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Archive for May, 2020

Nikon Launching Two New Mirrorless Cameras in 2020

12 May

The post Nikon Launching Two New Mirrorless Cameras in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

dps-new-nikon-mirrorless-news

While Canon’s soon-to-debut mirrorless offerings have dominated the news, we have a new Nikon rumor to report:

The imaging company will release two mirrorless cameras before the year is out.

While the details of these cameras are uncertain, previous rumors have indicated that a Nikon Z8 is currently under development; this will be a “pro” body à la the Nikon D850 series, one that features a 60 MP sensor, a rugged build, and dual card slots.

And given that the Z8 has been given a suggested “late 2020” or “early 2021” release date, such a camera would certainly fit the bill.

As for the second model, Nikon Rumors suggests several possibilities. These include a Z30, which would be an APS-C mirrorless body with no viewfinder, and would sit under Nikon’s only current APS-C mirrorless offering, the Z50.

Additional options include a Nikon Z6 successor, which would fit with a standard two-year launch cycle (the Z6 launched back in fall of 2018), or a Nikon Z5, a lower-level alternative to the Z6.

The Nikon Z8 may debut in 2020

Given that Nikon’s current mirrorless lineup only consists of a Z50, a Z6, and a Z7, Nikon fans will appreciate any additional options. A Z30 model would make a lot of sense, given Nikon’s complete lack of a true budget mirrorless model. But the Z lineup is also missing a lower-end full-frame camera to compete with the Canon EOS RP or even the upcoming Canon EOS R6, so I wouldn’t be surprised to see the so-called Z5, either.

Here’s the bottom line:

If you’re a professional looking for a true “pro” mirrorless camera from Nikon, you’ll probably be seeing it before the year is out. And if you don’t get a Z8 in 2020, it’ll almost certainly drop in the first half of 2021.

Also, if you’re a hobbyist DSLR shooter waiting for a budget mirrorless option from Nikon, you may be in luck; the Z5 will probably be a nice upgrade from several current Nikon DSLRs, while the Z30 will make for a cheap way to break into the mirrorless world.

Now over to you:

Which Nikon mirrorless models are you hoping for in 2020? And which do you think is more likely: a Nikon Z5, a Nikon Z30, or a Nikon Z6 replacement? Share your thoughts in the comments!

The post Nikon Launching Two New Mirrorless Cameras in 2020 appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Adobe’s MAX 2020 ‘Creativity Conference’ will be a free, online-only event this year

12 May

Just a week after announcing its 99U conference will be online-only this year, Adobe has announced it’s annual MAX conference, originally planned to take place in Los Angeles, California in late October, will be a free online-only event this year due to the ongoing COVID-19 pandemic.

In an announcement on the Adobe MAX website, Adobe writes the following under the headline ‘ADOBE MAX 2020 — The Creativity Conference goes online:’

‘The health and safety of Adobe customers, partners, and employees is and always has been our top priority. To that end, we’ve made the difficult decision to cancel the in-person MAX event and make MAX 2020 a digital experience. And while we won’t be seeing you in person, we’re planning an immersive event that stays true to the MAX spirit of mind-blowing creativity and inspiration.’

The online version of Adobe MAX 2020 will take place from October 19–21 and registrations will open ‘later this summer,’ according to Adobe’s FAQ section. Adobe says it’s ‘pleased to offer all MAX 2020 keynote and breakout sessions for free.’

You can keep up with the latest Adobe MAX 2020 developments by following MAX on Facebook and Twitter, as well as signing up for the Adobe MAX 2020 newsletter.

Articles: Digital Photography Review (dpreview.com)

 
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Slideshow: Winners and finalists of the Academy’s annual BigPicture competition

11 May

Winners and finalists of the Academy’s annual BigPicture competition

San Francisco’s California Academy of Sciences recently announced the winners and finalists of its 7th annual BigPicture: Natural World Photography Competition. Over 6,400 images were submitted by photographers from 65 countries across categories including Terrestrial Wildlife, Winged Life, Landscapes, Waterscapes & Flora, Aquatic Life, Art of Nature, and Human/Nature.

Competition entries were selected by a panel of judges including wildlife photographer Suzi Eszterhas along with award-winning nature and conservation photographers Shin Arunrugstichai, Roie Galitz, Daisy Gilardini, Margot Raggett, and Tony Wu. The Grand Prize entry was awarded to Andy Parkinson of Crich, United Kingdom, for his image ‘Hare Ball.’ He spent 3 years familiarizing himself with the territory and behavior of his subject before capturing it braving a winter storm.

