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Posts Tagged ‘Apple’

Olloclip launches Connect X lens system for Apple iPhone X

02 May

Smartphone accessory lens maker Olloclip has launched a new mobile lens system that is designed specifically for use with the Apple iPhone X.

With a number of interchangeable lenses and a “lens mount” that clips onto your device, Connect X works in a very similar way to previous Olloclip systems. However, the new lenses come with a number of features that are exclusive to Apple’s flagship smartphone, including a lens mount that aligns perfectly with the iPhone X’s front and rear cameras, allowing for use of the accessory lenses with both camera modules.

In addition, the lens mount is expandable and therefore usable in combination with most protective phone cases. The Connect X system also comes with a pendant stand designed to carry the set of lenses, but that also works as a mini-tripod.

There are six lenses available for the Connect X system:

  • Super-Wide: Four-element lens with 120° field of view
  • Ultra-Wide: 155° field-of-view
  • Fisheye + 15x Macro: 180° wide-angle spherical effect + 15x magnification
  • Telephoto: 2x optical zoom
  • 14x + 7x Macro
  • 21x Macro

The system is now available to order on Olloclip.com. Individual components range from $ 60 to $ 80. You can also purchase a Mobile Photography Box Set for iPhone X which contains the Connect X lens mount plus Super-Wide, Fisheye, and Macro 15x lenses. It will set you back $ 100. The bundle will also be available at Apple Stores starting in June.

Articles: Digital Photography Review (dpreview.com)

 
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Corephotonics files patent infringement suit against Apple – again

02 May

In November 2017 we reported that Israel-based company Corephotonics—which is best known for its smartphone dual-camera systems—had filed a patent infringement case against Apple in federal court.

The company claimed that Apple had used Corephotonics’ dual-camera zoom technology in the iPhone 7 Plus without any authorization or licensing agreement. Previously Corephotonics had demoed its technology to Apple and received positive feedback. However, the iPhone makers refused a licensing deal, suggesting Corephotonics patents could be infringed with little consequence.

A second lawsuit has now been filed to also include the newer iPhone 8 Plus and iPhone X models. In addition it covers another patent that was only granted in January 2018, as Patently Apple reports. This makes the claim slightly confusing as both the iPhone 8 Plus and X were developed and released earlier than the patent was granted.

Things are made even more complicated by the fact that Corephotonics investors include Foxconn and chipmaker MediaTek, both of which are Apple suppliers. We’ll make sure to keep an eye on things and see how this case develops.

Articles: Digital Photography Review (dpreview.com)

 
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Halide update adds Apple Watch support, self-timer and more

01 May

The makers of Halide today released an update to version 1.8 of the iPhone camera app, introducing a number of major new features.

A new Apple Watch companion app gives you access to framing tools, lets you set the timer and trigger the camera remotely, all from your wrist. You get an image preview on the watch display and according to the developers the watch app has been designed for fast and responsive operation.

For those without an Apple Watch, there is now also a timer mode in the main app, which can be set to 3, 10, or 30 seconds and comes with a countdown on the display for front camera use. When shooting with the main camera, countdown progress is signaled by the flash LED.

In addition there is an updated image review module with a grid-style layout, support for Dynamic and Bold type and VoiceOver support for improved accessibility. For privacy purposes you can now also prevent location information from being embedded in your EXIF data and select options to limit location sharing with connected social apps.

The Halide 1.8 update is free to existing customers. Everyone else can download the latest version of the app from the App Store for $ 5.99.

Articles: Digital Photography Review (dpreview.com)

 
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Report: Apple won’t release the next Mac Pro until 2019

07 Apr
Credit: Apple

Apple delivered some slightly disappointing news to professional users in an interview with TechCrunch this week. Speaking with the tech publication, Senior director of Mac Hardware Product Marketing Tom Boger revealed that the next version of the Mac Pro is not coming in 2018. It will be a 2019 product.

