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Posts Tagged ‘35mm’

DIY a Working 35mm Camera with Konstructor!

06 Jul

The best way to fully immerse yourself in any hobby is to delve in, hands first, from the ground up.

The DIY Konstuktor Camera Kit is your full immersion into photography because you build a fully FUNctional 35mm film camera!

It’s super easy to assemble and a great way to further develop (heh) your love of cameras, or spark a photo-interest in young ones.

We’re throwing in a roll of 35mm film with these kits too, so you’ll be ready to shoot. You’ll soon be handling real prints from a real camera you built yourself.

Dive into your photo hobby with a little DIY love.

Build Your Konstruktor Camera
$ 39 at the Photojojo Shop


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Yongnuo creates near-clone of Canon 35mm f/2

24 Apr

China-based manufacturer Yongnuo has produced what looks like a near-clone of Canon’s well-liked EF 35mm f/2, a lens that dates back to 1990. With a couple of minor exceptions (one of which being the brand name on the front of the lens) the Yongnuo lens looks very similar to Canon’s 25-year-old prime, but at an attractive price of ~$ 115. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Canon C300 Mark II announced with new 8.85MP 35mm sensor and 4K recording

09 Apr

Canon has announced the EOS C300 Mark II Cinema EOS camera, updating its predecessor with a new 8.85 megapixel 35mm sensor allowing 4K shooting. Also new are Dual DIGIC DV5 processors bringing the ability to record 10-bit 4:2:2 4K (UHD or DCI) video internally thanks using the new XF-AVC Codec. Read more

Articles: Digital Photography Review (dpreview.com)

 
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Sony Zeiss Distagon T* FE 35mm F1.4 ZA real-world samples gallery posted

06 Mar

Sony announced three new FE primes yesterday, including a 28 f/2, a 35mm f/1.4 and a 90mm f/2.8 macro. We got our hands on the Zeiss Distagon T* FE 35mm f/1.4 and shot with it around Seattle. It features a 9-blade circular aperture and a Direct Drive SSM focus system. Check out our samples gallery

Articles: Digital Photography Review (dpreview.com)

 
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Sony releases 28mm, 35mm, and 90mm macro full-frame primes

04 Mar

Three full-frame prime lenses on Sony’s lens roadmap officially arrived today which, including the 24-240, brings the total number of FE lenses to eleven. The least expensive of the trio is the 28mm F2 lens, which also supports ultra-wide and fisheye adapters. Next is the long-awaited Zeiss 35mm F1.4 ZA, which is Sony’s fastest FE lens to date. Close-up shooters will be interested in the new 90mm F2.8 Macro G OSS lens, which uses a Direct Drive SSM mechanism for ultra-precise focusing. More details here.

Articles: Digital Photography Review (dpreview.com)

 
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Writer’s Favorites – 35mm Prime Lens

04 Jan

Street Photography

When I was 15, I was diagnosed with Attention Deficit Disorder. While it has gotten much better with age, when I was younger the slightest stimuli would grab my attention. It was a tough job to keep me focused on a single task (it still is if you ask my wife).

Why am I telling you this and what does this have to do with my favorite lens / focal length? I’m telling you because over the years simplifying things has become very important to me and for my photography, and this has manifested itself into a love of the simple 35mm prime lens. I much prefer the simplicity of sticking with a single focal length, as long as a situation allows for it.

When I say 35mm prime, I am referring to the 35mm focal length, so it would be a 35mm lens on a full frame, around a 23mm lens on a cropped APS-C sensor, and around a 17mm lens on a micro four thirds camera.

Lightweight

Brooklyn Bridge35mm lenses are light and non-intimidating, which is a huge advantage for daily use. For this reason, I prefer lenses that are a little slower, such as a 35mm f/2 instead of a 35mm f/1.4, because the f/2 lenses are usually significantly smaller than their faster counterparts. I rarely feel the need to use f/1.4, particularly since most newer digital cameras can shoot very well at high ISOs.

The Freedom of a Prime Lens

Using a single focal length is a great way to simplify your photography and to make it more consistent. The constraint can slow you down and help you think more critically about perspective and framing. It can help you grow as a photographer.  In addition, 35mm  is just wide enough without being too wide. It will not overly distort a scene, but it will allow you to capture a wide scene from a close distance.

Fuji X100s + 23mm (35mm equivalent)

Fuji X100S

Fujifilm X100S with 23mm F2 Lens (35mm equivalent).