‘Only a highly-skilled photographer can present a common subject in an extraordinary way,’ says Suzi Eszterhas, BigPicture’s Jury Chair. ‘In this photo we see a hare as we’ve never seen it, curled up in a ball and looking rather like a sculpture as it’s bathed in sub-arctic light. Andy has created an image that has it all: technical perfection, artistic skill, and behavior. To me this is an image of beauty and resilience that speaks to weathering a storm. An image that I believe the world needs now more than ever.’

All 49 winning and finalist images will be featured at the annual BigPicture photography exhibit. It’s set to take place later in the summer at the California Academy of Sciences. BigPicture is currently accepting applications for its Emerging Photographer Grant, which will provide a cash grant and mentorship to 2 aspiring photographers between ages 18-25, through May 31st.

Aquatic Life Finalist: ‘Hold on Tight’ by Mathieu Foulquie?

© Mathieu Foulquie?. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Lez River, France

Artist Statement: Beneath the turbulence of a small waterfall in France’s Lez River, a male common toad (Bufo bufo) holds on for dear life. Not his own life, though—the male is helping to ensure his species’ survival by fertilizing his female companion’s eggs as she lays them. Known as amplexus—Latin for ‘embrace’—this mating behavior is common among amphibians and other animals whose eggs must be fertilized externally.

Males temporarily develop glands on their toes, known as nuptial pads, to help them grip the swollen abdomens of the females. Then, as the female releases thousands of eggs in pearly, gelatinous strands, the male coats them with sperm. ??Scores of toads seeking partners for this ancient dance of procreation are killed each spring by motor vehicles. Fortunately, some European communities have built canals and even enlisted toad-shuttling volunteers to help them cross roads and reach their mates.

Photo Story Winner (one of six images): ‘Guardians of the Giraffes’ by Ami Vitale

© Ami Vitale. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Reteti Elephant Sanctuary, Kenya

Artist Statement: Too often, says Ami Vitale, nature photography excludes the humans whose lives are intertwined with the natural world. Her decade-long project documenting the bonds between Samburu people and wildlife in northern Kenya reverses this oversight, telling the story of how Samburu people became advocates for wild animals and their habitat.

For as long as Samburu people have grazed livestock, their livelihood has been seemingly at odds with the elephants, rhinos, giraffes, and other large mammals with whom they share their homeland. But as poachers decimated elephant (Mammalia proboscidea) populations in recent decades, Samburu herders realized their cattle were also suffering.

Elephants promote grass growth by clearing brush and small trees, so as their numbers shrink, there’s less grass for cows to graze on. In response, the Samburu launched a sanctuary to rehabilitate orphaned elephants, along with other conservation programs that benefit threatened species like the reticulated giraffe (Giraffa camelopardalis reticulata), shown here.

These efforts are changing long-standing Samburu attitudes toward wildlife, and show how the health of human and animal communities are connected. ‘Indigenous communities hold the key to saving Africa’s great animals,’ says Vitale. ‘Where these communities are intact, poaching has dramatically decreased.’

Grand Prize Winner: ‘Shelter in Place’ by Andy Parkinson

© Andy Parkinson. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Tomatin, Scotland

Artist Statement: To get this intimate shot of a mountain hare (Lepus timidus) curled up against a Scottish winter storm, Andy Parkinson endured weeks of ferocious cold and wind that drove shards of ice into his face. Britain’s only native rabbit species, on the other hand, is utterly at home in these inhospitable conditions.

Groups of twenty or more hares gather each winter to nibble heather on leeward slopes, where the snow tends to be shallower. Before resting, they jump away from their tracks to confuse predators. And while some ride out storms in burrows or depressions, this female created her own shelter, tucking herself into a ball to conserve heat and minimize exposure to the elements.

It’s a nifty strategy for surviving the kind of weather that drives most creatures indoors or underground. Despite their fortitude, mountain hares are Britain’s fastest-declining mammal, due to unregulated hunting and habitat loss. Parkinson hopes that calling attention to these remarkable rabbits will convince legislators to protect them.

