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Posts Tagged ‘Bracket’

Why I Always Use an L-Plate Bracket for Landscape Photography

25 Jun

There’s no secret that there’s an abundance of accessories for landscape photographers. Some of them are considered absolutely essential while others might just be unnecessary extra weight in your backpack. With so many tools to choose between it can be hard to separate the useful from the unuseful, which is probably why we end up purchasing so many unnecessary products.

When talking about accessories that are useful for landscape photographers I find that there’s a handful of products that keep coming up: a tripod, a variety of filters, a remote shutter release and a cleaning kit. There’s no doubt that these are tools that can make a huge difference in your photography.

L-Bracket Plate in use shooting on tripod.

But there’s one that I feel goes under the radar quite often, which is fascinating as it’s one that the majority of professional landscape photographers use: an L-plate bracket.

What is an L-Plate Bracket?

If this is the first time you’ve heard about an L-plate bracket I urge you to keep reading this article and to consider if this is a tool you should be adding to your equipment list.

The L-Plate bracket is a piece of metal that is fastened to your camera body as a replacement for the regular quick release tripod plate. Unlike a regular quick release plate, an L-Plate is shaped as an L, bending 90 degrees up the side of the camera. This makes it easy to quickly switch between a horizontal or vertical orientation, which is a benefit I’ll come back to in a minute.

To connect the camera to the tripod you place a clamp on the tripod’s ball head. These clamps come in a few different options, including a quick-release lock and a twist lock.

Why I Always Use an L-Plate Bracket for Landscape Photography - camera mounted on a tripod with an l-plate bracket

Why I Always Use an L-Plate Bracket

Ever since I started with landscape photography and purchased my first L-Plate, this has been an accessory that I have recommended. During the last few years, I’ve noticed that more and more beginners are understanding the value of this tool and I’m often surprised to see that the majority of my workshop participants use one.

The main benefit of using an L-Plate is that you can easily switch between a horizontal and vertical orientation. Now, you might ask “how is it easier to remove and re-attach the camera than to just loosen the ball head and readjust it?”.

That is a good question and one that might not seem that obvious but the answer is actually quite simple. When shifting from horizontal to a vertical orientation with an L-plate you keep the same composition.

L-Plate Bracket for Landscape Photography - camera mounted vertically using an l-plate

It’s easy to change the orientation of your camera when using an L-Plate

When shifting from horizontal to vertical orientation without an L-Plate you need to move the tripod as you’ve also moved the camera a few centimeters to the side, meaning you’ve lost the composition you had previously. With an L-plate attached, you maintain the composition and don’t have to worry about moving the tripod back and forth each time you change the orientation.

Another big benefit for those who shoot panoramas is that the camera perfectly pivots around the right spot, meaning you won’t have problems stitching the shots together later.

Who are L-Plates for?

Now I’m not going to lie and say that L-Plates are for everyone. If you’re a studio photographer or if you never use a tripod, it’s better not to waste your money on this tool. However, if you’re a photographer who regularly uses a tripod, I highly recommend that you get one right away.

a vertical photo of a landscape scene - L-Plate Bracket for Landscape Photography

It’s easy to quickly change to a vertical orientation when using an L-Plate

Here are a few photography genres which will greatly benefit from using an L-Plate:

  • Landscape photography
  • Astrophotography
  • Architectural photography
  • Commercial photographers
  • Macro photographers
  • Studio photographers (who use tripods)

Shot vertically using the L-Bracket.

What to look for when purchasing an L-Plate

Unlike many of the other types of accessories we find for photography, there aren’t a whole lot of options when it comes to L-plate brackets. There’s no fancy technology or must-have features. This is a simple tool, but there are still a couple of things to look for when you’re purchasing one.

  • Never purchase “universal” plates: When you’re searching for L-Plates you’ll most likely come across several models which are branded as universal plates. Do not purchase one of these! While they claim to be universal, this is rarely the case. Most likely parts of the plate will block the pockets and plugs on the side of your camera.
  • Metal plates are always best: Metal plates might be a few dollars more expensive but they are worth every cent. A sturdy metal plate is more durable and less likely to malfunction (I’ve had my RRS L-Plate for 4 years and it still works like new).

Final tips

The best option is to find a metal plate which is specifically made for your camera model. For example, I’m using a plate that perfectly fits the Nikon D800 and D810 but when using it on my backup camera, the Nikon D750, it covers the ports on the side, meaning I’m not able to use a cable release.

Lastly, you don’t need to purchase the most expensive alternatives. I know many photographers who use L-Plates that cost between $ 10 and $ 30, and these work just as well as more expensive versions. Just make sure that it’s made of metal and fits your camera. You’re likely to find good options for less than $ 50 so don’t feel like you have to get one of the premium $ 200 versions.

