RSS
 

Posts Tagged ‘After’

The Canon 5D Mark V to Be Produced After All (in 2020)

23 Oct

The post The Canon 5D Mark V to Be Produced After All (in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

The Canon 5D Mark V to Be Produced After All (in 2020)Professional DSLRs aren’t dead yet.

As was reported last week, Canon has plans to keep at least one of its DSLR lineups alive:

A photographer’s favorite, the Canon 5D line.

Rumors indicate that the Canon 5D Mark V will likely be announced sometime in 2020, probably at the end of the year.

The Canon 5D Mark IV is a popular choice among professional photographers; it’s particularly praised for its high-ISO capabilities, which blow most other cameras out of the water. But the Canon 5D Mark IV isn’t just a great option for low light shooters. It’s an all-around excellent piece of kit, offering good continuous shooting speeds (7 fps), impressive autofocus capabilities (including Canon’s Dual Pixel autofocusing), a rugged body, and dual card slots.

We can hopefully expect the Canon 5D Mark V to be more of the same, just with some key upgrades. Canon will undoubtedly retain the dual card slots and the rugged camera, though we’ll undoubtedly see expanded high-ISO capabilities and (probably) improved autofocus, not to mention resolution. If we’re lucky, we’ll get increased continuous shooting speeds, though 7 fps is very respectable, especially for a 30+ megapixel camera.

Given the overwhelming interest in mirrorless cameras, we can also expect some cross-pollination between mirrorless and DSLR lineups. While the Canon 1D X Mark III will likely be the first Canon DSLR to feature in-body image stabilization, the Canon 5D Mark V may be the second.

Note that the Canon EOS R II is also rumored to come out around the same time as the Canon 5D Mark V, and will probably have many of the same features. Hopefully, this will include dual card slots, a feature that was sorely missed by professional photographers who considered the Canon EOS R, as well as in-body image stabilization.

So I’d like to ask you:

Which camera would you be more interested in – the Canon 5D Mark V or the Canon EOS R II? And Canon 5D Mark IV users, might you consider switching to mirrorless?

Share your thoughts in the comments!

The post The Canon 5D Mark V to Be Produced After All (in 2020) appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


Digital Photography School

 
Comments Off on The Canon 5D Mark V to Be Produced After All (in 2020)

Posted in Photography

 

Photographer finds fully-functional Fujifilm lens 4 months after losing it in the desert

20 Oct

Modern camera lenses are durable, but a little anecdote from Steve Boykin, writing for 35mmc, shows just how far weather-sealing has come in the past few years.

Four months ago, in June of this year, Boykin managed to lose his Fujifilm XF 23mm F2 R WR lens while on a hike in the wilderness. This week, he managed to stumble across the lens while out on another trek and after a bit of cleaning up, he says the lens is in seemingly perfect condition, even after withstanding the summer heat, countless thunderstorms and freezing temperatures.

The location where Boykin found the lens

Boykin says he was walking along a path he’s walked ’30 or 40 times over the last few months’ when he looked down and noticed the lens ‘sitting on the ground a few inches from my foot.’ Naturally, Boykin assumed the lens wouldn’t work, due to the harsh conditions it incurred, but after getting home and removing the front B+W filter and rear lens cap, Boykin mounted the lens to his Fujifilm X-Pro1 and ‘it came to life like nothing had happened.’

Despite there being some ‘slight discoloration’ on one side of the lens barrel (likely the side that was laying in the dirt) Boykin says the autofocus works ‘like nothing ever happened’ and both the aperture and focus rings rotate smoothly. Boykin credits much of the survival to the fact the front filter and rear lens cap were still attached, but even then it’s an impressive feat for the lens to survive a third of a year in the desert with essentially zero protection.

To read the full story, which includes a pair of photos captured with the lost lens, head on over to 35mmc (and check out their other coverage on all things film photography related).


Image credits: Photos by Steve Boykin, used with kind permission from 35mmc

Update (October 16, 2019): Updated the first sentence of the article as to better explain the current state of lens weather-sealing.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Photographer finds fully-functional Fujifilm lens 4 months after losing it in the desert

Posted in Uncategorized

 

Fujifilm issues advisory after discovering counterfeit 35mm rolls of Fujifilm-branded film

26 Jun

Fujifilm Japan has issued an advisory (Japanese) warning customers that counterfeit 35mm film featuring the ‘Fujifilm’ brand has been found on the market. The fraudulent products were discovered when a customer took the counterfeit film to a photo developer in Japan, according to a statement from the company.

