers include users in broadcast, production, sports and education companies.

To start with the SDK supports Sony’s Alpha 7R iV and Alpha 9 II high-end camera bodies but the company says it is planning to expand support in the future. Users of the current Camera Remote API will have to switch to the new SDK or look for other alternatives as Sony will close it down.

Press release:

Sony Electronics Announces New Camera Software Development Kit (SDK) for Third Party Developers and Integrators

New SDK Enables Remote Control of Sony Cameras for a Variety of Professional and Commercial Application

SAN DIEGO – Feb 11, 2020 – Sony today has announced the release of a new software development kit (SDK) that enables third party developers and integrators to access control of Sony cameras.

Sony, the industry leader in both full-frame and mirrorless cameras, is releasing the SDK based on extensive interest in their camera lineup from commercial customers.

“The customer’s voice is absolutely critical to all aspects of our business,” said Neal Manowitz, Deputy President of Sony Imaging Products and Solutions Americas. “After receiving many requests, we’re excited to finally be able to open our platform in this manner. Companies will now be able to custom develop applications to control our cameras remotely, allowing them to take full advantage of the many innovations in Sony’s lineup including industry-leading autofocus, shooting speeds and much more. Ultimately, this gives professional clients the ability to create new and different imaging experiences unlike anything that’s been done before.”

With the new SDK, key camera controls and still image data captured will be available for remote access, including adjustment of camera settings, shutter release and live view monitoring. These control capabilities are appealing to the workflow of a wide variety of industries including security, entertainment and many others.

One of the companies that have a high expectation of Sony’s SDK is Telemetrics Inc., a company that specializes in robotics and camera control systems, selling complete packages including a weather resistant housing unit on a remotely controlled pan/tilt head compatible with select Sony full-frame mirrorless cameras. Telemetrics, Inc. sells to a wide variety of clients including broadcast, production, sports and education companies.

“Combining our expertise in robotics and camera control with the impressive capabilities of Sony’s Alpha camera technology will allow us to create some especially unique solutions for capturing live sports entertainment, which include the newly introduced PT-CP-S5 Compact Pan/Tilt Head and the WP-HOU-A9 Camera Housing unit,” said Michael Cuomo, Vice President of Telemetrics, Inc. “We’ve been thrilled with the results and are extremely excited at the potential for future integration with our systems.”

Initially, the Camera Remote SDK will support Alpha 7R IV and Alpha 9 II bodies, with plans to gradually expand the lineup of supported cameras hereafter[i]. The Camera Remote SDK is available now and can be downloaded from https://support.d-imaging.sony.co.jp/app/sdk/en/index.html on Sony’s website.

The current Camera Remote API’s provision will be closed following this new release of the new Camera Remote SDK and its support will be terminated[ii].

Articles: Digital Photography Review (dpreview.com)

 
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Vision Research launches its latest high-speed camera, the Phantom VEO 1310

10 Feb

Vision Research has released its latest high-speed camera, the Phantom VEO 1310. The new camera, which is part of Vision Research’s robust ‘VEO’ lineup, can capture 720p video at up to 14,350 frames per second (fps).

The new camera isn’t the highest-resolution phantom on the market, but it still offers plenty in the framerate department. Below is a list of the framerates and resolutions the Phantom VEO 1310 can record at:

  • 1280 x 960 at 10,860 fps
  • 1280 x 720 at 14,350 fps
  • 960 x 960 at 13,333 fps
  • 640 x 480 at 30,030 fps
  • 320 x 120 at 423,350 fps

The camera features a native ISO of 25,000 D in Mono and 6,400 D in Color mode. It offers 18 µm pixel size, 12-bit color depth and has a minimum global shutter framerate of 50 fps.

The Phantom VEO 1310 comes in two models: Light (L) and Full (S). Both models offer SDI and HDMI video out, 12V battery input and include the option to add on a 10Gb ethernet adapter for remote operation. The difference between the two models is that the ’S’ version of the VEO 1310 offers six extra I/O ports (F-sync, TC in/out, trigger, strobe and a ready port), includes a CFast 2.0 port and offers on-camera controls, whereas the ‘L’ version lacks all of the above.

On both models, the lens mount is user-changeable with options for C-mount, Canon EF-mount and PL-mount lenses, with full electronic control support. The camera is made in the United States and comes with a handle, cheese plate, battery mounts (with the ’S’ model) and a case with custom foam cutouts.

Details on pricing and availability are unknown at this time. We have contacted Vision Research and will update this article with more information if and when we receive it.

