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Archive for March, 2020

Affinity Photo is Available for a Three Month Free Trial

28 Mar

The post Affinity Photo is Available for a Three Month Free Trial appeared first on Digital Photography School. It was authored by Jaymes Dempsey.

Affinity Photo is Available for a Three Month Free Trial featured image

As coronavirus continues to take its toll on artists and designers everywhere, Serif has decided to act.

The company announced that their software, including Affinity Photo, will sell with a steep 50% discount, taking the normally inexpensive programs down to bargain-cheap levels:

$ 24.99 USD for Affinity Photo on desktop (either Mac or Windows), and just $ 9.99 USD for Affinity Photo on iPad.

And that’s not all:

Serif has also announced a 90 day free trial on all Affinity software. This means that anyone struggling to afford editing software during the coronavirus pandemic can use Affinity Photo for free. There’s no catch; you can try the software, with all features included, for the next three months.

Affinity Photo is currently on sale

As the Serif Managing Director explained, “[H]opefully these things will make life a little easier for people who rely on creative software to make a living but may be stuck at home without access to their usual tools, or for students who might suddenly be without access to their Affinity apps on their personal devices.”

For those of you unfamiliar with Affinity Photo, it’s one of the most popular Photoshop alternatives around. It’s known for its full-featured, layer-based software, sleek interface, and excellent price.

In fact, plenty of creatives have abandoned Adobe for Serif, given that the Serif program is comparable in its features and noticeably cheaper.

In some ways, the standard Affinity price (and the current, even lower, price) is unbelievable, because Affinity Photo just offers so much. The software comes with basic adjustment capabilities, but you also get advanced features such as focus stacking and HDR merging, plus a useful in-built RAW editor.

So if you’re someone who’s struggling to pay for your current software, or you’re looking for a way out of Adobe’s subscription model, or you just want to take advantage of a tremendous deal, then I recommend you head over to the Affinity website now.

Chances are that you’ll love Affinity Photo.

Now over to you:

Are there any other Photoshop alternatives that you’d recommend? If you’ve already started using Affinity Photo, what do you think of it?

Share your thoughts in the comments!

The post Affinity Photo is Available for a Three Month Free Trial appeared first on Digital Photography School. It was authored by Jaymes Dempsey.


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Film Fridays: 20 film cameras worth buying right now

28 Mar
The Canon T90 is just one of the 20 film cameras worth buying right now. Check out Analog Gems – part 1 and Analog Gems – part 2 to view them all.
Photo: Dan Bracaglia

Happy Film Friday! In the spirit of celebrating all things analog, we felt today was the perfect time to take another look at our two popular film camera buying guides. These guides are chock full of cameras that are easy to find on the secondhand market in good working order, and many of them were included as staff and reader favorites. So if you’re a first-time camera buyer or simply looking to add to your collection, there’s probably a camera in there for you.

Analog Gems – part 1: 10 film cameras worth buying

Analog Gems – part 2: 10 more film cameras worth buying

Do note: the price of one or two cameras has jumped a good bit since initial publication (we’re looking at you Olympus Stylus Epic). That’s not to say we wouldn’t still recommend these cameras, just be aware of price inflation!

About Film Fridays: We recently launched an analog forum and in a continuing effort to promote the fun of the medium, we’ll be sharing film-related content on Fridays.

Articles: Digital Photography Review (dpreview.com)

 
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Photography deals, discounts and freebies for making the most of being stuck inside

28 Mar

As the number of newly-diagnosed Coronavirus cases continues to increase, so do the strict orders to stay home. For some, this means an increase in free time along with a decline in disposable income. Across the photography community, multiple retailers, software manufacturers, teachers and more are offering discounts, extended trials or freebies to help pass the time and (hopefully) make your dollars go a little further in this time of economic downturn.

We’ve rounded up just a few of the offerings from around the photography world and are sharing some of our favorites below. Keep in mind not all of these specials are specifically made in response to the COVID-19 outbreak, but we’ve included them below, unaffiliated, to ensure as little goes unseen as possible.

This will be a living list, so as we come across more deals and freebies, we will be adding them to the collection, which is split into two categories: ‘Deals and discounts’ and ‘Classes, courses and webinars.’ If you know of any we’ve missed, please share them in the comments below and we’ll be sure to add them to the list.

Deals and discounts

Adobe

In addition to granting free access to its Creative Cloud suite for qualifying students and educators alike, Adobe is also giving everyone two months of free Creative Cloud to help creatives affected by the ongoing pandemic. PetaPixel has shared a thorough guide on how to get your two free months.

Affinity

Serif has increased the length of its free trial to 90 days (from 30 days) for its entire Affinity suite and is offering all of its apps, both desktop and mobile, for 50% off. This includes Affinity Designer, Affinity Photo and Affinity Publisher. Additionally, Serif has pledged to ‘engage more than 100 freelance creatives for work, spending the equivalent of our annual commissioning budget in the next three months.’ Serif says more details on that initiative will be announced soon and has in the meantime shared a letter regarding this news.