Fujifilm warns the counterfeit 35mm film products are packed with ‘movie film’ that can’t be developed using CN-16 and C-41 processes; attempting to develop these products may contaminate the developer, putting other customers’ film at risk. Shops that attempt to develop this counterfeit film are advised to change the developer solution and clean the machine.

It’s unclear how widely the counterfeit film products have been distributed. Fujifilm provides three sample images featuring the non-genuine ‘Fujifilm’ film. In addition to the 250D roll featured in the advisory, Fujifilm says there may be other counterfeit products including 250T and 64D.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Fujifilm issues advisory after discovering counterfeit 35mm rolls of Fujifilm-branded film

Posted in Uncategorized

 

LIT wireless xenon flash Kickstarter campaign cancelled after project reevaluation

31 May

The Kickstarter funding campaign for the LIT wireless xenon flash has been canceled. The team behind the device detailed their decision to end the funding in a post published on the Kickstarter update page, where they state, ‘After doing some additional calculations during the campaign, we realized we won’t be able to make it a reality with just our initially set funding goal and newly uncovered product ambitions.’

As DPReview reported last month, the LIT wireless xenon 40W flash was intended for use with a smartphone, and would have—if everything had gone according to plan—included a built-in rechargeable battery capable of powering 200 full-power flashes. The device was also expected to feature HSS and support for smartphone shutter speeds as fast as 1/10,000s.

Though the Kickstarter campaign exceeded the $ 40,000 funding goal, the LIT team explains in the update post, ‘Based on the current funding rate, we might be able to push the product development and production through, but it would take considerably more funds to make it in a way that would meet our high standards.’

The LIT xenon flash Kickstarter project was canceled at just over $ 65,000 in pledged funding from 367 backers. The LIT team said in its post:

We don’t compromise and that’s why we’ve decided to cancel our campaign and maybe revisit Kickstarter at some later time with a new campaign. It feels so wrong doing the right thing.

Saying goodbye is the hardest solution to any problem. But sometimes it’s the only choice we have. It’s not forever, is not the end. It simply means we’ll miss you until we meet again.

We still believe that the future of image making is in your pocket. It is in our nature to work hard. To listen. To think. To question everything. To fail, stand up and change.

LIT will not collect the Kickstarter funds.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on LIT wireless xenon flash Kickstarter campaign cancelled after project reevaluation

Posted in Uncategorized

 

Ariana Grande sued for $50K after she allegedly shared his photos without permission

17 May

The latest in a line of celebrities caught using pictures without permission, singer Ariana Grande is being sued over images she allegedly posted on Instagram without permission.

Two pictures she posted to promote her album ‘Sweetener’ at the end of last year were liked over three million times, and photographer Robert Barbera is claiming $ 25,000 for each of them in damages because Grande allegedly didn’t have the rights to use them. Below is an Instagram post from Barbera with one of the images Grande allegedly posted without permission.

View this post on Instagram

Sweetener is out!

A post shared by PapCulture (@papculture) on

New York-based Barbera describes himself as a celebrity photographer, supplies paparazzi images to agencies such as Corbis and Splash News and goes under the name ‘Papculture’ on Instagram. He has an extensive collection of street-shot pictures of music, fashion and film stars on his page and has over 37,000 followers of his own.

The pictures Grande allegedly used without permission feature her holding a bag with ‘Sweetener’ written upside down on it, and she posted them on the day her album was released. She has since taken the pictures down but not before many of her 154 million followers had viewed and liked them.

According to the London Evening Standard, other recently sued by photographers for using pictures without permission include Jennifer Lopez, Gigi Hadid, 50 Cent, Jessica Simpson, and Khloe Kardashian.


