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Posts Tagged ‘Camera’

Adobe Camera Raw 9.9 launches with new camera and lens profile support

08 Mar

Adobe has announced the release of Camera Raw 9.9 for Creative Cloud subscribers, adding expanded lens profile and camera raw support. In addition to the new support, ACR 9.9 fixes a trio of bugs, including a ‘rare crash’ associated with JPEGs, a bug that affected Lens Profile Auto Matching when used with Zeiss Batis 85mm lenses, and an Upright bug issue.

The latest version of Camera Raw adds support for the following cameras:

  • Canon PowerShot G9 X Mark II
  • Casio EX-ZR3200
  • Fujifilm GFX 50S
  • Fujifilm X100F
  • Fujifilm X-A10
  • Fujifilm X-T20
  • Leica M10
  • Olympus E-M1 Mark II
  • Panasonic DC-FZ80
  • Panasonic DC-GF9
  • Panasonic DC-GH5
  • Panasonic DMC-TZ82
  • Phase One IQ3 100MP (“S” compression mode not supported)

The update also adds support for another 28 lens profiles, including the iPhone 7 lenses, the DJI Mavic Pro FC220, several Nikon F and Canon EF lenses, and more. The full list can be found here. Existing Camera Raw users can update to the new version by selecting the ‘Help’ menu in the application, then ‘Update.’

Via: Adobe Blog

Articles: Digital Photography Review (dpreview.com)

 
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Cinetics announces new Lynx camera slider and motion control system

07 Mar

Cinetics has announced Lynx, its next generation camera slider and motion control system for photographers and filmmakers. It claims that Lynx is designed to set up and use quickly and easily, incorporates advanced motor control for very precise camera slides, pans, and tilts, and also allows users to program and operate the system through a mobile app.

The company is turning to Kickstarter for preorders, following successful Kickstarter campaigns for other products.

Lynx will be available in three kits: a Base Slider kit, which allows for manual moves, a Motorized Slider kit, which adds a slider motor and controller, and a Three Axis Slider kit, which adds motorized pan and tilt head.

A $ 499 Kickstarter pledge will secure you the Basic Slider Kit, a $ 999 pledge will get you the Motorized slider kit, and a $ 1499 pledge put you in line for the full Three Axis Slider kit. Final non-Kickstarter pricing was not announced.

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Press Release

Cinetics Announces Lynx: Camera Slider and Multi Axis Motor Control System That Masters Timelapse and Video Moves

Fourth Kickstarter Campaign Offers World Class Motion Control System Made Possible by Feedback and Support from Engaged Customer Base

Austin, TX. – March 07, 2017 – Cinetics, designers and manufacturers of lightweight and portable cinematic systems for videographers and filmmakers, is adding a next generation product to its arsenal of motion control, dolly, and tripod systems for photographers, filmmakers and videographers. Lynx™ is an ultra-smooth camera slider and multi axis motor control system that masters the art of timelapse and is capable of making precision video moves. Following the overwhelming success and community support of three previous Kickstarter campaigns, Cinetics will once again turn to Kickstarter for preorders of Lynx and offer its loyal community of photographers, filmmakers, and videographers a discount on the new system.

“Lynx is our 4th motion control project, and it’s our very best. It’s a compact camera slider built with input from an amazingly engaged customer base,” explains Justin Jensen, founder of Cinetics. “It’s a ready-to-run, three axis motion control kit that sets up quick and easily, is strong, fast and quiet, and can be driven by a mobile app. We are confident that Lynx will consistently perform as well as other, more expensive, compact motion control systems on the market.

Lynx is manufactured using the finest materials and incorporates the latest in motor control technology to enable precise, quick and quiet slides, pans and tilts. A beautifully-designed mobile app allows easy and intuitive remote system control while its joystick design and accelerometer controls take live camera movement to an entirely new level. Lynx is designed for fast and easy set up, can run preset programs or be configured creatively to perform complex moves for incredible cinematic results.

Lynx is available in three primary kits: Base Slider, Motorized Slider and Three Axis Slider.

The Lynx Base Slider allows users to create manual video moves. The motor control can be added to the slider at any time.

The Lynx Motorized Slider kit includes the manual slider plus the slider motor and controller for a complete linear motion control system.

The Lynx Three Axis Slider includes the complete Lynx motorized slider and motorized pan and tilt head.

