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Slideshow: Sony World Photography Awards Open Competition 2020 winners and shortlisted images

17 Apr

Sony World Photography Awards Open Competition 2020 winners and shortlisted images

The World Photography Organisation has announced this year’s category winners and shortlisted entries in the Open competition of the Sony World Photography Awards, 2020. The annual Open competition, now in its 13th year, recognizes the best single images captured in 2019. Judged by Gisela Kayser, Managing and Artistic Director for Freundeskreis Willy-Brandt-Haus e.V. in Berlin, more than 100 photographs were shortlisted across 10 categories.

‘To have my image make the shortlist of this prestigious contest is an incredible honor, especially when it was selected from such a huge number of entries from around the world. I am over the moon to have my work recognized. Congratulations to all the shortlisted and winning photographers for their amazing work,’ Marc Le Cornu tells DPReview about his recognition in the Motion category.

Each category winner will receive a set of Sony’s latest digital imaging equipment and compete for the Open Photographer of the Year title. The overall winner will be announced on June 9th and be awarded a $ 5,000 USD cash prize along with recognition on the World Photography Organization and Sony’s online social accounts.

The ten category winners are:

Architecture
Rosaria Sabrina Pantano (Italy) for ‘Emotional Geography’

Creative
Suxing Zhang (China) for ‘Knot’

Culture
Antoine Veling (Australia) for ‘Mark 5:28’

Landscape
Craig McGowan (Australia) for ‘Ice Reflections’ – who was also a finalist for the International Landscape Photographer of the Year

Motion
Alec Connah (United Kingdom) for ‘Going Down!’

Natural World & Wildlife
Guofei Li (China) for ‘Tai Chi Diagram’

Portraiture
Tom Oldham (United Kingdom) for ‘Black Francis’

Still Life
Jorge Reynal (Argentina) for ‘A Plastic Ocean’

Street Photography
Santiago Mesa (Colombia) for ‘Colombia Resiste’

Travel
Adrian Guerin (Australia) for ‘Riding a Saharan Freight Train’

Due to the current pandemic, this year’s Sony World Photography Awards 2020 exhibition has been cancelled. The World Photography Organisation has launched the Stay Connected page to keep photographers inspired with educational resources. They will also recognize the work of past and current competition winners and finalists across their various online channels.

Open Competition, Travel, Winner: ‘Riding a Saharan Freight Train’ by Adrian Guerin (Australia)

Artist Statement: At 2.5km long, the iron-ore train in Mauritania is one of the longest trains in the world. It covers over 700km on its journey from the coastal town of Nouadhibou to the Saharan wilderness of Zouérat. More than 200 carriages are loaded with rocks in Zouérat, before the train begins its long journey back to Nouadhibou. I rode the train in both directions in July 2019.

On the first leg of the journey I learnt that in order to photograph the full length of the train I needed to stand on the rocks for height, position myself in a rear carriage to get the full view, and keep the sun behind me. Alas, none of this was possible until the morning of day three, at which point I had almost given up.

This shot was taken as I balanced on my toes atop a mountain of rocks, trying to remain steady as the train jolted from side to side.

Open Competition, Street Photography, Winner: ‘Colombia Resiste’ by Santiago Mesa (Columbia)

Artist Statement: In recent years, a number of protests have broken out across Latin America. Reasons for this unrest range from a proposed end to fuel subsidies in Ecuador to a rise in metro fares in Chile, and feelings of inequality and a general lack of opportunity in Colombia. In Medellín, north-western Colombia, workers and street vendors were taking part in a march when the Medellin riot squad dispersed them.

Open Competition, Still Life, Winner: ‘A Plastic Ocean’ by Jorge Reynal (Argentina)

Artist Statement: Each year, eight million tons of plastic end up in our oceans – equivalent to emptying a garbage truck into the water every minute. This is my protest against pollution.

In my language (Spanish), we use the words ‘Naturaleza Muerta’ to refer to still life, which ironically translates as ‘Dead Nature.’

Open Competition, Natural World & Wildlife, Winner: ‘Tai Chi Diagram’ by Guofei Li (China)

Artist Statement: These cheetahs had just eaten an antelope, and were licking the bloodstains off each other’s faces. It’s a very rare posture, and one that reminded me of the traditional Chinese Tai Chi diagram. The picture was taken in Botswana in January 2019.

Open Competition, Portraiture, Winner: ‘Black Francis’ by Tom Oldham (United Kingdom)

Artist Statement: Photographers for MOJO Magazine enjoy a rare degree of freedom and trust with what is usually an open brief. This allows us to capture our own experience with very high profile musicians. However, when photographing famous singers, we are often painfully aware of how many times the sitter has, well, sat.

I like to acknowledge this and asked Charles (aka Black Francis) to show me the level of frustration photoshoots can generate. He offered up this perfect gesture of exasperation, and the image ran as the lead portrait for the feature.

Open Competition, Motion, Winner: ‘Going Down!’ by Alec Connah (United Kingdom)

Artist Statement: Despite measuring 125 metres high, it took the four cooling towers of Ironbridge Power Station in Shropshire, England, just 10 seconds to be demolished on 6 December 2019. The towers had been a feature of the landscape for 50 years, but were brought down as part of a new development on the site.

The demolition had been a long time coming – the towers were close to a river, railway line and protected woodland, so their destruction had to be precise. This picture was taken from my garden, which is on the hillside opposite the site.

Open Competition, Creative, Winner: ‘Knot’ by Suxing Zhang (China)

Artist Statement: This picture is from my series ‘Hua,’ which means flower in Chinese. Flowers are often used as metaphors for life and eroticism in art. Hua explores the commonalities and connections between flowers and the feminine – in particular, emotional vulnerability and sensitivity. Qualities such as calmness, and emotions such as uncertainty, fear, anxiety, and loneliness are translated into conceptual and artistic forms.

In Knot, I use a combination of light and texture to create strong visuals that heighten the senses. I like to use symbolic and metaphoric ingredients in my work, which I hope allows the audience to blend their own subjectivity with the objectivity of the photograph, leading to different interpretations and emotions.

Open Competition, Culture, Winner: ‘Mark 5:28’ by Antoine Veling (Australia)

Artist Statement: When audience members were invited on stage to dance at an Iggy Pop concert in Sydney Opera House, Australia, on 17 April 2019, it showed the warm welcome Aussies extend to overseas artists who travel long distances to reach them.

A woman’s outstretched arm lunges to touch Iggy. He seems unaware of her approach as the crowd presses around him. One of Iggy’s assistants, Jos (in the grey checked shirt) tries to make some space around Iggy. The scene is reminiscent of a passage from the Bible: ‘Because she thought, “If I just touch his clothes, I will be healed.”’ (Mark 5:25-34, line 28).

The image has been likened to religious paintings by Caravaggio, and his chiaroscuro technique. It went crazy on social media, making 40,000 people, including Iggy Pop, very happy.

Open Competition, Architecture, Winner: ‘Emotional Geometry’ by Rosaria Sabrina Pantano (Italy)

Artist Statement: Having returned to Sicily for the holidays, myself and a group of friends visited Fiumara d’Arte, an open museum showcasing sculptures made by contemporary artists, located along the banks of the Tusa River. Among these works is 38° Parallelo by Mauro Staccioli – a pyramid that stands at the exact point where the geographical coordinates touch the 38th parallel.

Open Competition, Motion, Shortlist: ‘NEOM Spin’ by Marc Le Cornu (United Kingdom)

Artist Statement: This image was taken during a commission to capture the area of NEOM in Saudi Arabia as part of a project for the NEOM tourism team. Our captain asked for a photo of his vessel, and I happily obliged! The golden hour light was catching the boat and its wake, and the patterns on the water looked incredible from above.

Marc elaborated a bit more for DPReview: ‘The inspiration for the shot came from our transport driver who requested a photo of his boat. I couldn’t just give him a standard photo, so I asked him to maneuver the boat in a circle whilst I captured the shot by DJI Inspire 2 drone from above. The light was perfect for giving a lovely, rich, warm feel to the image as it caught the boat’s wake and the boat itself, and the patterns left in the water from the boat’s wake created the final striking image.’

Open Competition, Natural World & Wildlife, Shortlist: ‘A Fever of Cownose Rays’ by Alex Kydd (Australia)

Artist Statement: A rare encounter with a fever of cownose rays on the Ningaloo Reef, Western Australia. The rays were circling and rubbing together in a behavior that is not fully understood. They were spiraling up and down the water column for approximately 20 minutes, at which point they disappeared.

Undeterred by my presence, they continued to focus on each other while I documented the encounter. There have been few reports of cownose rays in the Ningaloo Reef region in recent years. The image was taken while free-diving – it was a once-in-a-lifetime encounter.

Open Competition, Landscape, Shortlist: ‘Come on In’ by Kai Hornung (Germany)

Artist Statement: A small path in the ancient forests of the Anaga Mountains in Tenerife, Spain. The clouds hung inside the moss-covered trees, creating a spooky atmosphere. When I arrived at this spot, I was smiling while setting up my tripod – I just knew I was about to take one of my best images of that tour, if not one of my best pictures of 2019.

Open Competition, Creative, Shortlist: ‘Fractals and Flowers’ by David Swindler (United States)

Artist Statement: The Badlands of Utah, USA, are fascinating to explore and photograph. We had a really prolific wildflower bloom last year, which only happens every decade or so. The yellow flowers added a nice accent to the erosion lines and patterns in the ground. These patterns reminded me of fractal mathematics.

Open Competition, Culture, Shortlist: ‘Colourful Catrina’ by Sergio Carrasco (Mexico)

Artist Statement: My wife dressed as a Catrina – one of the most recognizable symbols of the Day of the Dead celebrations in Mexico.

Open Competition, Street Photography, Shortlist: ‘Back Home’ by Liu Jon (China)

Artist Statement: After a downpour, there is often a moment of beauty. Here, a zebra crossing, an umbrella and a lone figure combine to make a colorful composition.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Sony World Photography announces 2020 National Awards Winners

18 Mar

Sony World Photography announces 2020 National Awards Winners

Recently, the World Photography Organisation announced Sony World Photography’s National Awards 2020 winners. The National Awards program was developed to support and celebrate local photographic talent from 63 countries and regions around the globe. All images entered into the Open competition are considered for a National Award. Over 190,000 were submitted this year, the highest number yet according to organizers.

‘Winning a National Award was a huge reward for my hard work and this acknowledgment has made me focus even more on my work as a photographer. Sony and the World Photography Organisation have helped me gain some extraordinary exposure around the world,’ says Mikkel Beiter, Winner of the 2018 Denmark National Award.

Sony’s World Photography Awards is now in its 13th year. Its mission is to highlight work from photographers of all ages and abilities so they have a global voice. A full list of countries and regions the National Awards program represents can be found here.

1st Place, National Awards: ‘Flamingo Fly Over Lake Magadi’ by Hong Chen (Hong Kong)

About this photo: ‘The water forms many unique colors and shapes, when Flamingo fly over the Lake Magadi, Kenya. I shot this from a helicopter.’

2nd Place, National Awards: ‘Video to Jacks’ by Kam Moon Lai (Hong Kong)

About this photo: ‘The photo was taken at Sipadan on 8-9-2019. I saw a School of Jack fishes swimming towards to the diver who was taking video for them. At such moment I took this photo.’

3rd Place, National Awards: ‘Water Magic’ by Isao Tabayashi (Japan)

About this photo: This is a reflection of the water gate at the ferry crossing in Hamarikyu Park, Tokyo.

Winner, National Awards: ‘Mount Elbrus’ by Sergey Savenko (Russian Federation)

About this photo: ‘Bermamyt Plateau. The best place with a view of Mount Elbrus is the highest mountain peak in Russia and Europe, included in the list of the highest peaks of the world “Seven Peaks”.’

Winner, National Awards: ‘The Game of Shadows’ by Jacek Patora (Poland)

About this photo: ‘This image was taken a few days after 2019’s New Year’s Eve in Lisbon, Portugal.

I always wanted to take a photograph of this famous bridge covered in fog, and that day turned out to be perfect. I took this shot as I was astonished by the shapes created by the light and shadows, the perfect lines and people’s silhouettes. Lisbon is famous for it’s incredible light, and advection fogs like that one are a common sight there. They occur when moist air passes over a cool surface of the river Tagus, creating this breathtaking sight.’