Landscapes, Waterscapes, & Flora Finalist: ‘Mushroom Magic’ by Agorastos Papatsanis

© Agorastos Papatsanis. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Deskati, Greece

Artist Statement: Despite the ethereal appearance of this photo, these edible mushrooms (Macrolepiota procera) won’t induce any hallucinations. But that doesn’t mean they aren’t magical. Indeed, the more we learn about mushrooms, the more magic they seem to harbor. From helping trees communicate to producing cancer-fighting metabolites, scientists have only begun to uncover the fantastic features of fungi. ??

At the root of many of these capabilities is the unique role that mushrooms play in the environment. As primary decomposers, mushrooms break down the organic matter of dead plants and animals. In return, the fungi become flush with essential nutrients and minerals, a number of which can confer antioxidant, antimicrobial, and anticancer benefits to humans. This same ability also makes mushrooms exceptional environmental remediators, ingesting the toxins and heavy metals that various industrial practices have leached into the soil.

Winged Life Winner: ‘Pond Skim’ by Piotr Naskrecki

© Piotr Naskrecki. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Gorongosa National Park, Mozambique

Artist Statement: In Gorongosa National Park, at the southern tip of Africa’s Great Rift Valley, water breathes with the seasons. Lakes and rivers that overflow during the winter months are reduced to puddles and trickles come summer. For many species — including the Mozambique long-fingered bat (Miniopterus mossambicus) — the dry season means longer journeys for a much-needed sip of water.

As our planet warms and droughts increase in both frequency and intensity, the seasonal oases that bats depend on are drying up. Without adequate water, healthy bats begin to weaken, making them more susceptible to diseases that are already devastating populations around the world.

Those that survive are sometimes forced to drink from human-made bodies of water — a boon for bats, but a potential risk for people who drink from those same water sources, since bats carry a host of zoonotic diseases. It’s often at these interspecies interfaces that killers like Ebola and the novel coronavirus emerge.

Terrestrial Wildlife Winner: ‘Speed and Strategy’ by Yi Liu

© Yi Liu. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Maasai Mara National Reserve, Kenya

Artist Statement: Although they’re the fastest land animals in the world, catching prey is no easy feat for a cheetah (Acinonyx jubatus). The mostly treeless terrain of the African savanna gives antelopes, impalas, and other ungulates ample time to spot approaching predators, and even a slight head start can be the difference between life and death. To avoid alerting their prey, cheetahs start out hunting low to the ground, where their spotted coat helps them blend into the terrain.

When they get within 60 meters (200 feet) of their target, cheetahs accelerate at a blistering pace, reaching 95 kilometers (60 miles) per hour in a matter of seconds. But the feline predators still have to account for the speed of their prey — in this case an impala (Aepyceros melampus), which can zig-zag at upwards of 80 kilometers (50 miles) per hour. To close the gap, this cheetah tripped its quarry as it attempted to escape, proving that sometimes, strategy is just as important as speed.

Landscapes, Waterscapes, & Flora Winner: ‘A Sticky Situation’ by Edwin Giesbers

© Edwin Giesbers. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Hatertse Vennen Nature Reserve, Netherlands

Artist Statement: Innocently poised on the thin red spines of an oblong-leaved sundew (Drosera intermedia), beads of nectar beckon insects like sweet garnishes on a lethal cocktail. When an insect lands to sip the nectar, the carnivorous sundew slowly curls its leaves around it, releasing digestive enzymes that liquify its unsuspecting prey into a digestible meal. If a sundew ensnares something inedible, it promptly releases the non-nutritious offender from its grasp.

Nitrogen and phosphorus from eating insects allows sundews to thrive in places where most plants can’t survive, like the acidic, nutrient-poor soil of swamps and bogs. These adaptations fascinated Charles Darwin, who wrote in 1860 that he cared ‘more about Drosera than the origin of all the species.’ Nonetheless, Darwin would wait 15 years before publishing his controversial suspicions that, indeed, some plants eat animals.

Terrestrial Wildlife Finalist: ‘Hippo Huddle’ by Talib Almarri

© Talib Almarri. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Okavango Delta, Botswana

Artist Statement: Each winter, as the waters of Botswana’s Okavango River spread across its vast delta, an array of African wildlife congregates to eat, drink, splash, and soak. This seasonal wetland was especially important in 2019, when severe drought left human and animal populations alike desperate for water. Cattle, elephants, crocodiles, and other creatures were left to vie for any water they could find in the delta’s shrinking pools.

??Among those seeking refuge were herds of hippopotamuses (Hippopotamus amphibious). These semi-aquatic herbivores are well-equipped for spending hours each day in the water—their nostrils and eyes located so high on their head that they can breathe and see while mostly submerged.

