RSS
 

Archive for March, 2020

Is the Nikon D780 right for you?

02 Mar

Is the D780 right for you?

Everyone has different requirements for cameras; what might be perfect for one person could be unworkable for another. With this in mind, we’ve taken a look at some common photographic use-cases to see how well we think the Nikon D780 will work for them. From travel to portraits, check out our handy guide to see how Nikon’s latest DSLR could stack up for the types of photography you enjoy.

All images taken by Dan Bracaglia

Travel

Image: Processed from Raw | ISO 100 | 1/250 sec | F2.8 | Nikon AF-D 50mm F1.8

Life on the road leaves little room for error when it comes to gear, so it’s best to have a reliable camera at your side. With a rugged, weather-sealed body, solid battery life and the addition of USB charging, the D780 should make for a trusty companion. It produces great JPEGs right out of camera, and sharing them right away is easy thanks to the camera’s Bluetooth and Wi-Fi connectivity.

We’ll admit though, there are smaller options out there, including Nikon’s own Z6 mirrorless camera, and there are even smaller options yet if you don’t need a full-frame sensor. But overall, the D780 is a great travel camera, especially when paired with one of many compact-yet-excellent F-mount lenses.

Video

The D780 makes a strong case for itself as a video camera. It comes with high-quality, oversampled 4K footage and great video autofocus, slow-motion Full HD capture, and retains separate settings for both stills and video – especially handy for shooters that dabble in both disciplines. There’s plenty of room for both headphone and microphone sockets, and the camera can output a 10-bit Log signal to an external recorder over HDMI. There’s focus peaking if you don’t want to rely on autofocus, and zebra warnings will help you control your exposure.

Perhaps the biggest knock against the D780 is simply due to its DSLR design. There’s no electronic viewfinder option, and since the mirror has to flip up to shoot video, you cannot use the optical viewfinder either. There’s also no in-body image stabilization, but a stabilized lens or enabling the camera’s electronic stabilization can smooth your footage out. Lastly, the tilting screen mechanism isn’t as versatile as a fully articulating one for those who want to start vlogging.

In the end, DSLR cameras face stiff competition in general from mirrorless cameras when it comes to video. But for users who have a good collection of F-mount glass, or those who want to use older AF-D lenses for video and get good autofocus, the D780 is your best bet.

Family and moments

Image: Out-of-camera JPEG | ISO 5000 | 1/160 sec | F2.8 | Nikon 35mm F2 D

Capturing fleeting moments of those you hold most dear can be a tricky task; the camera in question has to just work. Thankfully, the D780 has two great autofocus systems that aren’t likely to let you down. You get face-detection through the optical viewfinder and eye detection when you’re using the rear screen. Finally, nice JPEGs and easy sharing mean you can send that keeper of Aunt Betty laughing uncontrollably to her phone while the tears are still streaming down her face.

There’s not much to count against the D780 in this situation, though we’d recommend you dial down the high ISO noise reduction on the camera a bit. And there’s no denying that smaller, lighter options are available on the market that you may be more willing to bring along with you, wherever you go.

Landscape

Image: Processed from Raw | ISO 5600 | 1/160 sec | F5.6| Nikon 35mm F2 D

The D780’s 24-megapixel chip isn’t the highest resolution around, but it offers excellent dynamic range and solid detail capture if you’re not printing wall-sized posters. For hardcore wilderness photographers, the D780’s weather-sealing could be handy if inclement weather strikes, and the abundant controls should be pretty easy to operate with gloves. Excellent battery life means that you basically don’t have to worry about running out of juice, but if you do want to worry about it, remember you can top up with the camera’s USB-C port.

Unlike some competitors, the D780 doesn’t have any sort of resolution-boosting sensor-shift mode, but there’s a built-in focus stacking feature that could be handy. The tilting screen will make it easy to work from a tripod, and you can rely on the autofocus in pretty much any lighting conditions. There is some risk of shutter shock with longer lenses and slower shutter speeds, so be sure to enable the ‘Quiet’ shutter-release mode and the electronic front-curtain shutter in the menus if you find it to be a problem.