Adorama

As always, Adorama has a number of special offers and discounts across various photo gear, as well as a ‘Deal of the Day’ that kicks off with a new product at 10am EST everyday.

B&H

B&H too has its own ‘Deal Zone’ that features ‘unbeatable specials.’ Not everything is photo-specific, but you can count on at least two or three photography-specific deals going on every day.

DaVinci Resolve

While not exclusive to the COVID-19 pandemic, DaVinci Resolve 16, an inline video editor akin to Adobe Premiere Pro, is free to download for Linux, macOS and Windows computers. Whether you’re looking to cut your Adobe subscription to bring down your monthly bills or simply want to try something new, it’s hard to beat the price of nothing and the app itself is a treat to use, as we’ve been over before.

DxO

DxO is slashing prices by up to 30% off through March 31st, including the recently-released DxO PhotoLab 3.2 update as well as its Nik Collection. With the discount, PhotoLab 3.2 and the Nik Collection cost $ 99.99 each, compared to the usual $ 129.99. You can also try out both programs for 30-days with free trials.

ON1

ON1 is currently offering 50% off Photo RAW 2020.1, bringing the normal $ 99.99 price down to just $ 49.99. ON1 is also offering 50% off its ‘Gold Package’ version of Photo RAW 2020.1, which includes the program, 50 fine art texture overlays, the ON1 Foundations video course, a one-year SmugMug Portfolio membership (normally a $ 180 value), as well as a pack of presets, LUTs and ‘styles.’ You can find both the standard download and the ‘Gold Package’ download at ON1’s online store. The deals end March 31, so you only have a few days left to snag this deal.

Skylum

Skylum is currently offering Luminar 4.2 and Aurora HDR as a bundle for $ 149, a $ 39 savings over the usual price. In order to see the deal, visit the Aurora HDR product page, click ‘Buy Now’ and scroll down to see the bundle with Luminar 4.

Classes, courses and webinars

Professional Photographers of America

As we covered earlier this week, Professional Photographers of America is currently offering its library of more than 1,100 courses for free. Usually these classes are limited to paying PPA members, but to help photographers and creatives affected by the COVID-19 pandemic, PPA has temporarily opened them up for all.

Advanced Aerial Photography with Vic Moss

In a webinar scheduled for this Thursday, March 26th, at 4:00 PM MST (6:00 PM EST), Drone U’s Vic Moss shares important lessons learned through his 30-plus years of experience as a photographer and 6-plus years operating drones.

‘Drone U has decided to offer some free courses and webinars during this time to give people an outlet. Many of us are cooped up and still need a creative outlet. Now is a good time to hone our skillsets, so Drone U thought we’d do this. We’re all in this together, so let’s get through it together,’ Moss tells DPReview.

Here are a few concepts that will be covered:

  • The exposure triangle and how the three parts work together (ISO, f-stop, shutter speed)
  • Megapixel vs. resolution: how are they different? Or are they?
  • The basics of composition
  • How to use the histogram to enhance your images
  • HDR and some basic editing concepts

While the webinar will be available for replay after it’s recorded, the live session offers attendees the opportunity to ask questions. Register here.

Introduction to Aerial Videography: Creative Direction for Drone Filming

This course is offered for free through Skillshare. All you need to do is create a free account to access a 2-month trial that can be canceled (it would be wise to set a reminder if you’re not interested in becoming a full-time member). Drew Roberts and Nathan Labruzza of Los Angeles-based Wild Rabbit Aerials, have created footage for major car companies including GMC, Ford, and Toyota, a Super Bowl ad for SodaStream, and footage for numerous feature film productions.

The duo walks through the basics of aerial cinematography including how to get started from the ground up. They share some hard-learned lessons from their years of experience, how they conduct the simplest to most complex shoots and run through the post-production process. Register for this course through a free Skillshare account here.

Various Beginner + Intermediate Photography Courses

Brit + Co, a lifestyle and DIY-based site, is offering all of their courses, which usually range from $ 27 – $ 107 each, for free through March 31st. Simply use the all-caps promo code ‘SELFCARE’ without the quotes at checkout. Click on ‘Have a Coupon?’ and you’ll automatically be registered without having to use your credit card or PayPal account.

Relevant courses include ‘How to Become a Wedding Photographer,’Phone Photography: Capturing Your Travels,’Family Photography: Capturing Your Little Ones, and their ‘Wanderlust Photography Bundle’ which gives an introduction to travel photography and walks you through using photo editing apps. ‘Some of us can’t work and are catching a serious case of cabin fever. All of us want to stay inspired, creative, and take care of ourselves,’ reads the official blog post introducing the initiative.

