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Archive for September, 2020

Canon’s EOS Webcam Utility out of beta on Windows, now supports more programs, cameras

18 Sep

Canon has announced its EOS Webcam Utility is now out of beta for Windows, bringing improved support and additional compatibility with more Canon cameras.

Originally released in beta for Windows, Canon’s EOS Webcam Utility is now an official release. In addition to supporting more livestreaming, messaging and video conferencing programs, the official release also adds support for more cameras, ensuring more than 40 Canon camera models can be used as webcams over USB and Wi-Fi (with compatible cameras).

Below is a list of the programs that will now work with EOS Webcam Utility for Windows:

Cisco Webex®
Messenger
Streamlabs
Discord
Microsoft Teams
YouTube Live
LIVE Facebook Live
Open Broadcaster Software
ZOOM
Hangouts
Skype
Hangouts Meet
Slack

As for cameras, below is a list of the models that are currently supported by the official release:

EOS Digital Cameras

EOS-1D C*
EOS-1D X*
EOS-1D X Mark II
EOS-1D X Mark IlI
EOS 5D Mark III*
EOS 5D Mark IV
EOS 5DS
EOS 5DS R
EOS 6D *
EOS 6D Mark I **
EOS 60D *
EOS 7D *
EOS 7D Mark I1
EOS 70D *
EOS 77D**
EOS 80D **
EOS 90D **
EOS M200 ***
EOS M50 **
EOS M6 Mark II **
EOS R
EOS R5*
EOS R6 ***
EOS Ra*
EOS Rebel SL1*
EOS Rebel SL2 **
EOS Rebel SL3 **
EOS Rebel T3*
EOS Rebel T3i*
EOS Rebel T5*
EOS Rebel T5i*
EOS Rebel T6
EOS Rebel T6i
EOS Rebel T6s *
EOS Rebel T7 **
EOS Rebel T7i **
EOS Rebel T8i***
EOS Rebel T100 **
EOS RP **

PowerShot Cameras:

PowerShot G5X Mark II **
PowerShot G7X Mark Ill **
PowerShot SX70 HS

* Recently added camera
** USB not included with camera

You can find installation instructions and a link to download the EOS Webcam Utility Official Release for Windows on Canon’s website.

Articles: Digital Photography Review (dpreview.com)

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Canon announces next generation IVY CLIQ cameras with built-in printers

18 Sep

Canon has announced a pair of new cameras with built-in printers in its IVY CLIQ range. The new models, the IVY CLIQ +2 and IVY CLIQ2, both produce 3x2in prints that double as stickers and which can be decorated with borders before printing, and both have a selfie mirror around the lens.

The IVY CLIQ2 model features a 5MP sensor and have built-in filters that users access in-camera. The IVY CLIQ +2 has a 8MP sensor and comes with a smartphone app that allows users to preview their images, to decorate them, add text and share them before printing.

The cameras have built-in Zink printers that use heat to bring out CMY dyes already embedded in the paper. Printing a 3x2in picture takes about 50 seconds according to Canon, the cameras can hold ten sheets of paper at a time and users should expect to recharge the battery after 25 prints.

The Canon IVY CLIQ2 (top) and IVY CLIQ+2 (lower) viewed from the top

The new cameras are scheduled to be available this month, along with a new circular sticker paper. The IVY CLIQ+2 will cost $ 149 and the IVY CLIQ2 will cost $ 99, while packs of the circular sticker paper will be $ 12.99 and regular rectangular paper is $ 9.99.
For more information see the Canon website.

Press release:

The Next Generation of Canon’s Instant Camera Printer, IVY CLIQ+2 and IVY CLIQ2, Encourage Snap and Print Stickable Memories – In an Instant

Pre-Cut Circle Sticker Paper also Introduced, Taking prints with an IVY product to Another Dimension

How long is an instant? It could be long enough to snap the camera shutter at the right moment, but short enough to instantly print a photo from your compatible smartphone and share it with friends. In the essence of capturing, printing and sticking your photos, Canon U.S.A., Inc., a leader in digital imaging solutions, today announced the next generation of IVY products: The IVY CLIQ+2 Instant Camera Printer + App and IVY CLIQ2 Instant Camera Printer. Designed with fun at their core and an all-in-one package, the new IVY CLIQ2 instant camera printers boast new features and print color quality improvements.

“This next phase in the IVY product line is a direct result of what the end-user is passionate about when it comes to instant camera printers. Expressing individual style, instant access to printing and the option to stick photos are what make the new IVY products exciting for Gen-Z and Millennial consumers who are looking to think beyond their smartphone’s photography capabilities,” said Tatsuro “Tony” Kano, executive vice president of the Canon U.S.A., Inc. Imaging Technologies & Communications Group.

IVY CLIQ+2 Instant Camera Printer + App
True to its predecessor, the instant camera printer + app is equipped with an eight-megapixel1 camera and a selfie mirror surrounded by a glowing light ring of LEDs. The CLIQ+2 also connects to a compatible smartphone and the Canon Mini Print app2. Packed full of fun filters and borders – which are available with seasonal and celebratory themes – the app lets users customize and personalize their prints. Snap-happys also have the option to print from an SD card and the now available Live View allows users to check the image before clicking.

