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Posts Tagged ‘1224mm’

Sony Announces Brand-New, Ultra-Wide, 12-24mm f/2.8 Lens

14 Jul

The post Sony Announces Brand-New, Ultra-Wide, 12-24mm f/2.8 Lens appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps news sony 12-24mm f/2.8 lens announcement

Sony has officially announced its FE 12-24mm f/2.8 GM lens, which is impressively wide, and offers a very fast aperture for such a wide-angle zoom.

While Sony did release a 12-24mm zoom back in 2017, it packed an f/4 maximum aperture, which just doesn’t offer the same low-light utility as a wide-angle f/2.8.

But now, with the new 12-24mm f/2.8, Sony shooters have the opportunity to work with an ultra-fast wide-angle lens, which is perfect for any sort of night photography, and astrophotography in particular.

Sony Announces Brand-New, Ultra-Wide, 12-24mm f/2.8 Lens

In terms of the lens’s specs:

A lens offering a maximum f/2.8 aperture is bound to be somewhat large, but Sony has kept both the size and the weight fairly reasonable:

5.5 in (137mm) long, 29.9 oz (847 g) heavy.

This means that landscape photographers and travel shooters won’t have too much trouble carrying the 12-24mm f/2.8 around in their bag.

The lens comes with a permanent hood, and the front element is unsurprisingly big, which means you won’t be able to use standard filters. However, Sony has designed the lens with a rear filter mount, which allows photographers to work with cut gel filters.

As for the optics:

Given that this is a GM lens, you can expect quite a lot, and early reviews seem to bear this out. The Sony 12-24mm f/2.8 is incredibly sharp, in the centers to the corners, both wide-open and stopped down.

Now, if you’re in need of a fast wide-angle zoom, you have two main options:

The new Sony 12-24mm f/2.8.

Or the Sony 16-35mm f/2.8 GM, which is a very impressive lens in its own right.

Ultimately, picking between these lenses will come down to personal choice, but the extra 2 mm on the wide end can be pretty significant, especially for landscape and astrophotographers.

That said, while the Sony 12-24mm f/2.8 is a truly excellent new piece of glass, the cost ensures that only the most serious of photographers will be able to add it to their bags.

It’ll ship in mid-August with a starting price of around $ 3000 USD.

Bottom line:

If you’re looking for a pro-level, fast, wide-angle lens for landscape photography, then this is going to be a good option, assuming you can afford the price.

The post Sony Announces Brand-New, Ultra-Wide, 12-24mm f/2.8 Lens appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sony 12-24mm F2.8 GM sample gallery (DPReview TV)

11 Jul

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Chris and Jordan took the new Sony 12-24mm F2.8 GM to Calgary’s eclectic Ingelwood neighborhood. From record stores to spice shops, find out what got their attention when it was time to go wide.

Articles: Digital Photography Review (dpreview.com)

 
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DPReview TV: Sony 12-24mm F2.8 review

11 Jul

Sony’s new 12-24mm F2.8 GM is the widest fast aperture zoom for full frame. Based on our tests it’s a worthy recipient of Sony’s ‘GM’ moniker.

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  • Intro
  • Size and design
  • Distortion
  • Sunstars
  • Chromatic aberrations and LoCA
  • Bokeh
  • Autofocus
  • Fall-off
  • Sharpness
  • Video capability
  • Is it worth the price?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Sony 12-24mm F2.8 GM sample gallery

08 Jul

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Take a look at the view from Sony’s new ultra-wide zoom, paired with the 60MP a7R IV. The 12-24mm F2.8 GM rounds out a series of F2.8 constant zooms, joining the existing 24-70mm and 70-200mm in the high-end ‘G Master’ lineup. It’s a touch wider than Sigma’s 14-24mm F2.8 but more than double the cost – check out our samples above and see what that extra-wide view looks like.

Articles: Digital Photography Review (dpreview.com)

 
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Sony 12-24mm F2.8 GM arrives in August for $3000

07 Jul

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Sony has announced a new member of its high-end ‘G Master’ full-frame lens series: the 12-24mm F2.8. It’s currently the widest F2.8 constant zoom offered for full-frame, with a hefty price tag to match: $ 3000.

The 12-24mm is dust and moisture-sealed and weighs in close to two pounds (847g / 1.9lb to be precise). It’s a bit larger than Sigma’s 14-24mm F2.8, measuring 97.6 x 137mm. With such a large front element, the 12-24 provides a rear filter holder.