Winner, National Awards: ‘Horse Motion’ by Abbas Alkhamis (Saudi Arabia)

About this photo: ‘A horse breeder plays a horse in one of the stables of Abu Dhabi, United Arab Emirates.’

Winner, National Awards: ‘Sur La Mer’ by Roberto Corinaldesi (Italy)

About this photo: ‘Swimmers seen from above take on the appearance of human ants.’

Winner, National Awards: ‘Mobil Home’ by Greg Lecoeur (France)

About this photo: ‘During an expedition on a small sailboat, we explored the Antarctica Peninsula by diving below the surface. Although the conditions are extreme with a temperature of minus 1°C, we have documented an extraordinary marine life in its fragile ecosystem such as on this image: crab-eater seals living on the pack-ice but witch are affected by global warming with the melting of the ice.’

Winner, National Awards: ‘Descend from Above’ by Tien Sang Kok (Malaysia)

About this photo: ‘Hundreds of horses are galloping when the sun is about to shine its last ray. It is traditionally said that a Mongol without a horse is like a bird without a wing, this is how strong the bond between human being and animal that we should appreciate.’

Winner, National Awards: ‘Red Day’ by Kiatthaworn Khorthawornwong (Thailand)

About this photo: The beauty of Mount Fuji is highlighted in Autumn at Kawaguchigo Lake, Japan.

Winner, National Awards: ‘Dubai’ by Antonio Bernardino Coelho (Portugal)

About this photo: ‘Based on an image of the Burj Khalifa skyscraper and surrounding skyline in Dubai, United Arab Emirates, this still life was made out of staples of various sizes. The staples were positioned on black glass with a black background, and lit via three independent sources.’

Winner, National Awards: ‘Fun Fair’ by Wolfgang Wiesen (Germany)

About this photo: ‘A multi-exposure of people on a chairoplane.’

Winner, National Awards: ‘Building’ by Liliana Ochoa (Columbia)

About this photo: ‘Workers assemble an iron structure during the construction of a building in Medellín, Colombia. This is a common scene in urban areas, and reflects the overflowing and uncontrolled growth of modern cities.’

Winner, National Awards: ‘Sunset’ by Atanas Chulev (Bulgaria)

About this photo: ‘The photo was taken in one of the excavated tunnels and galleries during the First World War. Most of them can be seen on Via Ferrata De Luca-Innerkofler, but it is advisable to go with the Via Ferrata kit.’

Winner, National Awards: ‘That’s Nothing to Laugh About’ by Adam Stevenson (Australia)

About this photo: ‘This image was taken with my iPhone X close to my home at Wallabi Point, New South Wales, Australia, after devastating bushfires swept through the area. As I watched the sun set through the smoke a kookaburra appeared and allowed me to walk right up to it. We shared a moment, watching the sun fade behind the apocalyptic scene… he was laughing.’

Articles: Digital Photography Review (dpreview.com)

 
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Sony World Photography Awards receives backlash over alleged censorship of Hong Kong protest images

20 Feb

Update (Wednesday, February 19th): it appears that the galleries are available to the public again. However, Chung Ming’s more sensitive images are not displayed.


The 2020 Sony World Photography Awards recently removed active links to images from three separate finalists due to their ‘sensitive nature.’ Ko Chung Ming’s Wounds of Hong Kong, David Butow’s Battleground Hong Kong and Adam Ferguson’s Hong Kong Protestors series are still in the running to win an award. However, links to their work have been deactivated on the World Photography Organization’s (WPO) website, a move that’s raised concerns about possible censorship.

‘We have temporarily taken down the images as part of a standard process which we have to put in place for these type of cases, until we are able to review everything in further detail,’ the WPO said.

Chung Ming first noticed the link to his series, which was nominated in the Documentary category, was broken on Friday. Initially he thought it was a site error. It was only when he tried to view Butow and Ferguson’s series, and received the same ‘404 Page not found’ message, that he realized the WPO was purposely concealing imagery that revealed the brutal reality of the Hong Kong protests.

“We have temporarily taken down the images as part of a standard process which we have to put in place for these type of cases, until we are able to review everything in further detail.”

‘I don’t know who’s complaining and what their concerns are. But why should any ‘concerns’ not be addressed by the judges at the judging phase?’ asked Chung Ming in a response to HKFP. ‘As long as the final result is up to the jury’s professional judgement, I wouldn’t say there’s censorship,’ he added.

As of Tuesday, the ‘404 page not found’ error was still popping up on Chung Ming’s series. On Wednesday, the link was redirected to a ‘Protected Page’ where login credentials were needed in order to view his work. A recent post on Chung-ming’s Facebook account elicited uniform comments of disappointment in the WPO.

‘Photos taken during a war right in the war zone has won numerous awards, but I’ve never seen any of those labeled “sensitive nature.” Anyway thanks so much for your effort and your truthful recording.’ said Sam Si. ‘Worse and much more “sensitive” stuff has been put on WPO before, and the fact that they’re on targeting Hong Kong related photography seriously calls into question the integrity of the organisation.’ adds Galax Chen.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Sony World Photography Awards 2020 finalist and shortlisted photographs

13 Feb

Sony World Photography Awards 2020 finalist and shortlisted photographs

The World Photography Organisation has announced the finalists and shortlisted photographers for its 13th annual Professional competition. The Sony World Photography Awards, 2020, received 345,000 entries from 203 territories for its 4 competitions, with 135,000 entered across 10 categories for Professional – the highest number to date. A new category, Environment, was introduced this year to raise more awareness around this increasingly important topic.

Photographers submitted entries as a series that consisted of 5-10 photographs. Finalist and shortlisted projects represent a diverse array of techniques, subject matter, and presentation methods that shed light on critical and little-known issues around the world. Projects from the Professional competition, along with Sony Professional Grant 2019 recipients, will be on display at Somerset House from April 17th to May 7th. The overall Photographer of the Year 2020 will be selected from the pool of Professional finalists and announced at the Sony World Photography Awards 2020 ceremony in London on April 16th.

The 15 images presented in this slideshow were chosen from a group of 123. You are highly encouraged to check them all out. The 2021 competitions for Professional, Open, Youth and Student will start accepting entries on June 1st.

Professional competition, Sport, Shortlist, 2020: ‘19.01.19’ by Anton Dotsenko (Belarus)

Image Description: For an instance, the one approach that was chosen by Kirill Tereshin in form of injection into his arms consisting of substances only known to him, removal of which could lead to fatal outcome. Bodybuilding is the most practical form of Bigorexia nowadays.

Series Name: Bigorexia

Series Description: Bigorexia (arlso known as muscle dysmorphia) is a new phenomenon in the sports and fashion industries. This anxiety disorder causes individuals to believe that their bodies are small and lacking in muscle, despite the fact that many sufferers could be described as big and muscular. The condition can affect both men and women, but often goes undiagnosed.

Sufferers choose different approaches to build up muscles, from compulsively working out in the gym to injecting themselves with mystery substances. Some of these methods are dangerous, and occasionally deadly.

Professional competition, Still Life, Shortlist, 2020: ’04_Specimen07′ by Cecilia Manzanares Vargas (Mexico)

Image Description: “Log entry.

The specimen has reached its adult stage. Awaiting to be classified.”

In one of his aphorisms, Nietzsche states that “The real world is much smaller than the imaginary.” By that premise, which I return to constantly, and the curiosity I have had for the vegetal world, its textures and shapes since I was a child, is that ‘Specimen 07’ is born; a photographic series in which the apparently defined boundaries between vegetal and animal are diluted, get mixed, giving birth to beings from the imaginary that I have built in a kitchen, made by vegetable fragments that lose their original identity and acquire another one when joined.

In this series, the stages of development of one of these specimens is shown.

With this project, I question the way in which we see the ordinary and how we perceive reality.

Series Name: Specimen 07

Series Description: ‘Log entry. The specimen has reached its adult stage. Awaiting to be classified.’ In one of his aphorisms, Friedrich Nietzsche states: ‘The real world is much smaller than the imaginary’. I return to this premise constantly, as it expresses the curiosity I have for the textures and shapes of the vegetal world – something that has intrigued me since childhood. Specimen 07 is a photographic series in which the apparently defined boundaries between vegetal and animal are diluted and mixed together, giving birth to beings that originate in the imagination, and are created from vegetable fragments in my kitchen. These fragments lose their original identity, acquiring a new one when joined. This series shows the stages of development of one of these specimens.

Professional competition, Portraiture, Finalist, 2020: ‘Sephora’ by Denis Rouvre (France)

Image Description: My name is Sephora, I live in Kinshasa in the Democratic Republic of Congo. One morning, a prophet came to our house and accused me of being a witch. At Mama Olangi’s Church, I went through all kinds of exorcism rites, with the agreement of my aunt who made me fast every day from 6 am to 6 pm. She hit me, I had become the slave of the house. I was no longer even allowed to sit beside her children: she was afraid that I would “eat” them or that I would initiate them.

One day my aunt made me sit by her side. She suddenly became very loving and maternal and served me food. I had doubts and managed to spill a glass of water in the food. In his anger, cruel confessions escaped from his mouth: “If you had eaten, you would have ended up in the morgue today.”

I ran away and went to live on the street. I’ve been on the street since the age of 10. One day, boys older than me approached me. I refused to follow them, they took me by force and raped me, I became pregnant. Today I have two five year old twins.

Series Name: Unsung Heroes

Series Description: ‘Unsung Heroes’ is a project about violence against women around the world. In 2019, with support from international humanitarian association Médecins du Monde, I visited five continents and met more than 100 victims of violence. The women agreed to testify, their faces uncovered, in front of my camera. Some subjects had suffered violence linked to displacement following the war in Syria and in Colombia, others had survived domestic abuse, or the use of collective rape as a weapon in the Democratic Republic of Congo. Still more had faced moral violence, sexual exploitation, or discrimination against gender identity in Nepal, Cameroon and Uganda.

The women I met are shadows that enter the light. The bruises and creases on the surface of their skin tell a story. Added to this are the voices, the words, the intimate experiences of violence that were shared. I wanted to show the suffering experienced by these women, but also their strength and resilience – in short, their ability to get up and fight again.

Professional competition, Portraiture, Shortlist, 2020: ‘Hanoi fish man’ by Jon Enoch (United Kingdom)

Image Description: A man poses with his scooter in Hanoi with a delivery of pet fish, taken at the start of 2019. The riders have an amazing ability to transport all wonder of goods in amazing quantities. I spent a week chasing down amazing looking riders and their cargos and convincing them to pose for the camera.

Series Name: Bikes of Hanoi

Series Description: Delivery drivers on the streets of Hanoi, Vietnam, use their amazing balance skills to deliver goods to shops and vendors across the city. Some riders sell directly from their bikes. New legislation plans to ban motorbikes from the city by 2030 in a bid to improve air quality and reduce congestion.

In addition to this, the country’s rapid economic expansion is leading to an increased use of vans for commercial deliveries. When I read about this, it struck me that the age-old art of riding an overloaded bike might be coming to an end. As a result, I spent a week in Hanoi, chasing down riders and convincing them to pose for the camera. Their cargoes included footballs, water, car parts, eggs, pet fish and ice.

Professional competition, Natural World & Wildlife, Shortlist, 2020: ‘At the Pink planet’ by Yevhen Samuchenko (Ukraine)

Image Description: Lemurian salt lake, Ukraine

Series Name: At the Pink planet

Series Description: The first time you see the pink salt lakes of the Kherson region in Ukraine it feels as though you are looking at another planet. During the summer months, microscopic algae causes the water to turn pink and red. The view from above is literally out of this world, which is why I chose to use a drone to convey the atmosphere of this unusual place.

Professional competition, Natural World & Wildlife, Finalist, 2020: ‘robber fly 5x’ by Adalbert Mojrzisch (Germany)

Image Description: A robber fly viewed at 5x magnification

Series Name: Macro

Series Description: Most of my subjects are found dead on windowsills or in zoological gardens – in that sense you could say they are unremarkable. At first glance the insects appear grey and dirty, but when viewed at high magnifications (usually between 5x and 80x) interesting structures and beautiful colours begin to emerge.

