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Posts Tagged ‘50mm’

Fujifilm XF 50mm F2 R WR sample gallery

08 Sep

Compact, robust and comparatively affordable: the Fujifilm XF 50mm F2 WR is an appealing mid-telephoto prime for X-series shooters. It’s a 76mm equivalent on Fujifilm’s APS-C bodies, and is also weather-sealed – making it a good companion for the X-T2. See how the pair performed on a classic summer lake excursion.

See our Fujifilm XF 50mm F2 R WR
sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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7Artisans teases 50mm F1.0 lens, in case the 50mm F1.1 isn’t quite fast enough

18 Jul
Look closely on the 7Artisans website, and you’ll see an as-yet unannounced 50mm F1.0 lens front and center.

Chinese lens manufacturer 7Artisans made some waves two weeks ago when they quietly revealed four affordable and fast lenses for various mirrorless mounts. Those lenses are available on Amazon and eBay, but one lens is being shown off on the 7Artisans website that doesn’t appear anywhere else online: a super-fast 50mm F1.0.

Unfortunately, all we have is this photograph. The lens looks a lot like the company’s 50mm F1.1, but you can see that lens next to the F1.0 in the lineup, so it’s not some CGI typo. The lens diameter is even different—55mm vs 52mm for the F1.1.

No, this is its own lens, we just don’t know what mount it will be made for or, just as importantly, why the heck a company would choose to make both a 50mm F1.1 and 50mm F1.0—seems a bit silly. Here’s a close look at the lens:

Admittedly, the 50mm F1.1 lens announced a few weeks back is only available in Leica M mount. People would no doubt be thrilled by an equally affordable ($ 370 USD) lens available for the Sony E, Fuji X, or MFT mounts.

As soon as this lens becomes official or pops up on Amazon alongside the other 7Artisan lenses, we’ll let you know.

Articles: Digital Photography Review (dpreview.com)

 
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SainSonic launches 50mm F1.1 lens for APS-C cameras

10 Jul

Chinese manufacturer SainSonic, which also makes an 8mm F3.0 fisheye prime lens as well as various floating music orbs and tabletop tube headphone amplifiers, has announced a new manual focus lens for APS-C cameras. It’s called the Kamlan 50mm F1.1 (!) lens and it’s currently offered in Sony E-Mount and Canon EOS M mounts, with a Fujifilm mount version coming soon.

The lens has a claimed 11 circular aperture blades (claimed, because if you were to count the blades in the above mockup, you’d wind up with 9), and a fairly pedestrian five elements in five groups, though there’s talk of high quality element coatings.

You can snag a Kamlan 50mm F1.1 today for the very reasonable price of $ 169.99 USD.

For more images and details regarding the lens, head on over to SainSonic. For some samples from the lens and comparative tests, check out Christopher Frost’s video review on YouTube:

Articles: Digital Photography Review (dpreview.com)

 
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A prototype of the Leica Noctilux-M 50mm Edition 0.95 can be yours for $25K

26 May

As if $ 13,950 wasn’t enough to pay for a special edition lens, the Leica Store in San Francisco is offering a prototype of the Noctilux-M f/0.95 ASPH ‘Edition 0.95’ for $ 24,995. The Edition 0.95 is already a limited run version of the ‘standard’ $ 11,000 version of the lens, that comes finished in Leica’s new anodized high-gloss black instead of black paint.

There are only 95 of the ‘Edition 0.95’ lenses worldwide, which have unpainted engravings, but it isn’t clear how many Prototype B models exist. Needless to say, we’d hope there are fewer than 95.

The store’s website says that this specific model has the words ‘Prototype B’ in white paint on its underside, and that it will come with a matte black lens cap instead of the usual glossy one. Despite the store only having one example of this lens, thrill seekers can still add ten or more to their virtual shopping basket.

For more information see the San Francisco Leica Store website.


