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Posts Tagged ‘2019’

The best cameras for portraits in 2019

12 Nov

Whether you make a living out of taking professional portraits, or are the weekend warrior who knows their way around flashes and reflectors, you’ll want a camera with high resolution, exceptional autofocus and a good selection of portrait prime lenses.

We’ve selected a group of cameras that meet those requirements and will produce pro-looking portraits that will satisfy your clients.


Best for pros: Sony a7R IV

It’s hard not to recommend Sony’s a7R IV as a portraitist’s main camera. It gives you a ton of resolution that’s backed up by an autofocus system that excels on focusing perfectly on your subjects’ eyes. You also get excellent battery life, a high-res viewfinder and refined ergonomics that make this the best-handling a7-series camera yet. Helpfully, there’s an extensive lens catalog of solid portrait options, including both zooms and primes, as well as a solid set of Sony flashes (though they wont help you out with an AF assist grid in low light).

Our main qualms are that the autofocus accuracy can dip during burst shooting with unpredictable subjects such as fast-moving children and that the user interface is both a little laggy and not as user-friendly as it could be. But the results speak for themselves: this is an absolutely excellent option for photographing people.

Best for amateurs: Sony a6600

The Sony a6600 incorporates some of our favorite aspects of the a7R IV into a smaller, more affordable body: including superb autofocus tracking, great image quality and industry-leading battery life. There are also some good prime lens options for the a6600 that won’t break the bank, including Sigma’s 56mm F1.4 and Sony’s 85mm F1.8.

Our concerns from the a7R IV remain, however, including more pronounced user-interface lag. Additionally, the ergonomics on the a6600 could do with some updating to bring them in line with the camera’s overall capability: this series of cameras has not benefited from the refinements bestowed upon the company’s full-frame models.

Overall, though, the a6600 will assist you in capturing accurately focused, properly exposed images of people time and time again.


While the Sony a7R IV and a6600 were our winners, there are several other cameras well-suited for portrait photography that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:

  • Our pick: Sony a7R IV
  • Our pick: Sony a6600

Also available:

  • Canon EOS M6 II
  • Fujifilm GFX 50S
  • Nikon D850
  • Nikon Z7
  • Panasonic Lumix DC-S1R
  • Sony a7 III
  • Sony a6600

Articles: Digital Photography Review (dpreview.com)

 
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The best cameras for family and friends photos in 2019

12 Nov

Family moments are precious, and sometimes you want to capture that time spent with friends or loved-ones in better quality than your phone can manage.

We’ve selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens.


Our pick: Sony a6100

We’ve chosen the Sony a6100 because its autofocus system is so good at focusing on people. With very little effort, it will find people and stay focused on them, even if they look away, reacting quickly that you can capture the perfect expression. It’s a pretty small camera, which makes it easier to carry with you.

Our review includes a couple of tips for setting up the camera, but with just a few tweaks it does a good job of making it easier to grab those memorable moments. It’s also pretty adept at shooting video clips, and can easily transfer images to your smartphone.

The compact 16-50mm power zoom lens it’s usually bundled with is convenient, though not the sharpest kit lens out there, but there are a number of comparatively affordable single focal length lenses available which improve the camera’s low-light performance and let you blur the background of your images.


While the Sony a6100 was our winner, there are several other cameras well-suited for photographing family and friends that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:

  • Our pick: Sony a6100

Also available:

  • Canon EOS M50
  • Canon PowerShot G5 X II
  • Fujifilm X-A7*
  • Olympus OM-D E-M10 III
  • Panasonic Lumix DC-GX9
  • Sony Cyber-shot DSC-RX100 VII

* This camera has not been fully reviewed and is therefore not yet eligible for an award.

Articles: Digital Photography Review (dpreview.com)

 
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Adobe updates Lightroom Classic, Mobile and its ChromeOS app at MAX 2019

05 Nov

As part of its MAX 2019 conference, Adobe has announced updates for all of its photography products, including Lightroom on desktop and mobile platforms, Lightroom Classic, and Adobe Camera Raw. A number of changes arrive as part of these updates, including the addition of interactive edits and guided tutorials in Lightroom on Mac and Windows, advanced exporting in Lightroom for Android and ChromeOS and more.

A screenshot from Adobe showing off the new tutorial interface inside Adobe Lightroom.

The majority of the newly announced updates are for Lightroom on desktop. In addition to the aforementioned guided tutorials and interactive edits, this software is being updated with more advanced exporting options including TIF support, GPU acceleration, a new Fill Edges feature for panoramas that is powered by Content-Aware Fill tech, a new migrator tool for moving to Lightroom from Photoshop Elements and support for directly ordering prints from White House Custom Color.

A screenshot from Adobe showing off the interface for the White House Custom Colour inside Adobe Lightroom Classic.

In addition to the desktop software, Adobe is updating Lightroom for ChromeOS, as well as Android and iOS. As mentioned, both Android and ChromeOS have received advanced export control that includes more options and support for batch exporting images in original, JPEG, and TIF formats. These features will arrive on iOS ‘soon,’ according to Adobe.

As well, all three platforms are getting contextual help, which was first added to Lightroom on Mac and Windows earlier this year. The new help menu is accessible by selecting the ‘?’ icon within the Lightroom app on iOS, Android, and ChromeOS.

Lightroom for iOS is finally receiving the Batch Editing feature that launched on desktop last year and on Android and ChromeOS back in August. With this, users can apply changes to multiple image selections simultaneously, cutting down on editing time when using an iPhone or iPad.

Finally, Adobe Camera Raw and Lightroom Classic are both getting the Fill Edges feature for panoramas that is detailed above. Lightroom Classic is also receiving support for multi-batch export and the ability to easily export and share presets and preset groups with others.

Articles: Digital Photography Review (dpreview.com)

 
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These are the Red Bull Illume Image Quest 2019 semi-finalists

02 Nov

Red Bull Illume Image Quest 2019 semi-finalists

The fifth edition of Red Bull’s Illume contest attracted a record-breaking 59,551 submissions from around the world. It’s an increase of 72% compared to the number of entries from the last competition in 2016. Partnering with Sony, SanDisk, Skylum, COOPH, Red Bull Photography, EyeEm, and more, the latest Illume offered up 11 categories for adventure and action sports photographers and videographers to submit their work.

260 semi-finalists have been selected and will all be featured in a forthcoming limited-edition coffee table book. A panel of esteemed experts representing top news publications and digital photography brands will judge each entry and narrow the pool to 60 finalists. Those finalists will be invited to the Winner Award Ceremony that takes place from November 18th-20th, and their images will be on display in the Global Exhibit Tour that will commence immediately afterward.

5 finalists from each category, 11 category winners, and 1 overall winner will be crowned during the late November awards ceremony at the LUMEN – Museum of Mountain Photography on top of Kronplatz – a mountain of the Dolomites in South Tyrol, Italy. Winners will receive a set of prizes from sponsors, mentioned above, valued at €100,000 ($ 111,644 USD). Looking at the past winning galleries, it’s clear that Red Bull hosts this competition every three years. Maybe this will change as the competition has made significant gains recently and the promise of a special announcement at the awards ceremony has been made by conference organizers.

We were given the choice of 200 semi-finalist images to feature and narrowed them down, representing at least 1 image from every category, excluding Moving Image which can be viewed in the video above. Anyone interested in developments on winners and future contests is encouraged to follow Red Bull Illume on Instagram, Facebook, Twitter, Pinterest and YouTube.

Semi-finalist, Wings: Sergey Shakuto

Semi-finalist for the Wings category, Red Bull Illume 2019: Sergey Shakuto, Russia

Location: Russia, Kolomna, Aerograd DZ

Biography quote: ‘Inborn craving for experiments.’

Biography: I was born and grew up in a small town in Russia, but since childhood I was dreaming about traveling the world and doing extreme sports. As soon as I made my first money as a graphic designer, I started to realize my dream. So more than 16 years I’m doing all kind of sports from freediving to skydiving and capturing it with my camera.

My super-power is my insider knowledge about sports and it helps me to speak same language with all the athletes I’m shooting.

About the photo: In Shakuto’s words, ’it was one of the first photos that I took in free fall. I was completely new in skydiving when Eugene [Tarakhomin] suggested taking a picture of him. One day he called and said “Hey Serge, you are a cool photographer, let’s make something together.” I wasn’t sure about that, because had no freefly experience. But I bought a special helmet, took the cheapest camera which I had (Sony A6000), and the cheapest and lightest Sony lens (SEL16F28).

I spent about a month for preparing and training. In total, we took about 10 beautiful photos in two jumps at sunset. This project is a perfect example what can be achieved with a wealth of experience in action photography and good technical skills, professional athlete, and at the same time the cheapest equipment and little experience in sports.’

Gear and specs: Sony A6000; Sony 16mm f2.8 lens; ISO: 100; F-Stop: f/6.3; Shutter Speed: 1/1250 sec.

Semi-finalist, Wings: Tino Scherer

Semi-finalist for the Wings category, Red Bull Illume 2019: Tino Scherer, Switzerland

Location: Titlis/Titlisgletscher/Engelberg/CH

Biography quote: ‘My goal is to capture a moment so that each image fully reflects the energy expelled by its subject!’

Biography: I grew up in a little village in the heart of Switzerland and now call the beautiful city of Lucerne my home. I am a sports and lifestyle photographer who has worked with many brands and customers both in Switzerland and around the world. One of my first jobs was a project for Monster Energy. Since then I have completed multiple larger projects for renown Swiss and international customers such as Audi, Adidas, Leica Camera AG, and Schilthorn Piz Gloria.