Recording such fine detail requires specialist equipment, some of which I have developed and assembled myself. I use a homemade photo-tube, and microscope-lenses corrected to infinity, mounted on a homemade rail. The subject is lit via four flashes triggered by a homemade controller. Each image is a composite of between 200 and 600 individual pictures stacked and stitched together. The calculations are made using Zerene Stacker.

Professional competition, Landscape, Shortlist, 2020: ‘Urban Explorers – tunnel/05’ by Jeroen van Dam (Netherlands)

Image Description: Within this daunting urban landscape, there is always a human factor: a single person in his or her (un)natural habitat.

Series Name: Urban Explorers

Series Description: This project is about the secret life of urban explorers – people who venture into hidden manmade landscapes. The places these individuals explore are often in the middle of cities, and yet off-limits and unknown to the public. There are risks involved in accessing these locations, but urban explorers like to leave a place as they find it – their motto is ‘Take nothing but pictures, leave nothing but footprints.’

I follow these people all over the world documenting their adventures. This particular series features tunnel systems, which are often intriguing and architecturally pleasing due to their circular shapes and massive scale. Photographing someone in such an unnatural setting really appeals to me. These urban locations lend themselves to aggressive postproduction, moody tones and vivid colours – the overall effect is one that questions our relationship with the city.

Professional competition, Landscape, Finalist, 2020: ‘Japanese concentration camp site #05’ by Chang Kyun Kim (United States)

Image Description: The lower part of the image shows the massive grids where the prison barracks of Topaz War Relocation Center that incarcerated 10,000 Japanese people living in U.S. were constructed. I tried to show the long lasting artifact and the harsh landscape that surrounds the camp site. It was taken with my drone in Nov 2019 in Delta, Utah.

Series Name: New Home (Japanese concentration camp sites in U.S.)

Series Description: This series is about Japanese internment camps that were built in remote and harsh areas of the United States during the Second World War. These camps imprisoned 120,000 people of Japanese ancestry – more than 60% of them were U.S. citizens.

Working on the project reminded me of the racial antagonism we have witnessed in recent history, and led me to consider how radically our view can alter when war and terror affect our lives. History can always be repeated if not properly recalled or told. The pictures here were taken between 2018 and ‘19 in California, Arizona and Utah. For the aerial shots, I used a drone to capture the camp sites – these locations are so harsh and remote that no one would try building anything here.

Professional competition, Environment, Finalist, 2020: ‘Siberia Lettuce’ by Luca Locatelli (Italy)

Image Description: The great indoors provides optimal growing conditions for lettuce and other leafy greens at Siberia B.V. in Maasbree, Netherlands. Each acre in the greenhouse yields as much lettuce as 10 outdoor acres and cuts the need for chemicals by 97 percent.

Series Name: THE FUTURE OF FARMING

Series Description: By 2050 our planet will be home to as many as ten billion people. If increases in agricultural yield are not achieved, a billion or more people could face starvation. Today, however, technology proposes a solution. For centuries, greenhouses have been used to shield crops and maximise yield, but in recent years technological advances have led to a revolution in food production.

This series portrays some of the most promising high-tech agro farming systems in the world – systems that may allow us to reduce dependency on water by as much as 90% and, in some cases, almost completely eliminate the use of chemical pesticides on plants in greenhouses. It’s a possible solution to the hunger crisis that may emerge in future decades, but a dystopic view of the future of farming.

Professional competition, Environment, Finalist, 2020: ‘Wahala 7’ by Robin Hinsch (Germany)

Image Description: Natural Gas Flaring Site in Ughelli, Niger Delta, Nigeria.

Series Name: Wahala

Series Description: Covering 70,000 sq km (27,000 sq miles) of wetlands, the Niger Delta was formed primarily by sediment deposition. The region is home to more than thirty million people and 40 different ethnic groups, making up 7.5% of Nigeria’s total land mass. It used to boast an incredibly rich ecosystem, containing one of the highest concentrations of biodiversity on the planet, before the oil industry moved in. The Nigerian department of petroleum resources estimates that 1.89 million barrels were spilled in to the Niger Delta between 1976 and 1996. What’s more, a report from the United Nations suggests there have been a total of 6,817 spills between 1976 and 2001, amounting to some three million barrels of oil.

So far, the authorities and oil companies have done little to clean up and neutralise the Delta, and oil spills are still very common. Half of the spills are caused by pipeline and tanker accidents, while others are the result of sabotage (28%), oil production operations (21%), and inadequate production equipment (1%). Another issue in the Niger Delta is gas flaring, a byproduct of oil extraction. As the gas burns it destroys crops, pollutes water and has a negative impact on human health. Wahala was shot in Nigeria in 2019 and draws attention to untamed economic growth and its negative impact on ecology.

Professional competition, Documentary, Shortlist, 2020: ‘SN7’ by Nicholas Moir (Australia)

Image Description: a lone fire truck with a wall of flame and a fire tornado when the Green Wattle fire erupted out of the bush and hit properties in Sydney south west

Series Name: The burning

Series Description: A three-year drought, combined with staff cuts and political debate over the effectiveness of hazard-reduction-burn (a deliberately-lit fire intended to reduce the fuel available for a wildfire) has led to a series of catastrophic bushfires in Australia. These fires have killed 20 people, destroyed thousands of homes, and led to the deaths of hundreds of millions of native animals. These pictures show several of the largest and most intense fires in South East Australia.

Professional competition, Discovery, Shortlist, 2020: ‘sand elephants memories’ by Massimo Gurrieri (Italy)

Image Description: Memories, dust, religion and pollution, kumbh-mela 2019.

Series Name: Tutto Scorre, India’s flow

Series Description: India is a country that never sleeps; a land that reawakens the senses and encourages people to embark on a journey of self-discovery. Traveling the roads here is as much an inner as an outer journey. Daily life unfolds, interspersed with religious rituals. Embarking on a walk allows thoughts from the depths to rise to the surface. The cold, the night, the fog, an awakening – anyone who visits India can choose to see metaphor or reality. I choose both, following the flow of events as I transform my experiences into images.

Professional competition, Creative, Shortlist, 2020: ‘Rumi and Scarlet, 2019’ by Joseph Ford (United Kingdom)

Image Description: I’ve photographed a range of ages for this project, and the idea of recreating a messy teenager’s bedroom appealed to me.

I prepared by posing a model in a jumper covered in gaffer tape. I added accessories around him, drawing matching lines on the taped jumper. I then photographed the annotated top and marked it up with colour indications. This gave me a model to brief the knitter, allowing precise placement of lines to match the accessories.

Series Name: Invisible Jumpers

Series Description: I’m a big fan of optical illusions. For this series I matched people to their surroundings through custom-made knitwear. Knitting is the ultimate analogue medium, complete with imperfections and replete with detail. At a time when it’s often assumed that any photographs out of the ordinary are the result of Photoshop or CGI, it’s satisfying to work with a slow, hand-crafted medium. The results aren’t perfect – there are often bits that don’t match up. Each of these pictures took weeks to research and plan. I worked with an amazing knitter, Nina Dodd, who hand-made all of the knitwear.

Each picture began with an idea – could I photograph someone blending into cherry blossom, or disappearing into a cliff edge, for example. With a concept in mind I would then set out in search of the perfect location, before coming up with a brief detailing how the design should match the background. The locations needed to be eye-catching, but simple enough to be translated into knitwear. They also needed to be places that weren’t going to change too fast, as the knitting takes a few weeks. It would be terrible to prepare a sweater and then not be able to get the shot because the location has altered beyond recognition.

Professional competition, Creative, Shortlist, 2020: ‘XT1876’ by Reuben Wu (United States)

Image Description: Salar de Uyuni

Series Name: FIELD OF INFINITY

Series Description: Field of Infinity is a continuation of my personal project, Lux Noctis, a series of photographs depicting landscapes unbound by time and space. These pictures are influenced by ideas of planetary exploration, 19th century sublime romantic painting and science fiction. Every day we are overwhelmed by beautiful images of the familiar. In my work, I imagine these scenes transformed into undiscovered landscapes that renew our perceptions of the world. I recently had the opportunity to continue my series in Bolivia during a week-long road trip. I photographed in remote and extreme locations using a Phase One XT camera and a drone modified with a powerful LED light to illuminate the landscapes at night.

Professional competition, Architecture, Finalist, 2020: ‘IX – Of the Formalisms I series’ by José De Rocco (Argentina)

Image Description: Walls to the step…

Series Name: Formalisms I

Series Description: As a graphic designer, I’m drawn to bold colours and shapes. Formalisms I is the result of three years walking the streets and searching for beauty in places that most people pass by. I tend to take a record shot when I spot something interesting, and then return repeatedly until I get what I need. Form is the main theme for this series, but colour is really important too. Most of the pictures were taken in Argentina, except one that was made in Uruguay.

Articles: Digital Photography Review (dpreview.com)

 
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Photo Gallery: Winners of the 2019 Travel Photographer of the Year Awards

25 Jan

Winners of 2019’s Travel Photographer of the Year Awards

During an awards evening at the Fujifilm House of Photography in Covent Garden, London, the winners and runners up were announced for Travel Photography of the Year’s (TPOTY) 2019 competition. Over 20,000 images were submitted from 144 countries. Amateur photographer Katy Gomez Catalina is the first-ever Spanish overall winner and the second-ever female overall winner in the 17-year history of the awards.

TPOTY co-founder Chris Coe said: “Judging these awards, whilst arduous with so many excellent images to choose from, is always a joy and it is both exhilarating and stimulating to see the wealth of creativity evident from around the world. This year’s winning entries are outstanding in all categories, elegant and sometimes thought-provoking and gritty. The portfolio from the overall winner Katy Gomez Catalina is beautiful, sensitive and diverse. Only the second-ever female overall winner of Travel Photographer of the Year, Katy is an amateur photographer and a very, very worthy winner.”

The TPOTY awards were judged by an international panel of photography experts including Panamanian double Pulitzer Prize-winner Essdras M Suarez and Lawrence Jackson, a former official White House photographer under the Obama Administration. Winning images can be viewed at Coal Drops Yard, King’s Cross, London from April 7th to May 12th. The exhibition will also appear at the South Transept of Chester Cathedral, in June, and at the Xposure International Photography Festival in Sharjah from September 17th – 20th.

It was incredibly difficult to select 15 images to display on this slideshow. All of the portfolios and individual winning images are nothing short of breathtaking, in this author’s opinion. I highly encourage you to visit TPOTY’s Winner’s Gallery and view them all.

Overall winner, Travel Photographer of the Year 2019: Katy Gomez Catalina, Spain

Credit: Katy Gomez/www.tpoty.com

Photo location: Lake Mutanda, Uganda

Winner’s biography: Born in Ubeda, Spain Katy is an amateur photographer with a doctorate in veterinary medicine. Her job is related to official control in public health, with focus on the interaction between human and animal health. A passionate travel photographer, Katy has visited more than 60 countries, and her images have been exhibited throughout Spain and also in France, UK, Germany, India, Iran and Colombia.

“I look at the world, not only to testify what I see, but mainly, to express a personal perspective, a point of view, an interpretation and not just a representation. My subjects are very varied being travel photography a common link in all my work. The camera has become an inseparable companion, I cannot see the world if it is not through the eyes of a camera, with these images I compose my travel story as a writer with his diary. I do not take pictures for others, but for me, for the pure pleasure of photographing. But, if I can also evoke an emotion in those who view them, my satisfaction is multiplied.”

About this photo: In 1991 the Batwa pygmies were expelled from their ancestral forest territories and now live under the yoke of misery, lost in an environment they do not understand and find it difficult to adapt to.

Gear and specs: Canon EOS 5D Mark II, 24- 105mm lens, f5.6, 1/160s, ISO 200

Winner, Young Travel Photographer of the Year 2019 aged 15-18: Ankit Kumar – India, age 16

Credit: Ankit Kumar/www.tpoty.com

Photo location: Danum Valley in Borneo, Malaysia

Winner’s biography: Ankit Kumar began his journey in photography when he got his DSLR in 2015. Over the last four years, he has had the opportunity to travel to interesting locations in Africa and Europe, where he has taken wildlife and landscape pictures. Winning the Young Travel Photographer of the Year award in 2016 was a turning point in his passion for photography. It ignited in him a thirst for recording wildlife and the changing environment, with an eye towards conservation especially of hunted species and their disappearing world.