Though the CLIQ+2 is small, it is mighty with the “2 in 1” ability to both snap a photo and print a photo which also doubles as a sticker – if you so choose. Simply peel off the photo backing and stick wherever you like. Don’t let the slim and sleek design fool you – upping the instant camera printer + app ante, the new CLIQ+2 +app has new fresh features to channel all that creative energy, including:

* Three modes directly built into the camera to snap photos, such as:
o Landscape
o Portrait
o Selfie
* Built-in frame and filters – available directly from the camera

Adding another layer of creativity, Zink Pre-Cut Circle Sticker paper is a new consumable to use with the CLIQ+2 Instant Camera Printer +App. Through the Canon Mini Print app2, the consumer simply selects the “Pre-Cut Sticker” layout option, and then can edit their circular formatted photo to their liking and instantly print.

Available in Rose Gold and Midnight Navy, the CLIQ+2 Instant Camera + App will instantly make a sticking impression on friends and family!

IVY CLIQ2 Instant Camera Printer
Built with a five-megapixel1 camera, automatic-flash and the coveted selfie mirror – users can click, print and stick in an instant. New for the CLIQ2 are the built-in borders and filters that are accessible right from the camera – no app connection is required, and three new matte colors: Petal Pink, Turquoise and Charcoal.

Pricing and Availability
The Canon IVY CLIQ+2 Instant Camera Printer + App and Canon IVY CLIQ2 Instant Camera Printer are scheduled to be available for in-store purchase in September 2020 at an estimated retail price of $ 149.99* and $ 99.99*, respectively. Each instant camera printer comes with a starter pack of 10 sheets of 2×3 photo paper.

The Zink Pre-Cut Circle Sticker paper will also be available for in-store purchase in September 2020 at an estimated retail price of $ 12.99.*

For more information, and the full list of product specifications, visit https://shop.usa.canon.com.

About ZINK Holdings LLC
ZINK Holdings LLC is headquartered in Billerica, Massachusetts. One of its revolutionary products is a patented full-color printing technology that allows photographs to be instantly developed on ink-embedded paper without the need of an ink cartridge that would otherwise make digital devices bulky. For more information or to learn more about ZINK™ products, please visit www.ZINK.com.

Articles: Digital Photography Review (dpreview.com)

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Fujifilm releases version 2.0 update for its X Webcam utility, brings on-screen settings control

18 Sep

Fujifilm has announced a version 2.0 release of its X Webcam utility, which makes it possible to use your compatible Fujifilm X and GFX camera as a webcam with popular livestreaming and video conferencing programs.

The version 2.0 update is available for both macOS and Windows users. The small update adds a new settings control window making it possible to change settings on-the-fly. In addition to basic exposure compensation and white balance changes, the settings control window can also be used to change film simulations and more while the camera is connected to your computer.

As with the previous version, Fujifilm X Webcam works with the following Fujifilm cameras: GFX100, GFX 50S, GFX 50R, X-H1, X-Pro2, X-Pro3, X-T2, X-T3, X-T4.

You can download the utility for macOS (10.12 and later) and Windows 10 computers on Fujifilm’s website.

Articles: Digital Photography Review (dpreview.com)

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Are Disposable Cameras Any Good?

17 Sep

Before we all had cameras in our pockets and even before affordable digital, point and shoot cameras, there was the humble disposable camera. A common addition to any holidaymaker’s suitcase and often found scattered around the tables at wedding receptions disposable cameras were the everyday persons go-to camera of choice. Despite the dominance of the camera phone and digital photography Continue Reading

The post Are Disposable Cameras Any Good? appeared first on Photodoto.

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4 Simple Ideas to Expand Your Creativity

17 Sep

The post 4 Simple Ideas to Expand Your Creativity appeared first on Digital Photography School. It was authored by Megan Kennedy.

Creativity ebbs and flows.

But, as Maya Angelou said, the more creativity you use, the more you have. Whether inspiration is proving to be elusive, or you are looking for a new approach to your creative practice, these four simple photographic techniques can help spawn ideas to expand your creativity further.

ideas to expand creativity infrared post processing — An example of a false-color infrared effect made in Photoshop. Canon 5D Mark II | Canon EF 24-105mm f/4L IS USM | 1/80 sec | f/4.0 | ISO 250

1. Infrared photography and effects

In infrared photography (technically known as near-infrared photography), film or digital sensors record renderings of otherworldly scenery in wavelengths beyond the bounds of the human eye.

There are a few ways to achieve digital infrared photography. One method is to purchase an infrared filter like the Hoya R72 or the Kenko Infrared R72. These filters block visible wavelengths and permit a small amount of infrared light to reach the sensor.

Another way to achieve infrared photography is with an infrared camera conversion. Camera conversions involve removing a sensor’s hot mirror, a device that reflects infrared wavelengths of light. The hot mirror is then replaced with an infrared filter that blocks visible light instead. Infrared camera conversions can be done DIY style, or by sending the camera off to a conversion company.

ideas to expand creativity — An example of a false-color infrared effect made in Photoshop. Canon 5D Mark II | Canon EF 24-105 mm f/4L IS USM | 1/60 sec | f/4.0 | ISO 125

If you can’t get your hands on infrared photography equipment, you can also add infrared effects to images in post-production. By making adjustments in editors like Photoshop, imitation infrared effects can alter an image for eye-catching results.