The personal and direct exchange with the people I work with is something I highly value about my job. I always strive to understand and implement my clients vision and am fueled by my passion to master the technically more challenging side of photography. My goal is to capture a moment so that each image fully reflects the energy expelled by its subject!

About the photo: Fabian Bösch, from Engelberg, has long wanted to build a kicker at home and reflect the panorama and beauty of the Swiss Alps to the world. Around this time, almost everything is closed with us in the central Switzerland. I mean, in May nobody goes skiing with us any more.

Fabian was able to collect snow through the winter in cooperation with the Titlis railways to organize a shooting after the season, which has never been done before.At 3’020 m.a.s.l., Kobi Würsch, the Freestyle-Pak-Builder of SaasFee as well as of the Corvatsch course, built a kicker that was more than just a show-off. Perfect landing – “I’ve seldom seen such a long landing” – exactly aligned so that the sun disappears just before 9 pm directly into the Alps and an event where riders from all over the world were invited to spend a great session together.

The Titlis glacier was the Mecca this week and I was there spontaneously as a photographer. I had a lot to do during this time and could “only” participate in one day. But exactly this day was the best of the whole week and I took pictures throughout the day looking for my favorite spot.

From 20.00 [8:00 pm], the sunset shooting began and the boys banged out one hammer trick after the other. The light got better and better and I took pictures with 2 Leica Cameras. I had Studio-Broncolor flashes with me and wanted to take some flash pictures with the medium format camera with 1/1000 central shutter shortly before sunset. As it is, it gets more and more great and the atmosphere was really breathtaking.

So I went down and adjusted my flash, which was behind the kicker, but I hadn’t thought about the small radio transmitter not triggering over such distances. So Fabian came and I knew, with that camera i got no series, there are only single shots. Click – No The Flash has not triggered…then everything went so fast and the sun was only about half an hour there and the riders now skimmed out their stylish tricks.

I let the flash completely away and continue photographing and let the silhouette speak the picture. This picture with the very special flare was taken after a run with the same camera but faster shutter speed and I am super proud that I decided against the flash. So the picture has a very nice dynamic and fits perfectly into the scene.

Thanks Fabian for making this shooting possible!

Gear and specs: LEICA S (Typ 006); Hasselblad HC 3.2/150N lens; ISO: 200; F-Stop: f/3.2; Shutter Speed: 1/3000 sec.

Semi-finalist, RAW: Gaston Francisco

Semi-finalist for the RAW category, Red Bull Illume 2019: Gaston Francisco, Spain

Location: Barcelona, Spain

Biography quote: ‘After 25 years of shooting skateboarding photography, Gaston finally got the covers of the two biggest magazines in skateboarding, TWS Skateboarding and Thrasher.’

Biography: Gaston Francisco was born in Buenos Aires, Argentina in 1978. A self taught photographer, he got his first camera in 1995 and hasn’t stopped shooting ever since. He attended the University of Buenos Aires (UBA) for five years where he studied Media Science Communication. This was complemented by a year of Journalism.

In 2002 Francisco moved to Costa Rica where he founded and directed the first ever Central American skateboard magazine, FLOW. After living there for a year he moved to his present home in Barcelona, Spain, to work as a freelance photographer. His work has been published in the most important skateboarding publications worldwide, getting to the peak of this industry when he shot the covers of both TWS and Thrasher magazines recently. A passionate traveller, he has visited more than 70 countries and plans to visit even more in the coming years.

About the photo: In Francisco’s words, ‘this photo was shot during the filming of a video about Optical Illusions. We did about 8 different optical illusions and even though this one was not one of our favorites for the video, it did come out really good on the photo. The secret for the success of this picture was having [athlete] Vladik Scholz doing the trick over and over, and having an artist like Julian Lorenzo painting the stairs on the ground and shooting the photo from the right angle given that the optical illusions only work when seen from a very specific angle.’

Gear and specs: Nikon D800; Nikon Zoom lens 24-70mm, f/2.8 (this shot is at 56mm); ISO: 4000; F-Stop: 3.2; Shutter Speed: 1/800 sec.

Semi-finalist, RAW: Robert Garo

Semi-finalist for the RAW category, Red Bull Illume 2019: Robert Garo, Germany

Location: Duisburg, Germany

Biography quote: ‘Follow your passion, work hard, and never forget your dreams.’

Biography: My story as a photographer is probably more directly related to the Red Bull Illume competition than many others. After being thwarted by a shoulder injury, I bought a camera and started taking snaps. Nothing was safe in front of my lens. I think my environment was happy, and that changed when I got my hands on the second Illume book at the end of 2013. Exactly those pictures I wanted to do too!Every single image fascinated me and I burned for sports anyway. One thing led to the other and so it happened that in 2016 I was fortunate enough to win the worldwide photo contest of Red Bull Photography by 500Px. It was inspiring to be a guest at the winner’s ceremony in Chicago and meet all the other photographers. Now it was 100% clear where my way should lead. I wanted to be part of this community.

Since that time, a lot has happened. In 2017, I decided to quit my regular job and shortly after that, I became part of the Red Bull Photography Team. I was able to get to know many inspiring people and my job takes me to other countries again and again. I was allowed to work for some small and some major companies and share their passion for the sport. I am very grateful for that!

In the end, the Red Bull Illume has changed my life.

About the photo: ‘The shot was more complicated than you would think at the beginning. It started with the fact that there was only one angle to take the picture. The camera position was not allowed to be a millimeter farther left or right, because otherwise the sculpture was not fully in the picture or had parts in the picture I don’t want. As a result, Frank had only a very small flat surface available for the trick.After everything had been prepared and set up, we could not get started because to our astonishment many people visit the Tiger and Turtle even late at night. In the end, a time frame of under 10 minutes resulted in getting the shot in the box. To capture the triple spin that makes up the trick and expose the background right, I chose an exposure time of 3 seconds and the flash trigger on the second shutter curtain to freeze Frank sharply. Fortunately, the timing was already right on the third try,’ says Garo.

Gear and specs: Nikon D850; 14-24mm f/2.8 lens; ISO: 100; F-Stop: 11; Shutter Speed: 0.3 sec.

Semi-finalist, Playground: Lorenz Holder

Semi-finalist for the Playground category, Red Bull Illume 2019: Lorenz Holder, Germany

Location: Bushmills, Northern Ireland

Biography quote: ‘Walking through life with open eyes and seeing possibilities.’

Biography: I grew up in Munich, close to the Bavarian mountains, and it is those mountains that have always played a major role in my life. Being outside with my friends was always the thing that motivated me most, be it as a snowboarder back in the days or nowadays as a photographer.

I’ve never studied or learned photography but I was so impressed and fascinated, how one single image can describe a whole scene, a whole day or even a whole trip. This power of an image caught me straight away and passion became profession. I’ve finished my university for being a teacher and then went all in – All I wanted to do, is to shoot and create.

The biggest influence on my style of shooting comes from outside the action sport scene. I love to get impressed by creative work from landscape, architecture and fine-art photography. But for me, this was always a little bit too boring to shoot, so I tried to combine those genres with action sport and that’s where I found my true love for what I’m doing. Walking through life with open eyes and seeing possibilities.

About the photo: ‘The story of this image started around 60 million years ago, when lava cooled down, in a very slow way, leaving a vast field of a hexagonal stones behind. There are only a couple of places on earth, where we can see those formations nowadays.

When I’ve seen this location for the first time, I was blown away and I knew I had to shoot something there. Over a year later I was standing there with my camera at the beginning of a very good looking sunset. Everything was ready, I had my angle, wetted the stones in the foreground to get a bit more reflection there, but one crucial element was missing: Senad Grosic.

This was our first stop of a 10 days shooting trip in Northern Ireland. The problem was, that his flight from Vienna was 2 hours delayed and it was never clear if he would make it in time for the sunset shoot. So there I was, alone with a perfect setting sun and a perfect scenery, but no athlete. Senad was about 15 minutes away, when I gave him a phone call, that he should mount his bike in the moving car and hurry up. He got there – no time for a brohug – no time for warm up – just up there and perform in a really beautiful sunset. 5 minutes later we got the shot and what a cool way to start the 10 days shooting trip,’ says Holder.

Gear and specs: Phase One camera; Schneider Kreuznach LS 35mm lens; ISO: 800; F-Stop: 4.0; Shutter Speed:1/320 sec.

Semi-finalist, Playground: Piotrek Deska

Semi-finalist for the Playground category, Red Bull Illume 2019: Piotrek Deska, Poland

Location: Mirów, Poland

Biography quote: ‘Climber and photographer combined in one.’

Biography: I was born in Czestochowa, Poland, on November 20, 1986 – in the city located at the north side of the biggest climbing area in Poland – Jura. It was only a matter of time before I started to climb and explore the outdoor possibilities of the area. During my teenage years climbing became my true passion.

I was inspired by the rocks around and was always eager to climb another eye-catching line. As soon as I got my first camera from my father, who is also a photographer, I found out the great joy in creating long-lasting memories by shooting pictures. Both – climbing and photography – can be symbiotic, and since I was able to get some first good looking shots at an early age, I became more and more passionate about taking a camera at the crag every time.

Nowadays I’m still an active climber trying to spend free time either at the crag or in the mountains. A couple of years ago, I quit my job as a web analyst and decided to take a chance of being a full-time photographer. I’m focused mostly on the outdoor world, trying to picture passionate people doing what makes them happy – be it climbing, mountaineering or any other activity.

With every picture, I’m trying to show something more than just an athlete. As photographers, we have only one frame that freezes just a split of a second, and it’s important to show something more in it. With every shot I make, I always try to create an image that will look great in large format on the wall.

