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Posts Tagged ‘2018’

Adobe unveils Photoshop Elements 2018: Can open closed eyes, find your best photos and more

04 Oct

A before and after of Photoshop Elements’ new Open Closed Eyes featured at work.

While the professional photography market waits with bated breath to see what Adobe has in store for us at AdobeMAX, the company behind Lightroom and Photoshop unveiled something that appeals to a bit broader of an audience today: Photoshop Elements 2018 and Premiere Elements 2018.

The new, user-friendly versions of Adobe’s photo and video editors come with some really creative and easy-to-use features that the company says are aimed at “memory keepers.” The idea was to create two programs that make finding, enhancing and sharing the precious memories hidden away inside random memory cards, hard drives and (most likely) smartphones almost totally automatic.

Photoshop Elements 2018

Photoshop Elements 2018 tackles the same problem that everyone—Google’s Photos App, Apple Photos, etc.—is trying to tackle: how do you help the typical shutterbug find their best images out of the thousands they take every week on their smartphone, and enhance those images so they look ‘professional’ and worth sharing on social media?

As with everybody else, Adobe is leaning heavily on machine learning and computer vision (different types of ‘AI’) for this trick.

It starts with an easy-to-use Organizer view and something called Auto Curation, which uses computer vision and some nifty algorithms to guess (because it can’t REALLY know, can it?) which of your images are the best. So if you have a group of 200 images, you can ask Photoshop Elements to cull those down automatically to just 15.

Once you’ve selected your shots, you can use the program’s new Guided Edits and a new feature called Automatic Selection to do things like drop in a new background, create a double exposure effect using two of your images, or add ‘artistic’ overlays.

The coolest feature, though, has to be Open Closed Eyes, which allows you to select two frames, and replace the closed eyes in one with the open eyes from another. The results are incredibly lifelike given that whole thing can be done in a matter of seconds.

Premiere Elements 2018

Like Photoshop Elements, Premiere Elements 2018 also leans heavily on AI-powered features to make video editing as automatic and pain-free as possible.

Smart Trim does for videos what Auto Curate does for photos, namely: it asks you what ‘style’ of video you want to create, tries to intelligently find the best clips that match this style, and tosses out the rest to create a coherent clip.

Another interesting addition is a feature called Candid Moments, which tries to find the best candid ‘photo’ hidden within a video clip and pull it out for you. With new smartphones like the iPhone 8 Plus shooting gorgeous 4K 60p, we could see this feature being a huge hit with those ‘memory keepers’ Adobe is all trying to target.

Admittedly, neither Photoshop Elements 2018 nor Premiere Elements 2018 are really targetted at more professional photographers out there (read: many of the people who enjoy reading DPReview). But as these beginner-focused programs get more and more powerful, amateur photographers who are allergic to the subscription model and don’t like to do much post-processing anyhow might actually enjoy using Photoshop and Premiere Elements 2018.

Of course, that’s not to say we won’t be keeping a very close eye on AdobeMAX this year.

To learn more about Photoshop Elements 2018 and Premiere Elements 2018, head over to the Adobe blog by clicking here, or visit their dedicated landing pages by clicking on the program names above. Both programs are available now for $ 100 new or $ 80 as an upgrade. You can also buy them together for $ 150 new or upgrade both programs at once for $ 120.

Articles: Digital Photography Review (dpreview.com)

 
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On1 Photo RAW 2018 announced: Adds HRD processing, advanced masking and more

04 Oct

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On1 just released the newest version of its stand-alone RAW photo manager and non-destructive editor: On1 Photo RAW 2018. Put another way, there’s now yet another alternative to Lightroom out there, and with this new update the program is more capable than ever, adding features like HDR merge and panorama stitching, advanced masking capabilities, and more.

You can get a decent overview of the new features in the 2018 version in the video below:

The main additions to this version of On1 Photo RAW are On1 HDR, panorama stitching, new advanced masking options like Feather and Density that allow you to alter a mask globally, Color range masking, versioning, selective noise reduction, and an updated UI that On1 characterizes as “clean and modern.” There’s also a new “Paint with Color Brush” that allows you to either paint with a solid color or leave the luminosity of the underlying layer intact to change things like eye or hair color.

You can get a full breakdown of these and other new features on the On1 blog.

The app is being released as a free Beta on Friday, with an official release slated for the end of October. The full app—which promises ‘much more’ when it arrives after the beta period—will cost $ 120 for new users, while current On1 users will have the option to upgrade for a discounted price of just $ 80 (usually $ 100). Both the full version and upgrade package are already available for pre-order.

To learn more about the app or pre-order your copy, head over to the On1 blog by clicking here.

Articles: Digital Photography Review (dpreview.com)

 
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Review of the Latest Version of PaintShop Pro 2018

02 Oct

In this article, I will review the latest version of PaintShop Pro 2018. I have a unique perspective, having used it over 17 years ago for the first time. Let’s see how it fairs now.

Please note: this is a Windows-only program.

Start of PaintShop Pro (PSP)

Approximately 17 years ago I was working in retail selling computer hardware and software. A lot of people came in asking for Photoshop and were understandably shocked when they were informed the price was $ 1500. So being able to offer them an alternative for around $ 200 meant I made a lot of sales of what was then PaintShop Pro Version 7.

Review of the Latest Version of PaintShop Pro 2018

Since then, Corel bought the program and invested in further development. PSP (as it was known in the day) could do quite a bit of what Photoshop did, it had layers and masking, support for graphics tablets, and for the majority of people who just wanted to be creative, was a very cost-effective option. It was laid out in a similar way to Photoshop, functioned very similarly and to a certain extent was just as difficult to learn for a newbie.