They’re also graceful swimmers, and can hold their breath for up to five minutes. But even their aquatic abilities and impressive heft were no match for last year’s muddy, drought-stricken delta. At least 200 hippos became trapped in the mud, and managed to survive only because Botswana wildlife officials pumped in water to help them escape. As the climate warms, such droughts may become more frequent across much of Africa.

Art of Nature Winner: ‘A River Gone Awry’ by Juan Jesús González Ahumada

© Juan Jesús González Ahumada. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Río Tinto, Spain

Artist Statement: Along the Río Tinto in western Spain, layers of multicolored sediment combine with blood red water to produce an otherworldly effect. But the strange coloration—shown here in a photo of cracked mud at the river’s edge—has familiar origins: Runoff from millennia of mining in the surrounding Sierra Morena has caused rampant acidification and toxic levels of dissolved metals.

The pollution is so extreme that NASA has used the river and the resilient microbes that call it home as a proxy for the conditions for life on Mars. ??Unsurprisingly, the water is unusable for the communities that live near it—at least for now.

In 2016, a collaboration between a team of Spanish researchers looking into the mineralogy of the river and a group of French researchers seeking to decontaminate it made an important discovery. When the water was purified, the leftover solids contained a high concentration of microscopic aluminum particles, a valuable commodity which can be sold to offset the cost of decontamination.

Human/Nature Winner: ‘The Cost of Cats’ by Jak Wonderly

© Jak Wonderly. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: WildCare Wildlife Hospital, San Rafael, United States

Artist Statement: Every year, the staff at WildCare, a California animal rescue organization, is tasked with rehabilitating hundreds of birds and other wild animals mauled by outdoor house cats. The 200 pictured here did not survive. ‘I wanted to create an image to show some of the impacts our pets have on the wildlife around our homes,’ says Jak Wonderly. ??

One of those impacts is a world with less birdsong. In the United States alone, more than 2 billion birds are killed by cats annually. Other nations, including Australia and New Zealand, have tried to protect native wildlife by imposing restrictions on cat owners, such as ‘cat curfews’ that require cats to be indoors after dark.

But because such measures are unlikely to gain traction in North America, Wonderly took this devastating photo. By illustrating the suffering that free-roaming house cats cause, he hopes to spark discussion about alternative solutions for reducing the death toll caused by our pets.

Human/Nature Finalist: ‘Snack Attack’ by Gunther De Bruyne

© Gunther De Bruyne. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Kasungu National Park, Malawi

Artist Statement: After an unsuccessful attempt at grabbing a snack, this African savanna elephant (Loxodonta africana) took out its frustrations on the roof of an open-air kitchen in Malawi’s Kasungu National Park. Photographer and biologist Gunther De Bruyne says such destruction was common during his stay at a research station there. But, De Bruyne adds, there’s a reason why Kasungu’s elephants are unusually dangerous: He and other scientists have found that elephants from heavily poached regions tend to be more aggressive.

In 1977, more than 1,000 elephants roamed Kasungu. By 2015, poaching had reduced the population to just 50. While recent ivory bans might be turning the tide—there are now over 80 elephants in the park—recovery takes time, especially among animals as intelligent and long-lived as elephants. Maybe on De Bruyne’s next visit, the kitchen roof will remain standing.

Aquatic Life Winner: ‘Berg Buffet’ by Greg Lecoeur

© Greg Lecoeur. All rights reserved. These images originally appeared on bioGraphic, an online magazine about science and sustainability and the official media sponsor for the California Academy of Sciences’ BigPicture: Natural World Photography Competition.

Photo Location: Antarctic Peninsula

Artist Statement: French photographer Greg Lecouer braved frigid waters to catch this rare glimpse of life below Antarctic ice, where he encountered a crew of crabeater seals (Lobodon carcinophaga). Clumsy and laborious on land, crabeater seals are elegant and agile swimmers that spend their entire lives in the pack ice zone surrounding the frozen continent.

Buoyed by polar currents, icebergs calve off mainland glaciers, carrying minerals and nutrients from land into the ocean. Once sea bound, the icebergs slowly melt, releasing critical nutrients in their wake and providing seals with both food and shelter. The fertilized waters prompt a bloom of phytoplankton that attracts krill—which, despite the crabeaters’ name, is a favorite meal of the seals.

