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Posts Tagged ‘Announces’

Tokina announces new 100mm F2.8 1:1 macro lens for Sony E mount cameras

22 Apr

Tokina has announced the FiRIN 100m F2.8 FE Macro Lens for Sony E mount camera systems.

The lens is constructed of nine elements in eight groups and features a nine blade aperture diaphragm. It features 1:1 maximum magnification, has a minimum focusing distance of 30cm (11.8in), uses a 55mm front filter thread and includes a printed magnification scale on the extending lens barrel to add an extra visual queue when composing shots.

The lens measures in at 123mm (4.84in) long by 74mm (2.91in) diameter and it weighs 570g (1.3lbs). The Tokina FiRIN 100m F2.8 FE Macro Lens is listed for pre-order at B&H for $ 599. Included in the box is the lens, front and rear lens caps, a BH-533 lens hood and a manual.

Articles: Digital Photography Review (dpreview.com)

 
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Samyang announces new 85mm AF F-mount lens and its first two Z-mount lenses

15 Apr

Samyang has released a new lens for Nikon F-mount systems and two new lenses for Nikon Z-mount systems: the AF 85mm F1.4 F, the MF 14mm F2.8 Z and the MF 85mm F1.4 Z.

Samyang AF 85mm F1.4 F

As the name suggests, the AF 85mm F1.4 F is a weather sealed autofocus lens made for Nikon F-mount camera systems. Its optical construction consists of nine elements in seven groups with one hybrid aspherical element and it features a nine-blade aperture diaphragm. The front filter thread measures in at 77mm and it measures in at 74.5mm / 2.93in long, 88mm / 3.46in in diameter and weighs 480g / 1.06lbs

The Samyang AF 85mm F1.4 F isn’t currently listed on B&H or Adorama at the time of posting this, but the Sony E-mount version retails for $ 699, so the F-mount version should be around that price point when it does become available.

Samyang MF 14mm F2.8 Z

The first of the Z-mount offerings is the MF 14mm F2.8 Z. This manual focus lens is constructed of 14 elements in 10 groups and includes one aspherical element, one hybrid aspherical element, two extra-low dispersion elements and three high refraction elements. It features a six-blade aperture diaphragm, has a minimum focusing distance of 28cm / 0.92ft, weighs 810g / 1.79lbs and measures in at 124.1mm / 4.89in long by 87mm / 3.43in in diameter.

The Samyang MF 14mm F2.8 Z UMC is currently available for pre-order on Adorama for $ 499.

Samyang MF 85mm F1.4 Z

Last up is the MF 85mm F1.4 Z, a manual focus lens for Nikon Z-mount camera systems. The lens is constructed of nine elements in seven groups, including one hybrid aspherical element. It features an eight-blade aperture diaphragm, has a minimum focusing distance of 1m / 3.3ft and has a 72mm front filter thread. On the measurements, it comes in at 102.7mm / 4.04in long, 78.0mm / 3.07in in diameter and weighs 740g / 1.63lbs.

The Samyang MF 85mm F1.4 Z UMC is currently available for pre-order on Adorama for $ 399.

Articles: Digital Photography Review (dpreview.com)

 
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Blackmagic announces a new battery grip for its Pocket Cinema Camera 4K

10 Apr

Blackmagic Design has announced the impending arrival of the Pocket Camera Battery Grip, a new battery adapter for its Pocket Cinema Camera 4K (BMPCC4K) that dramatically increases the battery life and adds a bit of extra grip for when handholding the 4K camera.

The Pocket Camera Battery Grip features a carbon fiber design with non-slip hand grips and a slide out tray that trades the BMPCC4K’s usual LP-e6 battery for two L-series batteries, increasing the battery life to up to two hours of continuous shooting on a single charge. When a charge is needed, users can charge the batteries inside the grip using the camera’s 12V DC connection.

As with other battery grips, the Pocket Camera Battery Grip attaches to the bottom of the BMPCC4K and screws into the integrated tripod mount using a tightening dial. The LP-E6 battery door on the BMPCC4K even gets a cozy place to hide in the grip so it doesn’t get misplaced for when you need to switch back.