The current Mac Pro—colloquially referred to as the trash can Mac Pro because of its form factor—was released all the way back in 2013, and even Apple admitted that the design was a mistake. In April of 2017, Apple executive Craig Federighi told BuzzFeed News that the company had “designed ourselves into a bit of a corner” with the circular form-factor, and Phil Schiller promised users that Apple was “completely rethinking the Mac Pro” for the next generation.

Since then, we haven’t heard much, and professional users not content with the all-in-one form-factor of the powerful new iMac Pro were holding out purchasing it in the hopes that the next Mac Pro was right around the corner. It sounds like Apple knows this, and decided to be un-characteristically candid with the professional community through this TechCrunch interview:

“We want to be transparent and communicate openly with our pro community, so we want them to know that the Mac Pro is a 2019 product,” says Boger. “We know that there’s a lot of customers today that are making purchase decisions on the iMac Pro and whether or not they should wait for the Mac Pro.”

Professional creatives who are married to the Apple ecosystem—particularly high-end video producers—still have a choice to make: purchase an iMac Pro now, or wait a year (or more) for the next generation Mac Pro? But at least now they won’t have to worry that a new Mac Pro will come out a few days or weeks after they pull the trigger on their iMac purchase.

To find out more about Apple’s Mac Pro plans—including some interesting tidbits about the company’s secretive “Pro Workflow Team”—head over to TechCrunch to read the full interview.

Articles: Digital Photography Review (dpreview.com)

 
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Apple introduces new ProRes RAW video format with Final Cut Pro X update

06 Apr
Credit: Apple

In a surprise update ahead of NAB, Apple has introduced a brand new video format called ProRes RAW. The format was introduced alongside an update to Final Cut Pro X, which also added advanced closed captioning tools for professional filmmakers.

The captioning tools are neat—they allow video editors to more easily create, view, edit, and deliver captions, with support for both the CEA-608 and iTT formats—but this feature will no doubt be overshadowed by the much bigger news: the introduction of ProRes RAW.

As the name suggests, ProRes RAW is an evolution of the Apple ProRes video codec. Apple claims that ProRes RAW “combines the visual and workflow benefits of RAW video with the stunning performance of ProRes.” By pulling RAW data from the sensor, video editors will have a lot more dynamic range flexibility—important as more and more displays, including Apple’s own iPhone X, become capable of displaying true HDR—all while taking advantage of the space and performance benefits of a compressed ProRes file.

In fact, Apple claims that ProRes RAW files take up less space than ProRes 4444. And since it’s Apple’s format, it has been performance optimized for macOS so that you can play full-quality 4K ProRes RAW files on your current MacBook Pro or iMac in real time without rendering.

Credit: Apple

The format drops today, and already Apple has made inroads into the professional community with Atomos and DJI. ProRes RAW compatibility will be made available as a free update for Atomos Shogun Inferno and Sumo19 users, and as “a free update for users with the RAW activation package” for the DJI Inspire 2 Drone and Zenmuse X7 camera.

Once updated, Final Cut Pro users will be able to work natively with ProRes RAW and the ProRes RAW HQ files created by the two Atomos external recorders mentioned above.

To learn more, check out the full press release below; or, if you’re feeling exceptionally brave and nerdy, you can read Apple’s full white paper on the new format here. Final Cut Pro X version 10.4.1 will be available as a free update to current users ($ 300 USD for new users) starting April 9th.

Press Release

Final Cut Pro X update introduces ProRes RAW and advanced closed captioning

Apple is introducing a new update to Final Cut Pro X, the most popular version of its professional video editing software, with more than 2.5 million seats. Final Cut Pro 10.4.1 introduces a groundbreaking format from Apple, ProRes RAW, which combines the visual and workflow benefits of RAW video with the performance of ProRes. The update also adds advanced closed captioning tools that allow video editors to easily view, edit and deliver captions from right within the app. Apple is also adding complementary new features to Final Cut Pro companion apps, Motion and Compressor.