Things have changed a lot since then. Now, I have spent the last three years learning to use Photoshop to creatively edit my images beyond straight photography. With a new set of skills under my belt, it’s time to see what PaintShop Pro 2018 can offer once again.

Price and Options of PaintShop Pro 2018

PaintShop Pro 2018 is available in both Standard ($ 64.99 USD) and Ultimate ($ 79.99 USD) options, where Ultimate includes some other potentially useful Corel programs. For our purposes here, this review will only cover the Standard version.

Purchase Full version for a new installation, or upgrade if you are a current user.

Please note that PaintShop Pro 2018 is only compatible with Windows operating systems, however, it must also be noted that this is a perpetual license, not a subscription. You only need to pay once and it’s yours forever, which may appeal to some customers.

Ease of Use

On starting up PaintShop Pro you are greeted with a Welcome screen and the choice of Essentials or Complete.  Each screen is a different color to minimize confusion. At the bottom of each screen is a choice of links encompassing tutorials, free stuff and access to technical support.

Review of the Latest Version of PaintShop Pro 2018

There is also access directly within the program to purchase extra textures, software (including an upgrade to the Ultimate version) and lots of different plugins and special effect options.

Creating a new file offers choices from a custom design and several different image or document presets.

Review of the Latest Version of PaintShop Pro 2018

The Essentials Workspace

The Essentials workspace layout is very simple and clean with the usual central space dedicated to the image, a menu bar at the top, tool bar options to the left and right, and an image browsing interface (similar to Adobe Bridge) at the bottom.

The left tool bar can be moved, docked, floated or stretched out to a single column of buttons. Adding or removing functions is easily done by clicking on the plus (+) at the bottom and selecting from the choices available. It is a pretty extensive list and would likely cover the requirements for most average users.

The right tool bar by default handles the colour palette options and can also be docked by right-clicking and selecting that option.

Review of the Latest Version of PaintShop Pro 2018

The Complete Workspace

The Complete workspace layout is a bit more involved with an additional Learning Center docked on the right-hand side. Good news is that if you switch between Essentials and Complete, the program remembers your preferences for laying out the menus so it stays consistent. Layers also dock much tidier in Complete workspace than they do in Essentials – so if you want to use Layers, I suggest using the Complete workspace. There is a fair amount of customization of the visual layout, sizing, and color options as well under User Interface.

Keyboard shortcuts appear to be pretty similar to those used in Photoshop. I tested Ctl+Z (undo), B, and X with expected results.

Review of the Latest Version of PaintShop Pro 2018

Performance

The system used for testing was an HP Z230 Workstation with an i7-4770 3.4Ghz processor, 12GB memory, and an SSD drive. The performance was quick and responsive. However noticeable lag was experienced when bringing in a large PSD file with around 50 layers. It took about a minute for the program to process and open the file.

Linking to a Network Drive to view RAW files also showed some hesitation while the program did some background processing.

Image Management and Editing

Enhance Photo options are available within both the Essential and Complete workspaces. My preference is for the Smart Photo fix, as you get a large preview window to view the effect of adjustments, plus you have more options and control over the settings. One Step Photo Fix is a “click the button and what you get is what you get”. Smart Photo Fix gives you basic options but with a bit more control.

Review of the Latest Version of PaintShop Pro 2018

Smart Photo Fix option offers some basic editing options as well as a Before and After preview which is really useful.

There are also some Lens Correction options under the Adjust Menu to help counter various distortion problems.

The usual Adjustment layers are available; Brightness/Contrast, Curves, Hue/Saturation, and Levels being the most likely candidates, plus a few unique to PaintShop Pro. One feature I did particularly like was that it offers a preview of the effect from within the editing palette.

Review of the Latest Version of PaintShop Pro 2018

A preview window is offered on all the Adjustment Layers that I tested.

Working with RAW images

RAW images can be edited via a Camera Raw option. It appears to work similar to Lightroom, where you point the navigation at the desired folder and it pulls up the images in a grid view. I have everything saved on an NAS (Network Attached Storage), and the Computer navigation option couldn’t view it, but I was able to add a link to the NAS under the Collections>Browse more Folders option. It took a while for the program to make the network linkage, and bring up the images.

Once you find the RAW file you want to edit, select it and click the EDIT Tab and it will open up a fairly basic panel with similar options to Adobe Camera Raw. It would be on a par with Lightroom version 3 or 4, so quite limited compared to current Adobe options. However, if you do not need the more advanced features, it is quite functional.

Review of the Latest Version of PaintShop Pro 2018

Raw file editing is fairly basic compared to today’s standards (Adobe ACR) but it covers the bases for most home users without being too complicated.

Creative Options

Masks are still a bit clunky. When you want to add one, you are asked to choose from three options – if you want it to behave the same way you expect in Photoshop, choose Source Opacity. The default is Source Luminance.

Review of the Latest Version of PaintShop Pro 2018

No wonder I found masks so difficult to learn back when first using PaintShop Pro.

The Scratch Remover worked alright but when I tested it on a textured background, there was an obvious blur visible where it had applied. Object Remover was a bit clunky to use, in that you had to select the object you wanted to remove with one tool, and the background you wanted to replace it with via a separate tool. Once applied it did a pretty good job. Some feathering of the edges, and it would blend in nicely.

Here you can see a line of blur where I have used the Scratch Remover (red circle). I have also used the Content-Aware option but that is less obvious (purple circle).

Text can be applied, and there are lots of options for texture, paint, brushes (though there is a very limited default range of brushes, you do have the option to purchase more or create your own).

Review of the Latest Version of PaintShop Pro 2018

Brushes and text and using layers.

Conclusion

PaintShop Pro 2018 is a program that is clearly aimed at the consumer market. With two levels of control, it caters to the most basic requirements, and still allows enough scope for people who want to stretch their editing capabilities.