The Blackmagic Pocket Camera Battery Grip will be available in August 2019 and is currently available to pre-order at B&H for $ 245 USD.

Blackmagic Design Announces New Blackmagic Pocket Camera Battery Grip

New camera grip attaches to any Blackmagic Pocket Cinema Camera 4K and holds 2 L-Series batteries for over 2 hours of non-stop shooting

NAB 2019, Las Vegas, USA – Monday, April 8, 2019 – Blackmagic Design today announced Blackmagic Pocket Battery Grip, a new battery adapter that features a slide out tray designed to hold two L-series batteries. This allows customers to power external flash disks or run the camera for over 2 hours of record time before charging. Blackmagic Pocket Camera Battery Grip will be available in August from Blackmagic Design resellers worldwide for US$ 245.

The Blackmagic Pocket Camera Battery Grip will be demonstrated on the Blackmagic Design NAB 2019 booth #SL216.

Designed for the Blackmagic Pocket Cinema Camera 4K, the new Pocket Camera Battery Grip lets customers replace the camera’s standard LP-E6 battery with two L-series batteries so they can shoot for over 2 hours on a single charge. It’s perfect for anyone that needs to shoot for extended periods of time. Featuring a unique carbon fiber design, non-slip hand grips, and a slide out tray that holds 2 L-series batteries, the Pocket Camera Battery Grip also makes it easier to hold the camera on longer shoots. L-Series batteries are standard batteries used for a variety of professional lighting equipment, so they’re readily available. Customers can even charge the batteries in the grip via the camera’s 12V DC connection in between takes.

Unlike traditional external battery packs that hang off the side of the camera, the Pocket Camera Battery Grip has a unique design that makes it part of the Blackmagic Pocket Cinema Camera 4K. Simply remove the detachable LP-E6 battery door cover from the camera, slide the pocket grip in and lock it into place. There’s even a storage slot built into the grip for the battery door cover. Because the Pocket Camera Battery Grip becomes part of the camera, customers get larger non-slip hand grips that make holding the camera even easier. Best of all, there’s no extra gear hanging off the camera so customers still have a compact camera that can go anywhere.

“The Blackmagic Pocket Cinema Camera 4K has been received incredibly well by our customers because it’s not a dumbed down consumer product, but it is a true digital film camera with incredibly advanced features generally only found on the most expensive cameras available,” said Grant Petty, Blackmagic Design CEO. “The new Pocket Battery Grip is exciting because it lets you power external flash disks allowing customers to record to the disk used for editing. It will even power the camera for over 2 hours on a single charge. As it’s designed to integrate into the cameras design, it’s more comfortable to hold the camera on longer shoots. Unlike regular external battery packs that hang off the camera, the Pocket Camera Battery Grip is integrated into the cameras design itself, so it doesn’t add a lot of weight and it fits perfectly!”

Availability and Price

Blackmagic Pocket Camera Battery Grip will be available in August for US$ 245 excluding duties from Blackmagic Design resellers worldwide.

Articles: Digital Photography Review (dpreview.com)

 
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Atomos announces Shinobi SDI monitor, Shogun 7 monitor/recorder and a Ninja V SDI module

06 Apr

Atomos has been on a roll this past week with the introduction of three new video products ahead of NAB 2019: the Shinobi SDI, Shogun 7 and AtomX SDI module. Below we’ve summarized the news of each product.

Shinobi SDI

The Atomos Shinobi SDI is a new, super-lightweight 5-inch 4K HDR monitor that offers HD-SDI and 4K HDMI connectivity. The monitor features a compact, durable frame that offers a 1000nit display with a pixel density of 427 pixels-per-inch (PPI) behind an anti-reflection, anti-fingerprint screen. The monitor comes factory calibrated with the option to calibrate the screen on-demand.