Store information

Leica Noctilux-M 50mm f0.95 ASPH. “Edition 0.95” Prototype B

The Noctilux 0.95 Edition is one of the most unique noctilux lenses ever to roll off Leica’s production lines in Wetzlar. Built to resolve past the capabilities that are known in any other fast primes or even the faculties of human vision, the Noctilux is a legendary benchmark of photographic optical engineering. This special “0.95 Edition” is limited, respectively, to 95 units world wide and stands visual representation of the elegantly unique images the Noctilux creates. Featuring the same optical design as the regular Noctilux 50mm 0.95 ASPH this special edition has an added bit of elegance. The exterior of the “0.95 Edition” features Leica’s newly developed high-gloss anodized aluminum surface. The markings on the lens are left unpainted except one, the 0.95 f-stop mark.

This lens will be available in extremely limited quantities worldwide, and Leica Store SF/Camera West Boutiques will have very limited stock. If you have any questions concerning the availability of this lens please feel free to contact us directly at sales@leicastoresf.com or call 415.801.5066.

This specific lens is a prototype of this already rare blend of Leica and S.T. Dupont craftsmanship. This could very well be one of the most collectible 0.95 Noctilux’s on the market today. The Prototype reads “prototyp B” the the back side of the barrel, and features a matte black cap instead of the glossy cap that comes with other 0.95 edition lenses.

Articles: Digital Photography Review (dpreview.com)

 
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Comparing a 50mm Versus 85mm Lens for Photographing People

12 May

As a writer for Digital Photography School, one of the most frequently asked questions I receive from beginner and intermediate photographers is, “If I have to choose just ONE lens to buy right now, which one should I choose?” We’ve previously discussed the differences between a 24mm lens and a 50mm lens for photographing people, and in that same vein, it’s time for another lens showdown!

lens photographing people

In this article, we’ll be discussing the differences between an 85mm and a 50mm lens for photographing people. Once again, I’ll walk you through several sets of similar images taken with each lens so that you can easily see the differences between the two. Hopefully, you can walk away with a better understanding of which lens might be the best upgrade for you.

To keep things consistent, all images in this article were taken with a Canon 60D, and either the Canon 50mm f/1.8 lens or the Canon 85mm f/1.8 lens. The Canon 60D is an APS-C sensor (cropped sensor) camera, so in order to determine the functioning focal length of these lenses on this camera, multiply the lens focal length by 1.6 (multiply by 1.5 if you use Nikon). So on a cropped sensor camera, the 50mm lens functions roughly as an 80mm lens, and the 50mm lens functions as a 136mm lens.

1. Differences in Depth of Field

lens photographing people

This image was taken with Canon 85mm lens at f/1.8.

One of the biggest differences between the 85mm lens and the 50mm lens is the distance that you’ll need to stand from your subject. With the 85mm lens, the minimum focusing distance is 2.8 ft, and with the 50mm lens, the minimum focusing distance is 1.15 ft.

This means that in general, you will be standing further away from your subject with the 85mm lens, than you will with the 50mm. In turn, this decreases the depth of field, which means that images shot with the 85mm lens tend to have much blurrier bokeh than images shot with the 50mm lens, even when using the same aperture.

lens photographing people

This image was taken with a Canon 50mm at f/1.8.

You can see the difference clearly in the cherry blossoms in the background of the two images above, both of which were shot at f/1.8. The cherry blossoms are fairly well blurred in both images, but the shape of the blossoms is more defined in the image taken with the 50mm lens, and the blossoms are significantly more blurred and creamy in the image that with the 85mm lens.

Of course, everyone has a different preference when it comes to bokeh. Some prefer the more uniform creaminess that the 85mm lens offers, while other photographers prefer to have a little more definition in the background.

lens photographing people

Left: 85mm lens | Right: 50mm lens.

You may even find that you prefer different approaches in different applications! For example, I usually favor the more uniform bokeh of the 85mm lens. However, when I’m photographing in the grass, I prefer the bit of texture which the 50mm lens provides (see the examples above).