For those needing professional or advanced level editing Lightroom and Photoshop, both offer much more advanced functionality, but PaintShop Pro will cater to the vast majority of user requirements. The price is attractive, as is the lack of any ongoing subscription costs. A lot of work has gone into improving and modernizing the interface and there is a lot of flexibility offered as to how you can interact with the program.

It offers a good range of tools and options at a reasonable price and should not be overlooked. It would compare favorably against Adobe Elements.

Rating

There are a few historical quirks (like management of layers) that should be improved to make it easier to use. But PaintShop Pro is ideal for a home user who wants a range of features that are not too complicated.

The post Review of the Latest Version of PaintShop Pro 2018 by Stacey Hill appeared first on Digital Photography School.


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Review of Macphun’s Aurora HDR 2018

19 Sep

HDR, or High Dynamic Range, photography is a technique that has been around for decades but really started making waves in the modern digital imaging scene around 2005. It involves combining multiple exposures of a picture, usually taken with a technique known as bracketing, to create one final single image with bright parts that are not overexposed and dark parts that are not underexposed.

Review of Macphun's Aurora HDR 2018

In recent years the software required to do this has gotten more powerful, less expensive, and so much easier to use. With just a few clicks anyone can make beautiful HDR images. Aurora HDR 2018 is the latest arrival in this category, created by Macphun, a developer rooted in photography and digital image manipulation. It’s a program that caters to casual users who want a fun creative outlet while also meeting the demands of professionals who make their living from designing beautiful works of photographic art.

If you want a single program that can handle all your HDR needs no matter your skill level, Aurora HDR 2018 may be just the tool for you.

What is HDR photography?

HDR photography is all about getting the best of both worlds when taking photos, particularly of static subjects like landscapes or architecture. If you’re taking a picture with extraordinary bright spots like a sunrise or sunset, you can expose for the highlights (i.e. the bright spots) which mean the dark parts get really dark and underexposed.

Alternatively, you can expose for the shadows (i.e. the dark spots) which leave the bright parts extra bright and overexposed. HDR photos are created when a photographer takes multiple shots, usually three or more, of the same scene: one underexposed, one properly exposed, and one overexposed. Then software such as Lightroom, Photoshop, Photomatix, and others can be used to combine all the images into a single picture that has detail in both the highlights and the shadows.

Before and after image showing what is possible with HDR.

How Aurora HDR is different

Compared to other offerings on the market, Aurora HDR’s brilliance lies in its simplicity. It’s far easier to use and just as capable as other HDR applications, and also very competitive in terms of its pricing. (Unlike some other apps, it’s available as a one-time purchase instead of with a monthly subscription.) When you open the program you are greeted with one large button that lets you load a single image or multiple exposures of the same image, which is all you need to do to get started. If you dig just a bit deeper you will notice two additional options: Batch Processing and Load Sample Images.

The former is useful if you want to quickly apply specific HDR processes and presets to many images at one time. While this can be useful if you have several images to go through I don’t recommend it for beginning users.

Aurora HDR 2018’s bread and butter is the incredible degree of control it gives you over the entire process of creating a High Dynamic Range image. This is where most people will get the maximum value out of the software.

What’s New in Aurora HDR 2018

Whether you are new to the world of creating HDR images with Aurora or are a longtime user of this software, many of the changes in the 2018 version will bring significant improvements to your workflow. The program has been rewritten from the ground up to focus on things like speed improvements, better RAW image handling, and a more user-friendly interface.

There is now a History panel which lets you see all the edits you have made to an image, and functions very much like the same option in programs such as Lightroom, which many photographers already use. The 2018 version also adds a Lens Corrections Tool and a host of other minor but noticeable tweaks while keeping the bedrock foundation of powerful yet easy-to-use HDR tools for professionals and beginners alike.

The lens correction tool is a welcome addition to the 2018 version.

These types of improvements mean a lot to me as a longtime Aurora HDR user since it sends the message that Macphun is committed to developing its apps. I’ve been burned before by companies that stop iterating on software I have come to rely on, such as Apple’s Aperture editing program, but it’s clear that Macphun is not going to leave photographers high and dry.

They have been making software for over a decade and are now even releasing some of their more popular programs for Windows users as well, including Aurora HDR 2018. It’s nice to see this commitment to continual improvement from developers, and it’s one of the reasons I enjoy using Macphun software so much.

Aurora HDR 2018 is open for pre-ordering now and will be available for purchase September 28th. Get more info here.

Other new features in Aurora HDR 2018 include:

  • A Transform Tool
  • Dodge & Burn Filter
  • Image flip and rotate
  • HDR Details Boost Tool
  • Rewritten tone-map engine to deliver more natural initial results
  • HDR Enhancer
  • Improved HDR Structure
  • Additional Blend modes

Getting started with Aurora HDR

If you are new to HDR processing and don’t know where to begin, click on Load Sample Images and you’re off to the races. The program will show you thumbnail previews of three separate pictures: one underexposed by two stops, one properly exposed, and one overexposed by two stops. When the program combines all three it will essentially give you a stunning HDR photo that you can then tweak and edit to your liking using a myriad of controls, filters, and effects.

Using your own JPEGs instead of the sample images results in a similar process, with Aurora HDR 2018 loading thumbnails of your images before you confirm that you want to proceed with combining them.

While using a tripod is ideal for creating perfect bracketed photos, sometimes horizon lines and other elements within the picture may be slightly misaligned. Click the Alignment button to have the program automatically correct for that. Additional Settings gives you options such as removing chromatic aberration and moving objects that might have changed position between each shot.

Keen dPS readers might be wondering whether Aurora works with RAW files, and thankfully they are fully supported by the program as well. You can work with one properly-exposed RAW file or use multiple bracketed RAW files to get even more room to experiment when creating your HDR images. The 2018 version includes a complete retooling of the RAW handling engine which results in improved color rendition and accuracy, which is a welcome change from previous iterations of the software.