Optical construction includes three XA Extreme Aspheric elements (including the largest that Sony’s ever made), two Super ED and three ED elements, as well as one aspherical lens element. Nano AR Coating II is used, along with a fluorine coating. Four XD linear motors move two focus groups – either together or independently – and focusing is silent. The lens uses a nine-blade aperture, and minimum focus distance is 28cm / 11in throughout the zoom range.

The Sony 12-24mm F2.8 GM is slated to arrive mid-August and will sell for $ 3000.

Press release

Sony Electronics Grows Lens Line-up with Launch of 12-24mm G Master, the World’s Widest Full-frame Zoom with a Constant F2.8 Aperture

SAN DIEGO – July 7, 2020 – Sony Electronics Inc. today announced an exciting new addition to its full-frame lens line-up with the introduction of the FE 12-24mm F2.8 GM (model SEL1224GM) Large-aperture Ultra-wide Zoom lens. This compact and versatile lens is ideal for shooting landscapes, astrophotography and architecture while providing extra mobility for active sports shooters who want to capture ultra-wide perspectives. As part of Sony’s flagship G Master series lenses, users can be completely confident that it delivers outstanding image quality up to an ultra-wide 12mm angle of view with F2.8 constant aperture and beautiful bokeh effects.

The introduction of the FE 12-24mm F2.8 GM now extends the F2.8 range of Sony’s G Master series zoom lenses all the way from 12mm to 200mm[ii] and at 12mm, offers the world’s widest range of zoom at F2.8. At this focal length, it is possible to emphasize distance and create dynamic perspectives that are beyond the scope of the human eye, opening the door to new avenues of creative expression.

“We are excited to introduce the new FE 12-24mm F2.8 GM as the 57th lens in Sony’s E-mount line-up”, said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “It is important for us to continue to push boundaries in the industry to develop the best tools for our customers. By extending our range of G Master constant F2.8 zoom lenses out to 12mm, we are excited to see how these new innovations will help our customers create like never before.”

The FE 12-24mm F2.8 GM benefits from innovative construction that delivers outstanding corner-to-corner image quality throughout the entire zoom range. It features three precise XA (extreme aspherical) elements including the largest XA element ever made for an ? – Alpha brand lens. These XA elements, with an additional aspherical element, effectively suppress astigmatism, coma and field curvature right out to the image edges. Furthermore, three ED (Extra-low Dispersion) glass elements plus two Super ED glass elements, powerfully control chromatic aberration and combine to deliver corner-to-corner clarity while minimizing color fringing.

An extremely effective floating focus mechanism divides the lens’s focus group into two independently controllable groups, ensuring both outstanding close-up performance and maximum sharpness at any distance. The two independently controlled groups help realize a constant 11” (28 cm) minimum focusing distance throughout the zoom range, and because it is an internal focus lens, its length remains constant, so its center of gravity varies very little and is always optimally balanced in the hand.

The signature bokeh effects of Sony’s G Master series lens are achieved through the fine tuning of the lens’s spherical aberration characteristics during both the design and manufacturing process. At the same time, the extremely high surface precision of the lens’s XA elements effectively suppresses spherical aberration and, in combination with a 9-blade circular aperture, further enhances its exquisite bokeh.

The FE 12-24mm F2.8 GM employs four original high-speed, high-thrust XD (extreme dynamic) Linear Motors to ensure that it is compatible with the speed performance of both current and future camera bodies. With two XD Linear Motors for each of the lens’s focus groups, autofocus is fast and precise. New control algorithms maximize the response of the system while achieving flawless synchronization between the two focus groups. Further benefits include extremely quiet operation with minimal vibration and lower power consumption.

A brand-new Nano AR Coating II that can be evenly applied to large lens elements or highly curved element surfaces has been used for the first time on the FE 12-24mm F2.8 GM. It suppresses internal reflections, minimizes flare and ghosting for clear, crisp imagery and despite the lens’s wide angle of view, Nano AR Coating II maintains high clarity and contrast throughout the entire image, even in difficult light.

Moviemaking
The constant F2.8 maximum aperture at all focal lengths ensures that exposure is stable when zooming. As a result, this means that shutter speed and ISO sensitivity can remain constant while shooting movies. The creative opportunities afforded by shooting movies at a 12mm angle of view with F2.8 constant aperture in full-frame are boundless, and when used on an APS-C or Super 35 camera, the wide end of the zoom range becomes equivalent to 18mm, providing a useful zoom range for moviemaking.