Adobe Premiere Pro, Lightroom, Photoshop, and After Effects Tutorials

YouTube hosts millions of free tutorials from creators around the globe. As with any major platform that goes largely unmoderated, save for removing objectionable content, the quality of information offered can vary. Justin Odisho has consistently created high-caliber content around showing creatives how to use Adobe products.

Adobe Premiere Pro is inarguably an industry standard when it comes to video editing software. In a series of 187 videos, Odisho walks you through everything from color correction to creating effects. Lightroom, Photoshop, and After Effects users will also find a wealth of information to master their respective crafts.

Kelby One

Scott Kelby’s Kelby One program is also offering free weekly webinars and memberships to some of its most popular classes. In a notification on the Kelby One website, it reads ‘We hope these resources help during this trying time as you work from home or self-quarantine for safety.’

Articles: Digital Photography Review (dpreview.com)

 
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Loupedeck’s latest software update adds new Profile Creator tool for custom profiles

28 Mar

The company known for its video and image editing consoles, Loupedeck, has announced a software update that enables users to create custom profiles for third-party applications. With the new Loupedeck Profile Creator, Loupedeck CT owners can create various custom profiles for all of the software they use, including for applications like Davinci Resolve, Logic Pro X, Capture One and more.

According to Loupedeck, creators don’t need any programming skills to create custom profiles for their favorite applications. Profile Creator can be used for adjustments and actions using everything from mouse movements to shortcuts, macros, keys, run applications, links and text. The new capability is found in software version 3.2 and higher.

Users can find a series of custom profiles for popular applications available to download on the Loupedeck website here. The company’s Founder and CEO Mikko Kesti explained, ‘The possibility for all users to create custom profiles is an important step in delivering an increased level of functionality and flexibility the digital creator community requires with their editing tools.’

In addition to announcing the Profile Creator’s Custom Profiles feature, Loupedeck has also revealed that its Creative Tool now has native integration for Streamlabs, a live streaming app that is popular with creators. Going forward, Loupedeck CT owners will be able to use the console to directly control their stream, including the ability to adjust audio, quickly mute and skip content, hide and unhide sources, and more.

Kesti calls the native integration a ‘natural addition’ to the company’s Creative Tool, which is available to purchase for $ 549. Users who are new to the device can download its companion software from Loupedeck’s website, where the company also offers User Guide downloads for everything from general usage to using Loupedeck CT with specific photo and video applications like Photoshop and Lightroom.

Articles: Digital Photography Review (dpreview.com)

 
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Canon Explorers of Light – Q&A with Photographer Terrell Lloyd

28 Mar

The post Canon Explorers of Light – Q&A with Photographer Terrell Lloyd appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd Featured Image

In this Canon Explorers of Light Q&A series, we interview several professional photographers who are a part of Canon’s Explorers of Light program.

The Explorers of Light Program, running since 1995, boasts some incredibly talented photographers. These photographers have spent years honing their craft, and influence and educate other photographers of all levels – something, we at dPS, can respect and relate to.

In this edition of the Canon Explorers of Light Q&A series, we interview photographer Terrell Lloyd. They share their experiences and give some valuable tips to upcoming photographers.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - 2019 San Francisco 49ers Season
2019 San Francisco 49ers Season:
Preseason
Dallas Cowboys vs San Francisco 49ers
Thursday, August 11, 2019
Santa Clara, CA

(49ers Photo)

Photographer Terrell Lloyd

How did you get into photography?

I got into photography as a youth growing up in San Francisco. My mother had a film camera, and I would borrow it to take photos.

I had an interest in photography from an early age. When I had a paper route and attended 49ers games as a kid, I would cut out photos from the sports section of the newspapers on Mondays and make my own photo books.

Later, in high school, a friend introduced me to a photo class, and that’s when my love for photography really took off.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - photograph of a basketball came from above  the hoop

What was your first camera setup?

The first camera I purchased was a Minolta film camera in high school. I joined the school’s yearbook committee, and that’s when I started photographing the school’s sporting events and documenting other school activities. I quickly learned that sport was the subject I enjoyed the most.

Once I became serious about photography, and before digital, my first real film camera was the EOS 1V, a 10-frames-per-second camera body.

What camera gear do you use now and why?

Currently, I use the new Canon EOS-1D X Mark III camera. I was fortunate to be able to use this camera in Miami this past February at the Super Bowl, shooting the San Francisco Forty-Niners vs the Kansas City Chiefs.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - what's in Terrell Lloyd's photography kit

I have used many of the Canon flagship digital cameras over the years, but once I got the 1D X Mark III in my hands, I was blown away.

My first thought was, and I quote, “this camera is a game-changer.”

The technology of its new image sensor, DIGIC X processor, speed, subject tracking ability, and image quality can be seen right away in post-production.

The images I produced from Super Bowl LIV were fantastic. Overall, the sharpness and exposures were consistent.

My history with Canon digital cameras dates back to Canon’s DCS520 – a 2-megapixel camera that cost $ 12K. I’ve been a believer in the Canon brand since my first serious film camera in high school.