ProRes RAW

ProRes RAW is a new format from Apple that offers the quality and workflow advantages of RAW with the stunning performance of ProRes. With ProRes RAW, editors can import, edit and grade pristine footage with RAW data from the camera sensor, providing ultimate flexibility when adjusting highlights and shadows — ideal for HDR workflows. And with performance optimized for macOS, editors can play full-quality 4K ProRes RAW files on MacBook Pro and iMac systems in real time without rendering. ProRes RAW files are even smaller than ProRes 4444 files, allowing editors to make better use of storage while providing an excellent format for archiving.

Final Cut Pro editors can work natively with ProRes RAW and ProRes RAW HQ files created by Atomos recorders. The format will be available as a free update for owners of Atomos Sumo 19 and Shogun Inferno devices. The format will also be available as part of a forthcoming upgrade package to users of the DJI Inspire 2 drone and Zenmuse X7 Super 35mm camera system designed for aerial cinematography.

Closed Captioning Tools

As closed captioning becomes increasingly important around the world, Final Cut Pro now includes powerful closed captioning tools for professional filmmakers, YouTubers and students looking to add captions to their projects without the need for expensive third-party software or services. Users can import closed caption files directly into their project or create them from scratch. Captions appear in the viewer during playback and can be attached to video or audio clips in the timeline, so they automatically move with the clips to which they’re connected. An all-new captions inspector makes it simple to adjust caption text, color, alignment, location and more. Users can even create captions in multiple languages within the same timeline and easily share captioned videos to YouTube and Vimeo. And in the share window, a new Roles tab displays titles, video and audio roles in a single consolidated interface, making it easy to configure roles and closed captions when sharing.

Motion 5.4.1 and ProRes RAW enable motion graphics artists to take full advantage of RAW image quality with superb performance and flexibility when designing graphics and effects. Compressor 4.4.1 gains support for closed captioning with comprehensive controls to view, adjust and deliver captions as part of a batch or iTunes Store package.

Pricing and Availability

Final Cut Pro 10.4.1 will be available on April 9 as a free update for existing users, and for $ 299.99 (US) for new users on the Mac App Store. Motion 5.4.1 and Compressor 4.4.1 will also be available on April 9 as free updates for existing users, and for $ 49.99 (US) each for new users on the Mac App Store. Education customers can purchase the Pro Apps Bundle for Education for $ 199.99 (US). For more information, please visit: apple.com/final-cut-pro.

Articles: Digital Photography Review (dpreview.com)

 
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Apple iPhone X review

30 Jan

DPReview smartphone reviews are written with the needs of photographers in mind. We focus on camera features, performance, and image quality.

The iPhone X is the newest flagship phone from Apple. It comes with twin optically stabilized 12MP rear cameras, a 7MP front-facing camera with ‘TrueDepth’ technology, artificial background blur and specialized lighting effects, DNG Raw file capture, and of course is otherwise a highly capable and extremely speedy mobile device.

And it should be, given the asking price: at an MSRP of $ 999, the iPhone X (pronounced iPhone Ten, which I’ll admit I’m still getting used to) is priced comfortably higher than many of its current competitors that also come with an emphasis on photographic prowess.

Out-of-camera JPEG in HDR mode.
ISO 20 | 1/229 sec | F1.8
Photo by Carey Rose

As with just about every modern high-end smartphone, the results of the picture-taking process on the iPhone are as much about clever software tricks as they are about the hardware. With the software and hardware combined, does the iPhone X truly offer image quality comparable to so-called ‘real cameras?’ Is artificial background blur driving the final nails into the interchangeable-lens camera coffin?

Of course, the answer isn’t all that simple, and depends an awful lot on the preferences of the user behind the lens. But let’s dive in and take a look at what Apple’s latest smartphone shooter is capable of.

