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Posts Tagged ‘Announced’

Fujifilm GF 250mm F4 R LM OIS WR medium format lens announced

12 Apr

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The longest telephoto lens in Fujifilm’s medium format lineup has arrived with the introduction of the company’s GF 250mm F4 R LM OIS WR.

The lens has a 35mm equivalent of around 200mm, which can be further extended via the 1.4x teleconverter also announced today. The 250mm F4 has 16 elements, including 1 super ED and 2 ED elements, a linear focus motor and 5-stop image stabilization (per Fujifilm). The minimum focus distance is 1.4m while the maximum magnification is 0.22x.

This hefty lens is made of magnesium alloy and is sealed against the elements and can operate in temperatures as low as -10C/+14F. It has

The GF 250mm F4 R LM OIS WR will be available in late May for $ 3299.95 USD / $ 4124.99 CAD, while the 1.4x teleconverter will set you back $ 849.95 USD / $ 1059.99 CAD.

Press Release

FUJIFILM INTRODUCES A NEW TELEPHOTO LENS FOR THE GFX MEDIUM FORMAT MIRRORLESS CAMERA SYSTEM

The GFX System Expands with the New FUJINON GF250mmF4 R LM OIS WR Lens, FUJINON GF1.4X TC WR Teleconverter and MCEX-18G WR and MCEX-45G WR Macro Extension Tubes; Firmware Updates for GFX, X-H1, X-T2, X-Pro2, X-E3 and X100F

Valhalla, N.Y., April 12, 2018 – FUJIFILM North America Corporation today announced the launch of the FUJINON GF250mmF4 R LM OIS WR, a lens that expands the telephoto range for the FUJIFILM GFX 50S medium format mirrorless digital camera system.

When combined with the GFX medium format sized sensor with an area approximately 1.7 times larger than 35mm format, the GF250mmF4 R LM OIS WR lens achieves exceptional image quality. Composed of 16 lenses in 10 groups, this lens delivers unsurpassed color reproduction, three dimensional image quality, as well as ultra-high resolution and rich bokeh.

In addition, this telephoto lens is equipped with a powerful five-stop optical image stabilization and a new focus preset function, which allows the photographer to instantly activate focus settings previously saved in the lens memory. With a rugged, lightweight magnesium alloy lens barrel designed to be dust and weather-resistant, the GF250mmF4 R LM OIS WR is capable of operating in temperatures as low as 14°F/-10°C. The front lens element has a fluorine coating designed to repel water and dirt even under tough outdoor conditions.

FUJINON GF250mmF4 R LM OIS WR Lens Key Features:

• Ultra-high image quality achieved with16 lenses in 10 groups, 1 super ED lens and 2 ED lenses.
• Powerful five-stop optical image stabilization to maximize high image resolution.
• Silent, high-speed autofocus operation and new mechanism to fix linear motor position. when turning power off or when in playback mode. Available with new GFX 50S firmware.
• Made with magnesium alloy, ensuring a robust, durable body.
• Dust and weather-resistant design capable of operating in temperatures as low as 14°F/-10°C.

FUJINON Teleconverter GF1.4X TC WR

The new FUJINON Teleconverter GF1.4X TC WR is designed for use with the new GF250mmF4 R LM OIS WR giving approximately 277mm in 35mm format equivalent, without compromising image quality.

MCEX-18G WR and MCEX-45G WR Macro Extension Tubes

The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes further expand the range of macro photography. Connecting these macro extension tubes to GF lenses allows for images to be captured at high magnification ratio. The MCEX-18G WR and MCEX-45G WR Macro Extension Tubes are compatible with all existing GF lenses.

Availability and Pricing

The new FUJINON GF250mmF4 R LM OIS WR lens will be available in Late May 2018 for USD $ 3,299.95 and CAD $ 4,124.99. The FUJINON Teleconverter GF1.4X TC WR will be available in Late May 2018 for USD $ 849.95 and CAD $ 1,059.99 and Macro Extension Tubes, MCEX-18G WR and MCEX-45G WR will both be available in Late May 2018 for USD $ 329.99 and CAD $ 409.99.