Atomos says this monitor was built as a means of addressing one of its customers most-demanded products, a stand-alone SDI monitor. The monitor operates on AtomOS 10 and offers a number of features, including focus peaking, 4:1 / 2:1 / 1:1 zoom, customizable zebras, false color, frame guides, broadcast markers and a suite of scope options that include waveform, RGB parade, vector scope and audio level meters.

The Shinobi SDI weighs in at 226g / 7.8oz and is available for pre-order at B&H for $ 499 USD and is expected to ship at the end of April 2019.

Shogun 7

Also new is the Atomos Shogun 7, a new seven-inch HDR monitor, recorder and switcher. The 1,500nit daylight-viewable display features a new 1920 by 1200 panel with a 1,000,000:1 contrast ratio and 15+ stops of dynamic range.

Atomos says the ‘screen uses a unique combination of advanced LED and LCD technologies which together offer deeper, better blacks than rival OLED screens, but with the much higher brightness and vivid color performance of top-end LCDs.’

A new 360 zone backlight inside the Shogun 7 is controlled by the Dynamic AtomHDR engine that enables the panel to show ultra-wide color with 105% of the DCI-P3 colorspace covered. Atomos has also teamed up with Dolby to create Dolby Vision HDR ‘live,’ which makes it possible to capture HDR footage on the Shogun 7 and display it on an HDR-capable TV or monitor over HDMI.

On the recording front, the Shogun 7 can record video up to 5.7K / 80p, 4K / 120p or 2K / 240p in RAW/Log or HLG/PQ over SDI/HDMI. Video is stored directly to an AtomX SSDmini or comparable SATA SSD drives. Recording options include Apple ProRes RAW and ProRes, Avid DNx and Adobe CinemaDNG RAW codecs.

The Shogun 7 can also be used with an optional balanced XLR breakout cable that can record up to 12 channels of 24/96 digital audio from HDMI or SDI connections. Monitoring of the audio can be done using the onboard 3.5mm headphone jack.

The Shogun 7 is available for pre-order at B&H for $ 1,499 USD and is expected to ship June 2019.

AtomX SDI module for Ninja V

The third and final product Atomos has announced is the AtomX SDI module for Ninja V. As its name suggests, this add-on module adds the ability to record and output video over 12G-SDI at up to 4K / 60p.

Atomos says it’s been one of the most-requested products from video professionals around the globe. The module is approximately the size of an NP-type battery and attaches to the rear of the Nija V via the modular expansion port. It adds two user-configurable 12G-SDI connections and full-sized 75 Ohm BNC connectors.

Apple ProRes and Avid DNx file formats are used when recording over single or dual-link SDI uses, and shooting is supported in Log, HLG and Rec.709 gammas.

The AtomX SDI module is available for pre-order at B&H for $ 199 and is expected to ship in May 2019.

For more information on all these products and more, head over to Atomos’ website.

Articles: Digital Photography Review (dpreview.com)

 
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Sharp announces it’s officially joining Micro Four Thirds system

04 Apr

Electronics giant Sharp has officially joined the Micro Four Thirds system according to a press release on the Olympus global website. In the statement Sharp is identified as a ‘driving force’ behind 8K imaging, suggesting that the company will use the MFT system for its future camera systems.

Sharp has already shown a Micro Four Thirds prototype 8K camera at this year’s CES show back in January, so this announcement just confirms the company’s direction for the future, saying ‘Sharp will add Micro Four Thirds products to their line-up.’

For more information see the Micro Four Thirds organisation and the Sharp websites.

Press release:

Sharp Joins in the Micro Four Thirds System Standard Group

Olympus Corporation and Panasonic Corporation jointly announced the Micro Four Thirds System standard in 2008 and have since been working together to promote the standard. We are pleased to announce that Sharp Corporation has recently declared their support for the Micro Four Thirds System standard and will be introducing products compliant with the standard.

As the driving force behind 8K imaging technology and a product developer, Sharp Corporation now supports the Micro Four Thirds standard. In the future, Sharp will add Micro Four Thirds products to their line-up. The possibilities unique to a joint standard will expand the enjoyment of imaging further.