Key Photographic / Video Specifications

  • Dual 12MP sensors
  • 28/56mm equivalent focal lengths
  • F1.8/2.4 aperture
  • On-sensor phase detection
  • Quad-LED flash
  • DNG Raw capture and manual control with 3rd party apps
  • 4K video at 60 fps
  • 1080p 120/240fps slow-motion video
  • 7MP front-facing ‘TrueDepth’ camera with F2.2 aperture

Other Specifications

  • 5.8-inch, 2436×1125 OLED
  • Apple A11 Fusion chipset
  • 3GB RAM
  • 64/256GB storage
  • 2,716mAh battery
  • Wireless charging (Qi compatible)

Articles: Digital Photography Review (dpreview.com)

 
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Apple will stop automatically slowing down your iPhone, will let you decide

18 Jan
Photo by Suganth

Apple’s iPhone slowdown controversy has reached what seems like its final stage last night, when Tim Cook announced in an exclusive interview with ABC News that the company would give users the option to keep their older iPhones running at full speed, even once the battery had become, in Cook’s words, ‘unhealthy.’

The controversy began a few weeks ago when several iPhone users online shared benchmarks that showed older phones—iPhone 6 and 6s models—were being slowed down to less than half their original CPU performance. This led to wild speculation about so-called ‘planned obsolescence’: the idea that Apple was slowing down phones to encourage users to upgrade to newer models.

Apple admitted to releasing an update that slowed down iPhones whose batteries had become older, but the company was vehement that it was done in the users best interest—a way to prevent unexpected restarts. Cook reiterated this point in last night’s interview with ABC News.

“When we did put [the update] out, we did say what it was, but I don’t think a lot of people were paying attention and maybe we should have been clearer as well,” says Cook, explaining that Apple did notify users, probably in the update release notes. “And so we deeply apologize to anybody that thinks we had some other kind of motivation.”

In the short cut of the interview above, this apology is all that’s mentioned, but a longer version of the interview also revealed another very interesting tidbit: Apple’s forthcoming battery update will let users choose whether or not their phones are slowed down once the battery becomes ‘unhealthy.’

As MacRumors quotes from a longer cut they were able to embed:

We’re also going to… first in a developer release that happens next month, we’re going to give people the visibility of the health of their battery.

[…]

…we will tell someone we’re reducing your performance by some amount in order to not have an unexpected restart. And if you don’t want it, you can turn it off. Now we don’t recommend it, because we think people’s iPhones are really important to them, and you never can tell when something is so urgent. Our actions were all in service of the user. I can’t stress that enough.

Whether or not these changes—and the discounted battery replacements announced a couple of weeks ago—will be enough to get Apple out of a few of the lawsuits currently being pursued against the company is yet to be seen. But for users who wanted more transparency from the company, it’s definitely a step in the right direction.

Articles: Digital Photography Review (dpreview.com)

 
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Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

13 Jan

As the market for digital cameras has intensified in recent years, the options available for post-processing software has exploded as well. There are dozens of great options for casual, enthusiast, and professional image-makers who are looking to get the most out of their images.

Programs like Lightroom, Luminar, CaptureOne, Affinity Photo, GIMP, DarkTable, and AfterShotPro, are all highly capable photo editors. It can be a daunting proposition to try and pick one that’s right for you.

Fortunately for Mac users, there is a fantastic option already available to you for free sitting right on your own computer. Apple Photos is a program you might have overlooked in the past, but with steady improvements over the years, it is now a serious contender when it comes to post-processing your pictures.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

A Brief History

The story of Apple Photos starts in 2002 with Apple’s late CEO Steve Jobs introducing an all-in-one program to let users catalog, edit, and share their digital pictures. This new software called iPhoto was revolutionary at the time, giving casual users a way to manage all their digital imaging assets in a way that was fast, simple, and easy to understand.

I used iPhoto from the first version that was released and even now it’s kind of amazing how well that initial offering worked, though it was clearly lacking many features we take for granted today. A few years later Apple waded into the professional photo editing market with Aperture, a program that was like iPhoto on steroids and was seen as a direct competitor to Adobe Lightroom.