Fujifilm GF 250mm F4 R LM OIS WR specifications

Principal specifications
Max Format size Medium Format (44x33mm)
Focal length 250 mm
Image stabilization Yes
CIPA Image stabilization rating 5 stop(s)
Lens mount Fujifilm G
Aperture
Maximum aperture F4
Minimum aperture F32
Aperture ring Yes
Number of diaphragm blades 9
Optics
Elements 16
Groups 10
Special elements / coatings 1 Super ED + 2 ED elements
Focus
Minimum focus 1.40 m (55.12)
Maximum magnification 0.22×
Autofocus Yes
Motor type Linear Motor
Full time manual Yes
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 1425 g (3.14 lb)
Diameter 108 mm (4.25)
Length 204 mm (8.03)
Materials Magnesium alloy
Sealing Yes
Colour Black
Filter thread 82 mm
Hood supplied Yes
Tripod collar Yes

Articles: Digital Photography Review (dpreview.com)

 
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Cosina announced three new Voigtlander lenses at CP+

11 Mar

Japanese optical manufacturer Cosina has announced three new lenses at the CP+ show in Yokohama. The trio consists of two lenses for full frame Sony E-Mount cameras, and a new Nokton 50mm F1.2 lens that will come with a Leica M fitting.

COLOR-SKOPAR 21mm F3.5 Aspherical | Sony E-mount

The COLOR-SKOPAR 21mm F3.5 Aspherical is designed for Sony E-mount cameras and measures only 39.9mm in length. Its 10-bladed iris promises attractive out-of-focus highlights, while the closest focus will be 20cm (~7.9 inches). The optical design uses nine elements in eight groups, and Cosina claims the lens has excellent contrast and resolving power even when used wide open.

The lens will be manual focus, and will feature electronic contact with the camera.

MACRO APO-LANTHAR 110mm F2.5 | Sony E-mount

The other E-mount lens is the MACRO APO – LANTHAR 110mm F2.5, which will offer close-up shooters 1:1 reproduction from a closest focus point of 35cm (~13.8 inches). Cosina says it aims to eliminate chromatic aberration, and that it will use a floating focus group to ensure maximum sharpness at all focusing distances.

The optical design packs 14 elements in 12 groups into a 99.7mm long housing, and the iris will contain 10 blades. Again, focus is manual, but electronic contacts allow the lens to communicate with the camera.

NOKTON 50mm F1.2 Aspherical | Leica M

The lens for Leica M-mount cameras is a new standard NOKTON 50mm F1.2 Aspherical VM that will feature two double aspherical lenses and a coupled rangefinder focusing system.

Cosina claims the lenses performs very well wide open, and that it will produce attractive blur in out-of-focus areas. The 12-bladed iris will contribute to the out-of-focus effect, and the closest focusing distance of 70cm (~27.5 inches) will ensure users can make the most of it. The 4.9cm-long lens will use eight elements in six groups and will accept filters in the 52mm fitting.

This lens joins the existing 50mm F1.1 and F1.5 versions in the Voigtlander Nokton series.


Cosina has not said yet when these lenses will be available or how much they will cost when they arrive; however, the company did have working reference samples on display at the show that visitors could try on their own cameras, so it’s reasonable to expect that we won’t have to wait too long.

For now, the Voigtlander website hasn’t been updated to include the new lenses.

Articles: Digital Photography Review (dpreview.com)

 
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International Wedding Photographer of the Year 2017 winners announced

06 Mar

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The International Wedding Photographer of the Year (IWPotY) competition has announced it’s 2017 winners, and there is plenty of wedding photography inspiration to go around. Entries were submitted into one of nine categories, and submitted photos had to be taken on the day of the wedding to quality.