About the photo: In Deska’s words, ‘last climb of the day in the typical Jurassic scenery. The common view of Polish Jura: bone-white limestone and a medieval castle ruins. Just add the climber, and you have a perfect combination for a picture.

While going to Mirów, I wasn’t thinking about a climbing picture. I had only a landscape shot in my mind of that specific frame. But I was lucky enough – even though it wasn’t one of the weekend days, which are usual time for climbing activity, I spotted a climber at the Turnia Kukuczki crag. Every piece came together – the timing (just before the sunset) and the climber, who filled up the frame. I “only” had to hit the shutter and make it a climbing picture instead of “just” a landscape photo.’

Gear and specs: Canon EOS 5D Mark IV; Canon EF 70-200 f2.8 lens; ISO: 100; F-Stop: 11; Shutter Speed: 1/15 sec.

Semi-finalist, Masterpiece by EyeEm: Leo Cittadella

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Leo Cittadella, Norway

Location: Preikestolen, Norway

Biography quote: ‘Skate or die!’

Biography: Half Norwegian/Italian, but born in Sedona, AZ 1990 – Now working as a freelance filmmaker based in Oslo, Norway since 2009 – I got my first paid film job in high school and got some extra motivation to make it my job. After a few years with tutorials and long nights, things worked out and I got heavily involved with the snowboard scene. Action sports has thought me to be free and that helped me create my own style. Now I do all types of film projects, but with my main focus still on the shred.

About the photo: ‘We went up to film a skate video sequence on the edge of Preikestolen (2000 foot cliff). We got the whole spot to ourselves and wrapped up just in time to snap a photo before all the selfie tourists arrived. First time trying the camera, so the settings were all messed up!’

Gear and specs: Sony Alpha 7S II; 67mm lens; ISO: 2000; F-Stop: 4; Shutter Speed: 1/8000 sec.

Semi-finalist, Masterpiece by EyeEm: Nils Ohlendorf

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Nils Ohlendorf, Germany

Location: Fruit Bowl, Moab, Utah, USA

Biography quote: ‘The wilder, the better-chasing raw emotion and that magic light.’

Biography: I have always had the travel bugs and the joy of being outdoors. Studying geography did not relieve that; on the contrary, it gave me plenty of excuses for extended trips abroad. Moving close to the Alps for university enabled me to develop my climbing and skiing, and to spend a lot of time getting lost in the mountains with my friends. Regarding work, I was always concerned about a good work/life balance as well as a decent town/mountain balance.

I achieved this quite well, working mostly based in Germany, and for two years in South America, with plenty of opportunities to explore the Andes. Photography has been a part of my life for a long time. I was 15 when I got my first analogue SLR. But it was until about 4 years ago that I shifted my professional focus towards sports, mountain, and outdoor photography.

The boy in the dark room, developing black and white prints, the love for being outdoors and roaming the world, all the time in the mountains and at that point, it all came together.

About the photo: ‘During a two month climbing trip in the USA, I stayed in Indian Creek when I heard about the GGBY Highline Festival happening outside of Moab. I went to check it out and was totally impressed by the place, the community and the aesthetics of people expressing themselves by moving through space.

Next to the highline area, I had the chance to witness Andy Lewis going for a basejump right into the setting sun above the green river. It was a one-shot kind of opportunity, but everything aligned perfectly.

Gear and specs: Nikon D600; 35mm f/1.4 lens; ISO: 640; F-Stop: 7.1; Shutter Speed: 1/800 sec.

Semi-finalist, Masterpiece by EyeEm: Jeremiah Watt

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Jeremiah Watt, USA

Location: Arch Canyon, Bears Ears National Monument, UT, USA

Biography quote: ‘Raw, authentic, inspired.’

Biography: In the late ’90s, after a college internship gone awry, I turned to photography as an educational possibility. Years later, after life in a van, following the seasons for rock and snow, my camera and I reconnected. Many cameras later I still love an eclectic crew and a wild endeavor. Currently based in Salt Lake City, UT, my hope is to create authentic, story, and character-driven imagery that places the viewer in the midst of the experience.

About the photo: ‘Pat Kingsbury and Jackson Marvell are true desert choss wranglers. On this occasion they were attempting to free “Hellbitch” – an old aid line ascending 800 feet of freestanding sandstone through everything ranging from bullet proof stone to absolute choss. This was my second visit and I desperately wanted shots of Pat redpointing the crux off-width on the third pitch. We’d shot on the pitch repeatedly and we’d created incredible photos but they weren’t the send. As a photographer bent on capturing authentic experience, being there and capturing the actual moment it all comes together, beginning to end, is priceless.

This trip we had five days to make it happen, however, it was getting late in the season, temps beyond noon were unbearable, and time was limited. The day before this, we’d ran from the heat, and sought refuge swimming in sand filled water with margarita’s in hand. The next morning found Pat barely able to stand, dry heaving in his sleeping bag. Being our last day to work and shoot we couldn’t rest and left him alone to recover.

Hours later, as we began to rappel and clean the tower, Pat showed up in flip flops and shorts, feeling better, but not much. Realizing this was his last opportunity to climb his pitch until after the long desert summer, he borrowed pants (a small women’s were all that was available), tied in, and proceeded to send the 30 feet of nearly horizontal off-width using everything from leading with his feet to jamming with his head. The fact that he went from prostrate and dry heaving to sending one of the hardest off-width pitches in the desert still defies comprehension. This photo is from that send and will be an all-time favorite memory and capture for years to come,’ reflects Watt.

Gear and specs: Nikon D810; Nikon 24-70mm f/2.8 lens; ISO: 250; F-Stop: 2.8; Shutter Speed: 1/800 sec.

Semi-finalist, Masterpiece by EyeEm: Ydwer van der Heide

Semi-finalist for the Masterpiece by EyeEm category, Red Bull Illume 2019: Ydwer van der Heide, The Netherlands

Location: Camps Bay, South Africa

Biography Quote: ‘Shooting kitesurfing action in tough conditions can be very challenging. You have to deal with wind, water, salt and sand at the same time. I love to be exposed to those conditions. It puts me in a space where I can capture the reality exactly how I see it. The reward is there when people look at the photo and get the same feeling I had.

In action sports photography you need to be lucky. For a good photo, all pieces have to fall into place. For me knowledge is king. Knowing every button and function of my camera and doing research about my subjects and locations means the chances of having lucky moments are bigger. It gives me room for creativity and I’ll end up with the best possible result.’

Biography: Ydwer van der Heide is an extreme sports photographer hailing from The Netherlands. As a fanatic rider himself, he has combined his early passion for photography and evolved to have one of the most instantly recognizable styles of imagery in kiteboarding. He blends natural elements with the movement and feel of the sport. A lot of people say that the texture of his shots is something else.

Ydwer has been coming to South Africa for many years to shoot with the best kiters in the world. His thrill for photography comes from reacting to the environment, improvising in the moment and accurately portraying the reality of the sports’ best riders braving the most extreme conditions.

His love for travel and adventure makes him criss cross the globe to shoot action sports and capture extraordinary moments of passionated athletes. He’s always looking for a challenge, new angles or locations and innovative ways of showing the sport.

About the photo: ‘During summer season many kitesurfers travel to Cape Town to enjoy the wind and the waves. For me as a photographer specialized in kitesurfing it’s the highlight of the season. I’m able to capture the biggest moments in kiteboarding history with the worlds best riders. These riders have become good friends throughout the years. One of them is Kevin Langeree, an athlete that pushes the sport in his own way.

Most of the people have seen photos from Cape Town and most of the time you’ll see Table Mountain in the background. This year I decided with Kevin to approach it from a different side. We started looking for other spots and angles. We found this tidal rock pool close to the city of Cape Town. It’s such a beautiful place where nature and city merge together seamlessly. I found this angle from above, where the clean pool was so nicely divided from the rough ocean by the typical bolder rocks that you find around Cape Town.’

Gear and specs: DJI Mavic Pro 2; Hasselblad L1D-20C lens; ISO: 100; F-Stop: 6.3; Shutter Speed: 1/400 sec.

Semi-finalist, Lifestyle: Tal Roberts

Semi-finalist for the Lifestyle category, Red Bull Illume 2019: Tal Roberts, USA

Location: Portland, Oregon

Biography: Tal Roberts got his start creating still images by hitting the pause button when the tricks looked just right on the classic skateboard videos of the mid 1990s. Though he didn’t use a real camera until years later the desire to document his passions was still intact. Tal kickstarted his photographic career while exploring the mountains around his home in Ketchum, Idaho and continues to focus on making pictures of his friends having fun.

About the photo: ‘Not much can match the stoke on Willow’s [the dog] face when she see’s we are going for a rip with the skateboard,’ says Roberts.

Gear and specs: Nikon D4; Nikon 16mm lens; ISO: 100; F-Stop: f5.6; Shutter Speed: 1/250 sec.

Semi-finalist, Innovation by Sony: Keke Leppälä

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Keke Leppälä, Finland

Location: Suvilahti DIY skatepark, Helsinki, Finland

Biography quote: ‘Keep shooting, keep exploring, keep doing what you love.’

Biography: I’m a Finnish photographer based in Helsinki. From an early age, I got into skateboarding and snowboarding. I bought my first camera when I was about 12. I shot quite a bit in b&w since my high school had a darkroom, and learned a lot about the “old school” photo development.

For a while in the ‘90s, I was a professional snowboarder. After that it was time for studies, and I ended up working with IT. About 15 years ago I moved to Denmark. We started a local skateboard mag (One Love) in Copenhagen and I got my first skate photo of Sam Beckett published in the Blind Skateboards catalog. From there on, skateboard photography has become a bigger part of my photo work.