As the company responsible for initiating both the Four Thirds System and the Micro Four Thirds System standards, Olympus will continue to develop and enhance the product line-up to meet the diverse needs of our customers.

Articles: Digital Photography Review (dpreview.com)

 
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Sigma announces pricing, availability of its MC-21 SA- and EF- L-mount adapters

29 Mar

Earlier this month, at CP+, DPReview got its hands on the Sigma MC-21 adapters, a pair of adapters that allow either Sigma’s SA- or Canon EF-mount lenses to be used on L-mount cameras. At the time we weren’t given details on pricing or availability, but today that changes. Sigma has announced the Sigma MC-21 SA-L and EF-L adapters will be available starting April 2019 for a cost of $ 169 USD and $ 249 USD, respectively.

As we were told at CP+, the SA-L and EF-L adapters can be used with 29 existing Sigma lenses, including 23 full-frame lenses and 6 APS-C lenses from the Global Vision lineup. This brings the total number of supported L-mount lenses to 40, including the 11 DG Art primes and and native L-mount lenses.

A full list of the Sigma lenses supported by the SA- and EF-mount lens adapter.

Sigma also confirms that data pre-loaded on the MC-21 adapters ensures autofocus and aperture control have been optimized for the supported lenses and says future lenses will hold the required data in the lens itself, meaning no firmware updates will be needed. The MC-21 adapters also support EXIF data transfer and various in-camera correction functions including chromatic aberration, peripheral illumination, magnification and distortion.

Additional features include an integrated tripod socket for mounting larger lenses without tripod support and an internal flocking that’s used to reduce internal reflections.

On the Foveon front, Sigma notes it ‘will aim to [eventually] replace its SA-mount lenses with the native L-mount versions, but until then, Foveon shooters can rely on the existing offering of Sigma MC-21 at a lower price point to ease the transition to the new system.’

Press release:

Sigma Announces Pricing & Availability for Sigma Mount Converter MC-21

Available in April 2019, the new accessory ensures compatibility of the Sigma lenses in EF and SA mounts with the L-Mount camera systems

Ronkonkoma, NY – March 29, 2019 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, today announced pricing and availability for the new Sigma Mount Converter MC-21, offering photographers a wider range of lens options for L-Mount cameras from Sigma, Leica and Panasonic. The Sigma MC-21 will start shipping in April 2019 and will be priced at $ 169.00 USD for Sigma SA-L mount and $ 249.00 USD for Canon EF-L mount.

Features

The Sigma Mount Converter MC-21 allows for Sigma’s SA mount and Canon EF mount lenses to be used on L-Mount camera bodies. By attaching MC-21 to a Sigma SA mount or Sigma Canon EF mount lens, it becomes compatible with the L-Mount camera system without compromising usability and image quality. The development of Sigma MC-21 increases the number of interchangeable lenses manufactured by Sigma to be used with the L-Mount systems by 29, offering a total of 40 lens choices, including 11 DG Art primes with native L-mount. The addition of MC-21 to the Sigma accessory lineup will increase the accessibility of the L-Mount system and further Sigma’s role in the strategic L-Mount Alliance alongside Leica and Panasonic.

The full list of compatible lenses and technical specifications can be accessed here and product imagery can be downloaded here.

Pricing

The lower price for the Sigma MC-21 in Sigma SA-L mount reflects the company’s appreciation for the loyal Sigma camera users as the MC-21 in Sigma SA-L mount allows for Sigma SA mount lenses to be used on any L-Mount camera body. Eventually, Sigma will aim to replace its SA mount lenses with the native L-mount versions, but until then, Foveon shooters can rely on the existing offering of Sigma MC-21 at a lower price point to ease the transition to the new system.

Articles: Digital Photography Review (dpreview.com)

 
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Zenit announces ridiculously fast 50mm F0.95 fully-manual lens for Sony full-frame cameras

17 Mar

Zenit has announced a 50mm F0.95 manual lens for Sony full-frame cameras.