Tools and first impressions

Once you have your pictures loaded into the main interface, creating a stunning HDR image can be as simple or as complex as you’d like. This is another aspect of Aurora HDR that I really enjoy. I have used other programs and workflows to do the same basic task of combining multiple exposures into a single image, none are as simple and yet as powerful as this program.

The interface might seem overwhelming at first but after a few minutes, I felt right at home. The non-destructive nature of the editing meant that I soon felt free to experiment with all sorts of different presets, sliders, and options without ruining anything.

 

Workflow

From a workflow standpoint, Aurora HDR 2018 is designed to be quick, efficient, flexible, and familiar to those who have used other image editors.

When I edit photos in Lightroom I usually head straight for the sliders on the right-hand side to tweak parameters like white balance, exposure, clarity, and sharpness. Aurora HDR 2018 gives you many of those same options. However, I have found that it is more efficient to start with a preset and then edit from there, much in the same way that Lightroom allows you to click a preset such as Aged Photo, Bleach Bypass, or Antique Black and White.

Using these presets in Lightroom just applies pre-determined values to various sliders like saturation, grain, clarity, and color which you are then free to change as much as you want. Aurora HDR 2018 works in exactly the same way. Choosing a preset like Foggy Morning, Realistic Dreamy, or Sleepy Forest results in nothing more than changing the values of Tools sliders on the right-hand side of the screen which you are then free to alter as desired.

Review of Macphun's Aurora HDR 2017

Some of Aurora HDR presets previewed at the bottom of the screen inside the program.

Aurora plays nicely with most other image editors on the market including Lightroom and Photoshop. You can easily use it as a plug-in which means you can do all your normal work in Lightroom, then quickly send an image over to Aurora HDR for additional editing, and save it right back to Lightroom when you’re done.

Aurora HDR presets

If you have ever used Instagram’s photo filters you will feel right at home in Aurora HDR. In a way, you can think of the program like an extraordinarily powerful version of that rather basic social sharing app.

Once your photos are loaded you can click on a preset (each of which shows a small preview of how your final image will look) and then save your photo with no additional work or hassle required. The presets are even subdivided into categories like Basic, Dramatic, Landscape, and a few that were designed with input from professional photographers like Trey Ratcliff, Captain Kimo, and Serge Ramelli.

I must admit I don’t actually use Instagram filters because I find them to be distracting and unhelpful for my own style of photography, but I rather liked using Aurora HDR’s presets even though some were a bit too over-the-top for my taste.

You can take things one step further if you like, and create your own custom presets which can also be applied to any HDR image. This has come in handy for me on several occasions when I wanted to combine options from a few existing presets, tweak the values of a preset, or just create my own from scratch.

Simple interface

On the right side of the interface is a list of all the various tools used by Aurora HDR to control the parameters of your image. Some of them like Color, Tone Curve, and HSL will feel right at home if you have used Lightroom, Photoshop, or other image editors as these contain the same basic sliders you would expect.

When you click on a preset at the bottom of the screen the name of the tools used by that preset are highlighted in orange, which I found to be highly useful during the editing process. Since I knew immediately which values were being changed I could then use that as a starting point for my own experimentation which often led me down a rabbit hole of creativity that I didn’t expect but always enjoyed.

The only issue I had when experimenting with presets and sliders is that the program does tend to slow down when processing your changes, though this is much less noticeable in the 2018 version. While you still get a preview of what your edits will look like I did encounter several times when the “Image Processing…” alert would show up in the lower-left corner a bit more often than I would have liked.

Before and after mode

As you make changes, whether through presets or changing the values in individual Tools sliders, you can easily see how your work is progressing by using the Before/After view which I found to be handy. Clicking on this option gives you a vertical bar that you can slide back and forth to reveal the original image on one side and your changes on the other. You can also hold the \ key to quickly see the complete original and then release it to return to the current version with your edits.

Before and After slider in action showing how your edits are affecting the image.

It’s this sort of editor-centric workflow design that I really appreciated about Aurora HDR 2018. It makes the whole process of creating and editing an HDR image as straightforward as possible and easy to understand. I have used some programs where I felt hopelessly lost as if I had to change my own mindset and wrap my head around how the program wanted me to function.

With Aurora HDR it feels like the program was designed to meet my needs and my style. I never had one of those all-too-common moments of panic when I couldn’t remember where a critical button or tool was located or figure out how to replicate something I did a week ago.

Professional features and masking

Once you dig deeper into Aurora HDR 2018 you will find tools that appeal to even highly demanding artists who want precision control over their creations. A collection of edits such as applying a preset and then tweaking additional Tools sliders can be saved as a Layer, and then additional Layers can be added on top of it similar to Photoshop.

Masks

Masks can also be used on layers. You can even apply them with a brush tool which I found extraordinarily useful if there was a preset or set of edits that I just wanted to apply to a single portion of an image. If you want to get really specific with your editing you can even apply masks based on ten discrete levels of luminosity (luminosity mask), which means your adjustments will be implemented only on the brightest or darkest portions of the image instead.

Layer masks can also be applied as radial or linear gradients which can be very useful depending on the type of HDR image you are creating. And just like Photoshop and other image editors, your changes are non-destructive so you can revert back to any editing state any time you choose. You can also return to your edits if you save your file in the native Aurora HDR format before exporting to JPG, TIFF, or another file type.

Review of Macphun's Aurora HDR 2017

Blend modes

New in Aurora HDR 2018 you can also change the layer blend mode. Here it is applied to a layer that is applying selective darkening and lightening to specific areas of the image using the new Dodging and Burning Tool.

