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Archive for June, 2020

Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses

01 Jun

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

If you’re looking for a reasonably-priced but high-performing lens or two, then you’re in luck.

dps-samyang-series-II-lenses

Samyang/Rokinon has now announced an update for two of its most popular pieces of glass:

The Samyang 14mm f/2.8 Series II

The 14mm f/2.8 and the 85mm f/1.4.

The Samyang 14mm f/2.8 and the 85mm f/1.4 are already highly-regarded among photographers looking to get strong images while keeping prices low (and who don’t mind full-time manual focus). The ultra-wide focal length of the 14mm is perfect for astrophotography, especially when combined with an f/2.8 maximum aperture. And the f/1.4 aperture on the 85mm is a great way to produce that gorgeous, creamy bokeh that portrait photographers want.

All for under $ 650 USD.

But now, with the announcement of the 14mm f/2.8 Series II and the 85mm f/1.4 Series II, Samyang/Rokinon has taken their product lineup a step further.

The 14mm f/2.8 Series II offers the same optics of the original Samyang 14mm, but now sports a focus lock; this allows you to set your point of focus and hold it in place, which is great for maintaining perfect focus in astrophotography, time-lapse, or other difficult-to-focus situations.

the Samyang 14mm Series II lens offers a de-click and a focus lock function

The Samyang 14mm Series II also features a “de-click” option, so that you can manually change the aperture along a near-infinite spectrum (rather than being forced to work in increments, which is the standard for most lenses). This is a great way to fine-tune your apertures in the field, and it also benefits video shooters who want to subtly alter exposure throughout a recording.

As for the 85mm f/1.4 Series II:

You still get the same excellent sharpness and bokeh, but Samyang has added a “de-click” feature to match the 14mm f/2.8 Series II.

And both lenses now offer weather sealing, which will be appreciated by astrophotographers, landscape photographers, and other outdoor shooters, and will make both lenses an easier sell for photographers that work in adverse conditions.

But perhaps the most enticing thing about the new Samyang lenses is the price:

You’ll be able to grab the 85mm f/1.4 Series II for just $ 400 USD, while the 14mm f/2.8 Series II will come in at $ 500 USD.

Sure, constantly using manual focus may come as a bit of a shock, especially if you’ve never used it before. But you’ll become an expert before long and, at such impressively low prices, these two lenses are hard to pass up.

You can currently preorder both the 85mm f/1.4 Series II and the 14mm f/2.8 Series II for Canon EF, Nikon F, Fujifilm X, MFT, and Canon M mounts.

Now over to you:

Do you have any experience with the original Samyang 85mm and 14mm lenses? What do you think of them? And for those of you who are interested in the new lenses: What do you plan to use them for?

The post Samyang/Rokinon Announces 14mm f/2.8 and 85mm f/1.4 Series II lenses appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Adobe updates logos, branding for easier navigation and consistency across platforms

01 Jun

Software manufacturer Adobe is rolling out new logos and icons for many of its applications in a bid to make them easier to identify and to make their appearance more uniform across all the platforms on which they are used. The changes are slight in the main, and may not be noticeable unless you go looking, but the company hopes they will help users find the applications they are looking for.

The most dramatic change will be the Creative Cloud logo which will switch from its current red and white design to a white emblem on a rainbow background. The two-letter initials on the Photoshop and Lightroom logos will remain, but the pale text will become darker and the borders will be removed. Getting rid of the colored borders and making all the corners rounded will ensure the logos look the same wherever they are used. The forthcoming Photoshop Camera application will use three letters, adding an uppercase C to the Ps of the Photoshop logo.

The Adobe logo will also get a make-over that includes a slight shift in the tone of red used to make it a little warmer and more ‘contemporary,’ according to the company. Adobe dives further into the branding changes on its Adobe Blog.

Articles: Digital Photography Review (dpreview.com)

 
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