The S1H can be seen as a large-sensor GH5S, but it’s not simply the case that the bigger camera gives you better quality. There are times it can, but it’s not just about cleaner footage.
Articles: Digital Photography Review (dpreview.com)
The S1H can be seen as a large-sensor GH5S, but it’s not simply the case that the bigger camera gives you better quality. There are times it can, but it’s not just about cleaner footage.
Articles: Digital Photography Review (dpreview.com)
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When looking at pixel size, we saw that there’s little difference between having a few large pixels and having lots of small ones, once you consider the whole image. This is because sensors have the opportunity to capture the same amount of light per-whole-image, regardless of how many pixels they have.
However, when looking for a new camera, there often is a way of getting more light and therefore better image quality: a larger sensor. This is because, at the same exposure settings, a large sensor is given the same amount of light per unit area, but has a greater sensor area capturing this light.
In this instance we’re comparing the Nikon D810 and the Nikon D7000, which have the same sized pixels but different sized sensors. The D810 has a full-frame sensor that’s around 2.3x larger than the APS-C chip in the D7000.
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| ISO 1600 | ||
| D810 whole frame [Raw File] |
D7000 [Raw File] |
D810 (resized: 16MP) [Raw File] |
| ISO 3200 | ||
| D810 whole frame [Raw File] |
D7000 [Raw File] |
D810 (resized: 16MP) [Raw File] |
| ISO 6400 | ||
| D810 whole frame [Raw File] |
D7000 [Raw File] |
D810 (resized: 16MP) [Raw File] |
| ISO 12800 | ||
| D810 whole frame [Raw File] |
D7000 [Raw File] |
D810 (resized: 16MP) [Raw File] |
As you might expect, the two cameras look similarly noisy at the pixel level because they received the same amount of light per square mm and each pixel is the same number of square mm.
But when you downscale the D810’s images (as you would if you wanted to view or print at the same size), the benefit of its bigger sensor starts to appear.
Compare the D810’s output to the D7000 image from one ISO setting lower and you’ll see they look very similar, but with the D810 still a fraction ahead. This is consistent with the 1.2EV difference that the sensor size difference would lead you to expect.
If shot from the same position, using a lens with the same angle-of-view, every object in the scene will be captured by a greater area on a bigger sensor, so with the same exposure a larger sensor will have more photons shone on it to describe the scene. As such it will tend to look cleaner if you view them at the same size.
There will be some differences in how well each sensor design can turn these photons into a digital signal (even though most modern sensors are excellent), but there are fairly large gaps between most popular sensor sizes, and these size differences tend to be greater than the differences made by sensor performance.
Now this might sound like bigger is always better. But it’s not that simple…
Click here to read Part 3:
The trade-offs of sensor size
*Assuming you’re shooting the same thing ie. both cameras are in the same position and shooting with the same framing.
Articles: Digital Photography Review (dpreview.com)
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Sticking to its usual 6-month product cycle, Chinese manufacturer OnePlus today announced its latest flagship device, the OnePlus 6. Compared to its predecessor, the OnePlus 5T, the new model is a fairly incremental update.
It comes with the newest Qualcomm top-end chipset, the Snapdragon 845, and the screen size has been boosted to 6.28-inch while, thanks to a new 19:9 aspect ratio, more or less maintaining the overall dimensions of the predecessors. The body also now covered with Gorilla Glass at front and back, and while there is a headphone jack, there’s no memory expansion port.
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The specifications of the dual-camera are very similar to the 5T, but at 1/2.6″ the 16MP sensor in the main camera is a touch larger and now equipped with optical image stabilization. The lens aperture remains at F1.7. The 20MP secondary imager measures 1/2.8″ and also comes with an F1.7 aperture. The equivalent focal length is 27mm and PDAF is the AF system of choice.
As before, image data from the secondary sensor is computationally merged with the main camera image for advanced digital zooming, as well as better detail and lower noise levels.
The background-blurring portrait mode now works on front and rear cameras, and in video mode you can capture footage at 4K resolution. A 720p/480fps slow-motion option is on board as well.
These are solid but not specifically exciting features and specifications. However, as is typical with OnePlus, the new model will be competing on price by offering high-end specifications at a lower price point than the more established competition.
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The base model with 6GB of RAM and 64GB of storage is $ 530, a $ 580 middle option offers 8GB of RAM and 128GB of storage, and a new premium version that expands storage to 256GB will set you back $ 630.
The new models will be available in North America and Europe starting May 22nd.