This is purely a matter of preference, so start making mental notes about which type of images you tend to prefer when you look at other photographers’ work. If you find that you are always drawn to the creamier texture, then the 85mm lens may be a better fit for you. If you prefer a bit more texture in the background, you may want to consider the 50mm lens instead.

2. Differences in Framing

lens photographing people

This image was taken with 50mm lens.

In addition, spend some time thinking about the content of your backdrops. Using an 85mm lens will result in an image that is more closely framed on your subject. On the other hand, shooting with the 50mm lens will result in an image that includes more of the background (though not nearly as much as shooting with the Canon 24mm lens).

Do you happily hike up to the top of a mountain for a photo session? You might want to consider the 50mm lens in order to more fully capture the trees and vistas in the background behind your portrait subject(s).

lens photographing people

This image was taken in exactly the same place as the previous one, only using the 85mm lens instead of the 50mm.

On the other hand, do you often find yourself trying to disguise the background in your images? Do you shoot on location with backgrounds that are sometimes out of your control and/or unpredictable?  In that case, you may want to consider the 85mm lens.

When you combine the decreased depth of field of the 85mm lens with the closer framing of your subject, the 85mm lens is stellar at creating beautiful portrait images at almost any location.

3. Differences in Shooting Distance

lens photographing people

This image was taken with 50mm lens.

Remember when I said that when you’re using an 85mm lens you’ll be standing further away from your subject than you would be using a 50mm lens? Here’s another reason why that’s important to know, I almost never use my 85mm lens inside our home.

Our house is just over 1,000 square feet, and depending on the room, sometimes I physically cannot back up far enough to use my 85mm lens. Aside from official photography business, it’s important to me to be able to capture little day to day moments of our family, and so having a fast lens that I can use indoors is a must-have for me.

As much as I love my 85mm lens, it just isn’t a great fit for that purpose given the size of our home. Your mileage may vary.

Lens photographing people

This image was taken with 85mm lens.

On the other hand, when we’re outdoors I often prefer my 85mm lens. In that situation, standing further away from my subjects is a good thing. I can let my kids play and have fun without being all up in their business. Having a bit more space between them and the camera means that they’re able to relax more easily, which in turn leads to more genuine expressions and candid smiles.

Conclusion

As you can see, both of these lenses are great for capturing portrait-style images of people – I personally keep both in my camera bag and use them with near equal frequency.

That said, if you’re only able to purchase one lens right now, both lenses have situations in which they outshine the other, so it’s important for you to think realistically about your preferences and the way you’ll use a portrait lens most often in order to get the most bang for your buck!

If you have one of these lenses – which do you use the most for people photography?

The post Comparing a 50mm Versus 85mm Lens for Photographing People by Meredith Clark appeared first on Digital Photography School.


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CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

24 Feb

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

Ricoh has added two prime lenses to its full-frame lens roadmap for the Pentax K-1: the forthcoming D FA* 50mm F1.4 and 85mm F1.4. Although details are scant, we did sneak a peek at the 50mm, which was showcased in a plexiglass box on the show floor.

Here it is – the forthcoming D FA* 50mm F1.4 ‘reference lens’.

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

If you look closely at the gold ring on the lens barrel, a strip of tape has been used to cover up some lettering, after the lens name. We wonder whether it conceals ‘WR’. We’d expect flagship primes to be weather-sealed, but it’s possible that this aspect of the specification has yet to be finalized.

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

Although this appears to be a cosmetically (more or less) final lens, it stayed firmly under plexiglass. We asked really nicely, but this was as close as we could get. 

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

Designed to cover a full-frame imaging circle, the 50mm and 85mm primes will, according to Ricoh, deliver ‘high-contrast images and [a] beautiful bokeh (defocus) effect’.

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

The FA* denotes flagship, reference lenses, which should represent the pinnacle of image quality for the K-mount when they are eventually released. 

CP+ 2017: Ricoh teases upcoming D FA* 50mm F1.4

We’ll add more details (and images) if we can persuade someone to lift up the box and show us the lens at close quarters, but for now, here’s a picture of a Pentax KP that’s been cut in half, just to tide you over.