Since then, Ankit has won the Asian Geographic Youth Photographer of the Year 2017, was twice Highly Honoured by Nature’s Best Photography Asia in 2017, and Highly Honoured by Nature’s Best Photography in 2018. He is inspired by photographers such as Paul Nicken, Brain Skerry, Beverly Joubert and Keith Ladzinski, who care about the protection of animals and habitats. He also puts his photographic skills to use by supporting charities through an initiative that he, along with his sister have founded, called www.wayto.help.

About this photo: The clouds wrap around the trees in Danum Valley, Borneo.

Gear and specs: Sony A9, 100-400mm lens, f/8, 1/640s, ISO 2000

Winner, Art of Travel portfolio: Paul Sansome, UK

Credit: Paul Sansome/www.tpoty.com

Photo location: Reykjavik, Iceland

Winner’s biography: Paul Sansome is a professional fine art and travel photographer based in the south of England and in Vietnam. His artistic photography is produced to the highest standards and his work, which is released in strictly limited editions, is intended to provide that special focal point. Paul is also an experienced photography tutor and has been leading photography holidays for over 15 years. Destinations have included Italy, Morocco, Kerala and Rajasthan in India, Iceland, Vietnam and Myanmar.

Paul started out as a landscape photographer but says “One of the compelling facets of photography is the diverse range of genres that we are able to give our attention to. I have always enjoyed the challenge of wildlife photography, particularly attempting to photograph birds in flight. More recently, much of my photography has been travel based and here the challenge is to portray the emotion of the subject or to tell a story. One common thread through these genres is that the timing of the shot is critical – a fleeting moment of light in the landscape, a moment of animal behaviour or the flash of emotion on a person’s face.”

About this photo: The mesmerizing modern architecture of the Harpa Concert Hall in Reykjavik, Iceland. This building provides endless photography opportunities both from inside and outside.

Gear and specs: Canon EOS 6D MkII, 15mm F2.8 fisheye lens, f10, 1/60s, ISO 800

Highly Commended, Art of Travel: Ted Lau, Hong Kong

Credit: Ted Lau/www.tpoty.com

Photo location: Pyongyang, North Korea

About this photo: Since the Mass Games resumed in 2018, all the school kids get involved. After months of training, most all of them are near- professional gymnasts.

Gear and specs: Nikon D850, 70-200mm lens, f8, 1/320s, ISO 2000

Special Mention, Art of Travel: Trâ?n Tuâ?n Vi??t, Vietnam

Credit: Trâ?n Tuâ?n Vi??t/www.tpoty.com

Photo location: Ung Hoa, Hanoi, Vietnam

About this photo: A female worker collects bundles of incense in Hanoi, Vietnam.

Gear and specs: Canon 1Dx, 24-70mm lens, f/2.8, 1/1250s, ISO 200

Winner, Endangered Planet portfolio: Alain Schroeder, Belgium

Credit: Alain Schroeder/www.tpoty.com

Photo location: Sibolangit, SOCP Quarantine Centre – Northern Sumatra, Indonesia

Winner’s biography: Alain Schroeder is a Belgian photojournalist. In 1989 he founded Reporters, a well-known photo agency in Belgium. He has illustrated over thirty books dedicated to China, Iran, the Renaissance, Ancient Rome, the Gardens of Europe, Thailand, Tuscany, Crete, Vietnam, Budapest, Venice, the Abbeys of Europe, Natural Sites of Europe, etc. Belgian book titles include Le Carnaval de Binche vu par 30 Photographes, and Processions de Foi, Les Marches de l’Entre-Sambre-et-Meuse.

Publications include National Geographic, Geo, and Paris Match. He has won many international awards including a Nikon Japan award for the Who Will Save the Rohingya series, Travel Photographer of the Year 2017 and a World Press Photo 1st Prize Sport Stories, and participated in numerous exhibitions worldwide.

About this photo: Fahzren the orangutan is undergoing a routine medical check. Fahzren is 30 years old and comes from a zoo in Malaysia where he has lived since he was a baby. His medical condition is fine but he does not have the skills to survive in the wild.

Gear and specs: Fujifilm X-Pro2, 14mm lens, f3.2, 1/140s, ISO 1600

Winner, People & Cultures portfolio: Trevor Cole, Ireland

Credit: Trevor Cole/www.tpoty.com

Photo location: Mundari, Terekeka county, South Sudan

Winner’s biography: Trevor Cole was born in the city of Derry, Ireland, but has lived most of his life outside the bounds of Ireland; in England, Singapore, Togo, Italy, Ethiopia, and Brazil. He returned to Ireland (Donegal) in 2012.

“My photography, together with travel, have become two of my life’s passions. My photography focuses predominantly on culture and landscapes; images which reflect a spatial and temporal journey through life and which try to convey a need to live in a more sustainable world. I seek the moment and the light in whatever context I find myself and endeavour to use my photographic acumen to turn the ordinary into the extraordinary. Capturing inimitable moments today to reflect upon tomorrow. My own ‘take’ as a geographer photographer!”

About this photo: Mundari Camaraderie. The bond between the tribesmen and their animals is reflected in the tribal bond itself. The smoke, fires and dust create a scene which is almost biblical. The symbiotic bond between man and the cattle is a scene to behold.

Gear and specs: Nikon D850, 70-200mm lens, f3.5, 1/125s, ISO 3200

Winner, Best Single Image in a People & Cultures portfolio: Debdatta Chakraborty, India

Credit: Debdatta Chakraborty/www.tpoty.com

Photo location: Kolkata, India

About this photo: On the day of Chhath festival in India, Hindus, mainly the women, perform Dondi, a kind of penance to appease the divinity and thereby praying for a happier future.

Gear and specs: Nikon D750, 24-120mm lens, f5.6, 1/500s, ISO 800

Winner, Thrills & Adventures portfolio: Brian Clopp, USA

Credit: Brian Clopp/www.tpoty.com

Photo location: Dugway Proving Ground – Utah, USA

Winner’s biography: Brian Clopp spent his birthday week in 2019 living amongst the Onaqui wild horses in harsh desert conditions, capturing these stunning images. On recent travels, his hard drive containing a year’s worth of photography was stolen when thieves hacked his rental car, but becoming a TPOTY finalist encouraged him to continue his art.

His portraiture photography subjects include President Jimmy Carter, Ted Turner, Jessie Jackson, James Earl Jones, and more. His work has often been featured as CNN’s Travel Photo of the Day. He is a ‘purist’ photographer who doesn’t edit his shots, striving to capture every setting perfectly.

Brian co-produced the Golden Globe nominated film ‘First They Killed My Father’ directed by Angelina Jolie. He recently completed his directorial debut on a short film about Penelope Stout, the first surviving settler of New Jersey, and the Lenape natives who save her life during a time of war. An Eagle Scout, Brian’s project instilled a collection drive in his small farm town of Cranbury NJ that continues to this day, collecting tens of thousands of winter clothes, hygiene items, and art supplies for the Trenton Area Soup Kitchen. Now, Brian is co-launching The Giving Herb, a wellness CBD company that gives half to charity.

About this photo: To get this shot, I lived amongst the wild Onaqui herd for a week, camping out in a dusty desert environment. Here wild stallions battle dramatically for hierarchy, sending young foals scattering from the melee.

Gear and specs: Nikon D850, 600mm lens, f8, 1/3200s, ISO 640

Winner, Best Single Image in a Thrills & Adventures portfolio: Quanhou Lu, China

Credit: Quanhou Lu/www.tpoty.com

Photo location: Xingjiang, China

About this photo: Transferring animals between pastures can take them on an adventurous route.

Gear and specs: Canon EOS-1DX Mk IIO, 24-70mm lens, f4, 1/320s, ISO 100

Winner, Dusk to Dawn: Sumit Dua, USA/UK

Credit: Sumit Dua/www.tpoty.com

Photo location: Havana, Cuba

Winner’s biography: Sumit Dua is an amateur photographer based in Los Angeles, CA. By profession he is a doctor, and started photography during medical school. Initially his photography was done on a primitive digital camera borrowed from his uncle. “Photography helps me observe the world and find moments that I would otherwise miss. My passion for photography started with an impromptu trip through many regions of India and it still remains my favorite destination to photograph with its vibrant colors and old textures. My other hobby includes magic.”

About this photo: Walking around the streets of Havana after sunset I came across this ordinary scene where two neighbours were chatting. The. Lighting and colours reminded me of the ‘old master’ paintings.

Gear and specs: Canon EOS 5D Mk III, 70-200mm lens, f2.8, 1/100s, ISO 3200

Commended, Dusk to Dawn: Lance McMillan, Canada

Credit: Lance McMillan/www.tpoty.com

Photo location: Blue Pond, Biei – Hokkaido, Japan

About this photo: The larch and silver birch trees within the pond were once living, but are no more – the pond itself was artificially formed years ago as a result of the creation of a dam to protect from the effects of the nearby volcano at Mt. Tokachi. The site is illuminated at night, and the quietness on this chilly evening allowed me time to take in, and photograph, the beauty of the pond.

Gear and specs: Canon EOS 5D Mark III, 35mm lens, 2.8, 2.5 sec, ISO 800

Winner, Oceans, Seas, Rivers, Lakes: Ignacio Palacios, Australia/Spain

Credit: Ignacio Palacios/www.tpoty.com

Photo location: Parque Nacional dos Lenc?o?is Maranhenses, Brazil

Winner’s biography: When it comes to photography and travel, few can rival Ignacio Palacios’ experience, skill, and passion. A third-generation photographer, Ignacio has been honoured with over 100 prestigious photography prizes and awards from around the world and has travelled to over 90 countries in his 22 years career. Born in Spain, Ignacio now calls Sydney Australia home – through his unmistakable Spanish spirit continues to influence his work and define his signature style.

Combining his love of travel and photography has proved a powerful combination, and today Ignacio leads photography tours to incredible destinations around the world. As an AIPP double Master of Photography, Ignacio shares his insight, experience, and technique with his clients to help them find their own success and joy on their photographic journey. Ignacio’s distinct, award-winning style can be defined by his mastery of composition, colour, and light. With his minimalistic style and unique ability to connect with his audience through storytelling. Through his images, Ignacio invites his audience to experience the subject not as how he captured, but how he experienced it, evoking an emotional connection between the viewer, subject and artist. Photography and travel will always be Ignacio’s passion, and he is dedicated to helping others ignite their passion too.

About this photo: A lonely tree survives the elements among the sand dunes. This image was shot from a light plane with the doors off.

Gear and specs: D850, Nikon 70-200mm, f8, 1/1250, 400

People’s Choice award and Winner, Street Life: Robin Young, Malaysia

Credit: Robin Young/www.tpoty.com

Photo location: Old Havana, Cuba

Winner’s biography: Robin Yong is a multi-award-winning travel and commercial photographer, trained by the famous American photographer Jim Zuckerman, the world famous Venetian Masks Florine Houee and Danielle Massart, and legendary Hollywood photographer Greg Gorman. He enjoys traveling to exotic destinations to befriend and photograph the locals. He is best known for his work on the Omo Valley tribes in Ethiopia, the Venetian Masked models in Venice, the Bokator boxers of Cambodia and the Maikos of Kyoto. He calls these works his Travel Portraits, his Art of Travel Medicine. For most of his works, he does not use flash, reflectors or artificial lighting, depending solely on natural lighting alone. The photos are often dramatic, colourful and extremely beautiful. For Robin, every photo must look like a movie poster.

Over the past few years, Robin has quickly become one of the most popular and influential photographers at the Venice Carnevale and within the past few months, Flowers of Ethiopia alone has gathered numerous awards, finalist status and honourable mentions in many International photography competitions, including Alfred Fried Awards, Antu Sente Cup, Australia’s Top Emerging Photographers, International Photography Awards, Hamdan Bin Mohammed Bin Rashid Al Maktoum International Photography Award (HIPA), Istanbul Photo Awards, Moscow International Foto Awards, One Eyeland Awards. The Prix de la Photographie Paris, Sienna International Photo Awards, Tokyo International Foto Awards, Travel Photographer of the Year (TPOTY) Awards, Xposure Awards etc. In just slightly more than two years, Robin’s travel photos have gathered more than 700 awards worldwide.