Merger of Aperture and iPhoto

As the decade wore on and Apple saw how much people were using their mobile phones for taking and editing pictures it decided to kill off Aperture and iPhoto and replace them with a single program called Photos. This new application offered users a way to manage, edit, and share their photos much in the same way iPhoto and Aperture functioned, but also gave people the ability to sync their photo collections and even individual photo edits across all their devices.

With Photos, it was possible to crop a picture on your iPhone and then have that same cropped version of the picture show up on your Apple desktop a few seconds later – a syncing nightmare that was virtually impossible using the panoply of programs previously available from Apple.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Evolution of Photos

One significant tradeoff when consolidating apps and enabling cross-device editing with Apple Photos was a lean feature set that, compared to Aperture, was downright anemic and even came up short when compared to iPhoto. Photographers hopeful for a fresh new program with all of their favorite features were dismayed and abandoned Apple Photos in droves only to rush headlong into the welcoming arms of Adobe, Macphun (now called Skylum), Corel, and other developers.

However over time, Apple has delivered on its promise to improve Photos and with each iteration, the program becomes more capable, not to mention speedier, than ever before. It can now hold its own against many of the other post-processing software options available on the market. It’s safe to say that if you haven’t used Apple Photos in a while you might be surprised at how good the current version is, and if you have never even tried the program you are in for a real treat.

Sunflower photo processed in Apple Photos app.

Photo management simplified

The core principle of Apple Photos has always been simplicity. Even back to the original days of iPhoto, Apple’s philosophy has been to make their image-editing programs as easy to use as possible. I can personally attest to this with my dad as an example.

He is a retired railroad mechanic who prefers working on small engines in his garage instead of tinkering on the computer. But he is perfectly capable of connecting his Canon Rebel T4i to his Mac, offloading his images into Photos, and post-processing them using the tools provided. Underlying that simplicity is a powerful set of editing tools that started out all too basic but have grown to be quite competent over time.

One library

The Photos app is built around the concept of a unified photo library, such that any photos you take on your phone automatically sync with your computer and vice versa. Because of that, the interface looks much the same whether you’re on a desktop, laptop, iPad, or iPhone.

Your pictures aren’t stored in the cloud per se, but Apple does use its cloud-based infrastructure to sync all your pictures while keeping the actual image files stored on your individual devices. To enable this all you have to do is click a checkbox in Apple Photos on your desktop and flip a slider on your iPhone and the program will take care of the rest.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Organization

Photos organizes your images based on time data and does its best to group pictures into what it calls Events based on time and location data. Scroll through your library and you will see images grouped by categories such as People, Places, Favorites, and Memories as well as Albums which are collections of photos that you create manually or automatically using metadata (i.e. all photos with the keyword “Vacation” and “Kansas”.)

Unlike Google Photos and some other cloud-based services, none of your images are analyzed by Apple for the purpose of gathering data that can be used in advertising. A boon to privacy advocates and others who just want to keep other companies away from their pictures.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Sorting and viewing images

However, some degree of machine learning is present in Photos, as the software attempts to group your images automatically with Memories based on time and location data. It also automatically looks for faces which it uses to populate the People category.

If you have ever scrolled through your near-endless Lightroom Library you might be surprised at how well Photos handles the presentation element of photo management. You can use the options buttons at the top of the screen to organize your images by Photos, Moments, Collections, or Years. All your images are available in each view, but the Photos app groups them dynamically so as you scroll up and down you will see them grouped together in specific ways. If you click Moments your images are grouped almost like day-to-day activities, whereas Collections shows photos in larger groups and Years literally displays an entire year’s worth of images at once.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Grouping options for how to display your thumbnails – Moments, Collections or Years (shown here).