Articles: Digital Photography Review (dpreview.com)

 
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Pentax announces development of 50mm F1.4, adds lenses to K-mount roadmap

23 Feb

Pentax is displaying a prototype version of a new 50mm F1.4 for K-mount at CP+ 2017, and has also added an 85mm F1.4 and an unspecified telephoto zoom to their roadmap.

Press Release

RICOH to Exhibit One Reference Product at CP? 2017 Camera and Imaging Show

TOKYO, February 22, 2017 ?RICOH COMPANY, LTD and RICOH IMAGING COMPANY, LTD. is pleased to inform the exhibition of one reference product — interchangeable lens currently under development — at CP + 2017 , one of the largest and most comprehensive camera and imaging show in Asia. This annual event will be held from February 23rd to February 26th at the PACIFICO YOKOHAMA convention center in Japan.

Reference of Products
Interchangeable lens for PENTAX K mount digital cameras
Model name: D FA?50mmF1.4(tentative)
Product information:
?An image circle accommodating the image size of 35mm full-frame digital cameras
?High-performance Star (?)-series lens with high-resolution , high-contrast images and beautiful bokeh (defocus) effect
?Price: Not decided
?Market launch: Not decided
Notes:
Model name, design, specification are all tentative and subject to change without notice. Price and marketing launch date will be announced at later date.

Articles: Digital Photography Review (dpreview.com)

 
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Leica Summilux-SL 50mm F1.4 sample gallery

06 Feb

The full-frame Leica SL is no lightweight, and neither is its fast, normal prime. The Summilux-SL 50mm F1.4 is one of three lenses in its range, complemented by 24-90mm and 90-280mm F2.8-4 zooms. It went on sale at the end of last year and a loaner copy has found its way into our hands – take a look at what it can do.

See our Leica Summilux-SL 50mm F1.4 ASPH sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm expands weather-resistant lens selection with XF 50mm F2 R WR

21 Jan

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Fujifilm has announced a new weather-resistant prime: the Fujinon XF 50mm F2 R WR. It sits alongside the XF 35mm F2 and 23mm F2 as another compact, lightweight yet sturdy lens for the X-system. Offering dust and water resistance, the 50mm F2 is freezeproof to 14°F/-10°C.

On Fujifilm’s APS-C cameras the 50mm F2 offers a 76mm equivalent view. The lens comprises 9 elements in 7 groups with one aspherical ED element, and uses a stepping motor for autofocus. The whole package weighs in at 7oz/200g.

The Fujifilm XF 50mm F2 R WR will go on sale in February for around $ 450/£450.

Press Release

FUJIFILM X-T20 UPS PERFORMANCE AND ADDS TOUCH CONTROLS FOR ENTHUSIAST PHOTOGRAPHERS; NEW COMPACT FUJINON XF50MMF2 R WR PERFECT TRAVEL COMPANION LENS

Valhalla, N.Y., January 19, 2017 – As the leader in innovation for photographers, FUJIFILM North America Corporation today announced the new FUJIFILM X-T20 interchangeable lens camera that joins the award-winning X Series digital camera lineup. The X-T20 is the successor to the FUJIFILM X-T10 and builds on its outstanding image quality, intuitive design, and versatility with a new APS-C sized 24.3MP X-Trans CMOS III sensor and X-Processor Pro image processing engine. The updated sensor and processor, along with an improved AF algorithm, boost the camera’s startup time and AF performance, dramatically improving its ability to track moving subjects for their best pictures to date. The X-T20 also has a large tilting touchscreen LCD monitor for multi-angle shooting and responds to quick gestures for a variety of efficient controls and picture review.

Also announced today is the new FUJINON XF50mmF2 R WR, a compact, mid-telephoto lens adding to the X Series lineup of interchangeable lenses known for their outstanding image quality. The lens features a focal length equivalent to 76mm (in the 35mm film format) and a maximum aperture of F2.0 for beautiful bokeh. The compact and stylish optic also offers high speed AF and weighs just 200g.