Professional Control
Weighing only 1.87 lbs (847 g), the FE 12-24mm F2.8 GM offers numerous features for full professional control of shots. These include a customizable focus-hold button, focus-mode switch, zooming ring and focusing ring that are positioned for easy operation while shooting. The Linear Response MF ensures that the focus ring responds directly to the most subtle adjustments when focusing manually so control feels immediate and precise. It is dust and moisture resistant[iii] and the front lens element features a fluorine coating that repels water, oil, and other contaminants, making it easier to wipe off any fingerprints from the lens surface. The rear filter holder accommodates standard sheet-type ND, color correction and other filters for expanded expressive capability. A cutting template for sheet filters is supplied.

Pricing and Availability
The FE 12-24mm F2.8 GM is available in in August 2020 for a suggested retail price of $ 2,999.99 USD and $ 3,999.99 CAD.

Articles: Digital Photography Review (dpreview.com)

 
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Sony to Announce Ultra-Wide 12-24mm f/2.8 GM Lens

03 Jun

The post Sony to Announce Ultra-Wide 12-24mm f/2.8 GM Lens appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps Sony 12-24mm f/2.8 announcement

If you’re a landscape photographer, you’re in for a treat.

Sony is preparing to announce its brand-new, ultra-wide 12-24mm GM lens, which will offer a great range of focal lengths, an impressive f/2.8 maximum aperture, and (likely) stellar optics.

Let’s take a look at what we know.

First, the lens specs:

The Sony 12-24mm will feature a focal length range custom-made for landscape photographers. At 24mm, you’ll be poised to capture some wide images. And once you zoom out to 12mm, you’ll have wide-angle capabilities that few lenses can match, able to capture sweeping vistas that would normally be impossible to shoot.

Sony will announce the 12-24mm f/2.8 lens

A consistent problem with ultra-wide lenses is a bulbous front element, which makes it impossible to mount circular polarizers and neutral density filters. But Sony seems to have addressed this too, with the (rumored) inclusion of a rear-mounting filter option. That way, landscape photographers can take advantage of drop-in filters, and don’t have to choose between a wide focal length or enhanced image quality.

As for the optics:

Given the G Master designation, we can expect the lens to offer excellent sharpness from corner to corner, very limited chromatic aberration, and more.

In other words, the new Sony 12-24mm is a landscape photographer’s dream.

Note that Sony does already offer a 12-24mm lens, one that’s well-known for its optical prowess. But the current 12-24mm only shoots as wide as f/4, and while this is fine for most landscape situations, there’s one area of landscape photography where a wider maximum aperture is almost always better:

Astrophotography.

For photographers who shoot skies in complete darkness, an f/2.8 aperture allows for a shutter speed fast enough to freeze the stars without boosting ISO too much. The difference between f/2.8 and f/4 may not seem huge, but it does matter; at f/2.8, you’ll often come away with a sharp, clean shot, compared to the blurry or noisy result you get at f/4.

Of course, a lens that offers such impressive specifications is bound to come with a matching price tag. While Sony has not yet revealed any details, rumors suggest that the 12-24mm f/2.8 GM will cost around $ 4000 USD.

Is this pricier than I would like?

Absolutely.

But it’s bound to be one heck of a lens!

So keep an eye out for further news; you should see a Sony announcement sometime in the next few weeks.

Now over to you:

What do you think about this new Sony lens? Do you think that $ 4000 USD is too high a price? Or will the lens be worth it? Share your thoughts in the comments!

The post Sony to Announce Ultra-Wide 12-24mm f/2.8 GM Lens appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Sharp and wide: Sony FE 12-24mm F4 G gallery updated

07 Oct

The Sony FE 12-24mm F4 G was released earlier this year alongside the pricier FE 16-35mm F2.8 GM. While it may not be as fast as it’s GM ‘big brother,’ the 12-24mm F4 is smaller, lighter, and wider, offering a rectilinear 12mm field of view. It’s also impressively sharp.

We’ve had some more time, collectively as a staff, to shoot with this ultra wide zoom since initially publishing our sample gallery in the summer. Take a look through and see how it holds up in the hands of several photographers and in a variety of shooting scenarios.

See our updated Sony FE 12-24mm F4 G sample gallery

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Articles: Digital Photography Review (dpreview.com)

 
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Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens

31 May

In November 2016, Sigma introduced the world to its widest zoom lens offering to date: the Sigma 12-24mm f/4 DG HSM Art lens. This is actually Sigma’s third version of the 12-24mm DG (full frame) lens, but it is the first to have the “Art” designation and a constant aperture. Previous lens versions share the same focal length but differ in maximum aperture, weight, size, and price.

Priced at $ 1,600, this isn’t the cheapest lens, but it is a steal compared to Canon’s EF 11-24mm f/4L USM, which runs just under $ 2,700. Here are some more details on the Sigma 12-24mm lens and reasons why it may or may not be for you.