Articles: Digital Photography Review (dpreview.com)

 
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Google patent details a hat with a wearable camera and bone conduction speaker

03 Mar

Google was recently granted a patent it filed in 2013 that details a hat with a built-in camera system able to pair with a mobile device for the purpose of ‘interactive sessions.’ While a baseball cap in particular seems like a somewhat odd choice for a wearable, the system itself sounds fairly straight-forward as a portable studio of sorts for live broadcasting video and snapping photos.

The system revolves around the camera, but includes related technologies to encompass a complete system. This system includes a speaker that transmits audio to the user via bone conduction, a module that uses vibrations to direct the user’s attention from one side to another, and a microphone, as well as a built-in battery to power it all.

The intended purpose for the wearable camera system appears multifaceted. One obvious purpose is capturing content and sharing it via the mobile app whether directly or as a live broadcast. The patent indicates the system could also be used for more utilitarian things as well, though, such as getting help from a remote entity (a line worker sharing a problem with someone at a facility, for example).

Whether this patent will ever be turned into a consumer product — and whether that product would actually be based around a baseball cap — is unclear at this time.

Via: Mashable

Articles: Digital Photography Review (dpreview.com)

 
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Free learning provider Alison launches build-your-own camera drone course

02 Mar

Online e-learning platform Alison has launched a new course aimed at those who want to build their own camera drones. Over four modules the course claims to teach students about the components that go into a drone and their functions, as well as how to assemble, check and fly your own quadcopter.

The course uses video tutorials that already exist on Drones Garage but adds step-by-step summaries and introductions to guide students through the information. Students must take an assessment at the end of the course to ensure knowledge has been retained and a score of 80% has to be achieved to pass. Those who pass can buy a certificate or download a free PDF that shows a record of what courses have been taken and passed.

The course is free to take after sign-up as most of the content already exists and pre-roll adverts fund the site. For more information see the Alison e-learning website.

Press release

Aerial photography and exploration: Discovering drone technology

  • Alison launches free course on building your own drone
  • Hobbyists use the course to build drones and use them to take stunning aerial photos and video
  • Multinationals and governments are piloting the use of drones for deliveries, surveillance and much more

Alison, one of the world’s largest free e-learning platforms, has announced the launch of a new course teaching people how to build their own drones. Aimed at beginners, the course is taught by experts through a series of videos.

Mike Feerick, CEO of Alison, said: “On a personal level, I find the ever-expanding field of drone technology absolutely fascinating. The opportunity for UAVs to transform industry is extraordinary; from providing new sources to journalists and delivering orders, to criminal surveillance and assisting the emergency services with search and rescue operations.”

The course teaches students how to build a Rush 4 drone for the first time. The curriculum involves learning about the process of preparing the motors, electronic speed controllers and power distribution board. Learners are also guided on how the first-person view is attached in order to film while flying the drone.

Finally, students learn about the steps that need to be taken before flying a drone, and introduced to the software tools that can prepare the drone for flying.

Mike added: “I’m excited by the idea of giving people the ability to put something this powerful together with their own hands, but also by the beauty it can capture – from photographing the coastline at angles that were previously impossible, to taking videos of kids’ birthday parties. There is a seemingly endless range of uses for these devices.”
The course is available here.

About Alison

Alison is one of the world’s largest free online learning platforms, providing free education to more than 10 million registered learners worldwide. Alison is a for-profit social enterprise with a goal to drive the cost of education and skills training to zero.
Headquartered in Galway, Ireland, Alison was founded by CEO Mike Feerick, social entrepreneur, Ashoka fellow (2010) and Harvard MBA. Alison has over one million registered learners in the United States, United Kingdom, and India with 180,000 registered learners in Ireland.

Awards
* UNESCO Award for Innovation in ICT for Education (2011)
* World Innovation Summit for Education Award (2013)
* Finalist ‘Social Entrepreneur of the Year’ World Economic Forum/Schwab Awards (2016)

Articles: Digital Photography Review (dpreview.com)

 
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Ricoh R Development Kit 360 degree camera will be available for pre-order in May

28 Feb

Ricoh has released pricing and full specifications for the Ricoh R Development Kit 360 degree live streaming camera that was first shown to the public at CES earlier this year. The company has also announced it is starting to take pre-orders for the device on the Ricoh R website starting in May. The kit will be available at a price point of $ 499.