Advanced Imaging for the Discerning Enthusiast
The FUJIFILM X-T20 improves on the X-T10 with a 24.3MP X-Trans CMOS III sensor and a new Video option to the Drive Dial to enable instantaneous switching from still photo shooting to the video recording mode. The Exposure Compensation Dial now has the C position for exposure compensation up to ±5 stops, while the LCD monitor uses a tilting touchscreen panel for intuitive operation at almost any angle. The X-T20 is also equipped with an Auto mode selector lever for selecting the fully-automatic Advanced SR Auto mode where the camera chooses the optimum settings for a given scene.

The new sensor’s enhanced signal processing technology has even greater control over digital noise with an improved ISO sensitivity of ISO12800 available as a regular ISO option. At ultra-high ISO settings, the camera produces low-noise images, with deep blacks and smooth tones, delivering beautiful images even in low light conditions.

The FUJIFILM X-T20 also has a Grain Effect function for reproducing distinctive graininess seen in photographs taken with film cameras. The function can be set to Strong or Weak, and can be combined with any of the Film Simulation modes. You can easily obtain the look of film-based photos, with the effect most obvious when the image is printed out.

Photo enthusiasts will find the very best image results made possible by Fujifilm’s proprietary color reproduction technology, developed through producing photographic films, that helps to reproduce warm skin tones, bright blue skies and rich green foliage, just as you remember seeing in real life.

Compact and Lightweight Body Makes Photography Fun and Easy
With the FUJIFILM X-T20, users will find a compact body that is both strong and light and made from magnesium alloy. The top plate features three precision-milled aluminum dials which give the X-T20 a premium feel and allow users to easily adjust the aperture, shutter speed and shooting functions while concentrating on picture taking.

The X-T20 features a 3.0 inch 1.04M-dot tilting TFT color LCD touchscreen monitor for both above head and close to the ground shooting. By combining the Touch Shot function with the tilt LCD monitor, you can get even more creative. Place the camera on the ground and use Touch Shot for a child’s face or a pet’s eye view, or hold it above a crowd of people or an obstacle for high-angle shooting.

Easy Touch, Swipe and Pinch Controls
The LCD monitor in the X-T20 uses a capacitive touchscreen panel to facilitate high-angle shots, taken from above a crowd of people or an obstacle, as well as low-angle shots simulating the ground level perspective.

Users can also opt to use the LCD monitor as a touchscreen to easily access shooting and playback modes. When shooting with the X-T20, you can use the touchscreen to select the focus area, focus on a specific point, and combine the actions of focusing and shooting in succession.

For playback, users can enjoy swipe to scroll through images, double-tap to enlarge, drag the image once enlarged, along with pinch-out and pinch-in sizing.

Improved AF Performance for Moving Subjects
The FUJIFILM X-T20 has an expanded number of focusing points, up from 49 in the previous model to 91 (up to 325 points). Approximately 40% of the imaging area (the center area containing 49 focusing points) is covered with phase detection AF pixels to form a fast and precise phase detection AF area that can be used in a variety of scenes.

By redesigning the AF algorithm from the ground up, the X-T20 can now autofocus more accurately on points of light, low-contrast objects and subjects with fine details such as bird feathers and animal fur. The read speed of the Contrast AF system has been doubled compared to the previous model to enable faster and more accurate autofocusing. During video recording, the AF point transitions smoothly to track a moving subject to create natural looking footage.

Users can choose from a Single Point mode, useful when accurate focusing on a subject is required, and a Zone mode that allows them to select a 3×3, 5×5 or 7×7 zone out of the 91-point AF area. The centrally positioned 3×3 and 5×5 zones, in particular, deliver fast focusing thanks to the on-sensor phase detection AF. The Wide/Tracking mode is a combination of the Wide mode (during AF-S), in which the camera automatically identifies and tracks the area in focus across the 91-point AF area, and the predictive Tracking mode (during AF-C), which uses the entire 91-point area to continue tracking a subject. This feature enables continuous focusing on a subject that is moving up and down, left and right or towards and away from the camera.