Articles: Digital Photography Review (dpreview.com)

 
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Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

11 May

The post Lightroom Preset Compatibility: XMP or LRTemplate Confusion? appeared first on Digital Photography School. It was authored by Adam Welch.

Lightroom preset compatibility

Over the last couple of years, Adobe has made some enormous changes to its flagship post-processing software. In short, some of these changes can be slightly…confusing. As someone who uses Adobe Lightroom a lot (and I do mean A LOT), perhaps one of the most confusing changes to Lightroom to come down the pike was Adobe’s choice to change the format of its develop presets from .lrtemplate to .xmp. This has led to quite a bit of head-scratching from hobbyists and professional photogs alike over Lightroom preset compatibility.

Today, once and for all (until Adobe changes things), we’re going to speak plainly about what you need to know when it comes to your development presets in Lightroom. You’re going to learn which presets work with which versions of Lightroom. You’ll learn which ones don’t work, and in the process, gain a better understanding of how presets function in all realms of Lightroom.

Making the jump to XMP

In April 2018, Adobe released Lightroom Classic v7.3.

With Lightroom v7.3, we discovered for the first time that the file designation for develop presets changed from ‘.lrtemplate’ to ‘.xmp’. This brought along some awesome benefits, with the most brilliant being that our Lightroom develop presets could now be used with Adobe Camera RAW (ACR).

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

Unfortunately, this switch gave birth to a whole litter of questions over how the older .lrtemplate presets would function after the switch to the .xmp format.

For people like me that engineers develop presets as part of their living, tiny beads of sweat congregated on our foreheads once the announcement dropped from Adobe.

Adding to the anguish, around the same time, Adobe experienced somewhat of an identity crisis with the naming of their Lightroom platforms. Lightroom Classic CC? Lightroom CC? Lightroom Desktop? It was difficult to keep track.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

This left many users (myself included) questioning what version of Lightroom we were running. This, in part, compounded the confusion over what develop presets would function with what versions of Lightroom.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?
By Alex Knight/Unsplash

Why XMP?

Many users wondered why Adobe would change the file format of the develop presets in Lightroom. The reason stems from another one of the big changes to come along with Lightroom v7.3, which was the introduction of Adobe’s ‘Creative Profiles’.

Lightroom preset compatibility with creative profiles

Creative Profiles are a way for Lightroom users to add base-line adjustments (think in-camera profiles) that do not interfere with their other edits in Lightroom and ACR.

Yep, you guessed it, these Creative Profiles are in .xmp format.

So really, the general reasoning behind Adobe’s switch from .lrtemplate to .xmp file format was aimed at accomplishing universal Lightroom preset compatibility, sync ability, and Creative Profile functionality across Lightroom Classic, Lightroom CC, Lightroom Mobile, and ACR.

A question of compatibility

With the Lightroom v7.3 build, all of the users presets that were in the old .lrtemplate format automatically converted to the fresh .xmp format upon updating Lightroom (Lightroom Classic that is). This meant all of the Lightroom presets in the preset library were now usable in ACR and could be synced for use with Lightroom CC and Lightroom Mobile.

Lightroom preset compatibility with Lightroom Mobile

It also meant virtually all of us were completely befuddled as to what to do next with our presets.

Would our .lrtemplate presets still work with the newest version of Lightroom? Are .xmp presets compatible with previous Lightroom builds? What if I’m still running the pre-cloud versions of Lightroom?

Yes, it can all be extremely frustrating.

To help out, I’ve broken down which versions of Lightroom and ACR are compatible with which develop preset file formats.

We’ll also have a look at how each handles your development presets.

Pre-v.7.3 Lightroom builds

After Adobe launched the inclusive Creative Cloud ecosystem for its image processing applications in 2017, all standalone versions of Lightroom ended production. This meant that after Lightroom 6, the program was re-birthed as the Cloud-centric Lightroom Classic CC, now known simply as Lightroom Classic.

In short, you can no longer buy Lightroom, only rent it for a monthly subscription fee.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

For these builds, there is no backward compatibility for .xmp format presets. This means all presets that aren’t in the new format, will not work with this version of Lightroom.

Lightroom v7.3, ACR 10.3 and later

No matter your opinion on the switch from .lrtemplate to .xmp format for Lightroom develop presets, there’s no denying that the cross-platform functionality is quite convenient. Being able to use your Lightroom presets in ACR is awesome. What’s even better is that Adobe will automatically update all of your .lrtemplate formatted presets to the new .xmp format once you have updated your build of Lightroom Classic to v7.3 or later.