The RICOH R Development Kit is capable of live-streaming fully spherical, 360-degree video in 2K resolution at 30 frames per second. The footage is stitched on the device in real time to fit the standard Equirectangular Projection Format. Streaming video can be output via HDMI or USB, and, when using a power adapter, continuously up to 24 hours. The camera can also record onto a micro SD card. 

The kit consists of the camera, camera stand, a software development kit (SDK) as well as image-control tools and source code. Thanks to an open API the camera is controllable via USB. Ricoh says potential applications include live streaming of events, telepresence, computer vision and surveillance. Full specs are available on the Ricoh website. 

Press Release:

Announced at CES 2017, RICOH R Development Kit delivers up 24 hours of fully spherical live streams

TOKYO and BARCELONA (Mobile World Congress 2017, Hall 8.0 J3), February 27, 2017?Ricoh today announced it is taking pre-orders of the RICOH R Development Kit, featuring the industry’s first camera capable of delivering up to 24 continuous hours of fully spherical, 360-degree live video streams. Showcased at Mobile World Congress 2017, the camera can be pre-ordered from http://ricohR.ricoh, with shipments scheduled to start in May 2017. The sales price will be $ 499.

Using Ricoh’s fully spherical imaging technology, the RICOH R Development Kit can live-stream fully spherical, 360-degree images in 2K resolution at 30 frames per second. Unique to RICOH R technology is the stitching of video within the camera in real time to the Equirectangular Projection Format, which is the standard format for fully spherical images. Video is then output via HDMI® or USB, and—by using an AC power adapter– continuous, live streaming up to 24 hours is possible. The camera records onto a micro SD card, which enables the body to be extremely thin and lightweight.

The RICOH R Development Kit consists of the camera, camera stand, downloadable software development kit (SDK), plus image-control tools and source code. Using the camera’s open API and the “RICOH R Console” image-control tool source code available through GitHub, the camera can be controlled via USB, which will enable its use in a variety of environments and industries such as telepresence and computer vision.

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Wine Country Camera Filter Holder System

28 Feb

In this article, I will go over why I switched to using the Wine Country Camera filter holder system from others I’d previously used. As well I’ll cover some of the system’s key features so you can decide if it’s right for you as well.

Since the late 60s and early 70s photographers have been using drop-in (slide-in) filters in front of their lenses. The holders which accept such products are usually used for neutral density filters, polarizers, color filters, and sometimes effect filters.

But there has been a problem with this type of holder, even since its inception.  They’re usually poorly made with cheap plastic or mixed aluminum materials. And that’s just the holder’s materials. Other problems are the placement of the polarizers which can cause vignetting, manufacturing errors, and much more.

Review of the Wine Country Camera Filter Holder System

The Wine Country Camera filter holder and vaults.

Although I inherited a Cokin filter kit from my grandfather, my first self-purchased kit was a Lee Filter Foundation Kit. The product is made of plastic, which makes it light weight. But it also makes it vulnerable to bending and breaking.

Eventually, Formatt Hitech released their newer aluminum filter kit, and I made the switch and used it for a couple of years… until now.

Wine Country Filter Holder Materials

Review of the Wine Country Camera Filter Holder System

One of the many tactile points of contact on the holder.

Wine Country Camera was born out of the need for quality filter systems and ongoing standards. Every aspect of the filter kit has been deeply considered and well thought-out from the bottom up, or backward to forward.

Instead of plastic or aluminum, premium materials are used, with purpose. For example, instead of a standard dial, a wooden dial is used, so your fingers don’t freeze in cold weather. That can also be said for the wooden grips on the front of the holder. Every part of the holder is tactile so you know when you’re turning, rotating, and pushing. It’s so tactile that you can even maneuver the holder and filters while wearing gloves.

How It’s Unique

By now you likely already recognize that the holder system from Wine Country Camera is unique. But to reiterate why I thought so, I wanted to point out some of the features that are unlike any other holder on the market.

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Coin locks

Many locations around the system carry the Wine Country Camera logo, a wine glass. At first, you might think it’s about branding. While that might be true, the more important reasoning is so that you know when items are right side up. For example, the filter vaults have this beautiful coin which is turned to lock or unlock the filter. When the wine glass is upside down, the vault is unlocked. When it’s standing on its stem, the vault is locked.