Photo credits: Image by Melissa Rose, used under CC BY 2.0

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Ariana Grande sued for $50K after she allegedly shared his photos without permission

Posted in Uncategorized

 

RIP: Apple Aperture will no longer work after macOS Mojave

01 May

Apple ceased support for its professional photo organization and editing application Aperture back in June 2014 and removed it from the Mac App Store in April 2015. Despite the lack of updates, the app still exists and continues to operate as it did at the time development ceased, but it appears that won’t be the case for much longer.

MacRumors has discovered, hidden away on a new Apple support page, that Aperture will no longer operate on macOS after Apple’s latest operating system, macOS 10.4 Mojave.

The support page shares how users can move their Aperture libraries to Apple’s Photo app, which Apple pitched as a replacement back in 2015, as well as Adobe Lightroom Classic. For those still clinging on to Aperture, it’ll either be a matter of not updating past macOS 10.4 Mojave or getting everything transitioned over to another app by September 2019, when Apple is expected to release the next version of macOS.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on RIP: Apple Aperture will no longer work after macOS Mojave

Posted in Uncategorized

 

The word ‘Leica’ is now banned on Chinese social media after controversial ‘Tank Man’ video

20 Apr

Leica is facing backlash in China following the publication of a video called ‘The Hunt’ set in 1989 during, among other things, the Tiananmen Square pro-democracy protests. In response to the video, Chinese social media website Weibo has banned the use of the word ‘Leica’ — attempts to search for content in English and Chinese using that keyword returns zero results.

‘The Hunt’ is a fictionalized video that primarily follows a Western photojournalist who attempts to capture the Tiananmen Square protests using a Leica camera1. Though the video never explicitly mentions the protests, it features the text ‘Beijing, 1989,’ and concludes with the iconic ‘Tank Man’ image as a reflection in a Leica camera’s lens.

The video went viral on social media in China, where a number of users have lambasted the dramatic reenactment. Soon after, Weibo banned posts containing the word ‘Leica’ due to the video’s ‘violation of relevant laws and regulations or the Weibo Community Convention,’ according to the South China Morning Post (SCMP).

SCMP claims Leica didn’t commission and does not sanction the video, which was reportedly produced by Brazillian marketing company F/Nazca Saatchi Saatchi. The news source published a statement from Leica, which expressed regret over ‘any misunderstandings or false conclusions that may have been drawn’ regarding the video.

The controversy hits Leica amid its partnership with Chinese company Huawei and its plan to launch 20 to 30 new stores in China. Likewise, the video arrives during a particularly tense time for the Chinese government — June 4 is the 30th anniversary of the government’s deadly suppression of the pro-democracy protests.

For its part, Leica has been criticized for distancing itself from the video, which has been praised by some as a poignant reminder of the pro-democracy movement and the Chinese government’s bloody response. The Communist Party of China censors the Tiananmen Square Massacre and related protests and as such is not expected to make a public statement on the video.

The video has also drawn criticism across social media for its ‘stereotypical, aggrandizing depiction of the white saviour vs the dangerous, dark, unintellegible “other,”‘ as seen in the above tweet from photographer and filmmaker David Jazay.


1It’s worth noting the iconic ‘Tank Man’ image was captured on a Nikon FE2 camera through a Nikkor 400mm 5.6 ED-IF lens and TC-301 teleconverter with a roll of Fuji 100 ASA color negative film, not any Leica camera.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on The word ‘Leica’ is now banned on Chinese social media after controversial ‘Tank Man’ video

Posted in Uncategorized

 

World Press Photo disinvited photographer after reports of ‘inappropriate behavior’

19 Apr

For the first time in its history, the World Press Photo Foundation disinvited a photographer from its awards ceremony. The organization announced its decision to withdraw photojournalist Andrew Quilty’s invitation following allegations of ‘inappropriate behavior,’ according to the Columbia Journalism Review (CJR).

According to CJR, World Press Photo Foundation managing director Lars Boering confirmed Quilty was disinvited from the awards ceremony held in Amsterdam earlier this month after the foundation received ‘reports of inappropriate behavior’ made against the photographer. Details about the allegations haven’t been made public, however.

Boering shared a statement with CJR, which states, in part:

Our protocol is that when we learn from reliable sources that someone associated with us has allegedly engaged in inappropriate behavior we take action. Because of our protocol, we called him on 2 April to say he was not welcome at our Awards Show and Festival. We cancelled his invitation to the Awards Show, the Festival, and his flight and accommodation.