© Erika Mann

This year’s Wedding Photographer of the Year grand prize went to Two Mann Studios’ Erika Mann for her portrait of a bride with a double rainbow in the background. The image was taken near Cougar Creek in Canmore, Alberta, Canada, according to the photographer, who explained that an “unpredictable storm” had provided them with the spectacular backdrop.

Talking about the shot, Mann said:

Paige and Daniel had a super low key wedding, with the reception taking place in their parent’s backyard, with about 25 guests. Thankfully their parents have one of the most beautiful backyards in the planet, along the banks of Cougar Creek in Canmore, Alberta. After a short, and unpredictable storm, we were treated to the most amazing double rainbow. Lanny and I got low into the creek bed so we could remove the houses, and simplify the frame to the rainbow, mountain and Paige, with her dress billowing in the wind.

As the grand prize winner, Mann will receive $ 3,000 USD, as well as a Nikon D850 and other items totaling $ 9,125 in value.

© Paul Woo

The contest’s Runner Up is Paul Woo of Wandering Woo, who claimed the spot with a touching image of a bride’s son becoming emotional during the wedding ceremony. The Runner Up prize includes $ 1,000 USD, a Think Tank Signature 13, Photo Mechanic user license, and Hold Fast Skinny Money Maker camera strap.

Top scoring images have also been selected across various categories, including Black & White, Bridal Party, Couple Portrait, Dance Floor, Epic Location, and more. Scroll through the gallery at the top to see all of the category winners, and if you’d like to see the top 10 from all of the categories, you can find the full albums here.

Articles: Digital Photography Review (dpreview.com)

 
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On1 Photo RAW 2018 announced: Adds HDR processing, advanced masking and more

06 Oct

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On1 just released the newest version of its stand-alone RAW photo manager and non-destructive editor: On1 Photo RAW 2018. Put another way, there’s now yet another alternative to Lightroom out there, and with this new update the program is more capable than ever, adding features like HDR merge and panorama stitching, advanced masking capabilities, and more.

You can get a decent overview of the new features in the 2018 version in the video below:

The main additions to this version of On1 Photo RAW are On1 HDR, panorama stitching, new advanced masking options like Feather and Density that allow you to alter a mask globally, Color range masking, versioning, selective noise reduction, and an updated UI that On1 characterizes as “clean and modern.” There’s also a new “Paint with Color Brush” that allows you to either paint with a solid color or leave the luminosity of the underlying layer intact to change things like eye or hair color.

You can get a full breakdown of these and other new features on the On1 blog.

The app is being released as a free Beta on Friday, with an official release slated for the end of October. The full app—which promises ‘much more’ when it arrives after the beta period—will cost $ 120 for new users, while current On1 users will have the option to upgrade for a discounted price of just $ 80 (usually $ 100). Both the full version and upgrade package are already available for pre-order.

To learn more about the app or pre-order your copy, head over to the On1 blog by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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On1 Photo RAW 2018 announced: Adds HRD processing, advanced masking and more

04 Oct

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On1 just released the newest version of its stand-alone RAW photo manager and non-destructive editor: On1 Photo RAW 2018. Put another way, there’s now yet another alternative to Lightroom out there, and with this new update the program is more capable than ever, adding features like HDR merge and panorama stitching, advanced masking capabilities, and more.

You can get a decent overview of the new features in the 2018 version in the video below:

The main additions to this version of On1 Photo RAW are On1 HDR, panorama stitching, new advanced masking options like Feather and Density that allow you to alter a mask globally, Color range masking, versioning, selective noise reduction, and an updated UI that On1 characterizes as “clean and modern.” There’s also a new “Paint with Color Brush” that allows you to either paint with a solid color or leave the luminosity of the underlying layer intact to change things like eye or hair color.

You can get a full breakdown of these and other new features on the On1 blog.

The app is being released as a free Beta on Friday, with an official release slated for the end of October. The full app—which promises ‘much more’ when it arrives after the beta period—will cost $ 120 for new users, while current On1 users will have the option to upgrade for a discounted price of just $ 80 (usually $ 100). Both the full version and upgrade package are already available for pre-order.