2. Intentional camera movement

In terms of generating ideas to expand your creativity, intentional camera movement is a simple and refreshing technique. Intentional camera movement, or ICM, involves deliberately moving the camera during the length of your exposure for creative effect.

The process is simple:

Set your camera to a longer exposure, depress the shutter button, physically alter the camera’s orientation, and review the results. ICM images are rarely exactly the same, which makes the technique a captivating process that emphasizes the physicality and painterly quality of the photographic medium.

3. Creating a photogram effect

Sometimes, a complete change in artistic direction can be a welcome adjustment. Making a photogram is a simple yet valuable insight into the photographic process, and is often one of the first introductions to photography in art class.

The photogram is a cameraless form of photography which usually involves the placement of objects onto a light-sensitive medium like photographic paper. The arrangement is then exposed to light, creating a negative rendering of the objects on the developed paper.

Not everyone has access to the materials required to make a photogram. There is, however, a digital process that can be a great way to create a photogram effect.

Collect a handful of objects of different transparencies, arrange them on a flat light source, photograph the arrangement, and make a few adjustments in Photoshop. The project makes for an evocative take on the popular darkroom process.

4. Abstract light trail photography

Abstract photography is a genre that is full of ideas to expand your creativity.

Like ICM, abstract light trail photography encourages the physical movement of the camera by the photographer. By combining the use of a slow shutter speed with camera movement and isolated light sources, luminously-engaging abstracted images can be made.

Wait until it gets dark, grab your camera, and head out to locate streetlights, traffic lights, headlights, neon displays, LEDs, sparklers; anything that emits points of light.

Set a slow shutter speed, focus on a light source, depress the shutter button, and proceed to swing, angle, zoom, rotate, or (gently) shake your camera during the exposure. The process creates intricate light paintings that trace the path of the camera during the exposure.

Conclusion

New photographic techniques almost always stimulate ideas to expand your creativity.

Whether you’re making ICM photography, abstract light tails, infrared techniques and effects, or a simulated photogram series, new challenges and perspectives will help cultivate fresh ideas and hone your photographic skills.

The post 4 Simple Ideas to Expand Your Creativity appeared first on Digital Photography School. It was authored by Megan Kennedy.

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Historic chemicals producer, Tetenal, has roared back to life with new online shop

17 Sep

After facing imminent closure, Tetenal is back with a vengeance and has relaunched their online shop. This is fantastic news for analog photographers, as Tetenal has been producing critical photochemicals since 1847, making Tetenal the oldest active company in the photo industry.

In January 2019, we reported that Tetenal Europe faced closure. After going into voluntary insolvency protection in 2018, Tetenal Europe GmbH failed to find new investors and was preparing to close its doors. In February 2019, an employee-led management buyout was accepted and Tetenal lived on.

In an announcement at the time, one of the leaders of the employee-led movement, Burkhardt Mueller, said, ‘We respect the heritage and the responsibility for 172 years of photo history that we inherit. Together with the global photo community and commercial partners from the analog photo industry, we will relaunch proven products to ensure reliable sustainable supply for film and photo studios, while developing new business models, products and services.’

A screenshot from Tetenal 1847’s new online store.

Jumping ahead to the current day, the wheels are in motion at the new Tetenal. The company is offering a 5% discount on all purchases from their online store using the discount code ‘tetenalpromo09’. The company offers worldwide shipping.

Tetenal’s relaunch includes new black and white chemistry, including film and photo paper developer, stop, fixer, photo paper tones, stabilizer, wash aids and wetting solutions. If you’re interested in traditional wet plate photography, there’s emulsion available for that as well.

Tetenal is not content to simply keep producing more of the same, however, it is also working on new products. Tetenal has nearly completed the development of Tetenal Developer Tablets. These E6 and C41 developer tablets are dry chemicals you can dissolve in water to make your own solutions at home. This has two major advantages over traditional liquid concentrates. First, tablets have a lower shipping weight and volume. Secondly, liquids can oxidize, which limits shelf life when using chemicals in small batches. Tablets, on the other hand, are easier to store and have a longer shelf life.

Tetenal has nearly finished the development of effervescent tablet forms of E6 and C41 developer. Click to enlarge. Image credit: Tetenal

It is a big deal for Tetenal to survive. While the company is perhaps best known for its film processing chemicals, it is also a producer of source chemicals for many other companies throughout the world. Tetenal also contributes to digital photography by supplying chemicals to companies such as Epson, Eizo and other inkjet and dye sub media distributors. Tetenal’s chemicals are also critical to the motion picture industry.

In an article for PetaPixel, Ludwig Hagelstein wrote an excellent in-depth look at Tetenal since its 19th-century beginnings. It is well worth checking out for those interested in photographic history and analog photography.

Click to enlarge. Image credit: Tetanel

To learn more about Tetenal’s history and its product offerings, head to its website. It’s excellent to see the company continuing to survive and innovate amid challenging market conditions.