The Dodge and Burn Tool has been used to lighten the little cottage and bridge and part of the hill, and to darken the sky and parts of the reflection in the water.

Use the little Eye Icon to turn the effect on and off to see a Before and After.

New in Aurora HDR 2018 – Blend Modes! The default is Normal. Notice with this image the colors have become more saturated after dodging and burning.

By switching to Luminosity Blend Mode the colors are preserved and appear more natural.

Batch processing

One final arrow in Aurora HDR’s rather considerable quiver, which I briefly mentioned earlier, is the ability to quickly apply presets and other defined values to a batch of images. This saves you an enormous amount of time if you have dozens or even hundreds of photos that you want to edit at the same time, using the program’s built-in presets or your own custom ones.

I do wish the Batch Processing option allowed users to specify parameters on a tool-by-tool basis to combine presets with other options like Structure and HDR Denoise, but the workaround is to create your own custom preset and just apply that in Batch mode. Of course, this method doesn’t give you the sort of fine-grain control you would get from editing each HDR image individually, but the trade-off can be worth it in terms of overall time saved if you have a large number of images.

Conclusion and rating

During my time using Aurora HDR I was impressed with the simplicity of its interface as well as the sheer depth of HDR tools at my disposal. Macphun has clearly invested a great deal of time creating and refining Aurora HDR to appeal to demanding professionals and curious hobbyists alike. Having used previous versions of this program I found this iteration to be a welcome refinement in many areas.

In terms of value, it’s a phenomenal piece of software that doesn’t require a subscription and will serve HDR photographers very well. The one quibble I still have with Aurora HDR 2018 is that it’s a bit on the slow side when implementing some presets and manipulating certain sliders. But that was a minor issue with an otherwise stellar program.

Aurora HDR 2018 isn’t for everyone, and unless you specifically work with HDR images you might be frustrated that it doesn’t have features like Dehaze and Red-Eye Removal that you may be accustomed to using in other image editors. But then, it doesn’t claim to be an all-in-one editing program and instead abides by the age-old mantra of, “Do one thing, and do it well.” If HDR photography is what you’re into, then Aurora HDR will serve you very well indeed.

Disclaimer: Macphun is a dPS advertising partner.

The post Review of Macphun’s Aurora HDR 2018 by Simon Ringsmuth appeared first on Digital Photography School.


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Enter to Win Corel PaintShop Pro 2018 Ultimate

19 Sep

Win a $ 500 gift card and a Corel software package – PaintShop Pro 2018 Ultimate, AfterShot Pro 3, VideoStudio Ultimate X10 and ParticleShop. Boom!

Enter the Corel “Colors of Fall” photography contest today!

Over the last few years here at dPS, we’ve run very some very popular competitions with our partners to give away some of their great photographic products to lucky dPS readers.

We are lucky enough to be able to do it again now.

Three Prizes

For this competition, Corel is giving away, as the grand prize, a $ 500 gift card and a Corel Software Package. The second place winner will receive a full Corel software package and the third place winner will win a copy of PaintShop Pro 2018 Ultimate.

The software package includes PaintShop Pro 2018 Ultimate, AfterShot Pro 3, VideoStudio Ultimate X10 and ParticleShop.

These prizes are designed to help every level of photographer create BETTER pictures. Since 1989, with the introduction of CorelDRAW, Corel boasts a range of award-winning products that includes graphics, painting, photo, video and office software with a community of over 100 million strong. Each prize will be won by a different dPS reader.

Enter to Win Corel PaintShop Pro 2018 Ultimate

All three prize winners will receive the full version of Corel’s leading photo editing and graphic design software – A $ 99.99 value!

* Special Offer – All dPS readers will receive 10% discount on PaintShop Pro 2018 Ultimate

Get Photoshop-like results for less with PaintShop® Pro 2018 Ultimate including a faster, easier PaintShop Pro and an exclusive bonus collection of premium software you won’t find in Photoshop. Turn photos into works of art with Painter® Essentials™ 5, automatically correct images with Perfectly Clear 3 SE, and edit RAW photos quickly with Corel® AfterShot™ 3.

  • Edit photos like a professional
  • Create unique graphic design projects
  • Turn your photos into works of art
  • Enhance your photos instantly
  • Work with RAW images
  • Simplified user interface

Enter to Win Corel PaintShop Pro 2018 Ultimate

Enter to Win Corel PaintShop Pro 2018 Ultimate

Learn a little more about PaintShop Pro 2018 Ultimate here.

How to Win

To win this competition you’ll need to:

  1. Download a free trial of PaintShop Pro 2018
  2. Edit your favorite “Colors of Fall” photo, using PaintShop Pro 2018
  3. Post your “Colors of Fall” photo, along with a few words on how you feel PaintShop Pro 2018 Ultimate would help your photography and, of course, a few words about your “Colors of Fall” photo. It’s as easy as that!

Do this in the next 21 days and on October 9, 2017, the team at Corel will choose the three best photos and comments, and we will announce the winners in the following days.

The deadline to enter is October 8, 2017, Midnight PDT. Photos and comments left after the deadline will not be considered.

Note: By entering the “Colors of Fall” photo competition, the Entrant is providing permission to Corel to publish their photo, if it is chosen as a winner, to be utilized within media post/s by Corel announcing the winners and promoting. Entrants will be provided a full photo credit if a photo is used, and will retain their copyright.

Please click HERE for full contest rules, terms and conditions.

By best – we’re looking for people who understand photography post-processing, and how PaintShop Pro 2018 Ultimate may best suit your needs. So you’ll need to check out the product page to put yourself in the best position to win. Don’t forget that to grab a free trial download.

There’s no need to write essay length comments to win – but we’re looking to hear what you like about the software and how it would help your development as a photographer. Don’t forget to include your “Colors of Fall” photo that you edited with PaintShop Pro 2018. We encourage you to have fun and be creative!