Press Release
6.28” Full Optic AMOLED Display with 19:9 aspect ratio, and Qualcomm® Snapdragon™ 845 deliver immersive viewing experience and smooth performance in a sleek flagship smartphone
London – May 16, 2018 – OnePlus today announced its latest premium flagship device, the OnePlus 6
The OnePlus 6 – the first in OnePlus’ line of flagships to feature an all-glass design – is the company’s most sophisticated handset to date.
With a 6.28-inch Full Optic AMOLED 19:9 display – OnePlus’ largest-ever screen – the OnePlus 6 offers an immersive viewing experience, while keeping a similar form factor to that of the OnePlus 5T.
Combining new technology from Qualcomm® with OnePlus’ engineering, the OnePlus 6 is the fastest handset the company has ever produced.
“With the OnePlus 6, we challenged ourselves to deliver an external design as smooth and elegant as the work we’ve done inside the device,” said OnePlus Founder and CEO Pete Lau. “We’re proud of what we’ve accomplished, and we hope our users are too.”
Addressing a common pain point among smartphone users, OnePlus is committed to ensuring its phones remain as fast and smooth as the day they came out of the box. OnePlus achieves this goal through a combination of powerful hardware and intelligent software which work seamlessly together.
The OnePlus 6 is powered by one of the most powerful processors on the market, the Qualcomm® Snapdragon™ 845, which improves performance by 30%, while being 10% more power efficient.
Coupled with the Adreno 630, which is 30% faster than the previous generation, the OnePlus 6 is a powerhouse for everything from streaming HD video to playing graphically intense games.
With up to 8 GB of LPDDR4X RAM, the OnePlus 6 effortlessly switches between multiple apps running at the same time without a single second of lag, allowing users to multitask with ease. The OnePlus 6’s dual-lane storage, based on UFS 2.1, ensures faster app loading and read/write speeds.
As with any OnePlus device, the OnePlus 6 is beautiful and functional in equal measure – now, with more screen than ever before. To provide users with as much screen real estate as possible, OnePlus designed the navigation bar so that it can be replaced with gesture control, freeing up even more viewing space for a cleaner look.
OnePlus has experimented and innovated with glass to deliver its boldest design to date. Donning an allglass design, the OnePlus 6 facilitates better transmission of radio waves, providing users with up to 1 gigabit of download speed. Due to its strength and malleability, OnePlus used Corning Gorilla Glass 5 on both the front and the back of the device, shaping it with slight curves to create an uninterrupted look and feel.
OnePlus’ meticulous attention to detail is reflected in each of the OnePlus 6’s color variants: Mirror Black, Midnight Black and a limited-edition Silk White. For the Mirror Black and Midnight Black variants, OnePlus embedded a thin layer of film underneath the glass to create a sense of depth as light and shadow move on the device. A jagged texture was etched onto the film of the Midnight Black to produce a subtle S-shaped line when the phone is reflected in light. The limited-edition Silk White uses pearl powder to create a subtle shimmering effect.
The OnePlus 6’s dual camera system features a 16MP main camera, supported by a 20MP secondary camera. With an f/1.7 aperture, the 16MP main camera has been bolstered by a 19 percent larger sensor and OIS for outstanding performance in a range of lighting conditions. With Advanced HDR, OnePlus’ improved High Dynamic Range algorithm, the OnePlus 6 brings out shadows and enhances lighting in photos.
Portrait Mode will be available on the OnePlus 6’s front camera as well as its rear. Using AI, the front camera is able to apply a depth of field effect to selfies. Newly added bokeh effects, including circles, hearts and stars offer new ways for users to customize their portraits.
The OnePlus 6 marks the introduction of OnePlus’ Slow Motion mode, which can capture high-definition video frame-by-frame with astonishing detail, ensuring users never miss the action.
OnePlus’ operating system, OxygenOS, offers a refined Android experience that is faster, cleaner and more customizable than other Android experiences.
Like its approach to hardware, OnePlus’ approach to software is centered around an experience that is refined, efficient and minimalistic. New features are vetted by OnePlus users through channels like the OxygenOS Beta Program and only added once OnePlus is confident the features can improve the way users use their phone.
The OnePlus 6’s fast charge – a favorite feature amongst OnePlus users – offers one of the fastest charging solutions on the global market. A half-hour charge gives the OnePlus 6 enough power for the entire day.
The OnePlus 6 in 64 GB, 128 GB and 256 GB storage options will be available on oneplus.com in North America and in Europe on May 22nd starting from USD 529 / EUR 519 / 469 GBP. The limited-edition Silk White with 128 GB of storage will be available for purchase on June 5th.
Articles: Digital Photography Review (dpreview.com)
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Olympus has announced the OM-D E-M10 Mark III, a subtle update to its entry-level OM-D body. The addition of a TruePic VIII processor brings 4K video capture at 30/25/24p, and an ergonomic update introduces bigger dials and a curved handgrip to the still-diminutive camera.