Review of the Wine Country Camera Filter Holder System

The coin which locks and unlocks filters from the vaults.

Vaults

Speaking of the vaults, these are a new concept, already mastered. The vaults are made of a polymer, similar to that found in a Glock. They’re extremely strong. No joke – they can’t be bent. The moment I filled one of my vaults with a filter, I dropped it (I got it on video too). To my surprise, there was no damage to the glass filter inside. The vault serves multiple purposes.

  • The vault seals the space between filters and the holder so that you do not need those annoying foam gaskets.
  • Makes it extremely easy to insert and remove filters from the holder with or without gloves.
  • Protects the filters from normal wear and tear and minor dings.

Vaults are available for 100mm square filters as well as graduated filters. Along with the vaults are two red buttons on the holder. The buttons are designed to remove the friction holding the two outer filters in place. That way you can safely move graduated filters up and down with ease, safely.

Review of the Wine Country Camera Filter Holder System

The red buttons which help adjust how the filters sit in the outer two slots.

Customer service above and beyond

It’s worth noting that due to the high-quality standards of Wine Country Camera, they have identified a flaw of other manufacturers. Although there are so-called standards among filters, they’re not always followed precisely while making the filters. Here is what they said:

Service Advisory: We are noticing that some Lee grads have been produced at a thickness outside of their specification. If you experience difficulty installing your grad, contact us immediately and we will resolve it for you.

As you can see, Wine Company Camera is replacing their filter vaults with new ones, for customers experiencing an issue of their filters not fitting. It’s not their fault, but they’re correcting the issue for their customers. Lots of thumbs up for that customer service decision!

Using the filter holder

The holder allows for three filters to be used at any given time. The reason for this is that the Wine Country Camera filter holder uses an internal polarizer. Because the holder keeps the polarizer in the back, instead of the front like most filter holders, it opens the doors for a third filter.

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Typically when a Circular Polarizer is placed in front of the Neutral Density filters, you lose a slot and have a giant 105mm ring to attach a Circular Polarizer (CPL) too. But with the Wine Country Camera system, the polarizer is easily removed with two red clips and turned using the beautiful wooden dial.

Review of the Wine Country Camera Filter Holder System

The wood dial which turns the internal polarizing filter.

Last, and not least is that because of the extremely low profile of the filter holder, and the polarizer being in the back, there is a reduced the risk of vignetting. The system has been tested as wide as 17mm without any vignetting. That’s a huge jump from the 24mm limit I had with the Formatt Hitech and Lee systems (even with the wide angle adapter rings). I photograph at 20mm quite often and have always experienced vignetting, although minor. Until now.

Is it worth the price?

I’ll be the first to admit when the Wine Country Camera filter holder system was initially announced I was shocked by the price. Especially when compared to systems from other manufacturers. But after getting my hands on it, I understand why.

The amount of pride, thought, and effort that went into every millimeter of the product is the highest possible quality. It’s not cheap plastic. It’s not cheap metal. But for the curious minded, I thought I would include a price comparison on my kit before and after. I will leave out my Neutral Density filters for right now I’m still using my Formatt Hitech Firecrest ones in the Wine Country Camera holder. (I’ll likely switch to WCC once they have their own ND filters)

Wine Country Camera System

  • Holder with internal polarizer, two vaults, and one Adapter Ring: $ 449
  • Two extra 100x100mm square vaults (I have four square filters): $ 75
  • One 150x100mm rectangular vault: $ 35
  • Three Adapter Rings: $ 150
  • Total: $ 704

Formatt Hitech

  • 100mm Aluminum Holder: $ 47.99
  • Four Wide-Angle Adapter Rings:
  • Polarizer Ring: $ 19.99
  • 105mm Firecrest Circular Polarizer SuperSlim: $ 229.99
  • Total: $ 481.92

As mentioned, the price for the Wine Country Camera system is more. But keeping in mind the advantages of the system, the materials used, and that you have the vault advantage, it’s worth the extra money up front. The $ 257.08 savings on a different system might save you up front but could cost you in the long term. Maybe on parts falling apart, lower quality materials breaking, light leaks on your photographs, and potentially more.