This competition is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply leave your photo and comment below.

Note: By entering the “Colors of Fall” photo competition, the Entrant is providing permission to Corel to publish their photo, if it is chosen as a winner, to be utilized within media post/s by Corel announcing the winners and promoting. Entrants will be provided a full photo credit if a photo is used, and will retain their copyright.

Enter to Win Corel PaintShop Pro 2018 Ultimate

Disclaimer: Corel is a paid partner of dPS.

The post Enter to Win Corel PaintShop Pro 2018 Ultimate by Darlene Hildebrandt appeared first on Digital Photography School.


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Enter to Win Corel PaintShop Pro 2018 Ultimate

18 Sep

Win a $ 500 gift card and a Corel software package – PaintShop Pro 2018 Ultimate, AfterShot Pro 3, VideoStudio Ultimate X10 and ParticleShop. Boom!

Enter the Corel “Colors of Fall” photography contest today!

Over the last few years here at dPS, we’ve run very some very popular competitions with our partners to give away some of their great photographic products to lucky dPS readers.

We are lucky enough to be able to do it again now.

Three Prizes

For this competition, Corel is giving away, as the grand prize, a $ 500 gift card and a Corel Software Package. The second place winner will receive a full Corel software package and the third place winner will win a copy of PaintShop Pro 2018 Ultimate.

The software package includes PaintShop Pro 2018 Ultimate, AfterShot Pro 3, VideoStudio Ultimate X10 and ParticleShop.

These prizes are designed to help every level of photographer create BETTER pictures. Since 1989, with the introduction of CorelDRAW, Corel boasts a range of award-winning products that includes graphics, painting, photo, video and office software with a community of over 100 million strong. Each prize will be won by a different dPS reader.

Enter to Win Corel PaintShop Pro 2018 Ultimate

All three prize winners will receive the full version of Corel’s leading photo editing and graphic design software – A $ 99.99 value!

* Special Offer – All dPS readers will receive 10% discount on PaintShop Pro 2018 Ultimate

Get Photoshop-like results for less with PaintShop® Pro 2018 Ultimate including a faster, easier PaintShop Pro and an exclusive bonus collection of premium software you won’t find in Photoshop. Turn photos into works of art with Painter® Essentials™ 5, automatically correct images with Perfectly Clear 3 SE, and edit RAW photos quickly with Corel® AfterShot™ 3.

  • Edit photos like a professional
  • Create unique graphic design projects
  • Turn your photos into works of art
  • Enhance your photos instantly
  • Work with RAW images
  • Simplified user interface

Enter to Win Corel PaintShop Pro 2018 Ultimate

Enter to Win Corel PaintShop Pro 2018 Ultimate

Learn a little more about PaintShop Pro 2018 Ultimate here.

How to Win

To win this competition you’ll need to:

  1. Download a free trial of PaintShop Pro 2018
  2. Edit your favorite “Colors of Fall” photo, using PaintShop Pro 2018
  3. Post your “Colors of Fall” photo, along with a few words on how you feel PaintShop Pro 2018 Ultimate would help your photography and, of course, a few words about your “Colors of Fall” photo. It’s as easy as that!

Do this in the next 21 days and on October 9, 2017, the team at Corel will choose the three best photos and comments, and we will announce the winners in the following days.

The deadline to enter is October 8, 2017, Midnight PDT. Photos and comments left after the deadline will not be considered.

Note: By entering the “Colors of Fall” photo competition, the Entrant is providing permission to Corel to publish their photo, if it is chosen as a winner, to be utilized within media post/s by Corel announcing the winners and promoting. Entrants will be provided a full photo credit if a photo is used, and will retain their copyright.

Please click HERE for full contest rules, terms and conditions.

By best – we’re looking for people who understand photography post-processing, and how PaintShop Pro 2018 Ultimate may best suit your needs. So you’ll need to check out the product page to put yourself in the best position to win. Don’t forget that to grab a free trial download.

There’s no need to write essay length comments to win – but we’re looking to hear what you like about the software and how it would help your development as a photographer. Don’t forget to include your “Colors of Fall” photo that you edited with PaintShop Pro 2018. We encourage you to have fun and be creative!

This competition is open to everyone, no matter where you live – but there is only one entry per person. To enter – simply leave your photo and comment below.

Note: By entering the “Colors of Fall” photo competition, the Entrant is providing permission to Corel to publish their photo, if it is chosen as a winner, to be utilized within media post/s by Corel announcing the winners and promoting. Entrants will be provided a full photo credit if a photo is used, and will retain their copyright.

Enter to Win Corel PaintShop Pro 2018 Ultimate

Disclaimer: Corel is a paid partner of dPS.

The post Enter to Win Corel PaintShop Pro 2018 Ultimate by Darlene Hildebrandt appeared first on Digital Photography School.


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Kodak will bring back Ektachrome film this year, start selling it in 2018

13 Sep

Kodak first announced its plans to bring Ektachrome 35mm film back from the dead in January at CES. But if you were worried that the announcement was just a lot of marketing hype, you have nothing to fear: it seems the resurrection of Ektachrome is proceeding apace, with full production scheduled for 2018.

This news broke over Twitter, of all places, thanks to an inquisitive Kodak fan named Karen Wink. She asked Kodak what the ETA on the Ektachrome comeback was, to which Kodak replied:

If you’re a fan of the old film, it won’t be long before you can get your hands on a fresh roll of 36 exposures in the 35mm format.

Articles: Digital Photography Review (dpreview.com)

 
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Aurora HDR 2018 pre-orders go live ahead of September 28 launch

13 Sep

Macphun has started taking pre-orders for Aurora HDR 2018, giving both Windows and Mac users a chance to purchase the software ahead of its launch later this month. The pre-order period will run from September 12-27 and includes a special lower price of $ 89 for new customers versus the regular $ 249 rate. Existing Aurora HDR customers can update for $ 49.