One reason I am loyal to Canon is because of its quality glass, reliability and the Canon Professional Services program, which I believe is the best-of-class in the photography industry.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - San Fransisco 49ers photo
2019 San Francisco 49ers Season:
Preseason
Denver Broncos vs San Francisco 49ers
Monday, August 19, 2019
Denver, CO

(49ers Photo)

What area of photography do you specialize in and why did you move into that field?

In this stage of my career, I focus mostly on professional and college sports as well as some specialized high-end corporate events.

When I began building my photography business, I was photographing weddings and portraits.

As my business started to grow, I started shooting company events such as holiday parties, corporate meetings, conventions, and travel. Then I transitioned to major high-end clients such as BMW, Yahoo, Intuit, Verizon, and Ritz Carlton, to name a few.

I also added product and commercial photography to my services, however, sports was always on the top of my list.

When I became one of the team photographers for the San Francisco 49ers, I focused my time and efforts on becoming a full-time photographer in the NFL for the 49ers. In addition to everything else, I am also the photographer for San Jose State University’s athletic department and cover all of their Division 1 sports programs.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - portrait of Moore

Are you working on any exciting projects you’d like to share?

Now that our NFL season is over, we are in the process of planning our 2020 marketing and design campaign. This will include some photoshoots around San Francisco and the Bay Area. Unfortunately, I can’t reveal the new 49ers theme but stay tuned on 49ers.com and Instagram @49ers, and you will see exciting new images.

I am very much looking forward to our media photo session with our players scheduled for May. I will be working closely with our design team as we collaborate on a style for the 2020 season.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd

If you could share any photography tips with our readers, what would they be?

One tip I would like to share is not to limit yourself in today’s industry. Learn as much as you can in the photography world.

When I started, I wanted to know everything, and as I transitioned from my first wedding to sports, I studied it all, from medium format and 35mm film cameras to studio lighting and understanding environmental portrait lighting and the direction of light.

There are so many ways to learn photography using today’s technology, but I think the best way to perfect your skills and craft is to practice, practice and practice more.

Go out and photograph as much as you can. Make sure you get your exposures right in-camera, as you want to spend the least amount of time in post-production as possible.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd

Terrell Lloyd Biography

San Francisco-based photographer Terrell Lloyd is currently employed by the San Francisco 49ers as their senior manager of the organization photography services and is the full-time lead team photographer. 

He has been with the 49ers organization for 24 years, beginning as a contract photographer. For the past six years, he has been a full-time employee of the 49ers, responsible for all of the team’s photographic assignments. 

It all began in 1994 when he was given an opportunity to shoot a game from the sidelines at Candlestick Park. According to one of his clients, “Terrell’s sports photography really captures the essence of the game.”

Since 1992, Lloyd has provided professional photography services to individuals and organizations throughout the United States and around the world. He is best known for his special combination of artistic vision and cutting-edge technology and, for the past 15 years, has been the athletic sports photographer at San Jose State University. 

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd - portrait of a player sitting in a gym

Lloyd has also earned a number of championship rings for his work with San Jose State University as well as an NFC Championship with the San Francisco 49ers. 

In addition to his photographic skills, Lloyd has earned several awards and accolades as an athlete on the professional bowlers’ tour and leagues with several perfect 300 games and 800 series.

Lloyd was named to the prestigious Canon Explorer of Light program in 2006 and served for four years. After a brief break, he was named again to the Canon EOL program in 2017 and remains current. This is a group of professional photographers from around the world selected to provide educational programs around the country. 

The Canon Explorers share their photographic and technical expertise to a wide number of photographers in a variety of personal appearances, seminars and gallery shows. Also, SanDisk® chose Terrell Lloyd for its SanDisk Extreme Team in 2009 and was recently selected to the ThinkTankPhoto Pro Team in 2018.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd

In 2017, Lloyd received a Legends Award from Xposure101conference in Detroit, which honors individuals who have greatly influenced creativity, diversity and learning in the creative and photographic industries while inspiring others to achieve their goals. Western Digital presented him with their Award for Outstanding Contributions to the Photography Industry in 2019.

Shooting football has opened many doors for Lloyd and enabled him to cover major sporting events such as NFL Super Bowls, PGA golf, professional tennis, MLB baseball, the NBA, and more. 

Lloyd has also received many awards of merits for his portrait and wedding work and was Photographer of the Year by AMPP in 2001 and earned his craftsman degree from PPA in 2006.

Canon Explorers of Light  – Q&A with Photographer Terrell Lloyd

See more of photographer Terrell Lloyd’s work here:

Website: www.terrelllloyd.net
Instagram: @49ersofficialphotog
Twitter: @tlloyd49

The post Canon Explorers of Light – Q&A with Photographer Terrell Lloyd appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Rogue releases new FlashBender v3 with better compatibility and improved usability

28 Mar

Rogue Photographic Design has released a new version of its popular FlashBender shapeable reflectors and softboxes for speedlights. The FlashBender v3 (shown above in the large size) incorporates numerous new features and improvements when compared to the v2, including a new internal mesh structure, quick-release buckle and more.

