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Posts Tagged ‘2019’

Zeiss opens its 2019 photography award with €15K top prize

27 Nov

Zeiss has announced its 2019 photography contest is open for entries, and that the top prize will include €12,000/$ 13,615USD of its lenses along with a €3000/$ 3403USD grant to pay for a photographic project.

The contest, run alongside the Sony World Photography Awards, is aimed at photographers shooting stories with multiple images rather than single frames. The theme, as always, is ‘Seeing Beyond – The Unexpected.’ The judges will be looking for collections of 5-10 photographs and descriptions on a theme with a ‘strong and clear narrative’. The brief is purposely pretty open and can be interrupted in a wide range of ways.

15 photographers will be shortlisted and will exhibit at the Sony World Photography Awards show, and the winner announced on April 9th at the awards ceremony in London.

Submitted photographs will be judged by three international panelists: Simon Frederick, Dagmar Seeland and Shoair Mavlian. According to Zeiss, ‘The jury will evaluate both the photographic quality as well as the creativity of the works. The jury is particularly looking for a powerful story that is clearly recognizable in the images.’

The contest closes on February 8th, 2019. For more information visit the Zeiss Photography Award pages on the SWPA website.

Press release:

ZEISS Photography Award 2019 “Seeing Beyond – The Unexpected “
Pushing the limits of creativity

The ZEISS Photography Award is now in its fourth year – and is calling on ambitious photographers from across the globe to present their work around the theme “Seeing Beyond – The Unexpected” to the international jury of experts. The ZEISS Photography Award is jointly organized by ZEISS and the World Photography Organisation. Last year, 12,000 photographers from 140 countries submitted nearly 90,000 photos.

The 2019 brief
Photographers are asked for a creative response to the brief “The Unexpected” that is driven by a strong and clear narrative. To be understood in its broadest sense, “The Unexpected” challenges photographers to submit a series of 5-10 images that look past the everyday and address something unforeseen or surprising – whether this is through the landscape and the physical environment, through human expression, emotion and interaction, through political or social causes or something more conceptual. The ‘unexpected’ element could be of global or very personal concern and may either showcase the familiar in a new way or shed light on something entirely different. All types of photography are welcomed by judges

Participants are required to submit a series of five to ten photographs, including a description of the images, online. Submissions open 22 November, 2018 and close 8 February, 2019.

Prizes
A shortlist with up to 15 photo series will be released on 26 March 2019. The winner will be announced on 9 April 2019. The winning and selected shortlisted works will be exhibited at Somerset House.

The winner will receive:

  • ZEISS camera lenses of their choice worth a total of 12,000 euros, and 3,000 euros to cover travels costs for a photo project.
  • Flights and accommodation to attend the exhibition’s opening at Somerset House London in April 2019.
  • ZEISS will also invite the winner to their headquarters in Germany to see behind the scenes and test out ZEISS lenses for themselves.

The winner will also have the chance to collaborate directly with ZEISS and the World Photography Organisation.

Articles: Digital Photography Review (dpreview.com)

 
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ON1 Photo RAW 2019 arrives with new UI, AI-powered Lightroom migration, and more

14 Nov

ON1 has launched its new ON1 Photo RAW 2019 photo editor for macOS and Windows. The new software is a “major upgrade” to the existing ON1 Photo RAW editor, according to the company, which has added new features that include focus stacking, a non-destructive layers workflow, a new portrait tab, and more.

ON1 Photo RAW 2019 relies on AI-powered algorithms to bring “significant enhancement” for users who want to migrate from Adobe Lightroom. In addition to the batch of new features, the updated application also adds additional camera support and lens profiles, HEIC file support, and a new interface with reduced contrast, updated UI elements, and an overall modern look.

ON1 Photo RAW 2019 is available now with a 30-day free trial and $ 99.99 USD purchase price. Existing ON1 product owners are offered the upgrade at a discounted $ 79.99 USD. Alternatively, customers can get access to the new software via an ON1 Plus Pro membership, which is currently priced at $ 129.99/year with a regular annual price of $ 149.99 USD.

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available

ON1 Photo RAW 2019 – An All-New Photo Editing Experience Now Available
Portland, OR – November 13, 2018?? – ON1, Inc announces that ON1 Photo RAW 2019, an all-new photo editing experience and a major upgrade to ON1 Photo RAW, is available today. ON1 Photo RAW 2019 includes all-new features and technologies along with a streamlined workflow that is elegant, powerful and easy to learn. Notable new features include a new non-destructive workflow for layers, auto-alignment of layers, focus stacking, a new portrait tab, a new text tool, new digital asset management updates and more. ON1 Photo RAW 2019 includes the tools photographers need in a single well thought out photography workflow application.

This all-new photo editing experience gives photographers the features they use the most from the Adobe® Lightroom® and Photoshop® worlds in a single application. ON1 Photo RAW 2019 also includes a significant enhancement to the migration process for customers looking to move away from Lightroom®. Version 2019 is the first solution to utilize AI-powered algorithms to transfer and display Lightroom edited photos in ON1 Photo RAW 2019. The transferred settings will also remain non-destructive and be re-editable inside ON1 Photo RAW 2019.

The ON1 community drives the development of ON1 Photo RAW based on what’s most important for their photo editing needs. Every new feature and improvement made in version 2019 is a direct result of community input through the ON1 Photo RAW Project.