2016 I moved back to Helsinki. I work as a freelance photographer but I have also worked with IT for many years now. I enjoy shooting action, wildlife, people and architecture – but skateboard photography combines two of my big passions: it gives me the chance to capture both the fun and beauty of skateboarding and the talent of the skaters.

I enjoy combining visual lines and clean backgrounds with the unexpected perspective.

About the photo: Every year, the legendary Suvilahti DIY skatepark in Helsinki is painted with new exciting artwork based on an idea by the local skaters and artists. In 2016 the theme was ‘Iceberg Ocean.’ During the HELride skateboard event held in Helsinki each summer, Suvilahti DIY has served as the scene for the breathtaking deathrace contest.

‘I am always in search of new unseen angles, and therefore I climbed the sketchy ladder up to 20 meters height of this metal light pole tower located next to the park. In shoots like these, you need to be right at the spot, hitting the shutter just at the right time. I shot many skaters during the deathrace, but my man Roope just got it perfectly aligned when he passed, and I managed to capture my idea into a picture. This angle really twists your mind, and you gotta love the beauty of the background. Artwork design by Laura Lehtinen.

Suvilahti DIY has been designed and built by skaters for skaters, expanding and evolving since 2011. The park, with a size of over 1000m2 [square meters], is one of the biggest of its kind in Europe. Sadly, it is under the threat of being demolished. An association called “The friends and supporters of Suvilahti DIY skatepark area” has been founded in order to save and develop this unique specimen of urban culture,’ says Leppälä.

Gear and specs: Canon EOS 5D Mark II; Canon EF100-400mm f/4.5-5.6L lens, IS USM @100mm; ISO: 100; F-Stop: 5.6; Shutter Speed: 1/640 sec.

Semi-finalist, Innovation by Sony: Vegard Breie

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Vegard Breie, Norway

Location: Numendal, Norway

Biography quote: ‘Hard work pays off.’

Biography: Vegard started his career, as many others, shooting friends on skis and bikes. From then he has been very fortunate to do projects like going to Kabul with special forces, shooting cars in Hollywood to TV promos on beaches of Mexico. He always returns to the action sports, though. Hard to change what you love!

About the photo: ‘Anders [Backe, the skier] is the most hardworking athlete I know and always has some crazy ideas. We tried something similar a few years back that didn’t work that well. But when he came across this pool in an old school he knew about, we knew this was a go!

It’s done with a smoke machine in the pool, the temperature of the landing makes the haze stay down there. And I have one flash behind the jump with a blue gel, and one to my left aiming at him. There was a really minimal innrun, but Anders has incredible pop so he still made it look really good,’ explains Breie.

Gear and specs: Nikon D850; 14-24mm, f/2.8 lens; ISO: 500; F-Stop: 4.5; Shutter Speed: 1/250 sec.

Semi-finalist, Innovation by Sony: Dominique Daher

Semi-finalist for the Innovation by Sony category, Red Bull Illume 2019: Dominique Daher, Switzerland

Location: Col de l’Isoard (Isoard Pass)

Biography quote: ‘The more you pedal less, the less you go faster,’ – Coluche.

Biography: I was born in 1976 in Marseille, Southern France. I live and work now near by Geneva in Switzerland. I’m a former photo editor for a press group, specialized in mountain and counter culture sport, and have been a freelance photographer for more than 15 years. My photography journey is clearly inspired by the world where I grew up. A world of athletes from frozen water to melted snow, more often call boardculture.

Since a bit more than 3 years ago, I co-founded neufdixieme.com, a website focused on behind-the-scenes of outdoor sports, with a photojournalism vision where the words are as important as the pictures as well as the graphic design.

Neufdixieme is also a photo studio dedicated to the athletes. My passion for photography is so strong that I’m only working on this medium. My other interests are in contemporary art, minimalism, design, and architecture. Sport is not in my interest as it’s 100 % part of myself.

I believe cycling can save the world.

About the photo: ‘The first idea was to document the behind the scene of a little funny internet movie called Mountain Skiing. When I did my research with the team, we decided to work in a way called American Night, like Zorro back in the days. You shoot during the daylight and darken it in post. I thought it could be a good idea to do the making of and to try my little project on the side. I order[ed] a blue filter as it was mention[ed] as an important part of the process. The filter never came on time but it worked out,’ says Daher.

Gear and specs: Canon EOS 5D Mark IV; 50mm f/1.2 lens; ISO: 50; F-Stop: 2.8; Shutter Speed: 1/1250 sec.

Semi-finalist, Energy: Michael Clark

Semi-finalist for the Energy category, Red Bull Illume 2019: Michael Clark, USA

Location: Little White Salmon River, Washington, USA

Biography quote: ‘With my work I am looking to push the envelope with the technology and the photographic possibilities.’

Biography: Michael Clark is an internationally-published outdoor photographer specializing in adventure sports, travel, and landscape photography. He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, big-wave surfers and mountain bikers in remote locations around the world.

Clark uses unique angles, bold colors, strong graphics, and dramatic lighting to capture fleeting moments of passion, gusto, flair and bravado in the outdoors. Balancing extreme action with subtle details, striking portraits and wild landscapes, he creates images for the editorial, advertising, and stock markets worldwide.

As a former physicist, Michael has worked on both sides of the technical revolution – helping refine the technology and using it for his current profession. Michael has worked as a professional photographer since 1996 and added digital photography to his repertoire in 2003. While Michael still shoots some film, mostly medium format, the lion’s share of his images are now produced with high-resolution digital cameras.

He has been featured in Digital Photo Pro (December 2011), Outdoor Photographer (September 2001), Nikon World Magazine (Summer 2006), Digital Photographer (UK, 2010), Rangefinder Magazine (May 2010), and New Mexico Magazine (2007) for his work with extreme sports. Digital Photo Pro proclaimed Michael a ‘Master of Adventure’ Photography in their 2011 Masters issue.

About the photo: In Clark’s words,Rafa Ortiz dropping over Spirit Falls while whitewater kayaking on the Little White Salmon river near White Salmon, Washington. This image was shot as part of the Elinchrom ELB 1200 battery-powered strobe launch, named “Lighting the Spirit.”‘

Gear and specs: Nikon D810; Nikon 14-24mm f/2.8 lens; ISO: 400; F-Stop:5.0; Shutter Speed: 1/400th sec.

Semi-finalist, Emerging by Red Bull Photography: Theo Burette

Semi-finalist for the Emerging by Red Bull Photography category, Red Bull Illume 2019: Theo Burette, France

Location: Cergy Pontoise, France

Biography quote: ‘It is so inspiring to be around people that have so much passion for what they do.’

Biography: I was born in Paris in 1996. At 18 years old, I received my first camera and began taking photos.

At 13 years old, I took up skateboarding. I have always loved taking photos of my friends at the skatepark. At that time, I was always hanging out outside. I’m a big fan of extreme sports. I skated for 8 years. In France, we are lucky to have some of the most beautiful ski resorts in the world. Since I was a kid, I go up to the mountain to snowboard every year.

I also fell in love with surfing. My parents have taken my brother and I surfing all over the world (Morocco, Sri Lanka, Lanzarote, the Maldives, Japan). We’ve always had this love of extreme sports in my family. With photography, I have always evolved in my style by practicing and trying different things.

I will never stop learning – that is the richness of photography. I particularly enjoy following athletes and working with them, discovering new styles, new kinds of sports, and coming to understand their personal vision behind their practice. I love translating this through photography. It is so inspiring to be around people that have so much passion for what they do.

About the photo: ‘A couple of years ago, I had the opportunity to meet Jonathan Viardot.
He practices Martial Art Tricking and I immediately asked him if he would be interested in working on a photography project involving this relatively unknown sport – Martial Art Tricking is more than a sport, there is a whole culture of tricks behind it.

I wanted to translate the beauty of the movements, the energy that we feel coming off of the athlete, that moment in the action where time seems to stop. We decided to do the photoshoot at night in a space that is familiar to both of us – we are both from a town outside of Paris called Cergy.

The amphitheater of Cergy was the perfect place for the photoshoot because it possesses a principal light source coming from the top of the bridge. We wanted to play on the human silhouette to reinforce the movement by isolating the background subject,’ explains Burette.

Gear and specs: Nikon D7000; Nikon Objectif AF-S DX 35 mm f/1.8 lens; ISO: 2540; F-Stop: 1.8; Shutter Speed: 1/1250

Semi-finalist, Creative by Skylum: Evgeny Pavlov

Semi-finalist for the Creative by Skylum category, Red Bull Illume 2019: Evgeny Pavlov, Russia

Location: Saint-Petersburg, Russia

Biography quote: ‘Explore, stay wild, creative and passionate.’

Biography: I was born in Saint-Petersburg, Russia, and was crazy about traveling and extreme sports since childhood. I started skateboarding at 15 and after few years tried snowboarding, which I fully felt in love with right away. A few years later, while competing in a snowboard contest, I got injured and had to hold on with a board for a while. In this period my girlfriend gifted me the first camera – a fully manual 35mm Zenit ET.

So I started learning photography by scrolling tonnes of web pages during the night, while during the daytime I had to combine my work at an architectural bureau with my diploma in the University. I tried to practice with roll of film every free minute.

As a photographer, I grew up working with different film cameras and it was something very special. Enjoying the process of getting the shot and a magic moments of waiting until you develop the film. In that time I discovered the pleasure of photography and decided to change my hobby into a part of life.

I’m also keen on urban exploration and rooftop climbing. In my photos I wanted to create something unique that no one had done before by combining that skills with photography and action sport. Different pictures that would really impress peoples minds. Traveling around the world, exploring new territories, climbing on the roofs, up trees and electricity poles, to get the best possible location and angle for the shot was my underlying goal.