To learn more about the app or pre-order your copy, head over to the On1 blog by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Nine new lens adapters announced for the Fujifilm GFX

04 Aug

A host of new adapters have just been launched that allow owners of the Fujifilm GFX 50S to attach new and historic lenses from other brands to their mirrorless medium format camera.

K&F Concept has introduced eight of the adapters, and is offering completely manual mounts for some surprising brands, including Olympus OM. The K&F adapters are brass on both sides and have matte black interiors to prevent flare.

K&F Concept adapters:

  • KF-EFG: Canon EF – Fujifilm G
  • KF-CYG: Yashica/Contax – – Fujifilm G
  • KF-LRG: Leica R – Fujifilm G
  • KF-OMG: Olympus OM – Fujifilm G
  • KF-NFG: Nikon F – Fujifilm G
  • KF-SRG: Minolta MD-MC/SR – Fujifilm G
  • KF-PKG: Pentax K – Fujifilm G
  • KF-42G: M42 – Fujifilm G

None of the K&F Concept adapters have any electronic communication with the body, and all cost around ¥10,000 (approx. $ 90)

Contax 645 users will be more interested in this adapter from Fringer, which allows full electronic contact between the Fujifilm GFX and Contax 645 lenses.

The extent of the communications provides autofocusing for 35mm f/3.5, 45mm f/2.8, 80mm f/2 and 140mm f/2.8 lenses, aperture control on all lenses through the camera body, and full EXIF information in the image file. Fringer admits ‘AF performance is not as good as native GF lenses!’ but some AF is usually better than no AF. The Fringer Contax 645 – GFX smart adapter costs $ 750.

For more information see the K&F Concepts website (where there is no mention of the adapters) or the Shoten Kobo website (where there is).

More information on the Fringer adapter can be found on the Fringer website.

Sample shot taken with the Fringer adapter that allows AF with Contax 645 lenses on the Fujifilm GFX body

Articles: Digital Photography Review (dpreview.com)

 
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Photokina 2019 dates announced

24 Jul

In May, Photokina, the biennial photo industry trade show in Cologne, Germany, announced that it would become an annual event and expand coverage beyond its historical focus of cameras and photography. 2018 is the last year the show will take place during the traditional end-of-September dates.

In 2019 Photokina will take place in May for the first time, from the 8th to the 11th to be more precise. If you’re planning to attend Photokina and see all the new products from camera manufacturers and other companies in the imaging field, you should mark those dates in your calendar.

In the meantime, you can also read this quick Q&A with recently appointed show manager Christoph Menke, in which he provides some background on the decision to change the dates and scope of future shows.

Articles: Digital Photography Review (dpreview.com)

 
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Winners of the 2017 Magnum and LensCulture Photography Awards announced

19 Jul

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Earlier today, Magnum and LensCulture officially announced the winners of their 2017 Photography Awards, doling out prizes in six categories: Documentary, Fine Art, Open, Photojournalism, Portrait and Street.

Each of the ‘Single Image’ award winners (Magnum and LensCulture also gave out awards for best Series) walks away with $ 1,500 in prize money and the serious bragging rights that come with having won an award administered by one of the most prestigious names in photography.

Additionally, all of the winners, finalists and juror’s pics will be screened at various photo festivals worldwide throughout the year.

Press Release:

WINNERS OF THE MAGNUM AND LENSCULTURE PHOTOGRAPHY AWARDS ANNOUNCED

Twelve international photographers have been announced as the winners of the 2017 Magnum and LensCulture Photography Awards. The legendary photography agency, Magnum Photos, and LensCulture have joined forces for the second time to produce this opportunity to recognize, reward and support photographic talent. Each photographer will be awarded a cash prize and will also receive international exposure through Magnum Photos and LensCulture’s combined audience of over 6.5 million. The winning projects will be shown in a digital exhibition at The Photographers’ Gallery in London later this year and exhibited at photography festivals worldwide. Furthermore, the laureates will be awarded access to expert guidance from Magnum and LensCulture.