  • A New & Faster Editing Workflow ??–? ??All of the editing modules from previous versions have been combined into the Edit module to create a single place for editing photos. The former editing modules are now available as tabs to allow you to work in each seamlessly without changing the application appearance. These include Develop, Effects, Portrait, and Local Adjustments tabs.
  • A New Workflow for Layers?? – ON1 Layers is no longer a separate module. Instead, the power of layers is accessible within the non-destructive workflow in the new Edit module. This allows for creating or editing multi-layered files, including raw files, and keeping non-destructive settings for each photo layer. Customers can also move, size and mask each layer. More importantly, and a new concept, each layer has its own non-destructive settings, all the way back to the original file. What’s most exciting is if you are working with raw files, powerful adjustments like exposure, highlights and shadows can now be processed using the raw data in a layered photo workflow. All without having to change modules or applications.
  • New Lightroom Photo Settings Migration?? – New AI-powered algorithms give customers the ability to transfer Lightroom edited photos, keep the non-destructive settings, and move them into ON1 Photo RAW 2019. The updated Lightroom Migration Tool in version 2019 transfers almost every edit you can make in Lightroom including raw processing, crop, retouching and local adjustments along with folders, photos, collections, and metadata.
  • New Focus Stacking?? – Automatically blend a series of photos at different focus distances to increase depth-of-field. It’s so fast, you can adjust the focus in real-time, just like changing the focus on your lenses. Think of it like HDR, but for focus instead of exposure.
  • New Auto-Align Layers?? – Easily combine multiple photos as layers, then automatically align them based on image content, making it easy to mask and blend them together.
  • New AI Masking Tool (coming Winter 2019)?? – This new tool, powered by machine learning, will allow customers to easily identify areas of their photos to create a selection or mask and the AI technology detects your subject matter and automatically creates a beautiful mask.
  • New Portrait Tab ??– The new Portrait tab automatically detects faces in your photo allowing you to easily retouch, smooth skin, brighten and sharpen eyes, and whiten teeth.
  • New Text Tool?? – The new text tool is perfect for creating posters, postcards, or adding your byline or watermark. Easily control font size, color, position, and more and then save a preset to add the same text overlay to a batch of photos quickly.
  • New Master Keyword List?? – Now you can see every keyword you use in a single, searchable list. You can quickly apply, clear, edit, or delete keywords.
  • Enhanced Local Adjustments?? – Local adjustments have been enhanced to use the raw processing data. This allows for more highlight and shadow details with more tonal range. This also includes new controls like haze, whites and blacks.
  • New Layered HDR Workflow?? – With the powerful new non-destructive layers you can combine other photos, text or alternate exposures with your HDR photos. Use the powerful masking tools to combine multiple HDR renditions even.
  • New Filter Options in Effects ??–? ??We have added dedicated film grain, curves and color adjustment filters to Effects. These let you add film grain to color photos and make advanced, targeted color and tone adjustments faster. There’s even a new filter selector that allows you to search for filters, learn what they do and even view a sample before you add them.
  • New User Interface?? – The new user interface has a fresh and modern feel. Overall contrast has been reduced to make photos stand out along with a new font to help increase readability. Updated icons, tabs, and sliders will also take up less visual space.
  • Other Updates ??– including support for HEIC files, keyboard shortcuts for changing modules, more accent color options, color labels on folders and more.
  • Additional Camera Support?? – Added support for the Fujifilm XF10, Fujifilm X-T3, Nikon P1000, Nikon Z7, Panasonic LX100 II, Leica M10-P.
  • Additional Lens Profiles?? – Added lens profiles for: Canon EF35mm f/1.4L II USM (750), Chinon Auto Chinon 35mm f/2.8, KMZ Helios-40 85mm f/1.5, Nikon 200-500mm F5.6 174, Panasonic LEICA DG 8-18/F2.8-4.0, Panasonic LEICA DG NOCTICRON 42.5/F1.2, Pentax Pentax SMC Takumar 50mm f/1.4, Sigma Sigma 17-50mm f/2.8 EX DC HSM, Sony FE 24-105mm F4 G OSS, Sony FE 50mm F1.8, Tamron 14-150mm F/3.5-5.8 DiIII C001, Tamron SP 24-70mm F/2.8 Di VC USD G2 (A032), Voigtla?nder Voigtlander Super Wide Heliar III.

Price and Availability

ON1 Photo RAW 2019 is available today for $ 99.99. Previous owners of any ON1 product can upgrade for $ 79.99. ON1 Photo RAW 2019 is also available as part of an ON1 Plus Pro membership for a for $ 129.99/year (Reg: $ 149.99/year). ON1 Plus Pro includes a perpetual license of ON1 Photo RAW along with in-depth post-processing and photography education from the industries best trainers such as Matt Kloskowski, Hudson Henry, Tamara Lackey and many more. All of it is easy to follow along and fun. For a limited time, a purchase of ON1 Photo RAW 2019 includes some great bonuses. These include the ON1 Photo RAW 2019 Foundations video course, which provides the perfect get up and running training and the ON1 Looks eBook and series of 25 videos and practices files and to help you master ON1 Photo RAW 2019.

A 30-day free trial of ON1 Photo RAW 2019 is also available for download from the ON1 website.

A single purchase of ON1 Photo RAW 2019 includes both macOS and Windows installers and activation for up to five computers. It comes with a 30-day money-back guarantee, world-class customer support based in Portland, Oregon USA, hundreds of free video tutorials, and free ON1 Loyalty Rewards every month.