The X-T20 features an AF-C Custom setting, which enhances focus tracking performance when shooting in the Continuous AF (AF-C) mode. In the AF-C Custom setting, users can choose from five AF presets, including:

  • Preset 1 (Standard Setting for Multi-Purpose) is a standard setting that can be applied when shooting moving subjects as a whole. It is similar to the conventional AF-C setting, and is selected by default when no AF-C Custom setting is specified.
  • Preset 2 (Ignore Obstacles & Continue to Track Subject) is suitable when obstacles are likely to come into a selected focus area, blocking a subject.
  • Preset 3 (For Accelerating / Decelerating Subjects) is best suited to situations such as motorsports, which involves a subject that makes major speed changes including rapid acceleration or deceleration. It is particularly effective when using linear motor-driven lenses capable of high-speed AF.
  • Preset 4 (For Suddenly Appearing Subjects) gives focusing priority to a subject closest to the camera in the selected focus area, so as to swiftly focus on a subject that suddenly comes into the frame.
  • Preset 5 (For Erratically Moving & Accelerating or Decelerating Subjects) is suitable for shooting field sports in which subjects accelerate or decelerate rapidly, and also move erratically.

FUJIFILM X-T20 Key Features:

  • 24.3MP APS-C X-Trans CMOS III sensor
    – X-Processor Pro
    – Start-up time of 0.4sec
    – Ultra-fast AF speed of 0.06sec
    – Offers 5.0fps live-view shooting
    – Shutter time lag of 0.050sec
    – Shooting interval of 0.25sec
  • 3.0 inch 1.04M-dot tilting TFT color LCD touchscreen monitor
  • 0.39 inch 2,360K-dot OLED color viewfinder
  • Live View Display to preview pictures where you can
  • New ACROS Film Simulation mode
  • AF-C Custom Settings with five AF-C presets
  • 4K video can be recorded at [3840 x 2160] 29.97p, 25p, 24p, 23.98P, 100Mbps
    – Continuous recording: up to approximately 10min
  • Full HD video can be recorded at 59.94 fps, 50 fps, 29.97 fps, 25 fps, 24 fps and 23.98 fps, and with Film Simulation effects
    – Video can be outputted to external monitor via the HDMI port and input audio from an external microphone
    – Easily connect to external HDMI monitor and turn on HDMI Rec Control to automatically enable a clean HDMI output when the camera’s shutter release button is pressed
    – Touch AF to change the focus area and refocusing according to subject movement functions in video recording
  • 24 high-performance FUJINON X-mount lenses for ultimate versatility
  • Integrated pop-up flash with Super Intelligent Flash to automatically adjust light output
  • Unique Lens Modulation Optimizer (LMO) image processing technology to deliver the best possible image quality
    – LMO corrects optical defects such as diffraction to achieve edge-to-edge sharpness and a realistic three-dimensional effect
  • Nine Film Simulation modes (including ACROS) and Advanced Filter functions for eight different artistic effects
  • Multiple Exposure function combines two separate subjects into one photo
  • Interval timer shooting for time lapse photography
    – intervals of one second to 24 hours, and up to infinity frames
  • Completely silent electronic shutter capable of exposures up to 1/32000 seconds.
  • Digital Split Image for precise manual focusing and Focus Peaking to highlight high-contrast areas of the subject
  • Eye Detection AF function for automatically detecting and focusing on human eyes
  • Auto Macro function automatically activates the Macro mode while maintaining AF speed, eliminating any need to press the Macro button to capture a close-up
  • Built-in Wi-Fi for shooting from your smartphone or tablet devices
  • Free FUJIFILM Camera Remote app for Remote Control function
    – Photos can be sent directly from the camera to the Instax SHARE Smartphone Printer for instant Instax prints
  • Wi-Fi® Transfer is supported, enabling wireless backup of the data to a computer
  • Weather and dust resistant; operates as low as 32 degrees Fahrenheit \ 0 degrees Celsius