Portraits

Image: Converted from Raw | ISO 100 | 1/320 sec | F5.6 | Nikon 50mm F1.8 D

The D780 is an excellent choice of camera to capture the essence of others. There are tons of great lenses to choose from, and the JPEG engine does a great job capturing skin tones. The camera’s updated autofocus should also be accurate whether you’re using either the optical finder or the rear screen, but be aware that you only get eye detect on the latter and you could need to calibrate your lenses for the former to get the best results.

Keep in mind that, being a DSLR, the D780 is fairly sizable and could look ‘professional’ to some subjects and intimidating to others. High-end studio portraitists may also wish for more resolution, but we think the D780’s 24 megapixels will serve most users just fine indeed.

Lifestyle and people

Image: Converted from Raw | ISO 3200 | 1/250 sec | F1.4 | Tamron 35mm F1.4

For users looking to up their Instagram game, a good lifestyle camera needs to offer abundantly better image quality than a smartphone – broadly speaking, the D780 absolutely does. If you want real bokeh, baby, you got real bokeh, baby. On the other hand, a lifestyle camera should be easy to have on you at all times. In this regard, the D780 is a pretty chunky option for those used to only carrying a smartphone. And, though we think it’s a handsomely designed camera, the retro-chic appearance of some competitors may be more attractive to you.

But back to image quality – the D780’s excellent JPEGs are great for immediate social sharing with Nikon’s solid Snapbridge app, though you can also tweak Raw files in-camera to get even better results. Excellent autofocus, especially in poor light, will only serve to broaden the situations in which you can get just the right shot. If you’re not against carrying a full-frame DSLR around with you, the D780 is a solid option for this type of photography.

Candid and street

Image: Converted from Raw | ISO 250 | 1/160 sec | F2.5 | Nikon 35mm F1.8G

Ah, street photographers – those who cherish the quiet, the discreet, the cool. It’s obvious that the D780 isn’t the most subtle, blend-in-to-the-background sort of camera around. But that doesn’t mean it hasn’t got plenty going for it in terms of capability.

The D780 is super responsive, so you can quickly adapt to changing situations with ease (and check your settings on the top LCD). The tilting touchscreen makes it easy to shoot from the hip, and if you’re the type of person who likes to share your photos with those you’ve just photographed, the Snapbridge app makes it easy to send off the camera’s excellent JPEGs right away.

If you do want to try to make the D780 as unobtrusive as possible, you can enable the ‘Quiet’ shutter (which is only slightly quieter), or if you’re not worried about rolling shutter artifacts, you can shoot using a fully silent electronic shutter in live view mode.

Sport, action and wildlife

Image: Converted from Raw | ISO 25600 | 1/640 sec | F2.8 | Nikon 70-200mm F2.8

When it comes to capturing sports and action, the D780 has a lot going for it. This isn’t too much of a surprise – the D700-series has historically been pretty well-suited for this sort of work, provided you don’t need super-fast burst speeds. The fact is, 7 fps through the viewfinder is fast enough for a lot of different sports, and the D780 has a deep, 100-frame buffer which clears quickly thanks to dual UHS-II memory cards. In other words, it’s rare that you’ll find yourself waiting for the camera. Supporting all this is great image quality in both JPEG and Raw and a deep catalog of F-mount telephoto glass.

This brings us to the autofocus system – the 51-point viewfinder system is absolutely excellent in terms of reliability, but there’s no getting around the fact that the spread across the frame is pretty limiting these days.

Many competing mirrorless cameras have as near-as-makes-no-difference 100% autofocus coverage in their electronic viewfinders, which can be compositionally freeing. You can get a similar type of system on the D780 if you use the rear screen, but that can make for an unwieldy setup with large or heavy lenses. Ergonomically, we’d also love to see an AF joystick for moving the AF point around in the viewfinder – the eight-way directional pad is serviceable, but not ideal.