What’s Ahead for ON1

ON1 Photo RAW 2019 will include several free updates over the next year with all-new photo organizing and editing features, AI-powered algorithms to enhance workflows, other feature refinements, as well as updates for cameras and lenses. The first free update will in Winter 2019.
ON1 is also working on solving additional problems for customers who share files across multiple computers or work environments as well as those customers who are shooting video as part of their photography process.
“As we’ve said before, we have big plans at ON1. Our team is already busy working on the next free updates to version 2019. These will include dual display support, an editing history, and additional capabilities and enhancements to Focus Stacking,” says Craig Keudell, President of ON1.

About ON1 Photo RAW – An All-New Photo Editing Experience

ON1 Photo RAW 2019 is a game changer. Version 2019 includes everything photographers look for when editing their photos including an integrated photo organizer, raw processor, pixel editor, and layered file workflow. It’s like having Lightroom and Photoshop® in one application without paying a monthly subscription. ON1 Photo RAW 2019 will also use ON1’s

state-of-the-art processing engine providing a fast, smooth, comfortable, and fun photo editing experience while producing the highest quality results for your photos.

Photo RAW seamlessly integrates the features of photo organizing, non-destructive editing, layering capabilities, the best masking and selection tools, portrait retouching, hundreds of photo effects, text, HDR, automated panorama stitching, photo resizing, and more into one powerful yet easy-to-use software application.

ON1 Photo RAW 2019 supports RAW files from over 800 cameras, but it isn’t just for raw files. It also supports file formats include JPEG, TIF, PSD/PSB, PNG, HEIC and DNG are supported and benefit from the speed, performance, and abundance of editing tools in the app. Photo RAW 2019 will also integrate as a plug-in to Adobe® Lightroom Classic CC and Photoshop CC as well as Apple Photos and will continue to work as a standalone photo editor and rival the Adobe Photography Plan. Like the current version, version 2019 will integrate with the major cloud services to allow for uploading, managing, and editing photos across multiple computers. This enables users to sync photos and their edits across multiple computers or in a studio setting.

Articles: Digital Photography Review (dpreview.com)

 
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X-Peditions 2019 Workshops Have Filled

11 Nov

Strobist’s 2019 X-Peditions workshops (Havana in January and Hanoi in the fall) have both filled.

Hanoi actually filled before any public announcement. So if you think you might be interested in a future workshop, please make sure to sign up for advance notice on the X-Peditions info page.

If you would like to be placed on a wait list for either trip, you may do so at the individual workshop pages linked above.
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Why celebrity photographer Manfred Baumann uses ACDSee Photo Studio Ultimate 2019

22 Oct

Celebrity photographer Manfred Baumann has been using a pre-release version of ACDSee Photo Studio Ultimate 2019 for a while, and in this article he shares his impressions of using the software.


As a photographer, there are plenty of software programs out there that all want my attention (and my money). ACDSee is a name that will be familiar to many digital photographers, going right back to the 1990s. Designed originally as an image organization tool for digital photographs, ACDSee has evolved over more than 20 years to become a fully featured digital asset manager and editing platform. These days it’s basically a ‘one-stop shop’ for digital photographers.

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Like most photographers, I prefer taking pictures to sitting in front of a computer. For that reason, the software I use has to be fast, uncomplicated and self-explanatory. A Raw Converter is like a digital darkroom for me – everything else is optional. I’ve been using ACDSee for years. The latest version, Photo Studio Ultimate 2019, competes directly with the world’s best Raw editors, offering in-depth editing features alongside advanced image cataloging and organizational tools.

New in the 2019 version is face detection and automatic face recognition,

One of my favorite things about Photo Studio Ultimate’s editing power is the option to use layers when working on my Raw files. New in the 2019 version is face detection and automatic face recognition, which allows you to find photos of clients, friends or relatives at the click of a button. I don’t think many people would have difficulty recognizing some of my portrait subjects, but face detection and recognition are useful features when I’m organizing images for my clients.

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Photo Studio Ultimate also brings improvements to black and white editing, which let me individually adjust the contrast and brightness of different channels. I can even use the Edit Brush to paint these adjustments onto specific parts of an image. Monochrome editing is at the heart of a lot of my workflow, and the improved black and white mode features in Ultimate 2019 are really useful.

ACDSee is ideal for photographers who prefer to take photos rather than sit in front of the computer

It is important to continue growing, and as an artist, you always want to make sure that viewers can recognize your signature in your photographs. I like to think that I catch what others might not have seen. My primary focus is using images to say something about the essence of the person I’m photographing, and it’s all about the imagery: quality before quantity. Quality can be recognized by the fact that a good image doesn’t go out of date.

I would say ACDSee is ideal for photographers who prefer to take photos outdoors or in the studio rather than constantly sitting in front of the computer. It is cost effective, fast, and offers more features than most of its competitors. With Photo Studio Ultimate I really don’t need to use additional software in my workflow; I can usually do everything I need to do without leaving the app.

When it comes to image organization and cataloguing I do this exclusively in ACDSee Studio Ultimate now. It’s the quickest and easiest way for me to work.

Learn more about ACDSee Photo Studio Ultimate 2019


Manfred Baumann lives and works in Europe and the USA with his wife, Nelly. Throughout a long and varied career he has photographed celebrities from the worlds of acting, sports, and fashion for some of the top publications in the world.

A passionate advocate for animal rights, images from Baumann’s ‘Mustangs’ project have been exhibited in the Natural History Museum, Vienna.