Articles: Digital Photography Review (dpreview.com)

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What you need to know about Nikon’s new 14-24mm F2.8 S and 50mm F1.2 S Z-mount lenses

17 Sep

What you need to know about Nikon’s new Z 14-24mm F2.8 S and Z 50mm F1.2 S

We’ve known they were coming for a while, but Nikon’s mirrorless lens roadmap moved two steps further forward with the launch of the new Z 14-24mm F2.8 S and Z 50mm F1.2 S. Keep reading to learn more about these two premium Z-mount lenses.

Z 50mm F1.2 S

Good news for Nikon Z shooters looking for a standard lens – you now have another option. The new Z 50mm F1.2 S is positioned between the affordable (and excellent) Z 50mm F1.8 S and the considerably less wallet-friendly Z 58mm F0.95 S.

Size and weight

First (and most obvious) things first: This is a pretty big lens. At almost six inches long (without the hood) and with an 82mm filter thread, the new Z 50mm F1.2 S is almost twice as big as the F1.8, and almost twice the weight (1095g, or 2.4lb). Nikon claims that key optics in this new lens are ‘1, 1/2x larger’ than in the F1.8, and the new lens also houses twin STM motors for accurate focus throughout its operating range.

Amazingly, the Nikon 50mm F1.2 S is even larger and heavier than the Canon RF 50mm F1.2L USM, which weighs in at 950g (2.1lb).

Size and weight

For the historically inclined, the last 50mm F1.2 from Nikon (the Nikkor 50mm F1.2 AI-S) weighed less than 400g (0.9lb) and was only 5cm (2in) long. However, due to the compromises involved in stuffing an F1.2 maximum aperture into the narrow F-mount, it was not, sadly, a particularly good lens. This 50mm F1.2, however, promises to be much better.

Optical construction

Optical construction comprises 17 elements in 15 groups, including three aspherical elements and two ‘ED’ extra-low-dispersion elements, and both Nikon’s Nano Crystal Coating and the newer ARNEO coating for flare, ghosting and coma suppression. Meanwhile, distortion is well-controlled and nine rounded aperture blades should help keep out of focus highlights circular at wider apertures.

Because of the exceptionally wide dimensions of the Z-mount, the rear element of the lens can be very large, helping to keep light rays near-perpendicular when they reach the sensor.

Nikon describes the optical construction of this lens as ‘symmetrical’, and in theory this should mean that the Z 50mm F1.2 S is capable of high resolution at all apertures, across the frame. This is obviously something that we want to put to the test as soon as we can.

Twin STM focus motors

The Z 50mm F1.2 S becomes the latest Nikon lens to feature twin STM focus motors, which should increase focus accuracy at close distances, as well as being quieter and more power-efficient than traditional Ultrasonic motors. Minimum focus distance is 0.45m (about 18″) and of course manual focus is also possible using the large focus ring. As we’d expect, this is ‘manual focus by wire’ but very finely-geared for precise adjustment.

Nikon promises ‘minimal’ focus breathing (where magnification changes as the lens is focused), which is good news for videographers.

Handling and operation

There’s no getting around the fact that this is a large lens, and it makes the Z6/7 feel pretty small by comparison. We strongly suspect, however, that it will pair well with those cameras when used with their optional grip, and of course any future high-end Z-series camera with a bit more heft.

Handling and operation

In terms of operation, the Z 50mm F1.2 S is also pretty consistent with other high-end S-series Nikon lenses of late. A control ring can be customized for direct control over exposure compensation or aperture (and other things, but those are the two most useful) and an ‘Fn’ button can be customized via the camera for quick access to various modes and features. Meanwhile an OLED status panel on the barrel shows focus and aperture + hyperfocal distance information. In line with other S-series lenses, the Z 50mm F1.2 S is ‘extensively’ sealed against dust and moisture.

The Nikon Z 50mm F1.2 S will be available in December for $ 2099.

Z 14-24mm F2.8 S

Nikon’s AF-S 14-24mm F2.8 was a wildly popular lens, and for many years it was among the best wide-angle zooms you could buy. Nikon was always going to create an equivalent for its new mirrorless Z mount and here it is: the Z 14-24mm F2.8 S.

Size and Weight

The old AF-S 14-24mm F2.8 is a famously large, unwieldy lens, thanks mostly to its enormous front element. The new Z 24-24mm F2.8 is an altogether more portable option, and considerably lighter (650g / 1.4lb compared to 970g / 2.1lb). That’s a weight reduction of 35%.

It’s not a small lens by any means, but at around five inches long, it is the smallest and also lightest 14-24mm F2.8 on the market (albeit in a class of only three – the third being Sigma’s 14-24mm F2.8 DG HSM Art). Minimum focus is 0.28m (~11in) so get ready to shoot some classic ‘wildflowers at sunset’ landscapes.

Optical construction

Optically too, this lens is totally different to its nominal F-mount predecessor. This is very obvious from the flat front element, which contrasts very clearly with the large, bulging front element of the older AF-S 14-24mm. And yes, this does mean that you can use screw-in filters, although you’ll need to attach the included HB-96 hood to do it, and you’ll need to hunt down 112mm filters – not a particularly ‘standard’ size (or a cheap one), but both Nikon and B+W do make them.

If you don’t fancy shelling out for massive new filters, there’s also a tray for trim-able 40.5mm drop-in gel filters at the very rear of the lens.