The twelve winners of the prestigious award hail from all over the world and deal with a diversity of subjects. Nick Hannes, the Documentary series winner, pursued a project featuring the culture of the elite in Dubai, while Lissa Rivera’s striking portraits of her non-binary partner explore contemporary notions of gender and its narratives in today’s society. All told, the series and single image awards include six categories: Street, Portrait, Photojournalism, Open, Fine Art and Documentary.

SERIES WINNERS

Street: Argus Paul Estabrook, South Korea — “Losing Face”?

Portrait: Lissa Rivera, United States — “Beautiful Boy”

Photojournalism: Jason Florio, United Kingdom — “Destination Europe”

Open: Medina Dugger, Nigeria — “Chroma: An Ode to J.D. Okhai Ojeikere”?

Fine Art: Daniel Shipp, Australia — “Botanical Inquiry”

Documentary: Nick Hannes, Belgium — “Bread and Circuses”

SINGLE WINNERS

Street: Hakim Boulouiz, Switzerland — “Choral”?

Portrait: Artur Zdral, Poland — “Kasia”

Photojournalism: Szymon Barylski – “Fleeing Death”

Open: Britta Jaschinski, United Kingdom — “Confiscated”?

Fine Art: Ellie Davis, United Kingdom — “Stars”

Documentary: Retam Kumar Shaw, India – “Street Wrestling”

In addition, twenty-one finalists have also been selected, and each juror has chosen one photographer as a “Juror’s Pick.”

Jurors’ Picks

Edgar Martins, United Kingdom — “Siloquies and Soliloquies on Death, Life and Other Interludes.” Selected by Yumi Goto, independent photography curator, editor, researcher, consultant, and publisher.

Shahria Sharmin, Bangladesh — “Call Me Heena.” Selected by Susan Meiselas, Magnum photographer and MacArthur Fellow.

Christian Werner, Germany — “Road to Ruin.” Selected by Sarah Leen, Director of Photography at National Geographic Magazine.
Sonja Hamad, Germany — “Jin—Jiyan—Azadi: Women, Life, Freedom.” Selected by Lesley Martin, creative director at the Aperture Foundation and publisher of The PhotoBook Review.
Antonio Gibotta, Italy — “Enfarinats.” Selected by Jim Casper, editor-in-chief of LensCulture.

MD Tanveer Rohan, Bangladesh — “Fun Bath.” Selected by David Hurn, Magnum photographer.

Terje Abusdal, Norway — “Slash and Burn.” Selected by Alec Soth, Magnum photographer.

Mirko Saviane, Italy – “B-Uranus.” Selected by Azu Nwagbogu, Founder and Director of LagosPhoto Festival and the African Artists’ Foundation.

Finalists

Zhang KeChun, China — “Between the Mountains and Water”

Thomas Alleman, United States — “The Nature of the Beast: Living On The Land In Los Angeles”

Thom Pierce, South Africa – “The Horsemen of Semonkong”

Sasha Maslov, United States — “Veterans: Faces of World War II”

Roei Greenberg, Israel — “Along the Break”

Paul D’Haese, Belgium — “Building an Imaginary City”

Panos Kefalos, Greece — “Saints”

Jonathan Bachman, United States — “Unrest in Baton Rouge”

Jens Juul, Denmark — “Biotope”

Gregg Segel, United States — “Daily Bread”

Gabriel Romero, United States — “Liberation and Longing”

Emilien Urbano, France — “War of a Forgotten Nation”

Ash Shinya Kawaoto, Japan — “Scrap and Build”

Antonio Faccilongo, Italy — “Habibi”

Ramona Deckers, Netherlands — “Goran in Bed”

Matthew Sowa, United States — “Grandmother’s Room”

Karen Pulfer Focht, United States — “Busiest Brain Surgery Unit”

Farida Lemeatrag, Belgium — “Milo”