The Zenitar 0.95 | 50, as it’s called in Zenit’s branding, is fully manual without any electronics inside. It features a fast aperture and an impressive 14-blade diaphragm that Zenit claims provides perfectly round bokeh.

The lens is constructed of nine elements in eight groups and constructed entirely of glass and metal. Considering the metal construction and massive optical elements, it shouldn’t come as a surprise that the lens weighs quite a bit for its focal length, 1.1kg / 2.43lbs.

Below is a gallery of sample images captured with the lens:

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The lens is set to be released in Russia next week for a price of 50K ruble, which converts to roughly €680 or $ 770 USD. There’s no mention of an international release timeframe for the time being.

Articles: Digital Photography Review (dpreview.com)

 
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Lensbaby announces the Edge 35mm optic, a wide angle tilt lens for its Optic Swap system

15 Mar

Lensbaby has released Edge 35mm Optic, a new wide angle tilt lens for its Optic Swap system.

The lens, which works in conjunction with the Lensbaby composer Pro or Composer Pro II, can be mounted to Canon EF, Nikon F, Sony E, Fuji X and Micro Four-Third systems. It is the third selective focus lens in Lensbaby’s Optic Swap lineup, rounding out the existing 50mm and 80mm options.

The lens features an aperture range of F3.5-F22 and a minimum focusing distance of 18cm / 7in. It has an eight blade aperture diaphragm and can tilt 15 degrees. Lensbaby doesn’t have specific dimensions or weight available at this time.

‘The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography,’ says Lensbaby in the press release. ‘Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.’

Below is a sample gallery of photos provided by LensBaby:

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The Edge 35mm Optic is available for pre-order alone for $ 249.95 or as a kit with the Composer Pro II for $ 449.95. The first lenses and kits will start shipping in early April.

Lensbaby Launches a New, Wide Angle Tilt Lens for their One-of-A-Kind Optic Swap System

Portland, OR — Lensbaby – makers of award-winning lenses, optics and accessories announces today the availability of its new wide angle tilt lens. The Composer Pro II with Edge 35mm Optic is available for use on Canon EF, Nikon F, Sony E, Fuji X, and Micro 4/3 interchangeable lens cameras. The Edge 35mm Optic is also available separately for anyone who already owns a Lensbaby Composer Pro or Composer Pro II lens body. Fans of this style of selective focus photography have been requesting a wider option beyond the company’s existing 50mm and 80mm lenses.

The Composer Pro II with Edge 35 Optic is a 35mm f/3.5 tilting lens designed for those looking for a wider focal length to create unique in-camera shots with a slice of tack-sharp focus and detail. By tilting this lens, users can place a slice of sharp focus through objects in both the foreground and background of an image at the same time, bordered by smooth blur. This in-camera effect helps artists tell their story in an uncommon way.

“Over the past 15 years, we’ve made optical tools to help you discover unique ways of seeing your world. A 35mm tilt lens, despite being our most requested new product offering since we introduced the Edge 80 in 2012, has been elusive and the results of our efforts have paid off in a lens that is far better than we thought possible when starting our design process. It was worth the wait.” said Craig Strong, Lensbaby Chief Creative Officer and Co-Founder.

The Composer Pro II swivels and tilts on a smooth metal ball and socket design, providing a fast and intuitive way to switch between traditional straight lens photos and tilt photography. Tilting the lens up or down results in a horizontal slice of focus; left or right a vertical slice; diagonally for a diagonal slice. After setting the tilt, rotating the focus ring moves that slice of focus through the image, from one side of the frame to the other.

“The Edge 35 has changed my traveling & portrait sessions for the better. I’m able to get into tight spaces and buildings and still be able to show the whole aspect of the story I’m trying to create,” said renowned portrait, travel and lifestyle photographer Stephanie DeFranco. “I find the wider slice of focus makes it easier to find the area I want to draw the viewer’s eye toward. With its 35mm focal length, this optic lets me create the same dreamy feel as the Edge 50 and Edge 80, but because of the wider slice of focus, also allows me to include more of a scene in the story.”