About this photo: A street scene in Old Havana, Cuba…the contrast of the young and the old, the rebellious and the wise…

Gear and specs: Canon 5DM3, 50mm lens, f/3.2, 1/80s, ISO 100

Winner, TAPSA: Kiran Ridley, UK

Credit: Kiran Ridley/www.tpoty.com

Photo location: Admiralty, Hong Kong

Winner’s biography: Kiran Ridley is an award-winning photographer based in Paris and working throughout Europe and Asia. Most of his work concentrates on news, social political topics and the human experience. Fascinated by people and naturally curious by the human condition, Kiran, is passionate in documenting ongoing situations throughout the world, capturing the human dynamic, seizing the unique moments that humans create, whether in our hopes and dreams, fears or our anger.

After picking up a camera for the first time at the age of 16, he was enthralled at the ability to capture and bear witness to history in the making and to tell the stories of the people within it. There started a journey of learning and discovery, embracing cultures and environments wherever he is, allowing him to blend in and become accepted, capturing distinct and intimate moments of those around him.

Now, his work is published throughout the world including The Sunday Times Magazine, The Times and The Financial Times, The LA Times, The Washington Post, The New York Times, Wall Street Journal, Le Figaro, Le Point, Die Welt, El Pais, Forbes, Observer and Guardian newspapers, Time, Spiegel, Economist Magazine, GQ and Conde Nast amongst many others.

About this photo: A pro-democracy protestor throws a molotov cocktail towards police, setting fire to other protestors during anti-government demonstrations.

Gear and specs: Canon EOS1DX Mark II, 24-70mm lens, f7.1, 1/640s, ISO 1600

Articles: Digital Photography Review (dpreview.com)

 
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DPReview Readers’ Choice Awards 2019: Product of the Year

06 Jan

Product of the Year 2019: the results

The final round of voting has closed and a winner has been chosen in our annual Readers’ Choice Awards! Starting in December, DPR readers picked their favorite cameras, zoom lenses and prime lenses released in 2019. The winners of that initial round of voting were then pitted against each other for the title of Product of the Year. Take a look and see which products came out on top.

Product of the Year: third place

The Canon RF 70-200mm F2.8L IS was a late 2019 arrival, making its debut in November. Still, that was enough time to convince a large portion of our audience that it deserves a spot in the top three products of the year. It’s not hard to see why – the lens’ compact size at 70mm is truly astonishing and its image quality is just as impressive.

Product of the Year: runner up

Coming in second is the GFX 100, Fujifilm’s 100MP medium-format body. The combination of its high resolution and in-body image stabilization make it possible to take the studio with you – if you can stomach the $ 10,000 price tag. But what’s the fun in bringing price into a discussion about the best gear of the year? Fujifilm set out to make a truly impressive camera and it seems that its mission has been accomplished.

Product of the Year: overall winner

It may have been its 60MP resolution, or its class-leading 4K video, or maybe its ability to shoot 10 fps with AF. Some combination of those features no doubt contributed to DPR readers choosing the Sony a7R IV as their Product of the Year. Beyond the headline-grabbing specifications, the a7R IV is just a darn good camera and we whole-heartedly agree that it’s worthy of recognition – not only was it the DPR community’s top product of 2019, it was ours too.

Articles: Digital Photography Review (dpreview.com)

 
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Our favorite gear, rewarded: DPReview Awards 2019

28 Nov

DPReview Awards 2019

If 2018 was the year that full-frame mirrorless went mainstream, 2019 was the year when all of the major manufacturers really doubled-down on their mirrorless strategies. Canon pumped out a series of very high quality RF lenses, alongside the world’s cheapest full-frame mirrorless camera. Nikon went all-in on its range of affordable F1.8 primes, and Sony pulled out all the stops – yet again – in the a7R IV.

Meanwhile, Olympus threw all of its technological know-how into the sports-oriented OM-D E-M1 X, Fujifilm reinvented medium-format with the GFX 100 and Ricoh’s GR III and Leica’s Q2 offered a welcome refresh for fans of fixed-focal length compacts.

That’s a lot, and it’s only a small taste of what happened this year. At the end of every year we get together as a team to recognize the standout products of the past 12 months in our annual DPReview Awards. Take a look through the slides above to find out which products made our list of the best gear of 2019!

Best accessory

Shortlist:

  • DJI Osmo pocket
  • DJI Ronin SC
  • Gnarbox 2.0 SSD
  • Peak Design Travel Tripod

Runner up: Peak Design Travel Tripod

The role of photography accessories is to play support to your creative endeavors. That can mean support in the traditional sense, like a well-designed travel tripod or 3-axis gimbal rig. Or it can mean support in the form of peace of mind, like a rugged file back-up device.

Our runner-up for best photography accessory, the Peak Design Travel Tripod, falls into the former category. Travel tripods aren’t new, but Peak Design has managed to radically rethink the concept to create a package that’s significantly more compact than the competition and just as stable, if not more so. Its Arca Swiss-compatible, dual-locking ball head in particular is worth calling out for its clever low-profile design. Available in both aluminum and carbon fiber, this is the travel tripod we’ll likely be reaching for in 2020, whenever space is tight.

Read more about the Peak Design Travel Tripod

Winner: GNARBOX 2.0 SSD

The Gnarbox 2.0 brings calm to the often chaotic world of photography. It’s the friend in the field you always wanted: a rugged (weather, dust and impact-resistant) SSD (available in 256GB, 512GB and 1TB) with built-in SD reader and super-fast transfer speeds (up to 350MB/s). It’s there to protect all your precious data until you get it home for a full backup.

One-touch copying and an info LCD make it effortless to start transferring and confirm files have been properly duplicated. And for those eager to get ahead on their edits, Gnarbox will pair with a smart device so that you can sort and tag (using Photo Mechanic’s image engine). But that’s not all: Gnarbox also has swappable batteries and can even be used to charge other devices via a Micro-USB port. It’ll also play nice with Apple’s iPad Pro, with support for programs like Adobe Lightroom and Affinity Photo, when connected via its USB-C port. What more could you ask for?

Read more about the GNARBOX 2.0 SSD

Best smartphone camera

Shortlist:

  • Apple iPhone 11 Pro
  • Google Pixel 4
  • Huawei P30 Pro
  • Samsung Galaxy S10 5G

Runner up: Apple iPhone 11 Pro

The iPhone 11 Pro is a significant step forward for Apple, and from a pure experience standpoint, is the nicest smartphone camera to use today. Its bright screen combined with HDR playback of photos makes the on-device experience of shooting and enjoying photos industry-leading. And unlike any other smartphone camera to-date, iPhones since the iPhone X utilize the wide P3 color space, meaning more life-like color capture and rendition.

A new ultra-wide lens allows for dramatic perspectives, and wide angle portrait mode – utilizing the main camera module – makes it easy to shoot more intimate perspectives of your loved ones and pets, with better image quality than the standard portrait mode offers. Editing photos, depth effects, and video is pleasing thanks to the Photos app updates, and clever features like ‘capture outside the frame’ offer creative uses of the phone’s three lenses. Video quality is superb, with HDR capture up to 4K/60p.

We have some reservations over the warm and green-shifted colors, overly-processed faces from semantic rendering choices, significant lag in portrait mode, and image quality artifacts including banding, aggressive noise reduction and over-sharpening, but as an all-rounder, the iPhone 11 Pro is hard to beat.

Read more about the Apple iPhone 11 Pro

Winner: Google Pixel 4

The Pixel 4 offers compelling still image quality. If you shoot Night Sight – even during daylight hours – you’ll be rewarded with some of the best detail retention and balanced noise reduction we’ve seen from a smartphone. It only gets better in Raw, since the DNGs produced by the Pixel 4 are the result of aligning and merging multiple frames. A new astrophotography mode is not just cool but inspiring, and also benefits any nighttime scene where longer exposures can be used. The combination of super-res zoom and a new telephoto module make ‘zoomed in’ photos better than many peers. And unlike the iPhone, you can continue to use the telephoto module in dim light.

New ‘dual exposure controls’ allow you to fine tune the ‘look’ of the resulting HDR image in real-time. Portrait mode has been improved to yield bokeh similar to what you’d expect from ILCs, with fewer depth map errors and virtually no shutter lag. As such, the Pixel 4 is truly an enthusiast’s smartphone camera. We have reservations over its video quality, display, as well as certain metering and image processing choices, but its strong core competency in stills makes it our winner.

Read more about the Google Pixel 4

Best zoom lens

Shortlist:

  • Canon RF 70-200mm F2.8L IS USM
  • Canon RF 24-70mm F2.8L IS USM
  • Nikon Z 24-70mm F2.8 S
  • Panasonic Leica DG Vario-Summilux 10-25mm F1.7 ASPH
  • Sony E 16-55mm F2.8 G

Runner-up: Nikon Z 24-70mm F2.8 S

Every year we struggle to narrow down the number of lenses released to a shortlist of just four or five. This year saw a lot of action in the lens space, with both Canon and Nikon putting considerable energy into building out their native mirrorless lens lineup, and Sigma, Sony and Tamron doing the same.

One of the zoom lenses that has most impressed us this year is Nikon’s Z 24-70mm F2.8 S. Built for use in difficult conditions, the Z 24-70mm is tough and weather-sealed, but more than that, it’s optically outstanding. Sharp, virtually aberration-free and extremely flare-resistant, the Z 24-70mm F2.8 really lets Z7 shooters make the most out of their camera’s resolution, for anything from landscapes to portraiture.

Read more about the Nikon Z 24-70mm F2.8 S

Winner: Canon RF 70-200mm F2.8L IS USM

We really, really like the Canon RF 70-200mm F2.8L IS USM. It’s small (at 70mm), relatively lightweight, autofocus is lightning fast and silent, and its optical image stabilization system is excellent.

The 70-200mm represents the first time we’ve seen Nano USM technology incorporated in fast L-series glass, and the increase in focus speed is dramatic compared to ring-type USM on EF lenses. But perhaps the most impressive thing about this lens is its optical quality. Contrast and sharpness are class-leading wide open at all focal lengths, bokeh is smooth with no distracting patterns, and both longitudinal and lateral forms of chromatic aberration are very well controlled.

This is the most impressive 70-200mm F2.8 lens we’ve ever seen, in a surprisingly compact form factor, and a worthy winner of our award for best zoom lens of 2019.

Read more about the Canon RF 70-200mm F2.8L IS USM

Best prime lens

Shortlist:

  • Tamron SP 35mm F1.4 Di USD
  • Sigma 35mm F1.2 DG DN | Art
  • Sony FE 135mm F1.8 GM
  • Nikon Nikkor Z 85mm F1.8 S

Runner-up: Sony FE 135mm F1.8 GM

There were so many great prime lenses released this year, and inevitably, it’s near-impossible to reduce the list to just four. This ‘shortlist’ could have been at least twice as long and we would still have had to omit some great lenses. But the primes listed above represent our favorites of 2019, not only because of their optical quality, but also their versatility and overall value for money.

Among the most impressive lenses of any type released this year was the Sony FE 135mm F1.8 GM. Designed for portrait fans, the 135mm F1.8 is stunningly sharp and delivers beautiful images at its widest apertures. It’s virtually aberration free, and is the fastest-to-focus lens of its kind. Sony’s optical science has improved by leaps and bounds in recent years and the FE 135mm F1.8 is an excellent example of the company’s current state-of-the-art. While 135mm isn’t necessarily an everyday focal length, the Sony FE 135mm F1.8 GM is arguably the best option on the market right now for portrait shooters.

Read more about the Sony FE 135mm F1.8 GM

Winner: Nikon Nikkor Z 85mm F1.8 S

Nikon’s S-series prime lenses for the Z system have impressed us this year with their performance, not to mention their versatility and value. All sub-$ 1000 and all relatively small and lightweight, the best of Nikon’s new F1.8 options outperform many faster lenses that cost considerably more.

The Z 85mm F1.8 S is a great example. Sharp, virtually aberration-free and still nicely portable, this portrait prime isn’t as fast as some of its competitors, or as polished as (say) the Sony FE 135mm F1.8 which takes the runner-up spot, but it’s a supremely practical, useful lens. With its smooth bokeh, the Z 85mm F1.8 S is, of course, a fantastic portrait lens for Z6 and Z7 shooters, and a nifty 135mm equivalent on the APS-C Z50. But its size and weight, plus its superb sharpness make it just as useful for landscape and candid work.