See more of Manfred’s work


This is sponsored content, created by ACD Systems. What does this mean?

Articles: Digital Photography Review (dpreview.com)

 
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ACDSee Photo Studio Ultimate 2019 Review: Face Detection and Recognition

16 Oct

A question seen frequently on photography groups is “What software do I get to process my images in?”. There is the usual flurry of recommendations for the familiar choices and a few random ones thrown in. One option that doesn’t get mentioned as often as it should is ACDSee. In particular the Photo Studio Ultimate 2019 bundle is worthy of consideration for both beginners and more experienced users.

The 2019 version with the newly included Face Detection and Facial Recognition features is a step up from the previous 2018 program, indicating an intention towards AI-based digital asset management.

For anyone wanting a one-stop shop to manage, view, process RAW files, and edit with layers, etc, PLUS only having to pay once for a perpetual licence, ACDSee offers a compelling option in the marketplace.

My background is in Lightroom and Photoshop which is the basis for comparison in this review.

Let us assess this software from the point of view of what it offers a beginner.

CONTENTS

  1. Getting Started – installing and setting up
  2. Layout and Features
  3. Importing and Viewing Images
  4. Editing your RAW Image
  5. Advanced editing with layers
  6. New Features in 2019 version
  7. General Comments

1. Install and Setup

Setup and installation are fairly standard as per most software. ACDSee does require you to set up an account as part of the install process (it’s mandatory and cancels the install if you try to opt out), which then requires an extra registration step with an email confirmation. However, once sorted, no further registration is required. If you have registered before, you can use the previous login details.

It does allow you to choose which drive/directory/folder you want to install it into, as well as if you want to use a non-standard install path. As per the splash page below that opens on Startup—you can auto select the folder to open when the software starts.

Also new is the next screen, which helpfully shows you what the key functions and features are, and where to find them. Both of these can be turned off if desired. You can click on any of the words on the left panel and it will take you to the appropriate screen. Or click through on the NEXT button. Or close it.

 

Once you have navigated the splash pages, you will be taken to the Manage mode screen.

2. Layout and Features

ACDSee has five main modes in separate tabs for each function—Manage, Photos, View, Develop, and Edit.  There are some extra features but these are key ones used in general.

Summary of the features:

Manage mode has access to your computer, direction to find images where they are stored on the computer, and the default option is to view your images in thumbnail view (similar to Grid in LR). It shows EXIF data, histogram, and shot information for a particular image. You can colour code or rate images in Manage Mode.

Photos mode is similar to Manage. It allows a more comprehensive way of viewing image files on your hard drive, and you can drill down to specific day/month/year views.

View mode allows you to view a single image in full screen mode (similar to a single image view in LR) and has some basic editing functions included.

Develop mode is where you edit your RAW image files (similar layout and functions to LR or ACR).

Edit mode is where you can do advanced editing with layers (similar to PS).

There are also the 365 tab, Dashboard tab, and Messages tab. 365 is where you have access to your subscription information, if you opt for it. The Dashboard shows graphical data on image/camera information—if you want to know your most commonly used ISO setting, type, and number of files, it is visible here.

 

3.  Importing and Viewing Images

Importing is not required with ACDSee. The software will read folders directly off your computer, displaying and respecting its existing folder structure, just like Explorer. However, users can import off of external sources if they wish to achieve other organizational goals at the same time, such as culling, tagging, renaming, etc.

Once imported, you will then want to view them, cull, tag, and select the best ones for editing.

I have all my images stored on a NAS and it found those with no issues.  Above is the Manage page showing the hard drive directory structure and images in thumbnail grid view.

You can rate your images either using numbers or color tags. In the above image it has picked up the color rating I gave one image in LR. If you select the Catalog tab on the left hand menu, you can further refine your search parameters with selecting a specific rating or color tag. In the below example it has used the Red color tag to select images to view.

 

Also visible in the above image is the histogram (color graph below left) with camera settings above it for the selected image. The fine print at the bottom of the window has the name, file format, date/time taken, and file size information.

The full Manage mode window above, with directory tree/histogram/camera data on the left hand menu, and EXIF data for the selected image on the right hand pane, and all the images on display.

Other Image Viewing Options

ACDSee has two other image viewing options included. Photos mode and View mode

Photos mode opens with a splash screen explaining what it does.

It offers another way to sort and view your image files and has some granular control. You can get it down to a specific day quite easily and just see the images shot on that day. Probably very helpful for wedding or event photographers. Below is an example where it shows all the shooting days, with a blue bar that gives an idea of how many photos are stored under that day.

View mode is where you can see just a single image using the full screen size. You can zoom in to check the image quality using various zoom features. There is a floating Navigator panel you can activate and use that to ensure you are viewing the correct part of the image.  Similar to the Navigator in LR/PS.

There are some very basic editing tools available here, but better functionality is had in Develop mode.

4. Editing RAW Files

RAW image editing is done in Develop mode and it is laid out very similarly to LR. By default, the Editing tool panel is on the left but it can be moved.

Image with Edit Tool Panel on the left

It’s not immediately obvious, but the white section of the grey bar that ends with the triangle cut out of the bottom is the active slider. You move the light bar to the desired settings. Or type in a number or use the Up and Down arrows on the end.

