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Posts Tagged ‘Autofocus’

DPReview TV: Do the Panasonic S5’s updated subject recognition and DFD improve autofocus in video?

04 Sep

The Panasonic S5 includes important upgrades to its autofocus system, but how much do those improvements extend to video? We put it to the test, shooting side-by-side against the S1H, to find out.

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Articles: Digital Photography Review (dpreview.com)

 
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Fotodiox’s new adapter gives Leica M-mount lenses autofocus on Fujifilm X series cameras

14 Aug

Fotodiox’s new Pro Pronto AF adapter is finally available to pre-order. Announced a few months ago, the specialized adapter lets you autofocus Leica M-mount lenses with Fujifilm X series cameras.

The first adapter of this kind was the Techart Leica M-mount to Sony E-mount adapter released back in 2016. Fotodiox followed up with its own M-mount to E-mount adapter, but this is the first time we’ve seen one for Fujifilm X-mount cameras.

The adapter, which supports lenses up to 680g (1.5lbs), is constructed from brass and an aluminum alloy, and uses an integrated helicoid mechanism to extend and retract the lens using AF-S or AF-C contrast-detection autofocus.

Here’s a video of Fotodiox’s older Leica M-mount to Sony E-mount adapter in action:

The Fotodiox Pro Pronto AF adapter is available to pre-order now for $ 350. The Leica M-mount to Sony E-mount version is still available for $ 250.

Articles: Digital Photography Review (dpreview.com)

 
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Meike’s first autofocus lens is a new 85mm F1.8 prime that costs just $190

12 Aug

Budget optics manufacturer Meike has announced the release of an ultra-affordable 85mm F1.8 autofocus lens for Canon EF- and Nikon F-mount cameras that costs just $ 190.

The lens, which is the first autofocus lens Meike has produced, is constructed of nine elements in six groups, features an aperture range of F1.8-F22, has a minimum focusing distance of 85cm (33.5”) and uses a nine-blade aperture diaphragm. It also has a built-in microUSB port for updating firmware.

The lens measures in at 79mm long, 75mm diameter and weighs 420g (14.8oz). The 85mm F1.8 lens is currently listed as available on Meike’s online shop for just $ 190 (Canon EF, Nikon F). It comes with the lens, a lens hood, front/rear caps, and a microfiber pouch for transporting it in.

Articles: Digital Photography Review (dpreview.com)

 
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Yongnuo announces new 50mm F1.8 ‘nifty fifty’ autofocus lens for APS-C E-mount cameras

15 Apr

Yongnuo has announced the YN50mm F1.8S DA DSM, it’s newest autofocus ‘nifty/thrifty fifty’ lens for Sony E-mount APS-C camera systems.

Yongnuo currently offers 50mm F1.8 lenses for both Canon EF-mount and Nikon F-mount, but this new ‘nifty fifty’ is designed specifically for use with Sony’s a6000 series mirrorless cameras.

The lens is constructed of eight elements in seven groups, including one low-dispersion element to minimize aberrations. Yongnuo says the lens also features a seven-blade aperture diaphragm, gold-plated contacts with a metal bayonet mount and a ‘nanometer multi-layer coating’ to minimize ghosting and flares. The internal autofocus is driven by a digital stepping motor (DSM) and the lens offers an onboard Micro USB port for upgrading the firmware.

The lens doesn’t currently have a price or release date, but considering Yongnuo’s previous lenses sought to undercut the already-affordable ‘nifty fifty’ lenses on the market, you can count on this one coming in very cheap when it hits retailers’ shelves. The lens measures in at 58mm (2.3in) long, 64mm (2.5in) diameter and weighs roughly 146g (5.15oz).

Articles: Digital Photography Review (dpreview.com)

 
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Viltrox announces new $280 33mm F1.4 autofocus lens for APS-C systems, teases upcoming 20mm T2 cine lens

14 Apr

Viltrox has announced the release of its new 33mm F1.4 APS-C autofocus lens for Canon EF-M mount, Sony E-mount and Fujifilm X-mount camera systems as well as the impending arrival of a 20mm T2 cinema lens for L-mount camera systems.

33mm F1.4 APS-C lens

The Viltrox 33mm F1.4 APS-C lens is one of the three APS-C lenses it teased back in August 2019. The autofocus lens is constructed of ten elements in nine groups, including one extra-low dispersion (ED) element and one high-refraction element.

It features Viltrox’s ‘noiseless’ stepping motor (STM focus motor) for driving the autofocus unit, features an aperture range of F1.4 through F16, uses a nine-blade aperture diaphragm, has a minimum focusing distance of 40cm (15.75in) and uses an ‘HD Nano’ multilayer coating on an unspecified number of elements to help improve water resistance and minimize chromatic aberration.