Sigma 12-24mm Art Lens

Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens

Sigma 12-24mm mounted on a Canon 6D.

Specs of the Sigma 12-24mm

  • 12-24mm focal length
  • Maximum aperture of f/4
  • Minimum focusing of 0.24 m (9.45″)
  • Available in Canon EF, Nikon F (FX) and Sigma mounts
  • Ring-type hypersonic motor
  • Item dimensions of 3.3 x 4.7 x 3.3 inches
  • Item weight of 1.5 lbs
  • Weather sealing, dust and splash proof
  • Comes with a solid lens cap and a zippered carrying case with shoulder strap
Sigma 12-24mm Art Lens

A phenomenal lens for architecture and interiors. Shot at 12mm.

Pros of the Sigma 12-24mm

Solid build quality

The build quality of the Sigma 12-24mm is impeccable. Constructed mostly of metal and glass, this is a solid and rather heavy lens. It takes up quite a bit of space in your bag and can make it difficult to travel with (more on that below). On the plus side, I would expect it to hold up well over time. Also, it is dust and splash proof as well as being weather sealed.

Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens

Excellent distortion control

Ultra-wide angle lenses often suffer from distortion, where straight lines may appear more curved, and proportions may seem off. This can often be corrected in post-processing. Shots that were taken with my previous wide-angle lens, the Canon 16-35mm f/2.8, often needed quite a bit of Photoshop post-processing to straighten lines and correct distortion. The Sigma 12-24mm, however, does an outstanding job of keeping photo subjects pretty free of distortion, no matter what focal length you’re using.

Sigma 12-24mm Art Lens

Interior image shot at 12mm.

Sigma 12-24mm Art Lens

Same photo subject from above, but shot from a slightly closer angle at 24mm.

Things to consider

Not for everyday shooting situations

Shooting with an ultra-wide angle lens takes a certain eye for composition. Not everything will photograph well at 12mm due to perspective distortion. People, for example, may end up with body parts that appear much larger or longer than they should be when they are photographed at wide focal lengths. Thus, it’s important to manage your expectations with a wide-angle lens and realize that not everything will photograph well with it. Generally speaking, ultra-wide angle lenses suit the needs of architecture and landscape photographers. Portrait and product photographers, not so much.

Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens

Not a great image due to poor composition and distortion of shooting at 12mm.

Sigma 12-24mm Art Lens

With better composition and positioning, 12mm can work in certain situations, like landscape or cityscape photos.

Curved front lens element

The Sigma 12-24mm f/4 has a bulbous, curved front lens element that makes it impossible to use standard, threaded filters. This might be a hindrance to landscape photographers needing to use circular polarizers and neutral density filters, or the average photographer who likes to stick a UV filter on for added lens protection. There are other filter solutions such as slip-in rear gel filters, but those can be quite large and cumbersome to deal with.

Heavy lens

While a solid lens is great in terms of being reliably built, the weight and bulk of this lens are undeniable. Combined with the aforementioned con of not being able to add a protective filter to the glass, the Sigma 12-24mm becomes very unfriendly as a travel lens. If you do travel with it, you’d need to be extremely careful to avoid damaging the glass.

Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens

Other Lens Options

Since this is the third iteration of Sigma’s 12-24mm lens, there are two previous models to consider if you are looking for alternatives.

  • Sigma 12-24mm f/4.5-5.6 EX DG HSM lens (version 1)
  • Sigma 12-24mm f/4.5-5.6 DG II HSM lens (version 2)

This Sigma lens is also going up against the Canon EF 11-24mm f/4L USM lens ($ 2699), the Nikon 14-24mm f/2.8G ($ 1899), and Tamron 15-30mm f/2.8 ($ 1199). Focal lengths, apertures, and prices all vary, so it really depends on which features are most important to you.

In Conclusion

In terms of image quality, I found the Sigma 12-24mm to be incredible for shooting architecture and interiors in particular. However, its weight and fragile, bulbous lens make it tricky to travel with.

Would you pull the trigger on investing in this lens? Let me know in the comments below!

The post Thoughts and Field Test of the Sigma 12-24mm F4 DG HSM Art Lens by Suzi Pratt appeared first on Digital Photography School.


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Sigma 12-24mm F4 DG HSM Art Lens Review

23 Nov

The Sigma 12-24mm F4 DG HSM Art was first announced September 16th, 2016. This is Sigma’s widest zoom lens offering to date and joins Sigma’s growing list of Art lenses. The lens is priced at just under $ 1600, which makes it a fierce competitor to Canon’s EF 11-24mm F4L USM lens which is priced at just under $ 3,000.