Optical construction

Internally, the new Z 14-24mm F2.8 S comprises 16 elements in 11 groups, including three aspherical and four ED elements. Like the 50mm F1.2, it features both Nano Crystal and ARNEO coatings. Nikon promises “stellar point light reproduction capabilities” and excellent coma and flare suppression, which should make this lens ideal for wide-aperture astrophotography.

Weather-sealing

The front element is coated with fluorine, to aid with cleaning if moisture and fingerprints should make their way onto the glass. Speaking of which, the Z 14-24mm F2.8 is sealed against dust and moisture.

Price and availability

The Nikon Z 14-24mm F2.8 S will be available in November for $ 2399 – a considerable premium over the older AF-S 14-24mm, but one that’s hopefully justified by its image quality. We’ll be sharing sample images as soon as we get hold of a production lens.

Articles: Digital Photography Review (dpreview.com)

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Sony announces tiny FE 28-60mm F4-5.6 full-frame zoom

17 Sep

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Sony has just announced the FE 28-60mm F4-6.3 collapsible kit zoom, a lens its calling “the world’s smallest and lightest full-frame zoom lens.” It weighs in at just 167g (5.9oz) and measures 45mm (1.8″) long in its retracted setting. Meant to be a go-to everyday lens for the photographer that wants to travel light, Sony claims a degree of dust and moisture resistance, and a reasonable max magnification ratio of 0.16x will add to its versatility.

The new 28-60mm accepts 40.5mm filters and uses a linear AF motor to keep up with Sony’s latest AF tracking technology. It also includes three aspherical elements, with Sony promising high resolution corner-to-corner; we’ve been shooting it on an a7R IV to see what it’s capable of.

The FE 28-60mm is slated to be available on its own in early 2021 for $ 499. It will also be available as a kit with the a7C in late October 2020, for $ 2099.

Preliminary sample gallery

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Press release:

Sony Electronics Introduces Alpha 7C Camera and Zoom Lens, the World’s Smallest and Lightest[i] Full-frame Camera System

New HVL-F28RM Compact Flash is also Announced

SAN DIEGO, CA – September 14, 2020 – Today, Sony Electronics Inc. announced several additions to an already impressive imaging lineup — the Alpha 7C full-frame camera (model ILCE-7C), the FE 28-60mm F4-5.6 (model SEL2860) zoom lens and HVL-F28RM flash.

The Alpha 7C is the world’s smallest and lightest[ii] full-frame body with uncompromising performance, featuring advanced AF (autofocus), high-resolution 4K video[iii] capabilities and more. When paired with the world’s smallest and lightest[iv] FE 28-60mm F4-5.6 standard zoom lens, this versatile combination delivers an experience unlike any other, maximizing portability and versatility without sacrificing any of the power of full-frame imaging. The HVL-F28RM flash allows users to broaden their photo expressions with outstanding compactness, and an intelligent light intensity control linked to camera face detection[v].

“We are committed to creating the best tools possible, based on the needs of our customers,” said Neal Manowitz, deputy president of Imaging Products and Solutions Americas, Sony Electronics. “The new Alpha 7C camera and FE 28-60mm F4-5.6 zoom lens pack many of our most advanced imaging technologies in a brand new design that is the smallest and lightest full-frame camera and lens system in the world. This opens up a new world of possibilities for creators, giving them the uncompromised power of a full-frame system in the palm of their hand.”

…

New FE 28-60mm F4-5.6: The World’s Smallest and Lightest[iv] Full-frame Zoom Lens with High Image Quality

The new FE 28-60mm F4-5.6 offers the world’s smallest and lightest[iv] form factor in a standard zoom lens, delivering high optical performance that achieves the high-resolution depiction of full-frame everywhere in the image. Optimal arrangement of the three aspherical lens elements effectively suppresses aberrations throughout the zoom range and realizes high resolution from corner to corner. A minimum focus distance of 0.99 foot (0.3m) (wide-angle) to 1.48 feet (0.45m) (telephoto) delivers close-up capability, making it perfect for everyday use or vlogging with a gimbal or grip.

At 5.9oz (167g) and 2.6 inches dia. x 1.8 inches length (66.6 mm dia. x 45 mm length), along with its mechanical and optimal optical design that features a retracting structure, the FE 28-60mm F4-5.6 achieves unrivaled compactness and lightness, allowing users to easily carry it all the time. From everyday shooting to scenery, portraits and travel, it’s the ideal lens for any type of on-the-go shooting in a wide variety of environments. When combined with the Alpha 7C, the combination achieves uncompromising full-frame performance with the world’s smallest and lightest full-frame camera and lens system[i]. Even with its compact size and light weight, the FE 28-60mm F4-5.6 is dust and moisture resistant[xxii] and accepts a variety of 40.5mm filters.

The FE 28-60mm F4-5.6 delivers high-speed, high-accuracy AF allowing for Real-time Tracking and Real-time Eye AF, using a linear motor. In addition to Sony’s advanced AF capabilities, the FE 28-60mm F4-5.6 features an internal focus design which leaves the lens length unchanged with focus motion and close-up shots, enabling users to easily capture a wide variety of content from regular movie shooting to comfortable vlogging.