Now I’m surrounded by 2 of my life passions – snowboarding and photography, still sponsored as a rider in Russia and able to shoot around the world for worldwide brands and top snowboard magazines.

About the photo: ‘Inspiration comes from everywhere. Sunday morning I went to the supermarket for groceries and while was walking through the rows of shelving – saw a little nameplate next to the canned fish, where was written “boneless”. I found it funny, because it was the same name as a skateboarding trick and just a moment later had an idea to create the shot with a skateboarder doing boneless and a pair of opened tins full of boneless fish.

Most of the time you can see riders doing this trick in a bowl, so nice curved “radius” out of the metal cap suits perfectly for that. [That] same day, I called my friend Alex, who’s pretty good at concrete bowls and explained him my idea. He found this artistic experiment interesting and few days later we’v made this photo.

I used 2 sheets of white paper to make a mobile studio straight in skate plaza, and made a shot of the tin straight away after snapping the trick, with the same light conditions as it was with the rider,’ explains Pavlov.

Gear and specs: Canon EOD 5D Mark III; Samyang 12mm f2.8 fisheye lens; ISO: 640; F-Stop: 4; Shutter Speed: 1/2000 sec.

Semi-finalist, Best of Instagram by SanDisk: Hamish Frost

Semi-finalist for the Best of Instagram by SanDisk category, Red Bull Illume 2019: Hamish Frost, United Kingdom

Location: Bidean nam Bian, Scotland

Biography: I’m an adventure and mountain sports photographer based in Scotland. My journey into photography began capturing images of the Scottish backcountry skiing scene. However since turning professional three years ago, I’ve expanded into shooting climbing, fell running and basically any sports which allow me to spend as much time out in the mountains as possible.

I find the creative process of trying to produce exciting images in tough and inhospitable environments really appealing. If it’s a particularly cold or wet day, then you’re fighting the conditions trying to look after yourself and keep your camera kit working; if the best position for a shot is half way up a cliff face, then you’ve got to work through the logistics of getting to that position. I also love the physical challenge – being fit enough to lug lots of camera gear around and stay motivated to keep pushing the shutter button even when you’re exhausted, maybe also a little scared, and overall would probably rather be anywhere but there. I think the combination of all these aspects is what draws me to this genre of photography over anything else.

About the photo: ‘Guy [Robertson] and Greg [Boswell] had invited me along to get some photos of them trying a new winter route on Bidean nam Bian. They’d been casually vague about their objectives for the day – ‘we’ve got some unfinished business on Bidean nam Bian, get you at the car park at 5.30am!’ It’s nice to be able to do a bit of planning before photographing a climb, however I also enjoy the challenge of having to improvise on the hill. Reaching the foot of the imposing Church Door Buttress just before first light, their “unfinished business” became apparent. The summer line Lost Arrow Direct – an impossibly steep looking series of cracks and roofs leading up the cliff.

The weather that day had been poor for photos, however I knew that if the clouds were to clear slightly, then the west face of Stob Coire nan Lochan might come into view in the background. I waited patiently for a few hours and sure enough, just as Guy was making good progress on the third pitch, the clouds broke momentarily and I was able to get the shot I’d hoped for. Four hours later, Guy completed a sequence of grade 10 moves (in the dark!) to pull through a final roof section and top out on the route,’ explains Frost.

Gear and specs: Sony A7RII; Sony FE 70-200mm f4.0 OSS lens; ISO: 250; F-Stop: 7.1; Shutter Speed: 1/250 sec.

Articles: Digital Photography Review (dpreview.com)

 
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‘Pro’ (noun.), abbreviation of ‘Professional’: born 1798, died 2019, aged 221 after a long illness

29 Oct
We cannot stress this enough: There is no such thing as a professional AirPod user.

We are sad to report that the word ‘Pro’, an abbreviation of the noun ‘Professional’, has died, aged 221.

‘Professional’, meaning “one who does it for a living,” was first defined in modern English in 1798. it rose in popularity in the early 20th Century but in recent decades has been under near-constant attack.

Along with its abbreviation ‘Pro’, the noun form of ‘Professional’ had been showing signs of ill health for some time, but its decline accelerated in the mid-2000s, after which point it was routinely and arbitrarily appended to everything from computers and software to smartphone apps and kitchen equipment. Even then, it hung on bravely for a while, still managing to retain some of its original meaning in the face of determined misapplications which would have killed a lesser word years ago.

When Apple added ‘Pro’ to the name of its latest smartphone, friends were warned to prepare for the worst.

But the writing was on the wall. As a word originally created to describe a person that gets paid for doing something, it was clear by the end of the first decade of the 21st Century that ‘Pro’ had been tortured into taking an almost opposite meaning: Something that a person has to pay for.

When Apple added ‘Pro’ to the name of its latest smartphone last month, friends of the word were warned by etymologists to prepare for the worst.

Sadly, with the launch this week of Apple’s ‘AirPods Pro’, the word has finally been rendered meaningless, and as such, dead. Killed by professional marketing executives.

==

Published from my iPhone 11 Pro

Articles: Digital Photography Review (dpreview.com)

 
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These are the winning photographs of the 2019 Nikon Small World photography competition

25 Oct

2019 Nikon Small World photography competition

The winning photographs of the 2019 Nikon Small World have been revealed, showcasing an incredible collection of shots captured in the contest’s 45th year.

Founded in 1974, Nikon Small World aims ‘to recognize excellence in photography through the microscope’ and ‘is widely regarded as the leading forum for recognizing the art, proficiency and photographic excellence involved in photomicrography,’ in Nikon’s own words. Below is a list of the judges for this year’s competition:

  • Dr. Denisa Wagner, Edwin Cohn Professor of Pediatrics at Harvard Medical School and the head of the Wagner Lab at Boston Children’s Hospital.
  • Dr. Rita Strack, Senior Editor at Nature Methods.
  • Tom Hale, Staff Writer at IFLScience.
  • Ben Guarino, Science Reporter at The Washington Post.
  • Eric Clark (Moderator): Research Coordinator and Applications Developer at the National High Magnetic Field Laboratory at Florida State University.

Over 2000 entries were submitted for the 2019 competition from scientists in nearly 100 countries. After being ‘evaluated on originality, information content, technical proficiency and visual impact,’ microscopy technician Teresa Zgoda and university graduate Teresa Kugler took home first prize for their incredible capture of a turtle embryo that was created using fluorescence and stereo microscopy. The image is a result of the duo taking hundreds of images and stacking them together to create the final image, ‘as the organism’s size meant only very small parts of the turtle could be imaged on the focal plane at a time,’ according to Nikon’s press release.

We’ve rounded up the top 15 images from the contest and shared them in the following gallery to enjoy. Images and information were kindly provided to DPReview through Nikon Small World.

1st Place

1st Place — Teresa Zgoda & Teresa Kugler, Fluorescent turtle embryo

Location: Campbell Hall, New York, USA

Methodology: Stereomicroscopy, Fluorescence, 5x (Objective Lens Magnification)

2nd Place

2nd Place —Dr. Igor Siwanowicz, Depth-color coded projections of three stentors (single-cell freshwater protozoans)

Location: Ashburn, Virginia, USA

Methodology: Confocal, 40x (Objective Lens Magnification)

3rd Place

3rd Place — Daniel Smith Paredes & Dr. Bhart-Anjan S. Bhullar, Alligator embryo developing nerves and skeleton

Location: New Haven, Connecticut, USA

Methodology: Immunofluorescence, 10x (Objective Lens Magnification)

4th Place

4th Place — Jan Rosenboom, Male mosquito

Location: Rostock, Mecklenburg Vorpommern, Germany

Methodology: Focus stacking, 6.3x (Objective Lens Magnification)

5th Place

5th Place — Caleb Foster, Snowflake

Location: Jericho, Vermont, USA

Methodology: Transmitted Light, 4x (Objective Lens Magnification)

6th Place

6th Place — Javier Rupérez, Small white hair spider

Location: Almáchar, Málaga, Spain

Methodology: Reflected Light, Image Stacking, 20x (Objective Lens Magnification)

7th Place

7th Place — Dr. Guillermo López, Chinese red carnation stamen

Location: Alicante, Spain

Methodology: Focus Stacking, 3x (Objective Lens Magnification)

8th Place

8th Place — Garzon Christian, Frozen water droplet

Location: Quintin, Cotes-d’Armor, France

Methodology: Incident Light, 8x (Objective Lens Magnification)

9th Place

9th Place — Andrei Savitski, Tulip bulb cross section

Location: Cherkassy, Ukraine

Methodology: Reflected Light, 1x (Objective Lens Magnification)

10th Place

10th Place — Jason M. Kirk, BPAE cells in telophase stage of mitosis

Location: Houston, Texas, USA

Methodology: Confocal with Enhanced Resolution, 63x (Objective Lens Magnification)

11th Place

11th Place — Dr. Yujun Chen & Dr. Jocelyn McDonald, A pair of ovaries from an adult Drosophila female stained for F-actin (yellow) and nuclei (green); follicle cells are marked by GFP (magenta)

Location: Manhattan, Kansas, USA

Methodology: Confocal, 10x (Objective Lens Magnification)

12th Place

12th Place — Anne Algar, Mosquito larva

Location: Hounslow, Middlesex, United Kingdom

Methodology: Darkfield, Polarizing Light, Image Stacking, 4x (Objective Lens Magnification)

13th Place

13th Place — Dr. Emilio Carabajal Márquez, Cuprite (mineral composed of copper oxide)

Location: Madrid, Spain

Methodology: Focus Stacking, 20x (Objective Lens Magnification)

14th Place

14th Place — Antoine Franck, Femail Oxyopes dumonti (lynx) spider

Location: Saint Pierre, Réunion

Methodology: Focus Stacking, 1x (Objective Lens Magnification)

15th Place

15thPlace — Marek Mi?, Pregnant Daphnia magna (small planktonic crustacean)

Location: Suwalki, Podlaskie, Poland

Methodology: Modified Darkfield, Polarized Light, Image Stacking, 4x (Objective Lens Magnification)

Articles: Digital Photography Review (dpreview.com)

 
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The 5 Best Low Light DSLRs You Can Buy in 2019

24 Oct

The post The 5 Best Low Light DSLRs You Can Buy in 2019 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

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The 5 Best Low Light DSLRs You Can Buy in 2019

Do you want a camera that will capture amazing shots in low light?