Quilty still received his award, with Boering explaining that the foundation’s current rules did not provide a basis for revoking the award. However, World Press Photo plans to review its rules ahead of the 2020 contest, Boering said.

In response to the foundation’s decision, Quilty said in a statement provided to CJR via his lawyer:

No allegations of inappropriate behavior have been made known to me. As a supporter of my female colleagues and the #MeToo movement, I would frankly and openly address any concerns about my conduct, if raised.

Quilty is known for his work in Afghanistan; his images have appeared in a number of notable publications, including The New York Times, The Washington Post, Time, and National Geographic. Quilty was previously awarded a George Polk Award, six Walkley Awards, a Sony World Photography award, and more, according to his website.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on World Press Photo disinvited photographer after reports of ‘inappropriate behavior’

Posted in Uncategorized

 

Before and After: Students Becoming Better Photographers After 31 Days Course

18 Apr

The post Before and After: Students Becoming Better Photographers After 31 Days Course appeared first on Digital Photography School. It was authored by Darren Rowse.

Remember when you first started taking photos? Feelings of excitement and hope being replaced by disappointment and confusion when you couldn’t figure out why you and your camera didn’t seem to be seeing the same thing? Or maybe that’s you right now?

We just had to share these ‘before and after’ photos taken by students of our course, 31 Days to Becoming a Better Photographer, just to remind you of where we all start, and what is possible. If you’re a seasoned photographer, please jump in the comments and give these photographers the encouragement they deserve to continue their photography journey.

If you’re a beginner, take some inspiration by what is possible with the right support and guidance. We’re very proud of all of our students and thank the few below who have allowed us to share their progress with you.

Current course intake coming to a close soon

We open the doors to our most popular course just a few times a year so that instructor Jim Hamel can focus on his students and guide them through the course. He is the most attentive mentor we’ve seen, and our students love him. Doors close for the current class midnight (PDT) on the 18th of April so be quick and check out the details here.

Our students’ before and after photos

A big shoutout to our students below for letting us share these photos of their progress, and to all of our students who have taken up this course. We’re very proud of how far you’ve come!

Rebecca Garnett

Rebecca says, “I enjoy taking photos at the beach and was not happy with the way my photos were turning out.” The before photo was taken in 2017 at Pismo Beach when she had taken the camera off auto and used aperture and shutter speed priority.

Rebecca Garnett Beach Before the 31 Days Photography Course

Rebecca Garnett’s beach photo before taking 31 Days to Becoming a Better Photographer Course

 

Rebecca Garnett Beach Photo After the 31 Days Photography course

Rebecca Garnett’s beach photo after taking the 31 Days to Becoming a Better Photographer Course.

The after photo was taken in December 2018 at the same place but shot in Manual Mode.

“I never thought I would ever use manual mode as it was too confusing, until Jim’s course. The course was awesome! It helped me get to know more about my camera and improved the way I take photos and editing. The class was enjoyable, and it was great interacting with the other classmates on Facebook. Well worth it!!”

~ Rebecca Garnett

George Conant

George shares, “Before taking this course, I appreciated really good photos from others but found most of mine weren’t that good. This course improved my photography a lot.”

George Conant's landscape photo before taking Jim's course

George Conant’s landscape photo before taking Jim’s course

“This photo was taken (I think) in auto mode. Although the clouds look good there is no major point of focus, nor rule of thirds. I had no thought at the time of working on focus. The result is that the distance is not in focus, and the in-focus foreground is not very interesting,” says George.

George'a landscape after taking the 31 Days to Becoming a Better Photographer course.

George’a landscape after taking the 31 Days to Becoming a Better Photographer course.

In addition to the huge improvement in his photo, George’s commentary on his ‘after’ photo clearly demonstrates what he has learned from the course.

“This photo was better than the last for several reasons.

  1. There is a leading line with the road.
  2. The sun is at an angle coming from the left.
  3. There is interesting color contrast, particularly with the red in the bushes to the side of the road.
  4. While the foreground is not in great focus, much of the photo is from a point part way down the road, extending to the mountain.
  5. The composition is more interesting with the bushes forming a bit of a V with the mountain in the distance.”