…

Pricing and Availability

The FE 28-60mm F4-5.6 zoom lens will be available in early 2021 and will be sold for approximately $ 499.99 USD and $ 649.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

A new kit featuring the Alpha 7C compact full-frame camera and FE 28-60mm F4-5.6 zoom lens will also be available in late October and will be sold for approximately $ 2,099.99 USD and $ 2,699.99 CAD. It will be sold at a variety of Sony’s authorized dealers throughout North America.

Exclusive stories and exciting new content shot with the new camera, lens and Sony’s other imaging products can be found at www.alphauniverse.com, a site created to educate and inspire all fans and customers of Sony ? – Alpha.

[i] An Alpha 7C with an FE 28-60mm F4-5.6 lens mounted. Among full-frame interchangeable-lens digital cameras, in combination with an interchangeable zoom lens. As of Sept. 2020. Sony survey.

[ii] Among full-frame interchangeable-lens digital cameras with optical in-body image stabilization mechanism, as of Sept. 2020. Sony survey.

[iii] A Class 10 or higher SDHC/SDXC card is required for XAVC S format movie recording. UHS speed class 3 or higher is required for 100 Mbps recording.

[iv] Among interchangeable zoom lenses for 35mm full-frame format digital camera bodies, as of Sept. 2020. Sony survey.

[v] This function is only compatible with Alpha 7C as of Sept. 2020

[xxii] Not guaranteed to be 100% dust and water resistant.

Sony FE 28-60mm F4-5.6 specifications

Principal specifications
Lens type	Zoom lens
Max Format size	35mm FF
Focal length	28–60 mm
Image stabilization	No
Lens mount	Sony FE
Aperture
Maximum aperture	F4–5.6
Minimum aperture	F22–32
Aperture ring	No
Number of diaphragm blades	7
Optics
Elements	8
Groups	7
Special elements / coatings	3 aspherical elements
Focus
Minimum focus	0.30 m (11.81″)
Maximum magnification	0.16×
Autofocus	Yes
Motor type	Linear Motor
Full time manual	No
Focus method	Internal
Distance scale	No
DoF scale	No
Physical
Weight	167 g (0.37 lb)
Diameter	67 mm (2.64″)
Length	45 mm (1.77″)
Materials	Composite
Sealing	Yes
Colour	Black
Zoom method	Rotary (extending)
Power zoom	No
Filter thread	40.5 mm
Hood supplied	No

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Sony Xperia 5 II is a smaller, slightly cheaper Xperia 1 II with 4K/120p recording

17 Sep

Sony has unveiled the Xperia 5 II, successor to the Xperia 5 and a notch below the flagship Xperia 1 II in the lineup. It includes many camera features of the Xperia 1 II, but in a smaller form-factor and at a slightly lower price point. Headline features include 4K/120p recording for high resolution slow motion video, 20 fps continuous shooting with autofocus and auto exposure and a 6.1″ OLED screen with 120Hz refresh rate. The Xperia 5 II will cost $ 950 when it ships in December – less pricey than the $ 1200 Xperia 1 II, but a notable increase over the Xperia 5’s $ 800 introductory MSRP.

The Xperia 5 mark II’s triple-camera array is borrowed from the Xperia 1 II (minus the time-of-flight camera), comprising 16mm, 24mm and 70mm cameras. The main 24mm module features a 1/1.7″ sensor and is capable of 4K/120p 10-bit recording for 5x slow-motion video at 24p. Like the flagship, it shoots up to 20 fps bursts with AE/AF, offers Eye AF for both humans and animals, and offers Raw + JPEG shooting.

Sony is also introducing support for USB tethering of the Xperia 5 and a7-series cameras, starting with the a7S III. The Xperia 5 can be tethered to the camera to transfer photos and videos to the user’s intended FTP, a feature designed to make life easier for sports shooters and photojournalists who need to transmit images quickly from the field.

The 6.1″ FHD+ HDR OLED maintains its unconventional 21:9 wide aspect ratio, and in addition to its 120Hz refresh rate, boasts a 240Hz touch scanning rate. The device offers IP65/68 dust and moisture protection, is powered by a 4000 mAh battery and includes a 3.5mm headphone jack.

The Xperia 5 II will be available for pre-sale on September 29th for $ 950; it is scheduled to ship on December 4th. The phone will not support 5G for customers in the U.S., but 5G will be supported in certain other regions.

Press release:

Introducing Xperia® 5 II – a Powerful, Compact Smartphone that Takes Gaming, Entertainment and Cinematography to the Next Level

Award-winning camera technologies from Alpha brand series cameras, including Real-time Eye AF1 and up to 20 fps2 burst shooting with continuous autofocus that performs AF / AE calculations at 60 times per second3.
World’s first 4K HDR 120fps slow-motion movie recording in a smartphone4 can capture and play back up to 5x slow-motion when recorded at 24fps, further expanding the possibilities of cinematic expression.
Immersive 21:9 CinemaWide™ 6.1” FHD+ HDR OLED display5 delivers unprecedented color accuracy with Creator mode “powered by CineAlta” technology.
Built for gaming with a 120Hz Refresh rate6 display and 240Hz Motion blur reduction7 for smooth action, plus 240Hz touch scanning rate5 and touch response improvements by 356 percent when compared to previous model for quick and accurate gaming control.
Next-Generation processing8 power with Qualcomm® Snapdragon™ 865, and high capacity 4,000mAh battery with fast charging for optimal speed and performance.
The perfect size and packed with the latest innovative Sony technology in a compact ergonomic design (W 2.68 in x D 0.31 in) that fits comfortably in a hand or pocket.