But I know that not everyone can afford the kit, so it may not be for you. But if you are like me and want the best of the best when it comes to your photography, then you’ll save up and take the plunge when it’s right for you.

Review of the Wine Country Camera Filter Holder System

Bonus for high megapixel cameras

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Something else to keep in mind, for anyone with a high megapixel camera, like a D810, A7RII or a medium format camera – is that many polarizers have an issue with reflections on higher resolution sensors. The one from Wine Country Camera does not have this issue. The polarizer fits inside the holder body, eliminating reflections and allowing geared rotation. Wine Country Camera worked with a high-end optics manufacturer to develop the highest possibly quality polarizer. Their polarizer uses 2.5mm thick Schott optical glass that is fire polished, and free of surface aberrations. Considering their CPL is less expensive (when purchased alone) than the previous one I was using, it’s nice to know my optics are protected.

Keeping it together

Before theWine Country Camera system, I was using the Mindshift Gear Filter Hive to hold everything in one place. The small bag is incredible, can be stored in a backpack, clipped to a belt, or hung from a tripod.

I was happy to find the Wine Country Camera system almost completely fits in the same bag. Everything but the holder itself fits inside. But fortunately, Wine Country Camera provided a very protective case for the holder and its attached polarizer.

Review of the Wine Country Camera Filter Holder System

Final thoughts

As I mentioned earlier, I was originally a skeptic for the Wine Country Camera system. But I have fallen in love with it. I am so gratefully that this company has now taken steps to improve the lens filter system, as the industry has needed this change for a long time.

I love that every adjustment possible on the holder can be done with the left hand.  That way the right hand can be kept on the camera. To me, the price is worth it, the features are worth it, the quality in craftsmanship is worth it. I hope you recognize the same.

Have you taken a look at the Wine Country Camera filter holder yet? What are your thoughts?

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The post Review of the Wine Country Camera Filter Holder System by Scott Wyden Kivowitz appeared first on Digital Photography School.


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CamFi wireless camera controller now supports Sony digital cameras

28 Feb

Wireless camera controller CamFi now supports Sony digital cameras, the company announced recently. With CamFi 3.0, the latest version of the app, Sony camera owners can attach the CamFi wireless controller to their camera via a USB cable, then access and control the camera remotely using a laptop or tablet over Wi-Fi.

CamFi supports live view from Sony digital cameras, as well as Nikon and Canon cameras, and also enables photographers to change camera settings and capture shots using a laptop or tablet. The controller supports multi-camera setups, and also adds support for the latest DNP wireless printer server. The company says CamFi 3.0 also supports both Raw and JPEG image formats.

According to the CamFi Sony support page, the product presently supports the Sony a7R, a7R II, a7S, a7 II, a7, a6300, a6000, and a5100 models. Both MTP and PC Remote modes are supported; users can select their preferred mode in the camera’s ‘USB Connection’ menu. Check out the support page for full details on how to set up and use CamFi with Sony cameras.

Press release:

CamFi 3.0 Adds Wireless Tether Support for Sony Cameras

GUANGDONG, CHINA. – February 23, 2017 – CamFi Limited, maker of wireless controllers for digital cameras, announced today that the new version of its app, CamFi 3.0, adds wireless tether support for Sony cameras. This feature allows the photographer to transmit photos from a Sony camera to a laptop or tablet via Wi-Fi automatically during a photo shoot. 

“CamFi is the only wireless camera controller which can support Canon, Nikon and Sony currently. The support for other camera brands will be added in the future,” Said Mark Ma, CEO of CamFi, “We hope we can bring something new for the photography industry.” 

CamFi 3.0 supports both raw and jpeg image file formats. It also supports live view for Sony cameras. That way, a photographer can see the live view of the camera, change the ISO, shutter speed and aperture and shoot remotely. Furthermore, the new version added support for the newest DNP wireless printer server. This allows the user to print the photo via Wi-Fi immediately after shooting. CamFi supports multiple camera control, which can be used to create a bullet time effect. 

There are many advantages to using wireless remote capture. For one thing, the technology enables the photographer to see the preview image on a large screen, such as that of a tablet, versus the small viewfinder of the camera. The tether also makes it possible for the camera to be in a position that gets the right shot, but which is not necessary comfortable or safe for the photographer. For instance, the camera can be mounted on a high railing while the photographer can see the preview while standing on the floor below. Wireless tethers are helpful for time-lapse photography and self-portraits as well. 