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases major 2.0 firmware update for its Q2 compact camera

10 Feb

Leica has released a firmware update for its Q2 that adds and improves a number of features for the prime lens compact camera. Firmware version 2.0 for the Leica Q2 addresses nearly every facet of the camera, from shooting modes to mobile transfer speeds.

First up are the autofocus (AF) improvements. Leica has added selectable AF field sizes (small, medium and large) that can be changed by a long tap when Touch AF is activated. Leica has also made it so Touch AF + Release works across all AF modes and has also made it so if a face isn’t detected in Face Detection AF Mode, the AF-Mode will temporarily switch to Field AF instead of Multi-field until a face is detected. Tracking AF has been improved across the board as well.

Speeds across the entire workflow have been improved, too. DNG and DNG+JPEG write speeds are twice as fast and transferring images to mobile devices via the Leica FOTOS app is now up to 50-percent faster.

Leica has also added a new top-level menu screen for a more complete overview of settings, made it so auto-ISO is changed to ‘prioritize correct exposure’ and added a menu option so you can choose between 60 fps or 120 fps refresh rates for the electronic viewfinder. In Leica’s own words, ‘For fast moving subjects, set 120 fps for a more fluid display of movement (lower resolution), or choose 60 fps for full resolution.’

You can read more details and download firmware version 2.0 for the Leica Q on Leica’s download page.

Articles: Digital Photography Review (dpreview.com)

 
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7 Mistakes Beginner Photographers Make The Camera Can’t Be Blamed For

10 Feb

The post 7 Mistakes Beginner Photographers Make The Camera Can’t Be Blamed For appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.

7-mistakes-beginner-photographers-make

There are many mistakes beginner photographers make. It’s healthy to make mistakes so long as you learn from them. Be willing to understand why your photos are not turning out how you wanted them to. Don’t be quick to blame circumstances or your camera gear when you mess up.

Here are some common beginner photographer mistakes you can’t blame the camera for.

1. Poor composition

Poor composition is one of the main mistakes beginner photographers make. Not getting close enough to your subject, results in having too much unnecessary space in your pictures.

Sometimes being too close can ruin a composition too. Are you cutting off your subject’s feet?

Be mindful of what’s inside your frame. Ask yourself if everything you see is relevant to the picture you are taking? If it’s not, fix the mistake. Move closer, zoom or change your position.

Leaving excessive space above a person’s head is the most common compositional mistake I see beginner photographers make. Often what’s above a person’s head is not relevant to the photograph. Get closer or tilt your camera angle down to minimize this space.

mistakes beginner photographers make

© Kevin Landwer-Johan

2. Rushing your photography

Take your time, and you will take better photos. Being impatient will never make you a fabulous photographer. Whatever style of photography you engage in, being patient will benefit you.

Grabbed moments don’t often capture the best photographs. Of course, there are exceptions, but typically it pays to prepare yourself and anticipate action before it happens. Doing this, you can set your camera and line up your composition.

Using manual mode will help you slow down. You will visualize that you are photographing differently. This is because you are forced to think more about every aspect of taking your pictures.

During our photography workshops, I love to teach people how to slow down by using manual mode. Most people I teach develop their skills quickly. Their photos are well exposed and composed because they are working more slowly.

mistakes beginner photographers make

© Kevin Landwer-Johan

3. Distracting backgrounds

Having distracting backgrounds is another mistake beginner photographers make. It’s easy to concentrate on your main subject and not see what’s behind them until you look at your photos later.

When you do see that you have a distracting background, there are several options to avoid this.

  • Use a longer focal length lens.
  • Move your subject somewhere else.
  • Change your camera angle or location.
  • Use a wide aperture to blur the background.

A longer focal length lens will reduce the amount of background you see. Move back from your subject and use a longer focal length. You will see the background differently than using a wider lens.

Moving your subject or your camera location will change what’s behind your subject. Sometimes you will not be able to move your subject. When you can’t, you’ll have to move. This sometimes means you need to compromise with the lighting or composition.

Blurring a background can sometimes be the best way to avoid distractions. You’ll need to open your aperture wide to achieve this, except when you are using a long lens or focusing very close to your subject.

Young Woman in the Park mistakes beginner photographers make

© Kevin Landwer-Johan

4. Not looking for alternative angles

Taking a picture from the first angle you think of, is not always going to make the best photo. This is another common mistake beginner photographers make.