Weddings and events

Image: Out-of-camera JPEG | ISO 14400 | 1/320 sec | F2.8 | Nikon 85mm F1.8G

Being a very well-rounded camera, the D780 is a great choice for a wedding and event photographer. It’s got solid image quality in all lighting conditions, its 24MP of resolution tends to be plenty without eating up all your drive space, it’s rugged, has great battery life and dual card slots for instant backup of those irreplaceable moments.

The viewfinder autofocus system also works extremely well in low light, and though the eye-detection option in live view shooting is great, it’s not available in the viewfinder and live view tracking in general isn’t super reliable as light levels drop. But really, we’re nitpicking here. The D750 was already a camera long-favored by wedding and event shooters; the D780 should perform even better.

Is the D780 right for you?

There we have it – the D780 is an incredibly well-rounded camera that, if not the absolute best camera for any one of these use-cases, will at least perform very well across most photographic disciplines.

But what do you think? Is there a specific type of photography you dabble in that we don’t mention here? Let us know in the comments.

Articles: Digital Photography Review (dpreview.com)

 
Comments Off on Is the Nikon D780 right for you?

Posted in Uncategorized

 

How Building a Portfolio Career as a Photographer Can Earn You Money

01 Mar

The post How Building a Portfolio Career as a Photographer Can Earn You Money appeared first on Digital Photography School. It was authored by Charlie Moss.

building-a-portfolio-career-as-a-photographer

When you’re starting in business as a photographer, it can be tough to find a reliable income. Often jobs will be unpredictable as to when they come in – and getting paid can be even more of a guessing game! Building a portfolio career is one way that you can counteract the unpredictability of being a freelance photographer.

Diversifying your revenue streams right from the start is a way to build a more predictable income. By having multiple diverse but related sources of income, you can mitigate ups and downs in each revenue stream while having a photographic career that allows you the freedom to shoot several different subjects.

building a portfolio career

ISO400, 35mm (50mm equiv.), f4, 1/80th sec

Lay the foundation

Start by mind-mapping around the fields of photography that you love.

Try to think of every possible source of photographic income that those fields might have, no matter how big or small. All of these could contribute to building a portfolio career.

Out of everything you’ve written down, highlight all of the income sources that could be done on a regular contract for someone else. The first income stream that you need to provide a solid foundation for is one that is both regular and guaranteed.

Ideally, this regular, but potentially low paid work will cover all of your essential bills. And when I say essential, I mean putting an extra jumper on and eating beans on toast all month.

building a portfolio career

ISO200, 35mm (50mm equiv.), f4, 1/80th sec

You could consider jobs like real estate photography, nightclub photography, or in-house product photography. None of these options will set your creative soul on fire, but they will still provide a stable foundation for you to start to build your career.

Build the walls

Now you start to do the kind of photography that you want to do. You’re looking for options in your mind-map of ideas that could be regular but might not be quite as reliable as your foundation income.

This might be where you consider incomes like freelance product photography, portraits, or weddings.

All these income streams can be a little unpredictable, at least for the first few years of your career. On top of that, some kinds of photography, like weddings, can be quite seasonal.

Image: Headshots have been a reasonably reliable income for me over the past five or six years. They...

Headshots have been a reasonably reliable income for me over the past five or six years. They’re great because I can do them either at home or on location, and I can be available at reasonably short notice!
ISO400, 100mm, f3.5, 1/125th sec, natural window light

Over time, this income can become more regular. You’ll find that clients come back again and again if they love the pictures and the service! Eventually, you’ll be able to drop the initial low-paid but regular work that you sought in favor of this better-paid income stream.

Put the roof on

Between your foundations and the walls, you’ve got the beginnings of a significant portfolio career. Now you want to look at the well-paid occasional jobs that buy the luxuries like foreign holidays or serious gear upgrades.

Look back at your mind-map once again and think about what large, one-off gigs there might be available to you with your current skillset. You might be able to offer portrait photography at a large business conference, for example, or be on a list of photographers who shoot portraits for magazine interviews.

