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Slideshow: Agora’s #Photojournalism2020 winner and finalists

06 Feb

Slideshow: Agora’s #Photojournalism2020 winner and finalists

Agora, a free-to-use photography app, received 12,321 submissions for its #Photojournalism2020 competition from amateur and professional photographers all over the world. Rene Bernal’s (@renebernal) ‘Young guns,’ a photo depicting a group of Filipino children playing with toy guns they discovered atop a dumpsite, received the most votes and was declared the winner. A $ 1,000 cash prize was awarded to Bernal.

2019 was a pivotal year for political protests, uprisings, and climate change awareness. This inspired the team at Agora to launch its very first photojournalism contest. ‘People who manage to be in the right place at the right time can become potential journalists for all Humanity. Through #Photojournalism2020, we aim to discover the best informative images by people worldwide. Everyone owns a camera, and can create interesting content,’ said Octavi Royo, Agora’s CEO and Co-Founder.

It was difficult to choose 14 other photos to feature in this article as they are all compelling. All Top 50 #Photojournalism photos can be viewed here or in the video, above. Agora currently has 6 contests running on its app where users can win a $ 1,000 cash prize. The title of the photo followed by the Agora username and country of origin is featured here. All captions are the photographer’s own words.

#Photojournalism2020 Winner: ‘Young guns’ by @renebernal (Philippines)

About this photo: Self-taught filipino photographer @renebernal shot this staggering photo in a dumpster in San Dionisio, a district located in the southern part of Metro Manila. His photo collected the most votes on the Agora app and won him a $ 1,000 cash prize.

In Rene’s own words: “Everywhere in the world, children are increasingly exposed to guns, whether real ones or just toys, causing much worry to parents and to the community in general. I was amazed to see these children who were playing in a dumpsite located right in the middle of Paranaque City. They were totally oblivious of the hazards of their recreation. Indeed, a poignant reminder of how these children are able to find ways to enjoy their childhood, even in the most distressing environments.

I feel so lucky and happy to have won this contest as I would like to use this prize money towards my daughters’ education, and will donate part of it to the less fortunate children living in the slums. Discovering Agora gave me a chance to showcase my art and hopefully inspire others. I am very grateful for Agora that enables us to hear other people’s stories through photos.”

#Photojournalism2020 Top 50 Finalist: ‘Revolting Tears’ by @notsotoya (Lebanon)

About this photo: “What’s happening now in Lebanon is necessary to document since our TV stations are biased and do not portray the reality of the people in the streets. This is why I took personal initiative to always be on the streets photo documenting to portray the closest image to reality. Warlords are now controlling the fate of Lebanese citizens.

From 29 years till now the country has been economically deteriorating under the absence of the Lebanese government. The woman in the picture is the embodiment of our economy and her tears shed as she witnessed the revolt that the people took to the streets in hope of a better country,” explains @notsotoya.

#Photojournalism2020 Top 50 Finalist: ‘Hoisting’ by @øystein (Norway)

About this photo: “This is a normal day at work for the Norwegian search and rescue services. Training situation hoisting over the Norwegian mountains. Often the preferred way of access when the helicopter can’t land. This was a nice day, but that’s not the case everyday. I was hoisted down with my kit on a nearby ridge before the rescue swimmer started his training procedure. I had to crawl in deep snow to get the right angle of light for this scene.”

#Photojournalism2020 Top 50 Finalist: ‘Homeless’ by @pranab_basak (India)

About this photo: “A homeless mother was standing on the ruins of her dwelling place and looking for a new destiny. During the remapping of tribal bordering, many buildings were demolished by local administration. Thus, a large number of tribal people became homeless.”

#Photojournalism2020 Top 50 Finalist: ‘Protestas 2017’ by @regulogomez (Venezuela)

About this photo: “During the 2017 protests in Venezuela, I worked as a photojournalist because that was what I could do: documenting the situation so that people would know about it. This photo was taken while a Bolivarian National Police headquarters was burning nearby.”

#Photojournalism2020 Top 50 Finalist: ‘Devotees return home’ by @sakter (Bangladesh)

About this photo: “I took this shot at Dhaka’s airport railway station during Biswa Ijtema, the second largest congregation of (the) Muslim community after Hajj. Every compartment of the train along with engine was overloaded!”