Move around – even a little. Shift your camera from side to side. Tilt it higher or lower. Pay attention to the relationships of elements in your composition as you do this. At times, even a very slight alteration of your camera angle will result in a more striking photograph.

Always consider taking both a vertical and a horizontal perspective with your camera. When you can’t make everything fit the way you want, use a Dutch Tilt. Turning your camera to an off-kilter angle to accommodate your subject can work very well.

When you find something interesting enough to photograph, take more than one or two frames. Looking at a subject from different angles will help you visualize it in fresh ways. I think one of the advantages of using prime lenses is that you are more likely to move about to change your composition. You cannot stand in the same spot and zoom, so you will be more inclined to seek out different points of view.

Image: © Kevin Landwer-Johan

© Kevin Landwer-Johan

5. Not giving people enough direction

How often do you avoid giving directions to the people and have them pose awkwardly? These are common mistakes beginner photographers often make.

Communicate well with the people you photograph. Talk to them about what you are doing and how you want them to look in the photo. Start with some easy, relaxed poses so they’ll be more confident with you.

If you leave them to come up with poses on their own, they may not be very interesting.

People will feel better when you give them direction, particularly if you do so with relaxed confidence. Be clear about what you want them to do and speak to them politely.

Image: © Kevin Landwer-Johan

© Kevin Landwer-Johan

6. Failing to relate to your subject, whatever you are photographing

When photographing people, it’s important to develop a rapport with them. Give them instructions so you can get the photos you want. Moreover, connecting with these people.

If you spend your time looking down fiddling with your camera settings, your subject will most likely feel awkward. You might want to adjust your camera settings, so they are technically perfect. But when you fail to relate to your subject, you will not capture the most interesting photo.

This is most important when you’re photographing people, but not exclusive. Whatever your subject, you’ll make more appealing photos when you include feeling.

Think about why you are photographing something.

What attracted you to take these pictures? How can you incorporate this feeling into the photos you take?

Many beginner photographers will find this challenging. However, as long as you are aware of how you relate to your subject and seek to develop this, you will become more skilled at it.

Muddy female Ceramic artist

© Kevin Landwer-Johan

7. Being fearful to take photos

Many beginner photographers will hesitate to go after the pictures they want because they are fearful.

If you want to photograph something dangerous, where there’s a high degree of risk, being fearful is natural and healthy. For example, it wouldn’t be wise to get close to a bear cub or a poisonous snake in the wild. These situations require fear to motivate us to keep our distance.

Not photographing people because you are fearful that you might impose is entirely different. You can’t know how someone will respond until you ask if you can take their photo. It’s taken me years to learn this, and still, at times, I hesitate.

Tame the negative, fearful thoughts in your head. When you see something you want to photograph, consider the reason why and how you can. Don’t be consumed by thoughts and excuses of why not and how not.

Being committed to the ideas you have about the photos you want to capture will help you develop your personal photography style.

Chiang Mai market porter

© Kevin Landwer-Johan

Conclusion

Mistakes beginner photographers make can be very frustrating. When you take your time and review the photos you take, you’ll see how to improve and not keep making the same mistakes.

Moreover, look over the photos you take each time you load them to your computer. This is most helpful when you have not deleted the ‘duds’ off your cards before uploading.

When you see your best and worst photos side by side, this can help you grow as a photographer.

mistakes beginner photographers make

© Kevin Landwer-Johan

Are there any other mistakes that you have made as a beginner photographer that you’d like to help others learn from? If so, please share them with us in the comments section.

The post 7 Mistakes Beginner Photographers Make The Camera Can’t Be Blamed For appeared first on Digital Photography School. It was authored by Kevin Landwer-Johan.


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Video: BTS look at how Nissan turned its 2020 GT-R NISMO into the ultimate camera car

10 Feb

How do you film a high-speed performance car capable of reaching speeds up to 300kph (186mph)? You simply take another one and modify it to be used as a high-speed camera car itself.

In a press release, Nissan has shared how it captured promotional footage for its 2020 Nissan GT-R NISMO using another GT-R that had been modified to be a purpose-built camera car. To get the job done, Nissan enlisted the help of Mauro Calo, ‘a professional precision driver and automotive video expert known for his work on big-budget blockbuster movies and automotive TV shows.’

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After plenty of planning and prototyping, Nissan and Calo got to work ‘bespoke tubular structure that was welded to the chassis and able to hold the weight of the professional carbon-fiber gimbal camera mounting system.’ In addition to the camera rig, the car was covered with a matte black wrap and gained a new name of sorts—Godzilla Tracking Rig (GT-R).