You’re looking for the high-ticket jobs that are sporadic. They can’t provide a reliable income because of the very nature of the work, but they can offer you good-sized cash injections now and again. It could be a yearly job or one that comes up every few months. But the unpredictability means that you shouldn’t count it as part of your regular income.

building a portfolio career

Each month I try to set a day aside to create unique and creative stock imagery for use on book covers and the like. It doesn’t provide regular sales, but when these images do sell, they pay well!
Both images shot with a beauty dish in the studio.

Business networking meetings can be an excellent place to find these jobs that will help with building a portfolio career. Often you’ll talk to someone and hand over a business card, and you’ll hear nothing for months. But when they do eventually call, it can be for a sizable job, so make sure you have some sample quotes and an idea of what you might charge for different scenarios.

You don’t have to think of every possible situation and make a fantasy quote for it, but have a few that you can adapt with a couple of days notice for the kind of jobs you’d like to do.

Start a nest-egg

Once you’ve established a good income, it’s time to make your photos work harder and build a long-term passive income. You can start to look at options such as stock photography to assist you in building a portfolio career.

For almost the last fifteen years, I’ve been building up collections with various stock libraries. It is a slow process, but worth it when you start to see regular payouts a few years down the line.

You can shoot images specifically for stock libraries if you have some spare time to fill. Many libraries will regularly publish lists of the kind of content that they’re looking to obtain from photographers. If you shoot what’s on the list, you should start to see an income quite quickly. If they’re asking for various subjects, it means that clients are asking for them!

Image: These two images were shot back in 2007 and are amongst my best earners in all that time! The...

These two images were shot back in 2007 and are amongst my best earners in all that time! They consistently make me small but regular sales and have always done so. Both of these images were shot on my Mum’s kitchen table – just showing you can earn anywhere!

You can also reuse images from other shoots that you’ve done, sending them to the stock libraries once you’ve completed the job. Be sure to check your contract, or check with the client if they’re okay with you doing this, but people rarely say no.

An example might be that if you are booked to shoot a fantastic local food market, the client might also allow you to upload these images to stock libraries. You might then look into a specialist food stock agency if you’re shooting this kind of content regularly. In time, you’ll become well-known as a photographer in this field.

Above all, just get started

You can only start your photographic career if you’re willing to put yourself out there and start looking for work. The most important thing is to start somewhere, even if you’re not quite sure where the best place to start is. You can work out the details later.

Try to look for income streams in all of the brackets above. That way, you won’t be putting all of your eggs in one basket. You’ll be protected if one income streams dries up unexpectedly for a while.

Image: ISO200, 35mm (50mm equiv.), f2, 1/600th sec

ISO200, 35mm (50mm equiv.), f2, 1/600th sec

Conclusion

This approach to a photographic portfolio career has enabled me to alternatively increase and scale back my income as and when required. It also helped me to build a solid base that wasn’t tied to any particular location, which means I can work from almost anywhere in the world!

If you’re thinking about building a portfolio career for yourself in photography, tell us about what your specialisms will be in the comments below. We’d love to hear about your plans!

The post How Building a Portfolio Career as a Photographer Can Earn You Money appeared first on Digital Photography School. It was authored by Charlie Moss.


Digital Photography School

 
Comments Off on How Building a Portfolio Career as a Photographer Can Earn You Money

Posted in Photography

 

10 Tips for Using a Graphics Tablet for Easier Photo Editing

01 Mar

The post 10 Tips for Using a Graphics Tablet for Easier Photo Editing appeared first on Digital Photography School. It was authored by John McIntire.

using-a-graphics-tablet-for-photo-editing

In terms of post-processing and retouching, there are a lot of basic techniques that you can use with a mouse (a trackpad is even worse) and a keyboard combo. However, once you get into the more complicated stuff, the amount of precision you need to apply becomes tedious and hard to do with that setup. This is where using a graphics tablet for photo editing comes into its own. Graphics tablets, such as those from Wacom, offer you an enormous amount of control and precision in your retouching. They can also speed up your workflow a lot.