Ana Carolina Fernandes, Brazil — “Burning Bus”

Amos Nachoum, United States — “Seal and Penguin”

A.M. Ahad, Bangladesh — “Childhood Covered with Metal Dust”

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Retam Kumar Shaw, India – “Street Wrestling”

Photo © Retam Kumar Shaw. Documentary Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Ellie Davies, United Kingdom – “Stars”

Photo © Ellie Davies. Fine Art Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Britta Jaschinski, United Kingdom – “Confiscated”

Photo © Britta Jaschinski. Open Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Surely an elephant foot is of no real use to anyone but the animal itself. These elephant feet were attempted to be smuggled from Africa to the US, but were seized by the American Border Patrol and are currently stored at the National Wildlife Repository Denver, Colorado, USA.

I have been documenting illegally traded wildlife products since August 2016 at borders and airport across the globe.

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Szymon Barylski, Ireland – “Fleeing Death”

Photo © Szymon Barylski. Photojournalism Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Fleeing Death. Refugees in the queue for the checkpoint at Idomeni, Greece. March 6, 2016.

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Artur Zdral, Poland – “Kasia”

Photo © Artur Zdral. Portrait Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Winners of the 2017 Magnum and LensCulture Photography Awards announced

Hakim Boulouiz, Switzerland – “Choral”

Photo © Hakim Boulouiz. Street Single Image Winner, Magnum and LensCulture Photography Awards 2017.

Santa Cruz de Tenerife

Articles: Digital Photography Review (dpreview.com)

 
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2017 iPhone Photography Award Winners Announced

28 Jun
The grand prize (left), first place (top right), and second place (bottom right) winners of the 2017 iPhone Photography Awards. Photos courtesy of IPPA, individual credits below.

When the iPhone Photography Awards were established in 2007, the first iPhone had just been released and its 2MP images were… well, they were nothing to write home about. Fast-forward to 2017, and the winners of this year’s 10th annual IPPAs are stunning, taking full advantage of a decade’s technological advancement.

This year’s winners were selected from ‘thousands’ of entries that poured in from over 140 countries around the world. Let’s take them one by one:

Grand Prize

This year’s grand prize and title of iPhone Photographer of the year went to Sebastian Tomada for his photograph titled ‘Children of Qayyarah’. Photo © Sebastian Tomada

The grand prize winner, titled ‘Children of Qayyarah’, was captured by Sebastian Tomada, a photojournalist based in New York City and the Middle East.

As the title suggests, the image was captured in Qayyarah, Iraq. It was shot on November 4th, 2016 after Islamic State militants set fire to oil wells in the city. The image was captured with an iPhone 6s.

1st Place

First place went to photographer Brendan O Se from Ireland, for her striking photograph titled ‘Dock Worker’. Photo © Brendan O Se

Photographer Brendan O Se—a university teacher/teacher trainer in Cork, Ireland—was awarded 1st place in the competition for his portrait of hands titled ‘Dock Worker’.

The photograph was taken on an early morning walk around the docks in Jakarta in April of 2016. “These were the hands of a dock worker who was taking a break,” says O Se. “I was struck by the texture created by the accumulated dirt on his hands.”

This photo was also taken with an iPhone 6s.

2nd Place

Second place was awarded to photographer Yeow-Kwang Yeo of Singapore for his portrait titled ‘The Performer’. Photo © Yeow-Kwang Yeo

Coming in 2nd behind O Se and Tomada is photographer Yeow-Kwang Yeo, formerly a Mechanical Engineer and Business Administrator who decided to change tracks and devoted himself entirely to photography in 2007.

His photograph, ‘The Performer’, was captured at a performance of traditional Chinese street opera.

“Instead of shooting their performance, I decided to go the back of the stage to capture the performers’ preparation activity,” says Yeo. “I spotted this experience performer who is taking a short rest and was waiting for his turn to perform. I was attracted by the lighting of the old plastic curtain, electric fan, and the overall calm atmosphere.”