‘Thanks to its low center of gravity, adjustable sports suspension and four-seater configuration, the GT-R is the perfect base car to accommodate a camera rig of this type,’ says Nissan in its press release.

Using a four-person team (with not much room to spare inside the coupe), Calo drove while a gimbal operator, focus puller and director captured the required footage for the promotional material. The above behind-the-scenes video is promotional in its own regards, but it still shows the incredible camera rig Calo and the Nissan team were able to develop.

Articles: Digital Photography Review (dpreview.com)

 
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Leica releases major 2.0 firmware update for its Q2 compact camera system

09 Feb

Leica has released a firmware update for its Q2 that adds and improves a number of features for the prime lens compact camera. Firmware version 2.0 for the Leica Q2 addresses nearly every facet of the camera, from shooting modes to mobile transfer speeds.

First up are the autofocus (AF) improvements. Leica has added selectable AF field sizes (small, medium and large) that can be changed by a long tap when Touch AF is activated. Leica has also made it so Touch AF + Release works across all AF modes and has also made it so if a face isn’t detected in Face Detection AF Mode, the AF-Mode will temporarily switch to Field AF instead of Multi-field until a face is detected. Tracking AF has been improved across the board as well.

Speeds across the entire workflow have been improved, too. DNG and DNG+JPEG write speeds are twice as fast and transferring images to mobile devices via the Leica FOTOS app is now up to 50-percent faster.

Leica has also added a new top-level menu screen for a more complete overview of settings, made it so auto-ISO is changed to ‘prioritize correct exposure’ and added a menu option so you can choose between 60 fps or 120 fps refresh rates for the electronic viewfinder. In Leica’s own words, ‘For fast moving subjects, set 120 fps for a more fluid display of movement (lower resolution), or choose 60 fps for full resolution.’

You can read more details and download firmware version 2.0 for the Leica Q on Leica’s download page.

Articles: Digital Photography Review (dpreview.com)

 
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‘Back to the drawing board’: Sigma says full-frame Foveon camera won’t arrive this year

09 Feb
Sigma CEO Mr. Yamaki, pictured in the company’s factory in Aizu, Japan.

Development of Sigma’s full-frame Foveon camera has met considerable setbacks and the camera is no longer slated to arrive this year. In a letter to customers, CEO Kazuto Yamaki apologizes for the delay and says the decision comes after ‘careful and rigorous testing.’ No new release date is given at this time, and Mr. Yamaki says that the company has decided to start over with a ‘clean slate.’

The full-frame Foveon project was first announced to the public at CP+ in 2018. At the following year’s CP+, Sigma released more details about the camera and said it would reach market in 2020. Mr. Yamaki discussed with us some of the challenges of taking Foveon full-frame, describing the difficulty of improving interconnected aspects of sensor performance like high ISO performance and color gradation.

Press release:

Development status of the full-frame Foveon sensor camera

Dear Customers,

Thank you for being a valued customer.

At Photokina in September 2018, SIGMA announced the development of an L-mount mirrorless camera equipped with a full-frame Foveon sensor. Then, at CP+2019, we shared our plan to release the camera in 2020 and have worked diligently on the development to meet our commitment.

As a result of careful and rigorous testing based on the latest development information, however, it has become clear that the launch of such a camera would be infeasible within this year. Still at this point, we cannot say for certain when the full-frame Foveon X3 sensor will be put into mass production.

In light of current development progress, we are not in a position to offer any specific release plan at present. We have therefore decided that we should start over the project with a clean slate, putting the production plan for this new camera back to the drawing board and going back to the development of sensor technologies.

Since the earlier announcements, your excitement with the launch of a “full-frame Foveon” has been a tremendous source of inspiration and encouragement for us. Everyone involved in the project has pulled out all the stops to make it a reality. I would like to express my deepest apologies for failing to meet your expectations and having to share this disappointing news.

I would like to emphasize that Foveon sensors are in a class of their own and that they are part of the identity of SIGMA cameras that embodies our ideals and philosophies. We are determined to continue dedicating ourselves to technology development to bring better image sensors to life.

I would like to once again express my sincerest gratitude to our valued customers for the strong support you have offered to us. On behalf of all SIGMA employees, I commit myself to you that we continue striving to live up to your expectation and prove that we are worthy of your trust.

I truly appreciate your patience and understanding.