The post Why I Always Use an L-Plate Bracket for Landscape Photography appeared first on Digital Photography School.


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What is a Flash Bracket and Why Do You Need One?

18 Apr

A flash bracket is a device that attaches to your camera and allows you to keep your flash at a greater distance than your built-in or shoe-mounted flash. The result is lighting that is more attractive and consistent. But it comes at the expense of adding quite of a bit of extra bulk to your camera.

In this day and age of MagMod and other portable lighting modifiers, are flash brackets still relevant for photography? Perhaps. Let’s dig into when and why you might need a flash bracket (or not).

Camera flash bracket

Parts of a flash bracket

Flash brackets typically consist of a metal frame that attaches to the tripod screw on the base of your camera. The top portion of the flash bracket will also have a cold shoe mount for attaching an external lighting source such as a speedlight flash.

Camera flash bracket

As a result of your flash no longer being connected to your camera’s hot shoe mount, you’ll have to add an extra accessory to complete your flash bracket setup. You’ll need a flash trigger, which can take the form of a dedicated TTL cord, sync cable, or a wireless radio transmitter.

Once you put it all together, you’ll have a beast of a camera rig.

Why use a flash bracket?

The reasons for needing a flash bracket depend entirely on what kind of photography you do, and the gear that you have. Generally speaking, flash brackets are useful for the following reasons.

Predictable, consistent lighting

Flash brackets allow you to have predictable, consistent lighting. This is especially key for event photographers who may need to roam between rooms with differing ambient lighting conditions. A flash bracket can help you achieve consistent lighting no matter the ambient light.

Among the most common applications for a flash bracket is at a red carpet event. If you look a the photographers working the event, almost all will have a flash bracket of some sort. That’s because they have no control over the ambient lighting at the event and must quickly take horizontal and vertical images of a fast-moving subject.

Camera flash bracket on a Canon camera

No need for an assistant

It holds your flash slightly off camera without the need to physically hold your flash off-camera or use an assistant. Again, this is most useful for event or wedding photographers who may not have an extra set of hands.

Helps you shoot in a vertical orientation

If you shoot a vertical image with direct flash attached to your camera’s hot shoe mount,  you might notice that your photo subject has a sideways shadow. You’ll have a similar challenge even when trying to use your flash’s built-in bounce card or a lighting modifier such as the MagMod MagBounce.

Most speedlights don’t rotate 90 degrees, with the exception of select Sony flashes with the Quick Shift Bounce feature. In order to keep your flash position consistent when shooting horizontal and vertical photos, you need a pivoting flash bracket to help you swivel the flash to always keep it above the camera.

Camera flash bracket

Shooting a vertical photo with the flash mounted to your camera’s hot shoe means your flash is at a sideways angle.

Camera flash bracket

Resulting image when shooting vertically without a flash bracket. Note the heavy shadow to the subject’s side.

Camera flash bracket

Shooting a vertical photo with a flash bracket keeps the flash on top of your lens, allowing for more consistent lighting.

Camera flash bracket

Resulting image when using a flash bracket. The side shadow is almost totally eliminated.

What about bounce flash?

Bouncing your flash off the ceiling or using the built-in bounce card is a great way to achieve nice lighting. But depending on the type of photography you do, you can’t always guarantee there will be a good surface to bounce your flash. When you need consistent lighting in unpredictable photography environments, a flash bracket could help you out.

Camera flash bracket

Shooting a vertical image with a bounce card results in awkward angles when shooting without a flash bracket.

Camera flash bracket

Resulting image when shooting without a flash bracket.

Camera flash bracket

Shooting a vertical image with a bounce card and a flash bracket results in an image with more balanced lighting.

Camera flash bracket

Resulting photo when shooting with a flash bracket.

Recommended flash brackets

Flash brackets can range from very simple and inexpensive, to more complex and thus more costly. A straight flash bracket such as this one by Vello will be pretty cheap, costing $ 20 or less. It’s much harder to find a rotating or swiveling flash bracket that will do so smoothly and without adding too much bulk. After much research, I ended up purchasing the model below, used mainly for my red carpet photography shoots.

Custom Brackets RF-PRO Rapid Fire Flash Bracket

This flash bracket (Custom Brackets RF-PRO Rapid Fire Flash Bracket) stands out for several reasons. First, it is somewhat thin and compact, especially when folded down. This makes it easy to store and carry with me on location. The layout of the flash bracket is also such that it keeps my speedlight relatively close to my camera body and lens, making for an overall low-profile rig.