There are 4 main tabs in the Tool Panel:

Tune – The usual tools for editing a RAW file, exposure, etc. Very similar to LR

Detail – Sharpening, Noise Reduction, and Skin Tuning

Geometry – Lens Correction, Cropping, Perspective adjustments

Repair – Heal/Clone and Red Eye adjustments

In Develop Mode with the Tune Panel open

In general, I found the sliders a bit fiddly to operate; it wasn’t smooth, but apparently it is easier to incrementally adjust sliders with a mouse wheel. My perception of the program is that its application of the settings is quite harsh, so careful use of the sliders is necessary.

While you can activate a second screen in Develop mode, the only purpose is to maintain a view of the unedited image for comparison.

The Tune tab also has some spot editing features—Develop Brush, Linear Gradient Tool and Radial Gradient Tool—the equivalent of Adjustment Brush, ND Grad, and Radial Tool in LR.

5. Advanced Editing With Layers

Edit mode gives most of the expected features you would find in Photoshop and other programs that offer layer/mask functionality. The Filmstrip is visible (similar to Bridge), although you can turn it off to gain the screen real estate back.

Edit Mode open with all the default settings and panels visible

Edit mode offers quite a few extra or useful features. The 2019 version also has an Adjustment layer for Color LUTs, which is a recent new feature brought into LR.

A new feature in the 2018 version was an Actions Menu—a range of preset creative edits you can apply with one click. The 2019 update to this allows you export and import actions as well.

Some of the actions have a really harsh effect like overdone HDR or similar, which was quite noticeable in the 2018 version. In the 2019 version they have toned down the effect in some of the actions, but not all of them. So it pays to pick and choose as it does depend on which action you choose as to what outcome you get. Also it applies it directly to the image so you can’t do it as a layer and then blend in, unless you duplicate the base layer and blend back which has its own issues.

One of the features that did impress me in both the 2018 and 2019 versions was how good a job the Heal tool did in tidying up spots and other issues. On the above image I have removed several spots and imperfections. On the right hand side, in the center of the flower, was a long black mark on a petal (near the small curled one), and that has been seamlessly removed.

An oddity also visible in the above image—in View mode I applied a LOMO preset and liked what it did, and further edited the image to mute the tones and lower the saturation.However, when you use the Navigator tool, as per above, it shows the original RAW file in its unedited state.

Finally I dragged some texture layers, (can be dragged from a second monitor into the Layer Palette), apply some blend modes, adjust the opacity, and soften areas with a mask to reach the final image.

New Features in 2019

Several new features have been included in the 2019 edition, but one key one is Face Recognition. A short video explains how to use it HERE.

I don’t shoot people/portraits generally but had a few tucked away to test. I could get the Face Recognition to function, however it didn’t automatically find all the other images and assign them correctly.  I suspect this is because I have all my images on a NAS and not in the usual directory. If I clicked on each image individually, it did recognise the face and the person.

General Comments

There are some things I find odd about how the program functions; three different ways to view the image can be a bit confusing. The second monitor view in Develop mode that only holds a copy of the unedited file for a comparison seems like a major waste of screen real estate.

Many new features were included in the 2018 version, and the ones assessed in this review of the latest version have been further enhanced and improved—I am guessing in response to user feedback.

This 2019 version adds a lot of nice new mature touches, and helpful splash screens to introduce you to different features.  More accessible help options is a vast improvement: there are links in the Help menu to a Support Community, a Facebook page, and a Twitter account.

Any new software program takes a bit of getting used to, but once you understand it, ADCSee Photo Studio Ultimate 2019 offers any beginner (and more experienced users) a compelling package. It has all the features you need for image management, RAW editing, and more advance editing in one place, with the advantage of a ‘pay once and it’s yours’ option instead of a subscription.  Although a subscription option is available, if desired.

At $ 149 USD for the single purchase perpetual licence, you get a LOT of capability all wrapped up in one software program.

Rating

8.5 out of 10

Disclaimer: ACDSee is a paid partner of dPS

 

 

 

The post ACDSee Photo Studio Ultimate 2019 Review: Face Detection and Recognition appeared first on Digital Photography School.


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Paint Shop Pro 2019 Ultimate Review

14 Oct

About a year ago I reviewed the 2018 version of this software. It was an interesting comparison for me, as I started using it back when it was still owned by Jasc Software (before Corel bought it).

Now we have the 2019 version, dubbed Paint Shop Pro 2019 Ultimate. And as someone who uses Lightroom and Photoshop, I was interested to see how it stacks up.

The Basics

Corel Paint Shop Pro 2019 is a Windows-only product that comes in two editions – Standard and Ultimate.

The Standard edition features creative presets powered by AI, 360-degree photo editing, enhanced performance, features, enhanced usability and ease of use, and new creative content.

The Ultimate edition includes everything in the Standard edition as well as:

  • Photo Mirage Express
  • Painter Essentials 6
  • Perfectly Clear 3.5 SE
  • Aftershot 3
  • Creative Collection of brushes, textures and backgrounds.

Note: Painter Essentials 6, Perfectly Clear 3.5 SE and Aftershot 3 will run only on the 64-bit version of Windows.

Both come with a 30-day free trial, and the $ 99.99 USD price tag is for a perpetual one-off licence, not a subscription.

For more information, check out the website.

Workspaces

PSP 2019 Ultimate has two workspaces – Essentials and Complete.

Essentials is a cut-down version aimed very much at beginners, while Complete has all the features and options. To distinguish between them, Corel has made the interfaces different shades of grey.

Essentials is a light grey, although you can adjust it to one of three different shades. You can also adjust the size of the buttons on the toolbar to make them bigger (as shown  below), and move the toolbars and palettes around to suit.