Currently, my favorite 35mm lens is actually a camera, the Fuji X100S, which has a fixed 23mm (35mm equivalent) f/2 lens that is not removable. I use this small camera as a daily complement to my DSLR system and am now able to carry a high quality camera with me everywhere, no matter what I am doing.  Because the lens was built specifically for the Fuji X100S, it is a spectacular combination and the image quality is very comparable with my high-end DSLR in a much lighter camera body.

A 35mm can be used for a variety of situations. It is not perfect for every situation, but you can use it for street photography, landscapes, travel photography, portraiture, and even architecture. Here are my favorite ways to use the 35mm focal length.

Street Photography

Street Photography

The 35mm focal length is one that has been used by many street photographers over the years and there is a reason that so many do. The focal length makes it easy to show an entire scene, to combine a person and a background, or to combine multiple subjects within the same frame from a close distance. It is wide enough for you to show a large area of background while still focusing on a main subject at a close and intimate distance.

PortraiturePortrait

A 35mm can even be used for portraiture. It is not your typical lens for a tight headshot, where an 85mm to 120mm is ideal. However, the 35mm excels at producing wonderful environmental portraits from a little further away, where both the person and elements of the background are prominent. It is wide enough to include a lot of the surroundings, but not too wide to significantly distort the subject’s features.

Architecture

Architecture

This focal length is not ideal for zooming into building details at far distances, however it is a great focal length for capturing buildings. The constraint can almost turn into an advantage as you begin to photograph buildings in ways that you might not otherwise. I do not recommend only a 35mm for architectural photography, but a 35mm can be a big asset much of the time.

Urban Landscapes

Urban Landscape

The focal length is wide enough to include a scene with a lot of depth and a lot of interest, while not being too wide as to significantly distort the features of the scene.

Travel Photography

Overstuffed Photo Backpack

Have you ever given your wife a black eye by swinging around a tripod that was attached to your backpack at 5am, while getting out of a taxi at the airport for a vacation to Mexico with her extended family? Here is how I used to pack for vacations. I no longer pack like this for vacations.

So for these reasons the 35mm is my favorite lens. Do you use it? What is your fave and why?

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The post Writer’s Favorites – 35mm Prime Lens by James Maher appeared first on Digital Photography School.


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Zeiss introduces Distagon T* 35mm F1.4 ZM lens

16 Sep

Zeiss has announced its new Distagon T* 35mm F1.4 ZM portrait lens for Leica M-mount bodies. 

Articles: Digital Photography Review (dpreview.com)

 
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Nikon AF-S Nikkor 35mm f/1.8G lab test report

14 Jun

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The AF-S Nikkor 35mm f/1.8G is Nikon’s latest moderate wideangle prime, designed for full frame SLRs like the D610. It sits in the lineup between the budget, DX-only AF-S Nikkor 35mm f/1.8G and the premium, half-stop faster AF-S Nikkor 35mm f/1.4G. It also faces stiff competition from the highly-regarded Sigma 35mm F1.4 DG HSM. So how does it measure up in terms of optical quality? See the lens test data and our analysis

News: Digital Photography Review (dpreview.com)

 
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Samyang announces ‘AE’ 35mm F1.4 for Canon, and 300mm F6.3 for DSLRs

29 Apr

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Samyang has announced five new manual focus lenses, including a revised ‘AE’ version of its Canon-mount 35mm F1.4 which allows electronic aperture setting from the camera body. Meanwhile the Reflex 300mm F6.3 UMC CS is a mirror lens designed for APS-C SLRs, which will be available in Canon, Nikon, Sony Alpha and Four Thirds mounts. Finally there are three cinema versions of existing photo lenses – a 10mm T3.1  for APS-C SLRs, a 12mm T2.2 for mirrorless cameras, and a 7.5mm T3.8 fisheye for Micro Four Thirds.  

News: Digital Photography Review (dpreview.com)

 
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Sony FE 35mm F2.8 ZA Carl Zeiss Sonnar T* lab test report

18 Feb

lensreview-thingsmall1.png

The Sony FE 35mm F2.8 ZA Carl Zeiss Sonnar T* is one of the first lenses for Sony’s fledgling full frame mirrorless system, offering a classic moderate wideangle view. It’s a small lens that nicely complements the Alpha 7 and 7R, but at around $ 800 / £680 it’s distinctly pricey for a relatively slow prime. So is it worth the money? Click through for the lens test data and our analysis.

News: Digital Photography Review (dpreview.com)

 
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