“Jim is an excellent teacher. He provides both really good videos and documents that include what he discussed in the videos as well as providing homework for each day. He motivated us class members to post our ongoing work in a Facebook group for our class, where he and other class members provided praise as well as constructive criticism. He was very good at answering posted questions. Finally, even though the course I took finished in early 2018, Jim still participates in our group. I don’t know of any other course this good for people like me.”

Lorayne Hudson

“Prior to this course I took few photographs and when I did, the camera was always on Auto. My main issues were with my landscapes never looking like they’re in focus, and not being able to get close to flowers,” says Lorayne.

Check out her before and after photos which illustrate her continued improvement.

Lorayne Hudson's 'before' photo at the river

Lorayne Hudson’s ‘before’ photo was taken in 2010 at Fingle’s Glen, Dartmoor with no post-processing as she didn’t know it was possible.

 

Lorayne's 'after' photo at the river

Lorayne’s ‘after’ photo was taken this year one early morning whilst out for a walk. The sun was just coming up and there was a light mist on the ground.

 

Lorayne Hudson's photo of a flower before 31 Days course

Lorayne Hudson’s photo of a flower before taking the course

“This is a standard photo of a flower that I have very many of… it’s flat with no light. Taken in Auto, I had no idea about depth of field, but was quite impressed with the blur but didn’t think much further. I now strive for similar effects knowing how it’s done,” explains Lorayne.

Lorayne Hudson's flower photo after taking the 31 Days Course

Now Lorayne’s flower photos look like this, with minor adjustments to the highlights, shadows and clarity in Lightroom.

Lorayne shares what she has learned from the course:

  1. To use my camera with confidence and not be afraid of it or the subject.
  2. The right light can make such a difference to the subject.
  3. Rules are made to be broken.
  4. Don’t just stand, move around, up and down, change your perspective.
  5. Using post-processing tools is not cheating – they are your friend.
  6. Having a good group of like-minded people to share your photographic achievements – and woes with – makes photography more enjoyable.

Bob Truran

An example of Bob Truran's beach photos before the course

An example of Bob Truran’s beach photos before the course

 

Bob Truran's beach photos after the course

Bob Truran’s beach photos after the course

Bob is pleased with the many compliments he has received for his ‘after’ photo.

“I have seen a marked improvement in my photography and have even received many new followers on Instagram as well as added comments from my friends on Facebook. This course is great for beginners as well as those that may require a brush-up.”

Marie Costanza

Marie gets the unofficial dPS prize for best ‘duck transformation’!

Marie Costanza Duck Before

Marie Constanza’s ‘before’ photo of a duck

 

Marie Constanza's after photo of a duck

Marie’s photo of a duck after taking 31 Days to Becoming a Better Photographer Course

“When I began the course, I was a novice photographer who used Auto mode for all my images. I occasionally tried Aperture Priority, but I was totally intimidated by Manual. A year later, thanks to this course, I completely use and understand how to use Manual, but more importantly, I understand several techniques for composing an effective image.

Thanks to Jim’s excellent teaching style, and the effective resources that he provides, I now feel like a competent photographer. I have actually won several competitions, was asked to display an image in a local photography gallery and have been asked to show 8 images in an upcoming gallery show. A year ago, I never would have believed that I could do all of this. The pace of Jim’s course, his calm teaching style, the practice assignments, and the regular feedback provided by Jim make this the most effective photography course I have ever taken.”

~ Marie Costanza

Rick Willingham

Meet the once overwhelmed Rick – “How in the heck am I supposed to figure out how to use this thing?” His first ‘selfie’ image was taken in 2012 from his then brand new Canon T3i.

Rick Willingham's 'before' selfie

Rick Willingham’s Selfie on his new camera, before taking the course.

Rick Willingham's 'after' selfie

Rick’s ‘selfie’ after taking the 31 Days to Becoming a Better Photographer course – ISO 100 or 100 proof?

The latter was shot almost one year after purchasing the 31-days course, with a Canon T3i and a nifty-fifty EF 50mm f/1.8 lens.
Rick's before shot of the ocean in 2012

Rick’s before shot of the ocean in 2012

Rick Willingham Beach photo after the 31 Days Course

Rick’s ‘after’ beach photo shot shot with a recently purchased refurbished Canon 6D and 24-105 f/4L II lens.