This allows you to continue to enjoy your presets in all their glory after updating to the new format.

Unfortunately, once your presets are updated to .xmp format…there is no going back.

Lightroom Preset Compatibility: XMP or LRTemplate Confusion?

Consider the .lrtemplate to .xmp conversion process as the “point of no return” for your presets.

In the face of this finality, it is strongly recommended that you save all of your presets that are in .lrtemplate format in a separate location (preferably an external drive) other than the native Lightroom Develop Presets folder. This will allow you to maintain the fullest Lightroom preset compatibility just in case you should ever wish to revert to a pre-v7.3 build of Lightroom.

What’s the endgame?

Even now, some long-time users of Lightroom still feel a bit frustrated when it comes to the compatibility of develop presets with older versions of Lightroom. With the enormous changes to their favorite image processing software, the confusion (and at times overt contempt) over what works and what doesn’t is completely understandable.

It’s obvious by now that the new .xmp format for presets is here to stay. It is also equally obvious that the trepidation of Lightroom preset compatibility still lingers for many users.

Looking to the bright side, with each new development feature introduced to Lightroom Classic, the processing power available in our develop presets grows exponentially. As time passes, hopefully, the long-term benefits of all these changes will far outweigh any initial challenges we may have encountered in the beginning.

I hope this has eased your Lightroom preset compatibility. If you have any other thoughts, or ideas around this, please share them with us in the comments section.

Interested in Lightroom Presets? Try some of our great sets available:

  • 101 LANDSCAPE LIGHTROOM PRESETS
  • 101 LIGHTROOM PORTRAIT PRESETS
  • 101 LIGHTROOM PRESETS PACK

The post Lightroom Preset Compatibility: XMP or LRTemplate Confusion? appeared first on Digital Photography School. It was authored by Adam Welch.


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Fujifilm GF 45-100mm F4 OIS sample gallery

10 May

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Our DPReview team just reviewed the new Fujifilm GF 45-100mm F4 OIS lens. Check out the 100MP photos shot with this impressive standard zoom for Fujifilm’s medium format system.

Articles: Digital Photography Review (dpreview.com)

 
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How to Setup For Doing Live Streaming and YouTube Videos at Home

10 May

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

live streaming setup and youtube setup

Since many of us are spending most of our time at home at the moment, I thought I’d share this great video from the dPS founder, Darren Rowse, on how to do live streaming and YouTube videos from your own home as a way to reach your audience and promote your photography.

He shares his complete live streaming setup, which I have listed below so that you can see if you have some of this gear already. Of course, you can replace some of this gear with the equipment you already have too. Most DSLR and mirrorless cameras do video nowadays.

The great thing about this video is that Darren shows us how this equipment all works together too, which is perfect to see what parts may or may not suit your needs.

Want to do some photography videos for youtube, or post-processing videos? This could be an ideal setup for you too.

Livestreaming gear setup:

live streaming setup and youtube video setup
  • Sony A7 III – https://geni.us/BM6gBHA
  • Sony 28mm f/2 lens – https://geni.us/sony282
  • Sony 55mm f/1.8 Lens – https://geni.us/sony5018
  • Sony A6400 – https://geni.us/udaP
  • Sony 16mm f1.4mm – https://geni.us/qLanFq
  • Rode PodMic – https://geni.us/rodepodmic
  • Rode Podcaster (USB) – https://geni.us/rodepodcasterusb
  • RodeCaster Pro – https://geni.us/rodecasterpropb
  • Shure SM58 – https://geni.us/shuresm58mic
  • Neewer 480 LED Lights – https://geni.us/neewer480led
  • Softbox for Neewer 480 – https://geni.us/neewersoftbox
  • LEDGO LG-B150 – https://geni.us/ledgo
  • Manfrotto magic arm – https://geni.us/mfmagic
  • Manfrotto superclamp – https://geni.us/mfsc
  • Ecamm Live – https://geni.us/ecamm
  • Elgato Camlink – https://geni.us/camlinkpb

Do you have a setup that you use already and would like to share with us? Please do so in the comments section!

The post How to Setup For Doing Live Streaming and YouTube Videos at Home appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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DPReview TV: Fujifilm GF 45-100mm F4 OIS review

09 May
The Fujifilm GF 45-100mm F4 R LM OIS WR promises to be a professional standard zoom for Fujifilm’s medium format system. Does it deliver the goods? Our review tells you what you need to know.