While the FlashBender v2 was compatible with strobes and speedlights of many sizes, the new v3 has been designed for even more compatibility. With its new grippier attachment strap, the v3 can fit strobes as small as 17cm (6.7″) and as large as 43cm (17″). The v2 could fit flashes and strobes from 19cm (7.5″) to just under 25cm (9.75″).

Rogue lists a variety of compatible flashes on its website, including speedlights from Canon, Godox, Nikon, Nissin, Olympus, Profoto and Sony. The mount is incorporated into the FlashBender v3 itself, so there’s no need for additional accessories or mounts when attaching the v3 to your flash.

With its new internal mesh structure, the FlashBender v3 can be more easily shaped to your needs and is better at maintaining its position. Compared to the v2, the FlashBender v3 makes it easier to shape and direct light where you need it.

Compared to the Rogue FlashBender v2 (left), the FlashBender v3 (right) has an improved strap and quick-release buckle. The new v3 is also compatible with a wider range of flashes and strobes than its predecessor. With its new internal mesh structure, the FlashBender v3 allows for better control over the direction of light than the v2 as well.

The FlashBender v3 maintains the same compact form factor as its predecessor, ensuring that you can easily fold it in half to pack it away when transporting your gear. To make the FlashBender v3 even easier to use, it incorporates a new quick-release buckle. One minor tradeoff for the improved usability and design is that the FlashBender v3 weighs slightly more than its predecessor. For example, the FlashBender v3 Large Reflector weighs 170g (6oz), whereas the v2 weighs 135g (4.8oz).

For those unfamiliar with the Rogue FlashBender, it is available in various configurations, including a large reflector, large softbox, small reflector, small softbox and an XL pro lighting system. With the reflector kits, you can use the FlashBender v3 to reflect and soften the light from your speedlight or strobe, allowing you to easily set up main, background, accent or hair lights. You can also use the FlashBender to easily direct and bounce light off existing reflective surfaces, such as a white ceiling. Compared to a diffuser, the FlashBender allows for more control of where your light is directed, allowing the photographer to opt for lower power settings or be able to take better photos in direct outdoor sunlight.

The FlashBender v3 softbox kits come with a FlashBender v3 reflector and also includes a diffusion panel, allowing you to create even softer light and eliminate bounce flash if you are working in an area with off-color ceilings. When using FlashBender v3, either attached to an on-camera flash or when using off-camera remote flash, you can shape it to create a reflector/gobo, snoot (tube) or softbox.

The Rogue FlashBender v3 is available in an XL Pro Lighting System kit (shown here) for $ 119.95. This kit comes with an extra-large Pro Reflector v3, extra-large Pro Diffuser v3 and Rogue’s Pro Strip Grid v3.

The Rogue FlashBender v3 is available in the following kits: Large Reflector ($ 44.95 USD), Large Soft Box Kit ($ 59.95), Small Reflector ($ 39.95), Small Soft Box Kit ($ 49.95) and XL Pro Lighting System ($ 119.95). The softbox kits include a reflector plus a diffusion panel. The XL Pro Lighting System includes an extra-large Pro Reflector v3, Pro Diffusion Panel v3 and Pro Strip Grid v3. For owners of the FlashBender or FlashBender v2, it is worth noting that existing versions of Rogue Diffusion Panels are not compatible with the new hook and loop modifications on the FlashBender v3.

For more information on the new Rogue FlashBender v3, visit the Rogue Photographic Design website.

Articles: Digital Photography Review (dpreview.com)

 
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Weekly Photography Challenge – Pets

28 Mar

The post Weekly Photography Challenge – Pets appeared first on Digital Photography School. It was authored by Caz Nowaczyk.

With many of us stuck indoors, I thought this would be the perfect opportunity to make this week’s photography challenge our PETS!

Weekly Photography Challenge – Pets
This is my dog, Mya. This won’t win any photography awards – and it was just captured with my phone – but it really captures her playful spirit. And she loves rolling on that little rug.

I’m currently missing mine, as I’ve had to hunker down in a town that isn’t mine, and my doggies are 400kms away from me. But, for many of you, they are hunkering down indoors with you. So take this time to give them your love, take some fab photos of them and share with us all so that we can see how cute and adorable they are.

Weekly Photography Challenge – Pets
This is my other dog, Meeko. He hates having a bath. Once he does, though, he runs around the yard like crazy and rolls in all the grass.

They can be any pet you have. You can photograph them with any technique too.

So, check out these pics to give you some ideas, have fun, and I look forward to seeing what you come up with!

Check out some of the articles below that give you tips on this week’s challenge.