#Photojournalism2020 Top 50 Finalist: ‘Corazón de fuego’ by @donaldobarros (Venezuela)

About this photo: “It was a dangerous scene. Venezuela was in a difficult and aggressive situation. A lot of people died in those protests. Journalists were targeted all the time, not easy. I did that job for my country. I am an artist, but I stopped my art to give my best as a journalist to Venezuela and the world.”

#Photojournalism2020 Top 50 Finalist: ’11S’ by @oscar_penelo (Spain)

About this photo: “This protest march was set against the imprisonment of the pro-independence politicians. It shows a massive march demanding the reconstruction of a country with the Sagrada família in the background, one of the symbols of Barcelona and Catalonia, under construction.”

#Photojournalism2020 Top 50 Finalist: ‘World champions day’ by @pascalpbz (France)

About this photo: “This picture was taken in Dieppe, moments after the football World Cup final of France vs Croatia. It was madness! The crowd invaded the streets all evening and all night. It was a big party that united all the French people. There was no difference to be seen between anyone, it was beautiful to see. Everyone wanted to be photographed, it was amazing.”

#Photojournalism2020 Top 50 Finalist: ‘Fire At Chawkbazar Dhaka’ by @tanveer.rohan (Bangladesh)

About this photo: “More than 70 people have died in this massive fire that occurred in buildings being used to store chemicals, and quickly expanded to nearby buildings in the densely packed historic district of the city. According to the Fire Service control room, 37 units from 31 stations were working all night to control the fire in the buildings. Many people hide in the small shops, but got stuck when fire spread rapidly. This fire incident was one of the most tragic incident in Bangladesh’s history.”

#Photojournalism2020 Top 50 Finalist: ‘Protesta vecinal en contra de los residuos mineros en terrenos cercanos a sus casas’ by @kopernic (Spain)

About this photo: “The people in the photo are environmentalists and families that live nearby the mining heap lands. I wanted to express the pain of these people through a staged photo. The population where they live is surrounded by mining sediments, resulting in high blood lead levels.”

#Photojournalism2020 Top 50 Finalist: ‘The biggest eruption of Mt. Sinabung, December 2013’ by @kriswantoginting (Indonesia)

About this photo: “To this day, the status of Mount Sinabung is still the same: this volcano hasn’t stopped erupting since 2013. By sharing this photo, I would like to convey a message that we humans should have been taking care of nature before it got angry.”

#Photojournalism2020 Top 50 Finalist: ‘Kerbelâ1’ by @bekiryesiltas (Turkey)

About this photo: “During the month of Muharram, elaborate public processions are performed in commemoration of the Battle of Karbala. Thousands of people participate in these commemorations in different provinces and the suffering of the people is as fresh as the first day.”

#Photojournalism2020 Top 50 Finalist: ‘The Graves of 20 Nameless Corpses’ by @barcerumkabu (Indonesia)

About this photo: “This deadly flash flooding that hit Sentani, Papua, killed more than 100 people, with more than 8,000 families who had to evacuate the zone.”

#Photojournalism2020 Top 50 Finalist: ‘Grève générale’ by @mikirabat.photo (France)

About this photo: “Paris, 5th December 2019: the general strike brings the french protesters to the streets. Here’s the activist group ‘Black Block’ advancing through the flames.”

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Agora’s #Urban2020 photo contest winner and finalists

15 Jan

Agora’s #Urban2020 photo contest winner and finalists

Agora, a free-to-use mobile app, hosts weekly competitions with cash prizes based on different themes. They just announced the winner of their #Urban2020 photo contest. 50 of the top entries were judged by Roc Isern, a Barcelona-based architectural photographer. Darren Reichel (@dlr on Agora), from Australia, was selected as the winner for his image of Brisbane’s Inner City Bypass freeway interchange. It was taken with a DJI Mavic 2 Pro at dusk in March 2019.

“I chose @drl’s photo in first place for its futuristic look with his incredible road junction in the foreground and the downtown in the background. The light, colors and contrast are just gorgeous,” said Isern about his selection. Read more about Reichel’s inspiration behind capturing this image, here. He’ll use the $ 1,000 prize to take his wife on a much-needed vacation from the stresses of raising their two-year-old daughter.