San Diego, CA – September 17, 2020 — Sony Electronics today announced the Xperia 5 II (mark two), the newest addition to the Xperia smartphone family, offering users a compact design with speed, innovation and industry-leading performance.

Xperia 5 II leverages many of the leading features from the Xperia 1 II, including a triple lens camera with ZEISS optics, calibrated specifically for the Xperia 5 II. Also included are the Photography Pro feature (with technology from Alpha brand series cameras), the Cinematography Pro feature (”powered by CineAlta” enabling parameters and color settings used by professional filmmakers), and a 21:9 CinemaWide display. Xperia 5 II boasts the World’s first 4K HDR 120fps slow-motion movie recording in a smartphone4 and can capture and playback up to 5x slow-motion when recorded at 24fps. Powerful audio features include High-Resolution14 Audio, a 3.5mm audio jack, and front-facing stereo speakers. All of these features are driven by the Qualcomm® Snapdragon™ 865 processor, in a slim, compact and beautiful design that easily fits in a pocket. The Xperia 5 II also adds a 120Hz refresh display rate and 240Hz touch scanning rate to give the smoothest and most accurate gaming experience.

Capture perfect shots and unmissable moments

Taking a page from of its sibling (Xperia 1 II)’s book, the Xperia 5 II is designed with technology from the award-winning Alpha brand series cameras, including Real-time Eye AF1, continuous Autofocus that performs AF / AE calculations at 60 times per second and up to 20fps shooting.

Powerful Visual Storytelling Tools, Exquisite Images

The versatile triple lens camera with three focal lengths: 16mm/24mm/70mm, lets you capture beautiful landscapes and portraits, and also zoom in on distant subjects. The ZEISS optics are specifically calibrated for the Xperia 5 II and feature the renowned ZEISS T* coating for reduced reflection, resulting in exquisite contrast and image rendering.

Like the Xperia 1 II, the Xperia 5 II offers Photography Pro, a user interface developed in collaboration with professional photographers to mirror many of the manual controls available in Alpha brand series cameras, including ISO, Shutter Speed and EV Indicator, while also providing RAW image capture and noise reduction support.

Leading Technology for Film and Video Storytelling

Cinematography Pro “powered by CineAlta” now enables more choice for story-telling with dramatic slow-motion cinematography creation, making it the world’s first 4K HDR 120fps slow-motion movie recording in a smartphone which can capture and playback up to 5x slow-motion when set at 24fps. It also records in 21:9 ratio at 24/25/30/60fps9, enhancing cinematic expression. Eight different Look color management pre-sets allow you to change the mood of your scenes to different cinema styles. In addition, Sony’s unique Intelligent wind filter technology uses award-winning audio separation technology to reduce wind interference for clearer audio recording.

Gaming on the Go

The combination of Xperia 5 II’s premium entertainment features allow it to transform into a mobile gaming powerhouse. Get deeper into the action with an immersive 21:9 display, Game enhancer-powered ultra-fast performance, 120Hz refresh rate display, and precise 240Hz touch scanning rate, meaning that the Xperia 5 II sets you up with a strong advantage to win whichever game you are playing. All features have been developed through close work with professional e-sports gamers to ensure the best features and gaming experience.

The 21:9 display is wider than conventional displays, revealing more of the action so you can see your opponents before they see you and take the advantage, especially in first-person shooter games. Not only do you get an unrestricted view of the gaming action on the native 120Hz refresh rate display, with even fast-moving objects rendered clearly and smoothly, but the Xperia 5 II also delivers 240Hz Motion blur reduction, meaning the display updates the image an incredible 240 times per second for blur-free action.

For games that require fast fingers, the Xperia 5 II gives you the edge. The device supports 240Hz touch scanning rate, a rate which is up to 4x higher than the previous model10 – meaning the action happens exactly as intended, with high-precision control. Touch response has been improved by 35 percent compared to the previous model, with the system recognizing your touch at the precise moment intended.

Game enhancer also offers a range of features and settings to help you improve your gameplay and secure more wins within your competitive set. You can also share your best moments, in the form of screenshots, and audio or video clips. Power management through HS Power Control also allows you to play longer while avoiding overheating.

To take your gaming to the next level, connect a PlayStation®4 DUALSHOCK®411 Wireless Controller and play Android games with an authentic gaming experience.

Xperia is the official smartphone of the Call of Duty®: Mobile World Championship Tournament 2020, and the Xperia 5 II is ready to answer the call. Whether you’re playing for fun or serious about winning the title, the Xperia 5 II provides an optimized, high-quality experience with its unique tuning in collaboration with Qualcomm® Snapdragon Elite Gaming™.

A Powerful “Pocket Perfect” Device for All Video and Music

Xperia 5 II is perfect for movie lovers, with its 21:9 CinemaWide 6.1” FHD+ HDR OLED notchless display, it puts the widescreen experience in the palm of your hand. The color reproduction of movies is unmatched, powered by Sony’s professional expertise and technology from leading Hollywood studio productions. The Creator mode “powered by CineAlta” brings content to life exactly as it was envisioned. The X1™ for mobile engine brings BRAVIA® HDR remastering technology to everything you watch, enhancing the contrast, color and clarity of any content, including streaming services. The 120Hz refresh rate also ensures smooth scrolling and internet browsing.