No dimensions are given for the lens in the press release, but it weighs 270g (9.5oz) and uses a 52mm front filter thread. Viltrox says pre-orders will open tomorrow on its website, with a retail price of $ 279.99.

Viltrox also told us to expect other ‘lens(es)’ to launch sometime in May, likely a nod to the 23mm and 56mm F1.4 lenses in Viltrox’s APS-C lineup.

20mm T/2 L-mount cinema lens

Viltrox has also shared the details of its forthcoming 20mm T/2 cinema lens for L-mount camera systems.

The lens will be constructed of 12 elements in 9 groups, include one double-sided aspherical element, four ED elements and one short wave-length, highly-transparent element. Like the 33mm F1.4 APS-C lens, the 20mm T/2 lens offers Viltrox’s ‘HD Nano’ coating on an unspecified number of elements.

The lens has a minimum focusing distance of 25cm (9.8in), has an aperture range of T2 through T16, uses a 14-blade aperture diaphragm and uses an 82mm front filter thread. It will measure in at just over 100mm (4in) long, 80mm (3.15in) diameter at the front and will weigh 808g (28.5oz).

No specific release date or pricing information has been given at this time, with ‘coming soon’ being the only indicator so far. We have contacted Viltrox for more information and will update this article if we receive further information.

Articles: Digital Photography Review (dpreview.com)

 
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‘Accurate autofocus on any subject in any environment’: Olympus engineer talks OM-D E-M1 Mark III AF

14 Apr
Olympus’ newly-announced OM-D E-M1 Mark III (left) alongside the OM-D E-M1X.

The recently-launched Olympus OM-D E-M1 Mark III features an advanced 121-point all cross-type autofocus system, and many other capabilities inherited from the flagship OM-D E-M1X including Live ND mode and various multi-shot features.

Modern mirrorless interchangeable lens cameras use one, or a combination of two main types of autofocus: contrast-detection and phase-detection. Contrast-detection autofocus works by driving focus until the contrast of a sampled area on the sensor is at its maximum – the presumed point of sharp focus. Contrast-detection is highly accurate, but can be slow, and relies on a certain amount of ‘trial and error’.

Phase-detection works more like human vision, using dedicated pixels to compare light coming from your subject from two slightly different perspectives at the same time. This allows the camera to judge depth, allowing for faster focus acquisition, without the ‘hunting’ characteristic of many purely contrast-detection autofocus systems.

Traditional phase-detection autofocus systems rely on pixels that are sensitive to vertical lines in a scene. Some, more sophisticated systems use a ‘cross-type’ pixel arrangement, which can detect horizontal or vertical detail, meaning that accurate focus can be achieved even with complex, non-linear subjects.

The 121-point autofocus system in the Olympus OM-D E-M1 Mark III and the E-M1X uses a combination of cross-type phase and contrast-detection, to ensure fast and accurate focus in a range of challenging environments.

In this interview, Tetsuo Kikuchi, manager of Imaging System Development at Olympus Corp explains how the E-M1 Mark III’s autofocus system was developed, and what it means to design a camera for demanding professionals.


What are the user requirements for professional-grade autofocus systems?

The most common requests we receive from professionals are that the camera must focus on their desired subject as quickly and accurately as possible, and it must continue to focus on that subject in any situation.

Professionals often stress the importance of operability, too. Their work requires the ability to quickly and easily adjust autofocus settings as shooting situations and subjects change. We believe that in order to satisfy professionals, we have to be able to meet all of those requirements.

What was the main customer feedback about autofocus in previous models?

After releasing the OM-D E-M1, which was Olympus’ first on-chip PDAF mirrorless camera, we received many requests for more AF points. These requests came from professional photographers and ‘prothusiasts’, especially in the genres of sports, bird, wildlife, and aviation.

We collated performance feedback and took special note of comments regarding focus drift to the background. Then, we set out to develop the 121-point all-cross-type PDAF system to eradicate this issue, delivering highly accurate focusing with all AF points, enabling photographers to keep their subject in focus.

Olympus’ 121-point all-cross-type PDAF system covers the majority of the frame.

What was the main priority when developing autofocus for the E-M1X and E-M1 Mark III?

There were two main goals, actually: ‘Quick focusing on targeted subjects after engaging autofocus’ and ‘stable and highly accurate continuous focusing on targeted subjects in any environment’.

What was the concept behind the 121-point all-cross-type On-chip Phase Detection AF point array?