Complete is a dark charcoal grey, and has the filmstrip of images along the bottom.

Layers comes up by default in Complete, whereas I had to manually add it in Essentials and dock it where I wanted it to go. So if you plan on using layers I’d opt for the Complete workspace, although you can switch between them quite easily.

Performance

I tested the performance of PSP 2019 Ultimate on my standard Photoshop machine. It has:

  • an Intel Core i7 processor
  • 24GB of memory
  • two 180GB SSD in a Raid 1 configuration for the operating system
  • two 500GB SATA drives in a Raid 1 configuration for extra backup (PSP was installed on this array)
  • network attached storage (NAS) for all my RAW files.

Admittedly my system is about seven years old. But it works fine with Photoshop CS6 and images with many layers.

PSP found my NAS files and let me access them easily. But performance was generally slow and noticeably laggy. When I moved sliders on the RAW image import I had to wait for the software to catch up.

Loading an image file as a layer was quite slow. And if I moved the layer it stuttered instead of moving smoothly.

Image Management and Editing

While RAW files can be imported into the program, the editing features are extremely limited compared to Lightroom and Adobe Camera Raw. Corel does offer AfterShot3 as a RAW image editor, but it’s a separate program and not included in this review.

You can perform basic image edits and compare the Before and After results as shown below.

It also gives you some quicker options for editing photos. One-Shot Photo Fix is a one-click option that does it all. I preferred the Smart Photo Fix, which gives you more control over the edits as shown below. I did like the large preview panes when using this feature.

Other Editing Tools

PSP caters for layers and masks as you would expect. In the image below I applied a text layer to the original photo, changed the blend mode to soft light, and reduced the opacity. I then added a mask to brush out parts of the text.

All the usual suspects are present: adjustment layers, brushes, painting, text, selections and masks. But the creative additions to this version of PSP are interesting.

Art Media

Art Media is a new function that lets you paint over an image in a range of different painting styles (watercolour, acrylic, oil, etc.) It picks up the colour of the image underneath as you paint, allowing for a different creative approach to editing your images.

There’s also a built-in tool that lets you mix colours on a digital palette and paint with various brush styles. Here’s a short video showing how it can be used.

My machine struggled a lot with this. Every stroke was very slow, and as a result wasn’t very accurate.

Here’s an example of a test paint in watercolour mode on top of the original image

When you remove the base image and look only at the painted layer, it looks like this.

Having the paint strokes on a separate layer is a good choice as it lets you apply various layer controls such as blend modes, masks and opacity changes.

Pic to Painting

This is the new AI-assisted painting feature that, glancing at the sample images supplied, looks similar to Topaz Impression. (Here’s a quick video demonstration.)

It provides effects similar to mobile apps such as iColourama, Waterlili and Prisma, but lets you apply them on your computer. Controls are very limited. Choose the style, choose the strength, then apply.

It took a long time to download and install onto my computer. Even previewing the first style took several minutes. While graphics-intensive processing like this can be a bit slow (Topaz Impression can take a minute or so to gather its resources when you first start it up), this was a very long time to wait. Especially for just a preview.

After trying several times, and giving the last test 17 minutes to process, I gave up. Later I discovered that Pic to Painting only works in Windows 10, even though that isn’t stated in any of the advertising.

360-Degree Support

If you have a 360-degree camera (or take a lot of panorama shots), PSP can apparently process these images and let you create different effects. (I didn’t test this.)

Makeover Tools

A set of tools are included to help remove blemishes, lines and red eye, whiten teeth, and even out skin tones. I don’t shoot closeups of faces, so I tested the blemish remover on a blueberry shot.

Here’s the BEFORE shot. The blueberry was a bit old, and when zoomed in you can see creases, bruises and scuff marks.

The Blemish remover settings are essentially a brush. About all you can do is change the size and opacity.

I reduced the brush size to suit. I didn’t see much effect at 40%, so I increased it to around 90%. It seems to do a content-aware fill, as it picked up other lines from the area I was working on. It ended up requiring much more work to solve those extra problems.

Here’s the finished experiment.

Other Useful Features

The size of the buttons on the toolbars can be increased – handy for those with high-resolution monitors and those of us who should probably wear glasses when we edit.

If you click the ‘+’ symbol at the bottom of the Tools palette, a search window appears that lets you search for functions by name in several different ways. This is a great way to find things you don’t necessarily know the name of but can guess what they do.

And being able to change the colour of your workspace backgrounds in both Essentials and Complete mode is a nice touch.

Conclusion

Overall, I found this particular version of Paint Shop Pro Ultimate a bit disappointing. It performed very poorly on my compute, and some of the new features only work if you’re running 64-bit Windows, Windows 10 or both.

It does add AfterShot3 for Raw editing, Perfectly Clear for intelligent photo adjustments, Painter Essentials for the more artistic and Photo Mirage Express for animations. There are also some free bonus additions, and a lot of extras you can purchase (presets, textures, etc.)

Corel has certainly included all the options a photographer might want to process and edit images, as well as a variety of options for further creative exploration. But the hardware requirements needed to access all the extra features is a problem, especially when they’re only mentioned in the technical specifications.

I should note that I joined the PSP Support community to get answers to my questions, and the people there were extremely helpful and responsive. I got several responses to my queries over the course of a few days. The user guide is a bit vague, so if you do have PSP I strongly recommend checking out the Support Community if you need help.