The Aurora HDR 2018 pre-orders are bundled with four free bonuses: a travel photo training video by Matt Granger, five sets of HDR Brackets by Pros, a 3-month membership to Zenfolio, and an HDR training video by Trey Ratcliff. According to Macphun, these bonuses have a value of $ 150.

Head to the Aurora HDR 2018 site to pre-order. The software will be available starting on September 28.

Via: CanonRumors

Articles: Digital Photography Review (dpreview.com)

 
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Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

01 Sep

ACDSee has released Photo Studio Ultimate 2018 for Windows and is the new update for their photo editing software. They have given it a new name, introduced new features, and made improvements to others. With so many people looking for other software packages that you don’t have to pay a monthly subscription for, this makes it a very attractive program for people to use.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

What part of Photo Studio Ultimate 2018 looks like when you open it up.

I recently wrote an article, Photo Editing Alternative – An Overview of ACDSee Ultimate 10, that will guide you through the different modes and what they do. If you are new to this software, it would be best if you read that first. This review goes into more detail about Edit mode and what is possible. It will also look at some of the features that are now available in this new release.

First Impressions

It would be easy to expect it to look like Photoshop when you first open it up. However, there are many similarities that can help make it more familiar to use. You can work in layers for your images, which enables you to go back and make adjustments to particular ones or delete them if you no longer want them. Many of the adjustments and tools have similar names which make it easier for you to learn. You can use the History function to go back to see what you have done. You can work nondestructively so your original images are always protected.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Edit Mode, working on an image.

There are also many differences. Some of the tools may have the same name, but to get the same results you have to use them in a different way. When you click on one of the tools and adjustments in the Edit mode menu, located on the left side of the workspace, you are taken to a different screen to make the changes. When you are done, you click either Done or Cancel, and you are taken back to the main Edit mode window.

New and Improved

As you start using Photo Studio Ultimate, you will find many new tools and adjustments to help you work on your images. The latest release features many new tools that work really well and will be mentioned soon. It also includes older tools, which have been developed over decades, yet still, stand up to today’s demand. The software is becoming very sophisticated and should suit the needs of most.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Working on an image in Edit Mode.

There are so many improvements, it would be hard to do them all in one article. So, this overview is focused on the ones that ACDSee is the most excited about and those that I really like.

Pixel Targeting

There is a new feature in the software that gives you more opportunities to be creative with your work. You can select a specific color to apply adjustments to, for example, you may want to make the reds brighter, or tone them down. You may want to sharpen only the greens. Or you can decide to change all the yellow tones to purple. With Pixel Targeting, you can do so as you please. You can also apply masks to specific colors or brightness ranges.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Using Pixel Targeting to give the yellows and oranges more saturation.

One application that a lot of people may use this feature for is to convert an image to black and white and have just one color coming through. By selecting your image and then going to Select to choose Pixel Targeting, you can decide which color you want to select. Once you click OK, you will see your selection and when you add the Black and White adjustment layer, the selection is turned into the mask. You will have your image in monochrome, except for the one chosen color.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Using the tool to select which color you will target with Pixel Targeting.

It is easy to use, although, you may have to play around with it a little. Remember that all colors are made of other colors. You may also need to do more work on the mask to get the look you really want. Overall, it does a decent job of the task, and there will be many people who will like this function.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Once you have done the selection and created the mask, then inverted it, you are left with color only for the tulips.

Smart Erase Tool

Along the top of the toolbar in Edit mode you will find the Smart Erase tool. This tool allows you to remove objects in your image that you don’t like, or don’t want. You often find unwanted subjects in your images, and being able to remove them is important. This has always been one of the best things about digital photography.

The tool is easy to use; you simply click on the image and start painting over what you want to be removed. You can set it to show up as a red overlay so that you can see what you’re doing.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

When you find an unwanted person in an image you can use the Smart Erase to remove them. The Red shows where it is being applied and then the final result.

The Smart Erase tool seems to work best on small areas and on images with a plain background. Think about what you want to remove and look at the size of it, and the background. If you don’t get the results you’re looking for, you can always run the Smart Erase command again and again until you get a natural look. Play around and see what you can achieve.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

The Smart Erase did a good job of removing the woman from just inside the door.

Liquify

The Liquify tool is what they use in the fashion industry to make models thinner. It is easy to use, however, should always be done with caution and used subtly. This tool allows you to move the pixels around to where you want them.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

You can use Liquify to move pixels around and to make someone look slimmer.

You can turn objects in your images into funny shapes with the Liquify tool. However, common sense and what works best for the image always must be the first consideration.

Inside the tool, there is a Restore setting, which allows you to brush or push the moved pixels back into place without losing image quality. Even after you press Done in the Liquify tool, you can still undo while still in Edit mode. That said, since the Liquify tool is not a non-destructive adjustment layer, you cannot exit out of Edit mode and then later undo what you did.

Why would you use it? It is usually used to change parts of people, to remove a double chin, or a bit of overhanging skin. You can make people thinner, as previously noted. You can pull the waist in, or make legs that look a little less chunky, or make clothes fit better. Every time you use it, remember you are moving all the pixels in the area, and that includes the background.

The Liquify tool is great to play around with to familiarize yourself with what it does. Try out the different settings within the tool to see which one will suits your needs.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

You can just play with it to see what else you can do. This flower now looks crazy, but great effect.

Frequency Separation

This is a technique used by many portrait photographers. It allows you to soften the skin, but keep detail around the eyes, nose, and mouth. When doing close-ups of people, you often find the skin looks dry, or you may see the pores. By using Frequency Separation, you can add some blur to the skin, but leave the detail at the same time.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

What a normal face looks like just after you have taken the photo.