The Sigma is available in Canon, Nikon F (FX) and Sigma SA Bayonet mounts and will most likely appeal to landscape and architecture photographers that are looking for an extremely wide field-of-view (12mm gives around a 122° diagonal field of view).

The looming question is: does the extreme difference in price effect the build quality and performance of the Sigma? In this review we will be looking at the Sigma’s performance and just how it stacks up against the Canon 11-24mm F4L.

APS-C

If you’re an APS-C shooter, the Sigma can be utilized on that platform with an equivalent focal length of 19-38mm and an equivalent aperture of F6.4. It’s worth noting however that Sigma already offers a considerably less expensive 10-20mm F3.5 which would be a 16-32mm F5.6 equivalent, which would be a much better wide-angle option. For this reason we’re not going to consider this lens for use on APS-C in this review.

Sigma 12-24mm F4 DG HSM Art Headline Features

  • 12-24mm focal length
  • F4 maximum aperture
  • Ring-type Ultrasonic Focusing
  • Available in Canon EF, Nikon F (FX) and Sigma mounts

Specifications Compared
  Sigma 12-24mm F4 DG HSM Art Canon EF 11-24mm F4L USM
Price (MSRP) $ 1,599.00 $ 2,999.00
Lens Type Wide-Angle Zoom Wide-Angle Zoom 
Focal Length 12-24mm 11-24mm
Filter Thread  None None (rear insert-type)
Image Stabilization No No
Lens Mount Canon, Nikon F (FX), Sigma SA Bayonet Canon EF
Aperture Ring No No
Maximum Aperture F4  F4 
Minimum Aperture F22 F22
Minimum Focus 0.24 m (9.45?) 0.28m (11″)
Diaphragm Blades   9 (rounded) 9 (rounded)
Elements   16 16
Groups   11 11
Special Elements/Coatings Super Multi-Layer Coating, F-Low Dispersion and aspherical elements, including an 80mm large-diameter molded glass aspherical element

Super UD, UD, and 4 Aspherical Elements, SWC, Air Sphere, and Fluorine Coatings, Rear element fluorine coatings
Autofocus Yes Yes
Motor Type Ring-type Hypersonic Ultrasonic
Full Time Manual Yes Yes
Focus Method Internal Internal
Distance Scale  Yes Yes
DoF Scale No No
Weather Sealing  Dust and Splash Proof Construction with rear rubber gasket Full Weather Sealing
Zoom Method  Rotary (extending) Rotary (internal)
Weight 1151g (2.54 lb) 1180g (2.60 lb)
Dimensions 132mm (5.2″) x 102mm (4.0″) 132 mm (5.2?) x 108 mm (4.25?)
Hood Included Yes (built in) Yes (built in)

The Sigma and the Canon share a rather large number of the same features with respect to lens design. The main differences between the two lenses are highlighted in green. The Canon has a slight edge over the Sigma in terms of build quality with full weather sealing, where the Sigma offers a ‘moisture resistant’ rubber gasket on the lens mount and water-repellent coatings on the front and rear lens elements.

Both lenses are very heavy and are nearly identical in size and shape, and both feature built-in lens hoods. Neither lens accepts standard screw type filters, but the Canon has a slot to accept rear gel filters. The Sigma has that familiar Art build that feels very robust in hand but lacks the same ‘sealed’ feeling that the Canon lens provides due to its water resistant external construction.

The Canon has a slight advantage over the Sigma in terms of the zoom method as the Sigma has an external extending zoom whereas the Canon’s is internal. Being that the Sigma isn’t fully weather sealed this could be a weak point in the design in terms of moisture penetrating the lens during adverse or wet weather conditions. 

With these specifications in mind, we will now be looking at how well the Sigma performs to determine how it fairs in our head-to-head comparison with the Canon 11-24mm F4L. 

Articles: Digital Photography Review (dpreview.com)

 
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Sigma 12-24mm F4 DG HSM Art real world sample gallery

04 Oct

Hot on the heels of its Photokina announcement, the Sigma 12-24mm F4 Art arrived on our doorstep last week, meaning it was time to shoot wide. Just 1mm shy of matching the world’s widest rectilinear zoom, the Canon 11-24mm F4 L, the Sigma gives a large amount of the Canon’s focal range for a much lower price of $ 1599. To see if its images are as tempting as the specs are, we wasted no time getting it out in the real world mounted on the new Canon 5D Mark IV, the 5DSR, and a Sony a7R II with Sigma’s MC11 adaptor.  

See our Sigma 12-24 F4 Art real world samples

Articles: Digital Photography Review (dpreview.com)

 
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