Tips for photographing your PETS

Five Tips for Creative Pet Photography

Tips for Great Lighting for Pet Photography

6 Tips for Working with Unruly Animals in Pet Photography

8 Tips for Better Pet Photography

Why Taking Pictures of Your Pets Will Help Make You a Better Photographer

Top 10 Pet Photography Tips and Techniques

Simply upload your shot into the comment field (look for the little camera icon in the Disqus comments section) and they’ll get embedded for us all to see or if you’d prefer, upload them to your favorite photo-sharing site and leave the link to them. Show me your best images in this week’s challenge.

Share in the dPS Facebook Group

You can also share your images in the dPS Facebook group as the challenge is posted there each week as well.

If you tag your photos on Flickr, Instagram, Twitter or other sites – tag them as #DPSmypet to help others find them. Linking back to this page might also help others know what you’re doing so that they can share in the fun.

The post Weekly Photography Challenge – Pets appeared first on Digital Photography School. It was authored by Caz Nowaczyk.


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Slideshow: Inaugural Nature TTL Photographer of the Year 2020 winners

28 Mar

Inaugural Nature TTL Photographer of the Year 2020 winners

The winning entries for the inaugural Nature TTL Photographer of the Year 2020 competition were recently announced. Over 7,000 images were submitted from wildlife, landscape, and macro photographers in 117 different countries. French photographer Florian Ledoux received the £1000 grand prize and title of Overall Winner for his image ‘Above the Crabeater Seals.’ If it looks familiar, it’s because this photo, captured in Antarctica, was also a Drone Awards 2019 winner.

‘It was a quiet morning and the sun was just about to rise. When I saw all the ice drifting alongside the sailboat in the fjord where we were anchored, with lot of crabeater seals resting on the ice, I immediately knew from previous experiences that this would give me a blast and really graphic and stunning images telling the story of how they use the ice to rest after night feeding,’ Overall Winner Florian Ledoux explains to DPReview about how he pre-planned his capture.

‘It is important that anyone inspired by this style of drone image understands the importance of wildlife and being ethical in your approach. Ensure that your drone does not spook animals or disturb them, and always conduct yourself within accordance of local regulations,’ Ledoux told Nature TTL when he learned of his win.

‘It is important that anyone inspired by this style of drone image understands the importance of wildlife and being ethical in your approach. Ensure that your drone does not spook animals or disturb them.’

Wildlife cameraman, and organizer of the competition, Will Nicholls said, ‘Florian’s image provides a unique angle that is not often seen in wildlife photography. The judges had a tough choice to make, but the detail and strong composition of the seals surrounded by the broken ice made it stand out from the crowd.’

The Landscape category winner, Marek Biegalski, also used a drone to show a flock of sheep resting in a tree’s shade. The Macro category was won by Chinese photographer Minghui Yuan for his simple, two-tone image of a damesfly resting on a blade of grass. The Youth category winner, 15-year-old Saptarshi Guyen from India, depicts a drongo searching for insects fleeing grassland fires.

Thousands voted for the People’s Choice category. Robert Ferguson’s intricate image of a pelican struggling to swallow a fish received the most votes. This is the first of what Nature TTL says is many annual photography competitions to come. Nature TTL offers photographers of all skill levels free tutorials and features that can be found here.

Overall Winner (& Wildlife Category Winner): ‘Above the Crabeater Seals’ by Florian Ledoux

Taken in: Antarctica

About this photo: ‘Aerial view of crabeater seals resting in a group on the ice after feeding at night. The aerial view allow us to better understand how the wildlife use the ice to rest and give birth.’

Equipment used: Phantom 4 Pro+

Runner-up, Wildlife Category: ‘Startled Owl’ by Paul Holman

Taken in: United Kingdom

About this photo: ‘The little baby owl made an appearance within the window during a
burst of early morning sun. A couple of jackdaws spooked by his presence started dive bombing him. After a few passes I noticed the jackdaw’s reflection in the adjacent windowpane and decided to try and capture this behavior. The startled look on the little owl’s face adds a little humor to the image.’

Equipment used: Canon EOS 7D II, Canon EF100-400mm Mark II lens

Highly Commended, Wildlife Category: ‘Sleeping the Fall Off’ by Terje Kolaas

Taken in: Norway

About this photo: ‘A Collared Dove in a garden in mid-Norway takes a break in feeding during a heavy snow fall. A remote street light in the background creates a halo around the bird. As soon as the snowfall stops, it shakes the snow off its shoulders and goes back to the daily routine with collecting wheat from the nearby fields. Tried many different shutter- speeds to vary the movement of the snow, this one is at 1/40s.’

Equipment used: Nikon D850 + 600mm f/4 lens

Highly Commended, Wildlife Category: ‘Breathing’ by Bence Ma?te?

Taken in: Romania

About this photo: ‘A brown bear growls a warning of his presence to an interloper, his breath vanishing slowly in the windless forest.’