Many other flash brackets such as this option from LimoStudio end up being extremely bulky as they elevate the flash way above the camera. This might be helpful if you need to move your flash around a lot, but it makes for a much bigger footprint.

Constructed of sturdy aluminum, the Custom Brackets unit is very solid, yet relatively lightweight considering the load that it is meant to carry. And finally, it is one of few flash brackets out there that easily and quickly rotates the flash.

Camera flash bracket

So do you need a flash bracket?

If you have the luxury of setting up lighting and controlling your photography environment, you probably don’t need a flash bracket. However, if you do a lot of on-location photography and don’t always have control over your lighting factors, a flash bracket could help you out, and be a handy addition to your bag.

Do you use a flash bracket for photography? If so, tell us what brand you use and in what photography scenarios below in the comments areas.

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Bracket All the Things: Reclaimed-Surface Tables & Shelves

16 Nov

[ By WebUrbanist in Design & Furniture & Decor. ]

floyd shelf gif

What started as a set of infinitely-flexible table legs has now spawned a second but equally stellar sibling design: a series of wall brackets that let you turn scraps into shelving and switch out surfaces whenever you find something neat and new (or old).

floyd table bracket set

Made in Detroit, the Floyd Leg system allows users to choose what kind of material they want to create anything from desks to dining, coffee, side or even ping-pong tables.

floyd sitting chair table

floyd wall desk use

The owner simply splices the desired surface between the colorful and variable-height brackets, be it reused lumber and scraps or new off-the-shelf boards – as a bonus, the bracket system means the surfaces can also be uneven.

floyd shelf bracket colors

Using the same design strategies, the Floyd Shelf mounts to walls and will let you swap in and out whatever you want to use With its industrial aesthetic, the adjustable bracket set lends itself particularly well to rugged or worn found materials.

floyd shelf legs

floyd table closeup detail

“I was moving frequently between cities and constantly disposing of furniture. The legs were born out of this circumstance and the idea also resonated with our friends. We decided to launch a Kickstarter to gauge what the public reaction would be to the legs,” says Kyle Hoff, creator and co-founder. With an initial goal of producing 100 sets, the pair raised funds for an initial run of over 1,500 sets and shipped to 33 countries.

feetup

“Backers sent in photographs of their creations. It was exciting to see people employ the legs in ways that reflected their own living spaces,” says Alex O’Dell, co-founder. The Floyd Legs are produced in Detroit utilizing the existing manufacturing infrastructure. “We appreciate having our production facility only a 10 minute drive away. It allows us to more close- ly integrate the manufacturing and design processes, while also ensuring the quality of our prod-ucts,” says Hoff.

floyd shelf

The Floyd Leg serves as a pilot piece for a greater line of products that the company will be launching in September 2014. “We’re committed to producing simple, flexible furniture made for denser living in cities. High design furniture is inaccessible and mass produced often means disposable,” says O’Dell. “One of our goals is to really rethink the way people buy and engage with furniture—from the purchasing experience to shipping and assembly,” says Hoff.

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[ By WebUrbanist in Design & Furniture & Decor. ]

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Phottix announces 16″ Multi Boom Flash Bracket for umbrella softboxes

30 Mar

phottix_multi_boom_16_a1000.png

Studio Lighting accessories maker Phottix has announced the 16-inch Multi Boom, with a tiltable bracket for umbrella softboxes. Priced at $ 69.99, it can hold up to two flashguns, and allows compatible softboxes to be tilted up to 180 degrees. According to the company, umbrella softboxes from Phottix and other manufacturers are easy to set-up, but almost impossible to tilt on traditional light stands. This can be resolved by attaching the Multi Boom bracket.

News: Digital Photography Review (dpreview.com)

 
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ProMediaGear Flash Bracket The Boomerang – Made in USA

05 Nov

Hello, Our first video featuring a detailed overview of our brand New Boomerang Flash bracket. This bracket is designed to fit around the lens and rotate 90 degrees to eliminate subject shadows and make flash rotation a snap. It has clearance even with largest lenses, we have tested it with Canons 24-70 F2.8, 70-200 F2.8, 100-400, and even 500mm F4.5. To purchase one for yourself go to www.ProMediaGear.com and let us know of your make and model. There are basically two different versions of this bracket, one for smaller camera bodies or camera bodies without optional grip and one for cameras with grip or full side cams like Canon 1D and Nikon D3. Bracket is shown with optional equipment. Currently we offer custom arca-swiss compatible body plates for Canon 5D mk II, 7D, 1D MK III, IV 1Ds, Nikon D3, D3s, D3x, D700. Shot with Canon 5D mk II, and HMC100u JVC, and 7d shown.

 
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