While it is quite cost effective, and a one-off purchase rather than a subscription, I highly recommend downloading the trial version first to see f it will work on your current computer.

Overall score: 3/5

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ON1 Photo RAW 2019 due out in November with revamped UI, improved Lightroom migration

26 Sep

ON1 has announced the upcoming version of its photo editing program ON1 Photo RAW 2019. Due out November 2018, ON1 claims version 2019 ‘is one of the biggest and best releases in our history [and] will include tons of improvements to the photo editing workflow and new features.’

Specifically, ON1 Photo RAW 2019 will have an updated UI, a new non-destructive workflow for layers, auto-alignment of layers, focus stacking, a new portrait module, a new AI-powered masking tool, a new text tool, new digital asset management updates and — arguably most significant — a Lightroom photo settings migration plug-in.

Starting with the user interface, ON1 says version 2019 will have a ‘fresh and modern feel.’ Specifically, ON1 says the overall UI will have improved contrast and updated icons, tabs and sliders that take up less screen real estate.

Before diving into the other features, we’re going to hit on the new Lightroom Photo Settings Migration feature. Detailed in the above video, you can now easily export your Lightroom catalogs directly into ON1 Photo RAW 2019 and bring along all metadata and non-destructive edits with the images. While the edits won’t be exact, ON1 notes its AI-powered algorithms will do their best to get more most accurate edits possible using what ON1 Photo RAW 2019 has to offer.

The workflow for layers is no longer a separate module. In ON1 Photo RAW 2019, the non-destructive layers workflow will be present inside of the Develop and Effects module. ‘This will allow for creating or editing multi­layered files, including raw files, and keep the non­destructive settings for each photo layer,’ says ON1 in its press release.

Focus Stacking is also new. As the name suggests, it automatically blends a collection of images together at varying focusing distances and lets you adjust it in real-time to get just the right amount of depth of field. The Auto-Align Layers feature combines multiple images as layers for easier masking and blending when editing.

A new Portrait Module can automatically detect faces in images and features a custom toolset for precise retouching. ON1 specifically mentioned the ability to ‘smooth skin, brighten and sharpen eyes and whiten teeth.’

The AI Masking Tool isn’t due out until a December update to ON1 Photo RAW 2019, but ON1 says it ‘will allow [you] to easily identify areas of your photo to create a selection or mask and the AI technology detects your subject matter and automatically creates a beautiful mask.’

Other additions include a new Text Tool, a Layered HDR Workflow and additional Filter Options in the Effects module. Support for new cameras and lenses have also been added.

ON1 Photo RAW 2019 is set for a November 2018 release and is currently available for pre-order on ON1’s website for $ 100 for a limited time. If you own any previous versions of ON1 software, pre-orders are only $ 80 for a limited time.

Articles: Digital Photography Review (dpreview.com)

 
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Skylum software launches Aurora HDR 2019

13 Sep
A screen shot of Aurora HDR 2019.

In May Skylum Software set up the ‘Skylum AI’ artificial intelligence lab. Now we are seeing the first product results coming out of the new lab. Today Skylum has announced the latest version of its high dynamic range editing software, Aurora HDR 2019, which comes with a new AI-powered Quantum HDR Engine.

The new HDR engine is the core element of this new update and provides AI-powered tone mapping technology that analyzes your images for optimized merging. The Quantum engine was fine-tuned by testing it against thousands of images in order to ensure natural-looking results. Skylum says the new software can be used to reduce highlight and channel clipping, loss of contrast, noise and ghosting artifacts and works with both single images and bracketed shots.

Before and after processing in Aurora HDR 2019.

Other new features include Smart Structure technology, which Skylum says can bring out detail without creating artifacts. There’s also a new LUT mapping tool with instant preview for color-grading your images. Aurora ‘HDR Looks’ replaces what was called ‘Presets’. And the company has also commissioned a number of professional photographers to develop their own Aurora HDR Looks.

Aurora HDR 2019 is available for pre-order from today and costs $ 89 for a new purchase and $ 49 for an upgrade. When released on October 4th, prices will increase to $ 99 and $ 59 respectively. More information is available on the Skylum website.

Press Release:

Aurora HDR 2019 introduces AI-powered Quantum HDR Engine

Aurora HDR 2019 has Skylum’s new AI-powered Quantum HDR Engine with new tone mapping technology to create the most realistic, immersive high dynamic range photographs possible. Pre-orders for the Aurora HDR 2019 start September 12th.

Bellevue, WA – September 12, 2018 — Skylum Software is excited to open pre-orders for the fourth major version of its award-winning HDR program Aurora HDR — the most sophisticated version since being released in 2015. New users can purchase the new version for $ 89 and current users of Aurora HDR may upgrade for a limited time at a special price of $ 49 at skylum.com/aurorahdr.

Skylum’s ultimate goal is to give photographers an easy-to-use yet powerful tool to create vivid, captivating, and incredibly dynamic images. The company is to deliver on that goal with the all-new Aurora HDR — an impressive HDR photo editing tool that blends power and intelligent technology with intuition and a seamless workflow.

With a press of the button, you get amazing images that look as natural as they did when you pressed the shutter. To achieve your own creative vision, Aurora HDR’s many powerful filters, tools, and Aurora HDR Looks are also on hand for you to utilize. It’s a capable HDR editing software designed not only for professional, experienced and beginner photographers, but also as a solution for real estate marketing.