The Composer series of lenses are lenses that tilt to move a spot or slice of focus anywhere in the frame. They feature Lensbaby’s Optic Swap System. Users can simply purchase one lens, made up of a lens body with an included optic, for their camera system, then, swap out the optic that it came with for a new optic to completely change the effect and focal length of their Lensbaby lens.

The Composer Pro II with Edge 35 Optic will be available in April for $ 449.95, and by itself as an Optic for those who already own a Composer series lens, for $ 249.95.

Composer Pro II with Edge 35 Optic Product Specifications

  • 35mm focal length
  • f/3.5 – f/22
  • Focuses from 7” from the front element to infinity
  • Compatible with Full Frame; APS-C; and 4/3rds Sensors
  • Manual Focus
  • Internal 8-blade aperture
  • Up to 15 degrees of tilt
  • Dimensions: to come
  • Weight: to come
  • Mounts: Nikon F, Canon EF, Sony E, Fuji X, Micro 4/3

Articles: Digital Photography Review (dpreview.com)

 
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Flickr says it will spare all Creative Commons photos, announces ‘in memoriam’ accounts

10 Mar

Last November, SmugMug announced a number of changes the photo-sharing site would be undergoing in the coming months as part of a clean-up operation of sorts to help streamline Flickr assets and unused accounts. One of those changes was the news that free accounts would be limited to 1,000 images and any images over that limit would be deleted.

Almost immediately, Flickr caught flack for the decision, especially surrounding the vast amounts of Creative Commons images hosted on the photo sharing site. Within a week, Flickr announced it was sparing Creative Commons and public domain images and also sparing non-profits from the 1,000 photo cap.

Now, Flickr is going a step further. In a blog post, Flickr says it will not be deleting any public, freely licensed images from its platform, regardless of who’s operating the account.

‘In this spirit, today we’re going further and now protecting all public, freely licensed images on Flickr, regardless of the date they were uploaded,’ reads the blog post. ‘We want to make sure we preserve these works and further the value of the licenses for our community and for anyone who might benefit from them.‘

Flickr isn’t just rolling over though. To combat accounts from simply switching all their photos to Creative Commons without understanding what all it entails in hopes of still hosting their photos on the site, Flickr has disabled the bulk license change tools in the Settings menu.

‘We’ve done this to prevent community members from flipping all their images to a new license without first understanding the significant implications of the various free licenses we support. Any member (Free or Pro) can still change the license of any of their photos on the photo page.’

Additionally, Flickr is introducing ‘in memoriam’ accounts. These accounts come after concern from users about what happens to their images after they pass away (or late photographers who still have images on Flickr).

Flickr says ‘in memoriam’ accounts ‘will preserve all public content in a deceased member’s account, even if their Pro subscription lapses […] The account’s username will be updated to reflect the “in memoriam” status and login for the account be locked, preventing anyone from signing in.‘

Flickr has created this dedicated form to help identify accounts in need of ‘in memoriam’ status.

To help preserve the accounts of members who have already passed away, Flickr is asking for help to identify existing accounts that are deserving of ‘in memoriam’ status. A dedicated article has been added on Flickr’s Help Center to help explain the process.

Articles: Digital Photography Review (dpreview.com)

 
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Meike announces an 85mm F1.8 lens for Sony E-mount cameras

06 Mar

Meike has announced the MK 85mm F1.8 lens, a manual focus lens designed for Sony E-mount cameras.

The lens is constructed of nine elements in six groups and features a nine-blade aperture diaphragm. It features a 67mm filter thread and a field of view of 28.5 degrees.

Meike has shared a few sample photos on its product page (shown under the ‘Photo samples’ tab towards the bottom of the page), but they’re not full-resolution and it’s not clear what Sony E-mount camera they were shot with.1

The lens is currently listed on Amazon, but pricing and availability aren’t yet mentioned.

1 We try to share sample photos in our articles when provided, but Meike inexplicably decided to provide their sample images as one long image, which measures 790 x 16,187 pixels.

Articles: Digital Photography Review (dpreview.com)

 
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