Xperia is known and loved for delivering great audio, and the Xperia 5 II delivers with a truly immersive entertainment experience. Watch a movie with Dolby Atmos® sound, tuned in collaboration with Sony Pictures Entertainment, for a multi-dimensional surround sound experience. Music also sounds better, with audio tuned in collaboration with Sony Music Entertainment, delivering a truly authentic listening experience. 360 Reality Audio hardware decoding optimizes sound quality when listening to music on the global music and entertainment platform such as TIDAL12. And new TIDAL subscribers will get 3 months of TIDAL Hi-Fi free when they buy an Xperia 5 II13, which includes the 360 Reality Audio experience.

High-quality music can be enjoyed through the front stereo speakers or when using headphones either wirelessly or with the 3.5mm audio jack. The jack provides clearer left and right audio separation to reduce signal noise to an imperceptible 20dB – over 90 percent lower than standard USB-C headphone connections.

Whatever the format, Xperia 5 II ensures you get the best experience out of music. With High-Resolution and High-Resolution Wireless Audio14, Xperia 5 II offers DSEE Ultimate, which enhances the quality of digital music using AI, including audio and video content on streaming services. It also automatically improves audio frequency and dynamic range in real-time, taking each track close to high-resolution audio.

Compact and Powerful

At just 2.68 inches wide and 0.31 inches in depth, the Xperia 5 II is tailor-made for one-handed use—It has even been designed with a less-pronounced corner shape compared to its predecessor, for a more comfortable feel, and a perfect fit for your hand or pocket.

Compact and powerful, Xperia 5 II is powered by a high-capacity 4,000mAh battery with a fast charge feature that charges up to 50 percent in just 30 minutes15. With a considerable heritage in developing cutting-edge battery technologies to extend battery lifespan, Sony is confident that the Xperia 5 II will have a healthy battery, even after two years of average usage16.

The Xperia 5 II includes the processing power of the Qualcomm® Snapdragon™ 865, Corning® Gorilla® Glass 6 on both sides and has an IP65/68 rating for water resistance17.

Availability

In the U.S., the Xperia 5 II will be available unlocked in black and comes equipped with Android™ 10. The Xperia 5 II will be available for pre-order for about $ 950 on September 29, 2020 and ships to customers on December 4, 2020.

Preorder Xperia 5 II by November 29, 2020 and receive a gaming bundle worth over $ 400 including a gaming headset, a 10,000mAh power bank and 21,600 Call of Duty Mobile Points at direct.sony.com/xperia or other participating Sony authorized retailers. Xperia 5 II will be compatible with Verizon, AT&T, T-Mobile, Cricket networks.

Accurate focus may not be achieved with certain subjects in certain situations and this does not work with all types of animals.
Maximum fps will depend on shooting environment and settings. Up to 20fps continuous shooting with AF/AE is available for 24mm camera. 16mm and 70mm camera can shoot up to 10fps AF/AE.
Effective with a versatile 24mm lens. This function can be taken with “Photography Pro”. Effective when shutter speed is 1/60 second or faster. It may vary depending on the shooting environment.
Xperia 5 II main camera feature 4K HDR 120fps slow-motion movie recording. Verified by Strategic Analytics´ SpecTRAX Service against the published camera specifications for over 17,500 smartphones. Correct as of the 17th September 2020. Recording time restrictions apply. 4K HDR 120fps available on Cinematography Pro on the 24mm camera.
Display ratios may vary based on content formatting
The feature may vary by content, game availability and compatibility.
240Hz Motion blur reduction is a Game enhancer feature. Taking the 120Hz display refresh rate, it inserts a black frame in between each frame to provide the equivalent visual effect of 240Hz refresh rate. The result is blur-free images with marginally decreased brightness. The feature may vary by content, game availability and compatibility.
5G network depends on market and operator
Recording time restrictions apply.

Articles: Digital Photography Review (dpreview.com)

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Nikon Z5 added to studio scene comparison tool, gallery updated with Raw conversions

17 Sep

Updated sample gallery

$ (document).ready(function() { SampleGalleryV2({“containerId”:”embeddedSampleGallery_4324192573″,”galleryId”:”4324192573″,”isEmbeddedWidget”:true,”selectedImageIndex”:0,”isMobile”:false}) });

The Nikon Z5 is a compelling entry-level full-frame mirrorless camera sporting a 24MP non-BSI CMOS sensor. We recently got our hands on Adobe Camera Raw support and have updated our sample gallery with a variety Raw conversions adjacent to their out-of-camera JPEG counterparts, for your viewing pleasure.

In addition, we’ve run the Z5 through our studio test scene and added it to our comparison widget. Take a look below and see how it stacks up against its 24MP peers. And keep your eyes peeled for our full review, coming soon.

Studio scene

$ (document).ready(function() { ImageComparisonWidget({“containerId”:”reviewImageComparisonWidget-4571998″,”widgetId”:779,”initialStateId”:null}) })
Articles: Digital Photography Review (dpreview.com)

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