If you’ve never used a graphics tablet for photo editing before, you may wonder if you actually need one.

Using a graphics tablet for retouching photos.

The answer depends on how much time you spend and the type of post-processing that you do. But I will say, this is one of those pieces of equipment that, once you’ve been using it for a week, you’ll wonder how you ever got on without it.

Using a graphics tablet for cleaner and more consistent lines.

Left: Not a mouse, but a trackpad. You can still see how the lines are sloppy and less controlled. Right: With a graphics tablet, more consistent lines become much easier to make.

While graphics tablets are (for the most part) intuitive to use and get to grips with, some of the finer aspects of their use can seem a bit tricky. This article will cover a set of tips to help you get the most out of your graphics tablet.

1. Setup

The first thing you should make sure you do with your graphics tablet is to ensure that it is set up properly.

Many devices have plug-and-play functionality and will seem to work by just plugging them in. This isn’t the case.

In most cases, while you may have use of the pen, the full functionality of your tablet won’t be open to you until you install and setup the relevant software.  Ensure any you install any relevant drivers for your tablet and if it has a software suite, go through all of the options and make sure it is set up in a way that works for you.

Image: A lot of tablets will seem to work without any software installed, but it is important to mak...

A lot of tablets will seem to work without any software installed, but it is important to make sure that you do install it, or you will be missing out on a lot of features.

Your preferences may change over time. If you find that something could be working better for you, do look in the software to see if any of the settings there can help you solve any issue you might be having.

2. Shortcut buttons

After you’ve set-up the basics, you can now move on to the shortcut buttons.

Most graphics tablets offer a number of programmable buttons that you can program and set to any function you choose. Some cheaper tablets might have only a few buttons, while some of the more expensive ones can be covered in them.

How you program them is up to you. A good way to approach this is to take a moment and examine your normal workflow in Photoshop. What actions do you make the most? Which of those actions would be easier (and suitable) to use at the click of a button?

Once you’ve done that, all you have to do is set-up the buttons in a way that suits you.

Image: You have full control over how your shortcut buttons are setup. Use these in any way that sui...

You have full control over how your shortcut buttons are setup. Use these in any way that suits the way you work.

Now, I don’t like using the shortcut buttons and they don’t suit me. The only one I use is the one that allows me to rotate the canvas. That may be the case for you too. That’s fine, and you shouldn’t feel obligated to use something that doesn’t suit your needs or approach.

3. Keyboard shortcuts

Keyboard shortcuts while using a graphics tablet make a powerful combo.

Even with a tablet, you will still use the keyboard a lot for Photoshop shortcuts. Be sure to memorize any that are relevant to you.

Whether you are using Lightroom, Photoshop or any of the other software packages, you will still be using the keyboard alongside your graphics tablet for photo editing.

These programs hold so much functionality that there’s no way that everything you can do could be contained to a few buttons. As such, do spend some time learning as many of the keyboard shortcuts as you can (or at least the ones relevant to your workflow).

Using both a stylus and a keyboard at the same time can seem counterintuitive at first, but you will quickly find it’s nothing to worry about.

4. Undo

Speaking of keyboard shortcuts, there is one that you already probably use more than any other. That, of course, is Ctrl+z (cmd+z) to undo your last action. Be prepared to use this a lot.

Using a pen allows you to work with precision strokes, and just like in drawing, not all of those strokes are going to be perfect the first time. There is nothing wrong with undoing something over and over again until you get it right, so do get comfortable with ctrl+z (cmd+z) and ctrl+alt+z (cmd+alt=z).

You could always set this to a shortcut button on your tablet if you think that option would be good for you.

5. Brush settings

When you start using a graphics tablet for photo editing, you unlock a few features in Photoshop that were previously unavailable to you.

The most important of these are the brush settings; specifically, they’re the pen pressure settings. By turning these on, you give yourself control of the brush pressure through how much pressure you apply to the tablet.