As camera technology advances, DSLRs get better and better at handling the low light demands of photographers. Ten years ago, you would feel uncomfortable pushing ISOs past triple digits; now, ISO 3200 and ISO 6400 are common settings. And low-light autofocus lets you do some much more compared to 2010.

Of course, if you want these low light capabilities, there is one caveat:

You have to have the right camera. Because while some cameras perform admirably in low light conditions, others are still less than impressive.

In this article, I break it all down. I’ll share with you the five best low light DSLRs you can buy.

You’ll come away knowing which DSLR you need to grab – if you want the best low light capabilities out there.

Let’s dive right in.

The 5 Best Low Light DSLRs You Can Buy in 2019

1. Overall winner: the Canon 5D Mark IV

best-low-light-dslrs-you-can-buy-in-2019

The Canon 5D Mark IV is an all-round great camera. And its low light performance is, well, amazing.

First, the Canon 5D Mark IV features strong low-light autofocus. The camera is rated down to -3 EV, and the autofocus does well when acquiring focus in the dark.

But where the Canon 5D Mark IV really shines is in its high ISO performance. The 5D Mark IV’s sensor easily outperforms the 5D Mark III, the 6D Mark II, and every Canon crop-sensor DSLR ever produced.

Images are great up through ISO 1600, and still usable at ISO 3200, 6400, and even 12800. This makes the Canon 5D Mark IV perfect for those who need to carry on shooting, even in ultra-dark conditions, such as wedding photographers and astrophotographers.

Plus, the Canon 5D Mark IV is just great across the board, packing a 30.4-megapixel sensor, dual card slots, 61 AF points with 41 cross-type points, and 7 frames-per-second continuous shooting.

Note that the Canon 1D X Mark II (Canon’s $ 5000+ flagship camera) does give better photos than the Canon 5D Mark IV, especially at ISO 6400 and 12800. But the unspeakably high price makes it a non-starter for pretty much every enthusiast and even semi-professional photographer, so I opted to leave both it and its Nikon equivalent, the D5, off the list.

2. Incredible alternative: the Nikon D850

best-low-light-dslrs-you-can-buy-in-2019

First things first:

The Nikon D850 is one of Nikon’s top DSLRs and an amazing low light shooter in its own right.

In fact, the Nikon D850 edges out the Canon 5D Mark IV when it comes to low-light focusing. The Nikon D850 can lock focus in almost complete darkness, and it’s rated by Nikon down to an AF sensitivity of EV -4. In other words, the D850 is a strong option for event photographers, as well as anyone else looking to shoot moving subjects in low light.

Where the Nikon D850 falls short is in terms of ISO performance – though “falling short” is a bit of a misnomer in this case, because the D850 features amazing high ISO capabilities.

(It’s a credit to the Canon 5D Mark IV’s outstanding low light performance that it comes in ahead of the Nikon.)

The D850 offers beautiful photos up to ISO 1600. Images are still usable at ISO 3200. After this, color casts begin to distort the D850’s photos, though noise performance is still impressive.

If you’re comparing the D850 versus the 5D Mark IV, it’s worth noting the higher resolution of the D850 (45.7 megapixels) with the same frame-per-second rate (7 fps). Add to that 4K video capabilities, and you’ve got yourself a tremendous competitor.

3. Good budget option: the Nikon D750

The 5 Best Low Light DSLRs You Can Buy in 2019

The Nikon D750 is a few years old now (it was released in 2014), but that doesn’t stop it from offering up impressive low light performance, five years later.

The biggest benefit the D750 offers in terms of low-light capabilities is its autofocus; while it can’t go down to the -4 EV AF sensitivity featured on the D850, it offers autofocusing at a respectable -3 EV and does extremely well (better than the D810) at acquiring focus in low light.

The D750 packs impressive high-ISO capabilities, as well. You should be able to shoot comfortably up through ISO 1600. At ISO 3200, some noise will be present, increasing at ISO 6400, but remaining usable.

Other features include a 6.5 fps continuous shooting speed, a full-frame, 24.3-megapixel sensor, and an adjustable LCD screen. Where the D750 shows its years is in terms of its accessories: there’s no touchscreen, and no 4K video.

But it’s easy to find used D750s on sale for under 1000 dollars. So if you’re looking for a stellar low-light camera on a budget, the D750 may be the way to go.

4. Canon 6D Mark II

The 5 Best Low Light DSLRs You Can Buy in 2019

The Canon 6D was considered an exciting full-frame option for enthusiasts. Unfortunately, its successor, the Canon 6D Mark II, debuted to less critical acclaim.

That said, the Canon 6D Mark II does have a few features worth noting, including its low light ISO performance, which is outranked only by the 5D Mark IV among Canon’s semiprofessional and APS-C DSLRs.

On the 6D Mark II, you can push your ISO to 1600 without worrying about intense noise. Even ISO 3200 gives useable, though somewhat noisy, images.

Low light focusing is good, with the 6D Mark II acquiring focus down to an EV of -3, and featuring a strong AF center point (as part of a 45 AF point spread).

All in all, the Canon 6D Mark II is a solid low light option, especially for those not willing to shell out the money for a Canon 5D Mark IV (or its Nikon competitors).

5. Best APS-C low light option: the Nikon D7500 (and the Canon 80D)

best-low-light-dslrs-you-can-buy-in-2019Full-frame cameras are better low light shooters, hands down. The larger pixel size gives better noise performance, and top brands channel their best features into semi-professional and professional full-frame bodies.

That said, there are some great low-light crop-sensor options out there.

In particular, the Nikon D7500 offers some impressive low-light capabilities at a very reasonable price (and is just an all-around solid option).

First, the ISO range is outstanding: ISO 100 to ISO 51,200, with an extension to the whopping ISO 1,638,400 (not that you should ever use it).

ISO 1600 shows noise, but nothing serious. Images at ISO 3200 are surprisingly good for an APS-C camera, and even ISO 6400 is usable with some noise reduction for smaller print sizes.

On the Canon side of things, the 80D doesn’t quite match the low-light performance of the Nikon D7500 but is still worth a look. Images become noisy around ISO 1600, increasing with ISO 3200 and beyond. I’d also recommend checking out the new Canon 90D; while the noise performance will no doubt be scrutinized over the coming months, initial tests indicate that the 90D is close to equivalent with the 80D at high ISOs.

best-low-light-dslrs-you-can-buy-in-2019

Here’s the bottom line:

For entry-level shooters looking to grab a strong low-light performer, the Nikon D7500 or the Canon 80D might be the way to go.

The 5 best low light DSLRs you can buy: conclusion

You should now have a good sense of the best low-light DSLRs out there – and the right one for your needs.

If you’re looking to do some serious shooting and you have the cash to spare, the Canon 5D Mark IV or the Nikon D850 is the way to go.

But the Canon 6D Mark II and the Nikon D750 are solid backups.

And for the entry-level photographer, the Nikon D7500 and the Canon 80D both feature good high-ISO performance, even if they are APS-C bodies.

Do you agree with these low light shooters? Are there any other low-light DSLRs you’d recommend? Share with us in the comments!

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The post The 5 Best Low Light DSLRs You Can Buy in 2019 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Utah Senator introduces Drone Integration and Zoning Act of 2019

22 Oct

Republican Utah Senator Mike Lee was heavily involved in the unsuccessful Drone Federalism Act of 2017, a bill sponsored by California Senator Dianne Feinstein that sought to restrict drone usage by giving local government and property owners jurisdiction over National Airspace. Now he’s back with a new bill, the Drone Integration and Zoning Act, that will allow cities, states, and Native American tribes to set their own rules on low-flying drones, effectively overriding regulations set by the Federal Aviation Administration (FAA).

In a statement regarding the new bill, Sen. Lee said:

‘The FAA cannot feasibly or efficiently oversee millions of drones in every locality throughout the country […] The reason that the states have sovereign police powers to protect the property of their citizens is because issues of land use, privacy, trespass, and law enforcement make sense at the state and local level. The best way to ensure public safety and allow this innovative industry to thrive is to empower the people closest to the ground to make local decisions in real time and that is exactly what the Drone Integration and Zoning Act does.’

Basically, if passed, it would give home owners, local businesses, and counties full control over the first 200 feet of airspace above their designated property lines. Above 200 feet, FAA rules would apply. The FAA is not in favor of being overruled by local governments as these new ordinances would create even more confusion amongst drone operators. In a statement to Axios, DJI’s Director of U.S. legislative affairs, Mark Aitken, said the bill would ‘spur state and local governments across the country to impose harsh and conflicting taxes and fees on professional and recreational drone flights, throttling an industry still in its infancy.’