Warmest regards,

Kazuto Yamaki
Chief Executive Officer
SIGMA Corporation

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm says new 400MP ‘pixel shift’ mode is coming to its GFX 100 camera system

07 Feb

At its 2020 X Summit in London earlier this week, Fujifilm announced it’s working on adding a 400 Megapixel ‘pixel shift’ mode for its GFX 100 medium format mirrorless camera system.

The impending feature was teased as Fujifilm engineers talked about adding new functionality to its GFX 100 (around the 39:30 mark in the above video). According to the engineers, the ultra-resolution mode would use ‘sub-?m order control’ pixel pitch to create 400MP stills from the 100MP sensor inside its GFX100. Specifically, the engineers noted the new technology would be able to control pixel shift with 10x more precision than is currently available using the in-body image stabilization.

Aside from the aforementioned details, no other information was given, as Fujifilm engineers progressed through the 2020 X Summit. So, until Fujifilm reveals more information, it’s just a matter of waiting to see how long it is until the new functionality finds its way to the company’s 100MP medium format mirrorless camera.

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh announces its new ultra-rugged WG-70 camera

05 Feb

Ricoh has announced its latest ultra-rugged compact camera, the WG-70. Nearly identical in design to its predecessors, the compact camera is specifically made for trying environments and features dedicated shooting modes for underwater and macro photography.

At the center of the WG-70 is a 16 Megapixel 1/2.3” backside-illuminated CMOS sensor with a maximum sensitivity of ISO 6400. In addition to stills, the camera captures 1080p (Full HD) video. The onboard lens features a 28–140mm 35mm-equivalent focal length, has an aperture range of F3.5-F5.5 depending on the focal length and is constructed of 11 elements in 9 groups. In addition to the optical zoom, the camera also offers an additional 7.5x zoom when using the onboard ‘Intelligent Zoom’ feature (which is limited to 7 Megapixel).

Composing and reviewing media is done on the 2.7-inch ‘outdoor-friendly’ LCD display that has an anti-reflective coating. A ring of six LEDs around the lens of the camera offers a unique means of capturing macro images. To make the most of the unique LED array, Ricoh has included a new ‘Digital Microscope’ mode that enlarges the subject being captured. A standard Macro mode is also included, in addition to the underwater shooting mode, which compensates for the color shift that happens when snapping underwater shots.

The WG-70 is waterproof down to 14m (46ft), shockproof from falls up to 1.6m (5ft) and freezeproof down to -10ºC (14ºF). The WG-70 works with Ricoh’s lineup of WG-series mount accessories, which allow you to mount the camera much like you would an action camera.

The Ricoh WG-70 will be available in mid-March at participating retailers for $ 280.

Press release:

Ricoh announces newest ultra-rugged digital compact camera in its acclaimed WG series

RICOH WG-70 features advanced shooting modes for underwater and macro photography, high-definition video

PARSIPPANY, NJ, February 4, 2020 ? Ricoh Imaging Americas Corporation today announced the RICOH WG-70, a durable, lightweight and waterproof compact digital camera that produces super-high resolution photos and high-definition (HD) video. Equipped with a 5x optical zoom lens with 28mm wide-angle coverage and a large, outdoor-friendly wide-frame LCD monitor, the new model in the rugged WG series makes it easy to capture a range of images – from eye-catching close-ups to sweeping landscapes – in extreme conditions, both on land and under the sea.

The RICOH WG-70 adds a number of newly designed features including a digital microscope mode that, when coupled with the use of the camera’s six-LED macro lights, enables the user to clearly see a magnified view of the microscopic world and effortlessly capture eye-catching close-up images. It also features an advanced underwater shooting mode that optimizes color, contrast and white balance to deliver sharp, true-to-life images. Ricoh has also added a new digital Cross Processing effect option, allowing the user to give an artistic, altered color finish to images, similar to result of cross-processing film images.

The RICOH WG-70 camera’s back-illuminated CMOS image sensor with approximately 16 effective megapixels and a high-performance imaging engine delivers super-high-resolution still images and HD video clips. It features triple anti-shake protection to prevent blurred images and videos in all applications.

The RICOH WG-70 is waterproof to a depth of 46 feet (14 meters), shockproof against a fall from a height of five feet (1.6 meters) and freeze-proof in temperatures as low as 14°F (-10°C). It also comes equipped with an outdoor-friendly LCD monitor with a brightness level that can be instantly adjusted to the lighting level of a shooting situation. The camera is 4.8 inches wide by 2.4 inches high by 1.2 inches deep and weighs approximately 6.8 ounces (including battery and SD memory card).

Articles: Digital Photography Review (dpreview.com)

 
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