For example, if you have the Always Use Pressure for Size option clicked, then the brush size will change depending on how hard you press down with the pen.

If it’s the opacity option you are using, then a light touch will result in a low opacity from your brush. Turn them both on, and the effects combine.

Image: Taking control of the pressure settings is one of the most powerful aspects of using a graphi...

Taking control of the pressure settings is one of the most powerful aspects of using a graphics tablet for photo editing.

These settings are powerful, and on their own, one of the biggest reasons to use a tablet if you’re on the fence about them. Get to know these settings intimately as they will define your use of your graphics tablet for photo editing.

6. Tilting brushes

This is a bit of a wild card, as you might never use one of these brushes for retouching photos. However, because they exist, it’s good to know about them before you stumble onto them by accident and think your tablet is broken.

Using a graphics tablet unlocks features in Photoshop that are otherwise unavailable.

This charcoal pencil brush responds to the way you hold your pen. Here, all of these lines were made by holding the pen in different positions with all of the pressure settings turned off.

These brushes respond to the way you hold your pen and alter the shape and texture of their output. This replicates how a traditional artist would use a brush or pencil (or other tools) to create different strokes and marks.

If nothing else, it is a fun feature to play with, and if you can figure out how to use it with your photography, more power to you.

7. Digital art tutorials

Using a graphics tablet for retouching can be both intuitive and counterintuitive at the same time. If you have any art background at all (I do not), you will find it easier than other photographers without that kind of background, and you can skip this tip.

If, like me, you don’t have any experience with art (either traditional or digital), I highly recommend taking the time to watch and read some digital painting tutorials.

Some of the most useful types of tutorials are:

Drawing lines – These exercises will give you control over your stylus and help you get used to the pressure sensitivity of your tablet. They will also help you make more precise movements, which will overall help to increase the quality of your output.

Follow digital painting tutorials to get better at using a graphics tablet.

Following tutorials that teach you how to practice making lines and other marks will help you to gain confidence and experience with using your tablet.

Rendering – Digital painting tutorials that deal with painting with values can be an invaluable asset when your using techniques like dodging and burning. These techniques will help you blend your values better and teach you to make more controlled adjustments.

8. Brushstrokes and control

Now that you have watched some tutorials on the subject, don’t forget to actually practice them.

Taking the time to set up a blank canvas and practice your brush strokes with the various pressure settings will only help you to become proficient with your tablet faster.

The same goes for blending values for the retouching techniques that use them. Practice as much as you can, both inside and outside of retouching.

Practice using a graphics tablet as often as possible.

Don’t just follow the tutorials once. Practice a lot at first and then make it a point to practice some more at regular intervals.

9. Warm-up

This one is entirely optional, but if you’re feeling stiff and not getting the results you want, you can borrow another technique from traditional artists and do some warm-up exercises.

There’s nothing fancy here, just set up a blank canvas in Photoshop and spend time practicing your lines and rendering (two or three minutes might be plenty), or whatever else you will be using in your retouching session.

10. Practice, practice, practice

Image: The best way to get to grips with your graphics tablet is to use it a lot.

The best way to get to grips with your graphics tablet is to use it a lot.

Just like everything else in life, if you want to get proficient in using a graphics tablet, there is only one solution:

Use it.

Put in as much mileage as you can as quickly as you can. You should find that any challenges you face in the beginning are quickly put to rest.

The end

There you have it, 10 tips to help you get the most out of using a graphics tablet for photo editing. While there is nothing complicated here, I hope that you will have found something that will help you get the most out of your graphics tablet for photo editing in the early days.

If you have any tips that you feel I have left out, please leave them in the comments below.

The post 10 Tips for Using a Graphics Tablet for Easier Photo Editing appeared first on Digital Photography School. It was authored by John McIntire.


Digital Photography School

 
Comments Off on 10 Tips for Using a Graphics Tablet for Easier Photo Editing

Posted in Photography