The photo was captured with an iPhone 6 Plus.

3rd Place

Third place in the overall competition was awarded to photographer Kuanglong Zhang of Shenzhen, China for his image ‘The City Palace’. Photo © Kuanglong Zhang

The 3rd and final award handed out in the IPPA’s main Photographer of the Year category went to Chinese photographer Kuanglong Zhang, a freelance photographer living in Shenzhen city. This photograph was taken in Udaipur, a city Zhang calls ‘one of the most romantic in India.’

“In the City palace, I snapped a moment of one of the staff gazing out of the window,” says Zhang. “[It’s] as if he saw the slowly historic course of the palace’s construction, which was quite an attractive moment.”

The photo was taken with an iPhone 7.

To see more winning images from the other 19 categories the IPPA ran, or if you’d like to learn more about each of the photographers above, visit the IPPA website by clicking here.


All photos used with permission, courtesy of IPPA.

Articles: Digital Photography Review (dpreview.com)

 
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Pricing for Sigma 14mm F1.8 DG HSM and 24-70 F2.8 DG OS HSM Art lenses announced, undercuts the competition

24 Jun

Announced in February, two highly anticipated full-frame lenses from Sigma are finally on their way to consumers. Sigma has also announced pricing – the 14mm F1.8 DG HSM will cost $ 1600; the 24-70mm F2.8 Art will cost $ 1300. In both cases, that’s well below the current asking prices for Canon and Nikon versions of similar lenses.

Sigma says the 14mm in Canon and Sigma mount will ship this month, and the Nikon version will be available in July. The 24-70mm will ship for all three mounts this month. Considering there’s not much time left in June, that’s basically now.

Press release

Sigma Begins Shipping Its 14mm F1.8 DG HSM and 24-70mm F2.8 DG OS HSM Art Lenses

The world’s first and only F1.8 ultra wide-angle full-frame lens for DSLR cameras is available now for $ 1,599.00 USD; the new Sigma Global Vision workhorse zoom lens is available now for $ 1,299.00 USD

Ronkonkoma, NY – June 22, 2017 – Sigma Corporation of America, a leading still photo and cinema lens, camera, flash and accessory manufacturer, announced today the pricing and availability for its new Sigma 14mm F1.8 DG HSM and Sigma 24-70mm F2.8 DG OS HSM Art lenses from its lauded Global Vision line. The ultra-wide angle full-frame 14mm F1.8 Art lens begins shipping in June 2017 for Canon and Sigma camera systems and in July 2017 for Nikon camera systems, for a retail price of $ 1,599.00 USD. The standard zoom full-frame 24-70mm F2.8 Art lens begins shipping in June 2017 for a retail price of $ 1,299 USD.

The Sigma 14mm F1.8 Art, which is the first and only F1.8 ultra wide-angle lens among interchangeable lenses for digital SLRs*, incorporates the same aspherical element as Sigma’s critically acclaimed 12-24mm F4 Art, allowing the lens to deliver a new dimension of visual experience. Boasting outstanding image quality from center to edge, the 14mm F1.8 Art features an 80mm front lens — the world’s largest glass aspherical lens in the industry, offering photographers an ultra-wide prime with virtually no distortion, flare or ghosting. Equipped with a superfast and efficient autofocus system, three FLD (“F” Low Dispersion) elements, and four SLD (Special Low Dispersion) elements to reduce chromatic aberration and coma flare, the 14mm F1.8 Art is suitable for a wide range of photographic needs including astrophotography, architecture and landscape photography.