Agora is currently running photography contests based on the themes of Love, Celebration, Winter, Change the World, and Friends. It is available for iOS and Android. The title of the photo followed by the Agora username of the photographer and their home country. Captions are the photographers own words about their inspiration behind the image.

#Urban2020 Winner: ‘Myriad’ by @dlr (Australia)

About this photo: With his photo, @dlr shows how Australia’s third-largest city is adopting a very futuristic and forward-looking feel: “My wife, daughter and I were driving through this area late one evening, and we both commented on how complex this freeway interchange seemed. I thought to myself that this would look particularly amazing from the air, so I decided to go back the following weekend with my DJI Mavic 2 Pro drone, to capture the scene from above.

This freeway interchange runs over the top of a local waterway known as Breakfast Creek, which is renowned for its mosquito population. Needless to say, I came home covered head to toe in mosquito bites. My body was itchy for a week! I was super impressed with how well this image turned out though, so I think that the pain of the mosquito bites was more than worth it. I’m hoping that Brisbane residents see this photo and feel a sense of pride, and realise just how quickly this amazing city and its urban infrastructure is growing.”

#Urban2020 Top 50 Finalist: ’Untitled’ by @banudiker (Turkey)

About this photo: @banudiker snapped this picture while sailing on the Nile River, Egypt: “We were sailing away from Cairo’s noisy neighbourhoods. There is a lot of monotonous, colorless tall buildings along the Nile River in downtown. When I saw this building that is totally different from the others, I started to imagine the life of people living there.”

#Urban2020 Top 50 Finalist: ‘Organised Chaos’ by @leemumford8 (UK)

About this photo: British photographer @leemumford8 snapped the incredible architecture of Hong Kong view from above: “Sometimes you don’t get the same sense of scale until you look at something from above. As the day turns too dark, I captured the hustle and bustle of the city streets.

As the street lights turned on, the roads lit up in this bright yellow-orange which I like to call the city’s veins. As the light was fading, a longer shutter was needed as I wanted to keep the ISO fairly low to help reduce noise. As this was an aerial shot, it was a fine balance before camera shake was an issue. The visibility on this particular was so clear, conditions I’ve been unable to replicate since.”

#Urban2020 Top 50 Finalist: ’Mind The Gap’ by @_kennyc_ (UK)

About this photo: @_kennyc_ entered the competition with an iconic shot from the London Tube: “Heading out later at night in London was something I loved to do – it’s a stark difference to the hustle and bustle of the day, giving photographers with completely different scenes to work with. The underground in particular, is eerily peaceful compared to the mayhem of rush hour.

At the time I had recently been inspired by a number of street/urban photographers who had captured some stunning scenes from various subways around the world – so one evening I picked up my camera and ventured below ground. This particular shot is an idea I’d had in my head ever since I watched the fantastic short film ‘Mind The Gap’ directed by Luke Flanagan.

This iconic message/recording is played out throughout the Underground network and heard by millions of Londoners every day. It’s a message instantly recognisable to anyone that has lived in this incredible city, and something I wanted to capture in a picture. I knew the message wasn’t just played out through speakers, but painted in bright yellow paint on the floor of many tube stations. I thought getting a close-up shot of this while capturing the speed of a moving train would make for a pretty cool shot – I wasn’t wrong! While the Tube is iconic to many people around the world, ‘MIND THE GAP’ is iconic to Londoners.”

#Urban2020 Top 50 Finalist: ‘Trapped’ by @laboussole.seon (France)

About this photo: French expat @laboussole.seon took this photo of the legendary Yick Fat building in October 2017: “Hong Kong is the most exciting and most contrasted urban environment I know. With this photo, I wanted to transmit the feeling to be trapped in a city, in the middle of tall buildings with a high density of apartments, and the sky seems so far away. I took the photo at sunset so that the colours of the sky are an invitation to peace and warmth, to contrast with the main subject.

It is challenging to take a photo in this place, as it is a famous spot, mostly for Instagramers. I went a couple of hours before sunset secure a good spot. Shortly after this shooting session, the management of the building has added a sign forbidding photo taking as it became too disturbing for the people actually living in the building. unfortunately for them, it doesn’t seem to have stopped tourists.”