Read more about the Nikon Nikkor Z 85mm F1.8 S

Best compact/fixed lens camera

Shortlist:

  • Canon PowerShot G5 X Mark II
  • Leica Q2
  • Ricoh GR III
  • Sony Cyber-shot RX100 VII

Runner-up: Sony Cyber-shot RX100 VII

This is always a tricky category, spanning multiple sensor formats and including both zoom and fixed focal length lenses. This year saw the release of some very impressive – and very different – compact / fixed-lens compact cameras, from the high-end Leica Q2 to the more consumer-friendly Canon PowerShot G5 X Mark II.

Despite their different shapes, sizes and prices, all of the cameras in this section cater to the same basic need: high quality imaging, in a compact form factor. Our runner-up this year is Sony’s best RX100-series camera yet. A small, powerful zoom with a high-quality EVF, great video and formidable autofocus, the RX100 VII is a near-perfect camera for travel and everyday photography and video. Inevitably it’s not cheap, but this kind of technology never is.

Read more about the Sony Cyber-shot RX100 VII

Winner: Ricoh GR III

First announced in 2018, the GR III was released this year and quickly became one of our favorite compact cameras. Small and lightweight, but with a stabilized sensor and capable of stunning image quality the GR III is – like the Sony Cyber-shot RX100 VII – a wonderful camera for travel and everyday photography.

Yes, the lens is a fixed 28mm equivalent. No, the video mode isn’t great, but this is a pure photography camera, capable of getting you images that larger, heavier or more complicated models simply won’t.

Read more about the Ricoh GR III

Best consumer stills / video camera

Shortlist:

  • Fujifilm GFX 100
  • Panasonic Lumix DC-S1
  • Panasonic Lumix DC-S1H
  • Sony Cyber-shot RX100 VII

Runner up: Sony Cyber-shot RX100 VII

While the RX100-series has always been primarily about stills photography, Sony has evolved its range of high-quality 1-inch sensor compacts into powerful video tools, as well. The Mark VII captures oversampled UHD 4K video, Full HD at up to 120 fps and lower resolution video with a top frame rate of almost 1000 fps. Unlike its predecessor, the RX100 VII has a built-in mic input.

In short: the RX100 VII offers excellent 4K video, very good autofocus and a handy built-in finder, making it exceptionally versatile for photographers that need to capture both stills and movie footage.

Read more about the Sony Cyber-shot RX100 VII

Winner: Panasonic Lumix DC-S1

It might seem odd having both the Panasonic Lumix DC-S1 and S1H on the same list, for best stills / video hybrid camera and have the S1 beat its more video-centric stablemate, but this is precisely the point. With the S1H in the pipeline, Panasonic didn’t need to make the S1 as good for video as it did, and it certainly didn’t need to make it even better with a paid firmware update.

With the paid update, the S1 becomes a formidable camera for video, even to the extent that the costlier S1H may prove unnecessary for many filmmakers. We’ve done a lot of shooting this year on the S1 and it’s an impressive machine from a manufacturer that perhaps more than any other, really knows how to do video right.

Read more about the Panasonic Lumix DC-S1

Best entry-level ILC

Shortlist:

  • Canon EOS M200
  • Fujifilm X-A7
  • Olympus PEN E-PL10
  • Sony a6100

Runner-up: Fujifilm X-A7

While a lot of attention gets paid to the high-end and professional market segments, often the most important cameras in a manufacturer’s lineup are at the entry-level. The reason they’re so important is that these are the products which – it is hoped – will attract new customers into a system.

The Fujifilm X-A7 is a significant camera for Fujifilm, and a great all-round option for beginner photographers in general. Significant for Fujifilm because it’s the company’s first entry-level offering that has really impressed us, and a great entry-level camera because it does exactly what a camera aimed at first-time buyers and smartphone upgraders should. It’s simple, streamlined, reliable and responsive, and can easily transition between stills and high-quality video.

Read more about the Fujifilm X-A7

Winner: Canon EOS M200

If there’s one thing Canon knows how to do it’s make an attractive, sensibly-designed entry-level ILC. The EOS M200 is the company’s latest, and while it doesn’t represent a massive upgrade compared to the M100, the changes are very welcome including one change in particular – Eye Detect autofocus. Assuming that a lot of us (and arguably most beginners) will take a lot of pictures of friends and family, the addition of eye detection to the M200’s autofocus mode really does make a big difference. Canon has also added 4K video capture and ‘CRaw’, for Raw format shooting without the massive file sizes.

Overall, the Canon EOS M200 doesn’t bring much to the table which is genuinely ‘new’ but its combination of features, easy to operate design, and reliable image quality make it a great entry-level ILC, and our favorite of 2019.

Read more about the Canon EOS M200

Best midrange ILC

Shortlist:

  • Canon EOS M6 Mark II
  • Fujifilm X-T30
  • Nikon Z50
  • Sony a6600

Runner-up: Nikon Z50

We define ‘midrange’ cameras as those transitional models between entry-level and enthusiast / pro which need to be able to work for inexperienced and more seasoned photographers alike.

Nikon’s first APS-C format mirrorless camera is also one of its most user-friendly. Intended to be picked up by first-time ILC buyers and smartphone upgraders, the Z50 is designed to be simple and straightforward to use, but isn’t ‘dumbed down’. Featuring a high-quality electronic viewfinder, twin control dials and photographer-friendly ergonomics, the Z50 is a camera that leaves plenty of room for a beginner to experiment and grow creatively.

Read more about the Nikon Z50

Winner: Canon EOS M6 Mark II

Canon has been making good, solid interchangeable lens cameras for a really long time, and this experience shows in products like the EOS M6 Mark II. A really great camera doesn’t need to do everything better than its competitors, it just has to do everything well enough, without getting in the way of your creativity.

The EOS M6 Mark II reaffirms Canon’s commitment to its compact, mirrorless EF-M system. After years of competent but usually beginner-focused models, the M6 II comes out swinging as a convincing option for more advanced users. Its new 32.5MP sensor has impressive resolution and dynamic range, the 14 fps maximum burst speed with autofocus is competitive, and its 4K video uses the full width of the sensor.

It doesn’t hands-down beat any of its competitors in any specific area, but as an all-around package, the M6 Mark II easily won us over for best midrange ILC of 2019.

Read more about Canon’s EOS M6 Mark II

Best high-end ILC

Shortlist:

  • Fujifilm GFX 100
  • Olympus OM-D E-M1X
  • Panasonic Lumix DC-S1R
  • Sony a7R IV

Runner-up: Panasonic Lumix DC-S1R

The Lumix DC-S1R will tick a ton of boxes for a ton of photographers, which is all the more impressive given that it’s Panasonic’s first full-frame offering (alongside the lower-resolution DC-S1). It’s built like a tank and all of the buttons and dials feel like they’re in just the right place.

The 47MP sensor at the heart of the S1R isn’t class-leading at this point, but it’s still capable of producing excellent image quality in almost any situation. Unfortunately, the DC-S1R falls somewhat short in terms of autofocus and tracking. While it can drive focus very quickly using Panasonic’s DFD technology, it just can’t quite keep up with competitors’ on-sensor phase detection systems for accuracy when photographing moving subjects.

Read more about the Panasonic Lumix DC-S1R

Winner: Sony a7R IV

The fourth iteration of Sony’s high-resolution mirrorless full-frame camera is the most capable, well-rounded interchangeable lens camera on the market today. It shoots 60.2MP files, offers industry-leading autofocus tracking, is capable of 10fps continuous bursts and shoots the best 4K video of any high-resolution camera you can buy. Plus, Sony claims weather-sealing has been improved, battery life is well above average and ergonomic tweaks have made it more comfortable and enjoyable to use than previous models.

The a7R IV is a camera that you really can shoot just about anything with, from action sports to billboard-ready landscapes, and because of that, it earns the distinction of being our high-end ILC of the year.

Read more about the Sony a7R IV

DPReview innovation award

Shortlist:

  • Canon RF 70-200mm F2.8L IS USM
  • Fujifilm GFX 100
  • Olympus OM-D E-M1X
  • Peak Design Travel Tripod

Runner-up: Canon RF 70-200mm F2.8L IS USM

Optically the RF 70-200mm F2.8L IS USM is stunning, but it’s also a marvel of engineering. At its short end, it collapses down to a barrel size not much longer than that of the RF 24-70mm F2.8L IS USM. At 1070g, it’s 26% lighter than its EF equivalent, and feels surprisingly light in one’s hands, and well-balanced on an EOS R body. Optical image stabilization offers an impressive CIPA rating of 5 stops. Combined with dual-sensing IS on EOS R bodies, you can expect tack sharp handheld shots on the long end at shutter speeds as low as 1/13s.

If that’s not innovative, we don’t know what is.

Read more about the Canon RF 70-200mm F2.8L IS USM

Winner: Fujifilm GFX 100

While very little about the GFX 100 is new or unique to this model, what counts is how all the ingredients are mixed together. The addition of in-camera stabilization, impressive video capture and hybrid on-sensor PDAF to the medium format world makes the Fujifilm GFX 100 among the most capable and most innovative cameras out there.

Fujifilm has been working hard to democratize digital medium format for a couple of years, but with the 100 megapixel GFX 100, the company completely changed our understanding of what a medium format camera could be.

Read more about the Fujifilm GFX 100

DPReview product of the year, 2019

Shortlist:

  • Apple iPhone 11 Pro
  • Canon RF 70-200mm F2.8L IS USM
  • Fujifilm GFX 100
  • Sony a7R IV

Runner-up: Fujifilm GFX 100

As we wrote in the previous slide, the GFX 100 really did turn our idea of what a medium format camera could do on its head. While the MSRP of almost ten grand puts it out of reach to most non-professional photographers, there is an audience out there for cameras like this, and Fujifilm has done a great job of catering to them.

Pro wedding and event photographers, portrait and lifestyle shooters, and even a certain type of videographer have kept the GFX 100 on more or less continuous backorder since it was released. You may not need 100MP, but some people do. And the GFX 100, with Fujifilm’s range of excellent GF lenses, makes 100MP shooting practical and enjoyable.

Read more about the Fujifilm GFX 100

Winner: Sony Alpha a7R IV

Sony is one of the more divisive brands on our site, partly because of a perception that it gets more attention than other manufacturers. This perception stems from two factors: firstly, Sony has released an astonishing number of high-end products in the past handful of years. Secondly, they have tended to be very good.

Taken as a whole, the a7R IV is Sony’s best mirrorless camera yet. The enthusiast-focused a7 III continues to top the best-seller lists but if you want the highest resolution, the best autofocus system and some of the best video features on the market (not just in Sony’s own product lineup) the a7R IV is where it’s at. A true ‘flagship’, the a7R IV has undoubtedly benefited this year from no direct competition from Canon or Nikon, but it will take an unusually good product from either manufacturer to make the a7R IV look uncompetitive in 2020.

Read more about the Sony a7R IV

Articles: Digital Photography Review (dpreview.com)

 
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These hilarious photos are the winners of the 2019 Comedy Wildlife Photography Awards

15 Nov

2019 The Comedy Wildlife Photography Awards

The winners for the 2019 Comedy Wildlife Photography Contest have been announced, showcasing some of the more humorous wildlife photos from around the globe.

This year, more than 4,000 entries from 68 countries were whittled down to 40 finalists. Of the finalists, Sarah Skinner’s photo titled ‘Grab life by the…..’ took home Overall Winner, as well as the Creatures of the Land Award. The painfully funny image was captured in the plains of Botswana and depicts a little lioness ‘playing’ in the most unfortunate sense of the word.

In response to taking home the Overall Winner prize,, as well as the Creatures of the Land Award, Skinner had the following to say:

‘I am absolutely delighted to be awarded the title as Overall Winner in the Comedy Wildlife Photography Awards 2019. It certainly warms my heart to know that this image will spread some laughter and happiness around the world. I am happy to report that this lioness continues to thrive in the pride, having seen her again in October this year. I can only hope and encourage everyone, as a collective to each do our part in the conservation of all wildlife species so that future generations can enjoy them, in the same way that I have done during my career as a wildlife photographer. Long may lions walk the plains……….’