For more information and the full list of product specifications, please visit
http://cam-fi.com

Articles: Digital Photography Review (dpreview.com)

 
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Lenovo Moto G5 Plus camera first impressions review

27 Feb

Lenovo has launched the latest model of its Moto sub-brand at the Mobile World Congress. The Moto G5 Plus is the successor to last year’s Moto G4 Plus and, like its predecessor, an upper mid-range device that puts a lot of emphasis on camera performance. For the new model’s camera resolution has been reduced from 16MP to 12MP and, with a 1.4µm pixel size, on-sensor phase detection and very fast F1.7 aperture, the main camera specifications look very similar to the Samsung Galaxy S7’s minus the optical image stabilization.

On the video side of things the camera is capable of recording clips with 1080p Full-HD resolution and front camera specification remains unchanged with a 5MP sensor and F2.2 aperture. Compared to the predecessor the size of the IPS display has been reduced from 5.5″ to 5.2″, making the G5 Plus a little more compact, but the 1080p Full-HD resolution remains unchanged. The metal frame is a little more sturdy and gives the entire device more of a premium touch than its predecessor.

The fingerprint sensor at the front now also serves as a touchpad, replacing the Android function buttons. Android 7.0 is powered by a Snapdragon 625 chipset and 2GB of RAM. 32 or 64GB of onboard-storage can be expanded via a microSD slot. The non-removable Li-Ion 3000 mAh battery supports fast charging and, unlike Lenovo’s high-end Moto Z models, the G5 Plus still features a 3.5mm headphone-jack.

  • 12MP CMOS sensor with 1.4µm pixel size
  • F1.7 aperture
  • On-sensor phase detection
  • 1080p video
  • 5MP / F2.2 front camera
  • Manual control over shutter speed
  • 5.2″ 1080p IPS display
  • Android 7.0
  • Qualcomm Snapdragon 625 chipset
  • 2GB RAM
  • 32/64GB storage
  • 3000 mAh battery with fast charging

We have had the chance to use the Moto 5G Plus for a few days before launch and were impressed by the speedy general operation and how solid the new model feels in the hand. We have also shot a good number of sample images with the camera in a variety of situations. 

Image Quality

In our brief test we found the Moto G5 Plus to capture good detail, especially in lower light, good exposures and pleasant colors across the ISO range. In the ISO 50 image below some slight smearing of fine detail is noticeable at a 100% view but overall fine textures are rendered nicely and luminance noise in the blue sky is very well under control. Some highlight clipping is visible in bright areas of the frame but it’s well within acceptable limits for this class of device.  

 ISO 50, 1/1622 sec

In sunlight colors are pleasant with a slightly warm touch. At close subject distance, like in the image below, the combination of a 1/2.5″ sensor with a very fast F1.7 aperture allows for some blurring of the background.  

 ISO 50, 1/2240 sec

Thanks to its fast aperture the Moto G5 Plus can keep the ISO low in indoor scenes like the one below. That said, in low light the camera is slightly more prone to camera shake than models equipped with optical image stabilization.

 ISO 160, 1/30 sec

The camera’s white balance system deals well with artificial indoor lighting. In the ISO 250 image below fine detail is starting to suffer a little bit but both luminance and chroma noise are very well under control. 

 ISO 250, 1/30 sec

The indoor portrait below shows good detail and natural skin tones. The 1/30 sec shutter speed usually still gets you shake-free images.

 ISO 400, 1/30 sec

For low-light shots like the one below, shutter speed is reduced to 1/15 sec and the camera engages a multi-frame night mode. There is now noticeably more noise in the image, especially the shadow areas, but the overall tonality is very pleasant and edge detail is still very well defined. The Moto G5 Plus is performing well in these light conditions.

 ISO 500, 1/15 sec

The night shot below shows very good exposure, color and detail, considering the low light levels. Edges are very well defined and fine textures are still visible as well. Noise is noticeable when the image is viewed at a 100% magnification but finely grained and overall very well controlled. 

 ISO 640, 1/15 sec

Special modes

Panorama mode remains a bit of a weakness in the Moto camera app. The images tend to show good exposure and color but, compared to some competitors, are pretty small. In scenes with several moving subjects ghosting artifacts are almost unavoidable.