#Urban2020 Top 50 Finalist: ’Untitled’ by @anhtrungqng (Vietnam)

About this photo: Every day, thousands of motorcycles and cars crowd the streets of Ho Chi Minh City also known as Saigon, the largest city in Vietnam where @anhtrungqng snapped this shot during the evening rush hour.

#Urban2020 Top 50 Finalist: ‘Eyeshape’ by @marcelvanbalken (Netherlands)

About this photo: Dutch photographer @marcelvanbalken said: “It was very bad weather, a lot of rain. So I had to take this picture with my camera in one hand and an umbrella in the other. The urban space in a play of light and shadow form shows an almost surrealistic decor. Pure black-and-white, in which the photography of architecture begins to take on abstract forms, reinforced by the apparently disproportionate addition of the man. If I win, I want to purchase a drone to be able to photograph urban spaces from a height.”

#Urban2020 Top 50 Finalist: ‘Ship city’ by @azimronnie (Bangladesh)

About this photo: @azimronnie (no longer on the app) shares some facts about this picture taken in his hometown, Dhaka: “The 500 enormous vessels used to transport bricks, sand and other goods, are either being built or are docked for maintenance work in Dhaka, Bangladesh. Shipbuilders in Bangladesh began exporting their ships to other countries in 2009, and it has since become a growing trade in the area.”

#Urban2020 Top 50 Finalist: ‘Saigon-Vietnam’ by @nguyenvuphuoc (Vietnam)

About this photo: @nguyenvuphuoc spotted these two female workers on Saigon’s under-construction new metro line: “When they saw me taking pictures, they asked me: Why? We are not beautiful, you should go and photograph beautiful girls instead.”

#Urban2020 Top 50 Finalist: ‘Nightscape in Rome’ by @henrydo (USA)

About this photo: The majesty of Rome’s iconic symbol was perfectly captured by @henrydo: “Rome has been completely urbanized but they still kept many historic sites to preserve the history. I think it fits quite well with the hashtag. This shot was a composite of 2 separate images taken at different times in the same location. Many people thought a drone is capable of capturing the lit-up night sky but the technology isn’t that advance, yet. If I. win, I will donate part of my prize to a charity to fight plastic pollution in the ocean and save the marine wildlife.”

#Urban2020 Top 50 Finalist: ‘Radioactive ??‘ by @notanothermica (Belgium)

About this photo: @notanothermica snapped this impressive shot while exploring the urban area of Charleroi, Belgium: “This is one of the most famous spots in Belgium for urban exploration. The door to enter this power plant is sometimes closed, which makes it not easy to get in. On that day, I was lucky because the door was open and there was some good light, which caused the cool glow on the metal of the powerplant. I wanted to place a person inside the power plant to had a reason for the viewer to relate to the photo.”

#Urban2020 Top 50 Finalist: ‘/–\’ by @wunderbilder (Germany)

About this photo: @wunderbilder captured this photo on a trip to Rome: “During our visit, we stayed in a flat in this building and I found the staircase geometrically very interesting. There was no elevator in the building.”

#Urban2020 Top 50 Finalist: ‘Sinking in the fog’ by @borsch (Russia)

About this photo: Russian photographer @borsch entered the competition with a foggy aerial view of his hometown, Moscow.

#Urban2020 Top 50 Finalist: @paulaaranoa (Argentina)

About this photo: Argentine photographer @paulaaranoa loved to explore the mysterious streets of Barcelona’s gothic neighbourhood: “The story behind the photo shows a character who is walking through a dark path, however the light is wrapping itself around him. On this day, the light was perfect. I watched how the people walking by were wrapped by the light, I spent at least an hour in the same place until the light changed… it was a unique spectacle and I consider myself privileged to have witnessed it.”

#Urban2020 Top 50 Finalist: ‘Can’t stop won’t stop’ by @theliamman (UK)

About this photo: @theliamman shot this photo nearby the telephone box outside St Paul’s Cathedral, London: “I wanted to transmit a sense of adventure. Cities come alive at night and I wanted to capture that bustling energy as the day turns to night. The top of this phone box was filthy, if you want to do the same photo I recommend wearing clothes that you don’t wear often.”

Articles: Digital Photography Review (dpreview.com)

 
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