In addition to Skinner’s winning photograph, we’ve rounded up the winning photographs from each of the categories as well as the Highly Commended Winners and presented them in the following gallery with permission from the Comedy Wildlife Photography Awards.

As funny a the contest may be, the organization also takes a very serious role in conservation, saying ‘is at the heart of our competition.’ To help kickstart conservation efforts, the Comedy Wildlife Photography Awards offers three tips:

SHOP RESPONSIBLY.?

Try to shop locally and avoid buying un-recyclable products and one-use plastics/packaging.

RESTRICT WATER USE AT HOME.?

Ok, this is the thing, each time you flush the loo we send approx. 20?litres?of water down the drain – seriously, it’s crazy. Have shorter showers, water your garden less and stop flushing the loo every single time. This would save billions of litres of fresh water that could support our environment as well as supply homes and food for a global plethora of wildlife.?

BECOME A “WILD INFLUENCER.”?

This is a special person?who?may be not a mega activist, but really, really cares about the environment and wants to do something to help. For more ideas, please go to: www.comedywildlifephoto.com

Overall Winner/Alex Walker’s Serian Creatures on the Land Award Winner

©Sarah Skinner / Comedy Wildlife Photography Awards 2019 — Grab life by the…..

Image description: African Lion, Savuti (Chobe National Park) Botswana

Spectrum Photo Creatures in the Air Award

©Vlado-Pirsa/ Comedy Wildlife Photography Awards 2019 — Family disagreement

Image description: Birds, Croatia

Olympus Creatures Under the Water Award/Affinity Photo People’s Choice Award

©Harry Walker/ Comedy Wildlife Photography Awards 2019 — Oh My!

Image description: Sea Otter, Seward, Alaska

Amazing Internet Portfolio Award

©Elaine Kruer / Comedy Wildlife Photography Awards 2019 — First comes love…then comes marriage

Image description: Cape Squirrels, Kalahari, South Africa

Highly Commended Winner

©Tilakra Nagaraj / Comedy Wildlife Photography Awards 2019 — Warning! Territory marking, follow at your own risk

Image description: White Rhino, Egret, Nairobi National Park, Nairobi, Kenya

Highly Commended Winner

©Corey Seeman / Comedy Wildlife Photography Awards 2019 — Who would like a peanut?

Image description: Fox Squirrel, University of Michigan, Ann Arbor, Michigan, USA

Highly Commended Winner

©Geert Weggen / Comedy Wildlife Photography Awards 2019 — Squirrel Wishes

Image description: Red Squirrel, Sweden

Highly Commended Winner

©Tom Mangelsen / Comedy Wildlife Photography Awards 2019 — Chest Bump

Image description: King Penguin & Antarctic Fur Seal, South Georgia Island

Highly Commended Winner

©Alastair Marsh / Comedy Wildlife Photography Awards 2019 — Waltz Gone Wrong

Image description: Red Fox, Amsterdam, Holland

Highly Commended Winner

©Martina Gebert / Comedy Wildlife Photography Awards 2019 — Dancing Yeah!

Image description: Marmot, Austria

Highly Commended Winner

©Eric Keller / Comedy Wildlife Photography Awards 2019 — Inconspicuous

Image description: King Penguin, South Georgia Island

Highly Commended Winner

©Elmar Weiss / Comedy Wildlife Photography Awards 2019 — Surfing, South Atlantic Style!

Image description: Gentoo Penguin. Bleaker Island, Falkland Islands

Highly Commended Winner

©Roie Galitz / Comedy Wildlife Photography Awards 2019 — Space Man

Image description: Japanese Snow Monkey

Highly Commended Winner

©Txema Garcia Laseca / Comedy Wildlife Photography Awards 2019 — To be or not to be

Image description: Snow Monkey, Japan

Articles: Digital Photography Review (dpreview.com)

 
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Sony World Photography Awards adds new 2020 category, reveals grant recipients

10 Jun

The Sony World Photography Awards has a new ‘Environment’ category under its Professional competition, the World Photography Organization has announced. Under this category, photographers are challenged to ‘address environmental concerns affecting the world today.’ Additionally, the 2020 Awards will also feature a new Youth competition that allows photographers ages 12 to 19 to submit up to three images per months through December 2019.

The 2020 Sony World Photography Awards kicked off its Youth competition this month; its deadlines are the last day of each month from June to December. Under the competition, photographers as young as 12 and as old as 19 can submit up to three single images each month. Every month has its own theme and will result in one winner and a shortlist.

In addition to the new Youth competition, the 2020 Awards will feature a new ‘Environment’ category in the Professional competition, which has a January 11, 2020 deadline. According to the organization, winning and shortlisted photographers will get a ‘global platform’ for showcasing their work.

The 2020 Awards will also include the Open competition with a January 7, 2020, deadline and the Student competition with a November 29 deadline.

In addition to revealing the new Environment category and Youth competition details, the organization has announced the 2019 Sony Grant recipients. In the Professional competition, 2019 Sony Grant recipients get $ 7,000 each alongside Sony photography gear. Recipients of the Student grant receive $ 3,500 each and will work together as a team to provide commissioned images.

The 2019 Sony Grant recipients are:

Professional category:

– Yan Wang Preston (UK)
– Ed Thompson (UK)
– Kohei Ueno (Japan)
– Thomas Uusheimo (Finland)

Student category:

– Joel Davies (Central St Martins, UK)
– Sam Delaware (Pacific Union College, USA)
– Tobias Kristensen (Danish School of Media & Journalism, Denmark)

You can find a gallery of the 2018 Sony World Photography Awards competition in our previous coverage.

Press Release:

Sony World Photography Awards reveals new categories for 2020 and latest Sony Grant recipients

?Photography’s power to capture environmental issues recognized in new dedicated category
?Sony Grants awarded to four exceptional professional artists and three student talents
?Youth competition restructured to give young photographers more opportunity
?Exhibition tours to Japan, Italy, Germany and beyond in 2019

June 4, 2019, London: Submissions for the 13th edition of the internationally acclaimed Sony World Photography Awards are now open and free for all to enter at www.worldphoto.org.

The 2020 Awards are marked by the introduction of an Environment category to its Professional competition, recognizing the importance of the subject for contemporary artists, and a new format for the Youth competition, to engage and reward young photographers working worldwide.

The Awards also announced today the recipients of the 2019 Sony Grant. Chosen from the winners and shortlist of the 2019 Sony World Photography Awards, the Sony Grant give artists the freedom to create new bodies of work or develop long-term projects. In clear demonstration of this, a new film by 2018 Photographer of the Year Alys Tomlinson funded by her Sony Grant will be premiered at Rencontres d’Arles, France, this summer. The film is an extension of the artist’s 2018 award-winning series Ex-Voto.

Having been seen by 25,000 people in London, the exhibition of winning and shortlisted works from across the 2019 Awards will now tour internationally. Opening in Japan on June 1, the exhibition will travel to Germany, Italy, India, and Mexico giving audiences worldwide the opportunity to see the very best in contemporary photography from the past year.

Environmental issues highlighted in new Professional category

The Professional competition seeks serious bodies of work across ten diverse categories by artists working across fine art photography and photojournalism, and rewards those pushing the boundaries of what photography can do. The new Environment category will challenge artists to address environmental concerns affecting the world today and winning and shortlisted photographers are given a global platform upon which to showcase their work.

Speaking about the direct results of winning, Italian artist Federico Borella states: “Winning the 2019 Photographer of the Year title is one of the most important things for my career and my life. This kind of visibility is amazing because it allows me and my work to reach a global audience. My phone started ringing straight after the announcement and it hasn’t stopped ringing since! People want to listen to the story I want to tell. How can I ask for more?”S

Judges selected Borella as the overall winner in 2019 for a powerful photographic essay on the human effects of climate change in Tamil Nadu, India.A

New opportunity for young emerging photographers

The new Youth competition will give young photographers aged 12-19 the opportunity to enter up to three single images per month from June – December 2019. Each month will have a different theme and judges will select one winner and a shortlist per month. The seven monthly winners will then compete to be named Youth Photographer of the Year.

The monthly structure has been implemented to give emerging photographic talent more opportunity to be discovered and will be accompanied by expert advice on the monthly theme to help those entering.

In addition to the Professional and Youth competitions, the 2020 Awards includes the Open competition, rewarding outstanding single images across ten categories and the Student competition, for photography students worldwide. The National Awards program also runs in 60+ countries and celebrate local photographic talent.

The Awards are judged anonymously, giving all photographers across the world equal opportunity to be seen by juries of industry leading experts and win.

A total prize fund of $ 60,000 (USD) plus Sony digital imaging equipment is shared between winning photographers, with many also being flown to London to attend the annual awards ceremony. All shortlisted photographers are given exposure via the Sony World Photography Awards Exhibition which opens in London before touring globally. The 2019 Awards saw 327,000 entries from 195 countries. For more details about all the competitions and categories please go to www.worldphoto.org/swpa

2019 Sony Grant recipients
The World Photography Organisation and Sony are committed to supporting contemporary photographers and contributing to the further development of photographic culture worldwide.

The Sony Grants program, introduced in 2016, is open to winning and shortlisted photographers of the Awards’ Professional and Student competition. Recipients of the 2019 Professional grant are Yan Wang Preston (UK), Ed Thompson (UK), Kohei Ueno (Japan) and Thomas Uusheimo (Finland). Each receive $ 7,000 (USD) and Sony digital imaging equipment to create work of their choice.

The 2019 Student grant was awarded to Joel Davies (Central St Martins, UK), Sam Delaware (Pacific Union College, USA) and Tobias Kristensen (Danish School of Media & Journalism, Denmark). Each receive $ 3.500 (USD) and have been commissioned to create a new body of images, working as a team.

The results of all grant recipients work will be shown at the 2020 Sony World Photography Awards Exhibition. Find out more about the Sony Grant at www.worldphoto.org/sony-grant

2020 Competition deadlines
?Youth competition: Last day of each month from June – December, 2019
?Student competition: November 29, 2019
?Open competition / National Awards: January 7, 2020
?Professional competition: January 11, 2020

About World Photography Organisation
The World Photography Organisation is a global platform for photography initiatives. Working across up to 180 countries, our aim is to raise the level of conversation around photography by celebrating the best imagery and photographers on the planet. We pride ourselves on building lasting relationships with both individual photographers as well as our industry-leading partners around the world. The World Photography Organisation hosts a year-round portfolio of events including the Sony World Photography Awards, one of the world’s leading photography competitions, and PHOTOFAIRS, leading international art fairs dedicated to photography. For more details see www.worldphoto.org

Articles: Digital Photography Review (dpreview.com)

 
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These are the winners of the 2019 Sony World Photography Awards

18 Apr

2019 Sony World Photography Award Winners Announced

The 12th annual Sony World Photography Awards received a record-breaking 326,997 entries, submitted from 195 countries and territories, across ten categories. The World Photography Organization, who partners with Sony on one of the largest and most prestigious photography competitions in the world, announced the winners in an awards ceremony held at the Somerset House in London.

Bologna-based Italian artist Federico Borello won the coveted Photographer of the Year ?title for his series Five Degrees. The thought-provoking collection explores the plight of male suicide in the Southern India farming community of Tamil Nadu. The region experienced its worst drought in 140 years during 2016-2017. Borello’s collection of images, based on a study from Berkeley University, examined the parallels between climate change, rising temperatures, and increased rates of suicide.

Bologna-based Italian artist Federico Borello won the coveted Photographer of the Year ?title for his series Five Degrees. The thought-provoking collection explores the plight of male suicide in the Southern India farming community of Tamil Nadu.

The purpose of the Sony World Photography Awards is to support the continuous development of photographic culture. Borello won $ 25,000 to develop future projects along with professional equipment from Sony. Sony, in partnership with the World Photography Organization, also provides a platform to new talents of the future in the Professional, Open, Youth and Student competitions with prizes ranging from $ 3,500 to $ 7,000.

Sony World Photography Awards Exhibition, which will showcase both shortlisted and winning images, is on show at Somerset House from April 18th to May 6th. It will move on to other international destinations, thereafter, including Japan, Italy, and Germany. Tickets for the London event can be purchased here.

Submissions for the 2020 competition will open Saturday, June 1st, 2019 and are free of charge.