Subscribe to our YouTube channel to get new episodes of DPReview TV every week.

  • Introduction
  • Sample photos
  • Focal length
  • Design and build quality
  • Wildlife!
  • Chromatic aberration and flare
  • Sumstars and bokeh
  • Stabilization
  • Autofocus
  • Sharpness
  • Video performance
  • Who's it for?

Sample gallery from this episode

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Articles: Digital Photography Review (dpreview.com)

 
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Let’s Enhance 2.0 introduces new AI-powered algorithms for upscaling your photos

09 May

Upscaling photos isn’t ideal under any circumstances, but when there’s no other solution to making your images higher-resolution, you want to make sure you’re using the right tool. Let’s Enhance, an online-based upscaling tool, has released a 2.0 update that’s effectively built from the ground up with improved algorithms, new enhancement modes and presets for common image types.

Let’s Enhance 2.0 has been restructured with a new UI that puts its entire settings panel in one box for a simplified interface. The updated web app offers upscaling in increments of 2x, 4x, 8x, 16x and a custom setting for more precise scaling. Under its algorithm tab, Let’s Enhance 2.0 offers five dedicated AI-powered algorithms: Auto, Photo, Illustration, Photo 2.0 (beta) and Photo 2.0 Faces (beta). The Photo 2.0 Faces (beta) algorithm uses Let’s Enhance’s proprietary face reconstruction AI to automatically recognize faces in images and prioritize clarity when upscaling.

Also new are six presets, which will automatically apply pre-determined variables to an image based on the specific preset option you choose. The presets include options for photo prints, real estate images e-commerce images and more.

Let’s Enhance 2.0 lets you upscale five images for free (limited to 15MP) before needing to purchase either a subscription or pay as you go credits (where resolution isn’t limited). Below is a price breakdown of the various plans:

To find out more information and to try out Let’s Enhance 2.0 for yourself, head on over to the Let’s Enhance 2.0 website.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Everyday Objects

09 May

The post Weekly Photography Challenge – Everyday Objects appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Since many of us are still limited to where we can go, this week’s photography challenge topic is the EVERYDAY OBJECTS!

exploring your home with close-up filters
Image © Simon Ringsmuth

Everyday objects can be anything from a cup filled with coffee, TV remote, shoes, pens, computer mouse to a guitar pick. You get the picture!

Weekly Photography Challenge – Everyday Objects
Image © Rick Ohnsman
Weekly Photography Challenge – Everyday Objects
Image © Simon Ringsmuth

Get creative with them, either with the photography style or with post-processing.

I look forward to seeing what you come up with.

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing EVERDAY OBJECTS

Photographing a Still Life Series for Exhibition or a Portfolio

Stuck at Home? – Ways Still Life Photography Can Keep Your Skills Sharp

How to Apply Compositional Theory to Still Life Photography

Reverse Lens Macro – How to Make Macro Photos with “Backward Thinking”

Five Common Macro Photography Mistakes and How to Fix Them

Exploring Your Home with Close-Up Filters

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see. Or, if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSeverydayObjects to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Everyday Objects appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Photography Life is releasing all of its courses, for free, on YouTube

09 May

In the event you’ve already taken advantage of all of the other free educational resources that have come to light amidst the COVID-19 pandemic, photo education website Photography Life has announced it is releasing all of its premium photography courses for free on YouTube.

Normally, each course costs $ 150, Photography Life founder Nasim Mansurov explains, he and his team wanted to give back to the community in these challenging times. In the announcement post, he writes:

‘We spent many months filming our courses both indoors and in remote locations, in order to provide the best education we can possibly deliver to our readers. With the world dealing with possibly one of the worst health and economic crises the world has ever seen, we thought it would be a good idea to give away everything we got to our community. We hope that these courses will help our readers in getting solid photography content to learn from, for many years to come.’

Currently, the first course ‘Level 1: Photography Basics Course’ is available on YouTube, with each chapter broken into a separate video. Photography Life’s two other courses ‘will be uploaded to YouTube in the next two weeks,’ according to the announcement page. Below is the introduction video for the first course:

To be notified when the new videos drop (and to support the Photography Life team for offering up its courses), subscribe to the Photography Life YouTube channel.

Articles: Digital Photography Review (dpreview.com)

 
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