The E-M10 III continues to use its predecessor’s 16MP Micro Four Thirds sensor, meaning image quality is largely unchanged, though you will be able to apply a new Bleach Bypass Art Filter to your images. The E-M10 II’s 81 autofocus points have been upped to 121 points, and burst shooting gets a smidgen faster: up to 8.6 fps compared to 8.5 fps.
Maintained from the previous model is 5-axis in-body stabilization, which can be used in conjunction with digital stabilization for videos – even while recording at 4K resolution. Also consistent with its predecessor are a 2.36M-dot OLED viewfinder and a tilting 3″ 1.04M-dot touchscreen.
The rest of this model’s updates center around usability, specifically for a beginner. Auto mode has been updated with more intelligent scene and subject recognition, and modes for more specialized use-cases (such as focus bracketing and Live Time) are now organized under an Advanced Photo mode on the dial. A new shortcut button offers access to relevant settings based on the camera mode in use.
The Olympus OM-D E-M10 III is expected to ship in late September for $ 650 body only and $ 800 bundled with an M.Zuiko 14–42mm EZ lens.
Press release
Compact Interchangeable Lens Camera with New Touch Screen Interface Effortlessly Captures and Shares Blur-Free, High-Quality Images in Any Scene
CENTER VALLEY, Pa., August 31, 2017 — Olympus’ new OM-D E-M10 Mark III is a compact, lightweight, easy-to-use interchangeable lens camera that offers the performance and image quality of the OM-D® lineup to the snapshooter looking to expand their photography. The OM-D E-M10 Mark III includes best-in-class image stabilization compensation performance and the same TruePic VIII Image Processor used in Olympus’ acclaimed flagship OM-D E-M1 Mark II camera. This combination delivers high-quality images even in situations when camera shake typically causes blur, such as night scenes or handheld telephoto shooting.
Consumers looking to step up from their smartphone camera to an interchangeable lens system will instantly benefit from the OM-D E-M10 Mark III’s 5-Axis Image Stabilization. With an image stabilization system built into the camera body, it can provide blur-free images no matter which lens is attached, and can also record crisp, shake-free handheld 4K videos in cinemalike quality.
The camera is compact and lightweight to easily be taken anywhere to capture and share standout, like-worthy images on social media. Designed for ease of use, both in form and functionality, the grip rests nicely in the hand, and buttons and dials are thoughtfully positioned for effortless operation. The body is equipped with a variety of features for different shooting styles and situations, including a high-resolution electronic viewfinder, a tilting rear LCD monitor with touch controls similar to a smartphone and a built-in flash.
First-time interchangeable lens camera users benefit from four shooting assist modes to capture brilliant images right out of the box. The intelligent AUTO Mode detects the shooting scene, subject, camera movement and light transmitted through the lens, then automatically chooses the optimal settings. The other assist modes include Scene Mode (SCN), Advanced Photo Mode (AP), and Art Filter Mode (ART), each of which appear on the mode dial alongside AUTO Mode for easy access.
The Touch AF shutter, which now takes advantage of 121 autofocus points, allows users to choose the precise area of focus and trip the shutter simply by touching the LCD screen. Continuous AF (C-AF) Mode maintains focus on moving subjects when the shutter is pressed halfway.
The OM-D E-M10 Mark III is equipped with built-in Wi-Fi®, which can be used in conjunction with the Olympus Image Share (OI.Share®) app to easily connect to a smart device and wirelessly transfer images for quick editing and uploading to social media.
Pricing and Availability
The Olympus OM-D E-M10 Mark III will be available in a black and silver body or black body beginning in late September with an estimated street price of $ 649.99 USD/$ 799.99 CAD (body only) and $ 799.99 USD/$ 999.99 CAD (M.Zuiko 14–42mm EZ Lens kit). For a complete list of specifications, visit the Olympus website: http://getolympus.com/digitalcameras/omd/e-m10-mark-iii.html.