Currently, 34 out of 50 U.S. states, including California, are legally allowed to enforce their own regulations and restrictions on drone use at a county level. One state where this isn’t allowed is Michigan and a group of people, including the Michigan Coalition of Drone Operators, is fighting back. Back in December, a Genesee County sheriff arrested and detained Jason Harrison for flying in a park. The flight was legal, despite them attempting to rewrite legislation on drone use to fit their preferences – something that is in violation of Michigan State Law – Public Act 436 of 2016.

A follow-up trial is scheduled for November 8th in Flint, Michigan. If the judge rules in Harrison’s favor, it will hopefully set a precedent for how National Airspace is dictated across the U.S. While the Drone Integration and Zoning Act of 2019 will likely not gain much traction with Congress, it’s still worth writing your Senator to explain how patchwork drone laws will only cause chaos and confusion amongst operators and lawmakers, alike.

Articles: Digital Photography Review (dpreview.com)

 
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These are the winners of the 2019 Wildlife Photographer of the Year competition

18 Oct

Winners of the Wildlife Photographer of the Year competition

The winners of the 55th annual Wildlife Photographer of the Year competition were announced earlier this week during a ceremony at the Natural History Museum, in London, which develops and produces the international event.

Over 48,000 images were submitted from 100 countries. The 19 category-winning images will be on display at an exhibition that opens Friday, October 18th, at the National History Museum before touring across the United Kingdom and internationally to locations including Canada, Spain, the USA, Australia and Germany.

The Grand Title Winner, titled ‘The Moment’ and captured by Chinese photographer Yongqing Baoas, is a humorous shot of a Himalayan marmot being scared by a Tibetan fox determined to find food for its three young cubs.

Open to photographers of all ages and abilities, entries for the next Wildlife Photographer of the Year competition will open on Monday, October 21st and close on December 12th. Find out more, here.

Winner, Wildlife Photographer of the Year

Winner 2019, Grand Title Winner: The Moment by Yongqing Bao

About the photo: This Himalayan marmot was not long out of hibernation when it was surprised by a mother Tibetan fox with three hungry cubs to feed. With lightning-fast reactions, Yongqing captured the attack – the power of the predator baring her teeth, the terror of her prey, the intensity of life and death written on their faces.

As one of the highest-altitude-dwelling mammals, the Himalayan marmot relies on its thick fur for survival through the extreme cold. In the heart of winter it spends more than six months in an exceptionally deep burrow with the rest of its colony. Marmots usually do not resurface until spring, an opportunity not to be missed by hungry predators.

Gear and specs: Canon EOS-1D X + 800mm f5.6 lens; 1/2500 sec at f5.6 (+0.67 e/v); ISO 640; Manfrotto carbon-fibre tripod + 509HD head

Winner, Young Wildlife Photographer of the Year

Winner 2019, Young Wildlife Photographer of the Year Grand title winner: Night Glow by Cruz Erdmann, New Zealand

About the photo: Cruz was on a night dive with his dad when he saw a pair of bigfin reef squid in the shallow water. One swam off but Cruz quickly adjusted his camera and strobe settings, knowing that the opportunity was too good to miss. He shot four frames of the remaining squid before it too disappeared into the inky blackness.

Bigfin reef squid are masters of camouflage, changing their body colour and pattern using their reflective and pigmented skin cells. They also alter their appearance to help them communicate. During courtship, males and females display complex patterns to indicate their willingness to mate.

Gear and specs: Canon EOS 5D Mark III + 100mm f2.8 lens; 1/125 sec at f29; ISO 200; Ikelite DS161 strobe; Aquatica 5D Mk II Pro housing

Winner, Animals in their Environment

Winner 2019, Animals in their Environment: Snow-Plateau Nomads by Shangzhen Fan, China

About the photo: A small herd of male chirus makes its way to the relative warmth of the Kumukuli Desert. These nimble antelopes are high-altitude specialists found only on the Qinghai–Tibet Plateau. For years, Shangzhen made the long, arduous journey to observe them there. Here he drew the contrasting elements of snow and sand together.

Underneath their long hair, chirus have a light, warm underfur called shahtoosh. It grows tightly against their skin and can only be harvested by killing and skinning the chirus. Protection since the 1990s has seen their once-decimated numbers increase, but there is still demand – primarily from Westerners – for shahtoosh shawls.

Gear and specs: Nikon D5 + 600mm f4 lens; 1/1250 sec at f6.3 (+0.3 e/v); ISO 125; Gitzo GT5532S 6X tripod

Winner, Animal Portraits

Winner 2019, Animal Portraits: Face of Deception by Ripan Biswas, India

About the photo: Ripan was photographing a red weaver ant colony when he spotted this slightly strange individual. It may have the face of an ant but its eight legs give it away – on closer inspection Ripan discovered that it was an ant-mimicking crab spider. By reverse mounting his lens, Ripan converted it to a macro capable of taking extreme close-ups.

Many spider species imitate ants in appearance and behaviour. Infiltrating an ant colony can help them prey on unsuspecting ants or avoid being eaten by predators that dislike ants. This particular spider, says Ripan, seemed to be roaming around the colony, looking for a solitary ant that it could grab for a meal.

Gear and specs: Nikon D500 + 18–55mm lens (reverse mounted); 1/160 sec; ISO 200; Godox V860II flash

Winner, Behavior: Amphibians and Reptiles

Winner 2019, Behaviour: Amphibians and Reptiles: Pondworld by Manuel Plaickner, Italy

About the photo: Every spring for more than a decade, Manuel followed the mass migration of common frogs. He took this image by immersing himself and his camera in a large pond where hundreds of frogs had gathered. There he waited until the moment arrived for the picture he had in mind – lingering frogs, harmonious colours, soft, natural light and dreamy reflections.

Rising spring temperatures bring common frogs out of their winter shelters. They head straight to water to breed, often returning to where they were spawned. Though widespread across Europe, their numbers are thought to be declining due to habitat degradation from pollution and drainage of breeding sites.

Gear and specs: Canon EOS 5D Mark II + 17–40mm f4 lens at 20mm; 1/640 sec at f8 (+0.7 e/v); ISO 800; Seacam housing

Winner, Behavior: Birds

Winner 2019, Behavior: Birds: Land of the Eagle by Audun Rikardsen, Norway

About the photo: Audun carefully positioned this tree branch, hoping it would make a perfect lookout for a golden eagle. He set up a camera trap and occasionally left road-kill carrion nearby. Very gradually, over the next three years, this eagle started to use the branch to survey its coastal realm. Audun captured its power as it came in to land, talons outstretched.

Golden eagles typically fly at around 50 kilometres per hour but can reach speeds of up to 320 kilometres per hour when diving for prey. This, along with their sharp talons, makes them formidable hunters. Normally they kill small mammals, birds, reptiles or fish, but they also eat carrion and have been known to target larger animals too.

Gear and specs: Canon EOS 5D Mark IV + 11–24mm f4 lens at 11m; 1/2500 sec at f14 (-1 e/v); ISO 800; Canon Speedlite 600EX II-RT flash; Camtraptions motion sensor; Sirui tripod

Winner, Behavior: Invertebrates

Winner 2019, Behavior: Invertebrates: The Architectural Army by Daniel Kronauer, Germany/USA

About the photo: By day this colony of army ants raided their surrounds, mostly hunting other ant species. At dusk they moved on, travelling up to 400 metres before building a nest for the night. Positioning his camera on the forest floor, Daniel was wary of upsetting thousands of venomous army ants. ‘You mustn’t breathe in their direction,’ he says.

Army ants alternate between nomadic and stationary phases. These ants are in a nomadic phase, building a new nest each night using their own bodies. The soldier ants interlock their claws to form a scaffold while the queen stays inside in a network of chambers and tunnels. During the stationary phase they will stay in the same nest while the queen lays new eggs.

Gear and specs: Canon EOS 7D + 16–35mm f2.8 lens at 16mm + extension ring; 3.2 sec at f22; ISO 100; Canon Speedlite flash

Winner, Behavior: Mammals

Winner 2019, Behavior: Mammals: The Equal Match by Ingo Arndt, Germany

About the photo: The guanaco turns, terrified, his last mouthful of grass flying in the wind as a female puma attacks. For Ingo, this is the culmination of months of work tracking wild pumas on foot, enduring extreme cold and biting winds. After an intense four-second struggle, the guanaco escaped with his life, leaving the puma to go hungry.

Because they are so abundant in Patagonia, guanacos are common prey of pumas. These big cats are solitary and hunt by patiently stalking before they pounce. Their robust hind legs allow them to take on animals bigger than themselves but they can also feed on smaller animals, such as rodents and birds.

Gear and specs: Canon EOS-1DX Mark II + 600mm f4 lens; 1/3000 sec at f4; ISO 1000; Gitzo tripod

Winner, Urban Wildlife

Winner 2019, Urban Wildlife: The Rat Pack by Charlie Hamilton James, UK

About the photo: On Pearl Street in Lower Manhattan, brown rats scamper between their home under a tree grille and a pile of rubbish bags full of food waste. Lighting his shot to blend with the glow of the street lights and operating his kit remotely, Charlie captured this intimate, street-level view.

Urban rat populations are rising fast worldwide and their association with spreading disease in humans inspires fear and disgust. Rats are smart and capable of navigating complex networks such as subway systems. Being powerful swimmers, burrowers and jumpers makes these rodents particularly well suited to city living.

Gear and specs: Sony ?7R III + 16–35mm f4 lens at 24mm; 1/20 sec at f11; ISO 4000; Sony flash; PocketWizard trigger

Winner, Earth’s Environments

Winner 2019, Earth’s Environments: Creation by Luis Vilariño, Spain

About the photo: Red-hot lava from K?lauea volcano instantly boils the cool Pacific Ocean where they meet at the Hawaiian coast. As Luis’s helicopter flew along the coastline a sudden change in wind direction parted the plumes of steam to reveal the fiery river. Quickly framing his shot through the helicopter’s open door, he captured the tumultuous creation of new land.