Panorama 2704 x 920 pixels

As you can see in the samples below, HDR mode is capable of maintaining better highlight detail than standard exposures. It also slightly lifts the shadows, making for a more balanced overall exposure in high-contrast scenes.

 ISO 50, 1/3763 sec, HDR off
  ISO 50, 1/3618 sec, HDR on

First impressions

We are hoping to spend more time with the Moto G5 Plus soon, but after our first brief test the new model looks, like its predecessor, like a great option for mobile photographers who don’t want to spend iPhone or Galaxy S money. The Moto G5 Plus offers responsive operation in all situations and very decent image quality across the ISO range. We especially liked the textures and low noise levels in low light scenes. 

In terms of build quality the new model is a step up from last years G4 Plus as well and the touchpad-style fingerprint reader is an interesting touch. At its retail price point of $ 299 the Lenovo Moto G5 Plus looks like a great package for mobile photographers and general users alike. 

Articles: Digital Photography Review (dpreview.com)

 
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Uno II interchangeable camera backpack has four swappable interior panels

25 Feb

Bag maker NIID has launched a Kickstarter campaign in hopes of funding the Uno II, a backpack geared toward photographers and other creatives. It calls the Uno II the first ever interchangeable backpack, allowing owners to swap the interior bag component with an alternative ‘panel.’ A total of four panels are offered, one designed for a variety of camera gear, one for art supplies, one for work items (the standard panel) and one for sports gear.

Typically, different activities require different types of bags, and that can result in owning a few different backpacks that take up space. Uno II aims to solve that via a two-part design: an exterior zippered component that swaddles the interior panel, and the interior panel which contains pockets and slots for various items. When assembled and zipped, Uno II becomes an ordinary backpack with shoulder straps.

The camera panel can, for example, be used to transport a camera body and a couple lenses, a small tripod, and other smaller items like storage cards or spare batteries. Similarly, the work panel is made for holding items like tablets and laptops, while the sports panel can accommodate workout clothes and more. The art panel differs quite substantially, featuring elastic bands to hold brushes, pencils, paints, and similar things, as well as a mesh pocket for smaller items.

The Uno II is made with linen-textured Eco-polyester with a water-repellant coating, anti-theft zippers, a small hanging clip for attaching things like keys, a Flex Power Dock, and a rain shield for use in heavy rain. This model bag will also be offered, if the campaign is successful, in both a smaller 20L capacity and a larger 30L capacity.

Thus far, the company has exceeded its $ 15,000 goal with nearly $ 53k in funding and 27 days remaining in the campaign. NIID is offering backers a single early bird Uno II backpack with a standard panel in exchange for an $ 89 or greater pledge. Shipping to backers is estimated to start this upcoming June.

Articles: Digital Photography Review (dpreview.com)

 
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Huawei announces Honor VR 360-degree camera

24 Feb

VR is widely viewed as the ‘next big thing’ and everybody wants their piece of the pie. Chinese manufacturer Huawei is no exception and at an event in Beijing the company has announced the release of a clip-on 360-degree camera for smartphones. It will be developed by Insta360 and marketed under Huawei’s sub-brand as the Honor VR Camera.

“We’re thrilled to partner with Huawei to grow the global community of 360-degree and VR creators,” said JK Liu, founder and CEO of Insta360. “Like us, Huawei is committed to reinventing photography, and they believe in our products as the best way to introduce users to the future of the camera.”

Technical specifications are scarce at the moment but we know the camera offers 3K photography and seamless livestreaming. As part of the partnership, Insta360 also developed an app for capturing, sharing and livestreaming 360-degree content.

Looking at the specs and images it is fair to assume the Honor VR camera will be based on the brand new Insta360 Air for Android camera, which comes with an F2.4 aperture, 3008 x 1504 photo resolution and 2560 x 1280 video at 30 frames per seconds. Like the Honor VR it connects to Android smartphones via a USB micro or Type-C connector. We have just received an Insta360 Air, so look out for a review soon. The Huawei VR should be available ‘soon,’ we expect to hear more detail at Mobile World Congress which starts on Sunday. 

Ming Zhao, president of Honor Huawei Business Unit, holds up an Honor VR Camera.

Articles: Digital Photography Review (dpreview.com)

 
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