We developed our on-chip PDAF system to achieve our goal of accurate and continuous autofocus on any subject in any environment.

The AF sensor array layout on the image sensor – which is unique to Olympus – is designed to detect any vertical, horizontal, or diagonal line patterns on subjects, and to find a defocused subject in the foreground. Thanks to our AF sensor layout design, our on-chip PDAF can deliver the high-speed focusing of phase detection and the accurate subject detection of cross-type sensors that DSLR cameras have previously achieved with a dedicated AF sensor. Our system has the added advantage of wider autofocus area coverage.

What makes Olympus autofocus technologies different to or better than competitors?

Our PDAF system can detect vertical and horizontal line patterns equally, allowing the camera to detect and focus on subjects in the foreground. This is a merit of Olympus. Because the PDAF sensors are arrayed not in one high density line but discretely over the entire area of the image sensor, any potential negative effect on image quality is also reduced.

Olympus’ most recent firmware delivers accurate autofocus without the risk of ‘focus drift’ to the background.

OM-D E-M1 Mark III, M.Zuiko Digital ED 300mm F4 IS PRO. F4, 1/250sec, ISO 3200

How difficult is it to implement cross-type on-chip phase-detection autofocus technology?

The most difficult challenge we faced when developing our all cross-type on-chip PDAF system was in determining the optimal layout of the PDAF sensors: one that would achieve the highest level of focusing accuracy with horizontally-arrayed and vertically-arrayed AF sensors simultaneously. In principle, utilizing phase detection AF can cause measurement errors; minimizing such errors is required for highly accurate focusing.

Could you elaborate on the sources of these measurement errors?

The measurement errors are attributed to a combination of factors, but the degree of measurement error is specific to the PDAF sensor layout. Therefore, we needed to build a proprietary in-house method to evaluate the reliability of measured distance data. This was important when we commenced development of the OM-D E-M1 Mark II, which was our first camera model equipped with all cross-type PDAF sensors.

Using pre-production cameras, our R&D members worked closely with professional photographers

Using pre-production cameras, our R&D members worked closely with professional photographers to conduct shooting tests, and these tests were repeated many times to refine our method. As a result, we are able to accurately evaluate our PDAF reliability and deliver exceptional performance.

Measurement errors can also come from the lens. However, our cameras can automatically correct for such errors according to the lens’ known characteristics, thus eliminating any effect.

Concept rendering, showing how cross-type phase-detection autofocus pixels are arrayed on the sensor of Olympus’ OM-D E-M1 Mark III and E-M1X.

Is there an autofocus advantage to a smaller sensor compared to APS-C or full-frame?

In principle, there is no correlation between PDAF performance and sensor size. However, our on-chip PDAF strongly complements our compact system size (which is ideal for photography genres such as bird and wildlife) because this autofocus method allows for a small camera body and fast focusing on moving subjects.

Lens resolution can affect autofocus accuracy though, because high resolution lenses make it possible to more precisely detect focus position.

The OM-D E-M1X is one of Olympus’ OM-D models that utilizes its contrast-detection plus all-cross-type phase-detection AF system.

How will the computational and machine learning based approaches we’ve seen in Olympus cameras evolve?

To ensure our products deliver the highest levels of performance, continuous device evolution must be paired with ever-evolving computational photography technologies. We have been heavily investing our resources to meet this challenge. For example, the E-M1 Mark III boasts our Handheld High Res Shot Mode, a technology that can produce high resolution low noise images, similar to those of full frame cameras, but with a system that’s significantly smaller in size.

We will develop new technologies to enable photographers to capture challenging images which are only possible using an Olympus camera and lens

We have also achieved advanced subject detection AF with AI-based deep learning technology. Features such as these will be continuously improved. Looking to the future, we will develop new technologies to enable photographers to capture challenging images which are only possible using an Olympus camera and lens, negating the need for extra equipment, special shooting skills, or additional post-processing.

The OM-D E-M1X has 121-point contrast-detection plus all-cross-type phase-detection AF. It features Olympus’ Subject Detection AF with AI-based deep learning technology.

OM-D E-M1 Mark III, M.Zuiko Digital ED 300mm F4 IS PRO. F5.6, 1/1600sec, ISO 400

Smartphone cameras today perform dynamic and local adjustments to automatically create a pleasing image. Do you see Olympus cameras also adopting this ‘auto’ approach in the future?

Our goals do not include the development of technology that significantly limits users in their individual creativity and expression. Instead, we develop cameras that facilitate the creative process, helping photographers bring their image concepts to life. While it is important that we enable photographers to utilize their skills and knowledge, we also see value to improving camera features for shooting assistance.