The 24-70mm F2.8 Art lens, Sigma’s new workhorse standard zoom lens, touts a brand new Optical Stabilizer (OS), Hypersonic Motor (HSM) for highly efficient and fast autofocus, as well as a dust- and splash-proof mount with rubber sealing. The 24-70mm F2.8 Art lens embodies all the technical qualities and finesse that define the high-performance Sigma Global Vision Art series. A popular industry focal range covering a wide array of shooting scenarios, the 24-70mm’s optical design also includes three SLD (Special Low Dispersion) glass elements and four aspherical elements to ensure image accuracy and sharpness. The 24-70mm F2.8 Art aspherical elements use Sigma’s thicker center glass design and highly precise polishing process, delivering stunning images and bokeh effects. The lens’ purpose-built structure boasts a new metal barrel for optimal durability with TSC composite internal moving components designed to resist thermal contraction and expansion.

Both the 14mm F1.8 DG HSM and the 24-70mm F2.8 DG OS HSM Art lenses are available in Canon, Nikon and Sigma mounts. The Sigma and Canon mount lenses work with Sigma’s MC-11 Sony E-mount converter. The Nikon mounts feature the brand new electromagnetic diaphragm.

Sigma 14mm F1.8 DG HSM Art Lens Features and Benefits:

> Sharp, rich image quality

  • Minimized chromatic aberrations: Three FLD (“F” Low Dispersion) glass elements and four SLD (Super Low Dispersion) glass elements help reduce transverse chromatic aberration, which tends to be noticeable in shots taken with ultra wide-angle lenses. The result is outstanding image quality from the center of the image to the edges.
  • Distinctive bokeh effect: Even at the 14mm ultra wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a pleasingly softened background. It’s the unique mode of expression that only a large-diameter lens can deliver.
  • Minimized distortion: Serving as the front lens element, the large 80mm precision-molded glass aspherical lens effectively minimizes distortion. Offering excellent peripheral brightness, this lens delivers outstanding image quality from the center to the edges.

> Offers full-frame coverage

Sigma 24-70mm F2.8 DG HSM OS Art Lens Features and Benefits:

> Superior optical performance

  • Optimal image quality for ultra-high-megapixel DSLRs: This lens offers top performance from the center to the edges of the image thanks to the optical system minimizing coma, which causes points of light to streak, and transverse chromatic aberration, which cannot be corrected via aperture control. The optical system also minimizes distortion, which can be particularly evident in wide-angle shots, resulting in excellent optical performance throughout the zoom range.
  • Expressive bokeh effect every time: At wide-open aperture, this lens offers outstanding photographic expression. The area in focus is extremely sharp, while the background exhibits a beautiful, creamy bokeh effect with only slight spherical aberration. Since large-diameter zoom lenses are often used at wide-open aperture, Sigma has paid close attention to the shape of the bokeh, aiming for artistic circularity.
  • Aspherical Lens Processing Technology: The Sigma 24-70mm F2.8 DG OS HSM Art incorporates an aspherical lens element that helps achieve extremely high resolution. This element is much thicker at the center than the edges, and forming its unusual shape is a feat of manufacturing technology. Moreover, Sigma processes the surface of this aspherical lens element with ultra-precise tolerances that are measured in hundredths of a micrometer. This extremely fine surface allows the Sigma 24-70mm F2.8 DG OS HSM Art to deliver a very natural and smooth bokeh effect, without the visible concentric rings that afflict typical aspherical lens elements.

> Fast and nimble autofocus photography

  • Designed for advanced utility in a wide variety of situations, the optical stabilizer (OS) offers a powerful stabilization effect. The newly designed large hypersonic motor (HSM) offers 1.3 times the torque of its predecessor for exceptionally stable performance.

Sigma Global Vision Line Features & Benefits:

  • Each lens is eligible for user customizable micro-focus and in-home firmware updates with the optional USB Dock and Sigma Optimization Pro software.
  • Each unit is crafted in Aizu, Japan and individually tested for QC and optical performance with the exclusive A1 MTF device.
  • Sigma’s Exclusive Mount Conversion Service allows lenses to be switched between any released mounts (fee-based).
  • Compatible with Sigma Mount Converter MC-11, allowing use of Sigma lenses in Sigma and Canon mounts with the Sony E-mount camera systems.

*As of February 2017

Articles: Digital Photography Review (dpreview.com)

 
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