Equipment used: Canon EOS-1D X Mark II; 400mm lens

Highly Commended, Wildlife Category: ‘Badger Blues’ by Dave Hudson

Taken in: United Kingdom

About this photo: ‘I had been putting in the hours watching a number of setts in the
area but decided to focus on this particular one due to the abundance of bluebells. I set myself up close to one of the badger tracks, knowing that I would only have one shot and I would need a lot of luck. After a good couple of hours, I began to hear movement. The light was fading fast and I knew that I would not have long before it would be too dark for any pictures.

An adult badger came towards me first, sniffing the air as they often do and heading towards me. It drifted out of shot and into the bluebells, but much to my delight behind it was a cub. He seemed comfortable enough so I clicked the shutter and got a couple of shots.’

Equipment used: Nikon D3s with Nikon D3s with Sigma 120-300 f/2.8 Sport lens

Winner, Landscape Category: ‘Shadow Game’ by Marek Biegalski

Taken in: Italy

About this photo: ‘Aerial image taken in Tuscany in autumn light. Flock of sheep was hiding in the shade from the sun under the shadow of a tree.’

Equipment used: DJI Mavic Pro 2

Runner-up, Landscape Category: ‘Viking Rainbows’ by Alessandro Cantarelli

Taken in: Iceland

About this photo: ‘I am very attached to this photograph, both because of the technical
difficulty and because it took years to make it. Over the last few years, I have found myself dozens of times in Iceland, several of which I was lucky enough to witness incredible conditions on the Vestrahorn.

Seeing such a powerful sunrise on the right was already magical, and the very intense rain made things difficult for me but it gave me a great gift: a double rainbow on my left that perfectly compensated the strong light on the right. 88 layers in Photoshop to create a panorama; 6 shots bracketed.’

Equipment used: Canon EOS 5D Mark IV + Samyang 12mm f/2.8 fisheye lens

Highly Commended, Landscape Category: ‘Valley of the Scheldt’ by Bart Heirweg

Taken in: Belgium

About this photo: ‘In early autumn the valley of the Scheldt is often filled with a thick layer of fog on clear and windless mornings. When the sun starts to rise the fog slowly disappears revealing the landscape underneath. When seen from above this atmosphere is simply magical.’

Equipment used: DJI Mavic Pro 2

Winner, Macro Category: ‘Chinese Painting’ by Minghui Yuan

Taken in: China

About this photo: ‘I was wearing a piece of waterproof overalls in the stream of Dabie Mountain, waiting to observe this Matrona basilaris (damselfly). Matrona basilaris is the king of the stream here. There is a male Matrona basilaris every 3 meters. They were waiting for the female to fly over its territory; the male chased away a male opponent and then stopped at the tip of the grass.

Against the background of the sky, I discovered the connection between the lines of the grass and the subject. Nature itself is a simple painting.’

Equipment used: Nikon D7000, Tamron 180mm f/3.5 macro lens

Highly Commended, Macro Category: ‘Nothing Here but this Tree’ by Caitlin Henderson

Taken in: Australia

About this photo: ‘The Lichen Huntsman (Pandercetes gracilis) is an incredible species of tree- dwelling spider from Australia’s tropical north. Its astounding camouflage enables it to blend perfectly with the tree bark and lichens, and is near impossible to spot by day.

At night, I went searching for these spiders with a torch, using their reflective eye-shine to discover their hiding places in plain sight.’

Equipment used: Canon EOS 7D, Canon EF-S 60mm f/2.8 macro lens

Highly Commended, Macro Category: ‘Trailblazer’ by Christian Wappl

Taken in: Thailand

About this photo: ‘It was past midnight in the forest of the Peninsular Botanic Garden (Trang, Thailand), but a light still shone in the dark. A large firefly larva (Lamprigera sp.) emitted a constant glow from its light organs.

I wanted to capture the scene in a way that celebrated its bioluminescence, and decided on a long exposure with rear-curtain flash. The shot had to be made in near-total darkness, which meant I had to estimate the position of the firefly larva in the frame.’

Equipment used: Canon EOS 5DS, Canon EF 16–35mm f/4L lens

Highly Commended, Macro Category: ‘Home Sweet Home’ by Jesslyn Saw

Taken in: Malaysia

About this photo: ‘While on holiday at my family home in Malaysia, I set out to document as many different types of jumping spiders as possible in a fortnight.

Battling the rain and heat and humidity of the tropics, the best time to hunt these spiders was early in the morning and late afternoon. It was on one of these late afternoon jaunts that I saw this colorful jumping spider and discovered a nest nearby. Hoping that the nest belonged to this particular spider, I came back again early the next morning to photograph it in its nest. To my delight, I saw that the nest did indeed belong to this spider. However, it took me another two days of early morning visits to finally successfully photograph the spider in its nest.’