Thus, we will strive to uphold a balance between expression and automation with new technology that can benefit photographers of all skill levels and genres.


Tetsuo Kikuchi is manager of Imaging System Development at Olympus Corp, in Tokyo.

This is sponsored content, created with the support of Olympus. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: With new firmware, Nikon Z6 and Z7 autofocus gets closer to 3D AF tracking

12 Mar

Editor’s note: We have updated our reviews of both the Nikon Z6 and Nikon Z7, including scoring, to reflect both cameras’ performance using the new firmware.

Nikon recently announced firmware update 3.0 for its Z6 and Z7 mirrorless cameras. Most notably, it includes AF system improvements that designed to replicate Nikon’s class-leading 3D-tracking mode for DSLRs. We put it to the test to see how well it works.

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  • Introduction
  • The new tracking interface
  • Animal-detect autofocus
  • Eye detect performance
  • Other improvements
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
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Techart releases TZC-01, an EF-to-Z adapter that offers full autofocus, image stabilization support

17 Jan

In June 2019, camera accessory manufacturer Techart released its TZE-01 adapter, which allowed Nikon Z mirrorless camera users to mount Sony E-mount lenses to their systems without losing the ability to use autofocus. Now, Techart is back at it again with the announcement of the TZC-01, an adapter that makes it possible to mount and use autofocus Canon EF lenses on Nikon Z mirrorless cameras.

Techart says the TZC-01 will work with EF-mount lenses from Canon, Sigma, Tamron, Tokina and Zeiss. In addition to ‘native’ autofocus performance, the lenses will also maintain aperture control, stabilization features and EXIF data. In total, Techart lists 62 lenses it says are proven compatible with the adapter:

Below is a demonstration of the adapter from Richard Wong:

Techart has also included a dedicated function button that lets you save a focusing distance to recall with the press of the button and an accompanying lens dock that will let you upgrade the firmware of the adapter.

The TZC-01 is available on Techart’s website for $ 250.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: This is how you set up Sony’s ‘Real-Time’ autofocus tracking

28 Nov

Sony’s ‘Real-Time’ autofocus promises to track almost anything you throw at it, but it’s not enabled by default. The words ‘Real-Time’ don’t even appear in the camera’s menu. In this video, Chris shows us how to set up this very useful feature.

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  • Introduction
  • Tracking in Auto mode
  • Tracking modes
  • Animal eye-AF
  • Conclusion

Articles: Digital Photography Review (dpreview.com)

 
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Sony a6600 review: Amazing autofocus, acceptable ergonomics

28 Nov

Introduction

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Silver Award

83%
Overall score

The Sony a6600 is the company’s top-of-the-line APS-C mirrorless camera, with 24MP of resolution and 4K video capture. It looks a lot like Sony’s other a6000-series models at first glance, but this one has the biggest battery and the best build quality of the bunch, even if the images it produces are broadly comparable to the less expensive options.

The a6600 further differentiates itself by offering in-body image stabilization, which is still a rarity among APS-C cameras. This should help with stills shooting in low light, to be sure, but also combines with excellent autofocus tracking to make it the best crop-sensor video shooter Sony currently sells.

Despite its refinements, we still think the a6600 could benefit from some ergonomic updates to make it an easier camera to take control over.

Key features:

  • 24MP APS-C CMOS sensor
  • Advanced, capable subject-tracking autofocus
  • In-body image stabilization
  • 2.36M dot OLED electronic viewfinder
  • 0.9M dot tilting touchscreen
  • Wi-Fi for image transfer, and NFC
  • 4K video capture with log profiles
  • USB charging
  • 810-shot battery life (per CIPA)

The Sony a6600 will be available on November 29th, 2019, at a suggested price of $ 1400/€1600 body-only, and $ 1800/€2000 with an 18-135mm F3.5-5.6 kit lens.


What’s new, how it compares

Check out how the a6600 stacks up against its closest competition here.

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Image quality

The a6600’s familiar sensor produces clean, pleasing images in a wide range of situations.

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Autofocus and performance

With an industry-leading autofocus implementation, the a6600 is a capable sports-and-action shooter, but we have some reservations.

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Video

Oversampling 4K footage from 6K capture, the a6600 churns out really detailed video footage, but rolling shutter remains a problem.

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Conclusion

The a6600 is a supremely capable camera, but it just misses out on earning our top award – find out why.

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Sample galleries

Check out some of our samples from across North America in our a6600 sample galleries.

Read more

Articles: Digital Photography Review (dpreview.com)

 
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