All this is fairly simple and intuitive, and if you have a trackpad on your Mac you can mimic the pinch-to-zoom feature found on iPhone and iPad devices to zoom in and out of your entire photo library. Longtime Lightroom users will note several deficiencies in this design methodology, though, and a host of missing features like Compare, Survey, and fine-grained sorting criteria not to mention Lightroom’s far superior Library Filter.

This illustrates the point that Apple Photos is not intended to be a full-on replacement for Lightroom. Nevertheless, it can be a good starting point for amateurs or even enthusiasts looking to get a little more control over their image organization.

Powerful post-processing editing features

Image management is one thing, but post-processing or editing is a whole other matter entirely. Unfortunately, this is where Apple Photos has traditionally fallen flat. The first version of Photos had an editing feature set that was positively anemic and downright infuriating to longtime users of Aperture. They felt they had been hung out to dry by Apple, and it was not even worth comparing to programs like Lightroom, Photoshop, and others.

But like the fabled tortoise racing against the hare, Apple has steadily injected an ever-growing list of editing tools into Photos. It’s now not only competent but worth considering for anyone who wants to dive deeper into more professional-style editing.

Basic and advanced tools

Select a photo and click the Edit button to open up a cornucopia of editing tools. They cover all the basic options you would expect to find in any prominent image editor and even a few surprises. Of course, you can perform basic edits like Crop, Red Eye Removal, and White Balance and if that’s all you want then you’re good to go.

There are also highly advanced tools like RGB Levels and RGB Curves in which individual color channels can be edited, Selective Color that lets you adjust Hue, Saturation, and Lightness for Red, Yellow, Green, Cyan, Blue, and Magenta colors. Also present is a Noise Reduction option that allows for Luminance and Color noise, and even a Lightness tool with the freedom to adjust seven different parameters including Exposure, Brilliance, Highlights, Shadows, and Contrast.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Filters

Apple Photos also has a nice array of filters. They work just like those in Instagram or other programs like Luminar, with one-click presets such as Vivid, Dramatic, Mono, Noir, and more. Add to this a pretty good auto-enhance option and the ability to undo edits one at a time or revert to the original with one click, and you can see how this program might be worth a second look. I remember using it when it first launched and was immediately put off by its overly-simplistic workflow and lack of features. But now I would honestly recommend it to anyone who is considering buying a subscription to Lightroom or investing in any other image editing post-processing software options on the market.

Apple Photos is not perfect, but it could suit your needs better than you might realize. The best part is it’s absolutely free if you own a Mac computer, iPhone, or iPad. There’s something special about editing a picture on your desktop, picking up your phone and seeing all your changes automatically synced, and then realizing it’s all happening without any monthly fee or another type of additional payment.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Caveats and Limitations

All of this editing and organizational finesse comes with a rather large asterisk or two, as there are some significant drawbacks to Apple Photos that savvy photographers need to be aware of.

The most important is that this is an Apple-only program, so if you use Windows or Linux you’re out of luck. The mobile version is firmly ensconced in Apple’s infamous walled garden which means it never has been, and never will be, available for Android phones.

Also despite the lack of a subscription model, if you want to take full advantage of the iCloud-based storage options you will need to shell out some cash for iCloud Drive. Apple only gives users a paltry 5GB for free. Fortunately, iCloud plans are quite reasonable, and I am perfectly happy with my 50GB plan that only costs 99 cents per month.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

If you want to take full advantage of Photos’ cloud-based options, you might want to purchase additional storage. Fortunately, this is optional and it’s entirely up to you whether you want to do this, and how much storage to buy.

What’s missing

Finally, there are some notable features missing from Apple Photos that users of Lightroom, Luminar, and other apps will likely bemoan – and rightly so. There’s no history panel, no brush adjustments, no radial or graduated filters, no way to share presets, no plugin architecture for third-party expandability, no way to sync edits across multiple photos, and the list goes on.