Equipment used: Olympus OM-D E-M5 Mark II, 60mm f/2.8 macro lens

Winner, Under 16 Category: ‘Phoenix’ by Saptarshi Gayen

Taken in: India

About this photo: ‘For the last 4-5 years I have seen that, at the end of every winter, farmers of this huge grassland generally burn the grass and reeds to clean the land for upcoming crops.

When the fire spreads across the land, small insects start coming out. Then the brave Black Drongo starts capitalizing on such a moment by eating them and flying above the live fire. The birds usually sit on a branch fearlessly and watch the movements of the insects as the fire spreads into a new area, then it flies close to the fire for the catch. This is a full frame image, and the calmness of the Drongo reminds me of the Roman Emperor Nero.’

Equipment used: Nikon D7100, Nikon 200-500mm f/5.6E VR lens

Runner-up, Under 16 Category: ‘The Cradle of Life’ by Tama?s Koncz-Bisztricz

Taken in: Hungary

About this photo: ‘Late winter in February, the soda lakes are full of life in Hungary. These lakes are the sanctuary of wide variety water birds.

There is a nice, but unknown, hidden lake between the village of To?mo?rke?ny and Pa?lmonostora which is surrounded and covered with cane and sedge – therefore impossible to observe.

I took this aerial photograph by a remotely controlled drone. I use a special technique to slowly approach the birds from very high altitude, which is a method also used by conservation experts to count the population of the birds.

In the picture the wild ducks roil in the muddy water and leave lines in the yellowish-brownish, sometimes purple, water colored by organic materials coming from decomposition of cane. The sparkling color pallet of the image is composed by the blue sky and the white cloud reflection on the water’s surface.’

Equipment used: DJI Phantom 3 Standard

Winner, People’s Choice Award: ‘I’m Not Going Easy’ by Robert Ferguson

Taken in: Singapore

About photo: ‘This is the Great white pelican (Pelecanus onocrotalus), struggling with a non-native fish. These wonderful birds are free to roam, but have established a large colony on one of the artificial islands in the old Jurong park in Singapore.

I had set up my camera to take some portraits and watch their behavior, and noticed one particular bird that had caught one of the big fish from the pond. I watched, intrigued, as the bird swam in circles, dipping his bill, taking water, then raising his beak to attempt to swallow his large prey. But every time the fish extended its sharp spines on its fins – you can see it hooked on the beak here – and lodged itself firmly.

This went on for over 20 minutes, with no sign of either party tiring. I was fascinated to see the intricate veins in the birds throat pouch, as the overcast day backlit the thin skin, and I had to move and crouch low to the ground to get the shot.’

Equipment used: Canon EOS-1D X Mark II, 200-400mm f/4 lens?
?

Articles: Digital Photography Review (dpreview.com)

 
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Panasonic Lumix G 25mm F1.7 sample gallery

27 Mar

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Panasonic’s 25mm F1.7 is not a new lens but it does offer good optical performance for the money – it’s also a lens that never received our sample gallery treatment, until now. Think of it as the brand’s nifty fifty – because at about $ 150 this 50mm equiv. would be an excellent addition to any Micro Four Thirds kit.

It’s also worth mentioning that much of this gallery was shot with Seattle in COVID-19 lockdown, so we had to get a little creative with subject matter!

See our Panasonic 25mm F1.7 lens gallery

Are there any other lenses you’d like to see us shoot sample galleries for which we haven’t already? Let us know in the comments below.

Articles: Digital Photography Review (dpreview.com)

 
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Fujifilm releases major firmware update for X-T30, minor updates for X-T3, 16-80mm F4 lens

27 Mar

Fujifilm has released firmware updates for its X-T30 and X-T3 camera systems, as well as its XF 16–80mm F4 R OIS WR lens. While the updates for the X-T3 and XF 16–80mm F4 are extremely minor, the X-T30 gains a number of much-anticipated features.

Starting out with the smaller updates, firmware version 3.21 for the X-T3 and firmware version 1.03 for the XF 16–80mm F4 both address minor bugs. No specific bugs are mentioned and no other information is given about the updates.

Moving onto firmware version 1.20 for the X-T30, Fujifilm has added a list of new features and functionality. First and foremost, Fujifilm has added improved autofocus performance. According to Fujifilm, the tracking performance of the eye AF frame has been improved, the face-detection has been improved when there are different-sized faces in the same frame and autofocus on foreground subjects has been improved when there is a mix of foreground and background subjects in an image.

Fujifilm has also improved gimbal and drone support when the X-T30 is used with supported rigs over USB. Specifically, firmware version 1.20 adds functions for starting and stopping video recording, adjusting exposure settings for video and adjusting manual focus for video.

Also added is the ability to save up to 9,999 photos into a single folder on an SD card; previously the X-T30 was limited to only 999 shots per folder.

You can download the latest updates for the X-T30 (version 1.20), X-T3 (version 3.21) and the XF 16–80mm F4 lens (version 1.03) on Fujifilm’s respective support pages.

Articles: Digital Photography Review (dpreview.com)

 
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