| Price | |
|---|---|
| MSRP | $ 649 (body only), $ 799 (w/14-42mm PZ lens) |
| Body type | |
| Body type | SLR-style mirrorless |
| Body material | Metal, Composite |
| Sensor | |
| Max resolution | 4608 x 3456 |
| Image ratio w:h | 4:3 |
| Effective pixels | 16 megapixels |
| Sensor photo detectors | 17 megapixels |
| Sensor size | Four Thirds (17.4 x 13 mm) |
| Sensor type | CMOS |
| Processor | TruePic VIII |
| Color space | sRGB, Adobe RGB |
| Color filter array | Primary color filter |
| Image | |
| ISO | Auto, 200-25600 (expands to 100-25600) |
| Boosted ISO (minimum) | 100 |
| White balance presets | 6 |
| Custom white balance | Yes (4 slots) |
| Image stabilization | Sensor-shift |
| Image stabilization notes | 5-axis |
| Uncompressed format | RAW |
| JPEG quality levels | Fine, normal |
| File format |
|
| Optics & Focus | |
| Autofocus |
|
| Autofocus assist lamp | Yes |
| Manual focus | Yes |
| Number of focus points | 121 |
| Lens mount | Micro Four Thirds |
| Focal length multiplier | 2× |
| Screen / viewfinder | |
| Articulated LCD | Tilting |
| Screen size | 3″ |
| Screen dots | 1,040,000 |
| Touch screen | Yes |
| Screen type | TFT LCD |
| Live view | Yes |
| Viewfinder type | Electronic |
| Viewfinder coverage | 100% |
| Viewfinder magnification | 0.62× |
| Viewfinder resolution | 2,360,000 |
| Photography features | |
| Minimum shutter speed | 60 sec |
| Maximum shutter speed | 1/4000 sec |
| Maximum shutter speed (electronic) | 1/16000 sec |
| Exposure modes |
|
| Scene modes |
|
| Built-in flash | Yes |
| Flash range | 5.80 m (at ISO 100) |
| External flash | Yes (via hot shoe) |
| Flash modes | Auto, redeye, slow sync, 2nd-curtain slow sync, redeye slow sync, fill-in, manual, off |
| Flash X sync speed | 1/250 sec |
| Drive modes |
|
| Continuous drive | 8.6 fps |
| Self-timer | Yes (2 or 12 secs, custom) |
| Metering modes |
|
| Exposure compensation | ±5 (at 1/3 EV steps) |
| AE Bracketing | ±5 (3, 5 frames at 2/3 EV, 1 EV steps) |
| WB Bracketing | No |
| Videography features | |
| Format | MPEG-4, H.264 |
| Modes |
|
| Microphone | Stereo |
| Speaker | Mono |
| Storage | |
| Storage types | SD/SDHC/SDXC (UHS-I/II supported) |
| Connectivity | |
| USB | USB 2.0 (480 Mbit/sec) |
| HDMI | Yes (micro HDMI) |
| Microphone port | No |
| Headphone port | No |
| Wireless | Built-In |
| Wireless notes | 802.11b/g/n |
| Remote control | Yes (via smartphone) |
| Physical | |
| Environmentally sealed | No |
| Battery | Battery Pack |
| Battery description | BLS-50 lithium-ion battery & charger |
| Battery Life (CIPA) | 330 |
| Weight (inc. batteries) | 410 g (0.90 lb / 14.46 oz) |
| Dimensions | 122 x 84 x 50 mm (4.8 x 3.31 x 1.97″) |
| Other features | |
| Orientation sensor | Yes |
| Timelapse recording | Yes |
| GPS | None |
Articles: Digital Photography Review (dpreview.com)
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Foldio, our favorite and only portable light studio, is back and reinvented. Bigger size, brighter lights, dimmable option and a diffuser. It is everything.
All the added goodness without added complication. Foldio 2 still folds flat and pops up easily. The even light and crisp backgrounds bring perfection to product shots, food blog photos, pictures of your pets, profesh manicure snaps and sooo much more.
Check out some fun examples of what people are doing with their Foldio, and tips on how to make the most of yours. Or, run to the shop and order your bigger brighter Foldio, now!
(…)
Read the rest of Foldio 2 is Here! Bigger and Brighter Than Ever. (422 words)
© Erin for Photojojo, 2015. |
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The 12-mile long Mendenhall Glacier, located just outside of Juneau, Alaska may be one of the world’s most easily accessible glaciers. But the crew of Firefight Films takes you far beyond the parking lot. Billed as the first documented drone flight through ice caves, Firefight Films’ co-founders, Lion El Aton and Christopher Carson, outfitted a DSLRPros DJI Phantom with a GoPro HERO3+ Black Edition to venture beyond the physical limits of a human film crew. See video
News: Digital Photography Review (dpreview.com)
If you want people to have the confidence to show their teeth when smiling, take simple steps to ensure peoples’ teeth will be their whitest.
When shooting digital portraits, one of the trickiest tasks you may have as a photographer is to encourage everyone to smile. Very few people have perfect teeth, and most of us are conscious about our looks.
While a dentist and professional tooth-whitening system could help improve peoples’ overall smiles, the following common-sense suggestions may help you get better reactions when you yell “CHEESE!”:…
Read more at MalekTips.
New Computer and Technology Help and Tips – MalekTips.Com