Even simply exporting a photo can be frustrating. You only have a few options available by default like sharing to online social media sites or setting an image as a desktop background. These can be customized albeit not nearly to the same level as many other programs. It’s safe to say that if you want to give Apple Photos a chance it’s best to keep your expectations in check.

Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse

Unless you want to post images directly to Facebook or Flickr, you might get a little frustrated with the default sharing options.

Conclusion

I hesitate to make a solid recommendation regarding Apple Photos because it really is dependent on the needs of each individual user. Other than to say a once low-end unimpressive program without much going for it has now been transformed to the point that I think it could really be useful for a lot of people.

While it’s still not up to par with its Aperture ancestor and continues to lag behind a lot of other options on the market in terms of features and capability, it’s a free, powerful, highly effective photo manager and editor that just might surprise and delight you if you give it a chance.

The post Apple Photos: An Under-Appreciated Post-Processing Software Powerhouse by Simon Ringsmuth appeared first on Digital Photography School.


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Apple apologizes for iPhone performance issues, offers discount on battery replacement

29 Dec

In a “letter to our customers” posted on its website, Apple took a more active stance in the iPhone slowdown ‘scandal’ that has been making headlines over the past week. The company once again explained why it was reducing performance on older iPhone models, but the letter went a step further, apologizing to customers for the lack of transparency and offering a few potential solutions to placate angry iPhone users.

The letter first describes how batteries age, and explains that the company changed its power management system to reduce “unexpected shutdowns” on iPhone 6 and SE models last year. (Apple did the same with iPhone 7 models recently).

In response to negative feedback from customers (and perhaps lawsuits) Apple will be reducing the price of replacement batteries by $ 50 (to $ 29) for out-of-warranty iPhones. Furthermore, the company plans to release an iOS update that will, “give users more visibility into the health of their iPhone’s battery, so they can see for themselves if its condition is affecting performance.”

The battery replacement program will begin in January and run throughout 2018. More information will be posted soon on apple.com.

Articles: Digital Photography Review (dpreview.com)

 
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Apple facing several lawsuits over intentionally slowing down old iPhones

29 Dec
Photo by Robin van der Ploeg

Earlier this week, we shared the news that Apple had admitted to slowing down older iPhones—an accusation originally leveled at the company by several Redditors and bloggers who found their phones’ performance had been cut in half, and would only return to full performance with a battery replacement.

This admission, in which Apple defended this ‘feature’ as benefiting users, has now sparked several lawsuits.

Background

Last week, Apple confirmed that older iPhones—specifically iPhone 6/Plus, iPhone 6S/Plus, and iPhone SE—were indeed being slowed down on purpose, but denied any malicious intent (e.g. trying to trick people into upgrading to a newer iPhone).

Instead, in a statement to The Verge, Apple said the ‘feature’ had been implemented, “to deliver the best experience for customers” by preventing sudden shut downs or damage to the internal components that can be caused by an older battery trying to provide peak current it just can’t handle anymore.

This explanation makes sense, and several technologically savvy commentators online (and even some readers in the DPReview comments) speculated that other companies likely do this same thing. But the lack of transparency—essentially only admitting that this was being done after being called out publicly—left many Apple users upset… and a few of them are doing something about it.

And Now

According to USA Today and The Verge, several lawsuits have been filed against Apple over this iPhone throttling. In the United States, suits have been filed in Los Angeles, Chicago, and New York among others, but the lawsuits over this admission extend as far as Israel, according to Reuters.

One of the first, a proposed class-action lawsuit in Los Angeles filed last Thursday by two consumers, claims breach-of-contract because users never agreed to allow Apple to slow down their iPhones.

The latest suit, filed by five iPhone users in New York, New Jersey, and Florida, seeks class-action status and accuses Apple of fraud, deception and breach-of-contract for not notifying users that it was slowing down old iPhones. The lawsuit states that, had they known batteries were to blame for their phones slowing down, these plaintiffs would have chosen to replace their batteries instead of purchasing a new phone.

Apple has not released any comment on the lawsuits filed thus far.

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