So, what does Rick see as changes or improvements to his photography?
  1. Shooting earlier/later in the day
  2. Using post-processing to get the visual “mood” I want
  3. Getting lower to get the shot
  4. Using lighting to my advantage
  5. Composing shots more carefully than before
  6. Controlling the depth of field to match the composition
  7. Conscientiously selecting the shooting position and focal length to match the desired composition

Shaun Bentley

Shaun Bentley's river photo before he took the 31 Days course

Shaun Bentley’s river photo before he took the course

 

Shaun Bentley's 'after' shot of the river

Shaun Bentley went back to the river to take this shot using what he had learned from the course

The first photo was taken back in 2017 as a standard jpg. Shaun returned earlier this year and got a similar shot but this time applied the camera and post techniques he learned from Jim Hamel.

Of the course he says, “Simple yet comprehensive instructional videos combined with sharing and learning groups made the course easy and enjoyable. I now have the knowledge and confidence to take my photography further.”

Kay Koufalakis

Kay says, “Apart from post processing, the biggest improvement I have made is looking at things from a different perspective and planning – when to go to get the best shots, for example. I still have a way to go, but I can see progress and it is getting easier.”

Kay Koufalakis' waterfall before the course

Kay Koufalakis’ waterfall before the course

Whilst she captured the water the way she wanted in this photo, she really wanted sky too and left side of the waterfall is overblown.

“I’ve learned that this is a difficult shot to get in one and now know how to take it bracketed,” says Kay. The following ‘after’ shot of a waterfall demonstrates her understanding of taking a different perspective. “Same waterfall, different perspective. I climbed higher which negated the overblown and shadows problem,” explains Kay.

Kay Koufalakis waterfall photo after the course

Same waterfall, different perspective!

Can you become a better photographer in 31 days?

Well, these students have proven that, yes, you can make some amazing progress in a short time. But the teaching (and learning) doesn’t just stop after 31 days! Access to the class Facebook group is for 3 months and many of our students then transfer to our Graduates group. Here they continue to learn and support each other with challenges and constructive feedback, and the instructor Jim Hamel still pops in to see how they’re all doing.

If you’d like to be in our next graduate group with your own before and after photos to share, sign up today before you miss the cutoff!

The post Before and After: Students Becoming Better Photographers After 31 Days Course appeared first on Digital Photography School. It was authored by Darren Rowse.


Digital Photography School

 
Comments Off on Before and After: Students Becoming Better Photographers After 31 Days Course

Posted in Photography

 

Adobe After Effects gets Content-Aware Fill, more in latest Creative Cloud updates

04 Apr

With the annual NAB media show coming up, Adobe has rolled out its spring update for the Creative Cloud video and audio apps, including Premiere Pro, After Effects, Audition, and Character Animator.

After Effects now comes with a new Content-Aware Fill function for video which works pretty much in the same away as the still image version in Photoshop. Users can select an object in the footage that they want removed and Content-Aware Fill does the job automatically, filling in the background.

Premiere Pro now features a new Freeform Project panel that lets you organize clips into select shots, making it easier to build and visualize project ideas. In addition text and graphics alignment is made easier through rulers and guides as well as guide templates that can be shared between After Effects and Premiere Pro. Adobe has also managed to speed up mark tracking. The company says this will make color and effects workflows more efficient. H.264 and HEVC encoding has been optimized for smoother playback in Premiere Pro and After Effects.

In After Effects users have now a an Expressions Editor at their disposal. It was designed with advanced users in mind, for examining code visually and comes with features such as syntax highlighting, line numbers, matching brace highlighting, and code folding.

In Character Animator puppet rigging has been improved to give more personality to characters and new Twitch live-streaming triggers allow for enhanced livestream performances, allowing viewers to engage with characters using real-time costume changes, dance moves, gestures, and poses.

As usual, there are also a range of general bug fixes and performance improvements. All improvements and new features are described in more detail on the Adobe blog. The updates are available now.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Adobe After Effects gets Content-Aware Fill, more in latest Creative Cloud updates

Posted in Uncategorized