Photographer of the Year and 1st Place, Documentary

Photo © Federico Borella, Italy, Photographer of the Year, Professional competition, Documentary, 2019 Sony World Photography Awards


About the photo: This skull of a farmer who reportedly committed suicide, pictured above, was used during a protest in Delhi. Farmers held it high and demanded a drought relief package along with a loan waiver for peasants from the state.

About the series: Could the dramatic increase in Indian farmers who take their own lives be closely connected to climate change and rising temperatures? A study from Berkeley University, found a correlation between climate change and suicide among Indian farmers.

It is estimated that 59.300 farmer suicides over the last 30 years are attributable to climate change. According to experts, temperatures in India could increase by another 5°F by 2050. Without focused government intervention, global warming will lead to more suicides all over India. But what leads farmers to this extreme act? They run into debt through investing in production, and repaying previous loans.

Despite these efforts, harvests damaged by adverse weather, and short-sighted water management lead to debt repayment failure. The impact of climate change affects global wellbeing, going beyond India and threatening mankind as a whole. This project is located in Tamil Nadu, the southernmost state of India, which is facing the worst drought for 140 years.

Open Photographer of the Year

Photo © Christy Lee Rogers, United States, Open Photographer of the year, Open competition, Motion, 2019 Sony World Photography Awards


Image Description: Rogers captured this image, underwater, in Hawaii as part of her Muses Collection. She used the surface of a pool as her canvas and leveraged effects such as the refraction of light, plus shooting at night, to create a dramatic scene she describes as ‘reality-bending.’

Youth Photographer of the Year

Photo © Zelle Westfall, United States, Youth Photographer of the Year, Youth, Diversity, 2019 Sony World Photography Awards


Image Description: Abuot is the friend of the student photographer, 18, who was testing out her equipment. She immediately knew she had captured what she wanted in the initial shot.

In her own words: ‘Abuot is my friend from school and she is one of the funniest people I know. In today’s society, with skin bleaching products and colorism flooding the media, it’s important to highlight the beauty of dark-skinned women who are often told that they are “too dark.”‘

Student Photographer of the Year

Photo © Samuel Bolduc, Canada, Student Photographer of the Year, Student Focus, 2018 Sony World Photography Awards


Image Description: The orange groves of La Terreta inspire a strong sense of pride in Villaneuva and the natives who ‘love our roots, the richness of our land, our culture, our people, our identity.’ This photo depicts the women who select the oranges that will be shipped to markets around the world.

Series Description: In Valencian, there is a word that describes pride for the land where I belong: La Terreta. A feeling that surrounds us all, be part of La Terreta is to love our roots, the richness of our land, our culture, our people, our identity.

Every time I go to La Terreta there is a sign that I see on the road that welcomes me home: the orange groves. That is why in this series I have focused on capturing daily life around the orange trees. From the farmers who plant and care for the trees to harvest the fruit, to the women who choose the oranges that will end up around the world.

The orange tree is the essence of my land, it maintains the feeling of belonging and leaves the door open to future generations, spreading a message about the value of taking care of what nature gives us as a part of our identity.

1st Place, Architecture

Photo © Stephan Zirwes, Germany, 1st Place, Professional competition, Architecture , 2019 Sony World Photography Awards


Image Description: Public pools are accessible by every class of people in Germany. The photographer has pleasant memories of summers spent in them during his childhood. He captured this overview of one of them with a drone.

Series Description: In Germany, pools are public. They are part of social and cultural life, open for all kind of social classes, a place where people spend a lot of time, especially in childhood and which leaves pleasant memories. Everybody can afford the inexpensive entrance fee. The series was shot by drone, in summer 2018 at a height of only a few meters.

1st Place, Brief

Photo © Rebecca Fertinel, Belgium, 1st Place, Professional competition, Brief, 2019 Sony World Photography Awards


Image Description: Thanks to her friend, Tracy, who invited her to the wedding where this image was captured, the photographer got acquainted with the unabashed approach to life of the Congolese community in Belgium along with the Bantu concept “Ubuntu”: that you only really become human when you are connected to everything and everyone. The bridesmaids in this photo are dancing with each other and the wedding guests.

Series Description: In August 2015 the photographer (b. 1991) was invited to a wedding by her friend Tracy. Here, the photographer was introduced to the warm, unabashed approach to life of the Congolese community in Belgium and the Bantu concept “Ubuntu”: that you only really become human when you are connected to everything and everyone.

The concept of Ubuntu seems to intertwine with the desire to belong to a group and maintain a group identity in a changing environment. Showing the ambiance but also the silent moments in between, I tried to capture the feeling of an event that seems like a true celebration, focused on joy and ritual and not on the need for a perfect venue. This project wants to place the viewer in an environment that most have experienced at one time or another at a wedding, party or a wake.

1st Place, Creative

Photo © Marinka Masséus, Netherlands, 1st Place, Professional competition, Creative, 2019 Sony World Photography Awards


Image Description: Marginalized groups are getting more vocal, gaining confidence and claiming their rightful place in society. Whether it is the LGBT+ community, people of color, women resisting objectification, and especially Down’s Syndrome, people are speaking up in favor of equal rights. With the advent of technological advances in prenatal screening, the narrative surrounding inclusion of individuals with Down’s Syndrome is especially urgent.

Series Description: This series is part of the Radical Beauty project, an international photography project which aims to give people with Down’s Syndrome their rightful place in visual arts. The young women I worked with shared a strong will to succeed.

To prove themselves. It must be beyond frustrating to be underestimated all the time. With ‘Chosen [not] to be’ I reflect on their reality – the barriers they face, society’s refusal to see their capabilities, the invisibility of their true selves – and translate their experiences visually. In the Netherlands, people with Down’s Syndrome have collected their experiences in a book, called Zwartboek (Black book).

They have offered this book to the government as a catalyst for change. Reading the collection of stories in this book broke my heart. There is so much misinformation. This misinformation leads to misconceptions and widely held preconceived notions which profoundly impact the lives of people with Down’s.

1st Place, Documentary

Photo © Federico Borella, Italy, Photographer of the Year, Professional competition, Documentary, 2019 Sony World Photography Awards


Image Description: Taken in May, 2018, this is a portrait of Rasathi, the wife of Selvarasy, a farmer who committed suicide one year ago by hanging himself in his own field. He got into debt with a cooperative society. Five Degrees is the world’s best series of work, selected from the 10 Professional category winners.

Series Description: Could the dramatic increase in Indian farmers who take their own lives be closely connected to climate change and rising temperatures? A study from Berkeley University, found a correlation between climate change and suicide among Indian farmers. It is estimated that 59.300 farmer suicides over the last 30 years are attributable to climate change.

According to experts, temperatures in India could increase by another 5°F by 2050. Without focused government intervention, global warming will lead to more suicides all over India. But what leads farmers to this extreme act? They run into debt through investing in production, and repaying previous loans. Despite these efforts, harvests damaged by adverse weather, and short-sighted water management lead to debt repayment failure.

The impact of climate change affects global wellbeing, going beyond India and threatening mankind as a whole. This project is located in Tamil Nadu, the southernmost state of India, which is facing the worst drought for 140 years.

1st Place, Landscape

Photo © Yan Wang Preston, United Kingdom, 1st Place, Professional competition, Landscape , 2019 Sony World Photography Awards


Image Description: Part of an eight-year project by Wang to explore the upheaval of natural habitats to create manmade cities in China, this photo depicts a lone quarry. A young sapling stands in the center, sustained by a bag of nutrition liquid and a pile of semi-artificial red soil.

Series Description: The series depicts the otherworldly “ecology recovery” landscape in Haidong Development Zone in Dali, Yunnan Province, China. Here, a small rural area is being urbanised systematically to create “an international leisure town and an ecology model town.”

In doing so, the topsoil of the entire area is replaced by a type of red, semi-artificial soil, which forms the base for introduced, mostly non-indigenous plants, including thousands of mature trees. Meanwhile, green plastic netting is used to cover everything unappealing to the eye, from construction waste to disused quarries.

The town’s objective here has shifted from an “ecological” concern to a cosmetic one of trying to be visually green. The images are part of an eight-year project “Forest” (2010-2017), for which the photographer investigates the politics of recreating forests and “natural” environments in new Chinese cities.

1st Place, Natural World & Wildlife

Photo © Jasper Doest, Netherlands, 1st Place, Professional competition, Natural World & Wildlife, 2019 Sony World Photography Awards


Image Description: Bob is a flamingo from the Caribbean. His life changed permanently when he accidentally flew into a hotel window and got a concussion. His caretaker, Odette Doest, is a vet who runs a local rehabilitation center for animals. Bob is an ambassador for FDOC, an organization that educates locals about the importance of protecting the island’s wildlife.

Series Description: Bob is a Caribbean flamingo, from the Dutch island of Curaçao. His life took a dramatic turn when he flew into a hotel window, leaving him severely concussed. He was cared for by Odette Doest, a local vet who also runs a wildlife rehabilitation centre and conservation charity – the Fundashon Dier en Onderwijs Cariben (FDOC). Existing disabilities meant Bob couldn’t be released, but instead he became ambassador for FDOC, which educates locals about the importance of protecting the island’s wildlife.

1st Place, Portraiture

Photo © Álvaro Laiz, Spain, 1st Place, Professional competition, Portraiture, 2019 Sony World Photography Awards


Image Description: In Chukchi culture, past, present and future are intimately linked. The Edge series portrays the idea of shared memory and science through population genetics data analysis for every participant.

Series Description: Humans have inhabited North America for at least 16,500 years since they first stepped through the Bering Strait. The Chukchi, a Paleo-Siberian tribe from the Russian side of the Bering Strait may be key to understanding how America was inhabited. In Chukchi culture, past, present and future are intimately linked.

You are not just you: you are your father, your grandfather and your great-grandfather, back to the first Bering Strait hunter. Thanks to population genetics research we are now certain that the first Chukchi hunters left their genetic footprint in all Native American people when they first settled in America. From the Navajo to the Mayans; from Alaska to Tierra de Fuego.

The Edge combines this poetic yet powerful idea of shared memory and science through population genetics data analysis for every participant. A visual journey where past and future combine, exploring a period of our history full of unanswered questions and raising new ones about our understanding of current migratory processes across the entire American continent.

1st Place, Sport

Photo © Alessandro Grassani, Italy, 1st Place Professional competition, Sport , 2019 Sony World Photography Awards


About this photo: Part of the series, Boxing Against Violence, this image depicts 16-year-old Elysèe. She is a part of city boxing club in Goma, located in the Democratic Republic of Congo. In her words: ‘I’ve been boxing for 2 years, it’s something that gives me strength and courage to defend myself and makes me feel accepted everywhere. In this city there is so much violence that you must always be ready to react. Under the ashes of this society there are latent conflicts, a violence ready to explode at any moment. Thanks to boxing I feel ready to face these dangers.’

Series Description: Goma, North Kivu. This area has sadly been labelled the “rape capital of the world” and one of the worst places in the world for women to live. All these sad records have not stopped women, whose will to go on and overcome the atrocities suffered over the years, is stronger and more alive than ever in the story I’m telling.

Some boxing clubs in Goma are the meeting place for a group of women who have found hope and passion in boxing. Here, women not only learn to throw punches, but to regain strength and the desire to fight against injustice, while dreaming and training to become the next world boxing champion. I created this series of portraits to depict this incredible group of young women living in a deeply patriarchal society, a place where women have only one way to survive: learning to fight.

1st Place, Still Life

Photo © Nicolas Gaspardel & Pauline Baert, France, 1st Place, Professional competition, Still Life, 2019 Sony World Photography Awards


Image Description: Two ingredients, combined, make something that looks disgusting but is hypnotic, nonetheless, with its composing and pops of color.

Series Description: With a touch of mockery, BEURKMAGAZINE photographs food every day through metaphors that are as poetic as they are disturbing. For BEURKMAGAZINE, society is “yuck” in a pop culture universe.

Our creative approach is composed of antithesis. Dali amused himself by composing works with irrational associations of forms, images and objects; Maurizio Cattelan, meanwhile, focuses on the subversion of symbols and provocation; we are somewhere in between, with a more general than personal point of view and a desire to give ugliness an artificial beauty.

Food is at the center of our ideas, which are magnified, manipulated and reworked to highlight our message. The pop tone, tight shots and especially the titles are an integral part of our signature.

Articles: Digital Photography Review (dpreview.com)

 
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