As the lava boils the seawater, it produces acid steam and tiny shards of glass, which combine to create a lava haze or ‘laze’. This eruption was K?lauea’s largest in 200 years. For three months in 2018, lava spewed from the summit and surrounding fissures, eventually destroying over 700 homes and solidifying to create hundreds of acres of new land.

Gear and specs: Sony ?7R III + 100–400mm f4.5–5.6 lens at 196mm; 1/4000 sec at f5.6; ISO 800

Winner, Black and White

Winner 2019, Black and White: Snow Exposure by Max Waugh, USA

About the photo: In a winter whiteout a lone American bison briefly lifts its head from its endless foraging. Max purposefully slowed his shutter speed to blur the snow and ‘paint lines across the silhouette of the bison’. Slightly overexposing the shot and converting it to black and white accentuated the simplicity of the wintry scene.

Swinging their huge heads from side to side, American bison sweep away snow with their muzzles to eat the grasses and sedges buried beneath. Originally a common sight, their largescale slaughter for meat and hides brought them close to extinction in the nineteenth century. But populations are recovering and wild American bison now thrive in national parks.

Gear and specs: Canon EOS-1D X + 100–400mm f5.6 lens at 200mm; 1/15 sec at f22 (+1 e/v); ISO 100

Winner, Wildlife Photojournalism

Winner 2019, Wildlife Photojournalism: Another Barred Migrant, Alejandro Prieto, Mexico

About the photo: It took Alejandro two years to take the perfect photo of a male jaguar. Under a luminous, star-studded Arizona sky, he projects it onto a section of the US–Mexico border fence to symbolise ‘the jaguar’s past and its possible future presence in the United States. If the wall is built,’ he says, ‘it will destroy the jaguar population in the United States.’

Jaguars are mainly found in South America but historically also roamed the southwest of the United States. Over the past century, hunting and habitat destruction have resulted in the species disappearing from this area. Any hope of establishing a breeding population in this region rests on the contentious border remaining partially open.

Gear and specs: Nikon D850 + Sigma 14–24mm f2.8 lens at 16mm; 30 sec at f2.8; ISO 1600; remote control; Gitzo tripod; Epson projector

Winner, Rising Star Portfolio Award

Winner 2019, Rising Start Portfolio Award: Frozen Moment by Jérémie Villet, France

About the photo: Entwined in each other’s thick spiral horns, two male Dall sheep pause during a fierce clash. For years, Jérémie had dreamed of photographing pure-white Dall sheep against a snow-clad alpine backdrop. Lying in the snow nearby, he battled with strong winds, heavy snow and bitterly cold temperatures, determined to capture this moment of both ‘purity and power’.

Dall sheep thrive in arctic and subarctic regions of the world. They depend on steep, rugged cliffs and outcrops to provide them with places to escape from predators, while using nearby open grass and meadows to feed. In winter they favour areas with strong winds that remove snow and expose forage.

Gear and specs: Canon EOS 5D Mark IV + 400mm f2.8 lens; 1/1600 sec at f2.8 (+1.3 e/v); ISO 500

Winner, Plants and Fungi

Winner 2019, Plants and Fungi: Tapestry of life by Zorica Kovacevic

About the photo: Festooned with bulging orange velvet, trimmed with grey lace, the arms of a Monterey cypress tree weave an otherworldly canopy over Pinnacle Point, in Point Lobos State Natural Reserve, California. This tiny, protected coastal zone is the only place in the world where natural conditions combine to conjure this magical scene.

Though the Monterey cypress is widely planted (valued for its resistance to wind, salt, drought and pests), it is native only on the Californian coast in just two groves. Its spongy orange cladding is in fact a mass of green algae spectacularly colored by carotenoid pigments, which depend on the tree for physical support but photosynthesize their own food. The algal species occurs widely, but it is found on Monterey cypress trees only at Point Lobos, which has the conditions it needs – clean air and moisture, delivered by sea breezes and fog. The vibrant orange is set off by the tangles of grey lace lichen (a combination of alga and fungus), also harmless to the trees.

After several days experimenting, Kovacevic decided on a close-up abstract of one particular tree. With reserve visitors to this popular spot confined to marked trails, she was lucky to get overcast weather (avoiding harsh light) at a quiet moment. She had just enough time to focus-stack 22 images (merging the sharp parts of all the photos) to reveal the colorful maze in depth.

Gear and specs: Nikon D850 + 70–200mm f2.8 lens at 112mm; 1/4 sec at f8; ISO 64; Really Right Stuff tripod + ballhead.

Winner, Under Water

Winner 2019, Under Water: The garden of eels by David Doubilet

About the photo: The colony of garden eels was one of the largest David Doubilet had ever seen, at least two thirds the size of a football field, stretching down a steep sandy slope off Dauin, in the Philippines – a cornerstone of the famous Coral Triangle.

Doubilet rolled off the boat in the shallows and descended along the colony edge, deciding where to set up his kit. He had long awaited this chance, sketching out an ideal portrait of the colony back in his studio and designing an underwater remote system to realize his ambition. It was also a return to a much-loved subject – his first story of very many stories in National Geographic was also on garden eels.

These warm-water relatives of conger eels are extremely shy, vanishing into their sandy burrows the moment they sense anything unfamiliar. David placed his camera housing (mounted on a base plate, with a ball head) just within the colony and hid behind the remnants of a shipwreck. From there he could trigger the system remotely via a 12-meter (40-foot) extension cord.

It was several hours before the eels dared to rise again to feed on the plankton that drifted by in the current. He gradually perfected the set-up, each time leaving an object where the camera had been so as not to surprise the eels when it reappeared. Several days later – now familiar with the eels’ rhythms and the path of the light – he began to get images he liked. When a small wrasse led a slender cornetfish through the gently swaying forms, he had his shot.

Gear and specs: Nikon D3 + 17–35mm f2.8 lens at 19mm; 1/40 sec at f14; ISO 400; Seacam housing; aluminum plate + ballhead; remote trigger; Sea & Sea YS250 strobes (at half power).

Winner, Wildlife Photojournalist Story Award

Winner 2019, Wildlife Photojournalist Story Award: Show Time by Jasper Doest, The Netherlands

About the photo: For 17 years Riku has performed skits three times a day in front of large audiences in a theatre in Japan. The appeal of these traditional and popular performances lies in the anthropomorphic appearance of the trained macaques. It took Jasper a long time to gain permission to take pictures of the performance, and he was appalled that an animal once considered a sacred mediator between gods and humans was now being ridiculed for commercial gain.

Gear and specs: Canon EOS 5D Mark IV + 24–70mm f2.8 lens; 1/160 sec at f10 (-1.7 e/v); ISO 2000

Winner, Wildlife Photographer Portfolio Award

Winner 2019, Wildlife Photographer Portfolio Award: The Art of Conception by Stefan Christmann, Germany

About the photo: Stefan was lucky to find this isolated couple courting – many pairs had already mated by the time conditions allowed him to access this remote spot. The serene backdrop of sea ice and a distant stranded iceberg softly lit by the setting sun gives no hint that the Antarctic winter is about to intensify.

Emperor penguins form a new bond each year and are monogamous for the season. Males perform a courtship call until chosen by a female. The female lies on the sea ice and signals that she is ready before the male climbs onto her back. ‘The male struggled to keep his balance,’ says Stefan.

Gear and specs: Nikon D810 + 400mm f2.8 lens; 1/400 sec at f5.6; ISO 800

Articles: Digital Photography Review (dpreview.com)

 
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Best easy-to-use cameras of 2019

13 Oct

If you want a camera that you can pick up and use without having to page through the manual first, then this guide is for you. Some of the cameras in this guide have robust auto modes that let you ‘set it and forget it’, while others have clever interfaces to translate more complex subjects into easily comprehensible language, often with visual guides.

We’ve included cameras in various classes (and thus prices) in this guide, from compacts costing a few hundred dollars to a full-frame model that will produce much higher quality images but sells for around $ 1300. Read on to see what we think is the most user-friendly camera on the market.


Our pick: Canon EOS Rebel SL3 (EOS 250D)

The Canon SL3 works perfectly well in its Auto (A+) mode, where it will select the correct settings for the detected scene, such as a sunset. It also gives you the opportunity to tinker with exposure and color settings using a clever interface known as Creative Assist. There, you can adjust things like background blur (AKA aperture), brightness and color saturation (helpfully illustrated with tulips).

When you switch into ‘regular’ exposure modes (like Program), the camera still provides visual aids showing the effect of changing things like aperture and shutter speed, but this time you actually see the values (such as the F-number) you’re adjusting. And this interface shows you how to operate the camera if you ever opt to remove the ‘training wheels.’

As a camera, the SL3 takes very good photos, uses Canon’s excellent Dual Pixel AF system for video and live view, and is as close to ‘pocketable’ as you’ll get on a DSLR.


While the Canon EOS Rebel SL3 (250D) was our winner, there are several other easy-to-use cameras that are also worth consideration. We’ve listed them all out below with detailed breakdowns of their features and performance:

  • Our pick: Canon EOS Rebel SL3 (EOS 250D)

Also available:

  • Canon EOS M200*
  • Canon EOS RP
  • Fujifilm X-A7*
  • Nikon D3500*
  • Olympus OM-D E-M10 III
  • Sony a5100

* This camera has not yet been fully reviewed and is thus not eligible for an award.

Articles: Digital Photography Review (dpreview.com)

 
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