In other programs, you need to do the layers yourself and work it all out. But with Photo Studio Ultimate, you just click the Frequency Separation button and it works like an action, separating the high-frequency and low-frequency layers for you. It will provide the low-frequency layer for blurring and then the high-frequency layer that holds the detail. You are all set to go.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

You can use Frequency Separation to give their skin a much softer appearance.

This is a great tool and anyone doing portraits will find it useful. It doesn’t require a lot of research to figure out how to use it and anyone could start playing with it. You could try and use it with other types of photography as well. I’ve tried it on images of macro flowers and have found it really good. There are possibly other ways of using it as well.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Frequency Separation was used on the flower to soften parts and give more detail to the edges.

Lens Correction and Perspective Correction

It’s always good to use lens correction wherever possible. It helps fix up any distortions that your particular lens will give an image.

You can also use the Perspective Correction, which will allow you to change the perspective. If you have an image that looks strange because all the buildings are pointing in towards the center, you can correct them. You can click on the corners and move them so you get what you remember seeing, buildings with straight lines.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Using the Lens Correction and Perspective Correction together to make buildings straighter.

In some ways, the Perspective Correction is far more useful than Lens Correction. It is not something that Photoshop seems to offer. You can do it, but have to do it in a completely different way. This works really well and I use it a lot.

Chromatic Aberration

These are colored lines that appear around objects in your images. They seem to appear around buildings a lot but can happen anywhere. Chromatic aberration is caused by your lens, and there is nothing you can do to stop it, but you can work on this in post-production.

Photo Studio Ultimate has a special adjustment for correcting chromatic aberration. You will find it under the Repair section in the column on the left. Click it and you will get a new window where you find five sliders. Zoom into 100% on the image so you can see the edges and the aberrations. Move the sliders around and see what happens. Each image is going to be different, so you might have to try different adjustments.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Using the Chromatic Aberration adjustment to remove the color fringes around objects caused by your lens.

Once you are happy, press Done and it will take you back to the normal workspace.

Split Tone

A new split tone adjustment layer has been added so that you can nondestructively tint highlights and shadows in Edit Mode. As an adjustment layer, you have the advantage of being able to apply split toning any time in your processing, and on several layers. You can also easily delete the layer if you decide you don’t like it.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

A before and after with the Split Toning.

Clone Tool Pressure Slider

If you go to the Edit mode menu and look under Repair, you will see the Repair Tool. When you click on it, you are taken to the work area for the tool and from there, you can see the options, Heal or Clone. If you click Clone, a new slider will appear called Pressure under the Nib Width and Feathering sliders. This allows you to control the strength of the cloning.

At the default setting, it will do a straight copy. However, as you reduce it, the strength is also decreased. This is especially useful when you want to want to clone something out, but you don’t want to lose all the detail. A perfect example is when you want to reduce the darkness under someone’s eyes. You want to reduce the dark color, but you may want to keep the lines that are there as well but soften them at the same time.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

Adjusting the Pressure slide for the Clone tool you can use to it remove the bags under the eyes, without taking away too much of the detail.

A Couple More Options to Mention

A Grain tool has been added to Edit Mode. You can add grain to your images to give it texture and create a vintage effect.

A new tool has been added to the toolkit; the Polygon Selection Tool. This selection tool and allows you to select an object in your image by pressing on the outside of it and doing like a dot to dot to get the selection you want.

Working in a Different Way

If you are used to using a program, like Photoshop, you will find that some functions don’t work the same. That is to be expected, it is different software. However, it doesn’t take you long to get your head around how you can do certain processes. In many ways, you do have to think outside the box, and so far I’ve managed to find many ways to do what I would do in Photoshop by using different tools.

Overview of Photo Studio Ultimate 2018 for Windows by ACDSee

I do a lot of processing in Photoshop and I wanted to see if I could achieve a similar look on one of my images, this is the final result. It’s good.

Overall

It is good to see other software that makes it possible to do just about anything you want to your image. While Photo Studio Ultimate may not be as big as Photoshop, there is no doubt that it will enable you to do just about everything you want to your images. The new release will offer users more tools and adjustments to help them get the look they want. It is a great program and one of the best alternatives I’ve seen. You can download and have a free trial for 30 days. Just remember that you will have to work differently, but it is worth it.

The post Overview of Photo Studio Ultimate 2018 for Windows by ACDSee by Leanne Cole appeared first on Digital Photography School.


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Zenit is back in business, plans to release full-frame mirrorless camera in 2018

22 Aug

Russian publication RNS has revealed that camera maker Zenit has restarted camera production, and may in fact launch a full-frame mirrorless model on the international market as early as 2018. The initial announcement was reportedly made by Krasnogorsk Mechanical Plant’s Deputy Director General for Civilian Production and Consumer Goods, Igor Sergeyev, who revealed the plans via Moscow Region Radio 1.

The planned full-frame mirrorless camera will retain iconic, brand-recognizable elements, according to the announcement, including “characteristic contours, ergonomics, [and] camera lines.” However, the camera will be modernized for today’s market, featuring both light and dark color options as well as leather trim.

The price will exceed that of a “good smartphone,” according to Sergeyev, though specifics weren’t provided.

Zenit, though once popular, ceased production in 2005 following multiple failed attempts to revive its place in the market. According to Sergeyev, the latest production round will not attempt to compete with big-name camera manufacturers like Canon or Nikon. In fact, an unnamed “leading photographic equipment company” will produce some of the components for this camera.

Additional details on the camera or Zenit’s renaissance weren’t provided, but we’ll let you know just as soon as more is revealed.

Articles: Digital Photography Review (dpreview.com)

 
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