At the core of this update is Skylum’s revolutionary Quantum HDR EngineTM, an AI-powered tone mapping technology that’s been three years in the making within Skylum’s AI lab. Now, when creating an HDR image using multiple bracketed shots, Quantum HDR Engine meticulously analyzes the photos and intelligently merges them. Not only does it minimize the major issues that other HDR merging tools have, but it also generates stunning results, producing images that are dynamic yet natural-looking.

Specifically, whether you’re working with bracketed shots or a single image, the Quantum HDR Engine reduces burned colors, loss of contrast, and noise, as well as mitigates unnatural lighting caused by halos and unstable deghosting. To do this, Skylum developers tested thousands of bracketed shots through a neural network and took those findings to develop the technology needed to create incredible HDR photographs. The result is an editing software with a solid performance for even the highest end architecture and real estate photography projects.

“We are incredibly excited to get Aurora HDR 2019 into the hands of photographers from around the world. The results are so accurate and natural that the final images appear as though you’re looking at the scene with your own two eyes. Simply put, it’s HDR finally done right.” — Dima Sytnyk, CTO and co-founder of Skylum.

A new HDR Smart Structure technology gives you the precise amount of details, structure, and sharpness in an image without creating excess artifacts that can make an HDR image look over-the-top. This allows Aurora HDR to produce images with the incredible details and realism favored by architecture and real estate photographers.

To deliver creative color toning, perfect black and white conversions, and digital film looks in seconds, Aurora HDR 2019 also boasts new LUT mapping integration with instant preview. Utilizing the same tools used in motion pictures, you can now stylize your images through color grading, giving your images the perfect look and toning to bring out the awe in each and every one of your photos.

To give that perfect finishing touch to an image, or to create a signature look you’re going for, the new Aurora HDR 2019 introduces Aurora HDR Looks to replace Presets as well as offer more selective aesthetic choices and more refined toning. Aurora HDR Looks can also include textures and masks, making for an almost infinite number of HDR editing possibilities.

World renowned photographers have created their signature Aurora HDR Look packs exclusively for Aurora HDR 2019, among which are Aurora HDR Looks for Real Estate by Randy Van Duinen, and signature Aurora HDR Looks from Trey Ratcliff, co-developer of Aurora HDR 2019, and Serge Ramelli.

All in all, Aurora HDR 2019 is designed to create the natural-looking HDR images without the need for a complicated workflow. Whether you’re working with a single exposure or twelve bracketed shots, Aurora HDR 2019 gets it done.

Aurora HDR 2019 is available for pre-order starting September 12th. Pre-orders include bonus downloadable content and costs $ 89 for a new purchase and $ 49 for an upgrade. When released on October 4st, the price will jump to $ 99 new and $ 59 for an upgrade.

The bonus pack includes:

  • Video tutorial “Getting the Most from Aurora HDR 2019” by Trey Ratcliff
  • The Landscape Photography Handbook by David Johnston
  • Exclusive interior Aurora Looks by Richard Harrington
  • Burning Mood LUTs by Richard Harrington
  • 3-month 500px Pro membership
  • $ 300 OFF a multi-day Iceland Photo Tour

Articles: Digital Photography Review (dpreview.com)

 
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CamRanger 2 set for 2019 launch with improved range, Sony and Fujifilm support

11 Sep

CamRanger has shared an announcement on its website teasing the upcoming CamRanger 2 system. In addition to faster connections and improved range, CamRanger 2 will offer full support for select Sony and Fujifilm camera systems.

CamRanger 2 is said to be five times faster than previous versions with 802.11ac WiFi and roughly two times faster when using 802.11n WiFi. CamRanger 2 will also have an effective usage range more than three times its current model.

More significantly, the CamRanger 2 system will support select Sony and Fujifilm cameras. ‘We always said we would not offer support until we could do it in a way that works for professionals,’ says CamRanger on its announcement page. ‘Our new design removes previous limitations, limitations other wireless tethering devices suffer from.’ It remains unknown what cameras will and won’t be supported.

CamRanger has also updated the accompanying apps for the impending CamRanger 2, noting it’s taken inspiration from the CamRanger Mini apps and customer feedback to make an app that both looks better and includes new features.

Unfortunately, CamRanger doesn’t give a hard number for a release date. The only thing we know is the CamRanger 2 system will launch sometime in 2019. If you want to keep up with the latest updates, head over to CamRanger’s website and sign up for its newsletter.

Articles: Digital Photography Review (dpreview.com)

 
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Report: iPhone users will have to wait until 2019 for a triple-camera device

09 May

If you want a smartphone with a triple-camera setup, Huawei’s P20 Pro is currently your only option. And vy the looks of it, this won’t change any time soon… at least not if you prefer to stick to Apple’s iPhone over Android devices. According to a report in the Taipei Times—which is citing a research note from Yuanta Securities analyst Jeff Pu—Apple is likely to launch a triple-camera iPhone model, but this won’t happen before the second half of 2019.

Like on the Huawei, the third lens would likely provide a 3x optical zoom, improving zoom quality over the current top-models’ 2x lenses. It’s also fair to assume the triple-camera will be reserved for a flagship device, likely a third generation iPhone X that could launch around September of next year if Apple sticks to its usual launch schedule.

This scenario is supported by another previous report by former KGI Securities analyst Ming-Chi Kuo, who ruled out any significant changes to Apple’s current dual-camera system on the iPhone X and 8 Plus for the 2018 models.

Articles: Digital Photography Review (dpreview.com)

 
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