FUJINON XF50mmF2 R WR Lens
The new XF50mmF2 R WR is a mid-telephoto lens that is designed to deliver the very best results from Fujifilm’s unique X-Trans CMOS sensor. The XF50mmF2 R WR, perfect for any type of travel photography, is compact and lightweight, and features 9 elements in 7 groups, including one aspherical ED lens, and has an inner focusing system, driven by a stepping motor for fast and silent autofocusing. The premium XF50mF2 R WR is made of metal and glass for a stylish, robust design with a premium feel, while the aperture and focusing rings have been designed to be comfortable and easy to use. The lens is also weather and dust resistant, and operates in temperatures as low as 14°F°C, making it ideal for shooting in a variety of weather conditions.

FUJINON XF50mmF2 R WR Lens Key Features:

  • FUJIFILM X-Mount is compatible with all FUJIFILM X Series interchangeable system cameras
  • Weather-sealed at ten points around the barrel for weather and dust resistance; operates as low as 14 degrees Fahrenheit \ -10 degrees Celsius
  • 9 lens elements in 7 groups including one aspherical ED lens
  • Compact, lightweight lens weighs just 200g
  • Aperture and focusing rings feature precise click stops and smooth damping for easy operation
  • Inner focusing AF system uses a stepping motor to drive lightweight focusing elements for a fast, silent autofocus performance
  • Super EBC (Super Electron Beam Coating) ensures high performance by reducing both flare and ghosting

Availability and Pricing
The new FUJIFILM X-T20 Body (Black and Silver) will be available in February 2017 in the U.S. and Canada for USD $ 899.95 and CAD$ 1,199.99. The X-T20 Body with XF18-55mm Lens Kit will be available for USD $ 1,199.95 and CAD $ 1,599.99; the X-T20 Body with XC16-50mm Lens Kit will be available for USD $ 999.95 and CAD $ 1,299.99.

The FUJIFILM XF50mmF2 R WR (Black and Silver) will be available in February 2017 in the U.S. and Canada for USD $ 449.95 and CAD$ 649.99.

Fujifilm XF 50mm F2 R WR specifications

Principal specifications
Lens type Prime lens
Max Format size APS-C / DX
Focal length 50 mm
Image stabilization No
Lens mount Fujifilm X
Aperture
Maximum aperture F2
Minimum aperture F16
Optics
Special elements / coatings 1 ED element
Focus
Minimum focus 0.39 m (15.35)
Maximum magnification 0.15×
Autofocus Yes
Motor type Stepper motor
Focus method Internal
Distance scale No
DoF scale No
Physical
Weight 200 g (0.44 lb)
Diameter 60 mm (2.36)
Length 59 mm (2.32)
Materials Metal
Sealing Yes
Colour Black, silver
Filter thread 46.0 mm
Hood supplied Yes
Tripod collar No

Articles: Digital Photography Review (dpreview.com)

 
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Canon advisory warns of counterfeit EF 50mm F1.8 II lenses

17 Dec

Canon has issued a service notice advising users of counterfeit Canon EF 50mm F1.8 II DSLR lenses that ‘fraudulently display the Canon logo’ and company trademarks. Canon became aware of these counterfeit lenses after customers began bringing them into company service centers seeking repairs.

According to the service notice, Canon was not involved in the design or manufacturing of these fraudulent lenses, which can be identified based on the ‘Canon Inc’ company name molded into the mount. Genuine Canon lenses feature a space between the words ‘Canon’ and ‘Inc’ while the counterfeit lenses do not feature this space.

The counterfeit EF 50mm lenses are made using electric circuits and parts on the interior, Canon warns, which fail to meet safety standards in multiple countries. Canon further advises that it isn’t liable for any issues that could result from using these fake lenses.

Via: Canon USA

Articles: Digital Photography Review (dpreview.com)

 
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